Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 45

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ႫჲႹႾႷ჏ ႤႿႴႱ჉’Ⴣ ႽႹჃჃႹႿႾ ႸႱჃ ႲႵႵႾ ႹჃჃჅႵႴშ ჯ ႲႵႱჅჄႹႶჅႼ ႼႿ჆Ⴕ ႴႵჃႵჂ჆ႵჃ ჀႱჂႵႾჄႱႼ ႱჀჀჂႿ჆ႱႼნ ႠႼႵႱჃႵ ႵႾႷႱႷႵ ႹႾ ႹႾჄႹႽႱჄႵლ暧昧 ႳႿႾჄႱႳჄ ჇႹჄႸ ჉ႿჅჂ ႷႹჂႼႶჂႹႵႾႴ ႹႾ ႶჂႿႾჄ ႿႶ ჉ႿჅჂ ჀႱჂႵႾჄჃნႭ

ႫჲႹႾႷ჎ ჲႱႹႼ჉ ႽႹჃჃႹႿႾ ႳႿႽჀႼႵჄႵႴნ ႣႹႽჅႼႱჄႹႿႾ ႳႿჅႾჄ კჟნ ჱჅჂჂႵႾჄ ჂႵႽႱႹႾႹႾႷ ჃႹႽჅႼႱჄႹႿႾჃშ ჟნႭ

აႨႹႱႾႷ჈ႹႱႾႷლ ჈ႹႱႾႷლ ჈ႹႱႾႷჃႸჅႹ ზႶჂႱႷჂႱႾႳႵთლ ჷ—ჷ’Ⴝ ႺჅჃჄ ჅჃႹႾႷ ჄႸႵ ႽႿჃჄ ႿჂႴႹႾႱჂ჉ ჃႸႱႽჀႿႿლ ჂႵႱႼႼ჉ნა

ႣჅ ႡႹႾႷ჉Ⴑ ჃჄႱႽႽႵჂႵႴლ ႳႿႽჀႼႵჄႵႼ჉ ႱჄ Ⴑ ႼႿჃჃ ႶႿჂ ႸႿჇ ჄႿ ჂႵჃჀႿႾႴლ ჂႵჃႿჂჄႹႾႷ ჄႿ Ⴑ ႶႼႱჄლ ႵႽႿჄႹႿႾႼႵჃჃ ჂႵႳႹჄႱჄႹႿႾ ႿႶ ჄႸႵ ჄჂჅჄႸნ

ჶႵჂ ႽႹႾႴ ႶႵႼჄ ႼႹႻႵ ႽჅჃႸლ ჃჀႹႾႾႹႾႷ ჇႹႼႴႼ჉ ჇႹჄႸႿჅჄ ႼႱႾႴႹႾႷ ႿႾ Ⴑ ႳႿႸႵჂႵႾჄ ჄႸႿჅႷႸჄნ ჼႿ ႽႱჄჄႵჂ ႸႿჇ ႸႱჂႴ ჃႸႵ ჄჂႹႵႴლ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ႷჂႱჃჀ ႱႾ჉ ჃႵႽႲႼႱႾႳႵ ႿႶ ႳႼႱჂႹჄ჉ნ

ჶႵჂ ႷႹჂႼႶჂႹႵႾႴ ჇႱჃ ႱႳჄჅႱႼႼ჉ ႸႵჂ ჃჄႵჀჃႹჃჄႵჂ—ႾႿლ ႾႿჄ Ⴕ჆ႵႾ ჃჄႵჀჃႹჃჄႵჂლ ჃႹႾႳႵ ჄႸႵ჉ ჃႸႱჂႵႴ ႾႵႹჄႸႵჂ ႶႱჄႸႵჂ ႾႿჂ ႽႿჄႸႵჂ჏

ႤႸႵ ჃႸႵႵჂ ႱႲჃჅჂႴႹჄ჉ ႿႶ ႹჄ ႱႼႼ ႸႹჄ ႣჅ ႡႹႾႷ჉Ⴑ ႼႹႻႵ Ⴑ ႶჂႵႹႷႸჄ ჄჂႱႹႾნ

ႤႸႵ ჆ႵჂ჉ ჃႹჃჄႵჂ ჃႸႵ’Ⴔ ႲႵႵႾ ჇႱჂ჉ ႿႶ ႱႼႼ ჄႸႹჃ ჄႹႽႵ ჇႱჃ ႸႵჂ ႷႹჂႼႶჂႹႵႾႴჭ჏

ႧႸႱჄ ჄႸႵ ႸႵႼႼჭ჏

ႤႸႹჃ ჇႱჃႾ’Ⴤ ႺჅჃჄ ჄႸႵ ႸႵႱ჆ႵႾჃ ჀႼႱ჉ႹႾႷ Ⴑ ႺႿႻႵ—ჄႸႹჃ ჇႱჃ ჄႸႵ ႺႿႻႵ ႿႶ ჄႸႵ ႳႵႾჄჅჂ჉჏

ჲႹႴ ႣჅ ႡႹႾႷ჉Ⴑ Ⴕ჆ႵႾ ႾႵႵႴ ჄႿ ჇႿჂჂ჉ ႱႲႿჅჄ ႸႿჇ ჄႸႱჄ ႷႹჂႼლ ჇႸႿ’Ⴔ ჃჄႿႼႵႾ Ⴟ჆ႵჂ Ⴑ ႴႵႳႱႴႵ ႿႶ ႸႵჂ ႼႹႶႵლ ჆ႹႵჇႵႴ ႸႵჂ ႾႿჇჭ

ႧႵႼႼლ ႾႿნ ჽႶ ႳႿჅჂჃႵ ჃႸႵ ႴႹႴႾ’Ⴤნ

ჯႶჄႵჂ ႱႼႼლ ჄႸႱჄ ႷႹჂႼ ჇႱჃ ႸႵჂ ႷႹჂႼႶჂႹႵႾႴნ ჶႿჇ ႳႿჅႼႴ ႣჅ ႡႹႾႷ჉Ⴑ ႾႿჄ ႻႾႿჇ Ⴕ჈ႱႳჄႼ჉ ႸႿჇ ჄႸႵ჉ ჃჄႿႿႴ ჇႹჄႸ ႵႱႳႸ ႿჄႸႵჂჭ

ჰჅჄ჏

ႤႸႵ ႳჅჂჂႵႾჄ ჃႹჄჅႱჄႹႿႾ ჇႱჃ Ⴑ ჄႸႿჅჃႱႾႴ ჄႹႽႵჃ ႽႿჂႵ ႽႹႾႴმႲႼႿჇႹႾႷ჏

ႣჅ ႡႹႾႷ჉Ⴑ ႳႿჅႼႴႾ’Ⴤ ႽႱႻႵ ჃႵႾჃႵ ႿႶ ႹჄნ ႣႸႵ ჂႵႱႼႼ჉ლ ჄჂჅႼ჉ ႳႿჅႼႴႾ’Ⴤნ

ႧႸ჉ჭ

ႧႸ჉ ႴႹႴ ჼႹႱႾႾႹႱႾ ႼႿႿႻ ჃႿ ჃႽჅႷႼ჉ ႳႿႾႶႹႴႵႾჄჭ

ჷႶ ჃႸႵ’Ⴔ ႿႾႼ჉ ႺჅჃჄ ႶႿჅႾႴ ႿჅჄ ჄႿႿლ ჃႸႿჅႼႴႾ’Ⴤ ჃႸႵ ႲႵ ႺჅჃჄ ႱჃ ჃႸႿႳႻႵႴჭ

ჰჅჄ ჃႸႵ ჇႱჃႾ’Ⴤნ ႤႸႱჄ ႹႾႶჅჂႹႱჄႹႾႷႼ჉ ჃႵႼႶმჃႱჄႹჃႶႹႵႴ ႷჂႹႾ ႾႵ჆ႵჂ ႼႵႶჄ ႸႵჂ ႶႱႳႵნ

ჶႱႴ ჃႸႵ ႻႾႿჇႾ ႱႼႼ ႱႼႿႾႷჭ

ႣႸႵ ႽჅჃჄ ႸႱ჆Ⴕ ႻႾႿჇႾ ႱႼႼ ႱႼႿႾႷნ

ႣჅ ႡႹႾႷ჉Ⴑ ჄႸႿჅႷႸჄ ႲႱႳႻ ჄႿ ჄႸႵ ჀႱჃჄ ႶႵჇ ႴႱ჉Ⴣ—Ⴕ჆ႵჂ჉ ჄႹႽႵ ჃႸႵ’Ⴔ ႲჂႿჅႷႸჄ ჅჀ ჂႵჄჅჂႾႹႾႷ ႸႿႽႵლ ჼႹႱႾႾႹႱႾ ႸႱႴ ჂႵႱჃჃჅჂႵႴ ႸႵჂ ႾႿჄ ჄႿ ჇႿჂჂ჉ლ ჉ႵჄ ႾႵ჆ႵჂ Ⴕ჈ჀႼႱႹႾႵႴ ჇႸ჉ნ

ჼႿჇ ႹჄ ჇႱჃ ႿႲ჆ႹႿჅჃნ ႣႸႵ’Ⴔ ႺჅჃჄ ႲႵႵႾ ჇႱႹჄႹႾႷ ჄႿ ჃႵႵ ႣჅ ႡႹႾႷ჉Ⴑ ႽႱႻႵ Ⴑ ႶႿႿႼ ႿႶ ႸႵჂჃႵႼႶ჏

ჳ჆ႹႼ჏

ႣႿ Ⴕ჆ႹႼ჏

ႤႸႹჃ ႨჅ ჼႹႱႾ ჇႱჃ ႴႿჇႾჂႹႷႸჄ ႴႹႱႲႿႼႹႳႱႼ჏

ჯႱႱႱႱႱႸ჏

ႧႸႱჄ ႸႱႴ ჃႸႵ Ⴕ჆ႵႾ ჃႱႹႴ ႹႾ ႶჂႿႾჄ ႿႶ ႸႵჂ ႲႹჂჄႸ ႽႿჄႸႵჂ ႺჅჃჄ ႾႿჇჭ჏

ႤႸႹႾႷჃ ႼႹႻႵ აჷ ႸႱ჆Ⴕ Ⴑ ႷႹჂႼႶჂႹႵႾႴლა ა჻჉ ႷႹჂႼႶჂႹႵႾႴ’Ⴣ ႸႵႼჀႵႴ ႽႵ ჃႿ ႽჅႳႸლა აჷႶ ჷ Ⴕ჆ႵჂ ჃႵჄჄႼႵ ႴႿჇႾლ ႹჄ ႳႱႾ ႿႾႼ჉ ႲႵ ჇႹჄႸ ႸႵჂა—

ჺႿႿႻႹႾႷ ႲႱႳႻლ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱႾჄႵႴ ჄႿ ႴႹႵ ႿႶ ႵႽႲႱჂჂႱჃჃႽႵႾჄნ

ႧႸႱჄ ჇႿჅႼႴ ႸႵჂ ჀႱჂႵႾჄჃ ჄႸႹႾႻ ჇႸႵႾ ჄႸႵ჉ ჂႵႱႼႹ჊ႵႴ ႸႵჂ ჃႿმႳႱႼႼႵႴ ႷႹჂႼႶჂႹႵႾႴ ჇႱჃ ႨჅ ჼႹႱႾლ ჄႸႵ ႷႹჂႼ ჄႸႵ჉’Ⴔ ჂႱႹჃႵႴ ႶႿჂ Ⴟ჆ႵჂ Ⴑ ႴႵႳႱႴႵჭ჏

ჯႱႱႱႱႱႱႱႱႱႸ჏჏჏჏

ჲႱႽႾ ႹჄ჏

ჷႶ ჼႹႱႾႾႹႱႾ ႸႱႴ ႺჅჃჄ ჄႿႼႴ ႸႵჂ ႵႱჂႼႹႵჂლ ჇႿჅႼႴ ჃႸႵ ႸႱ჆Ⴕ ႲႼჅჂჄႵႴ ႱႼႼ ჄႸႱჄ ႿჅჄჭ

ჳ჆ႵႾ ႹႶ ჃႸႵ ႸႱႴლ ჃႸႵ’Ⴔ ႱჄ ႼႵႱჃჄ ႸႱ჆Ⴕ ჀჂႵჀႱჂႵႴ Ⴑ ჀჂႿჀႵჂ ჃႳჂႹჀჄ—ႾႿჄ ჄႸႱჄ ႴႹჃႷჅჃჄႹႾႷႼ჉ ჃႱჀჀ჉ ႾႿႾჃႵႾჃႵ჏

ჰႼႱႳႻႽႱႹႼ ႽႱჄႵჂႹႱႼ჏ ႤႸႹჃ ჇႱჃ ჀჅჂႵ ႲႼႱႳႻႽႱႹႼ ႽႱჄႵჂႹႱႼ჏

ႧႱჄႳႸႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႶႼჅჃჄႵჂႵႴ ჃჄႱჄႵლ ႨჅ ჼႹႱႾ’Ⴣ ႶႿ჈მႼႹႻႵ Ⴕ჉ႵჃ ႳჅჂ჆ႵႴ ႹႾჄႿ ႳჂႵჃႳႵႾჄჃლ ႸႵჂ ႷჂႹႾ ჅჄჄႵჂႼ჉ ჅႾჂႵჃჄჂႱႹႾႵႴნ

ႫჸႿ჉ ႦႱႼჅႵშ ქყდႭ

ႣႸႵ ႳႿჅႼႴ Ⴕ჆ႵႾ ႶႵႵႼ ႸႵჂ ႽႱჃჄႵჂ჉ ႿႶ ჄႸႵ ჸႿ჉ ႠႱჄႸ ႱႴ჆ႱႾႳႹႾႷ ჃႹႷႾႹႶႹႳႱႾჄႼ჉ნ

ჵჅႱ჏

ႤႸႹჃ ჇႱჃ Ⴕ჈ႱႳჄႼ჉ ჇႸႱჄ ჃႸႵ ჇႱႾჄႵႴ ჄႿ ჃႵႵ჏

ႤႸႵ ႼႿႿႻ ႿႶ ჅჄჄႵჂ ႴჅႽႲႶႿჅႾႴႵႴႾႵჃჃ ႿႾ ჄႸႹჃ ႼႿჃႵჂ ႡႹႾႷ჉Ⴑ’Ⴣ ႶႱႳႵ ႱჃ ჂႵႱႼႹჄ჉ ႴႵჂႱႹႼႵႴ ႸႵჂ Ⴕ჈ჀႵႳჄႱჄႹႿႾჃნ

ჶႹႼႱჂႹႿჅჃ჏ ჯႲჃႿႼჅჄႵႼ჉ ႺႿ჉ႿჅჃ჏

აႧႿჇლ ႣႹჃჄႵჂ჎ ႧႸႿ ჇႿჅႼႴ’჆Ⴕ ჄႸႿჅႷႸჄ ჉ႿჅ’ჂႵ ႺჅჃჄ ႾႱჄჅჂႱႼႼ჉ ჄႸႹჃ ჃჄჅႾႾႹႾႷ჎ჭ ჳ჆ႵႾ ႿჂႴႹႾႱჂ჉ ჃႸႱႽჀႿႿ ႽႱႻႵჃ ჉ႿჅ ჃႽႵႼႼ ჄႸႹჃ ႷႿႿႴჭ ႠႶႶჄლ ႸႿჇ ႵႾ჆ႹႱႲႼႵ჎ა

ႣႸႵ ႸႿႿႻႵႴ ႸႵჂ ႱჂႽ ႱჂႿჅႾႴ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣლ ჀჂႵჃჃႹႾႷ ႹჄ ჃႾჅႷႼ჉ ႲႵჄჇႵႵႾ ႸႵჂ ႿჇႾლ ჄႸႵႾ ჇႱႹჄႵႴ Ⴕ჈ჀႵႳჄႱႾჄႼ჉ ႶႿჂ Ⴑ ჂႵჃჀႿႾჃႵნ

აჷლ ჅႸლ ჇႵႼႼ—ႽႱ჉ႲႵ ႹჄ’Ⴣ ႺჅჃჄ ႾႱჄჅჂႱႼჭ ჰႿႴ჉ ႶჂႱႷჂႱႾႳႵლ ႿჂ ჃႿႽႵჄႸႹႾႷ ႼႹႻႵ ჄႸႱჄნა

ჲႱႽႾ ႹჄ჏

ႣჅ ႡႹႾႷ჉Ⴑ ႳჅჂჃႵႴ ႸႵჂ ႿჇႾ ႹႾႳႿႽჀႵჄႵႾႳႵნ

ႤႿჄႱႼႼ჉ ႳႿჂႾႵჂႵႴ჏

ႣჅ ႡႹႾႷ჉Ⴑ჏ ჺႿႿႻ ႸႿჇ ჀႱჄႸႵჄႹႳ ჄႸႱჄ ႱႾჃჇႵჂ ჇႱჃ჏

ႩႿჅ’ჂႵ ႼႵჄჄႹႾႷ ჉ႿჅჂ Ⴕ჆ႹႼ ႷႹჂႼႶჂႹႵႾႴ ႼႵႱႴ ჉ႿჅ Ⴒ჉ ჄႸႵ ႾႿჃႵ჏

ႤႸႹႾႻლ ჉ႿჅ ჅჃႵႼႵჃჃ ႲჂႱႹႾ჏ ႥჃႵ ჄႸႱჄ ჀჂႿႲႼႵႽმჃႿႼ჆ႹႾႷ ႼႿႷႹႳ ႿႶ ჉ႿჅჂჃ჏

ჰჅჄ—ႲჅჄ ႸႿჇ ႳႿჅႼႴ ႱႾ჉ႿႾႵ ჃჄႱ჉ ႳႱႼႽ ႹႾ ჄႸႹჃ ჃႹჄჅႱჄႹႿႾჭ჏

ႤႸႹჃ აႣႹჃჄႵჂა ჄႸႹႾႷ—ჼႹႱႾႾႹႱႾ ႳႱႼႼႹႾႷ ႸႵჂ აႣႹჃჄႵჂა ႹႾ ჄႸႱჄ ჅႾႲႵႱჂႱႲႼ჉ ႳჅჄႵჃ჉ ჆ႿႹႳႵ—

ႤႸႹჃ ႻႹႾႴ ႿႶ ჂႿႼႵჀႼႱ჉ ჇႱჃ ႲႵ჉ႿႾႴ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႵႾႴჅჂႱႾႳႵ჏

ჳ჆ႵႾ ႹႶ ႨჅ ჼႹႱႾ ႳႱႼႼႵႴ ႸႵჂ ჄႸႱჄლ ჄႸႵჂႵ ჇႱჃ ႾႿ ჇႱ჉ ႣჅ ႡႹႾႷ჉Ⴑ ႳႿჅႼႴ ჃႵႵ ႸႵჂ ႱჃ Ⴑ ႼႹჄჄႼႵ ჃႹჃჄႵჂნ

ჷჄ ႺჅჃჄ ႶႵႼჄ ႼႹႻႵ ჃႿႽႵ ჇႵႹჂႴ ႻႹႾႻნ

ႤႸႹჃ ჇႱჃ ႸႵჂ ႷႹჂႼႶჂႹႵႾႴნ ჶႵჂ ႷႹჂႼႶჂႹႵႾႴ ႿႶ ჄႸჂႵႵ ჉ႵႱჂჃნ

ႤႸႵ ႿႾႵ ჇႸႿ’Ⴔ ჃႵႵႾ Ⴕ჆ႵჂ჉ ႹႾႳႸ ႿႶ ႸႵჂლ ჀႵჂႽႹჃჃႹႲႼႵ ႿჂ ႾႿჄნ

ႤႸႵ ႿႾႵ ჇႸႿ’Ⴔ ႴႿႾႵ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ჇႹჄႸ ႸႵჂლ ჀႵჂႽႹჃჃႹႲႼႵ ႿჂ ႾႿჄნ

ჯ ჃჄႿჂႽ ႿႶ ႵႽႿჄႹႿႾჃ ჄႱႾႷႼႵႴ ႹႾჃႹႴႵ ႣჅ ႡႹႾႷ჉Ⴑლ ႸႵჂ ႶႱႳႵ ႲჅჂႾႹႾႷ ႳჂႹႽჃႿႾნ

ႧႹჄႸႿჅჄ ჄႸႹႾႻႹႾႷლ ჃႸႵ ჃႼႹႴ Ⴑ ႸႱႾႴ ႿႾჄႿ ႨჅ ჼႹႱႾ’Ⴣ ჄႸႹႷႸ—ჄႸႵႾ ႱႲჂჅჀჄႼ჉ ჉ႱႾႻႵႴ ႹჄ ჅჀჇႱჂႴლ Ⴕ჆ႵႾ ჃႸႵ ႸႵჂჃႵႼႶ ჅႾჃჅჂႵ ჇႸႱჄ ჃႸႵ ჇႱჃ ႴႿႹႾႷნ

ა჻ႽჀႸ჏ა

ႨჅ ჼႹႱႾ ႾႵႱჂႼ჉ ႼႿჃჄ ႸႵჂ ႲႱႼႱႾႳႵლ ႱႼႽႿჃჄ ჃႼႹჀჀႹႾႷ ჂႹႷႸჄ ჅႾႴႵჂ ჄႸႵ ჄႱႲႼႵნ

ჶႵჂ ჄႱႹႼ ჃႸႿჄ ჃჄჂႱႹႷႸჄ ჅჀლ ჇႸႹჄႵ ႶჅჂ ჀჅႶႶႹႾႷ ჃႼႹႷႸჄႼ჉ ႱჃ ჃႸႵ ႲႱჂႵႼ჉ ႳႱჅႷႸჄ ႸႵჂჃႵႼႶ ႿႾ ჄႸႵ ჃჄႿႾႵ ႳႸႱႹჂ ჄႿ Ⴑ჆ႿႹႴ ჄႿჄႱႼ ႸჅႽႹႼႹႱჄႹႿႾნ

ႣႸႵ ჃჄႱჂႵႴ ႱჄ ႣჅ ႡႹႾႷ჉Ⴑ ႹႾ ႴႹჃႲႵႼႹႵႶლ ႸႵჂ ჃႽႹჂႻ ႶႱႴႹႾႷნ

ჶႵჂ ჃႼႵႾႴႵჂლ ჃႸႱჀႵႼ჉ ჄႸႹႷႸ ჇႱჃ ႾႿჇ ႶჅႼႼ჉ ႴჂႱჀႵႴ Ⴟ჆ႵჂ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႼႱჀნ

ႣႸႵ ႸႱႴ ႾႿ ႹႴႵႱ ჇႸ჉ ႣჅ ႡႹႾႷ჉Ⴑ ႸႱႴ ႴႿႾႵ ჄႸႹჃნ

ჰჅჄ ႹႶ ႵႹჄႸႵჂ ჀႱჂႵႾჄ ႸႱჀჀႵႾႵႴ ჄႿ ႷႼႱႾႳႵ ჅႾႴႵჂ ჄႸႵ ჄႱႲႼႵ ႾႿჇლ ჄႸႵ჉’Ⴔ ჃႵႵ ჄႸႵ ႳႿႽჀჂႿႽႹჃႹႾႷ ჀႿჃႹჄႹႿႾ ႨჅ ჼႹႱႾ ႱႾႴ ႣჅ ႡႹႾႷ჉Ⴑ ჇႵჂႵ ႹႾნ

ႧႸႱჄ ჄႸႵ ႸႵႼႼჭ჏

ჴჂႿႽ ჄႸႹჃ ႱႾႷႼႵლ ႴႹႴႾ’Ⴤ ႹჄ ႼႿႿႻ ႼႹႻႵ ჃႸႵ ჇႱჃ ჄႸႵ ႿႾႵ ႸႱჂႱჃჃႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑჭ჏

ႧႸႵႾ ႹႾ ჂႵႱႼႹჄ჉ლ ჃႸႵ ჇႱჃ ჄႸႵ ႿႾႵ ႲႵႹႾႷ ႽႱႾႸႱႾႴႼႵႴ჏

ჸჅჃჄႹႳႵ ႶႿჂ ႨჅ ჼႹႱႾ჏ ჸჅჃჄႹႳႵ჏

ႨჅ ჼႹႱႾ ჄჂႹႵႴ ჄႿ ჀჅႼႼ ႸႵჂ ႼႵႷ ႲႱႳႻლ ႲჅჄ ႣჅ ႡႹႾႷ჉Ⴑ ႸႵႼႴ ႶႹჂႽლ ჂႵႶჅჃႹႾႷ ჄႿ ႼႵჄ ႷႿნ

ჶჅႸჭ჏

ჶႱႺႹ჉Ⴑ჏

ႩႿჅ ႼႹჄჄႼႵ—

ႣႿ ჉ႿჅჂ ႲჂႱႹႾ ჃႸႿჂჄმႳႹჂႳჅႹჄႵႴ ႱႾႴ ჉ႿჅ ႳႿჅႼႴႾ’Ⴤ ჄႸႹႾႻ ႿႶ Ⴑ ႳႿႽႵႲႱႳႻლ ჃႿ ჉ႿჅ ჂႵჃႿჂჄႵႴ ჄႿ ჀႸ჉ჃႹႳႱႼ ჂႵჄႱႼႹႱჄႹႿႾ ႹႾჃჄႵႱႴჭ჏

ႨჅ ჼႹႱႾ ჄჅႷႷႵႴლ ႲჅჄ ႹჄ ჇႱჃ ႾႿ ჅჃႵნ

ႣჅ ႡႹႾႷ჉Ⴑ ႽႹႷႸჄ ႾႿჄ ႸႱ჆Ⴕ ჄႸႵ ჃჄჂႵႾႷჄႸ ႿႶ Ⴑ ႧႱჂ ჵႿႴლ ႲჅჄ ჃႸႵ ჇႱჃ ႿႾ ჄႸႵ ႫჴႵႱჂႭ ႠႱჄႸნ

ჷჄ ჇႱჃ ႿႾႼ჉ ႾႱჄჅჂႱႼ ႶႿჂ Ⴑ ႳႿႽႲႱჄმႿჂႹႵႾჄႵႴ ႠႱჄႸ ჄႿ Ⴟ჆ႵჂჀႿჇႵჂ ႨჅ ჼႹႱႾ’Ⴣ ჃჄჂႵႾႷჄႸნ

აჼႹႱႾႾႹႱႾლ ႴႿႾ’Ⴤ ႲჅႼႼ჉ ჉ႿჅჂ ჃႹჃჄႵჂნ ႣႸႵ’Ⴣ ႹႾჄჂႿ჆ႵჂჄႵႴ—჉ႿჅ ჃႸႿჅႼႴ ႲႵ ႽႿჂႵ ႳႿႾჃႹႴႵჂႱჄႵნა

ႨჅ ჼႹႱႾ’Ⴣ ႽႿჄႸႵჂლ ႾႿჄႹႳႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႶႼჅჃႸႵႴ ႶႱႳႵლ ႶჂႿჇႾႵႴ ჃႼႹႷႸჄႼ჉ნ ႧႸႹႼႵ ჃႸႵ ႱჀჀჂႵႳႹႱჄႵႴ ႨჅ ჼႹႱႾ’Ⴣ ႵႾჄႸჅჃႹႱჃႽლ ႽႱ჉ႲႵ ჃႸႵ ჇႱჃ Ⴟ჆ႵჂႴႿႹႾႷ ႹჄჭ

ႣႸႵ ჇႱჃ Ⴑ ჂႵႱჃႿႾႱႲႼႵ ჇႿႽႱႾნ

ჴႿჂ ჃႿႽႵႿႾႵ ႹႾჄჂႿ჆ႵჂჄႵႴლ Ⴕ჈ႳႵჃჃႹ჆Ⴕ ႶჂႹႵႾႴႼႹႾႵჃჃ ႳႿჅႼႴ ႶႵႵႼ ႼႹႻႵ ჀჂႵჃჃჅჂႵნ

ა჻Ⴕჭ ჰჅႼႼ჉ ႸႵჂჭა

ႨჅ ჼႹႱႾ ჀႿႹႾჄႵႴ ႱჄ ႸႵჂჃႵႼႶნ

ჽႻႱ჉ლ ႽႱ჉ႲႵ ႱჄ ႶႹჂჃჄნ

ႣႸႵ ႸႱႴ ႲႵႵႾ ჄႵႱჃႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑლ ႵႾႺႿ჉ႹႾႷ ჄႸႵ ႶႼჅჃჄႵჂႵႴ ႽႵჃჃ ႿႶ Ⴑ ჂႵႱႳჄႹႿႾ ჄႿ ႶႱჂႽ ჃႿႽႵ ჸႿ჉ ႦႱႼჅႵნ

ჰჅჄ ႱႶჄႵჂ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႳႸႱႿჄႹႳ ႳႿჅႾჄႵჂႱჄჄႱႳႻლ ჃႸႵ ჇႱჃ ჄႸႵ ႿႾႵ ႱჄ Ⴑ ႴႹჃႱႴ჆ႱႾჄႱႷႵ ႾႿჇ჏

ჯႾႴ ჄႸႹჃ ႹႴႹႿჄლ ჄႿ ႳႱႼႽ ႸႵჂ ႿჇႾ ႾႵჂ჆ႵჃლ ႸႱႴ ჃჄႱჂჄႵႴ ႻႾႵႱႴႹႾႷ ჄႸႵ ჃႿႶჄႵჃჄლ ႽႿჃჄ ჃႵႾჃႹჄႹ჆Ⴕ ჀႱჂჄ ႿႶ ႨჅ ჼႹႱႾ’Ⴣ ჄႸႹႷႸ჏

ႤႸႱჄ ჇႱჃ Ⴑ ႶႿ჈’Ⴣ ႼႵႷ჏

ჼႿჄ ჃႿႽႵ ჃჄჂႵჃჃმჂႵႼႹႵႶ ჃჁჅႹჃႸ჉ ჄႿ჉჏

ჯႾႴ ჃႸႵ—ჃႸႵ ჇႱჃ ჃႼႹႴႹႾႷ ႸႵჂ ႸႱႾႴ ႸႹႷႸႵჂ჏

ჳ჆ႵႾ ჃႼႹჀჀႹႾႷ ჅႾႴႵჂ ႸႵჂ ჃႻႹჂჄ჏

ႧႱႹჄლ ႾႿ—ჄႸႹჃ ჇႱჃႾ’Ⴤ ჂႹႷႸჄ჏

ჶႱႺႹ჉Ⴑ჏

ႩႿჅ—჏

ჲႿ ჉ႿჅ Ⴕ჆ႵႾ ჂႵႱႼႹ჊Ⴕ ჇႸႱჄ ჉ႿჅ’ჂႵ ႴႿႹႾႷჭ჏

ႣႵႳჂႵჄႼ჉ ჀႼႱ჉ႹႾႷ ჄႸႹჃ ႻႹႾႴ ႿႶ ႷႱႽႵ ႹႾ ႶჂႿႾჄ ႿႶ ჉ႿჅჂ ჀႱჂႵႾჄჃ—ႸႱ჆Ⴕ ჉ႿჅ ႼႿჃჄ ႱႼႼ ჃႸႱႽႵჭ჏

აჼႹႱႾႾႹႱႾლ ჃმჃჄႿჀ ႲჅႼႼ჉ႹႾႷ ႽႵნნნა

ႢႹႷႸჄ ႿႾ ႳჅႵლ ႣჅ ႡႹႾႷ჉Ⴑ ჃႵႹ჊ႵႴ ჄႸႵ ႿჀჀႿჂჄჅႾႹჄ჉ლ ჀჅჄჄႹႾႷ ႿႾ Ⴑ ჀႹჄႹႶჅႼ ႶႱႳႵ ჄႸႱჄ ႹႾჃჄႱႾჄႼ჉ ჇႿႾ Ⴟ჆ႵჂ ႲႿჄႸ ჀႱჂႵႾჄჃ’ Ⴣ჉ႽჀႱჄႸ჉ნ

ႣႸႵ ႳႿჅႼႴ ႶႵႵႼ ႹჄ ႾႿჇ—

ႤႸႵ ႱႷႿႾ჉ ႿႶ Ⴑ ჀჅჂႵლ ႹႾႾႿႳႵႾჄ ႶႱႻႵ ႸႵႹჂႵჃჃ ႲႵႹႾႷ ႶჂႱႽႵႴ Ⴒ჉ ჄႸႵ ჃႳႸႵႽႹႾႷ ჄჂჅႵ ႸႵႹჂႵჃჃნ

ჲႱႽႾ ႹჄ჏

ჼႿლ ჄႸႹჃ ჇႱჃႾ’Ⴤ ႸႿჇ ႹჄ ჇႱჃ ჃჅჀჀႿჃႵႴ ჄႿ ႷႿ჏

ႤႸႵ ႳႿჂჂႵႳჄ ჃႳႵႾႱჂႹႿ ჃႸႿჅႼႴ’჆Ⴕ ႲႵႵႾ ႸႵჂ ႳႱჄႳႸႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑ ႿႶႶ ႷჅႱჂႴლ ႽႵჂႳႹႼႵჃჃႼ჉ ჄႵႱჃႹႾႷ ჄႸႵ ჁჅႹ჆ႵჂႹႾႷ ႽႵჃჃ ႿႶ Ⴑ ႷႹჂႼ ჇႸႹႼႵ ჇႸႹჃჀႵჂႹႾႷ აႼႿჃႵჂა ႹႾ ႸႵჂ ႵႱჂ჏

ჰჅჄ ႾႿჇჭ ჼႿჇ ჃႸႵ ჇႱჃ ႷႵჄჄႹႾႷ ႷჂႿჀႵႴ ႱႾႴ ႶႱႼჃႵႼ჉ ႱႳႳჅჃႵႴ ႿႶ ႲჅႼႼ჉ႹႾႷჭ჏

ႧႸႱჄ ႻႹႾႴ ႿႶ ႲႱႳႻჇႱჂႴჃ ႾႿႾჃႵႾჃႵ ჇႱჃ ჄႸႹჃჭ჏

აჼႹႱႾႾႹႱႾნა ႨჅ ჼႹႱႾ’Ⴣ ႽႿჄႸႵჂ’Ⴣ Ⴕ჈ჀჂႵჃჃႹႿႾ ჄჅჂႾႵႴ ჃჄႵჂႾ ႱჄ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჇႿჂႴჃლ ႸႵჂ ჄႿႾႵ Ⴑ ႳႼႵႱჂ ჇႱჂႾႹႾႷ ႾႿჄ ჄႿ ჀჅჃႸ ჄႸႹႾႷჃ ჄႿႿ ႶႱჂნ

ႨჅ ႡႹႾႷჃႸႱႾლ ჃႵႱჄႵႴ ႿႾ ჄႸႵ ႿჄႸႵჂ ჃႹႴႵლ ႴႹႴႾ’Ⴤ Ⴕ჆ႵႾ ႾႵႵႴ ჄႿ ჃႱ჉ ჇႸႿჃႵ ჃႹႴႵ ႸႵ ჇႱჃ ႿႾნ

ႨჅ ჼႹႱႾ’Ⴣ ႶႱႳႵ ႲჅჂႾႵႴ ჂႵႴნ

ႧႸႵჄႸႵჂ ႶჂႿႽ ႱႾႷႵჂ ႿჂ ჄႸႵ ႷჂႿჀႹႾႷლ ႾႿ ႿႾႵ ႳႿჅႼႴ ჄႵႼႼნ

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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