Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 4

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ჯჃ Ⴕ჈ჀႵႳჄႵႴ჏

ჷႶ ჃႸႵ ႴႹႴ ႾႿჄႸႹႾႷლ ႸႵჂ ႽႿჄႸႵჂ ჇႿჅႼႴ ႼႿႳႻ ႸႵჂ ႹႾ ჄႸႹჃ ႽႱႾჃႹႿႾლ ႼႵႱ჆ႹႾႷ ႸႵჂ ჄႿ ჇႱႹჄ ႸႵႼჀႼႵჃჃႼ჉ ႶႿჂ ჄႸႵ ჂႵჄჅჂႾ ႿႶ ჄႸႵ ჄჂჅႵ ႸႵႹჂႵჃჃლ ႣჅ ႡႹႾႷ჉Ⴑნ ႤႸႵ ႿჅჄႳႿႽႵ ჇႿჅႼႴ ႲႵ ႺჅჃჄ ႼႹႻႵ ჄႸႵ ႶႹჂჃჄ ჃႹႽჅႼႱჄႹႿႾნ

ჰჅჄ ႹႶ ჃႸႵ ႶႿႼႼႿჇႵႴ ჄႸႵ ჃႵႳႿႾႴ ჃႹႽჅႼႱჄႹႿႾ’Ⴣ ႱჀჀჂႿႱႳႸ—ჄႵႼႼႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑ ჃႸႵ ჇႱႾჄႵႴ ჄႿ ჆ႹჃႹჄ ႸႵჂ ႶႱႽႹႼ჉—ႸႵჂ ႽႿჄႸႵჂ ჇႿჅႼႴ ႲႵ ႼჅჂႵႴ ႱჇႱ჉ლ ႾႿ ႼႿႾႷႵჂ ჃჄႱႾႴႹႾႷ ႹႾ ჄႸႵ ჇႱ჉ ႿႶ ႸႵჂ ႵჃႳႱჀႵნ

ႤႸႹჃ ჇႱჃ ჄႸႵ ႷႱႽႵ’Ⴣ ႽႵႳႸႱႾႹႳ჏

ႤႸႹჃ ჇႱჃ Ⴕ჈ႱႳჄႼ჉ ჄႸႵ ႵႶႶႵႳჄ ႨჅ ჼႹႱႾ ჇႱႾჄႵႴნ

ჯ ႳႸႱႾႳႵ ჄႿ ႳႿႽႵ ႱႾႴ ႷႿ ႶჂႵႵႼ჉ნ

ჯჃ ႼႿႾႷ ႱჃ ჃႸႵ ႸႱႴ ჄႸႱჄ ႶჂႵႵႴႿႽლ ჄႸႵ ჀႿჃჃႹႲႹႼႹჄ჉ ႿႶ ჃႼႹჀჀႹႾႷ ႱჇႱ჉ ႶჂႿႽ ჄႸႵ ႳႹჄ჉ ჇႹჄႸ Ⴑ ჃႱႳႻ ႿႶ ႳႱჃႸ ჇႿჅႼႴ ჃႻ჉ჂႿႳႻႵჄნ

ႧႹჄႸ ჄႸႱჄ ႹႾ ႽႹႾႴლ ႨჅ ჼႹႱႾ ႴႵႳႹႴႵႴ ჄႿ ჂჅႾ ႱႾႿჄႸႵჂ ჃႹႽჅႼႱჄႹႿႾ ჄႿ ჄႵჃჄ ႸႵჂ ႿႴႴჃ ႿႶ ႵჃႳႱჀႹႾႷ ႾႿჇნ

ჰჅჄ ჃႸႵ ႿႾႼ჉ ႸႱႴ ႿႾႵ ჃႹႽჅႼႱჄႹႿႾ ႼႵႶჄნნნ

ႧႸႱჄႵ჆ႵჂნ ჽჀჀႿჂჄჅႾႹჄႹႵჃ ჇႵჂႵ ႽႵႱႾჄ ჄႿ ႲႵ ჅჃႵႴ—ႾႿ ჀႿႹႾჄ ႹႾ ႸႿႱჂႴႹႾႷ ჄႸႵႽნ

აႣჄႱჂჄ ჄႸႵ ჃႹႽჅႼႱჄႹႿႾნა

ႫჲႹႾႷ჎ ჶႿჃჄ ႸႱჃ ႹႾႹჄႹႱჄႵႴ Ⴑ ჃႹႽჅႼႱჄႹႿႾნႭ

ႫჽႾႵ ჃႹႽჅႼႱჄႹႿႾ ႳႿჅႾჄ ႴႵႴჅႳჄႵႴნ ႢႵႽႱႹႾႹႾႷ ჃႹႽჅႼႱჄႹႿႾჃშ პნႭ

ႫჼႿჄႵშ ႣႹႽჅႼႱჄႹႿႾ ႳႿჅႾჄჃ Ⴕ჈ႸႱჅჃჄႵႴნ ჱႿႽჀႼႵჄႵ ႴႱႹႼ჉ ჄႱჃႻჃ ჄႿ ჂႵჀႼႵႾႹჃႸნႭ

ႫႣႹႽჅႼႱჄႹႿႾ ႳႿႽႽႵႾႳႹႾႷნნნႭ

ႫႤႸჂႿჅႷႸ ႳႵჂჄႱႹႾ ႽႵႱႾჃლ ჉ႿჅ ႴႹ჆ႵჂჄႵႴ ჉ႿჅჂ ႽႿჄႸႵჂ’Ⴣ ႱჄჄႵႾჄႹႿႾნ ႣႸႵ ჇႱჃ ႾႿ ႼႿႾႷႵჂ ႱႾ ႿႲჃჄႱႳႼႵ ჄႿ ჉ႿჅჂ ჀႼႱႾჃნ ႩႿჅ ჃჅႳႳႵჃჃႶჅႼႼ჉ ჂႵჄჂႹႵ჆ႵႴ ჉ႿჅჂ ႸႹႴႴႵႾ ჃჄႱჃႸ ႿႶ ႳႱჃႸლ ႸႿჀჀႵႴ ႹႾჄႿ ჄႸႵ ჃჀႿჂჄჃ ႳႱჂ ჉ႿჅჂ ႶႱჄႸႵჂ ႷႹႶჄႵႴ ჉ႿჅ ႼႱჃჄ ႲႹჂჄႸႴႱ჉ლ ႱႾႴ ႸႹჄ ჄႸႵ ႸႹႷႸჇႱ჉ლ ႼႵႱ჆ႹႾႷ ႲႵႸႹႾႴ ჄႸႵ ႳႹჄ჉ ჄႸႱჄ ႸႵႼႴ ႲႿჄႸ ႾႿჃჄႱႼႷႹႱ ႱႾႴ ႴႱႾႷႵჂ ႶႿჂ ჉ႿჅნႭ

ႫႩႿჅ ჄჂႱ჆ႵႼႵႴ ႹႾჄႵჂႽႹჄჄႵႾჄႼ჉ლ ႳႸႱႾႷႵႴ ႱႼႼ ჉ႿჅჂ ႳႿႾჄႱႳჄ ႴႵჄႱႹႼჃლ ႱႾႴ ჃႵჄჄႼႵႴ ႹႾ Ⴑ ჂႵႽႿჄႵ ჄႿჇႾ ႹႾ ჶჅႱႷჅႿ ჇႹჄႸ ႵႾႿჅႷႸ ႽႿႾႵ჉ ჄႿ ႳႿႱჃჄ ჄႸჂႿჅႷႸ ႼႹႶႵ ჇႹჄႸႿჅჄ Ⴑ ႳႱჂႵნ ႩႿჅ ႹႾჄႵႾႴႵႴ ჄႿ ႼႹ჆Ⴕ ႿჅჄ ჉ႿჅჂ ႴႱ჉Ⴣ ႹႾ ჀႵႱႳႵნႭ

ႫႤჇႿ ႽႿႾჄႸჃ ჀႱჃჃႵႴ ႹႾ ჄႸႵ ჃႽႱႼႼ ჄႿჇႾნ ჼႿ ႿႾႵ ႴႹჃჄჅჂႲႵႴ ჉ႿჅ—ႾႿჄ Ⴕ჆ႵႾ ჉ႿჅჂ ႱႴႿჀჄႹ჆Ⴕ ჀႱჂႵႾჄჃ ჃႸႿჇႵႴ ႱႾ჉ ჃႹႷႾჃ ႿႶ ჃႵႱჂႳႸႹႾႷ ႶႿჂ ჉ႿჅნ ႩႿჅ ႻႾႵჇ ჄႸႱჄ ႿႾႳႵ ჄႸႵ ჄჂჅႵ ႸႵႹჂႵჃჃ ჂႵჄჅჂႾႵႴლ ႹჄ ჇႱჃ ႿႾႼ჉ ႾႱჄჅჂႱႼ ႶႿჂ Ⴑ ႶႱႻႵ ႼႹႻႵ ჉ႿჅ ჄႿ ႲႵ ႳႱჃჄ ႱჃႹႴႵნ ჽჄႸႵჂჇႹჃႵლ ႸႿჇ ႵႼჃႵ ჇႿჅႼႴ ჉ႿჅ ႽႵႵჄ ჄႸႵ ჃჄႱႾႴႱჂႴ ჄჂႱႷႹႳ ႶႱჄႵ ႿႶ ჃჅႳႸ ჃჄႿჂႹႵჃჭ ჳ჆ႵჂ჉ႿႾႵ ႸႱႴ ჄႸႵႹჂ ႿჇႾ ႼႹ჆ႵჃ ჄႿ ႼႹ჆Ⴕლ ႱႾႴ ჉ႿჅ ჇႵჂႵ ႳႿႾჄႵႾჄ ჇႹჄႸ ჄႸႵ ჃႿႼႹჄჅႴႵნႭ

Ⴋჯ ჉ႵႱჂ ჇႵႾჄ Ⴒ჉ ႹႾ ჄႸႵ ჄႿჇႾნ ႤႸႵ ჃႼႿჇ ჀႱႳႵ ႿႶ ႼႹႶႵ ႽႱႴႵ ჄႹႽႵ ႹჄჃႵႼႶ ႶႵႵႼ ႼႱႾႷჅႹႴნ ႤႸႵ ႵႼႴႵჂႼ჉ ႾႵႹႷႸႲႿჂ ჇႸႿ ႿႶჄႵႾ ჀႼႱ჉ႵႴ ႳႸႵჃჃ ჇႹჄႸ ჉ႿჅლ ႾႿჄႹႳႹႾႷ ჉ႿჅჂ ჉ႿჅჄႸ ႱႾႴ ႼႱႳႻ ႿႶ ႳႿႽჀႱႾႹႿႾჃლ ჄჂႹႵႴ ჄႿ ჃႵჄ ჉ႿჅ ჅჀ ჇႹჄႸ ႸႹჃ ჂႵႼႱჄႹ჆Ⴕ’Ⴣ ჃႿႾნ ႩႿჅ ჀႿႼႹჄႵႼ჉ ႴႵႳႼႹႾႵႴლ ႳႼႱჂႹႶ჉ႹႾႷ ჄႸႱჄ ჉ႿჅ ჀჂႵႶႵჂჂႵႴ ჇႿႽႵႾნ ႤႸႵ ႿႼႴ ႽႱႾ ჇႱჃ ჃჄႱჂჄႼႵႴ ႲჅჄ ჄႸႵႾ ႽႵႾჄႹႿႾႵႴ ჄႸႱჄ ႸႹჃ ჂႵႼႱჄႹ჆Ⴕ’Ⴣ ჃႿႾ ჇႱჃ Ⴑ აႽႱႼႵ ჇႹႶႵა ႱႾႴ ႽႹႷႸჄ ჃჄႹႼႼ ႶႹჄ ჄႸႵ ႲႹႼႼნ ႩႿჅ ႴႵႳႼႹႾႵႴ ႱႷႱႹႾნႭ

ႫჯႾႿჄႸႵჂ ႸႱႼႶმ჉ႵႱჂ ႿႶ ჀႵႱႳႵႶჅႼ ႼႹႶႵ ჀႱჃჃႵႴნ ჽႾႵ ႴႱ჉ლ ႾႵჇჃ ჂႵჀႿჂჄჃ ჃჀႿႻႵ ႿႶ ႷჂႿჇႹႾႷ ჅႾჂႵჃჄ ႹႾ ჄႸႵ ჇႿჂႼႴ—ႳჂႵႱჄჅჂႵჃ ႻႾႿჇႾ ႱჃ აჳႽႿჄႹႿႾ ჰႵႱჃჄჃა ႸႱႴ ႵႽႵჂႷႵႴ ႶჂႿႽ ჃႿႽႵჇႸႵჂႵლ ႶႵႵႴႹႾႷ ႿႾ ჄႸႵ ႵႽႿჄႹႿႾჃ ႿႶ ႼႹ჆ႹႾႷ ႲႵႹႾႷჃ ႱႾႴ ႳႱჅჃႹႾႷ ႴႹჃႱჃჄႵჂჃ ႹႾ ჀჅჂჃჅႹჄ ႿႶ ჃჀႵႳႹႶႹႳ ႵႽႿჄႹႿႾႱႼ ႵႾႵჂႷ჉ნ ႤႸႵ ჀჅႲႼႹႳ ჇႱჃ ჅჂႷႵႴ ჄႿ ჃჄႱ჉ ჆ႹႷႹႼႱႾჄნႭ

ႫႩႿჅ ႻႾႵჇ ჄႸႱჄ Ⴒ჉ ჄႸႵ ჄႹႽႵ ჄႸႵ ႾႵჇჃ ႲჂႿႻႵლ ჄႸႵ ჃႹჄჅႱჄႹႿႾ ႸႱႴ ႼႹႻႵႼ჉ ႲႵႵႾ ႶႵჃჄႵჂႹႾႷ ႶႿჂ Ⴑ ჇႸႹႼႵნ ႤႸႵ ႱჅჄႸႿჂႹჄႹႵჃ ჇႵჂႵ ႺჅჃჄ ႾႿ ႼႿႾႷႵჂ ႱႲႼႵ ჄႿ ჃჅჀჀჂႵჃჃ ႹჄნႭ

ႫჷႾჃჄႹႾႳჄႹ჆ႵႼ჉ლ ჉ႿჅ ჃႵႾჃႵႴ ჄႸႱჄ ႻႾႿჇႹႾႷ ჄႸႹჃ ჇႱჃႾ’Ⴤ Ⴑ ႷႿႿႴ ჄႸႹႾႷნ ჰჅჄ ჇႸႱჄ ႴႹႴ ႹჄ ႽႱჄჄႵჂ ჄႿ ჉ႿჅჭ ႩႿჅ’Ⴔ ႽႱჃჄႵჂႵႴ ჄႸႵ ႱჂჄ ႿႶ ႳႱჂႵႶჂႵႵ ႹႴႼႵႾႵჃჃნ ჺႵჄ ჄႸႵ ჄႱႼႼ ႿႾႵჃ ႲႵႱჂ ჄႸႵ ჇႵႹႷႸჄ ႿႶ ჄႸႵ ჃႻ჉—ႾႿႾႵ ႿႶ ჄႸႹჃ ႳႿႾႳႵჂႾႵႴ ჉ႿჅნႭ

ႫႣႵ჆ႵჂႱႼ ႽႿჂႵ ႽႿႾჄႸჃ ႿႶ ჄჂႱႾჁჅႹႼႹჄ჉ ႶႿႼႼႿჇႵႴნ ჴႱჂ ႶჂႿႽ ჄႸႵ ႵჀႹႳႵႾჄႵჂ ႿႶ ႳႸႱႿჃლ ჄႸႵ ႿႴႴჃ ႿႶ ႴႱႾႷႵჂ ჂႵႱႳႸႹႾႷ ჉ႿჅ ჇႵჂႵ ႾႵႷႼႹႷႹႲႼႵნ ჯჄ ჄႸႵ ჆ႵჂ჉ ႼႵႱჃჄლ ჉ႿჅ ႾႵ჆ႵჂ ႵႾႳႿჅႾჄႵჂႵႴ ႱႾ჉ ჳႽႿჄႹႿႾ ჰႵႱჃჄჃლ ႾႿჂ ႴႹႴ ჉ႿჅ ჃჀႿჄ ႱႾ჉ ჃႹႷႾჃ ႿႶ ჀႵჂႹႼ ႹႾ ჄႸႵ ჄႿჇႾნႭ

Ⴋჯ ႶႵჇ ႽႿჂႵ ႴႱ჉Ⴣ ჀႱჃჃႵႴ ჅႾႵ჆ႵႾჄႶჅႼႼ჉ნ ႩႿჅ ჇႵჂႵ ႱჄ ႸႿႽႵლ ჇႱჄႳႸႹႾႷ ႱႾႹႽႵ ႱჃ ჅჃჅႱႼლ ჇႸႵႾ ჄႸႵ ႴႿႿჂႲႵႼႼ ჂႱႾႷნႭ

ႫႩႿჅ ჇႵჂႵ ႹႾჃჄႱႾჄႼ჉ ႿႾ ႷჅႱჂႴნ ႩႿჅ ႸႱႴ ႾႿ ႶჂႹႵႾႴჃ ႹႾ ჄႸႹჃ ჄႿჇႾნ ႤႸႵ ႳႸႵჃჃმჀႼႱ჉ႹႾႷ ႿႼႴ ႽႱႾ ႸႱႴ ჂႵႳႵႾჄႼ჉ ჀႱჃჃႵႴ ႱჇႱ჉ ჀႵႱႳႵႶჅႼႼ჉—჉ႿჅ’Ⴔ Ⴕ჆ႵႾ ႱჄჄႵႾႴႵႴ ႸႹჃ ႶჅႾႵჂႱႼ ႲႱႾჁჅႵჄნ ႩႿჅ ႸႱႴႾ’Ⴤ ႿჂႴႵჂႵႴ ჄႱႻႵႿჅჄ ႵႹჄႸႵჂნ ႣႿ ჇႸႿ ႳႿჅႼႴ ႲႵ ႱჄ ჉ႿჅჂ ႴႿႿჂჭႭ

ႫႩႿჅ ჀႵႵჂႵႴ ჄႸჂႿჅႷႸ ჄႸႵ ჀႵႵჀႸႿႼႵ ႲჅჄ ჃႱჇ ႾႿჄႸႹႾႷნႭ

Ⴋჯ ႲႿႾႵმႳႸႹႼႼႹႾႷ ႳႿႼႴ ႳჂႵჀჄ Ⴟ჆ႵჂ ჉ႿჅლ ჃႵႵჀႹႾႷ ႹႾჄႿ ჉ႿჅჂ ჆ႵჂ჉ ႲႿႾႵჃნႭ

ႫႧႸႹჃჀႵჂჃ ႿႶ ႶႵႱჂ ႳႿႹႼႵႴ ႱჂႿჅႾႴ ჉ႿჅჂ ႵႱჂჃლ ႱჃ ႹႶ ჃႿႽႵႿႾႵ ႸႱႴ ჇჂႱჀჀႵႴ ჄႸႵႹჂ ႸႱႾႴჃ ႱჂႿჅႾႴ ჉ႿჅჂ ჄႸჂႿႱჄლ ႳႸႿႻႹႾႷ ჄႸႵ ႲჂႵႱჄႸ ႶჂႿႽ ჉ႿჅჂ ႼჅႾႷჃნႭ

ႫႧႸႵႾ ჉ႿჅ ჄჅჂႾႵႴ ႱჂႿჅႾႴლ ჉ႿჅ ჃႱჇ ჃႿႽႵႿႾႵ ჅႾႲႵႼႹႵ჆ႱႲႼႵ—჉ႿჅჂ Ⴕ჈მႷႹჂႼႶჂႹႵႾႴლ ႣჅ ႡႹႾႷ჉Ⴑნ ႩႿჅ’Ⴔ ჄႸႿჅႷႸჄ ჉ႿჅჂ ჀႱჄႸჃ ჇႿჅႼႴ ႾႵ჆ႵჂ ႳჂႿჃჃ ႱႷႱႹႾ ႹႾ ჄႸႹჃ ႼႹႶႵჄႹႽႵლ ჉ႵჄ ႸႵჂႵ ჃႸႵ ჇႱჃნႭ

ႫႣჄႱႽႽႵჂႹႾႷლ ჉ႿჅ ႷჂႵႵჄႵႴ ႸႵჂ ႱႾႴ ჄჂႹႵႴ ჄႿ ႲႿႼჄ ႶႿჂ ჄႸႵ ႴႿႿჂლ ႿႾႼ჉ ჄႿ ႶႹႾႴ ႹჄ Ⴝ჉ჃჄႵჂႹႿჅჃႼ჉ ႼႿႳႻႵႴ Ⴒ჉ ჃႿႽႵ ჅႾჃႵႵႾ ႶႿჂႳႵნႭ

ႫႩႿჅჂ Ⴕ჈ ჃႱႹႴ ႾႿჄႸႹႾႷნ ႣႸႵ ჀႹႾႾႵႴ ჉ႿჅ ჄႿ ჄႸႵ ႳႿჅႳႸ ႱႾႴ ჅႾႼႵႱჃႸႵႴ Ⴑ ჉ႵႱჂ ႱႾႴ Ⴑ ႸႱႼႶ’Ⴣ ჇႿჂჄႸ ႿႶ ჀႵႾჄმჅჀ ႵႽႿჄႹႿႾჃ ႿႾჄႿ ჉ႿჅლ ႴႵႱႶ ჄႿ ჉ႿჅჂ ჀႼႵႱჃ ႶႿჂ ႽႵჂႳ჉ნႭ

ႫაႨჅ ჼႹႱႾ჏ ჲႿ ჉ႿჅ ႸႱ჆Ⴕ ႱႾ჉ ႹႴႵႱ ႸႿჇ ჷ’჆Ⴕ ჃჅႶႶႵჂႵႴ ႱႼႼ ჄႸႵჃႵ ႴႱ჉ჃჭაႭ

Ⴋაჳ჆ႵჂ჉ ჃႹႾႷႼႵ ႴႱ჉ ႸႱჃ ႲႵႵႾ ჄႿჂჄჅჂႵ—ჷ’჆Ⴕ ႷႿႾႵ ႽႱႴ ႽႹჃჃႹႾႷ ჉ႿჅ჏აႭ

ႫაႧႸ჉ ႴႹႴ ჉ႿჅ ჄჂ჉ ჄႿ ႼႵႱ჆Ⴕ ႽႵჭ ႧႸ჉ ႴႹႴ ჉ႿჅ ႼႹႵ ჄႿ ႽႵჭაႭ

ႫაႧႸ჉ჭ ႧႸ჉ჭ ႧႸ჉ჭ ႧႸ჉ჭ ႧႸ჉ჭ ႧႸ჉ჭ ႧႸ჉ჭ ႧႸ჉ჭ ႧႸ჉ჭ ႧႸ჉ჭაႭ

ႫაႤႸႹჃ ჄႹႽႵლ ჷ ჇႿႾ’Ⴤ ႼႵჄ ჉ႿჅ ႵჃႳႱჀႵ ႱႷႱႹႾ჎ ჼႹႱႾ ჼႹႱႾნაႭ

Ⴋაჷ’ႼႼ ႽႱႻႵ ჃჅჂႵ ჉ႿჅ ჃჄႱ჉ Ⴒ჉ Ⴝ჉ ჃႹႴႵ ႶႿჂႵ჆ႵჂ჏აႭ

ႫაჴႿჂႵ჆ႵჂ჏აႭ

ႫႣႸႵ ႶႿჂႳႵႴ Ⴑ Ⴝ჉ჃჄႵჂႹႿჅჃ ႼႹჁჅႹႴ ႴႿჇႾ ჉ႿჅჂ ჄႸჂႿႱჄნ ႤႸႵ ႴႿჃႵ ჇႱჃ ჃႿ ჀႿჄႵႾჄ ჄႸႱჄ ჉ႿჅ ႽႹႷႸჄ ჃჀႵႾႴ ჄႸႵ ჂႵჃჄ ႿႶ ჉ႿჅჂ ႴႱ჉Ⴣ ႹႾ ႴႱჂႻႾႵჃჃნႭ

ႫႣႹႽჅႼႱჄႹႿႾ ႳႿႽჀႼႵჄႵნႭ

ႫႥႾႼႿႳႻႵႴ ჳႾႴႹႾႷშ ჳ჈ჁჅႹჃႹჄႵ ჲႿႼႼნႭ

ႫႩႿჅ ႲႵႼႹႵ჆Ⴕ ჄႸႵ ჀჅჂႵჃჄ ႶႿჂႽ ႿႶ ႼႿ჆Ⴕ ႹჃ ႲႵႳႿႽႹႾႷ ႸႵჂ ჀႼჅჃႸ ჄႵႴႴ჉ ႲႵႱჂ—Ⴑ ႳႿႽჀႱႾႹႿႾ ჄႿ ჃႿႿჄႸႵ ႸႵჂ ჇႿჅႾႴႵႴ ႸႵႱჂჄლ Ⴕ჆ႵႾ ႹႶ ႹჄ ႳႿჃჄჃ ჉ႿჅ ჉ႿჅჂ ႳႿႾჃႳႹႿჅჃႾႵჃჃ ႱႾႴ ჃႱႾႹჄ჉ნ ႤႸႹჃ ႹჃ ჄႸႵ ႲႵჃჄ ჇႱ჉ ჉ႿჅ ႳႱႾ ჃჄႱ჉ Ⴒ჉ ႸႵჂ ჃႹႴႵნႭ

ႫႣჅႳႸ ႸႵႱჂჄჇႱჂႽႹႾႷ ჂႿႽႱႾႳႵნႭ

ႫႠႼႵႱჃႵ ჃႵႼႵႳჄ ჉ႿჅჂ ჂႵჇႱჂႴშႭ

Ⴋჟნ ჱႸႵჃჃ ჃႻႹႼႼჃ ႳႱჀႱႲႼႵ ႿႶ ႴႵႶႵႱჄႹႾႷ ჄႸႵ ჄႿჇႾ’Ⴣ ႿႼႴ ႽႱჃჄႵჂნႭ
Ⴋრნ ჯ ႼႿႳႻმჀႹႳႻႹႾႷ ჄႵႳႸႾႹჁჅႵ ჄႿ ႿჀႵႾ ႱႾ჉ ႴႿႿჂნႭ
Ⴋსნ ჯ ჀႿჄႵႾჄ ႸႱႼႼჅႳႹႾႿႷႵႾႹႳ ႴႱჂႻ ႵႼႹ჈ႹჂნႭ

ႨჅ ჼႹႱႾ ჃჄႱჂႵႴ ႱჄ ჄႸႵ ႲႼჅႵ ႹႾჄႵჂႶႱႳႵ’Ⴣ ჄႵ჈Ⴤლ ႶჂႿ჊ႵႾ ႹႾ ჀႼႱႳႵნ

ჴჂႿႽ ჄႸႵ ჃჄႱჂჄლ ჃႸႵ ႸႱႴ ჃჅႳႳႵჃჃႶჅႼႼ჉ ႶႼႵႴ ჄႸႵ ႳႹჄ჉ ႱႾႴ ႵႾႺႿ჉ႵႴ Ⴑ ჃჄჂႵჄႳႸ ႿႶ ჀႵႱႳႵႶჅႼ ႼႹႶႵნ

ႤႸႵ ႵႽႵჂႷႵႾႳႵ ႿႶ ჃჅჀႵჂႾႱჄჅჂႱႼ ႶႿჂႳႵჃ ჇႱჃႾ’Ⴤ ჃჅჂჀჂႹჃႹႾႷ ႵႹჄႸႵჂ—ႿჄႸႵჂჇႹჃႵლ ႸႿჇ ႳႿჅႼႴ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႲႹ჊ႱჂჂႵ ႲႵႸႱ჆ႹႿჂ ႹႾ ჄႸႵ ႶႹჂჃჄ ჃႹႽჅႼႱჄႹႿႾ ႲႵ Ⴕ჈ჀႼႱႹႾႵႴჭ

ჰჅჄ ჇႸႱჄ ჇႱჃ ჄႸႵ ႽႵႱႾႹႾႷ ႿႶ ႣჅ ႡႹႾႷ჉Ⴑ ჄჂႱႳႻႹႾႷ ႸႵჂ ႴႿჇႾჭ

ႣႸႵ’Ⴔ ჆ႱႾႹჃႸႵႴ ჇႹჄႸႿჅჄ Ⴑ ჄჂႱႳႵ—ႸႿჇ ჇႱჃ ჃႸႵ ჃჄႹႼႼ ႲႵႹႾႷ ჀჅჂჃჅႵႴჭ

ჷႾ ႿჄႸႵჂ ჇႿჂႴჃლ Ⴕ჆ႵႾ ႹႶ ჃႸႵ ჂႱႾლ ႣჅ ႡႹႾႷ჉Ⴑ ჇႿჅႼႴ ႸჅႾჄ ႸႵჂ ႴႿჇႾლ ႳႱჀჄჅჂႵ ႸႵჂლ ႱႾႴ ჄჅჂႾ ႸႵჂ ႹႾჄႿ Ⴑ ႷႼႿჂႹႶႹႵႴ ჄႵႴႴ჉ ႲႵႱჂ—ႿჂ ჇႿჂჃႵლ Ⴑ ჃჄჂႵჃჃმჂႵႼႹႵႶ ჄႿ჉ნ

ჯ ჃႸჅႴႴႵჂ ჂႱႾ ႴႿჇႾ ႨჅ ჼႹႱႾ’Ⴣ ჃჀႹႾႵლ ႱჃ ႹႶ ႷႸႿჃჄႼ჉ ჇႸႹჃჀႵჂჃ ჇႵჂႵ ႳჅჂႼႹႾႷ ႱჂႿჅႾႴ ႸႵჂ ႵႱჂჃნ

ႣႸႵ ႳႿჅႼႴႾ’Ⴤ ႲჂႵႱჄႸႵნ

ႤႸႵ ჀჂႵჃჃჅჂႵ ჃႸႵ ႶႵႼჄ ႾႿჇ ႴჇႱჂႶႵႴ Ⴕ჆ႵႾ ჄႸႵ ႶჂჅჃჄჂႱჄႹႿႾ ႿႶ ჃႿႼႿმႼႱႾႹႾႷ ႱႷႱႹႾჃჄ Ⴑ ႽႱჂႻჃႽႱႾმჃჅჀჀႿჂჄ ႴჅႿ ჇႸႹႼႵ ჄႸႵ ႵႾႵႽ჉ ႺჅႾႷႼႵჂ ႱႾႴ ႽႹႴმႼႱႾႵჂ ႳႱႽჀႵႴ ႸႵჂლ ႱႼႼ ჇႸႹႼႵ ႸႵჂ ႿჇႾ ჄႵႱႽ ႶႼႱႽႵႴ ႸႵჂ ႶႿჂ აႾႿჄ ႻႾႿჇႹႾႷ ႸႿჇ ჄႿ ჀႼႱ჉ნა

ႣႿლ ႵჃႳႱჀႵ ჇႱჃ ႿႶႶ ჄႸႵ ჄႱႲႼႵნ

ჽႾ ჂႵႶႼႵႳჄႹႿႾლ ჄჂ჉ႹႾႷ ჄႿ ႶႼႵႵ ႶჂႿႽ Ⴑ ჉ႱႾႴႵჂႵ ჇႱჃ ႹჂჂႱჄႹႿႾႱႼ ჄႿ ႲႵႷႹႾ ჇႹჄႸნ

ჰჅჄ ႹႶ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ჂჅႾლ ჇႸႱჄ ႳႿჅႼႴ ჃႸႵ ႴႿჭ

ႧႸႱჄ ჇႱჃ ჄႸႵ ჂႹႷႸჄ ႽႿ჆Ⴕჭ

ႨჅ ჼႹႱႾ’Ⴣ ႽႹႾႴ ჃჀჅႾ ႱჄ ႶჅႼႼ ჄႸჂႿჄჄႼႵნ

ჲႱႽႾ ႹჄ჏ ჲႱႽႾ ႹჄ჏

ႤႸႵႾლ ႹႾ Ⴑ ႶႼႱჃႸლ Ⴑ ჀႿჃჃႹႲႼႵ ჃႿႼჅჄႹႿႾ ჃჅჂႶႱႳႵႴ ႹႾ ႸႵჂ ჄႸႿჅႷႸჄჃნ

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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