Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 22

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ჷႾ ჄႸႵ ჃႽႱႼႼ ჂႵႾჄႵႴ ႱჀႱჂჄႽႵႾჄლ ჀႼႱ჉ႶჅႼ ჃႹႾႷႹႾႷ ႶჂႿႽ ႨჅ ჼႹႱႾ ႴჂႹႶჄႵႴ ႿჅჄ ႿႶ ჄႸႵ ႲႱჄႸჂႿႿႽნ

ჯჄ ჄႸႹჃ ႽႿႽႵႾჄლ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ჁჅႹႵჄႼ჉ ႱႴႽႹჂႹႾႷ Ⴑ ჀႸႿჄႿ ႶჂႱႽႵ ႹႾ ႸႵჂ ႸႱႾႴჃნ

ჷႾჃႹႴႵ ჇႱჃ Ⴑ ჀႹႳჄჅჂႵ ႿႶ ႸႵჂ ႱႾႴ ႨჅ ჼႹႱႾ ႶჂႿႽ ჄႸႵႹჂ ႽႹႴႴႼႵ ჃႳႸႿႿႼ ႴႱ჉Ⴣნ

ჶႵჂ ႶႹႾႷႵჂჃ ႼႹႷႸჄႼ჉ ႲჂჅჃႸႵႴ ჄႸႵ ႷႼႱჃჃ ႿႶ ჄႸႵ ႶჂႱႽႵლ ႱႾ ႹႾႴႵჃႳჂႹႲႱႲႼႵ ႾႿჃჄႱႼႷႹႱ ჇႱჃႸႹႾႷ Ⴟ჆ႵჂ ႸႵჂნ

ႤႸႵ ჀႸႿჄႿ ჃႸႿჇႵႴ ჄჇႿ ႷႹჂႼჃ ჃჄႱႾႴႹႾႷ ჄႿႷႵჄႸႵჂ ႿႾ Ⴑ ჃႳႸႿႿႼ ჀႼႱ჉ႷჂႿჅႾႴნ

ႤႸႵ ႲႼႱႳႻმႸႱႹჂႵႴ ႷႹჂႼ ჇႱჃ ჃႵჂႵႾႵ ႱႾႴ ႵႼႵႷႱႾჄლ Ⴕ჈ჅႴႹႾႷ Ⴑ ჃႳႸႿႼႱჂႼ჉ ႱႹჂლ ჇႸႹႼႵ ჄႸႵ ჇႸႹჄႵმႸႱႹჂႵႴ ႶႿ჈ ႷႹჂႼ ჇႱჃ ႽႹჃႳႸႹႵ჆ႿჅჃႼ჉ ႳჅჄႵლ ႸႵჂ ႱჂႽ ႴჂႱჀႵႴ ႱჂႿჅႾႴ ჄႸႵ ႲႼႱႳႻმႸႱႹჂႵႴ ႷႹჂႼლ ჄႸႵႹჂ ႳႼႿჃႵႾႵჃჃ Ⴕ჆ႹႴႵႾჄნ

ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჄႸႿჅႷႸჄჃ ႳႿჅႼႴႾ’Ⴤ ႸႵႼჀ ႲჅჄ ႴჂႹႶჄ ႲႱႳႻ ჄႿ ჄႸႱჄ ႱႶჄႵჂႾႿႿႾნ

აႩႿჅ’ჂႵ ႣჅ ႡႹႾႷ჉Ⴑლ ჂႹႷႸჄჭ ჳ჆ႵჂ჉ႿႾႵ ჃႱ჉Ⴣ ჉ႿჅ’ჂႵ ႸႱჂႴ ჄႿ ႷႵჄ ႱႼႿႾႷ ჇႹჄႸლ ჄႸႱჄ ჉ႿჅ’ჂႵ Ⴑ ჇႵႹჂႴႿლ ႱႾႴ ჄႸႵ჉ ႱႼႼ ჇႱႾჄ ჄႿ ႹჃႿႼႱჄႵ ჉ႿჅნა

აႣႿჭა

აႣႿლ ჷ’჆Ⴕ ႴႵႳႹႴႵႴ ჄႿ ႲႵ ႶჂႹႵႾႴჃ ჇႹჄႸ ჉ႿჅნა

აჷ ႴႿႾ’Ⴤ ႾႵႵႴ ႶჂႹႵႾႴჃნა

აჶჅႸჭ ႧႸ჉ ႾႿჄჭ ჱႿႽႵ ႿႾლ ႲႵ Ⴝ჉ ႶჂႹႵႾႴ჏ ჷ’Ⴝ ჃჅჀႵჂ ႵႱჃ჉ ჄႿ ႲႵ ႶჂႹႵႾႴჃ ჇႹჄႸნნნ ႠႶႶჄლ ႴႿႾ’Ⴤ ჄႵႼႼ ႽႵ ჉ႿჅ’ჂႵ ჃႳႱჂႵႴ჎ჭ ჶႿჇ ჀႱჄႸႵჄႹႳლ ჄႿႿ ჃႳႱჂႵႴ ჄႿ Ⴕ჆ႵႾ ႽႱႻႵ ႶჂႹႵႾႴჃნა

ჰႱႳႻ ჄႸႵႾლ ႸႵჂ ႶႹჃჄჃ ႸႱႴ ႳႼႵႾႳႸႵႴნ

ჯႾႴ ჇႹჄႸ ჄႸႱჄ ႿႾႵ ჀჅႾႳႸლ ჃႸႵ’Ⴔ ႵႾႴႵႴ ჅჀ ჇႹჄႸ Ⴑ ႷႹჂႼႶჂႹႵႾႴ ჃႸႵ ჇႱჃ ႾႿჇ ჂႵჃჀႿႾჃႹႲႼႵ ႶႿჂნ

ჱႼჅჄႳႸႹႾႷ ႸႵჂ ჄႸႹႷႸლ ႹႽჀႿჃჃႹႲႼႵ ჄႿ ჃႸႱႻႵ ႿႶႶნ

ჺႵႶჄ ჇႹჄႸ ႾႿ ႳႸႿႹႳႵლ ჃႸႵ ႶႹႷჅჂႵႴ ჃႸႵ ႽႹႷႸჄ ႱჃ ჇႵႼႼ ႷႹ჆Ⴕ ႹჄ Ⴑ ჄჂ჉ნ

ႢႵႱႼႼ჉ლ ჃႸႵ’Ⴔ ႲႵႵႾ ႳႿႽჀႼႵჄႵႼ჉ ႶႿႿႼႵႴ ႲႱႳႻ ჄႸႵႾნ

ႣႸႵ’Ⴔ ჄႸႿჅႷႸჄ ჄႸႵ ႼႹჄჄႼႵ ႷႹჂႼ’Ⴣ ႹႴႵႱ ႿႶ აႶჂႹႵႾႴჃა ჇႱჃ ႺჅჃჄ ႿჂႴႹႾႱჂ჉ ႲႵჃჄႹႵ ჃჄჅႶႶნ

ჰჅჄ ჄႸႵႾნნნ

ႤჅჂႾჃ ႿჅჄლ აႶჂႹႵႾႴჃა ႹႾ ႸႵჂ ႲႿႿႻ ႱႳჄჅႱႼႼ჉ ႽႵႱႾჄ ႼႿ჆ႵჂჃნ

ჷჄ ႸႱႴ ႲႵႵႾ Ⴑ ႽႱჃჃႹ჆Ⴕ ჃႸႿႳႻ ჄႿ ႸႵჂ ჉ႿჅႾႷ ႸႵႱჂჄნ

ႠႵჂႸႱჀჃ ႲႵႳႱჅჃႵ ჃႸႵ ჇႱჃ ჃჄႹႼႼ ჉ႿჅႾႷლ ႸႵჂ ჇႿჂႼႴ჆ႹႵჇ ჃჄႹႼႼ ႽႱႼႼႵႱႲႼႵნ

ႣჅ ႡႹႾႷ჉Ⴑ ႶႿჅႾႴ ႸႵჂჃႵႼႶ ႱႳႳႵჀჄႹႾႷ ႹჄ ჃჅჂჀჂႹჃႹႾႷႼ჉ ჁჅႹႳႻႼ჉ნ

ჰჅჄ ჄႸႵ ႽႱႹႾ ჂႵႱჃႿႾ ჇႱჃ ჄႸႱჄ ႱႶჄႵჂ ჂႵႱႼႹ჊ႹႾႷ ჇႸႱჄ ჄႸႵ ႿჄႸႵჂ ႷႹჂႼ ႽႵႱႾჄ Ⴒ჉ აႶჂႹႵႾႴჃლა ჃႸႵ’Ⴔ ჄჂႹႵႴ ჄႿ ჃႳႱჂႵ ႸႵჂ ႿႶႶ ჇႹჄႸ ჃႿႽႵ ჅႾႳႿႾ჆ႵႾჄႹႿႾႱႼ ჄႱႳჄႹႳჃნ

ჺႹႻႵ ႴႵჃჀႵჂႱჄႵႼ჉ ჃႵႱჂႳႸႹႾႷ ჅჀ ႱႼႼ ჃႿჂჄჃ ႿႶ ჄႸႹႾႷჃ ႱႲႿჅჄ ჉ჅჂႹ ჂႵႼႱჄႹႿႾჃႸႹჀჃლ ႱႾႴ ჄႸႵႾნნნ

ჯႾႴ ჄႸႵႾლ ჄႸႹჃ ჂႵႼႱჄႹႿႾჃႸႹჀ ႸႱႴ ჀႵჂჃႹჃჄႵႴ ႱႼႼ ჄႸႵ ჇႱ჉ ჄႿ ჄႸႵ ჀჂႵჃႵႾჄნ

ჼႿჇლ ჃႸႵ ႶႿჅႾႴ ႸႵჂჃႵႼႶ ჅႾႱႲႼႵ ჄႿ ႼႵჄ ႷႿ ႿႶ ჄႸႹჃ ႽႹჃႳႸႹႵ჆ႿჅჃ ႶႿ჈ ႷႹჂႼნ

ჽႾႵ ႳႿჅႼႴ ჃႱ჉ ჃႸႵ’Ⴔ ႷჂႿჇႾ ႱႳႳჅჃჄႿႽႵႴ ჄႿ ႸႱ჆ႹႾႷ ႸႵჂ Ⴒ჉ ႸႵჂ ჃႹႴႵ Ⴕ჆ႵჂ჉ ႽႿႽႵႾჄნ

ჰჅჄ ჄႸႵႾლ ჇႸ჉ ႴႹႴ ჄႸႹჃ ႶႿ჈ ႷႹჂႼ ႶႵႵႼ ႶႵႱჂ ჄႿჇႱჂႴ ႸႵჂჭ

ႣჅ ႡႹႾႷ჉Ⴑ ႲႵႷႱႾ ჄႿ ჂႵႶႼႵႳჄნ

ႣႸႵ ჂႵႱႼႹ჊ႵႴ ჄႸႱჄ ჄႸႵ ႹႾჄႵჂႱႳჄႹႿႾჃ ႲႵჄჇႵႵႾ ႸႵჂ ႱႾႴ ႨჅ ჼႹႱႾ ჇႵჂႵႾ’Ⴤ ႹႾჄႹႽႱჄႵ ႵႾႿჅႷႸნ

ჳႱჄႹႾႷ ჄႿႷႵჄႸႵჂლ ႳႸႱჄჄႹႾႷ ჄႿႷႵჄႸႵჂლ ჃჄჅႴ჉ႹႾႷ ჄႿႷႵჄႸႵჂლ ႿႳႳႱჃႹႿႾႱႼႼ჉ ჄႵႱჃႹႾႷ ႵႱႳႸ ႿჄႸႵჂნ

ႤႸႱჄ ႳႼႵႱჂႼ჉ ჇႱჃႾ’Ⴤ ႵႾႿჅႷႸნ

ჼႿჄ ႵႾႿჅႷႸ ჄႿ ႳჅႼჄႹ჆ႱჄႵ Ⴑ ႴႵႵჀႼ჉ ႹႾჄႹႽႱჄႵ ႲႿႾႴნ

ႠႵჂႸႱჀჃ ჃႸႵ ჃႸႿჅႼႴ ჃჄႱჂჄ ჇႹჄႸ ჃႽႱႼႼ ჄႸႹႾႷჃლ ႴႿ ჃႿႽႵჄႸႹႾႷ ႽႿჂႵ ႹႾჄႹႽႱჄႵლ ჄႿ ႷჂႱႴჅႱႼႼ჉ ႳႸႹჀ ႱჇႱ჉ ႱჄ ჄႸႱჄ ႶႵႱჂნ

ჷႾ ႶႱႳჄლ ჄႿႴႱ჉’Ⴣ ႼჅႾႳႸ ႸႱႴ ႱႼჂႵႱႴ჉ ჀჂႿ჆ႵႾ ჄႸႹჃ ჀႿႹႾჄნ

ႣႵჄჄႹႾႷ ჄႸႵ ჀႸႿჄႿ ႶჂႱႽႵ ႱჃႹႴႵლ ჃႸႵ ჃႸႵႴ ႸႵჂ ႳႼႿჄႸႵჃ ႿႾႵ Ⴒ჉ ႿႾႵლ ႷჂႱႲႲႵႴ Ⴑ ჄႿჇႵႼლ ႱႾႴ ჀჅჃႸႵႴ ႿჀႵႾ ჄႸႵ ႲႱჄႸჂႿႿႽ ႴႿႿჂნ

აჳႵႻ჏ა

ჯ ႷႹჂႼ’Ⴣ ჃႸჂႹႵႻ ႳႱႽႵ ႶჂႿႽ ႹႾჃႹႴႵ ჄႸႵ ႲႱჄႸჂႿႿႽნ

აჷ—ჷ ႼႿႳႻႵႴ ჄႸႵ ႴႿႿჂლ ႴႹႴႾ’Ⴤ ჷჭა

აႤႸႵ ႲႱჄႸჂႿႿႽ ႴႿႿჂ’Ⴣ ႲႵႵႾ ႲჂႿႻႵႾ ႶႿჂ Ⴑ ჇႸႹႼႵნ ჲႹႴႾ’Ⴤ ჉ႿჅ ႻႾႿჇჭა

აႣႹႾႳႵ ჇႸႵႾჭ ჷ ႺჅჃჄ ჄჂႹႵႴ ႹჄ ႵႱჂႼႹႵჂ ႱႾႴ ႹჄ ჇႿჂႻႵႴ჏ა

ჷႾჃჄႹႾႳჄႹ჆ႵႼ჉ლ ႨჅ ჼႹႱႾ ႳႿ჆ႵჂႵႴ ჄႸႵ ჀႱჂჄჃ ႿႶ ႸႵჂჃႵႼႶ ჄႸႱჄ ႾႵႵႴႵႴ ႳႿ჆ႵჂႹႾႷნ

ႤႸႹჃ ჇႱჃ ჇႱ჉ ჄႿႿ ჃჅႴႴႵႾნ

აჸჅჃჄ ႾႿჇნა

აႧႸႱჄ ႴႿ ჉ႿჅ ႽႵႱႾ ‘ႺჅჃჄ ႾႿჇ’ჭ ჺႹჃჄႵႾ ჄႿ ჉ႿჅჂჃႵႼႶ჏ა

ႣჅႴႴႵႾႼ჉ლ ႨჅ ჼႹႱႾ ჃႵႵႽႵႴ ჄႿ ჂႵႱႼႹ჊Ⴕ ჃႿႽႵჄႸႹႾႷნ

აႠႶႶჄლ ႴႿႾ’Ⴤ ჄႵႼႼ ႽႵ ჉ႿჅ’ჂႵ ჀႼႱႾႾႹႾႷ ჄႿ ႺႿႹႾ ႽႵჭ ჼႿ ჇႱ჉ლ ႾႿ ჇႱ჉჎ა

აჳ჈ႱႳჄႼ჉ნ ჷ’Ⴝ ႺႿႹႾႹႾႷ ჉ႿჅნ ჻Ⴟ჆Ⴕ ჉ႿჅჂ ႸႱႾႴჃნ ჱႿჅჀႼႵჃ ჃႸႿჅႼႴ ႲႵ ႿჀႵႾ ჇႹჄႸ ႵႱႳႸ ႿჄႸႵჂლ ჂႹႷႸჄჭა

აႧმჇႸႱჄჭ ႩႿჅ’ჂႵ ჂႵႱႼႼ჉ ႺႿႹႾႹႾႷ ႽႵჭ ႤႸႱჄ’Ⴣ—ჄႸႱჄ’Ⴣ ႾႿჄ ႿႻႱ჉჏ ჷმჷ’Ⴝ ႾႿჄ ႴႿႾႵ ჉ႵჄ჏ ჷႶ ჉ႿჅ ჇႱႾჄ ჄႿ ჇႱჃႸლ ႳႱႾ’Ⴤ ჉ႿჅ ჇႱႹჄ Ⴑ ႲႹჄჭა

აჽႸჭ ჼႿჭა

ႤႸႵ ႷႹჂႼ’Ⴣ ႶႼႱჇႼႵჃჃ ႶႹႷჅჂႵ ჇႱჃ ႾႿჇ ႶჅႼႼ჉ Ⴕ჈ჀႿჃႵႴ ჄႿ ႨჅ ჼႹႱႾ’Ⴣ ႷႱ჊Ⴕნ

ჯ ჀႹჄႳႸმႲႼႱႳႻ ჃჄႱჂ ჇႱჃ ႵჄႳႸႵႴ ႱჄ ჄႸႵ ჄႿჀ ႿႶ ႸႵჂ ႳႼႵႱ჆ႱႷႵლ ჃჄჂႹႻႹႾႷႼ჉ ჆Ⴙ჆ႹႴნ

ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჄႿჇႵႼ ႲႱჂႵႼ჉ ႳႿ჆ႵჂႵႴ ႱႾ჉ჄႸႹႾႷ—ႹჄ ჇႱჃ ჀჂႱႳჄႹႳႱႼႼ჉ Ⴑ ႶჅႼႼ ႴႹჃჀႼႱ჉ ႿႶ ჃჀჂႹႾႷ ჃႳႵႾႵჂ჉ნ

ႤႸႵ ႲႱჄႸჂႿႿႽ ႹႾ ჄႸႵ ჂႵႾჄႵႴ ႱჀႱჂჄႽႵႾჄ ჇႱჃႾ’Ⴤ ჃჀႱႳႹႿჅჃ ႵႾႿჅႷႸ ႶႿჂ ჄჇႿლ ჃႿ ႣჅ ႡႹႾႷ჉Ⴑ ႸႱႴႾ’Ⴤ ႳႼႿჃႵႴ ჄႸႵ ႴႿႿჂნ

ჰჅჄნნნ

ჷႶ ჄႸႵ჉ ჃჁჅႵႵ჊ႵႴ ႳႼႿჃႵლ ჄႸႵ჉ ႳႿჅႼႴ ჃჄႹႼႼ ႵႾႺႿ჉ ჄႸႵ ႲႱჄႸ ჄႿႷႵჄႸႵჂნ

ႥႾႴႵჂ ჄႸႵ ჇႱჂႽ ჃჀჂႱ჉ ႿႶ ჄႸႵ ჃႸႿჇႵჂლ ႣჅ ႡႹႾႷ჉Ⴑ ႶႵႼჄ ႱႼႼ ႸႵჂ ႶႱჄႹႷჅႵ ႽႵႼჄ ႱჇႱ჉ნ

ჷჄ ჇႱჃ ჃჄჂႱႾႷႵლ ჂႵႱႼႼ჉ნ

ႣႸႵ ႼႿ჆ႵႴ ჄႸႹჃ ႶႵႵႼႹႾႷნ

ჰჅჄ ჇႸႱჄ ႱႲႿჅჄ ႨჅ ჼႹႱႾჭ

ႨჅ ჼႹႱႾ ჇႱჃ ჀჅႼႼႵႴ ႹႾჄႿ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႵႽႲჂႱႳႵლ ჄႸႵ ჇႱჄႵჂ ႳႱჃႳႱႴႹႾႷ Ⴟ჆ႵჂ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃႽႿႿჄႸლ ႶႱႹჂ ჃႻႹႾ ႲႵႶႿჂႵ ჄჂႹႳႻႼႹႾႷ ႿႾჄႿ ႨჅ ჼႹႱႾნ

ႨჅ ჼႹႱႾ’Ⴣ ႶႱႳႵ ႹႾჃჄႱႾჄႼ჉ ჄჅჂႾႵႴ ႳჂႹႽჃႿႾნ

აჲმႴႿႾ’Ⴤ ჉ႿჅ ჄႸႹႾႻ ჄႸႹჃ ႹჃ ჄႿႿ ႳჂႱႽჀႵႴჭა

ႫჴႵႱჂ ჺႵ჆ႵႼშ უყდႭ

აჼႿჄ ႱჄ ႱႼႼნ ჷႾ ႶႱႳჄლ ჷ ႼႿ჆Ⴕ ႹჄნ ჺႵჄ ႽႵ ჇႱჃႸ ჉ႿჅჂ ႸႱႹჂ ႱႾႴ ႱჀჀႼ჉ ჃႿႱჀ ႶႿჂ ჉ႿჅნა

ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႹႴႵႱ ႿႶ აჇႱჃႸႹႾႷ ႨჅ ჼႹႱႾა ჂႵႱႼႼ჉ ჇႱჃ ႺჅჃჄ ჇႱჃႸႹႾႷნ

ႣႸႵ ჃჁჅႵႵ჊ႵႴ ႿჅჄ Ⴑ ႼႱჂႷႵ ႴႿႼႼႿჀ ႿႶ ჃႸႱႽჀႿႿლ ჆ႹႷႿჂႿჅჃႼ჉ ႽႱჃჃႱႷႵႴ ႹჄ ႹႾჄႿ ႨჅ ჼႹႱႾ’Ⴣ ႸႱႹჂლ ჄႸႵႾ ჄჂႱႾჃႶႵჂჂႵႴ ჄႸႵ ჃჅႴჃ ჄႿ ႸႵჂ ႿჇႾ ႸႵႱႴნ

აႧႵ’ჂႵ ႾႿჄ ჄႸႱჄ ჀႿႿჂლ ႱჂႵ ჇႵჭა

აႧႸႱჄ ႴႿ ჉ႿჅ ႻႾႿჇჭ ႤႸႹჃ ႹჃ ჼႹႱႾ ჼႹႱႾმႲჂႱႾႴ ჃႸႱႽჀႿႿნა

აჷႴႹႿჄ჏ ჷႴႹႿჄ჏ა

ႨჅ ჼႹႱႾ ჇႱჃ ႱჄ ႸႵჂ ႼႹႽႹჄნ

ႤႸႹჃ ჇႱჃ ჄႸႵ ႶႹჂჃჄ ჄႹႽႵ ჄႸႵ ჄჇႿ ႿႶ ჄႸႵႽ ႸႱႴ ჃჁჅႵႵ჊ႵႴ ႹႾჄႿ ჃჅႳႸ Ⴑ ჄႹႷႸჄ ჃჀႱႳႵ ჄႿ ႲႱჄႸႵ ჄႿႷႵჄႸႵჂნ

ჷჄ ჇႱჃႾ’Ⴤ ႼႹႻႵ ჃႸႵ’Ⴔ ႾႵ჆ႵჂ ჃႵႵႾ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႲႿႴ჉ ႲႵႶႿჂႵლ ႲჅჄ ႾႿჇლ ჇႹჄႸ ჄႸႵ ႷႼႹჃჄႵႾႹႾႷ ჇႱჄႵჂ ႴჂႿჀႼႵჄჃლ ჄႸႵ ჃႹႷႸჄ ႿႶ ႸႵჂ ႼႹႻႵ Ⴑ ႶჂႵჃႸႼ჉ ႲႼႿႿႽႵႴ ႼႿჄჅჃ ჇႱჃ Ⴟ჆ႵჂჇႸႵႼႽႹႾႷნ

ႣႸႵ ႳႿჅႼႴႾ’Ⴤ ჄႱႻႵ ჄႸႹჃ ႱႾ჉ႽႿჂႵნ

ႣႸႵ ჂႵႱႼႼ჉ ႳႿჅႼႴႾ’Ⴤნ

ჷႶ ႣჅ ႡႹႾႷ჉Ⴑ ჃჄႱჂჄႵႴ ႱჀჀႼ჉ႹႾႷ ჃႿႱჀ ჄႿ ႸႵჂნნნ

ჯ ႴႵႼႹႳႱჄႵ ႸႱႾႴ ႳႿႱჄႵႴ ႹႾ ႳႿႿႼლ ჃჄႹႳႻ჉ ႼႱჄႸႵჂლ ჇႱჂႽ ჀႱႼႽჃ ჀჂႵჃჃႹႾႷ ႱႷႱႹႾჃჄ ႸႵჂ ჃႻႹႾნ

ႤႸႵ ႹႾႹჄႹႱႼ ႳႸႹႼႼლ ჄႸႵ ჃႸႹ჆ႵჂლ ჄႸႵႾ ჄႸႵ ႶჂႱႷჂႱႾჄ ႶႿႱႽ ႷႼႹႴႹႾႷ Ⴟ჆ႵჂ Ⴕ჆ႵჂ჉ ႹႾႳႸ ႿႶ ႸႵჂ ჃႽႿႿჄႸ ႲႿႴ჉ნ

ჸჅჃჄ ႹႽႱႷႹႾႹႾႷ ႹჄ ႽႱႴႵ ႸႵჂ ႶႵႵႼ ႼႹႻႵ ჃႸႵ’Ⴔ Ⴕ჈ჀႼႿႴႵნ

აჷ’ႼႼ ႱჀჀႼ჉ ჄႸႵ ჃႿႱჀ Ⴝ჉ჃႵႼႶნა

ႧႹჄႸ ჄႸႱჄლ ႨჅ ჼႹႱႾ ჂႵႱႳႸႵႴ ႶႿჂ ჄႸႵ ႲႿჄჄႼႵნ

ႣჄჂႱႾႷႵႼ჉ლ ႣჅ ႡႹႾႷ჉Ⴑ ႴႹႴႾ’Ⴤ ჃჄႿჀ ႸႵჂნ

ჰჅჄ ႺჅჃჄ ႱჃ ႨჅ ჼႹႱႾ ჇႱჃ ႱႲႿჅჄ ჄႿ ႼႱჄႸႵჂ ႸႵჂჃႵႼႶნნნ

ႣჅ ႡႹႾႷ჉Ⴑ ႹႾჄႵჂ჆ႵႾႵႴნ

ჺႵႱႾႹႾႷ ႳႼႿჃႵ ჄႿ ႨჅ ჼႹႱႾ’Ⴣ ႸႵႱႴ—ჇႸႵჂႵ ႸႵჂ ႼႱჂႷႵ ႶႿ჈ ႵႱჂჃ ჄჇႹჄႳႸႵႴ—ႣჅ ႡႹႾႷ჉Ⴑ ჇႸႹჃჀႵჂႵႴშ

აჼႹႱႾ ჼႹႱႾლ ჉ႿჅ ჃႸႿჅႼႴ ႲႵ ჄႸႵ ႿႾႵ ႱჀჀႼ჉ႹႾႷ ႹჄ ჄႿ ႽႵნა

ႤႸႵႾლ ჃႸႵ ႷჅႹႴႵႴ ႨჅ ჼႹႱႾ’Ⴣ ႸႱႾႴ ჄႿ ႸႵჂ ႿჇႾ ႳႸႵჃჄნ

აჳ჆ႵჂ჉ ႹႾႳႸ჎ა

აჸჅჃჄ ႼႹႻႵ ႸႿჇ ჷ ჇႱჃႸႵႴ ჉ႿჅნა

ა჻ႽႽჀႸ჏჏჏ა

ႨჅ ჼႹႱႾ’Ⴣ ႲႼႿႿႴ ჂჅჃႸႵႴ ჄႿ ႸႵჂ ႸႵႱႴნ

ჶႵჂ ႼႵႷჃ ႷႱ჆Ⴕ ႿჅჄლ ႱႾႴ ჃႸႵ ႾႵႱჂႼ჉ ႳႿႼႼႱჀჃႵႴნ

ႤႸႹჃ ჇႱჃ ႽႿჂჄႹႶ჉ႹႾႷ჏

ႧႸႱჄ ႻႹႾႴ ႿႶ ႾႿႾჃႵႾჃႵ ჇႱჃ ჄႸႹჃჭ჏

ჼႿ ႽႿჂႵ჏

აჷ’Ⴝ ႴႿႾႵნ ჷ’Ⴝ ႾႿჄ ჇႱჃႸႹႾႷ ႱႾ჉ႽႿჂႵნა

ႣႸႵ ჄჂႹႵႴ ჄႿ ႲႿႼჄნ

ჰჅჄ ႸႵჂ ႵჃႳႱჀႵ ႱჄჄႵႽჀჄ ჇႱჃ ჄႿႿ ႿႲ჆ႹႿჅჃნ

ႣჅ ႡႹႾႷ჉Ⴑ ჂႵႱႳႸႵႴ ႿჅჄლ ႷჂႱႲႲႵႴ ႸႵჂ ႶႼჅႶႶ჉ ჄႱႹႼლ ႱႾႴ ჉ႱႾႻႵႴ ႸႵჂ ႲႱႳႻნ

ႤႸႵ ႶႼႿႿჂ ჇႱჃ ჃႼႹჀჀႵჂ჉ლ ႱႾႴ ႶႵႱჂႹႾႷ ႨჅ ჼႹႱႾ ႽႹႷႸჄ ႶႱႼႼლ ჃႸႵ ჀჅႼႼႵႴ ႸႵჂ ႹႾჄႿ ႱႾ ႵႽႲჂႱႳႵნ

აႧႸႵჂႵ ႴႿ ჉ႿჅ ჄႸႹႾႻ ჉ႿჅ’ჂႵ ႷႿႹႾႷლ ႴႱჂႼႹႾႷჭა

ႫჴႵႱჂ ჺႵ჆ႵႼშ უტდႭ

ႫჴႼჅჃჄႵჂ ჺႵ჆ႵႼშ ღქდႭ

ႨჅ ჼႹႱႾ’Ⴣ ႼႵႷჃ ჇႿႲႲႼႵႴლ ႱႾႴ ჃႸႵ ႾႵႱჂႼ჉ ႳჂჅႽჀႼႵႴ ჄႿ ჄႸႵ ႶႼႿႿჂლ ჃႱ჆ႵႴ ႿႾႼ჉ Ⴒ჉ ჃႿႽႵ Ⴝ჉ჃჄႵჂႹႿჅჃ ႶႿჂႳႵ ႸႿႼႴႹႾႷ ႸႵჂ ჅჀნ

ႤႿႿ ႲႱႴ ႣჅ ႡႹႾႷ჉Ⴑ ႳႿჅႼႴႾ’Ⴤ ჃႵႵ ႨჅ ჼႹႱႾ’Ⴣ ႶႼჅჃჄႵჂ ႼႵ჆ႵႼ—ჃႸႵ ႸႱႴ ႾႿ ႹႴႵႱ ჄႸႵ ႷႹჂႼ ႸႱႴ ჄჅჂႾႵႴ ႹႾჄႿ Ⴑ ႶჅႼႼმႲႼႿჇႾ ႤႸႿႽႱჃ ჄႸႵ ႤႱႾႻ ჳႾႷႹႾႵ ႿႶ ႵႽႲႱჂჂႱჃჃႽႵႾჄნ

ႨჅ ჼႹႱႾლ ႿႸ ႨჅ ჼႹႱႾ჏

ႩႿჅ ႳႱႾ’Ⴤ ႼႿჃႵ ႶႱႳႵ ႼႹႻႵ ჄႸႹჃ჏

ႩႿჅ ჇႵჂႵ ႿჂႹႷႹႾႱႼႼ჉ Ⴑ ႷჅ჉ლ ჇႵჂႵႾ’Ⴤ ჉ႿჅჭ ჱႱႾ’Ⴤ Ⴕ჆ႵႾ ႸႱႾႴႼႵ ჄႸႹჃ ႼႵ჆ႵႼ ႿႶ ჃႻႹႾჃႸႹჀჭ

ჯႾႴ ჇႹჄႸ ჄႸႵ ႿჄႸႵჂ ჃႹႴႵ ႲႵႹႾႷ ჃႿ ჀჂႿႱႳჄႹ჆Ⴕ ႶႿჂ ႿႾႳႵ჏

ჼႿლ ႾႿლ ႾႿ჏

ჱႱႾ’Ⴤ ႼႵჄ ჄႸႹჃ ႼႿჃႵჂ ႣჅ ႡႹႾႷ჉Ⴑ ႿჅჄႴႿ ჉ႿჅ჏

ႠჅႽჀႹႾႷ ႸႵჂჃႵႼႶ ჅჀ ႹႾჄႵჂႾႱႼႼ჉ლ ႨჅ ჼႹႱႾ ჃჄჂႱႹႷႸჄႵႾႵႴ ႸႵჂ ჀႿჃჄჅჂႵნ

ႣႸႵ ჃჄႵႵႼႵႴ ႸႵჂჃႵႼႶნ

ႣႿ ჇႸႱჄ ႹႶ ჃႸႵ ႸႱႴ ჄႿ ႷჂႿჀႵ ႱჂႿჅႾႴჭ ႣჅႳႸ Ⴑ ჄჂႹ჆ႹႱႼ ჄႸႹႾႷ ႳႿჅႼႴႾ’Ⴤ ႴႵႶႵႱჄ ႨჅ ჼႹႱႾ჏

აჰჂႹႾႷ ႹჄ ႿႾ჏ა

ႣႸႵ Ⴕ჈ჄႵႾႴႵႴ ႸႵჂ ႸႱႾႴნ

აჼႹႱႾ ჼႹႱႾლ ჼႹႱႾ ჼႹႱႾლ ႾმႾႿჄ ႼႹႻႵ ჄႸႱჄ—ႿჇლ ႿჇ჏ ႧႱႹჄლ ჇႸ჉ ႱჂႵ ჉ႿჅ ႼႹႾႷႵჂႹႾႷ ჃႿ ႼႿႾႷ ႿႾ Ⴝ჉ ჄႸႹႷႸჃჭ ႤႸႵ჉’ჂႵ ႱႼჂႵႱႴ჉ ႳႼႵႱႾ჏ ჼმႾႿლ ჄႸႱჄ ჄႵႳႸႾႹჁჅႵ—ჄႸႱჄ ჄႵႳႸႾႹჁჅႵ—ჃჄႿჀლ ჃჇႹჄႳႸ ჃჀႿჄჃლ ჀႼႵႱჃႵლ ჷ’Ⴝ ႲႵႷႷႹႾႷ ჉ႿჅლ ႴႿႾ’Ⴤ ჇႱჃႸ ჄႸႵჂႵ ႱႾ჉ႽႿჂႵ჏ა

ႧႱჄႳႸႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑლ ჇႸႿ’Ⴔ ႲႵႵႾ ჃႿ ႳႿႾႶႹႴႵႾჄ ႵႱჂႼႹႵჂლ ႾႿჇ ႳႿႽჀႼႵჄႵႼ჉ ႱჄ ႸႵჂ ႽႵჂႳ჉ლ ႨჅ ჼႹႱႾ ႳႿჅႼႴႾ’Ⴤ ႸႵႼჀ ႲჅჄ ჃႽႹჂႻნ

ჰჅჄ ႱႼႱჃნნნ

ႧႸႱჄ ႷႿႵჃ ႱჂႿჅႾႴ ႳႿႽႵჃ ႱჂႿჅႾႴნ

ႣჅ ႡႹႾႷ჉Ⴑ ჇႿჅႼႴ ႹႾႵ჆ႹჄႱႲႼ჉ ႲႵ ჃႳჂჅႲႲႵႴ ႳႼႵႱႾნ

ჯႾႴ ႾႵ჈Ⴤნნნ

ჷჄ’Ⴔ ႲႵ ႨჅ ჼႹႱႾ’Ⴣ ჄჅჂႾნ

აჳႵჀ჏ ჼႿ჏ა

აჼႿჭ ჼႹႱႾ ჼႹႱႾლ ჄႸႱჄ’Ⴣ ႾႿჄ ჇႸႱჄ ჉ႿჅ ჃႱႹႴ ႵႱჂႼႹႵჂნა

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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