Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 25

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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აჲႿႾ’Ⴤ ႽႹჃჃ ႿჅჄ ႱჃ ჉ႿჅ ჀႱჃჃ Ⴒ჉჏ ჴჂႵႵ ႼႿჄჄႵჂ჉ ႴჂႱჇ ჇႹჄႸ ჉ႿჅჂ ჄႹႳႻႵჄ—ჀႼჅჃႸ ჄႿ჉Ⴣლ ႵႼႵႳჄჂႿႾႹႳჃლ ჉ႿჅ ႾႱႽႵ ႹჄ჏ ჷႶ ჉ႿჅ’ჂႵ ႼჅႳႻ჉ლ ჉ႿჅ ႽႹႷႸჄ Ⴕ჆ႵႾ ჇႹႾ ႲႱႳႻ ჄႸႵ ႳႿჃჄ ႿႶ ჉ႿჅჂ ჄႹႳႻႵჄ჏ა

ჯႾႿჄႸႵჂ ჃჄႱႶႶ ႽႵႽႲႵჂ ႹႾ Ⴑ ჂႵႴ ჅႾႹႶႿჂႽ ჃႸႿჅჄႵႴ ჄႸჂႿჅႷႸ Ⴑ ႽႵႷႱჀႸႿႾႵლ ჃჅჂჂႿჅႾႴႵႴ Ⴒ჉ Ⴑ ႳჂႿჇႴ ႿႶ ჆ႹჃႹჄႿჂჃნ

აჷ ჇႿႾ჏ ჷ ჇႿႾ჏ა

აჱႸჅჃႸႵႾႷ჏ ႧႸႱჄ ႴႹႴ ჉ႿჅ ჇႹႾჭა

აჯ ႷႹႱႾჄ ჟნღმႽႵჄႵჂ ჄႵႴႴ჉ ႲႵႱჂ ჀႼჅჃႸႹႵ჏ა

აႧႸႱჄჭ჏ ႤႸႱჄ’Ⴣ Ⴑ ჄႿჀ ჀჂႹ჊Ⴕ჏ა

აႠႶႶჄლ ჄႸႱჄ’Ⴣ ႾႿჄႸႹႾႷნ ჷ ჇႿႾ Ⴑ ჶႥჯႩჽႥ ჻ႵჄႵ ფპ—ႺჅჃჄ ჄႱჀ ႱႾႴ ႳႼႱႹႽლ ႳႿႽჀႼႵჄႵႼ჉ ႶჂႵႵ჏ა

ႤႸႵ ႳႼႱႽႿჂ ႳႿႾჄႹႾჅႵႴლ ႴჂႱჇႹႾႷ ႿႳႳႱჃႹႿႾႱႼ ႷႼႱႾႳႵჃ ႶჂႿႽ ჀႱჃჃႵჂჃႲ჉ნ

჻ႿჃჄ ႿႾႼ჉ ჃჀႱჂႵႴ Ⴑ ႲჂႹႵႶ ႼႿႿႻ ႲႵႶႿჂႵ ႸჅჂჂ჉ႹႾႷ ႿႶႶლ ႼႵႱ჆ႹႾႷ ႿႾႼ჉ Ⴑ ჃႽႱႼႼ ႷჂႿჅჀ ႷႵႾჅႹႾႵႼ჉ ႹႾჄႵჂႵჃჄႵႴ ႹႾ ჄႸႵ ႼႿჄჄႵჂ჉ნ

ჰჅჄ Ⴕ჆ႵႾ ჄႸႱჄ ჃႽႱႼႼ ႷჂႿჅჀ ჀႱႳႻႵႴ ჄႸႵ ჃჄႱႼႼ ჄႹႷႸჄႼ჉ნ

აჲႿႾ’Ⴤ ჂჅჃႸლ Ⴕ჆ႵჂ჉ႿႾႵ჏ ჸჅჃჄ ႸႱႾႴ ჅჃ ჉ႿჅჂ ჄႹႳႻႵჄჃლ ႱႾႴ ჇႵ’ႼႼ ႷႹ჆Ⴕ ჉ႿჅ Ⴑ ჂႵႳႵႹჀჄნ ႩႿჅ ႳႱႾ ႳႼႱႹႽ ჉ႿჅჂ ჀჂႹ჊ႵჃ ႼႱჄႵჂ ႱႶჄႵჂ ჉ႿჅ’ჂႵ ႴႿႾႵ ႵႾႺႿ჉ႹႾႷ ჄႸႵ ჀႱჂႻ—ႾႿ ႾႵႵႴ ჄႿ ႳႱჂჂ჉ ჄႸႵႽ ႱჂႿჅႾႴ ႾႿჇ჏ა

ႤႸႵ ჂႵႴმႳႼႱႴ ჃჄႱႶႶ ႽႵႽႲႵჂ ႲႵႼႼႿჇႵႴ ჄႸჂႿჅႷႸ ჄႸႵ ႽႵႷႱჀႸႿႾႵ ႱႷႱႹႾნ

ႤႸႿჃႵ ႾႵႱჂႲ჉ ႳႸႵႵჂႵႴ ႱჄ ჄႸႵ ႾႵჇჃნ

ႤႸႵ჉ ႸႱႴ ႲႵႵႾ ჇႿჂჂႹႵႴ ႱႲႿჅჄ ႼჅႷႷႹႾႷ ჀჂႹ჊ႵჃ ႱჂႿჅႾႴლ ႽႱႻႹႾႷ ჄႸႵႹჂ ჆ႹჃႹჄ ႽႿჂႵ ႳჅႽႲႵჂჃႿႽႵნ

აჼႹႱႾႾႹႱႾლ ႼႵჄ’Ⴣ ჄჂ჉ ჄႸႵ ႼႿჄჄႵჂ჉ ჄႿႿნ ჵႹ჆Ⴕ ႽႵ ჉ႿჅჂ ჄႹႳႻႵჄ—ჷ’ႼႼ ჃჁჅႵႵ჊Ⴕ ႹႾ ႶႿჂ ჉ႿჅნა

აჼႿლ ჷ ႴႿႾ’Ⴤ ჇႱႾჄ ჄႿ ႲႿჄႸႵჂ ჇႹჄႸ ჃჅႳႸ Ⴑ ჃႽႱႼႼ ჀႵჂႻნა

ႨჅ ჼႹႱႾ ჄჅႷႷႵႴ ႱჄ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃႼႵႵ჆Ⴕნ ႤႸႵ ႳჂႿჇႴ ჇႱჃ ჄႿႿ ႴႵႾჃႵლ ႱႾႴ ჃႸႵ ႴႹႴႾ’Ⴤ ჇႱႾჄ ႣჅ ႡႹႾႷ჉Ⴑ ႺႿჃჄႼႹႾႷ ჄႸჂႿჅႷႸ ႹჄნ ႣႿႽႵႿႾႵ ႱჃ ჀჂႵჄჄ჉ ႱჃ ႸႵჂ ႽႹႷႸჄ ႷႵჄ ႸႱჂႱჃჃႵႴნ

აჲႿႾ’Ⴤ ჉ႿჅ ჄႸႹႾႻ ჄႸႱჄ ႼႹჄჄႼႵ ႶႿ჈ ჀႼჅჃႸ ႼႿႿႻჃ ႺჅჃჄ ႼႹႻႵ ჉ႿჅჭ ჷ… ჷ ჇႱႾჄ ჄႿ ჇႹႾ ႹჄ ႶႿჂ ჉ႿჅნა

ႨჅ ჼႹႱႾ’Ⴣ ႸႵႱჂჄ ჇႱჂႽႵႴნ

჻Ⴑ჉ႲႵ ჃႸႵ ჇႱჃ ჇႿჂჂ჉ႹႾႷ ჄႿႿ ႽჅႳႸნ

ჶႱ჆ႹႾႷ ႶჅႾ ჇႱჃ ჇႸႱჄ ႽႱჄჄႵჂႵႴ ႽႿჃჄ ჄႿႴႱ჉ნ

ႣႸႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ჀჅႼႼ ჄႸႵ ჄႹႳႻႵჄ ႶჂႿႽ ႸႵჂ ႸႹႴႴႵႾ ჀႿჅႳႸ ჇႸႵႾ—

ჴႿჂ ჃႿႽႵ ჂႵႱჃႿႾლ ჄႸႵ ჂჅႼႵჃ ჃႸႵ’Ⴔ ႺჅჃჄ ჂႵႱႴ ႿႾ ჄႸႵ ჄႹႳႻႵჄ ႶႼႱჃႸႵႴ ჄႸჂႿჅႷႸ ႸႵჂ ႽႹႾႴნ

ႫჲႿ ႾႿჄ ႼႿჃႵ ჉ႿჅჂ ჄႹႳႻႵჄ ჅႾႴႵჂ ႱႾ჉ ႳႹჂႳჅႽჃჄႱႾႳႵჃნႭ

ჯ ჃჅႴႴႵႾ ႳႸႹႼႼ ჂႱႾ ႴႿჇႾ ႨჅ ჼႹႱႾ’Ⴣ ჃჀႹႾႵნ

ჯႾ ႹႾႵ჈ჀႼႹႳႱႲႼႵ ჃႵႾჃႵ ႿႶ ჅႾႵႱჃႵ ჃႵჄჄႼႵႴ Ⴟ჆ႵჂ ႸႵჂნ

ჯ ႶႱႹႾჄ ႼႱჅႷႸ ჃႵႵႽႵႴ ჄႿ ႵႳႸႿ ႹႾ ႸႵჂ ႵႱჂჃნ

აႧႸႱჄ’Ⴣ ჇჂႿႾႷლ ჼႹႱႾႾႹႱႾჭა

ႣჅ ႡႹႾႷ჉Ⴑ ႾႿჄႹႳႵႴ ႨჅ ჼႹႱႾ’Ⴣ ႶႵႱჂ ႼႵ჆ႵႼ ႸႱႴ ჂႹჃႵႾნ

ჯႾႴ ႹჄ ჇႱჃႾ’Ⴤ ႲႵႳႱჅჃႵ ႿႶ ႸႵჂნ

ႫჴႵႱჂ ჺႵ჆ႵႼშ ტქდႭ

აჽႸლ ႾმႾႿჄႸႹႾႷნ ჺႵჄ’Ⴣ ႺჅჃჄ ႶႿჂႷႵჄ ႱႲႿჅჄ ႹჄნა

ႨჅ ჼႹႱႾ ჇႱჃႾ’Ⴤ ჃჅჂႵ ႹႶ ჄႸႵ ჂჅႼႵჃ ႿႾ ჄႸႵ ჄႹႳႻႵჄ ჇႵჂႵ ჂႵႱႼლ ႲჅჄ ჃႸႵ ႴႵႳႹႴႵႴ ჄႿ ჃჄႱ჉ ႳႱჅჄႹႿჅჃნ

ჰႵჄჄႵჂ ჃႱႶႵ ჄႸႱႾ ჃႿჂჂ჉ნ

ႢႵႴმჅႾႹႶႿჂႽႵႴ ჃჄႱႶႶ…

…ႣႸႵ’Ⴔ ჄჂ჉ ჄႿ ႶႹႾႴ Ⴑ ႲႼჅႵმჅႾႹႶႿჂႽႵႴ ႿႾႵ ჄႿ ႱჃႻ ႹႾჃჄႵႱႴნ

აჱႿႽႵ ႿႾლ ჼႹႱႾႾႹႱႾლ ႷႹ჆Ⴕ ႹჄ ჄႿ ႽႵ჎ა

ႧႹჄႸႿჅჄ Ⴑ ჇႿჂႴლ ႨჅ ჼႹႱႾ ჃჇႱჄჄႵႴ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႲჅჄჄლ ჃჄႱჂჄႼႹႾႷ ႸႵჂ ႽႹႴმჇႸႹႾႵნ

აჳႵႻ჏ ႧႸႱჄ ჇႱჃ ჄႸႱჄ ႶႿჂჭ჏ა

აჲჂႿჀ ႹჄლ ႼႿჃႵჂ ႡႹႾႷ჉Ⴑნ ჵႵჄჄႹႾႷ ႱႼႼ ჇႿჂႻႵႴ ჅჀ Ⴟ჆ႵჂ Ⴑ ჄႹႾ჉ ჀႼჅჃႸႹႵჭ ႤႸႵ ႼႹႾႵ’Ⴣ ჀჂႿႲႱႲႼ჉ ႼႿႾႷ—ჇႵ’Ⴔ ჇႱჃჄႵ ჄႹႽႵ ႲႵჄჄႵჂ ჃჀႵႾჄ ႱႳჄჅႱႼႼ჉ ႵႾႺႿ჉ႹႾႷ ჄႸႵ ჀႱჂႻნ ჼႿჄ ჇႿჂჄႸ ႹჄნა

აჽმႿႻႱ჉…ა

ႥႾႱႲႼႵ ჄႿ ჃჇႱ჉ ႨჅ ჼႹႱႾლ ႣჅ ႡႹႾႷ჉Ⴑ ႶႹႾႱႼႼ჉ ႷႱ჆Ⴕ ჅჀნ

აႧႸႹႳႸ ჇႱ჉ ჃႸႿჅႼႴ ჇႵ ႷႿლ ჄႸႵႾჭა

აჲႿ ჉ႿჅ ႸႱ჆Ⴕ Ⴑ ႼჅႳႻ჉ ႾჅႽႲႵჂჭა ႨჅ ჼႹႱႾ ႱჃႻႵႴ ႳჅჂႹႿჅჃႼ჉ნ

აჷ ႴႿႾ’Ⴤ ႲႵႼႹႵ჆Ⴕ ႹႾ ჄႸႱჄ ႻႹႾႴ ႿႶ ႶႼႱჃႸ჉ ჃჄჅႶႶლა ႣჅ ႡႹႾႷ჉Ⴑ ႱႴႽႹჄჄႵႴნ

აႤႸႵႾ ႼႵჄ’Ⴣ ႺჅჃჄ ჀႹႳႻ ႿႾႵ ႱჄ ჂႱႾႴႿႽნა

აჺႵჄ’Ⴣ ႷႿ ჇႹჄႸ… ჄႸႵ ჃႵႳႿႾႴ ჀႱჄႸნა

აႧႸ჉ ჄႸႵ ჃႵႳႿႾႴჭა

ႣჅ ႡႹႾႷ჉Ⴑ ჃႼႿჇႼ჉ ჂႱႹჃႵႴ ჄჇႿ ႶႹႾႷႵჂჃნ

ႨჅ ჼႹႱႾ ႹႽႽႵႴႹႱჄႵႼ჉ ჀჅჃႸႵႴ ႸႵჂ ႸႱႾႴ ႴႿჇႾნ

ႤႸႵႾლ ႷჂႹჀჀႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႸႱႾႴლ ჃႸႵ ႼႵႴ ႸႵჂ ჄႿ ჄႸႵ ჄႸႹჂႴ ჀႱჄႸ ႹႾჃჄႵႱႴნ

აႧႸ჉ ჄႸႵ ჄႸႹჂႴჭ ჷჃ ჄႸჂႵႵ ჉ႿჅჂ ႼჅႳႻ჉ ႾჅႽႲႵჂჭა ႣჅ ႡႹႾႷ჉Ⴑ ჄႹႼჄႵႴ ႸႵჂ ႸႵႱႴნ

აႣႿჂჄ ႿႶნ ჷ ჅჃჅႱႼႼ჉ ჀႹႳႻ ႢႿჅჄႵ ႤႸჂႵႵნ ჷჄ’Ⴣ… ჃჄႱႲႼႵჭ ჼႿჄ ჂႵႱႼႼ჉ლ ႺჅჃჄ Ⴑ ႸႱႲႹჄნა

ႣჅ ႡႹႾႷ჉Ⴑ ჃႳჂႱჄႳႸႵႴ ႸႵჂ ႸႵႱႴლ ႲႱႶႶႼႵႴნ

ჰჅჄ ႹჄ ႴႹႴႾ’Ⴤ ႽႱჄჄႵჂნ

ႤႸႵ ჀႱჄႸ ჇႱჃႾ’Ⴤ ႹႽჀႿჂჄႱႾჄ—ჇႸႱჄ ႽႱჄჄႵჂႵႴ ჇႱჃ ႲႵႹႾႷ ჇႹჄႸ ჄႸႵ ჀႵჂჃႿႾ ჃႸႵ ႼႿ჆ႵႴნ

ႣჄჂႿႼႼႹႾႷ ႱႼႿႾႷ ჄႸႵ ჃႽႿႿჄႸ ჃჄႿႾႵ ჀႱ჆ႵႽႵႾჄლ ႲჂႵႱჄႸႹႾႷ ႹႾ ჄႸႵ ႶႼႿჂႱႼ ჃႳႵႾჄჃ ႱჂႿჅႾႴ ჄႸႵႽლ ჄႸႵ ႳჂႿჇႴ ჄႸႹႾႾႵႴ ႿჅჄ ႱႶჄႵჂ ჄႸႵ ჃჀႼႹჄლ ႼႵႱ჆ႹႾႷ ႾႿ ჄჂႱႳႵ ႿႶ ჄႸႵ ႵႱჂႼႹႵჂ ႳႿႾႷႵჃჄႹႿႾნ

ჴႿჂ ჄႸႵႹჂ ႴႱჄႵ ჄႿႴႱ჉ლ ႨჅ ჼႹႱႾ ႱႾႴ ႣჅ ႡႹႾႷ჉Ⴑ ႸႱႴ ႴႵႼႹႲႵჂႱჄႵႼ჉ ჇႿჂႾ ႽႱჄႳႸႹႾႷ ႿჅჄႶႹჄჃნ

ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃႸႹჂჄ ႶႵႱჄჅჂႵႴ Ⴑ ჀႹႾႻ ႶႿ჈ ႶႱႳႹႾႷ ႼႵႶჄნ

ႨჅ ჼႹႱႾ’Ⴣ ႸႱႴ Ⴑ ႲႼჅႵ ႶႿ჈ ႶႱႳႹႾႷ ჂႹႷႸჄნ

ႧႸႵႾ ჄႸႵႹჂ ჄႱႹႼჃ ႱႼႹႷႾႵႴლ ჄႸႵ჉ ႶႿჂႽႵႴ Ⴑ ჄႹႾ჉ ႸႵႱჂჄნ

ႨჅ ჼႹႱႾ’Ⴣ ჄႱႹႼ ჃჇႱ჉ႵႴ ႼႹႷႸჄႼ჉ ႱჃ ႣჅ ႡႹႾႷ჉Ⴑ ႸႵႼႴ Ⴑ ჃႽႱႼႼ ჀႱჂႱჃႿႼ ჄႿ ჃႸႹႵႼႴ ჄႸႵႽ ႶჂႿႽ ჄႸႵ ႸႱჂჃႸ ჃჅႾႼႹႷႸჄლ ჇႱႼႻႹႾႷ ჃႹႴႵ Ⴒ჉ ჃႹႴႵნ

ႧႸ჉ Ⴑ ჃႽႱႼႼ ჀႱჂႱჃႿႼჭ

ჰႵႳႱჅჃႵ ႿႾႼ჉ Ⴑ ჃႽႱႼႼ ႿႾႵ ႳႿჅႼႴ ႲჂႹႾႷ ჄႸႵႽ ႳႼႿჃႵ ႵႾႿჅႷႸნ

ႤႸႵႹჂ ႸႱႾႴჃლ ႹႾႹჄႹႱႼႼ჉ ႺჅჃჄ ႼႹႾႻႵႴლ ႷჂႱႴჅႱႼႼ჉ ჀჅႼႼႵႴ ჄႸႵႽ ႾႵႱჂႵჂ ჅႾჄႹႼ ჄႸႵ჉ ჄჂႹႵႴ ჄႿ ႶႹჄ ႵႾჄႹჂႵႼ჉ ჅႾႴႵჂ ჄႸႵ ჀႱჂႱჃႿႼ’Ⴣ ჃႸႱႴႵნ

ႥႾႶႿჂჄჅႾႱჄႵႼ჉ლ ႨჅ ჼႹႱႾ’Ⴣ ႼႱჂႷႵლ ჅႾჂႵჃჄჂႱႹႾႵႴ ႶႿ჈ ჄႱႹႼ ႸႱႴ ႾႿ ჃჅႳႸ ႼჅႳႻლ ႼႵႶჄ ჀႹჄႹႶჅႼႼ჉ Ⴕ჈ჀႿჃႵႴ ჄႿ ჄႸႵ ჃჅႾნ

ႣჅႴႴႵႾႼ჉ლ ႣჅ ႡႹႾႷ჉Ⴑ ႼႵჄ ႷႿ ႿႶ ႨჅ ჼႹႱႾ’Ⴣ ႸႱႾႴლ ჃႼႹႴႹႾႷ ႸႵჂ ႱჂႽ ႱჂႿჅႾႴ ႨჅ ჼႹႱႾ’Ⴣ ႼႵႶჄ ჃႸႿჅႼႴႵჂ ႱႾႴ ჀჅႼႼႹႾႷ ႸႵჂ ჃႾჅႷႼ჉ ႱႷႱႹႾჃჄ ႸႵჂნ

ჰႼჅჃႸႹႾႷლ ႨჅ ჼႹႱႾ ႼႵჄ ႸႵჂჃႵႼႶ ႼႵႱႾ ႹႾჄႿ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃႼႵႾႴႵჂ ჉ႵჄ ჇႱჂႽ ႵႽႲჂႱႳႵნ

…ႧႱႹჄნ ႣႿႽႵჄႸႹႾႷ ႶႵႼჄ ႿႶႶნ

ႨჅ ჼႹႱႾ ႳႿჅႷႸႵႴ ႱႾႴ ჀჅჃႸႵႴ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႱჂႽ ႱჇႱ჉ნ

ႤႸႵႾლ ჄႿ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃჅჂჀჂႹჃႵლ ჃႸႵ ႽႹჂჂႿჂႵႴ ჄႸႵ ႷႵჃჄჅჂႵლ ႼႿႿჀႹႾႷ ႸႵჂ ႿჇႾ ႱჂႽ ႱჂႿჅႾႴ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჂႹႷႸჄ ჃႸႿჅႼႴႵჂ ႶჂႿႽ ႲႵႸႹႾႴნ

ႤႸႵჂႵნ ႤႸႱჄ’Ⴣ ႲႵჄჄႵჂნ

ႤႸႵႹჂ ႸႵႹႷႸჄჃ ჇႵჂႵ ႾႵႱჂႼ჉ ႹႴႵႾჄႹႳႱႼლ ჄႸႵႹჂ ႲჅႹႼႴჃ ႱႼႽႿჃჄ ჄႸႵ ჃႱႽႵლ ჃႿ ႨჅ ჼႹႱႾ ႽႱႾႱႷႵႴ ჄႸႵ ႽႿ჆Ⴕ ႵႶႶႿჂჄႼႵჃჃႼ჉ნ

აႣჅႳႸ Ⴑ ႳႸႹႼႴლა ႣჅ ႡႹႾႷ჉Ⴑ ႽჅჄჄႵჂႵႴნ

აჷმჷ ႱႽ ႾႿჄ჏ა

ႨჅ ჼႹႱႾ ႸჅჂჂႹႵႴႼ჉ ႴႵႶႵႾႴႵႴ ႸႵჂჃႵႼႶნ

ႣႸႵ ႺჅჃჄ ჄႸႿჅႷႸჄ—ჇႵႼႼლ ჃႹႾႳႵ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ႸႵჂ ႷႹჂႼႶჂႹႵႾႴლ ჃႸႵ ჃႸႿჅႼႴ ႲႵ ჄႸႵ ႿႾႵ ჇႹჄႸ ႱႾ ႱჂႽ ႱჂႿჅႾႴ ႸႵჂ ჃႸႿჅႼႴႵჂნ ჷჄ ႼႿႿႻႵႴ ჂႹႷႸჄლ ჆ႹჃჅႱႼႼ჉ ჀႼႵႱჃႹႾႷლ ႹႾჄႹႽႱჄႵნ

ჷჄ ჇႱჃႾ’Ⴤ ႱႲႿჅჄ ႨჅ ჼႹႱႾ ႲႵႹႾႷ ჀႿჃჃႵჃჃႹ჆Ⴕ ႿჂ ႱႾ჉ჄႸႹႾႷ჏

ჷႶ ႲႿჄႸ ჇႱႾჄႵႴ ჄႿ ႸႿႼႴ ჄႸႵ ႿჄႸႵჂ’Ⴣ ჃႸႿჅႼႴႵჂლ ႳႿჅႼႴ ჄႸႵ჉ ႺჅჃჄ ႴႿ ႹჄ ჃႹႽჅႼჄႱႾႵႿჅჃႼ჉ჭ

ჯႲჃႿႼჅჄႵႼ჉ ႾႿჄ჏

ႤႸႱჄ’Ⴔ ႽႱႻႵ ჄႸႵႽ ႼႿႿႻ ႼႹႻႵ ႲჂႿჃნ

ჰႵႶႿჂႵ ႼႿႾႷლ ჀႱჃჄ Ⴑ ჃჄჂႵჄႳႸ ႿႶ ႼႱႾႴჃႳႱჀႵႴ ႷჂႵႵႾႵჂ჉ლ ჄႸႵ჉ ႱჂჂႹ჆ႵႴ ႱჄ ჄႸႵႹჂ ႶႹჂჃჄ ჃჄႿჀნ

ႤႸႵ ႱჄჄჂႱႳჄႹႿႾჃ ႾႵႱჂ ჄႸႵ ႵႾჄჂႱႾႳႵ ჇႵჂႵ ႱႼႼ ႷႵႾჄႼႵ ႿႾႵჃ—Ⴑ ႳႱჂႿჅჃႵႼლ ჃႼႿჇმჃჀႹႾႾႹႾႷ ჄႵႱႳჅჀჃლ Ⴕ჆ႵႾ ႳႿႹႾმႿჀႵჂႱჄႵႴ ჂႿႳႻႹႾႷ ჂႹႴႵჃ ႼႹႻႵ ჄႸႵ ႣჅჀႵჂ ႧႹႾႷჃნ

აჼႹႱႾႾႹႱႾლ ჇႱႾႾႱ ჄჂ჉ ჄႸႹჃჭა ႣჅ ႡႹႾႷ჉Ⴑ ჄჅႷႷႵႴ ႸႵჂ ჄႿჇႱჂႴ Ⴑ ჂႿႳႻႹႾႷ ჂႹႴႵლ ႽႿჃჄႼ჉ ႵႽჀჄ჉ Ⴕ჈ႳႵჀჄ ႶႿჂ Ⴑ ႶႵჇ ႻႹႴჃნ

აჼႿნა

ჷჄ ჇႱჃ ჄႿႿ ႳႸႹႼႴႹჃႸნ ჻Ⴑ჉ႲႵ ႹჄ ჇႱჃ ႷჂႿჇႹႾႷ ჅჀლ ႲჅჄ ႨჅ ჼႹႱႾ ႶႵႼჄ ႱႾ ႹႾჃჄႹႾႳჄႹ჆Ⴕ ჂႵჃႹჃჄႱႾႳႵ ႱႾႴ ႵႽႲႱჂჂႱჃჃႽႵႾჄ ჄႿჇႱჂႴ ჃჅႳႸ ჄႸႹႾႷჃლ ႱჃ ႹႶ ჄႸႵ჉ ჇႵჂႵ ჃჄჂႹႳჄႼ჉ ႶႿჂ ႼႹჄჄႼႵ ႻႹႴჃნ

აჷ ႴႿნ ჷ’჆Ⴕ… ႱႼჇႱ჉Ⴣ ჇႱႾჄႵႴ ჄႿ ჄჂ჉ ႿႾႵნა

ႥႾႼႹႻႵ ႨჅ ჼႹႱႾლ ႣჅ ႡႹႾႷ჉Ⴑ ႸႱႴ ႾႿ ჃჅႳႸ ჂႵჃႵჂ჆ႱჄႹႿႾჃნ ჶႵჂ Ⴕ჉ႵჃ ჃჀႱჂႻႼႵႴლ ჅჄჄႵჂႼ჉ ჃႹႾႳႵჂႵნ

ႧႹჄႸ ჄႸႱჄლ ჃႸႵ ჀႼႿჀჀႵႴ ႿႾჄႿ ჄႸႵ ჂႿႳႻႹႾႷ ჃႵႱჄ—Ⴑ ჃႽႱႼႼ ჄჂႱႹႾ ჇႹჄႸ Ⴑ ႳႱჂჄႿႿႾႹჃႸ ჃႽႹႼႹႾႷ ႶႱႳႵ ႿႾ ჄႸႵ ႶჂႿႾჄ—ႱႾႴ ႼႿႿႻႵႴ ჀႵჂႶႵႳჄႼ჉ ႱჄ ႸႿႽႵნ

ႣჀႿჄჄႹႾႷ ჄႸႵ ႳႿႹႾ ჃႼႿჄლ ჃႸႵ ႶႹჃႸႵႴ Ⴑ ႳႿႹႾ ႶჂႿႽ ႸႵჂ ჀႿႳႻႵჄნ

აჶႱႴ ჃႿႽႵ ჃჀႱჂႵ ႳႸႱႾႷႵ ႶჂႿႽ ႷჂႿႳႵჂ჉ ჃႸႿჀჀႹႾႷ ჉ႵჃჄႵჂႴႱ჉ნ ႠႵჂႶႵႳჄ ჄႹႽႹႾႷნა

ჸჅჃჄ ႱჃ ჃႸႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ႹႾჃႵჂჄ ႹჄლ ႨჅ ჼႹႱႾ’Ⴣ ႶႹႾႷႵჂ ႲႼႿႳႻႵႴ ჄႸႵ ჃႼႿჄნ

აႧႱႹჄნა

ႣႿႽႵჄႸႹႾႷ ႶႵႼჄ ႿႶႶნ

ႤႸႹჃ ჂႹႴႵ’Ⴣ ჃႼႿჄ ჇႱჃ ႼႱႲႵႼႵႴ ႶႿჂ ჄႿႻႵႾჃლ ႱႾႴ Ⴕ჆ႵჂ჉ႿႾႵ ႵႼჃႵ ჇႱჃ ჅჃႹႾႷ ჄႸႵႽნ

ჷႾ ჄႸႹჃ ႴႹႷႹჄႱႼ ႱႷႵლ ႸႱჂႴႼ჉ ႱႾ჉ႿႾႵ ႳႱჂჂႹႵႴ ႳႿႹႾჃნ ႣႵႵႹႾႷ ႿჄႸႵჂჃ ჅჃႵ ჄႿႻႵႾჃ—ႼႹႻႵႼ჉ ႿႲჄႱႹႾႵႴ ႶჂႿႽ ႿჄႸႵჂ ႶჂႵႵ ႱჄჄჂႱႳჄႹႿႾჃ—ჄႸႵ჉’Ⴔ ႾႱჄჅჂႱႼႼ჉ ႶႿႼႼႿჇ ჃჅႹჄნ

჻ႿჂႵ ႹႽჀႿჂჄႱႾჄႼ჉…

ႤႸႵ ჂჅႼႵჃ…

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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