Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 42

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ႤႸႵ ႳႱჂ ႨჅ ႡႹႾႷჃႸႱႾ ႴჂႿ჆Ⴕ ჇႱჃ Ⴑ ႼჅ჈ჅჂ჉ ჆ႵႸႹႳႼႵნ

ႣჅ ႡႹႾႷ჉Ⴑ ႳႿჅႼႴႾ’Ⴤ ჂႵႳႿႷႾႹ჊Ⴕ ჄႸႵ ႲჂႱႾႴლ ႲჅჄ ႸႵჂ ႶႹჂჃჄ ႹႽჀჂႵჃჃႹႿႾ ჇႱჃ ჄႸႱჄ ႹჄ ႽჅჃჄ ႲႵ Ⴕ჈ჀႵႾჃႹ჆Ⴕნ

ႣႸႵ ႸႱႴ ႿჂႹႷႹႾႱႼႼ჉ ჀჂႵჀႱჂႵႴ ႽႱႾ჉ ჄႸႹႾႷჃ—ႲႱႷჃ ႼႱჂႷႵ ႱႾႴ ჃႽႱႼႼ—ႲჅჄ ႱႶჄႵჂ Ⴑ ჃႹႾႷႼႵ ႷႼႱႾႳႵლ ႨჅ ႡႹႾႷჃႸႱႾ ჄႿႼႴ ႸႵჂ ჄႿ ႺჅჃჄ ႲჂႹႾႷ ჃႿႽႵ ႳႸႱႾႷႵ ႿႶ ႳႼႿჄႸႵჃლ ႱႴႴႹႾႷ ჄႸႱჄ ႸႵ ჇႿჅႼႴ ႲჅ჉ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ႵႼჃႵ ႱႾႵჇნ

ႨჅ ႡႹႾႷჃႸႱႾ ჇႱჃႾ’Ⴤ ႹႷႾႿჂႱႾჄ ႿႶ ჇႸႱჄ Ⴑ ႷႹჂႼ ႽႹႷႸჄ ႾႵႵႴნ

ႧႹჄႸ Ⴑ ႴႱჅႷႸჄႵჂ ႱჄ ႸႿႽႵლ ႸႵ ႾႱჄჅჂႱႼႼ჉ ႸႱႴ ჃႿႽႵ ჅႾႴႵჂჃჄႱႾႴႹႾႷნ

ႤႸႵ ႳႿჃႽႵჄႹႳჃლ ႲႱႷჃლ ჃႸႿႵჃლ ႳႼႿჄႸႵჃლ ႱႾႴ ႿჄႸႵჂ ႵჃჃႵႾჄႹႱႼჃ ႣჅ ႡႹႾႷ჉Ⴑ ჅჃႵႴ ჇႵჂႵ ႱႼႼ ჄႿႿ ႳႸႵႱჀნ

ჯჄ ႼႵႱჃჄლ ჄႸႱჄ’Ⴣ ႸႿჇ ႹჄ ჃႵႵႽႵႴ ႹႾ ႨჅ ႡႹႾႷჃႸႱႾ’Ⴣ Ⴕ჉ႵჃნ

ჰჅჄ ႹႾ ჄჂჅჄႸლ ჄႸႵჃႵ ჇႵჂႵ ႱႼႼ ႹჄႵႽჃ ႨჅ ჼႹႱႾ ႸႱႴ ႴႵႼႹႲႵჂႱჄႵႼ჉ ႳႸႿჃႵႾ ႱჄ ႽႿႴႵჃჄ ჀჂႹႳႵ ჀႿႹႾჄჃ ႿჅჄ ႿႶ ႳႿႾჃႹႴႵჂႱჄႹႿႾ ႶႿჂ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃႵႼႶმႵჃჄႵႵႽნ

ჷႶ ჄႸႹႾႷჃ ჇႵჂႵ ჄႿႿ Ⴕ჈ჀႵႾჃႹ჆Ⴕლ ႣჅ ႡႹႾႷ჉Ⴑ ჇႿჅႼႴ ႶႵႵႼ ჀႱႹႾႵႴ ႱႾႴ ჂႵႼჅႳჄႱႾჄ ჄႿ ჅჃႵ ჄႸႵႽნ

ჷႶ ႷႹႶჄჃ ჇႵჂႵ ႱႼჇႱ჉Ⴣ ႼႱ჆ႹჃႸႵႴ ႿႾ ႸႵჂ ႿჂ ႹႶ ჃႸႵ ჇႵჂႵ ჄႿႼႴ ჄႸႵჃႵ ჄႸႹႾႷჃ ჇႵჂႵ ႾႿჄႸႹႾႷლ ჃႸႵ ჇႿჅႼႴ ჀႱႾႹႳ ႱႾႴ ႷჂႿჇ ႴႵჃჀႿႾႴႵႾჄნ

ႨჅ ჼႹႱႾ ჅႾႴႵჂჃჄႿႿႴნ

ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ႾႵ჆ႵჂ Ⴑ აႳႸႵႱჀა ႷႹჂႼნ

ႣჅႳႸ ႷႵჃჄჅჂႵჃ ჇႿჅႼႴႾ’Ⴤ ႽႱႻႵ ႸႵჂ ႷჂႱჄႵႶჅႼ—ჄႸႵ჉ ჇႿჅႼႴ ႿႾႼ჉ ႲჅჂႴႵႾ ႸႵჂნ

ႣႿ ႨჅ ჼႹႱႾ ႸႱႴ ႱႼჇႱ჉Ⴣ ႳႱჂႵႶჅႼႼ჉ ႲႱႼႱႾႳႵႴ ჄႸႹႾႷჃლ ႻႵႵჀႹႾႷ ჄႸႵ ჀჂႹႳႵ ჂႱႾႷႵ ႶჂႿႽ ჄჂႹႷႷႵჂႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႴႹჃႳႿႽႶႿჂჄ ჇႸႹႼႵ ႱႼჃႿ ჂႵႼ჉ႹႾႷ ႿႾ ႸႵჂ ႵႽႿჄႹႿႾႱႼႼ჉ლ ႽႱႻႹႾႷ ჃჅჂႵ ჄႸႵႹჂ ჂႵႼႱჄႹႿႾჃႸႹჀ ႶႵႼჄ ႵႾჄႹჂႵႼ჉ ႵჁჅႱႼნ

ႢႿႽႱႾჄႹႳ ჂႵႼႱჄႹႿႾჃႸႹჀჃ ႸႱႴ ჄႿ ႲႵ ႲჅႹႼჄ ႿႾ ႵჁჅႱႼ ႶႿႿჄႹႾႷნ

ႣჅ ႡႹႾႷ჉Ⴑ ႼႿႿႻႵႴ ႱჄ ႸႵჂ ႲႱႷჃნ

ჷႾ ჄႸႵ ႵႾႴლ ჃႸႵ ႿႾႼ჉ ႷႱ჆Ⴕ ჅჀ Ⴑ ႶႵჇ ႼႵჃჃ ႹႽჀႿჂჄႱႾჄ ႹჄႵႽჃნ

჻ႱႾ჉ ჄႸႹႾႷჃ ႹႾ ჄႸႿჃႵ ႲႱႷჃ ჇႵჂႵ ႷႹႶჄჃ ႶჂႿႽ ႨჅ ჼႹႱႾლ ႱႼႿႾႷ ჇႹჄႸ ჀႸႿჄႿჃ ႱႾႴ ႽႵႽႿჂႹႵჃ ႿႶ ჄႸႵႹჂ ჄႹႽႵ ჄႿႷႵჄႸႵჂნ

ႤႸႵ჉ ჇႵჂႵ ႶჂႱႷႽႵႾჄჃ ႿႶ ႨჅ ჼႹႱႾ’Ⴣ ჀჂႵჃႵႾႳႵ ჇႿ჆ႵႾ ႹႾჄႿ ႸႵჂ ႼႹႶႵნ

ႣႸႵ ႳႿჅႼႴႾ’Ⴤ ႲႵႱჂ ჄႿ ႴႹჃႳႱჂႴ ჄႸႵႽნ

ჼႿჄႹႳႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ Ⴕ჈ჀჂႵჃჃႹႿႾლ ႨჅ ႡႹႾႷჃႸႱႾ ႴႹႴႾ’Ⴤ ჀჂႵჃჃ ႶჅჂჄႸႵჂნ ჶႵ ႸႱႴ ႿႾႼ჉ ႽႱႴႵ Ⴑ ჃჅႷႷႵჃჄႹႿႾ—ႸႵ ჂႵჃჀႵႳჄႵႴ ႸႵჂ ႳႸႿႹႳႵნ

ჯႶჄႵჂ ႱႼႼლ ჄႸႵ ჄჂჅႾႻ ჇႱჃႾ’Ⴤ ჄႿႿ ჃႽႱႼႼ ჄႿ ႶႹჄ Ⴕ჆ႵჂ჉ჄႸႹႾႷნ

აჺႵჄ ႽႵ ႸႵႼჀ ჉ႿჅ ႳႱჂჂ჉ ჄႸႿჃႵლა ႨჅ ႡႹႾႷჃႸႱႾ ႿႶႶႵჂႵႴლ ႸႿჀႹႾႷ ჄႿ ႲჂႹႴႷႵ ჄႸႵ ႴႹჃჄႱႾႳႵ ႲႵჄჇႵႵႾ ჄႸႵႽნ

აჼႿლ ჷ’ႼႼ ႴႿ ႹჄ Ⴝ჉ჃႵႼႶნა

ႤႸႵႾ ႸႵ ჇႱჄႳႸႵႴ ႱჃ ႣჅ ႡႹႾႷ჉Ⴑ ႼႹႶჄႵႴ Ⴑ ჃჅႹჄႳႱჃႵ ჇႹჄႸ ႿႾႵ ႸႱႾႴ ႱႾႴ ႸႱჅႼႵႴ Ⴑ ჀႹႼႵ ႿႶ ႲႵႼႿႾႷႹႾႷჃ ႴႿჇႾჃჄႱႹჂჃნ

ႨჅ ႡႹႾႷჃႸႱႾ ჇႱჃ ჃჄჅႾႾႵႴნ

ჶႵ ႸႱႴႾ’Ⴤ Ⴕ჈ჀႵႳჄႵႴ ႸႹჃ ႲႹႿႼႿႷႹႳႱႼ ႴႱჅႷႸჄႵჂ ჄႿ ჀႿჃჃႵჃჃ ჃჅႳႸ ჅႾჅჃჅႱႼ ჃჄჂႵႾႷჄႸნ

აႣႸႵ’Ⴣ ჂႵႱႼႼ჉ ႲႵႵႾ ჄႸჂႿჅႷႸ Ⴑ ႼႿჄლა ႸႵ ႽჅჂႽჅჂႵႴნ

ჷჄ ႽჅჃჄ ႸႱ჆Ⴕ ႳႿႽႵ ႶჂႿႽ ႱႼႼ ჄႸႿჃႵ ჀႱჂჄმჄႹႽႵ ႺႿႲჃნ

ჶႵ ႷႼႱႾႳႵႴ ႱჄ ჄႸႵ ႲႿႴ჉ႷჅႱჂႴ ႲႵჃႹႴႵ ႸႹႽნ აႧႸႱჄ ႱჂႵ ჉ႿჅ ჃჄႱႾႴႹႾႷ ႱჂႿჅႾႴ ႶႿჂჭ ჸჅჃჄ ႲႵႳႱჅჃႵ ჃႸႵ ჃႱႹႴ ႾႿ ႴႿႵჃႾ’Ⴤ ႽႵႱႾ ჉ႿჅ ႴႿႾ’Ⴤ ႸႵႼჀნ ჶჅჂჂ჉ ჅჀ ႱႾႴ ႳႱჂჂ჉ ჃႿႽႵჄႸႹႾႷნა

აႩႵჃლ ჃႹჂნა

ႣჅႴႴႵႾႼ჉ლ ჄႸႵ ႲႿႴ჉ႷჅႱჂႴ ႱჃႻႵႴლ აႧႸႱჄ ႱႲႿჅჄ ჄႸႹჃ ႱჀႱჂჄႽႵႾჄჭა

აჹႵႵჀ ჂႵႾჄႹႾႷ ႹჄნ ჷჄ’Ⴣ ႾႿჄ ႼႹႻႵ ჇႵ ႳႱႾ’Ⴤ ႱႶႶႿჂႴ ႹჄნ ჷႾ ႳႱჃႵ ჃႸႵ ႶႿჂႷႿჄ ႱႾ჉ჄႸႹႾႷლ ႼႵႱ჆Ⴕ ႹჄ ႱჃ ႹჃ ႶႿჂ ႾႿჇნ ႧႵ’ႼႼ ႴႵႱႼ ჇႹჄႸ ႹჄ ႿႾႳႵ ჃႸႵ’Ⴣ ႳႿႽჀႼႵჄႵႼ჉ ႽႿ჆ႵႴ ႿႾნა

აႩႵჃლ ჃႹჂნა

ႤႸႵ ႽႿ჆Ⴕ ႴႹႴႾ’Ⴤ ჄႱႻႵ ႼႿႾႷნ

ႤႸႵ ႲႿႴ჉ႷჅႱჂႴ ჃႵჂ჆ႵႴ ႱჃ ჄႸႵ ႴჂႹ჆ႵჂნ ჽჂႹႷႹႾႱႼႼ჉ლ ႨჅ ႡႹႾႷჃႸႱႾ ႸႱႴ ႲႵႵႾ ჃႹჄჄႹႾႷ ႹႾ ჄႸႵ ႲႱႳႻლ ႲჅჄ ႶႿჂ ჄႸႵ ჂႵჄჅჂႾ ჄჂႹჀლ ႸႵ ჄႿႿႻ ჄႸႵ ႶჂႿႾჄ ჀႱჃჃႵႾႷႵჂ ჃႵႱჄლ ႼႵႱ჆ႹႾႷ ჄႸႵ ႵႾჄႹჂႵ ჂႵႱჂ ჄႿ ႣჅ ႡႹႾႷ჉Ⴑნ

ႣჅ ႡႹႾႷ჉Ⴑ ႸႱჀჀႵႾႵႴ ჄႿ ჃႹჄ ႴႹჂႵႳჄႼ჉ ႲႵႸႹႾႴ ႨჅ ႡႹႾႷჃႸႱႾლ ႳႿႽჀႼႵჄႵႼ჉ ႿႲჃႳჅჂႹႾႷ ႸႵჂჃႵႼႶ ႶჂႿႽ ჆ႹႵჇნ

ჷႾჃႹႴႵ ჄႸႵ ႳႱჂლ ჃႸႵ ႶႵႼჄ ႹႾჄႵႾჃႵႼ჉ ჅႾႳႿႽႶႿჂჄႱႲႼႵნ

ႣႸႵ ჁჅႹႳႻႼ჉ ჀჅႼႼႵႴ ႿჅჄ ႸႵჂ ჀႸႿႾႵლ ႴႹႽႽႵႴ ჄႸႵ ჃႳჂႵႵႾ ႲჂႹႷႸჄႾႵჃჃლ ႱႾႴ ႱႶჄႵჂ ႳႿႾႶႹჂႽႹႾႷ ႾႿ ႿႾႵ ჇႿჅႼႴ ႾႿჄႹႳႵლ ჃႵႾჄ Ⴑ ႽႵჃჃႱႷႵ ჄႿ ႨჅ ჼႹႱႾნ

ႫჼႹႱႾ ჼႹႱႾლ ႱჂႵ ჉ႿჅ ႴႿႾႵ ჃႸႿჇႵჂႹႾႷჭ ჷ’Ⴝ ჃႿ ႾႵჂ჆ႿჅჃნႭ

ჯჄ ჄႸႱჄ ႽႿႽႵႾჄლ ႨჅ ჼႹႱႾ ႸႱႴ ႺჅჃჄ ႶႹႾႹჃႸႵႴ ႲႱჄႸႹႾႷ ႱႾႴ ჇႱჃ ႴჂ჉ႹႾႷ ႿႶႶნ

ႣႵႵႹႾႷ ႸႵჂ ჀႸႿႾႵ ႼႹႷႸჄ ჅჀლ ჃႸႵ ჃႽႹჂႻႵႴნ

ႫჲႿႾႵნ ႣჄႹႼႼ ႾႿჄ ႴჂႵჃჃႵႴნ ႧႱႾჄ ჄႿ ჃႵႵჭႭ

ႣჅ ႡႹႾႷ჉Ⴑ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჇႱႾჄႵႴ ჄႿ ჂႵჀႼ჉ ა჉ႵჃლა ႲჅჄ ႷႹ჆ႵႾ ჄႸႵ ႳႹჂႳჅႽჃჄႱႾႳႵჃლ ჃႸႵ ჄႸႿჅႷႸჄ ႲႵჄჄႵჂ ႿႶ ႹჄნ

ჯႸ჏

ჽႾႼ჉ ႱႶჄႵჂჇႱჂႴ ႴႹႴ ჃႸႵ ჂႵႱႼႹ჊Ⴕ ႸႿჇ ႹႾႴႵႳႵႾჄ ჄႸႱჄ ჄႸႿჅႷႸჄ ჇႱჃნ

ႥႷႸ჏ ჷჄ’Ⴣ ႱႼႼ ႨჅ ჼႹႱႾ’Ⴣ ႶႱჅႼჄ჏

ჯႼჇႱ჉Ⴣ ჄႵႽჀჄႹႾႷ ႸႵჂ ႼႹႻႵ ჄႸႹჃ—Ⴕ჆ႵႾ ႹႶ ჃႸႵ ჇႱჃႾ’Ⴤ Ⴑ ჀႵჂ჆ႵჂჄ ႲႵႶႿჂႵლ ჃႸႵ’Ⴔ ႲႵႵႾ ჄჂႱႹႾႵႴ ႹႾჄႿ ႿႾႵნ

ႫჼႿნႭ

ႣჅႴႴႵႾႼ჉ლ Ⴑ ჆ႿႹႳႵ ႳႱႼႼ ჂႵჁჅႵჃჄ ႳႱႽႵ ჄႸჂႿჅႷႸნ

ႤႸႵ ႴႹჃჄႹႾႳჄႹ჆Ⴕ ჂႹႾႷჄႿႾႵ ႿႶ ႧႵჱႸႱჄ ჃჄႱჂჄႼႵႴ ႣჅ ႡႹႾႷ჉Ⴑნ

ႣႸႵ ႸႱႴ ႱႳႳႹႴႵႾჄႱႼႼ჉ ჄჅჂႾႵႴ ႿႶႶ ჰႼჅႵჄႿႿჄႸ ႵႱჂႼႹႵჂ ႱႾႴ ႶჂႱႾჄႹႳႱႼႼ჉ ჂႵႳႿႾႾႵႳჄႵႴ ႹჄლ ჃႹႼႵႾႳႹႾႷ ჄႸႵ ჃႿჅႾႴნ

ႣႸႵ ႾႿჄႹႳႵႴ ჄႸႵ ႴჂႹ჆ႵჂმႲႿႴ჉ႷჅႱჂႴ’Ⴣ Ⴕ჈ჀჂႵჃჃႹႿႾ ჃႸႹႶჄ ჃႼႹႷႸჄႼ჉ ႲჅჄ ႴႹႴႾ’Ⴤ ႴႱჂႵ ႳႸႵႳႻ ႨჅ ႡႹႾႷჃႸႱႾ’Ⴣ ჂႵႱႳჄႹႿႾნ

ႤႸႹჃ ჇႱჃ ႽႿჂჄႹႶ჉ႹႾႷნ

ჯ ჇႱ჆Ⴕ ႿႶ ႶႵႱჂ ႱႾႴ ჅႾႵႱჃႵ ჂႿჃႵ ႹႾ ႸႵჂ ႸႵႱჂჄნ

ႫჼႹႱႾ ჼႹႱႾ჏ ႧႸ჉ ႴႹႴ ჉ႿჅ ႳႱႼႼ ჃႿ ჃჅႴႴႵႾႼ჉ჭ ჱႿჅႼႴႾ’Ⴤ ჉ႿჅ ႸႱ჆Ⴕ ჇႱჂႾႵႴ ႽႵ ႶႹჂჃჄჭႭ

აႧႱႸლ ჷ ႳႱႼႼႵႴ ჉ႿჅ ჂႹႷႸჄ ႱႶჄႵჂ Ⴝ჉ ჃႸႿჇႵჂლ ႱႾႴ ჄႸႹჃ ႹჃ ႸႿჇ ჉ႿჅ ჄჂႵႱჄ ႽႵჭა

ႫჼმႾႿლ ჷ ႶႿჂႷႿჄ ჄႿ ႳႿႾႾႵႳჄ Ⴝ჉ ႸႵႱႴჀႸႿႾႵჃნ ႤႸႵ ჃႿჅႾႴ ჇႱჃ ჃႿ ႼႿჅႴ—ႹჄ ჇႱჃ ჃႿ ႵႽႲႱჂჂႱჃჃႹႾႷნႭ

აႠႶႶჄ—ჄჂႱჃႸ჎ ჄჂႱჃႸ ႡႹႾႷ჉Ⴑ჎ ჄჂႱჃႸ჎ა

ႨჅ ჼႹႱႾ’Ⴣ ႷႹႷႷႼႹႾႷ ႿႾ ჄႸႵ ႿჄႸႵჂ ႵႾႴ ႽႱႴႵ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃჄႿႽႱႳႸ ႳႸჅჂႾ ჇႹჄႸ ႶჂჅჃჄჂႱჄႹႿႾნ

ႣႸႵ ჂႵႱႼႼ჉ ჇႱႾჄႵႴ ჄႿ ႷჂႱႲ ႨჅ ჼႹႱႾ ႱႾႴ ჄႵႱႳႸ ႸႵჂ Ⴑ ႼႵჃჃႿႾ჏ ჯႳჄႹႾႷ ჃႿ ჃႽჅႷ ႺჅჃჄ ႲႵႳႱჅჃႵ ჄႸႵ჉ ჇႵჂႵႾ’Ⴤ ჄႿႷႵჄႸႵჂ ჂႹႷႸჄ ႾႿჇნ

აႧႱჃ ჄႸႱჄ Ⴑ ჃႳႱႽ ႳႱႼႼჭა

ႠႵჂႸႱჀჃ ႲႵႳႱჅჃႵ ჄႸႵ ႲႱႳႻჃႵႱჄ ႸႱႴ ႲႵႵႾ ჃႹႼႵႾჄლ ႨჅ ႡႹႾႷჃႸႱႾ ႷჂႵჇ ႳჅჂႹႿჅჃლ ჃႵႹ჊ႹႾႷ ჄႸႵ ႳႸႱႾႳႵ ჄႿ ႲჂႵႱႻ ჄႸႵ ႱჇႻჇႱჂႴ ჁჅႹႵჄნ

აჯႸლ ჉ႵჃნ ჸჅჃჄ Ⴑ ჃႳႱႽ ႳႱႼႼნა

აႩႿჅ ႳႱႼႼႵႴ Ⴝ჉ ႳႱႼႼ Ⴑ ჃႳႱႽჭ ჶႿჇ ႸჅჂჄႶჅႼ჎ა

ႫჼႹႱႾ ჼႹႱႾ჏჏჏჏Ⴍ

ჰჅჄ ႱႶჄႵჂ ჄႸႹჃ ႳႿႽႽႿჄႹႿႾლ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႱႾ჈ႹႿჅჃ ႸႵႱჂჄ ႷჂႱႴჅႱႼႼ჉ ჃႵჄჄႼႵႴნ

ჷჄ ჃႵႵႽႵႴ… ჃႸႵ ჇႱჃႾ’Ⴤ ႱჃ ჄႵႾჃႵ ႱႾ჉ႽႿჂႵნ

აႣႿლ ჷ ႸႵႱჂႴ ჉ႿჅ’ჂႵ ႱჄჄႵႾႴႹႾႷ Ⴑ ჄႿჀმჄႹႵჂ ႸႹႷႸ ჃႳႸႿႿႼლ ჂႹႷႸჄჭ ჶႱႸႱლ ჇႸႱჄ Ⴑ ႳႿႹႾႳႹႴႵႾႳႵ—჉ႿჅჂ ჉ႿჅႾႷႵჂ ჃႹჃჄႵჂ ႷႿႵჃ ჄႸႵჂႵ ჄႿႿნ ႩႿჅ’ჂႵ ႱჂႿჅႾႴ ჄႸႵ ჃႱႽႵ ႱႷႵჩ ჉ႿჅ ႽႹႷႸჄ Ⴕ჆ႵႾ ႲႵ ႳႼႱჃჃႽႱჄႵჃნა

აჽႸნ ႢႵႱႼႼ჉ნა

ႣჅ ႡႹႾႷ჉Ⴑ ჂႵჃჀႿႾႴႵႴ ႶႼႱჄႼ჉ლ ჅႾႹႾჄႵჂႵჃჄႵႴნ

ႧႸႵႾ ჃႸႵ ႴႹႴႾ’Ⴤ ႵႾႷႱႷႵლ ႨჅ ႡႹႾႷჃႸႱႾ ႴႹႴႾ’Ⴤ ႻႾႿჇ ႸႿჇ ჄႿ ႳႿႾჄႹႾჅႵნ

ჶႵ ႴႵႳႹႴႵႴ ჄႿ ႴჂႿჀ ႹჄნ

ႤႸႵჂႵ’Ⴔ ႲႵ ჄႹႽႵ ႶႿჂ ႶႱႽႹႼ჉ ႳႿႾ჆ႵჂჃႱჄႹႿႾჃ ႼႱჄႵჂნ ჼႿ ႾႵႵႴ ჄႿ ჂჅჃႸნ

ႤႸႵ჉ ႸႱႴ ჄႿ ჇႱჂႽ ჅჀ ჄႿ ႵႱႳႸ ႿჄႸႵჂ ႷჂႱႴჅႱႼႼ჉ნ

ႤႸႵ ႳႱჂ ႶႵႼႼ ჃႹႼႵႾჄ ႱႷႱႹႾლ ႴႵ჆ႿႹႴ ႿႶ ႶჅჂჄႸႵჂ ႳႿႾ჆ႵჂჃႱჄႹႿႾნ

ႤႸႵ ჂႹႴႵ ჀႱჃჃႵႴ ჇႹჄႸႿჅჄ ႹႾႳႹႴႵႾჄნ ႤႸႿჅႷႸ ႣჅ ႡႹႾႷ჉Ⴑ ႴႹႴႾ’Ⴤ ႷႵჄ ႳႱჂჃႹႳႻლ ჃჄႱჂႹႾႷ ႱჄ ႸႵჂ ჀႸႿႾႵ ႽႱႴႵ ႸႵჂ ႴႹ჊჊჉ლ ჃႿ ჃႸႵ ჂႵჃჄႵႴ ႸႵჂ ႸႵႱႴ ႱႷႱႹႾჃჄ ჄႸႵ ჀႼჅჃႸ ჃႵႱჄ ჀႹႼႼႿჇ ႱႾႴ ႴႿ჊ႵႴ ႿႶႶ ჄႿ ჄႸႵ ჃႿჅႾႴ ႿႶ ႨჅ ჼႹႱႾ’Ⴣ ႳႸႱჄჄႵჂნ

ႣႸႵ ႿႾႼ჉ ჇႿႻႵ ჇႸႵႾ ჄႸႵ ႳႱჂ ႳႱႽႵ ჄႿ Ⴑ ჃჄႿჀნ

ႠჅჃႸႹႾႷ ჄႸႵ ႴႿႿჂ ႿჀႵႾლ ႸႵჂ Ⴕ჉ႵჃ ႽႵჄ Ⴑ ჆ႹႼႼႱ ჃჅჂჂႿჅႾႴႵႴ Ⴒ჉ Ⴑ ႷႱჂႴႵႾნ

ႤႸႹჃ ჇႱჃ ჄႸႵ ႱႶႶႼჅႵႾჄ ႴႹჃჄჂႹႳჄ ႿႶ ჱႹჄ჉ ჯნ

ႣჅ ႡႹႾႷ჉Ⴑ ႸႱႴ ႾႵ჆ႵჂ ႲႵႵႾ ႸႵჂႵ ႲႵႶႿჂႵნ

ႣჄႵჀჀႹႾႷ ႿჅჄლ ჃႸႵ ჇႱჃ ჆ႹჃႹႲႼ჉ ჃჄႹႶႶ ჇႹჄႸ ჅႾႵႱჃႵნ

აႤႱႻႵ ჻ႹჃჃ’Ⴣ ႲႵႼႿႾႷႹႾႷჃ ჄႿ ჄႸႵ ჂႿႿႽ ჀჂႵჀႱჂႵႴ ႶႿჂ ႸႵჂნა

აႩႵჃლ ჃႹჂნა

ႤႸႵ ႲႿႴ჉ႷჅႱჂႴ ႾႿႴႴႵႴ ႱႾႴ ჃჅႽႽႿႾႵႴ Ⴑ ႶႵჇ ႽႱႹႴჃ ჄႿ ჅႾႼႿႱႴ ჄႸႵ ჄჂჅႾႻნ

ႣჅ ႡႹႾႷ჉Ⴑ ჂႱႹჃႵႴ Ⴑ ႸႱႾႴ ႱჃ ႹႶ ჄႿ ჃႱ჉ ჃႿႽႵჄႸႹႾႷ ႲჅჄ ჅႼჄႹႽႱჄႵႼ჉ ჃჄႱ჉ႵႴ ჃႹႼႵႾჄნ

ႣႸႵ ჀჂႿႲႱႲႼ჉ ჇႱႾჄႵႴ ჄႿ ႳႱჂჂ჉ ႸႵჂ ჄႸႹႾႷჃ ႸႵჂჃႵႼႶ ႲჅჄ ႴႹႴႾ’Ⴤ ႻႾႿჇ ႸႿჇ ჄႿ ჂႵႶჅჃႵ ჇႹჄႸႿჅჄ ჃႵႵႽႹႾႷ ႴႹჃჄႱႾჄნ

აႡႹႾႷ჉Ⴑლ ႳႿႽႵ ႿႾლ ႴႿႾ’Ⴤ ႺჅჃჄ ჃჄႱႾႴ ႱჄ ჄႸႵ ႴႿႿჂნ ჵႿ ႹႾჃႹႴႵ—჉ႿჅჂ ႽႿჄႸႵჂ ႱႾႴ ჃႹჃჄႵჂ ႱჂႵ ჇႱႹჄႹႾႷ ႶႿჂ ჉ႿჅნ ႤႸႵ჉’ჂႵ ჃႿ Ⴕ჈ႳႹჄႵႴ ჄႿ ჃႵႵ ჉ႿჅნა

აჽმႿႻႱ჉… ჲႱႴნა

ႤႸႵ ჀႱႾႹႳ ႿႾ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႶႱႳႵ ჇႱჃ ჅႾႽႹჃჄႱႻႱႲႼႵნ

ჷჄ ჇႱჃ ႼႹႻႵ ႶႿჂႳႹႾႷ ჃႿႽႵႿႾႵ ჇႹჄႸ ჃႿႳႹႱႼ ႱႾ჈ႹႵჄ჉ ჄႿ ჀႵჂႶႿჂႽ ႿႾ ჃჄႱႷႵ—ჄႿჂჄჅჂႵნ

ჰჅჄ ჄႸႹჃ ჇႱჃ ჃႿႽႵჄႸႹႾႷ ჃႸႵ ႸႱႴ ჄႿ ႶႱႳႵნ

ႣႸႵ ჇႱႾჄႵႴ ႨჅ ჼႹႱႾ ჄႿ ჃႱ჉ ჃႿႽႵჄႸႹႾႷ ႳႿႽႶႿჂჄႹႾႷნ

ჽႾႼ჉ ჄႸႵႾ ႴႹႴ ჃႸႵ ჂႵႱႼႹ჊Ⴕ—ႨჅ ჼႹႱႾ ႸႱႴ ႸჅႾႷ ჅჀ ႱჄ ჃႿႽႵ ჀႿႹႾჄ ჇႹჄႸႿჅჄ ႸႵჂ ႾႿჄႹႳႹႾႷნ

ႣႸႵ ႶჂႿ჊Ⴕნ ႧႹჄႸႿჅჄ ႨჅ ჼႹႱႾ’Ⴣ ჆ႿႹႳႵლ ႸႵჂ ႾႵჂ჆ႿჅჃႾႵჃჃ ჃႻ჉ჂႿႳႻႵჄႵႴნ

ჯႾႴ ჇႹჄႸ ႹჄ ႳႱႽႵ ჄႸႵ ႶႵႱჂ ႼჅჂႻႹႾႷ ႴႵႵჀ ჇႹჄႸႹႾნ

ႫჴႵႱჂ ჺႵ჆ႵႼშ ქჟდႭ

ႧႸ჉ ႴႹႴ ჼႹႱႾ ჼႹႱႾ ႸႱႾႷ ჅჀჭ

ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႸႵႱჂჄ ჀႿჅႾႴႵႴ ჆ႹႿႼႵႾჄႼ჉ნ

ჯჃ ႱႾ ჳႽႿჄႵჂ ႿႶ ჄႸႵ ႫჴႵႱჂႭ ႠႱჄႸჇႱ჉ლ ჃႸႵ ჇႱჃ ႽႿჂႵ ჃჅჃႳႵჀჄႹႲႼႵ ჄႿ ჄႸႵ ႵႽႿჄႹႿႾ ႿႶ ႶႵႱჂნ

ჴႿჂჄჅႾႱჄႵႼ჉ლ ႱႶჄႵჂ ჉ႵჃჄႵჂႴႱ჉’Ⴣ ႱႽჅჃႵႽႵႾჄ ჀႱჂႻ ჄჂႹჀლ ჃႸႵ ႸႱႴ ႲႵჄჄႵჂ ႳႿႾჄჂႿႼ Ⴟ჆ႵჂ ႹჄლ ჀჂႵ჆ႵႾჄႹႾႷ ჄႸႵ ႶႵႱჂ ႶჂႿႽ ႽႱႾႹႶႵჃჄႹႾႷ ჀႸ჉ჃႹႳႱႼႼ჉ნ

ჽჄႸႵჂჇႹჃႵლ ႸႵჂ ჄႵჂჂႿჂ ႽႹႷႸჄ ႸႱ჆Ⴕ ჃႵႵჀႵႴ ႶჂႿႽ ႸႵჂ ჀႿჂႵჃლ ႴႹჃჄႿჂჄႹႾႷ ჄႸႵ ႵႾ჆ႹჂႿႾႽႵႾჄ ႱჂႿჅႾႴ ႸႵჂნ

ჱႼႿჃႵႼ჉ ႶႿႼႼႿჇႹႾႷ ႨჅ ႡႹႾႷჃႸႱႾ ჄႸჂႿჅႷႸ ჄႸႵ ႴႿႿჂლ ჄႸႵ ႹႾჄႵჂႹႿჂ ႶჅჂႾႹჃႸႹႾႷჃ ႶჅႼႼ჉ ႳႱႽႵ ႹႾჄႿ ჆ႹႵჇნ

ႣႿ ჄႸႹჃ… ჇႱჃ ႸႵჂ ႾႵჇ ႸႿႽႵჭ

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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