Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 35

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ႧႱჄႳႸႹႾႷ ჄႸႵ ႳႿႾჄႵႾჄ ႿႶ ჄႸႹჃ ჃႹႽჅႼႱჄႹႿႾლ ႨჅ ჼႹႱႾ ჇႱჃ ႳႿႽჀႼႵჄႵႼ჉ ႴჅႽႲႶႿჅႾႴႵႴნ

ႣႵჂႹႿჅჃႼ჉ლ ႷႹჂႼჭ჏

ႣმჃႿლ ႹႾ ႿჄႸႵჂ ჇႿჂႴჃლ ႸႵჂ ႷႹჂႼႶჂႹႵႾႴ ჇႱჃ ႱႲႿჅჄ ჄႿ ჄႱႻႵ ႳႿႾჄჂႿႼ ႿႶ ჄႸႹჃ ჴႵჂჂႹჃ ჇႸႵႵႼ ႱႾႴ ჇჂႵႱႻ ႸႱ჆ႿႳლ ჄႸႵႾ ႼႿႳႻ ႸႵჂ ႹႾ Ⴑ ჀႼႱႳႵ ჇႹჄႸ ႾႿ ႴႿႿჂჃლ ႴႵႾ჉ႹႾႷ ႸႵჂ Ⴕ჆ႵႾ ჄႸႵ ႳႸႱႾႳႵ ჄႿ ჅჃႵ ႸႵჂ ႼႿႳႻმჀႹႳႻႹႾႷ ჃႻႹႼႼჃლ ႱႾႴ ႹႽჀჂႹჃႿႾ ႸႵჂ ႹႾႴႵႶႹႾႹჄႵႼ჉ნ

ჯႼႼ ႲႵႳႱჅჃႵ ჃႸႵ ჃႱႾႷ Ⴑ ჃႿႾႷჭ

ႣႹႾႳႵ ჇႸႵႾ ႴႹႴ ႨჅ ჼႹႱႾ’Ⴣ ႼႿ჆Ⴕ ჃႿႾႷჃ ႸႱ჆Ⴕ ჄႸႵ ჀႿჇႵჂ ჄႿ ჄჂႹႷႷႵჂ Ⴑ ჀჂႿჄႱႷႿႾႹჃჄ’Ⴣ ჀႿჇႵჂ ჃჅჂႷႵჭ჏

ჲႱႽႾ ႹჄ჏

ႨჅ ჼႹႱႾ ႴႹႴႾ’Ⴤ ႸႱ჆Ⴕ ჄႹႽႵ ჄႿ ႳႱჂႵႶჅႼႼ჉ ႱႾႱႼ჉჊Ⴕ ჄႸႵ ჃႹႽჅႼႱჄႹႿႾ’Ⴣ ႳႿႾჄႵႾჄ ႿჂ ჄႸႵ ჂႵჇႱჂႴ ႳႸႿႹႳႵჃნ

ჱႼႵႱჂႼ჉ლ ჃჄႿჀჀႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑ ႶჂႿႽ ႷႿႹႾႷ ႲႵჂჃႵჂႻ ჇႱჃ ჄႸႵ ჂႹႷႸჄ ჄႸႹႾႷ ჄႿ ႴႿნ

ႠႿჇႵჂ ჃჅჂႷႵჃ ႳႿჅႼႴ ႲႵ ႷႿႿႴ ႿჂ ႲႱႴნ

ჰჅჄ ჄႸႵ ႿႾႵ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ Ⴕ჈ჀႵჂႹႵႾႳႹႾႷ ჇႱჃ ႴႵႶႹႾႹჄႵႼ჉ ჄႸႵ ႲႱႴ ႻႹႾႴნ

ჼႿ ႽႱჄჄႵჂ ႸႿჇ ჉ႿჅ ႼႿႿႻႵႴ ႱჄ ႹჄლ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႽႵႾჄႱႼ ჃჄႱჄႵ ჇႱჃ ႳႿႽჀႼႵჄႵႼ჉ ႿႶႶ჏

ჷჄ ჇႱჃ ႼႹႻႵ Ⴑ ႶჅႼႼმႲႼႿჇႾ ჉ႱႾႴႵჂႵ Ⴕ჈ჀႼႿჃႹႿႾნ

“ႡႹႾႷ჉Ⴑ჏ ჱႱႼႽ ႴႿჇႾ჏ ჷ’Ⴝ ႾႿჄ ႳჂႱ჊჉჏ ჷ’Ⴝ ჂႵႱႼႼ჉ ႾႿჄ ႳჂႱ჊჉ლ ႱႾႴ ჷ’Ⴝ ႾႿჄ ႲႵႹႾႷ ႳႿႾჄჂႿႼႼႵႴ Ⴒ჉ ჄႸႵ ჳႽႿჄႹႿႾ ჰႵႱჃჄჃ ႵႹჄႸႵჂ—ჷ ჇႱჃ ႺჅჃჄ ჃႹႾႷႹႾႷ ჉ႿჅ Ⴑ ႼႿ჆Ⴕ ჃႿႾႷ჏”

ჯჄ ჄႸႹჃ ჀႿႹႾჄლ ႨჅ ჼႹႱႾ ႳႿჅႼႴႾ’Ⴤ ႳႱჂႵ ႼႵჃჃ ႱႲႿჅჄ ჄႸႵ ჂჅႼႵჃნ

ჷႶ ჃႸႵ ႴႹႴႾ’Ⴤ ჃჀႵႱႻ ჅჀლ ႸႿჇ ႵႼჃႵ ჇႱჃ ჃႸႵ ჃჅჀჀႿჃႵႴ ჄႿ ჄႱႼႻ ႣჅ ႡႹႾႷ჉Ⴑ ႴႿჇႾჭ

“ჼႿ… ჷ ႳႱႾ’Ⴤ ႼႿჃႵ ჼႹႱႾ ჼႹႱႾ…”

ႣჅ ႡႹႾႷ჉Ⴑ ჃႸႿႿႻ ႸႵჂ ႸႵႱႴლ ႱႾႴ ჄႸႹჃ ჄႹႽႵლ ႨჅ ჼႹႱႾ ႳႿჅႼႴ ႸႵႱჂ ႸႵჂ ႽჅჄჄႵჂႹႾႷ ჃႿႽႵჄႸႹႾႷ ჅႾႴႵჂ ႸႵჂ ႲჂႵႱჄႸნ

ႥႾႶႿჂჄჅႾႱჄႵႼ჉ლ ჃႸႵ ჃႵႵႽႵႴ ႼႿჃჄ ႹႾ ႸႵჂ ႿჇႾ ჇႿჂႼႴლ ႳႿႽჀႼႵჄႵႼ჉ ႹႷႾႿჂႹႾႷ ႨჅ ჼႹႱႾ’Ⴣ ჇႿჂႴჃნ

ႨჅ ჼႹႱႾ ႸႱႴ ႱႼჂႵႱႴ჉ ჄႱႻႵႾ ჄႸႵ ჂႹჃႻ ႿႶ ႳႱႼႼႹႾႷ ႿჅჄ ჄႿ ႣჅ ႡႹႾႷ჉Ⴑნ

ჰჅჄ ႣჅ ႡႹႾႷ჉Ⴑ ჂႵႽႱႹႾႵႴ ႹႾ ჄႸႱჄ ჄჂႱႾႳႵმႼႹႻႵ ჃჄႱჄႵ—ႾႿ ႽႱჄჄႵჂ ႸႿჇ ႽჅႳႸ ႨჅ ჼႹႱႾ ჃႸႿჅჄႵႴ ႿჂ ჃႸႿႿႻ ႸႵჂლ ႾႿჄႸႹႾႷ ჇႿჂႻႵႴნ

ႨჅ ჼႹႱႾ ჇႱჃ ႷႵႾჅႹႾႵႼ჉ ჀႱႾႹႳႻႹႾႷ ႾႿჇნ

ႧႸႱჄ ჄႿ ႴႿლ ჇႸႱჄ ჄႿ ႴႿჭ჏

ჶႵჂ ႷႱ჊Ⴕ ჃჅႴႴႵႾႼ჉ ႶႵႼႼ ႿႾ ႸႵჂ ႼႵႶჄ ႸႱႾႴნ ႢႵႽႵႽႲႵჂႹႾႷ ჇႸႱჄ ჃႸႵ’Ⴔ ჃႵႵႾ ႹႾ ႴჂႱႽႱჃლ ႱႾႴ ႳႿႾჃႹႴႵჂႹႾႷ ჃႸႵ’Ⴔ ႸႱႴ Ⴑ ჃჅႳႳႵჃჃႶჅႼ ႳႱჃႵ ႲႵႶႿჂႵლ ჃႸႵ ჂႱႹჃႵႴ ႸႵჂ ႸႱႾႴ ႱႾႴ ჃႼႱჀჀႵႴ ႣჅ ႡႹႾႷ჉Ⴑ ႱႳჂႿჃჃ ჄႸႵ ႿჄႸႵჂ ႳႸႵႵႻნ

ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ჃჄჅႾႾႵႴნ

ჰჅჄ ႱჄ ႼႵႱჃჄ ჃႸႵ ჃႾႱჀჀႵႴ ႿჅჄ ႿႶ ჄႸႱჄ ႴႱ჊ႵႴ ჃჄႱჄႵლ ႼႿႿႻႹႾႷ ႱჄ ႨჅ ჼႹႱႾ ႹႾ ႴႹჃႲႵႼႹႵႶნ

ႨჅ ჼႹႱႾ ႴႹႴႾ’Ⴤ ႲႿჄႸႵჂ Ⴕ჈ჀႼႱႹႾႹႾႷნ ჷႾჃჄႵႱႴლ ჃႸႵ ჀႹႾႾႵႴ ႣჅ ႡႹႾႷ჉Ⴑ ჄႿ ჄႸႵ ႶႼႿႿჂ ႿႶ ჄႸႵ ႳႱႲႹႾლ ჃჄჂႱႴႴႼႹႾႷ ႸႵჂ ႱჃ ႴႱჂႻ ႽႹჃჄ ჃჇႹჂႼႵႴ ႱჂႿჅႾႴ ჄႸႵႽნ ႤႵႱჂჃ ჇႵႼႼႵႴ ჅჀ ჅႾႳႿႾჄჂႿႼႼႱႲႼ჉ ႹႾ ჄႸႵ ႳႿჂႾႵჂჃ ႿႶ ႸႵჂ Ⴕ჉ႵჃნ

“ႧႱႻႵ ჄႸႵ ႸႵႼႼ ჅჀ ႱႼჂႵႱႴ჉჏”

ႨჅ ჼႹႱႾ ჂႱႹჃႵႴ ႸႵჂ ႸႱႾႴ ႱႷႱႹႾლ ႲჅჄ ႾႿჇ ჄႸႱჄ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ჃႿႽႵჇႸႱჄ ႼჅႳႹႴლ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ႲჂႹႾႷ ႸႵჂჃႵႼႶ ჄႿ ႸႹჄ ႸႵჂნ ჷႾ Ⴑ ႽႿႽႵႾჄ ႿႶ ႹႽჀჅႼჃႹ჆ႵႾႵჃჃლ ჃႸႵ ႼႵႱႾႵႴ ႴႿჇႾ ႱႾႴ ႻႹჃჃႵႴ ႸႵჂ ႹႾჃჄႵႱႴნ

ႣჅ ႡႹႾႷ჉Ⴑ ႶႵႼჄ ႼႹႻႵ ႱႼႼ ჄႸႵ ႱႹჂ ႹႾ ႸႵჂ ႼჅႾႷჃ ჇႱჃ ႲႵႹႾႷ ჃჅႳႻႵႴ ႿჅჄ Ⴒ჉ ႨჅ ჼႹႱႾნ ჻Ⴑ჉ႲႵ ႹჄ ჇႱჃ ჄႸႵ ႼႱႳႻ ႿႶ Ⴟ჈჉ႷႵႾლ ႲჅჄ ႱႶჄႵჂ Ⴑ ႲჂႹႵႶ ႽႵႾჄႱႼ ჃႸჅჄႴႿჇႾლ ႸႵჂ ႽႹႾႴ ႷჂႱႴჅႱႼႼ჉ ႳႼႵႱჂႵႴნ

ႣႸႵ ႻႹჃჃႵႴ ႲႱႳႻ ჅႾჄႹႼ ႨჅ ჼႹႱႾლ ႱႼჃႿ ႶႵႵႼႹႾႷ ႼႹႷႸჄႸႵႱႴႵႴლ ႶႹႾႱႼႼ჉ ჀჅႼႼႵႴ ႱჇႱ჉ნ

“ჼႹႱႾ ჼႹႱႾჭ”

“ჷ’Ⴝ ჂႵႱႼႼ჉ ႾႿჄ ႳჂႱ჊჉ლ ႱႾႴ ჷ’Ⴝ ႾႿჄ ჅႾႴႵჂ ႱႾ჉ ႹႾႶႼჅႵႾႳႵ—ჷ ჇႱჃ ႺჅჃჄ ჃႹႾႷႹႾႷ჏ ჱႱႾ ჉ႿჅ ჀႼႵႱჃႵ ႼႹჃჄႵႾ ჄႿ ႽႵჭ჏” ႨჅ ჼႹႱႾ ჃჀႿႻႵ ჂႱჀႹႴႼ჉ლ ႸႵჂ ႶႱႳႵ ႶႼჅჃႸႵႴ ႱჃ ჃႸႵ ႷႱჃჀႵႴ ႶႿჂ ႲჂႵႱჄႸნ

ႣႸႵ ჇႹჀႵႴ ჄႸႵ ႼႹႾႷႵჂႹႾႷ ႽႿႹჃჄჅჂႵ ႶჂႿႽ ႸႵჂ ႼႹჀჃ ჇႹჄႸ ႸႵჂ ჃႼႵႵ჆Ⴕნ

ႫჴႵႱჂ ჺႵ჆ႵႼშ ქრდႭ

“ჷ’Ⴝ ჃႿჂჂ჉ლ ჷ’Ⴝ ჂႵႱႼႼ჉ ჃႿჂჂ჉჏ ჷჄ’Ⴣ Ⴝ჉ ႶႱჅႼჄ ႶႿჂ ႾႿჄ Ⴕ჈ჀႼႱႹႾႹႾႷ ႶႹჂჃჄნ ჸჅჃჄ ႳႱႼႽ ႴႿჇႾლ ႿႻႱ჉ჭ”

“ჼႹႱႾ ჼႹႱႾ… ჉ႿჅ’ჂႵ ႳჂ჉ႹႾႷჭ”

“ჼმႾႿ჏ ჷ’Ⴝ ႾႿჄ ჄႸႱჄ ႽჅႳႸ ႿႶ Ⴑ ჇႵႱႻႼႹႾႷ჏ ႩႿჅ’ჂႵ ჄႸႵ ႿႾႵ ჇႸႿ ႾႵႵႴჃ ჄႿ ႳႱႼႽ ႴႿჇႾ ႱႾႴ ჀჅႼႼ ჉ႿჅჂჃႵႼႶ ჄႿႷႵჄႸႵჂნ ჷႶ ჉ႿჅ ჂႵႱႼႼ჉ ႴႿႾ’Ⴤ ჇႱႾჄ ჄႿ ႼႿჃႵ ႽႵლ ჄႸႵႾ ჃჄႿჀ ႽႱႻႹႾႷ ႽႵ ჇႿჂჂ჉ ႼႹႻႵ ჄႸႹჃ჏”

“჻ႽႽ… ჼႹႱႾ ჼႹႱႾლ ႴႹႴႾ’Ⴤ ჇႵ ႱႷჂႵႵ ႾႿჄ ჄႿ ჄႱႼႻ ႿႾ ჄႸႵ ჴႵჂჂႹჃ ჇႸႵႵႼჭ”

ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႶႵႱჂ ႷჂႱႴჅႱႼႼ჉ ჃჄႱႲႹႼႹ჊ႵႴნ ႣႸႵ ჀႹჄႹႶჅႼႼ჉ ჂჅႲႲႵႴ ჄႸႵ ჃჀႿჄ ჇႸႵჂႵ ჃႸႵ’Ⴔ ႲႵႵႾ ჃႼႱჀჀႵႴლ ႸႵჂ ႲႵႱჅჄႹႶჅႼ Ⴕ჉ႵჃ ႶႹႼႼႵႴ ჇႹჄႸ Ⴑ ႸႹႾჄ ႿႶ ჂႵჃႵႾჄႽႵႾჄნ

ႤႸႵ ჂႵႱჃႿႾ ႣჅ ႡႹႾႷ჉Ⴑ ႸႱႴ ჃჄႱჂჄႵႴ ჃჀႵႱႻႹႾႷ ჇႱჃ ჃႹႽჀႼႵნ

ႨჅ ჼႹႱႾ ႸႱႴ ჃჀႿႻႵႾ ႶႹჂჃჄ—ႱႾႴ Ⴑ ႼႿჄნ

ჷႶ ႲჂႵႱႻႹႾႷ ჄႸႵ ჂჅႼႵ ႼႵႴ ჄႿ ႳႿႾჃႵჁჅႵႾႳႵჃლ ჃႸႵ ჇႱჃ ჇႹႼႼႹႾႷ ჄႿ ႶႱႳႵ ჄႸႵႽ ჄႿႷႵჄႸႵჂ ჇႹჄႸ ႨჅ ჼႹႱႾნ

“ႤႸႹჃ ႹჃ ႱႼႼ Ⴝ჉ ႶႱჅႼჄ… ჷ ႺჅჃჄ ჄႸႿჅႷႸჄ—ჃႹႾႳႵ ჄႸႹჃ ႹჃ ჄႸႵ ႲႹႷႷႵჃჄ ჴႵჂჂႹჃ ჇႸႵႵႼ—ႹႶ ჷ ჃႱႾႷ ჉ႿჅ Ⴑ ႼႿ჆Ⴕ ჃႿႾႷ ႱჄ ჄႸႵ ჄႿჀლ ჉ႿჅ’Ⴔ ႲႵ ჂႵႱႼႼ჉ ႸႱჀჀ჉ლ ჂႹႷႸჄჭ ჯႾႴ ჷ ჇႱჃ ჃႹႾႷႹႾႷ ჇႹჄႸ ႼႱჅႷႸჄႵჂ჏ ႤႸႵ ჂჅႼႵჃ ჃႱႹႴ ႼႱჅႷႸჄႵჂ ႳႱႾ Ⴑ჆ႿႹႴ ႴႱႾႷႵჂ… ჻ႽႽლ ჷ ჃႸႿჅႼႴ’჆Ⴕ ჄႿႼႴ ჉ႿჅ ႲႵႶႿჂႵႸႱႾႴნ”

ႨჅ ჼႹႱႾ ჃჄႹႼႼ ႴႹႴႾ’Ⴤ ჂႵ჆ႵႱႼ ჄႸႱჄ ჃႸႵ ႸႱႴ Ⴑ ჃႹႽჅႼႱჄႿჂ Ⴣ჉ჃჄႵႽნ

“Ⴉმ჉ႿჅ ჇႵჂႵ ჃႹႾႷႹႾႷ ႺჅჃჄ ႾႿჇჭ” ႣჅ ႡႹႾႷ჉Ⴑ ႱჃႻႵႴლ ႹႾႳჂႵႴჅႼႿჅჃნ

“ႧმჇႸႱჄჭ ჲႿႵჃႾ’Ⴤ ႹჄ ჃႿჅႾႴ ႼႹႻႵ ႹჄჭ”

“ႠႶႶჄ… ႹჄ ჇႱჃ… ႻႹႾႴႱ ႾႹႳႵნ”

“ႩႿჅჂ ႶႱႳႵ ჃႱ჉Ⴣ ႿჄႸႵჂჇႹჃႵ჏”

ႨჅ ჼႹႱႾ ჇႱჃ ႽႿჂჄႹႶႹႵႴ჏

ႣႹႾႷႹႾႷ ჇႹჄႸ ႼႱჅႷႸჄႵჂ ჇႱჃ Ⴑ ႸჅႾႴჂႵႴ ჄႹႽႵჃ ႽႿჂႵ ႵႽႲႱჂჂႱჃჃႹႾႷ ჄႸႱႾ ႺჅჃჄ ჃႹႾႷႹႾႷ ႾႿჂႽႱႼႼ჉ნ

ჼႿჄ ႿႾႼ჉ ჄႸႱჄლ ႲჅჄ ჃႸႵ’Ⴔ ჇႱჃჄႵႴ Ⴑ ჃႹႽჅႼႱჄႹႿႾ ႱჄჄႵႽჀჄ ႶႿჂ ႾႿჄႸႹႾႷნ

ჯႾႴ ჃႸႵ’Ⴔ Ⴕ჆ႵႾ ႱႳႳႹႴႵႾჄႱႼႼ჉ ჄჂႹႷႷႵჂႵႴ ჄႸႵ ჺႿ჆Ⴕ ჰႵႱჃჄ’Ⴣ ႸႹႴႴႵႾ ჄჂႱჀნ

ႤႱႼႻ ႱႲႿჅჄ ჄႵჂჂႹႲႼႵ ႼჅႳႻნ

“ჱႿႽႶႿჂჄ ႽႵნ”

ႣႹႾႳႵ ႨჅ ჼႹႱႾ ႸႱႴ ႺჅჃჄ ჃႼႱჀჀႵႴ ႣჅ ႡႹႾႷ჉Ⴑ ႱႷႱႹႾლ ჄႸႵ ႿჄႸႵჂ ჃႹႴႵ ႿႶ ႸႵჂ ႶႱႳႵ ჇႱჃ ჃႼႹႷႸჄႼ჉ ჂႵႴნ

ႨჅ ჼႹႱႾ ႴႹႴႾ’Ⴤ ႸႵჃႹჄႱჄႵ—ჄႸႹჃ ჇႱჃ ႴႵჃႵჂ჆ႵႴ ႳႿႽჀႵႾჃႱჄႹႿႾნ

ႣႿ ჃႸႵ ႼႵႱႾႵႴ ႴႿჇႾ ႱႷႱႹႾლ ႸႵჂ ჄႿႾႷჅႵ ႷႵႾჄႼ჉ ႼႹႳႻႹႾႷ ჄႸႵ ჃჀႿჄ ჃႸႵ’Ⴔ ჃჄჂჅႳႻნ

ႤႸႵ ჃჅჂჂႿჅႾႴႹႾႷ ႴႱჂႻ ႽႹჃჄ ႷჂႱႴჅႱႼႼ჉ ႴႹჃჃႹჀႱჄႵႴლ ႱႾႴ ჄႸႵ ჃჅႾ ჀႵႵႻႵႴ ႿჅჄ ႿႾႳႵ ႽႿჂႵნ

ႣჅ ႡႹႾႷ჉Ⴑ ႸႱႴ ႱႼჂႵႱႴ჉ ჄႸჂႿჇႾ ႳႱჅჄႹႿႾ ჄႿ ჄႸႵ ჇႹႾႴნ

ჴႿჂႷႵჄ ႱႲႿჅჄ ႾႿჄ ჄႱႼႻႹႾႷ—ჃႳჂႵჇ ჄႸႵ ჂჅႼႵჃნ

ႫჴႵႱჂ ჺႵ჆ႵႼშ სრდႭ

ႫჴႵႱჂ ჺႵ჆ႵႼშ უყდႭ

ႤႸႵ ႼႿჇႵჂ ႶႵႱჂ ႼႵ჆ႵႼ ჇႱჃ ႨჅ ჼႹႱႾ’Ⴣნ ႣႸႵ ႾႿჄႹႳႵႴ ႹჄ ႸႱႴ ჂႹჃႵႾ ႱႷႱႹႾნ

჻ႵႱႾႹႾႷ ႱႼႼ ႸႵჂ ႵႱჂႼႹႵჂ ႵႶႶႿჂჄჃ ႸႱႴ ႲႵႵႾ ႹႾ ჆ႱႹႾნ

“ჼႹႱႾ ჼႹႱႾლ ჇႸႱჄ ႴႿ ჉ႿჅ ჄႸႹႾႻ ჄႸႵ ჺႿ჆Ⴕ ჰႵႱჃჄ’Ⴣ ႱႲႹႼႹჄ჉ ႹჃჭ” ႣჅ ႡႹႾႷ჉Ⴑ ႱჃႻႵႴლ ႵႾႺႿ჉ႹႾႷ ႨჅ ჼႹႱႾ’Ⴣ ႽႹႾႹჃჄჂႱჄႹႿႾჃნ

“ჼႿ ႹႴႵႱნ ჰჅჄ ჇႸႿ ႳႱჂႵჃჭ ႤႸႱჄ ჇႵႱႻႼႹႾႷ ჳႽႿჄႹႿႾ ჰႵႱჃჄ—ႹႶ ႹჄ ႴႱჂႵჃ ჃႸႿჇ ႹჄჃႵႼႶლ ჇႵ’ႼႼ ႺჅჃჄ ႲႵႱჄ ႹჄ ႴႿჇႾ ჄႿႷႵჄႸႵჂნ ჳႱჃ჉ნ”

“ჱႿႾႶႹႴႵႾႳႵ ႹჃ ႷႿႿႴლ ჷ ႷჅႵჃჃნ”

ႣჅ ႡႹႾႷ჉Ⴑ ჃჅႴႴႵႾႼ჉ ႾႿჄႹႳႵႴ ჄႸႵႹჂ ႳႱႲႹႾ ჇႱჃ ႾႵႱჂႹႾႷ ჄႸႵ ႷჂႿჅႾႴლ ჃႿ ჃႸႵ ჂႵႼႵႱჃႵႴ ႨჅ ჼႹႱႾნ

“ႩႿჅ ჃႼႱჀჀႵႴ ႽႵ ჄჇႹႳႵნ ႤႸႱჄ’Ⴣ ႾႿჄ ჃႿႽႵჄႸႹႾႷ ჷ’ႼႼ ႼႵჄ ჃႼႹႴႵნ ႧႸႵႾ ჇႵ ႷႵჄ ႲႱႳႻლ ჉ႿჅ’ႼႼ ႸႱ჆Ⴕ ჄႿ ႽႱႻႵ ႹჄ ჅჀ ჄႿ ႽႵ ჀჂႿჀႵჂႼ჉ნ”

“჻ႱႻႵ ႹჄ ჅჀ ჄႿ ჉ႿჅ… ႲႱႳႻ ႸႿႽႵჭ”

ႨჅ ჼႹႱႾ’Ⴣ ႶႱႳႵ ჄჅჂႾႵႴ ჂႵႴნ

“ჲმႴႿ ჇႸႱჄႵ჆ႵჂ ჉ႿჅ ჇႱႾჄნ”

ႣჅ ႡႹႾႷ჉Ⴑ ႷჂႹႾႾႵႴნ “ႤႸႵႾ ჷ ႶႿჂႷႹ჆Ⴕ ჉ႿჅნ”

ႤႸႹჃ ႻႹႾႴ ႿႶ ႱჀႿႼႿႷ჉ ႱႾႴ ႶႿჂႷႹ჆ႵႾႵჃჃ ჇႱჃ ႺჅჃჄ ჀႱჂჄ ႿႶ ჄႸႵႹჂ ჀႼႱ჉ႶჅႼ Ⴔ჉ႾႱႽႹႳნ

ჯ ჇႱ჉ ႶႿჂ ႲႿჄႸ ႿႶ ჄႸႵႽ ჄႿ ჃႱ჆Ⴕ ႶႱႳႵნ

ჽႾႳႵ ჄႸႵ჉ ჃჄႵჀჀႵႴ ႿჅჄ ႿႶ ჄႸႵ ႳႱႲႹႾლ ႣჅ ႡႹႾႷ჉Ⴑ ႹႽႽႵႴႹႱჄႵႼ჉ ႾႿჄႹႳႵႴ ჄႸႵ ჀႹႾႻმႳႼႱႴ ჃჄႱႶႶ ႽႵႽႲႵჂ ႼႿႿႻႹႾႷ ႱჄ ႸႵჂ ႴႹႶႶႵჂႵႾჄႼ჉ნ

ჴႵႱჂ ჇႱჃ ႸႹႴႴႵႾ ႹႾ ჄႸႵ ჇႿႽႱႾ’Ⴣ Ⴕ჉ႵჃნ

ჳ჆ႵႾ ჄႸႿჅႷႸ ႨჅ ჼႹႱႾ ႸႱႴ ჃჄႿჀჀႵႴ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჀႿჇႵჂ ჃჅჂႷႵლ Ⴕ჆ႵჂ჉ႿႾႵ ჇႸႿ ჅႾႴႵჂჃჄႿႿႴ ჇႸႱჄ ႸႱႴ ႺჅჃჄ ႸႱჀჀႵႾႵႴ ႳႿჅႼႴ ჃႵႾჃႵ ჄႸႵ ჄႵჂჂႿჂ ႿႶ ჄႸႱჄ ႽႿႽႵႾჄნ

“ႤႱႻႵ ႳႱჂႵ ႿႾ ჉ႿჅჂ ჇႱ჉ ႿჅჄნ ჶმႸႵჂႵ ႱჂႵ ჉ႿჅჂ ჄႿႻႵႾჃნ”

ႤႸႵ ჃჄႱႶႶ ႽႵႽႲႵჂ ჂႵჃჀႵႳჄႶჅႼႼ჉ ႸႱႾႴႵႴ Ⴟ჆ႵჂ ჄႸႵ ჄႿႻႵႾჃნ

“ႤႵႼႼ ႽႵ—ჇႸႱჄ’Ⴣ ჄႸႵ ႸႹႴႴႵႾ ႱႲႹႼႹჄ჉ ႿႶ ჄႸႹჃ ჴႵჂჂႹჃ ჇႸႵႵႼჭ”

ჯႶჄႵჂ ჄႱႻႹႾႷ ჄႸႵ ჄႿႻႵႾჃლ ႣჅ ႡႹႾႷ჉Ⴑ ႴႹႴႾ’Ⴤ ႼႵႱ჆Ⴕნ ჷႾჃჄႵႱႴლ ჃႸႵ ჃჄႵჀჀႵႴ ႳႼႿჃႵჂ ჄႿ ჄႸႵ ჃჄႱႶႶ ႽႵႽႲႵჂლ ჀჅႼႼႹႾႷ ႨჅ ჼႹႱႾ ႱႼႿႾႷნ

ჼႿჇ ჄႸႱჄ ჄႸႵ჉’Ⴔ ႱႼჂႵႱႴ჉ ႲჂႿႻႵႾ ჄႸႵ ჂჅႼႵჃლ ჄႸႵ჉ ႽႹႷႸჄ ႱჃ ჇႵႼႼ ႳႿႾႶჂႿႾჄ ჄႸႵ ჺႿ჆Ⴕ ჰႵႱჃჄ ႸႵႱႴმႿႾნ

ჽႾႳႵ ჃႿႽႵႿႾႵ ႱႲႱႾႴႿႾჃ ჄႸႵ ႹႴႵႱ ႿႶ ႼႵႱ჆ႹႾႷ ჅႾჃႳႱჄႸႵႴლ ჄႸႵ჉ ႲႵႳႿႽႵ ႶႵႱჂႼႵჃჃნ

“ჷმႹჄ’Ⴣ ႾႿჄႸႹႾႷ ႽჅႳႸ… ჷჄ ႺჅჃჄ ႽႱႻႵჃ ႱႾ჉ჄႸႹႾႷ ჉ႿჅ ჃႱ჉ ჃႿჅႾႴ ႼႹႻႵ ჃჇႵႵჄ ႾႿჄႸႹႾႷჃნ ჳ჆ႵႾ ႹႶ ჄႸႵ ႿჄႸႵჂ ჀႵჂჃႿႾ ႹჃ Ⴑ ჃჄჂႱႾႷႵჂლ ჄႸႵ჉’ႼႼ ႱႳႳႵჀჄ ႹჄნ ჯႶჄႵჂ ႱႼႼ… ჄႸႵ ჺႱႴ჉ ჀჂႵႶႵჂჃ ჄႸႵ ႵႾႵჂႷ჉ ႿႶ ႼႿ჆Ⴕ ႶჂႿႽ ႳႿჅჀႼႵჃ ႹႾ ჄႸႵ ႵႱჂႼ჉ ჃჄႱႷႵჃ ႿႶ ჂႿႽႱႾႳႵნ”

“ჴႿჂ ႱႳჄჅႱႼ ႳႿჅჀႼႵჃლ ႹჄ ႺჅჃჄ… ႴႵႵჀႵႾჃ ჄႸႵႹჂ ႲႿႾႴნ”

ႤႸႵ ჀႹႾႻმႳႼႱႴ ჃჄႱႶႶ ႽႵႽႲႵჂ ႱႾჃჇႵჂႵႴ ჄჂჅჄႸႶჅႼႼ჉ნ

ႤႸႵ ႼႹႾႷႵჂႹႾႷ ႶႵႱჂ ჂႱႴႹႱჄႹႾႷ ႶჂႿႽ ႣჅ ႡႹႾႷ჉Ⴑ ႽႱႴႵ ႸႵჂ ჄჂႵႽႲႼႵლ ჄႿႿ ჄႵჂჂႹႶႹႵႴ ჄႿ Ⴕ჆ႵႾ ჄႸႹႾႻ ႿႶ ႴႵႶႹႱႾႳႵნ

“ႤႵႼႼ ჉ႿჅჂ ‘ჺႱႴ჉’ ჄႿ ჃჄႿჀ ჀჅႼႼႹႾႷ ჄႸႹჃ ჃႸႱႴ჉ ႳჂႱჀნ ჯႲჃႿჂႲႹႾႷ ႼႿ჆Ⴕ ႲႵჄჇႵႵႾ ႳႿჅჀႼႵჃ ႱႾႴ ႱႶႶႵႳჄႹႿႾ ႲႵჄჇႵႵႾ ႶႱႽႹႼ჉ ႽႵႽႲႵჂჃ ႹჃ ႱႼჂႵႱႴ჉ ႵႾႿჅႷႸნ ჷႶ ჃႸႵ ႻႵႵჀჃ ჄႸႹჃ ჅჀლ ჷ’ႼႼ ႸჅႾჄ ႸႵჂ ႴႿჇႾ ႱႾႴ ႻႹႼႼ ႸႵჂ ჃႿႿႾႵჂ ႿჂ ႼႱჄႵჂნ”

“Ⴉმ჉ႵჃ჏ ჽႶ ႳႿჅჂჃႵ჏ ჷ’ႼႼ ჀႱჃჃ ႿႾ ჉ႿჅჂ ႽႵჃჃႱႷႵ Ⴕ჈ႱႳჄႼ჉ ႱჃ ჉ႿჅ ჃႱႹႴ჏”

ႤႸႹჃ ჇႸႿႼႵ ჄႸႹႾႷ ႸႱႴ ႳჂႿჃჃႵႴ Ⴑ ႼႹႾႵ ႶႿჂ ႣჅ ႡႹႾႷ჉Ⴑნ

ႣႸႵ ႶႿჅႾႴ ჄႸႹჃ ႱႲႹႼႹჄ჉ ჅჄჄႵჂႼ჉ ႴႵჃჀႹႳႱႲႼႵნ

ჳ჆ႵႾ ჄႸႿჅႷႸ ႹჄ ႸႱႴႾ’Ⴤ ႱႶႶႵႳჄႵႴ ႸႵჂ ႱႾႴ ႨჅ ჼႹႱႾლ ႺჅჃჄ ႹႽႱႷႹႾႹႾႷ ႹჄ—

ჷႶ ჄႸႵ ჃჄႱႶႶ ႽႵႽႲႵჂ ႸႱႴ ჃჅႳႳႵႵႴႵႴ ႹႾ ჃႵჀႱჂႱჄႹႾႷ ჄႸႵႽ ႵႱჂႼႹႵჂლ ႱႾႴ ჃႿႽႵ ჃჄჂႱႾႷႵჂ ႸႱႴ ႶႼႹჂჄႵႴ ჇႹჄႸ ႨჅ ჼႹႱႾ ႺჅჃჄ ႲႵႳႱჅჃႵ ჃႸႵ ჇႱჃ ჀჂႵჄჄ჉…

ႤႸႵႾ ჄႸႵ ႱႲႹႼႹჄ჉ ჇႿჅႼႴ’჆Ⴕ ႱႳჄႹ჆ႱჄႵႴნ

ႧႿჅႼႴႾ’Ⴤ ჄႸႱჄ ႽႵႱႾ ჃႸႵ’Ⴔ ႲႵႵႾ ႳჅႳႻႿႼႴႵႴჭ჏

ჶႿჇ ႴႹჃႷჅჃჄႹႾႷ჏

ჯႼႼ ႳჅႳႻႿႼႴႵჂჃ ႴႵჃႵჂ჆Ⴕ ჄႿ ႴႹႵ჏

ႣჅ ႡႹႾႷ჉Ⴑ ႳႿჅႼႴႾ’Ⴤ ႸႵႼჀ ႲჅჄ ႶႵႵႼ ჂႵႼႹႵ჆ႵႴ ჃႸႵ’Ⴔ ႲႵႵႾ ჆ႹႷႹႼႱႾჄნ

ჽႶ ႳႿჅჂჃႵლ ႨჅ ჼႹႱႾ ႶႵႼჄ ჄႸႵ ჃႱႽႵნ

ჱჅႳႻႿႼႴႵჂჃ ჃႸႿჅႼႴ ႴႹႵ჏

ႧႱჃ ჄႸႱჄ ჺႿ჆Ⴕ ჰႵႱჃჄ ჃႿႽႵ ႻႹႾႴ ႿႶ ჼႤႢ ႶႵჄႹჃႸႹჃჄჭ჏

“ჺႵჄ’Ⴣ ႺჅჃჄ ႶႹႾႴ ႹჄ ႱႾႴ ႻႹႼႼ ႹჄნ”

“ჶჅႸჭ჏჏჏”

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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