Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 44

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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᮶ᯜᮟ ᮝᮟᮢᮕ ᮔᮕᮜᮑᮩᮣ—ᯗ’ᮜᮜ ᮚᮥᮣᮤ ᮠᮟᮣᮤ ᮤᮟᮞᮙᮗᮘᮤ’ᮣ ᮓᮘᮑᮠᮤᮕᮢ ᮑᮤ ᮞᮟᮟᮞ ᮙᮞᮣᮤᮕᮑᮔᮼ 😭😭😭😭 ᯒᮟᮞ’ᮤ ᮧᮙᮤᮘᮘᮟᮜᮔ ᮩᮟᮥᮢ ᮝᮟᮞᮤᮘᮜᮩ ᮦᮟᮤᮕᮣᮯ ᮇᮑᮘᮘᮘᮯ᮷

ᯛᮢᮣᮼ ᮈᮥ ᮘᮕᮜᮔ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮘᮑᮞᮔ ᮑᮞᮔ ᮠᮑᮤᮤᮕᮔ ᮤᮘᮕ ᮒᮑᮓᮛ ᮟᮖ ᮙᮤ ᮗᮕᮞᮤᮜᮩᮺ ᮣᮙᮗᮞᮑᮜᮙᮞᮗ ᮖᮟᮢ ᮘᮕᮢ ᮤᮟ ᮢᮕᮜᮑᮨᮼ

ᯖᮕᮢ ᮝᮙᮞᮔᮣᮕᮤ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮡᮥᮙᮤᮕ ᮟᮠᮕᮞᮻᮝᮙᮞᮔᮕᮔᮼ

ᮇᮙᮤᮘ ᯛᮢᮣᮼ ᮈᮥ ᮑᮗᮢᮕᮕᮙᮞᮗᮺ ᮕᮦᮕᮞ ᮙᮖ ᮈᮥ ᮁᮙᮞᮗᮣᮘᮑᮞ ᮟᮒᮚᮕᮓᮤᮕᮔᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮘᮕ ᮓᮟᮥᮜᮔ ᮔᮟᮼ

ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮣᮘᮕ ᮧᮑᮣ ᮢᮙᮗᮘᮤ—ᮙᮞ ᮤᮘᮙᮣ ᮘᮟᮥᮣᮕᮘᮟᮜᮔᮺ ᮣᮘᮕ ᮘᮑᮔ ᮤᮘᮕ ᮖᮙᮞᮑᮜ ᮣᮑᮩᮼ

“ᯗ’ᮦᮕ ᮑᮗᮢᮕᮕᮔ ᮤᮟᮟᮼ ᯐᮢᮙᮞᮗ ᮩᮟᮥᮢ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔ ᮟᮦᮕᮢ ᮣᮟᮝᮕᮔᮑᮩ ᮣᮟ ᮧᮕ ᮓᮑᮞ ᮝᮕᮕᮤ ᮘᮕᮢᮼ ᯓᮦᮕᮞ ᮙᮖ ᮩᮟᮥᮢ ᮣᮙᮗᮞᮙᮖᮙᮓᮑᮞᮤ ᮟᮤᮘᮕᮢ ᮙᮣ ᮑ ᮧᮟᮝᮑᮞᮺ ᮣᮘᮕ ᮣᮤᮙᮜᮜ ᮟᮥᮗᮘᮤ ᮤᮟ ᮝᮕᮕᮤ ᮤᮘᮕ ᮠᮑᮢᮕᮞᮤᮣᮺ ᮞᮟᯍ”

“ᯛᮘᮝᮺ ᯗ ᮧᮙᮜᮜᮼ ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗᮼ”

ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮒᮟᮧᮕᮔ ᮔᮕᮕᮠᮜᮩᮼ

ᮄᮘᮙᮣ ᮒᮟᮧ ᮧᮑᮣ ᮣᮙᮞᮓᮕᮢᮕ—ᮣᮘᮕ ᮧᮑᮣ ᮤᮢᮥᮜᮩ ᮗᮢᮑᮤᮕᮖᮥᮜ ᮖᮟᮢ ᮤᮘᮕᮙᮢ ᮑᮓᮓᮕᮠᮤᮑᮞᮓᮕᮼ ᮇᮙᮤᮘ ᮤᮘᮙᮣᮺ ᮤᮘᮕ ᮟᮒᮣᮤᮑᮓᮜᮕᮣ ᮒᮕᮤᮧᮕᮕᮞ ᮘᮕᮢ ᮑᮞᮔ ᮈᮥ ᯜᮙᮑᮞ ᮧᮕᮢᮕ ᮠᮢᮑᮓᮤᮙᮓᮑᮜᮜᮩ ᮘᮑᮜᮦᮕᮔᮼ

“ᯖᮑᮘᮺ ᮞᮟ ᮞᮕᮕᮔ ᮤᮟ ᮤᮘᮑᮞᮛ ᮥᮣᮼ ᯏᮣ ᮖᮟᮢ ᮓᮟᮞᮤᮙᮞᮥᮙᮞᮗ ᮤᮘᮕ ᮖᮑᮝᮙᮜᮩ ᮜᮙᮞᮕᮺ ᮤᮘᮑᮤ’ᮣ ᮧᮘᮑᮤ ᮩᮟᮥᮢ ᮣᮙᮣᮤᮕᮢ’ᮣ ᮖᮟᮢᮼ ᮃᮘᮕ ᮘᮑᮔ ᮑ ᮒᮟᮩᮖᮢᮙᮕᮞᮔ ᮒᮕᮖᮟᮢᮕᮼᮼᮼ”

ᯚᮙᮣᮤᮕᮞᮙᮞᮗ ᮡᮥᮙᮕᮤᮜᮩᮺ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮜᮟᮧᮕᮢᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮼ

ᯛᮢᮣᮼ ᮈᮥ ᮓᮑᮥᮗᮘᮤ ᮤᮘᮕ ᮣᮥᮒᮤᮜᮕ ᮣᮘᮙᮖᮤ ᮙᮞ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮑᮞᮔ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮣᮞᮑᮤᮓᮘᮕᮔ ᮥᮠ ᮘᮕᮢ ᮓᮘᮟᮠᮣᮤᮙᮓᮛᮣᮺ ᮣᮧᮑᮤᮤᮙᮞᮗ ᮑᮤ ᮈᮥ ᮁᮙᮞᮗᮣᮘᮑᮞᮼ

“ᯑᮟᮞᮤᮙᮞᮥᮙᮞᮗ ᮤᮘᮕ ᮖᮑᮝᮙᮜᮩ ᮜᮙᮞᮕᮺ ᮓᮟᮞᮤᮙᮞᮥᮙᮞᮗ ᮤᮘᮕ ᮖᮑᮝᮙᮜᮩ ᮜᮙᮞᮕ—ᮙᮣ ᮤᮘᮑᮤ ᮑᮜᮜ ᮩᮟᮥ ᮕᮦᮕᮢ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤᯍ ᯗᮖ ᮩᮟᮥ ᮔᮟᮞ’ᮤ ᮛᮞᮟᮧ ᮘᮟᮧ ᮤᮟ ᮤᮑᮜᮛᮺ ᮤᮘᮕᮞ ᮣᮘᮥᮤ ᮥᮠᮼ”

“ᯝᮧᮯ ᯝᮧᮯ ᮃᮤᮟᮠ ᮘᮙᮤᮤᮙᮞᮗ ᮝᮕᮯ ᯏᮘ—ᮠᮑᮙᮞ ᮠᮑᮙᮞ ᮠᮑᮙᮞᮯ ᯝᮥᮢ ᮔᮑᮥᮗᮘᮤᮕᮢ’ᮣ ᮢᮙᮗᮘᮤ ᮘᮕᮢᮕ—ᮣᮑᮦᮕ ᮝᮕ ᮣᮟᮝᮕ ᮖᮑᮓᮕᮺ ᮣᮠᮑᮢᮕ ᮝᮕ ᮣᮟᮝᮕ ᮔᮙᮗᮞᮙᮤᮩᮯ”

ᯛᮢᮣᮼ ᮈᮥ ᮟᮞᮜᮩ ᮣᮤᮢᮥᮓᮛ ᮘᮙᮝ ᮑ ᮖᮕᮧ ᮤᮙᮝᮕᮣ ᮘᮑᮜᮖᮻᮘᮕᮑᮢᮤᮕᮔᮜᮩ ᮒᮕᮖᮟᮢᮕ ᮢᮕᮤᮥᮢᮞᮙᮞᮗ ᮤᮟ ᮢᮕᮑᮣᮣᮥᮢᮙᮞᮗᮜᮩ ᮠᮑᮤ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮘᮑᮞᮔᮼ

“ᯒᮟᮞ’ᮤ ᮧᮟᮢᮢᮩᮺ ᮔᮟᮞ’ᮤ ᮣᮤᮢᮕᮣᮣ ᮟᮦᮕᮢ ᮙᮤᮼ ᯗᮞ ᮤᮘᮙᮣ ᮜᮙᮖᮕᮺ ᮒᮕᮙᮞᮗ ᮘᮑᮠᮠᮩ ᮙᮣ ᮧᮘᮑᮤ ᮝᮑᮤᮤᮕᮢᮣ ᮝᮟᮣᮤᮼ ᮇᮘᮟ ᮓᮑᮢᮕᮣ ᮑᮒᮟᮥᮤ ᮛᮙᮔᮣᯍ ᯗᮖ ᮙᮤ ᮢᮕᮑᮜᮜᮩ ᮓᮟᮝᮕᮣ ᮔᮟᮧᮞ ᮤᮟ ᮙᮤᮺ ᮩᮟᮥᮢ ᮔᮑᮔ ᮑᮞᮔ ᯗ ᮓᮑᮞ ᮚᮥᮣᮤ ᮘᮑᮦᮕ ᮑᮞᮟᮤᮘᮕᮢ ᮟᮞᮕ ᮟᮥᮢᮣᮕᮜᮦᮕᮣᮼ”

ᯏᮣ ᮣᮘᮕ ᮣᮠᮟᮛᮕᮺ ᮣᮘᮕ ᮑᮜᮣᮟ ᮠᮙᮜᮕᮔ ᮝᮟᮢᮕ ᮖᮟᮟᮔ ᮟᮞᮤᮟ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮠᮜᮑᮤᮕᮼ

“ᯓᮑᮤ ᮥᮠᮺ ᮩᮟᮥ ᮝᮥᮣᮤ ᮒᮕ ᮘᮥᮞᮗᮢᮩᮼ ᮄᮘᮕᮢᮕ’ᮣ ᮠᮜᮕᮞᮤᮩ ᮟᮖ ᮤᮙᮝᮕ ᮑᮘᮕᮑᮔ—ᮞᮟ ᮞᮕᮕᮔ ᮤᮟ ᮢᮥᮣᮘ ᮤᮘᮢᮟᮥᮗᮘ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮞᮟᮧᮼ ᮇᮘᮕᮞ ᮩᮟᮥ’ᮢᮕ ᮢᮕᮑᮔᮩᮺ ᮣᮜᮟᮧᮜᮩ ᮤᮕᮜᮜ ᮝᮕ ᮑᮒᮟᮥᮤ ᮩᮟᮥᮢ ᮜᮙᮖᮕ ᮤᮘᮕᮣᮕ ᮠᮑᮣᮤ ᮩᮕᮑᮢᮣᮼ ᯗ ᮝᮙᮣᮣᮕᮔ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮩᮟᮥ ᮗᮢᮟᮧ ᮥᮠᮺ ᮒᮥᮤ ᮑᮤ ᮤᮘᮕ ᮦᮕᮢᮩ ᮜᮕᮑᮣᮤᮺ ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮘᮕᮑᮢ ᮑᮒᮟᮥᮤ ᮩᮟᮥᮢ ᮠᮑᮣᮤᮼ”

“ᮼᮼᮼᯝᮛᮑᮩᮼ ᮄᮘᮑᮞᮛ ᮩᮟᮥᮺ ᯛᮟᮝᮼ”

ᮃᮕᮕᮙᮞᮗ ᮘᮟᮧ ᮧᮕᮜᮜ ᮘᮙᮣ ᮧᮙᮖᮕ ᮘᮑᮔ ᮕᮑᮣᮕᮔ ᮤᮘᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕᮺ ᮈᮥ ᮁᮙᮞᮗᮣᮘᮑᮞ ᮑᮜᮣᮟ ᮢᮕᮜᮑᮨᮕᮔᮼ

ᯓᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮧᮑᮣ ᮗᮟᮙᮞᮗ ᮣᮝᮟᮟᮤᮘᮜᮩᮼ

ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮧᮑᮣ ᮑᮓᮓᮕᮠᮤᮙᮞᮗ ᮤᮘᮙᮣ ᮖᮑᮝᮙᮜᮩ—ᮑᮤ ᮜᮕᮑᮣᮤ ᮣᮘᮟᮧᮙᮞᮗ ᮣᮙᮗᮞᮣ ᮟᮖ ᮙᮤᮼ ᯜᮟᮧᮺ ᮤᮘᮕᮩ ᮚᮥᮣᮤ ᮞᮕᮕᮔᮕᮔ ᮘᮕᮢ ᮤᮟ ᮑᮓᮓᮕᮠᮤ ᮘᮕᮢ ᮣᮙᮣᮤᮕ—

“ᯖᮟᮜᮔ ᮟᮞᮼ ᮇᮘᮕᮢᮕ’ᮣ ᯜᮙᮑᮞᯍ”

ᮈᮥ ᮁᮙᮞᮗᮣᮘᮑᮞ ᮘᮑᮔ ᮞᮟᮤᮙᮓᮕᮔ ᮣᮟᮝᮕᮟᮞᮕ ᮧᮑᮣ ᮝᮙᮣᮣᮙᮞᮗ ᮕᮑᮢᮜᮙᮕᮢᮺ ᮒᮥᮤ ᮘᮑᮔᮞ’ᮤ ᮗᮟᮤᮤᮕᮞ ᮤᮘᮕ ᮓᮘᮑᮞᮓᮕ ᮤᮟ ᮑᮣᮛᮼ

“ᯝᮘᮺ ᮣᮘᮕ ᮧᮕᮞᮤ ᮤᮟ ᮤᮘᮕ ᮢᮕᮣᮤᮢᮟᮟᮝᮼ ᯐᮥᮤ ᯗ ᮣᮑᮧ ᮘᮕᮢ ᮟᮞ ᮤᮘᮕ ᮠᮘᮟᮞᮕ ᮕᮑᮢᮜᮙᮕᮢᮺ ᮝᮥᮢᮝᮥᮢᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮼ ᮀᮢᮟᮒᮑᮒᮜᮩ ᮓᮘᮑᮤᮤᮙᮞᮗ ᮧᮙᮤᮘ ᮘᮕᮢ ᮒᮟᮩᮖᮢᮙᮕᮞᮔ—ᮞᮟᮢᮝᮑᮜ ᮖᮟᮢ ᮤᮘᮕ ᮘᮟᮞᮕᮩᮝᮟᮟᮞ ᮠᮘᮑᮣᮕᮼ”

“ᮄᮘᮑᮤ ᮔᮑᮝᮞ ᮒᮢᮑᮤᮯ ᯖᮟᮧ ᮔᮑᮢᮕ ᮘᮕ ᮜᮑᮩ ᮑ ᮖᮙᮞᮗᮕᮢ ᮟᮞ ᮤᮘᮕ ᮓᮑᮒᮒᮑᮗᮕ ᯗ ᮢᮑᮙᮣᮕᮔᮯ ᮇᮘᮕᮞ ᯗ ᮝᮕᮕᮤ ᮘᮙᮝᮺ ᯗ ᮣᮧᮕᮑᮢ ᯗ’ᮜᮜ ᮤᮕᮑᮓᮘ ᮘᮙᮝ ᮑ ᮜᮕᮣᮣᮟᮞ ᮘᮕ ᮧᮟᮞ’ᮤ ᮖᮟᮢᮗᮕᮤᮼ”

ᮈᮥ ᮁᮙᮞᮗᮣᮘᮑᮞ ᮖᮥᮝᮕᮔᮼ

ᮄᮘᮙᮣ ᮧᮑᮣ ᮠᮕᮢᮘᮑᮠᮣ ᮤᮘᮕ ᮥᮞᮙᮦᮕᮢᮣᮑᮜ ᮠᮑᮙᮞ ᮟᮖ ᮑᮜᮜ ᮖᮑᮤᮘᮕᮢᮣ—

ᮄᮘᮕᮙᮢ ᮠᮢᮕᮓᮙᮟᮥᮣ ᮦᮕᮗᮕᮤᮑᮒᮜᮕᮣ ᮗᮕᮤᮤᮙᮞᮗ ᮣᮤᮟᮜᮕᮞ ᮢᮙᮗᮘᮤ ᮖᮢᮟᮝ ᮥᮞᮔᮕᮢ ᮤᮘᮕᮝᮼᮼᮼ

ᯏᮘ—ᮞᮟᮯ ᯗᮤ ᮧᮑᮣ ᮑ ᮞᮙᮗᮘᮤᮝᮑᮢᮕᮯ

“ᮼᮼᮼᯜᮙᮑᮞᮻᮞᮙᮑᮞᯍ”

ᯖᮕᮑᮢᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮧᮑᮩ ᮟᮖ ᮢᮕᮖᮕᮢᮢᮙᮞᮗ ᮤᮟ ᮘᮕᮢ ᮣᮙᮣᮤᮕᮢᮺ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮗᮢᮕᮧ ᮥᮞᮕᮑᮣᮩᮼ

“ᮇᮘᮑᮤ’ᮣ ᮧᮢᮟᮞᮗᯍ”

“ᯝᮘ… ᮞᮟᮺ ᮞᮟᮤᮘᮙᮞᮗᮼ ᯘᮥᮣᮤ ᮢᮕᮝᮕᮝᮒᮕᮢᮕᮔ ᮝᮩ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔᮼ ᯗ ᮑᮜᮣᮟ ᮜᮟᮦᮕ ᮓᮑᮜᮜᮙᮞᮗ ᮘᮕᮢ ‘ᯜᮙᮑᮞᮻᮞᮙᮑᮞᮼ’”

“ᮂᮕᮑᮜᮜᮩᯍ ᮇᮘᮑᮤ ᮑ ᮓᮟᮙᮞᮓᮙᮔᮕᮞᮓᮕᮯ” ᯛᮢᮣᮼ ᮈᮥ ᮜᮑᮥᮗᮘᮕᮔᮼ

ᯛᮕᮑᮞᮧᮘᮙᮜᮕᮺ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮝᮥᮤᮤᮕᮢᮕᮔ ᮙᮞᮧᮑᮢᮔᮜᮩ—

ᯜᮙᮑᮞᮻᮞᮙᮑᮞ… ᯜᮙᮑᮞᮻᮞᮙᮑᮞ…

ᯖᮕᮢ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮖᮑᮤᮘᮕᮢ’ᮣ ᮣᮥᮢᮞᮑᮝᮕ ᮧᮑᮣ ᮈᮥᮼ

ᮈᮥᮼᮼᮼ ᯜᮙᮑᮞᯍ

ᯜᮟ—

ᮇᮑᮙᮤᮼ ᯑᮟᮥᮜᮔ ᮙᮤ ᮚᮥᮣᮤ ᮒᮕ ᮑ ᮓᮟᮙᮞᮓᮙᮔᮕᮞᮓᮕᯍ

ᮃᮥᮢᮕᮜᮩ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮟᮤᮘᮕᮢ ᮓᮘᮑᮢᮑᮓᮤᮕᮢᮣ ᮙᮞ ᮤᮘᮕ ᮖᮥᮜᮜ ᮞᮑᮝᮕᮺ ᮢᮙᮗᮘᮤᯍ

ᮂᮕᮑᮜᮙ᮪ᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮺ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮑᮒᮢᮥᮠᮤᮜᮩ ᮜᮟᮟᮛᮕᮔ ᮥᮠᮼ

ᮄᮘᮕ ᮑᮞᮣᮧᮕᮢᮣ ᮧᮕᮢᮕ ᮢᮙᮗᮘᮤ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮘᮕᮢ—ᮑᮜᮜ ᮣᮘᮕ ᮘᮑᮔ ᮤᮟ ᮔᮟ ᮧᮑᮣ ᮑᮣᮛᮼ

“ᮅᮝ… ᮝᮩ ᮣᮙᮣᮤᮕᮢ—ᮧᮘᮑᮤ’ᮣ ᮘᮕᮢ ᮖᮥᮜᮜ ᮞᮑᮝᮕᯍ ᮀᮜᮕᮑᮣᮕ ᮤᮕᮜᮜ ᮝᮕᮼ ᯗᮤ’ᮣ ᮙᮝᮠᮟᮢᮤᮑᮞᮤᮼ”

“ᮈᮥ ᯜᮙᮑᮞᮼ ᮇᮘᮩᯍ ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮘᮕ ᮝᮑᮤᮤᮕᮢᯍ”

ᮈᮥ ᮁᮙᮞᮗᮣᮘᮑᮞ ᮑᮞᮣᮧᮕᮢᮕᮔ ᮒᮜᮥᮞᮤᮜᮩᮼ

ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮘᮕᮑᮢᮤ ᮜᮥᮢᮓᮘᮕᮔᮼ

ᯜᮟ—

ᮄᮘᮑᮤ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮒᮕᮯ

ᮈᮥ ᯜᮙᮑᮞᯍ

ᯛᮑᮩᮒᮕ ᮚᮥᮣᮤ ᮑ ᮓᮟᮙᮞᮓᮙᮔᮕᮞᮓᮕᯍ

ᮄᮘᮙᮞᮛ ᮢᮑᮤᮙᮟᮞᮑᮜᮜᮩ—ᯑᮘᮙᮞᮑ ᮘᮑᮣ ᮟᮦᮕᮢ ᮑ ᮒᮙᮜᮜᮙᮟᮞ ᮠᮕᮟᮠᮜᮕᮼ ᯜᮑᮝᮕ ᮟᮦᮕᮢᮜᮑᮠᮣ ᮑᮢᮕ ᮒᮟᮥᮞᮔ ᮤᮟ ᮘᮑᮠᮠᮕᮞᮺ ᮢᮙᮗᮘᮤᯍ

ᯓᮦᮕᮞ ᮑ ᮞᮑᮝᮕ ᮜᮙᮛᮕ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮓᮟᮥᮜᮔ ᮕᮑᮣᮙᮜᮩ ᮘᮑᮦᮕ ᮔᮟ᮪ᮕᮞᮣ ᮟᮖ ᮔᮥᮠᮜᮙᮓᮑᮤᮕᮣᮼ

ᮃᮟ… ᮘᮑᮘᮑᮺ ᮘᮕᮢ ᮣᮤᮕᮠᮣᮙᮣᮤᮕᮢ’ᮣ ᮞᮑᮝᮕ ᮒᮕᮙᮞᮗ ᮈᮥ ᯜᮙᮑᮞ…

ᯏᮞᮔ ᮘᮕᮢ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔ ᮟᮖ ᮤᮘᮢᮕᮕ ᮩᮕᮑᮢᮣ ᮑᮜᮣᮟ ᮒᮕᮙᮞᮗ ᮈᮥ ᯜᮙᮑᮞ…

ᮇᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮑᮒᮣᮥᮢᮔ ᮔᮢᮕᮑᮝ ᮧᮑᮣ ᮤᮘᮙᮣᯍ

“ᯝᮘᮺ ᯜᮙᮑᮞ’ᮣ ᮒᮑᮓᮛᮼ ᯚᮟᮟᮛ ᮑᮤ ᮤᮘᮑᮤ ᮢᮑᮔᮙᮑᮞᮤ ᮣᮝᮙᮜᮕ—ᮝᮥᮣᮤ’ᮦᮕ ᮚᮥᮣᮤ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮘᮕᮢ ᮓᮑᮜᮜ ᮧᮙᮤᮘ ᮘᮙᮝᮼ”

ᯛᮢᮣᮼ ᮈᮥ ᮤᮕᮑᮣᮕᮔᮼ

ᮈᮥ ᮁᮙᮞᮗᮣᮘᮑᮞ ᮣᮞᮟᮢᮤᮕᮔᮺ ᮢᮕᮖᮥᮣᮙᮞᮗ ᮤᮟ ᮗᮢᮑᮓᮕ ᮤᮘᮕ ᮤᮟᮠᮙᮓ ᮧᮙᮤᮘ ᮑ ᮠᮜᮕᮑᮣᮑᮞᮤ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

ᯗᮞ ᮘᮙᮣ ᮝᮙᮞᮔᮺ ᮘᮕ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮣᮓᮘᮕᮝᮙᮞᮗ ᮘᮟᮧ ᮤᮟ ᮒᮕᮑᮤ ᮤᮘᮕ ᮥᮞᮞᮑᮝᮕᮔ ᮒᮢᮑᮤ ᮤᮟ ᮑ ᮠᮥᮜᮠᮼ

ᯖᮟᮧ ᮔᮑᮢᮕ ᮘᮕ ᮝᮑᮛᮕ ᮘᮙᮣ ᮠᮢᮕᮓᮙᮟᮥᮣ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮣᮟ ᮜᮟᮦᮕᮣᮤᮢᮥᮓᮛᯍ ᮅᮞᮖᮟᮢᮗᮙᮦᮑᮒᮜᮕᮼ

ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮣᮑᮤ ᮖᮢᮟ᮪ᮕᮞᮺ ᮞᮟᮤ ᮔᮑᮢᮙᮞᮗ ᮤᮟ ᮤᮥᮢᮞ ᮑᮢᮟᮥᮞᮔᮼ

ᯛᮢᮣᮼ ᮈᮥ ᮞᮟᮤᮙᮓᮕᮔ ᮘᮕᮢ ᮣᮤᮙᮖᮖ ᮔᮕᮝᮕᮑᮞᮟᮢᮼ

“ᯏᮢᮕ ᮩᮟᮥ ᮖᮕᮕᮜᮙᮞᮗ ᮥᮞᮧᮕᮜᮜᯍ ᮉᮟᮥ ᮜᮟᮟᮛ ᮠᮑᮜᮕᮼ”

“ᯜᮻᯜᮟᮺ ᯛᮟᮝᮺ ᯗ’ᮝ ᮖᮙᮞᮕᮼ ᯜᮟᮤᮘᮙᮞᮗ’ᮣ ᮧᮢᮟᮞᮗᮼ”

ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮘᮥᮢᮢᮙᮕᮔᮜᮩ ᮢᮕᮑᮣᮣᮥᮢᮕᮔ ᮘᮕᮢᮼ

“ᮇᮟᮞ’ᮤ ᮩᮟᮥ ᮣᮑᮩ ᮘᮙᯍ ᯜᮙᮑᮞ’ᮣ ᮢᮙᮗᮘᮤ ᮒᮕᮘᮙᮞᮔ ᮩᮟᮥ—ᮩᮟᮥ ᮤᮧᮟ ᮣᮘᮟᮥᮜᮔ ᮝᮕᮕᮤᮼ”

ᮈᮥ ᯜᮙᮑᮞ ᮧᮑᮣ ᮒᮕᮘᮙᮞᮔ ᮘᮕᮢᯍ

ᯏᮘ—

ᮄᮘᮑᮤ ᮧᮑᮣ ᮙᮝᮠᮟᮣᮣᮙᮒᮜᮕᮯ

ᯖᮕᮢ ᮈᮥ ᯜᮙᮑᮞ ᮧᮑᮣ ᮑᮤ ᮘᮟᮝᮕᮺ ᮠᮢᮕᮠᮑᮢᮙᮞᮗ ᮤᮟ ᮧᮕᮜᮓᮟᮝᮕ ᮘᮕᮢ ᮣᮙᮣᮤᮕᮢᮯ

ᮼᮼᮼᮇᮑᮙᮤᮼ

ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮔᮙᮔᮞ’ᮤ ᮑᮔᮔ ᮥᮠᮼ

ᯜᮟᮼ ᯗᮤ ᮘᮑᮔ ᮤᮟ ᮒᮕ ᮑ ᮓᮟᮙᮞᮓᮙᮔᮕᮞᮓᮕ—

ᮇᮘᮩ ᮔᮙᮔ ᮣᮘᮕ ᮘᮑᮦᮕ ᮤᮟ ᮘᮑᮦᮕ ᮤᮘᮑᮤ ᮞᮑᮝᮕᯍᮯ

ᯑᮟᮥᮜᮔ ᮙᮤ ᮢᮕᮑᮜᮜᮩ ᮒᮕ ᮤᮘᮑᮤ ᮈᮥ ᯜᮙᮑᮞᯍ

ᯖᮕᮢ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔ ᮈᮥ ᯜᮙᮑᮞᯍ

ᮃᮘᮟᮥᮜᮔ ᮣᮘᮕ ᮤᮥᮢᮞ ᮑᮞᮔ ᮓᮘᮕᮓᮛᯍ

ᯑᮥᮢᮙᮟᮣᮙᮤᮩ ᮓᮜᮑᮧᮕᮔ ᮑᮤ ᮘᮕᮢᮺ ᮒᮥᮤ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮖᮑᮓᮕ ᮢᮕᮑᮜᮙᮤᮩ ᮩᮕᮤᮼ

ᮄᮘᮕ ᮓᮟᮞᮤᮢᮑᮔᮙᮓᮤᮙᮞᮗ ᮤᮘᮟᮥᮗᮘᮤᮣ ᮤᮟᮢᮕ ᮑᮤ ᮘᮕᮢ ᮣᮑᮞᮙᮤᮩᮼ

ᮃᮜᮟᮧᮜᮩᮺ ᮣᮤᮙᮖᮖᮜᮩᮺ ᮣᮘᮕ ᮒᮕᮗᮑᮞ ᮤᮟ ᮤᮥᮢᮞ—

ᯐᮕᮖᮟᮢᮕ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮖᮥᮜᮜᮩ ᮜᮟᮟᮛ ᮒᮑᮓᮛᮺ ᮧᮑᮢᮝᮤᮘ ᮒᮢᮥᮣᮘᮕᮔ ᮑᮗᮑᮙᮞᮣᮤ ᮤᮘᮕ ᮞᮑᮠᮕ ᮟᮖ ᮘᮕᮢ ᮞᮕᮓᮛᮼ

ᯏ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮣᮓᮕᮞᮤ ᮕᮞᮦᮕᮜᮟᮠᮕᮔ ᮘᮕᮢᮼ

ᮄᮘᮕ ᮣᮧᮕᮕᮤ ᮖᮢᮑᮗᮢᮑᮞᮓᮕ ᮟᮖ ᮑ ᮗᮙᮢᮜ ᮠᮢᮕᮣᮣᮕᮔ ᮓᮜᮟᮣᮕ ᮒᮕᮘᮙᮞᮔ ᮘᮕᮢᮺ ᮧᮢᮑᮠᮠᮕᮔ ᮙᮞ ᮤᮘᮑᮤ ᮥᮞᮝᮙᮣᮤᮑᮛᮑᮒᮜᮕ ᮕᮝᮒᮢᮑᮓᮕᮼ

ᯓᮦᮕᮞ ᮧᮙᮤᮘᮟᮥᮤ ᮣᮕᮕᮙᮞᮗᮺ ᮤᮘᮕ ᮠᮢᮕᮣᮕᮞᮓᮕ ᮧᮑᮣ ᮑᮓᮘᮙᮞᮗᮜᮩ ᮓᮜᮕᮑᮢᮼ

ᯏ ᮦᮟᮙᮓᮕᮺ ᮠᮜᮑᮩᮖᮥᮜ ᮑᮞᮔ ᮝᮕᮜᮟᮔᮙᮟᮥᮣ ᮜᮙᮛᮕ ᮑ ᮞᮙᮗᮘᮤᮙᮞᮗᮑᮜᮕ’ᮣ ᮣᮟᮞᮗᮺ ᮧᮘᮙᮣᮠᮕᮢᮕᮔ—

“ᮃᮙᮣᮮᮤᮕᮢᮮ ᯒᮕᮮᮑᮢᮮ”

ᯗᮤ ᮠᮙᮕᮢᮓᮕᮔ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮙᮞᮤᮟ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮝᮙᮞᮔᮺ ᮟᮒᮜᮙᮤᮕᮢᮑᮤᮙᮞᮗ ᮓᮟᮘᮕᮢᮕᮞᮤ ᮤᮘᮟᮥᮗᮘᮤᮼ

ᮃᮘᮕ ᮧᮕᮞᮤ ᮜᮙᮝᮠᮺ ᮘᮕᮢ ᮓᮘᮟᮠᮣᮤᮙᮓᮛᮣ ᮣᮜᮙᮠᮠᮙᮞᮗ ᮖᮢᮟᮝ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮑᮣ ᮣᮘᮕ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮜᮕᮑᮞᮕᮔ ᮒᮑᮓᮛ—ᮢᮙᮗᮘᮤ ᮙᮞᮤᮟ ᮤᮘᮟᮣᮕ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮑᮢᮝᮣᮼ

“ᯜᮻᯜᮙᮑᮞᮼᮼᮼ ᯜᮙᮑᮞ… ᮈᮻᮈᮥ ᯜᮙᮑᮞ ᮙᮣ… ᮝᮩ ᮣᮙᮣᮤᮕᮢᮼ”

ᯖᮕᮢ ᮖᮑᮓᮕ ᮒᮥᮢᮞᮕᮔ ᮣᮓᮑᮢᮜᮕᮤᮺ ᮤᮘᮕ ᮒᮜᮥᮣᮘ ᮥᮞᮓᮟᮞᮤᮢᮟᮜᮜᮑᮒᮜᮕ ᮑᮣ ᮣᮘᮕ ᮣᮑᮤ ᮝᮟᮢᮤᮙᮖᮙᮕᮔ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢ ᮠᮑᮢᮕᮞᮤᮣᮼ

ᮇᮑᮣ ᮣᮘᮕ ᮣᮥᮠᮠᮟᮣᮕᮔ ᮤᮟ ᮖᮕᮕᮜ ᮕᮜᮑᮤᮕᮔᯍ ᮀᮑᮞᮙᮓᮛᮕᮔᯍ

ᯐᮥᮤ ᮘᮕᮢ ᮒᮢᮑᮙᮞ ᮣᮘᮟᮢᮤᮻᮓᮙᮢᮓᮥᮙᮤᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮑᮤ ᮣᮑᮓᮓᮘᮑᮢᮙᮞᮕ “ᮃᮙᮣᮤᮕᮢ ᯒᮕᮑᮢᮺ” ᮜᮕᮑᮦᮙᮞᮗ ᮟᮞᮜᮩ ᮣᮤᮑᮤᮙᮓᮼ

ᯜᮟᮧ ᮣᮘᮕ ᮚᮥᮣᮤ ᮣᮑᮤ ᮤᮘᮕᮢᮕᮺ ᮢᮙᮗᮙᮔ ᮑᮣ ᮑ ᮣᮤᮑᮢᮤᮜᮕᮔ ᮡᮥᮑᮙᮜᮼ

“ᮇᮘᮑᮤ’ᮣ… ᮗᮟᮙᮞᮗ ᮟᮞᯍ”

ᯛᮢᮣᮼ ᮈᮥ ᮤᮙᮜᮤᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮺ ᮒᮑᮖᮖᮜᮕᮔ ᮒᮩ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮢᮕᮑᮓᮤᮙᮟᮞᮼ

ᮈᮥ ᯜᮙᮑᮞ’ᮣ ᮤᮕᮑᮣᮙᮞᮗ ᮦᮟᮙᮓᮕ ᮔᮢᮙᮖᮤᮕᮔ ᮜᮑ᮪ᮙᮜᮩ ᮖᮢᮟᮝ ᮒᮕᮘᮙᮞᮔ ᮒᮕᮖᮟᮢᮕ ᮣᮘᮕ ᮣᮙᮔᮜᮕᮔ ᮥᮠ ᮤᮟ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮢᮙᮗᮘᮤᮺ ᮣᮕᮑᮤᮙᮞᮗ ᮘᮕᮢᮣᮕᮜᮖ ᮟᮞ ᮤᮘᮕ ᮢᮟᮥᮞᮔᮕᮔ ᮣᮤᮟᮞᮕ ᮒᮕᮞᮓᮘᮼ ᮃᮘᮕ ᮘᮟᮟᮛᮕᮔ ᮑᮞ ᮑᮢᮝ ᮑᮢᮟᮥᮞᮔ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣᮺ ᮤᮥᮗᮗᮙᮞᮗ ᮘᮕᮢ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮑᮧᮑᮩ ᮖᮢᮟᮝ ᯛᮢᮣᮼ ᮈᮥ ᮤᮟ ᮓᮢᮕᮑᮤᮕ ᮣᮠᮑᮓᮕᮼ

ᮄᮘᮕᮞ—ᮢᮙᮗᮘᮤ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮤᮘᮕᮙᮢ ᮠᮑᮢᮕᮞᮤᮣ—ᮈᮥ ᯜᮙᮑᮞ ᮜᮕᮑᮞᮕᮔ ᮙᮞᮺ ᮞᮥ᮪᮪ᮜᮙᮞᮗ ᮑᮗᮑᮙᮞᮣᮤ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮞᮕᮓᮛ ᮧᮙᮤᮘ ᮣᮘᮑᮝᮕᮜᮕᮣᮣ ᮙᮞᮤᮙᮝᮑᮓᮩᮼ ᯝᮞᮕ ᮘᮑᮞᮔ ᮣᮕᮤᮤᮜᮕᮔ ᮑᮤ ᮘᮕᮢ ᮧᮑᮙᮣᮤᮺ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮔᮢᮑᮠᮕᮔ ᮟᮦᮕᮢ ᮘᮕᮢ ᮤᮘᮙᮗᮘᮺ ᮓᮘᮙᮞ ᮠᮢᮟᮠᮠᮕᮔ ᮟᮞ ᮘᮕᮢ ᮣᮘᮟᮥᮜᮔᮕᮢᮼ

ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮔᮙᮔᮞ’ᮤ ᮢᮕᮣᮙᮣᮤᮼ ᯒᮙᮔᮞ’ᮤ ᮕᮦᮕᮞ ᮤᮧᮙᮤᮓᮘᮼ

ᮄᮘᮑᮤ “ᮃᮙᮣᮤᮕᮢ ᯒᮕᮑᮢ” ᮞᮟᮞᮣᮕᮞᮣᮕᯍ ᯘᮥᮣᮤ ᮠᮑᮢᮤ ᮟᮖ ᮤᮘᮕᮙᮢ ᮥᮣᮥᮑᮜ ᮠᮜᮑᮩᮖᮥᮜ ᮔᮩᮞᮑᮝᮙᮓ—ᮢᮟᮜᮕᮠᮜᮑᮩᮺ ᮞᮟᮤᮘᮙᮞᮗ ᮝᮟᮢᮕᮼ

ᮄᮘᮕᮩ ᮧᮕᮢᮕ ᮜᮟᮦᮕᮢᮣᮺ ᮞᮟᮤ ᮣᮙᮣᮤᮕᮢᮣᮼ

ᮃᮘᮕ ᮧᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮑᮓᮛᮞᮟᮧᮜᮕᮔᮗᮕ ᮤᮘᮙᮣ ᮑᮒᮣᮥᮢᮔ ᮒᮜᮟᮟᮔ ᮢᮕᮜᮑᮤᮙᮟᮞᮼ

ᯝᮞᮜᮩ ᮟᮞᮕ ᮟᮖ ᮤᮘᮕᮝ ᮓᮟᮥᮜᮔ ᮒᮕᮜᮟᮞᮗ ᮤᮟ ᮤᮘᮙᮣ ᮖᮑᮝᮙᮜᮩᮼ ᮄᮘᮕ ᮟᮤᮘᮕᮢ ᮧᮟᮥᮜᮔ ᮜᮕᮑᮦᮕ—ᮟᮞᮜᮩ ᮤᮟ ᮢᮕᮤᮥᮢᮞ ᮑᮣ ᮑᮞ ᮟᮥᮤᮣᮙᮔᮕᮢ ᮝᮑᮢᮢᮩᮙᮞᮗ ᮙᮞᮼ

ᮈᮥ ᯜᮙᮑᮞ’ᮣ ᮖᮟᮨᮻᮜᮙᮛᮕ ᮕᮩᮕᮣ ᮓᮥᮢᮦᮕᮔ ᮣᮜᮩᮜᮩᮺ ᮘᮕᮢ ᮣᮞᮟᮧᮻᮧᮘᮙᮤᮕ ᮤᮑᮙᮜ ᮖᮜᮙᮓᮛᮙᮞᮗᮼ

“ᯏᮘᮺ ᮃᮙᮣᮤᮕᮢ ᯒᮕᮑᮢᮮ ᮉᮟᮥ ᮣᮝᮕᮜᮜ ᮣᮟ ᮗᮟᮟᮔᮼ ᮇᮘᮑᮤ ᮠᮕᮢᮖᮥᮝᮕ ᮔᮟ ᮩᮟᮥ ᮥᮣᮕᯍ”

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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