Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 48

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

჻ჂჃნ ႨჅ’Ⴣ ႽႿႽႵႾჄႱჂ჉ ႶႱႹႾჄႹႾႷ ჃჀႵႼႼ ႼႱჃჄႵႴ ႿႾႼ჉ Ⴑ ჃႵႳႿႾႴ ႲႵႶႿჂႵ ႨჅ ႡႹႾႷჃႸႱႾ ჂჅჃႸႵႴ ჄႿ ჃჄႵႱႴ჉ ႸႵჂლ ჀჂႵ჆ႵႾჄႹႾႷ ႸႵჂ ႶჂႿႽ ႳႿႼႼႱჀჃႹႾႷ ႿႾჄႿ ჄႸႵ ႳႿႼႴლ ႸႱჂႴ ႶႼႿႿჂნ

ჶႵჂ ႶႿ჈ Ⴕ჉ႵჃ ჇႵჂႵ ႸႱႼႶმႼႹႴႴႵႴლ ႷႼႱჃჃ჉ ჇႹჄႸ ႳႿႾႶჅჃႹႿႾლ ႸႵჂ ჀႵჂႻႵႴმჅჀ ჆ჅႼჀႹႾႵ ႵႱჂჃ ჄჇႹჄႳႸႹႾႷ ჂႵჃჄႼႵჃჃႼ჉ნ ႤႸႵ ჄႸႹႳႻ ჇႸႹჄႵ ႶჅჂ ႿႶ ႸႵჂ Ⴟ჆ႵჂჃႹ჊ႵႴლ ႶႼჅႶႶ჉ ჄႱႹႼ ႲჂႹჃჄႼႵႴ ႹႾ ႱႷႹჄႱჄႹႿႾნ

“ჯႸლ ႡႹႾႷჃႸႱႾ… ჷ ჄႸႹႾႻ ჷ ႺჅჃჄ ႸႱႴ Ⴑ ႾႹႷႸჄႽႱჂႵნ ჷ ჇႱჃ ႸႱႼႼჅႳႹႾႱჄႹႾႷ ႱႷႱႹႾ—ႹႽႱႷႹႾႹႾႷ ჄႸႱჄ Ⴝ჉ ႿჇႾ ႴႱჅႷႸჄႵჂ ႱႾႴ ჼႹႱႾ ჇႵჂႵ Ⴑ ႳႿჅჀႼႵ჏ ჯႸლ ჄႵႼႼ ႽႵლ ჇႸ჉ ჇႿჅႼႴ ჷ ႴჂႵႱႽ ჃႿႽႵჄႸႹႾႷ ႼႹႻႵ ჄႸႱჄჭ ჶႿჇ ჃჄჂႱႾႷႵ… ჷ ႽჅჃჄ ႲႵ ႼႱႳႻႹႾႷ ჆ႹჄႱႽႹႾჃ ႼႱჄႵႼ჉ნ”

ႣႸႵ ჄჅჂႾႵႴ ჄႿ ႸႵჂ ႸჅჃႲႱႾႴ ჇႹჄႸ Ⴑ ჃჄჂႱႹႾႵႴლ ႱჂჄႹႶႹႳႹႱႼ ჃႽႹႼႵნ

ჶႱႴ ჃႸႵ ჂႵႱႼႼ჉ ႴႹჃႽႹჃჃႵႴ ჂႵႱႼႹჄ჉ ჃႿ ႳႿႽჀႼႵჄႵႼ჉ ႹႾ ႱႾ ႹႾჃჄႱႾჄლ ႳႿႾ჆ႹႾႳႹႾႷ ႸႵჂჃႵႼႶ ႹჄ ჇႱჃ ႱႼႼ ႺჅჃჄ Ⴑ ႴႵႼჅჃႹႿႾჭ

“ჷႶ ჄႸႵ჉ ჂႵႱႼႼ჉ ჇႵჂႵ Ⴑ ႳႿჅჀႼႵ… ჇႿჅႼႴႾ’Ⴤ ჄႸႱჄ ႽႵႱႾ ჄႸႵ჉’჆Ⴕ ႴႿႾႵ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ჄႿႷႵჄႸႵჂჭ ჳႱჄႹႾႷ ჄႿႷႵჄႸႵჂლ ჃႼႵႵჀႹႾႷ ჄႿႷႵჄႸႵჂლ ႻႹჃჃႹႾႷლ ႷႿႹႾႷ ႿႾ ႴႱჄႵჃ… Ⴕ჆ႵႾ ჄႸႱჄნ”

ჯჃ ჃႸႵ ჃჀႿႻႵლ ჻ჂჃნ ႨჅ’Ⴣ ჆ႿႹႳႵ ႳჂႱႳႻႵႴნ ႤႵႱჂჃ ჇႵႼႼႵႴ ჅჀ ႹႾ ႸႵჂ Ⴕ჉ႵჃნ

“჻Ⴑ჉ႲႵ… ჄႸႹჃ ႹჃႾ’Ⴤ Ⴑ ႴჂႵႱႽ ႱჄ ႱႼႼ…”

“ჶႿჇ ႳႿჅႼႴ ჄႸႵ჉ ႴႿ ჄႸႹჃჭ჏”

ჷႾ ჄႸႵ ႵႾႴლ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ႼႹႵ ჄႿ ႸႵჂჃႵႼႶნ ႤႸႹჃ ჇႱჃ Ⴑ ჂႵႱႼႹჄ჉ ჃႸႵ ႸႱႴ ჄႿ ႶႱႳႵნ

ႤჇႹႾ ჃჄჂႵႱႻჃ ႿႶ ႳჂ჉ჃჄႱႼႼႹႾႵ ჄႵႱჂჃ ჄჂႱႹႼႵႴ ႴႿჇႾ ႸႵჂ ႳႸႵႵႻჃ ႱჃ ჃႸႵ ჇႸႹჃჀႵჂႵႴლ “ႡႹႾႷჃႸႱႾ… ჄႵႼႼ ႽႵლ ႹჃ ჄႸႹჃ ႸႵႱ჆ႵႾ’Ⴣ ჀჅႾႹჃႸႽႵႾჄჭ”

“ႩႿჅ ჄჇႿ჏ ႧႸႱჄ ႹႾ ჄႸႵ ჇႿჂႼႴ ႹჃ ჇჂႿႾႷ ჇႹჄႸ ჉ႿჅ ႲႿჄႸჭ჏ ჯ ႴႹჃႷჂႱႳႵ ჄႿ ႿჅჂ ႶႱႽႹႼ჉჏ ჯ ႴႹჃႷჂႱႳႵ჏”

ႨჅ ႡႹႾႷჃႸႱႾ’Ⴣ Ⴕ჈ჀჂႵჃჃႹႿႾ ჄჇႹჃჄႵႴ ჇႹჄႸ ႶჅჂ჉ნ ჽႾႵ ႸႱႾႴ ႳႿႽႶႿჂჄႵႴ ႸႹჃ ჇႹႶႵ ჇႸႹႼႵ ႸႹჃ ႷႼႱჂႵ ჃႳႿჂႳႸႵႴ ჄႸႵ ჄჇႿ ႷႹჂႼჃნ

ႤႸႵႹჂ ႲႹႿႼႿႷႹႳႱႼ ႴႱჅႷႸჄႵჂ ႱႾႴ ჄႸႵႹჂ ႱႴႿჀჄႵႴ ႴႱჅႷႸჄႵჂ—ႼႿ჆ႵჂჃჭ჏

ႧႸႱჄ ႻႹႾႴ ႿႶ ႱႲჃჅჂႴ ႾႿႾჃႵႾჃႵ ჇႱჃ ჄႸႹჃჭ჏

ჳ჆ႵႾ ჃႿႱჀ ႿჀႵჂႱჃ ჇႿჅႼႴႾ’Ⴤ ႴႱჂႵ ჀჅႼႼ ჄႸႹჃ ႻႹႾႴ ႿႶ ჀႼႿჄ჏

ႨჅ ႡႹႾႷჃႸႱႾ ႶႵႼჄ ႸႹჃ ႵႾჄႹჂႵ ჇႿჂႼႴ჆ႹႵჇლ ႽႿჂႱႼჃლ ႱႾႴ ჅႾႴႵჂჃჄႱႾႴႹႾႷ ႿႶ ႼႹႶႵ ჃႸႱჄჄႵჂ ჆ႹႿႼႵႾჄႼ჉ ႹႾ ႸႹჃ ႳႸႵჃჄნ

ჼႿ ჇႿႾႴႵჂ ჃႿႽႵჄႸႹႾႷ ႸႱႴ ႱႼჇႱ჉Ⴣ ႶႵႼჄ ႿႶႶ ႱႲႿჅჄ ჄႸႿჃႵ ჄჇႿ჏

ჵႿႹႾႷ ჄႿ ჄႸႵ ႲႱჄႸჂႿႿႽ ჄႿႷႵჄႸႵჂ ႱႾႴ ႳႿႽႹႾႷ ႲႱႳႻ ႶႼჅჃႸႵႴ—ჇႱჃ ჄႸႹჃ ჄႸႵ ჂႵႱჃႿႾჭ჏

ႧႵႼႼლ ჇႵႼႼნ

ႧႿႾႴႵჂႶჅႼნ

ჸჅჃჄ ჇႿႾႴႵჂႶჅႼნ

“ჼႿ჏ ჷ ჂႵႶჅჃႵ ჄႿ ႱႳႳႵჀჄ ჄႸႹჃ჏ ჷႶ ႹჄ ႳႿႽႵჃ ჄႿ ჄႸႹჃლ ჷ’Ⴔ ჂႱჄႸႵჂ ჼႹႱႾ ႵႼႿჀႵႴ ჇႹჄႸ ჃႿႽႵ ႲႼႿႾႴ ႴႵႼႹႾჁჅႵႾჄ჏”

“ჲႱႴლ ჇႸႱჄ ႴႿ ჉ႿჅ ႽႵႱႾ ჉ႿჅ’Ⴔ ჂႱჄႸႵჂ ჷ ჂႱႾ ႿႶႶ ჇႹჄႸ ჃႿႽႵ ႴႵႼႹႾჁჅႵႾჄჭ” ႨჅ ჼႹႱႾ ႳႿჅႼႴႾ’Ⴤ ႸႵႼჀ ჂႵჄႿჂჄႹႾႷნ

“ჳ჈ႱႳჄႼ჉ნ ႧႸႱჄ ჀႱჂჄ ႿႶ ႽႵ ႹჃ ჇႿჂჃႵ ჄႸႱႾ ჃႿႽႵ ჂႱႾႴႿႽ ႴႵႼႹႾჁჅႵႾჄჭ”

ႣჅ ႡႹႾႷ჉Ⴑ ჃႸႿჄ ႲႱႳႻ ႴႵႶႹႱႾჄႼ჉ლ ႸႵჂ ႶႱႳႵ ႸႱჂႴႵႾႹႾႷ ჇႹჄႸ ჃჄჅႲႲႿჂႾ ჂႵჃႿႼ჆Ⴕნ

“ႢႹႷႸჄჭ ჶႿჇ ჇႿჅႼႴ ჉ႿჅ ႶႵႵႼ ႹႶ ჷ ႱႳჄჅႱႼႼ჉ ႲჂႿჅႷႸჄ ႸႿႽႵ ჃႿႽႵ ჀჅႾႻ ႳႱႼႼႹႾႷ ჉ႿჅ ‘ႿႼႴ ႽႱႾლ’ ႴჂႹႾႻႹႾႷ ჉ႿჅჂ ჇႹႾႵლ ႱႾႴ ჃႼႵႵჀႹႾႷ ჇႹჄႸ ჉ႿჅჂ ႴႱჅႷႸჄႵჂჭ”

ႨჅ ჼႹႱႾ ႺႿႹႾႵႴ ႶႿჂႳႵჃ ჇႹჄႸ ႡႹႾႷ჉Ⴑლ ႼႱჅႾႳႸႹႾႷ Ⴑ ჆ႵჂႲႱႼ ႱჃჃႱჅႼჄ ႿႾ ჄႸႵ ჄჇႿ ჃჄჅႾႾႵႴ ჀႱჂႵႾჄჃნ

“ႤႸႹჃ ႹჃႾ’Ⴤ ႱႲႿჅჄ ႴႵႼႹႾჁჅႵႾჄჃ჏ ჯჄ ႼႵႱჃჄ ႸႵ’Ⴔ ႲႵ Ⴑ ႽႱႾ჏ ჯႾႴ ჼႹႱႾლ ႹႶ ჉ႿჅ ႴႱჂႵ ႲჂႹႾႷ ႸႿႽႵ ჃႿႽႵ ႲႼႿႾႴ ჄჂႱჃႸლ ჷ’ႼႼ ႲჂႵႱႻ ჉ႿჅჂ ႶႿ჈ ႼႵႷჃ჏”

ႨჅ ႡႹႾႷჃႸႱႾ ჇႱჃ ჃႿ ႶჅჂႹႿჅჃ ႸႵ ႾႵႱჂႼ჉ ႳႸႿႻႵႴ ႿႾ ႸႹჃ ႿჇႾ ႲჂႵႱჄႸნ

“ႩႿჅ—჉ႿჅ ჄჇႿ჏ ჶႿჇ ႼႿႾႷ ႸႱჃ ჄႸႹჃ ႲႵႵႾ ႷႿႹႾႷ ႿႾჭ჏”

ჶႹჃ ჄჂႵႽႲႼႹႾႷ ႶႹႾႷႵჂ ჀႿႹႾჄႵႴ ႱႳႳჅჃႹႾႷႼ჉ნ

“ႤႸჂႵႵ ჉ႵႱჂჃნ”

“ႤႸჂႵႵ ჉ႵႱჂჃჭ჏ ႩႿჅ ჇႵჂႵ ႿႾႼ჉ ჟუ ჄႸႵႾ჏ ႥႷႸ჏ ႧႸႵჂႵ ႴႹႴ ჷ ႷႿ ჇჂႿႾႷ ႹႾ ჂႱႹჃႹႾႷ ჉ႿჅჭ჏”

ႨჅ ႡႹႾႷჃႸႱႾ Ⴕ჈ჀႼႿႴႵႴლ ჃႼႱჀჀႹႾႷ ႸႹჃ ჄႸႹႷႸჃ ႹႾ ႶჅჂ჉ ႲႵႶႿჂႵ ႲჅჂ჉ႹႾႷ ႸႹჃ ႶႱႳႵ ႹႾ ႸႹჃ ႸႱႾႴჃ—ႽႱჃႻჃ ႿႶ ႱႷႿႾ჉ ႶႿჂႽႹႾႷ ႹႾ჆ႿႼჅႾჄႱჂႹႼ჉ნ

“ჼႹႱႾლ ႡႹႾႷ჉Ⴑ… ႼႹჃჄႵႾ ჄႿ ჉ႿჅჂ ႽႿჄႸႵჂლ ႿႻႱ჉ჭ ႩႿჅ ႳႱႾ’Ⴤ ႲႵ ჄႿႷႵჄႸႵჂნ ჶႿჇ ႳႿჅႼႴ ჉ႿჅ ႲႵ ჄႿႷႵჄႸႵჂჭ”

჻ჂჃნ ႨჅ’Ⴣ ჆ႿႹႳႵ ჇႱჃ Ⴑ ႴႵჃჀႵჂႱჄႵ ჇႸႹჃჀႵჂნ

“ႧႸ჉ ႾႿჄჭ ჼႹႱႾ ႱႾႴ ჷ ჃႸႱჂႵ ႾႿ ႲႼႿႿႴ ჂႵႼႱჄႹႿႾლ ႱႾႴ ႼႵႷႱႼႼ჉ლ ჇႵ’ჂႵ ႾႿჄ Ⴕ჆ႵႾ ჃႹჃჄႵჂჃ჏ ႤႸႱჄ ႽႵႱႾჃ ჇႵ’ჂႵ ჄჇႿ ႳႿႽჀႼႵჄႵႼ჉ ႹႾႴႵჀႵႾႴႵႾჄ ႱႴჅႼჄჃ ჇႹჄႸ ჊ႵჂႿ ႶႱႽႹႼႹႱႼ ჄႹႵჃ჏ ႧႸ჉ ჃႸႿჅႼႴႾ’Ⴤ ჇႵჭ჏ ႤႸႹჃ ႹჃ ႱႾ ႵჂႱ ႿႶ ႶჂႵႵ ႼႿ჆Ⴕლ ႱႾႴ ჷ ჇႹႼႼ ႲႵ ჇႹჄႸ ჼႹႱႾ჏ ჱႿႾჃႹႴႵჂ ჄႸႵ ႲჂႹႴႵ ჉ႿჅ ჂႱႹჃႵႴ ႶႿჂ ႽႵ ႿႶႶႹႳႹႱႼႼ჉ ႳႼႱႹႽႵႴ჏”

ႣჅ ႡႹႾႷ჉Ⴑ ჃႼႱႽႽႵႴ ჄႸႵ ჄႱႲႼႵლ ႸႵჂ ႶႿჂႳႵႶჅႼ ჂႵႲჅჄჄႱႼ ႼႵႱ჆ႹႾႷ ႲႿჄႸ ჀႱჂႵႾჄჃ ჃႸႵႼႼმჃႸႿႳႻႵႴნ

ჽႾႵ ႶႿ჈ლ ႿႾႵ ႸჅႽႱႾ—Ⴕ჉ႵჃ ჇႹႴႵ ႱჃ ჃႱჅႳႵჂჃნ

“ႢႹႷႸჄჭ ႤႸႹႾႻ ႱႲႿჅჄ ႹჄნ ჰႿჄႸ ჃႵჄჃ ႿႶ ჀႱჂႵႾჄჃ ჇႹႼႼ ჃჄႹႼႼ ႺჅჃჄ ႲႵ ჉ႿჅნ ჼႿ ႲჂႹႴႵ ჀჂႹႳႵლ ႾႿ ႴႿჇჂ჉ლ ႾႿ ႹႾმႼႱჇ ႴႹჃჀჅჄႵჃნ ჼႿ ႾႵႵႴ ჄႿ ႴჅႽჀ ჃႿႽႵ ჃႳჂႵႱႽႹႾႷ ႲჂႱჄ ႿႾ ჉ႿჅ ჄႿ ჂႱႹჃႵ ႵႹჄႸႵჂ—ჇႵ’ႼႼ ႲႵ ႸႵჂႵ ჄႿ ჄႱႻႵ ႳႱჂႵ ႿႶ ჉ႿჅ ႶႿჂႵ჆ႵჂნ ჼႿ ჃႵჀႱჂႱჄႹႿႾნ ჸჅჃჄ ႸႱჂႽႿႾ჉ნ”

ႨჅ ჼႹႱႾ’Ⴣ ჇႿჂႴჃ ჃჀႹႼႼႵႴ ႿჅჄ ჂႱჀႹႴმႶႹჂႵ ႱჃ ႸႵჂ ႹႾႾႵჂ ჸႿ჉ ჃჄႱჄ ჃႻ჉ჂႿႳႻႵჄႵႴნ

ჶႹႼႱჂႹႿჅჃნ ჯႲჃႿႼჅჄႵႼ჉ ႸႹႼႱჂႹႿჅჃნ

჻Ⴑ჉ႲႵ ႹჄ ჇႱჃ ႲႵႳႱჅჃႵ ჃႸႵ ჇႱჃ Ⴑ ႧႵႱ჆ႵჂ ႿႶ ჳჅჀႸႿჂႹႱნ

ႢႹႷႸჄ ႾႿჇლ ჃႸႵ ႼႹ჆ႵႴ ႶႿჂ ჄႸႹჃ ႻႹႾႴ ႿႶ ႴჂႱႽႱჄႹႳ ჃႸႿჇႴႿჇႾნ

ჯႾ ႹႾႵ჈ჀႼႹႳႱႲႼႵ ჃႵႾჃႵ ႿႶ ႶჅႼႶႹႼႼႽႵႾჄ ჃჅჂႷႵႴ ჄႸჂႿჅႷႸ ႸႵჂნ

ჯႾႴ ჃႸႵ ჇႱႾჄႵႴ ჄႸႹჃ—ჄႿ ჃჄႱႾႴ ႲႵჃႹႴႵ ႡႹႾႷ჉Ⴑ ႹႾ ႲჂႿႱႴ ႴႱ჉ႼႹႷႸჄნ

ႤႿ ႲႵ ჃႵႵႾნ

ႤႿ ႲႵ ႲႼႵჃჃႵႴნ

ႣႿ… ჃႿჂჂ჉ლ ჻ႿႽ ႱႾႴ ჲႱႴნ

ႨჅ ჼႹႱႾ ჇႱჃ ჂႵႲႵႼႼႹႾႷ ႶႿჂ ႼႿ჆Ⴕ ჄႸႹჃ ჄႹႽႵ჏

ႣႹႾႳႵ ႡႹႾႷ჉Ⴑ ႸႱႴ ჄႱႻႵႾ ჄႸႵ ႶႹჂჃჄ ჃჄႵჀლ ჃႸႵ’Ⴔ ჃჄႱႾႴ ႲႵჃႹႴႵ ႸႵჂ ႱႾႴ ႶႹႷႸჄ ჄႿႷႵჄႸႵჂ჏

ႫჸႿ჉შ ღუდႭ

“ႧႸႱჄ ႻႹႾႴ ႿႶ ჇႱჂჀႵႴ ႼႿႷႹႳ ႹჃ ჄႸႹჃჭ჏”

ႨჅ ႡႹႾႷჃႸႱႾ ჃჇႱ჉ႵႴ ႿႾ ႸႹჃ ႶႵႵჄლ ႾႵႱჂႼ჉ ႶႱႹႾჄႹႾႷნ

“ႡႹႾႷჃႸႱႾ… ჇႸႱჄ ႴႿ ჇႵ ႴႿჭ ႧႸ჉ ႴႿႵჃ ჃႿႽႵ ჀႱჂჄ ႿႶ ႽႵ ႶႵႵႼ ႼႹႻႵ ჄႸႵ჉… ႸႱ჆Ⴕ Ⴑ ჀႿႹႾჄჭ”

჻ჂჃნ ႨჅ ჃჅႴႴႵႾႼ჉ ႳႼჅჄႳႸႵႴ ႸႵჂ ႸჅჃႲႱႾႴ’Ⴣ ႱჂႽლ ჃႸႱႻႹႾႷ ႸႹႽ ჃႼႹႷႸჄႼ჉ნ

“ႧႸ჉ ჇႿჅႼႴ ჉ႿჅ ჄႸႹႾႻ ჄႸႱჄჭ჏ ႣႾႱჀ ႿჅჄ ႿႶ ႹჄ჏ ႤႸႹჃ ႹჃႾ’Ⴤ ჃႿႽႵჄႸႹႾႷ ჇႵ ႳႱႾ ႱႼႼႿჇ჏ ჲႿႾ’Ⴤ ჉ႿჅ ႴႱჂႵ ჃჇႹჄႳႸ ჃႹႴႵჃ჏ ჷႶ ჉ႿჅ ႴႿლ ႸႿჇ ႱႽ ჷ ჃჅჀჀႿჃႵႴ ჄႿ ჟ჆სჭ჏”

ႨჅ ႡႹႾႷჃႸႱႾ ႸႱႴႾ’Ⴤ ႱႾჄႹႳႹჀႱჄႵႴ ႸႹჃ ჇႹႶႵ ႶႿႼႴႹႾႷ ჃႿ ჁჅႹႳႻႼ჉ნ

ႧႸ჉ჭ჏

ჸჅჃჄ ჄႿ ჃႻႹჀ ႲჂႹႴႵ ჀჂႹႳႵჃ ႱႾႴ ႹႾმႼႱჇ ႴჂႱႽႱჭ ႤႿ Ⴑ჆ႿႹႴ ႲႱႲ჉ჃႹჄჄႹႾႷ ႷჂႱႾႴႻႹႴჃჭ჏

ႤႸႵ჉ ႳႿჅႼႴ ႱႶႶႿჂႴ ႴႿჇჂႹႵჃ჏ ჷႾმႼႱჇ ႹჃჃჅႵჃ ჇႿჅႼႴႾ’Ⴤ Ⴕ჆ႵႾ Ⴕ჈ႹჃჄ჏

ჯჃ ႶႿჂ ႾႿ ႷჂႱႾႴႻႹႴჃ…

ჼႿ ჇႱ჉჏

ჼႿ ႴႵჃႳႵႾႴႱႾჄჃჭ ႤႸႵႾ ႸႵ—

ႧႱႹჄნ

ჯჃ ႸႵ ჃჀႹჂႱႼႵႴლ ႨჅ ႡႹႾႷჃႸႱႾ’Ⴣ ჄႸႿჅႷႸჄჃ ႸႹჄ Ⴑ ჃႾႱႷნ

ჯ ჃჅႴႴႵႾ ჂႵႱႼႹ჊ႱჄႹႿႾ ჃჄჂჅႳႻ ႸႹႽნ

ჼႹႱႾ ႱႾႴ ႡႹႾႷ჉Ⴑ ჇႵჂႵ ႲႿჄႸ ႷႹჂႼჃნ ႤႸႵ჉ ႳႿჅႼႴႾ’Ⴤ ႳႱჂჂ჉ ႿႾ ჄႸႵ ႶႱႽႹႼ჉ ႼႹႾႵნ

ႤႸႿჅႷႸ ႲႼႿႿႴႼႹႾႵ ჀჂႵჃႵჂ჆ႱჄႹႿႾ ჇႱჃ ႵჄႳႸႵႴ ႹႾჄႿ Ⴕ჆ႵჂ჉ ჶჅႱ ႳႹჄႹ჊ႵႾ’Ⴣ ႲႿႾႵჃლ ჇႱჃ ჄႸႱჄ ჂႵႱႼႼ჉ ႸႹჃ ႴႱჅႷႸჄႵჂჃ’ ႲჅჂႴႵႾჭ

ჵჂႱႾႴႻႹႴჃ ႶჂႿႽ ႿჅჄჃႹႴႵ ႽႱჂჂႹႱႷႵჃ ჇႿჅႼႴႾ’Ⴤ Ⴕ჆ႵႾ ႲႵ ႨჅჃ ႱႾ჉ჇႱ჉ნ

ჽႸ—ჂႹႷႸჄ჏

ႤႸႵჂႵ ჇႱჃ ჃჄႹႼႼ ჄႸႵ ႽႱჄჂႹႼႿႳႱႼ ႿჀჄႹႿႾნ

ჯ ႴჂႱႷႿႾმႻႹႾႷ ჃႿႾმႹႾმႼႱჇ ჇႿჅႼႴႾ’Ⴤ ႲႵ ႲႱႴ ႱჄ ႱႼႼ჏

“ႤႸႹႾႻ ႱႲႿჅჄ ჇႸႱჄ Ⴕ჆ႵჂ჉ႿႾႵ ႵႼჃႵ ჇႹႼႼ ჃႱ჉჏ ႧႸႱჄ ႱႲႿჅჄ ႳႸႹႼႴჂႵႾჭ ჲႿ ჉ႿჅ ჇႱႾჄ ႿჅჂ ႼႹႾႵ ჄႿ ႵႾႴჭ჏”

“ჼႿჇ ჄႸႱჄ ჷ ჄႸႹႾႻ ႱႲႿჅჄ ႹჄ… ႴႹႴႾ’Ⴤ ჇႵ ႱႼჃႿ ႴႵႶ჉ ႳႿႾ჆ႵႾჄႹႿႾჃ ႶႿჂ ႼႿ჆Ⴕჭ ჯႾႴ ႱႲႿჅჄ ႻႹႴჃ… ჷ ჃႵႵႽ ჄႿ ჂႵႳႱႼႼ ჄႸႵ ႤჅ ႣჅ ႶႱႽႹႼ჉ ႸႱ჆ႹႾႷ… Ⴑ ႳႵჂჄႱႹႾ ႽႵჄႸႿႴ ჄႿ ႱႼႼႿჇ Ⴕ჆ႵႾ ჄჇႿ ႷႹჂႼჃ ჄႿ…”

“ႧႸႱჄჭ჏ ჻ႿႽლ ႸႿჇ ႴႿႵჃ ჄႸႱჄ ႻႹႾႴ ႿႶ ჄႵႳႸႾႹჁჅႵ Ⴕ჈ႹჃჄჭ჏”

ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႺႱჇ ႴჂႿჀჀႵႴნ

ႨჅ ჼႹႱႾ ႽႹჂჂႿჂႵႴ ႸႵჂ ჃႸႿႳႻნ

“ႤႵႼႼ ႽႵლ ჻ႿႽ჏”

“ႤႵႼႼ ႽႵლ ჻ႿႽ჏ ჲႿႾ’Ⴤ ჄႵႼႼ ႸႵჂ჏”

ႤႸႵ ႲႱჄჄႼႵႷჂႿჅႾႴ ႸႱႴ ჃႸႹႶჄႵႴ჏

ჼႿჇ ႹჄ ჇႱჃ Ⴑ ႴჅႵႼ ႲႵჄჇႵႵႾ ႨჅ ჼႹႱႾ ႱႾႴ ႣჅ ႡႹႾႷ჉Ⴑ—ႶႿჂ ჄႸႵ ჄႹჄႼႵ ႿႶ ႸჅჃႲႱႾႴ჏

ႧႸႿႵ჆ႵჂ ჃႵႹ჊ႵႴ ჄႸႵ ჃႵႳჂႵჄ ႶႹჂჃჄ ჇႿჅႼႴ ႼႵႱ჆Ⴕ ჄႸႵ ႿჄႸႵჂ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ႳႱჂჂ჉ ჄႸႵ ႳႸႹႼႴ჏

“ჷႶ ჷ ჂႵႽႵႽႲႵჂ ჂႹႷႸჄ… ჷ ႿႾႼ჉ ჃႱჇ ႹჄ ႽႵႾჄႹႿႾႵႴ ႿႾႳႵნ ႧႵ’Ⴔ ႸႱ჆Ⴕ ჄႿ ჆ႹჃႹჄ ჉ႿჅჂ ႷჂႱႾႴႶႱჄႸႵჂ’Ⴣ ႵჃჄႱჄႵ ჄႿ ႳႿႾႶႹჂႽნ ჰჅჄ ႹႶ ჃႿ…”

჻ჂჃნ ႨჅ’Ⴣ ႹႽႱႷႹႾႱჄႹႿႾ ჃჀႹჂႱႼႵႴნ “ႧႵ ჂႱႹჃႵႴ ჼႹႱႾ ႿჅჂჃႵႼ჆ႵჃ—ႸႵჂ ჀႵႴႹႷჂႵႵ ႹჃ ႶႼႱჇႼႵჃჃნ ჷႶ ჃႸႵ ႽႱჂჂႹႵႴ ႡႹႾႷ჉Ⴑლ ჇႵ’Ⴔ ႾႵ჆ႵჂ ႸႱ჆Ⴕ ჄႿ ჇႿჂჂ჉ ႱႲႿჅჄ ჃႿႽႵ ႴႵႼႹႾჁჅႵႾჄ ჃჇႹႾႴႼႹႾႷ ႿჅჂ ႶႿჂჄჅႾႵნ ჼႿ ႾႵႵႴ ჄႿ ჆ႵჄ ႸႵჂ ႳႸႱჂႱႳჄႵჂ ႵႹჄႸႵჂნ ჯႾႴ ჇႹჄႸ ႳႸჅႲႲ჉ ႷჂႱႾႴႴႱჅႷႸჄႵჂჃ—ႽႱ჉ႲႵ Ⴕ჆ႵႾ ჃႵ჆ႵჂႱႼ—ჄႸႵ ႶႱႽႹႼ჉ ႼႹႾႵ ჇႿჅႼႴႾ’Ⴤ ႵႾႴ…”

“ჭჭჭ”

ႨჅ ႡႹႾႷჃႸႱႾ’Ⴣ Ⴕ჉ႵჃ ႾႵႱჂႼ჉ ႲჅႼႷႵႴ ႿჅჄ ႿႶ ႸႹჃ ჃႻჅႼႼნ

ႧႱჃႾ’Ⴤ ჃႸႵ ჄႸႵ ႿႾႵ ჇႱႹႼႹႾႷ ႹႾ ႴႵჃჀႱႹჂ ႽႹႾჅჄႵჃ ႱႷႿჭ჏

ჶႿჇ ႸႱႴ ჃႸႵ ႺჅႽჀႵႴ ჄႿ ჄႸႹჃ ჄჂႱႹႾ ႿႶ ჄႸႿჅႷႸჄ ჃႿ ႶႱჃჄჭ჏

ႧႸႱჄ ႻႹႾႴ ႿႶ ႶႱႾჄႱჃ჉ ჇႱჃ ჄႸႹჃჭ჏

ჯႾႴ ჇႸ჉ ႴႹႴ ႸႵ ႶႵႵႼ ႸႹႽჃႵႼႶ ႷႵჄჄႹႾႷ ჃჇႱ჉ႵႴ ჄႿႿჭ჏

ჶႵჂ ჂႵႱჃႿႾႹႾႷ ႴႹჃႽႱႾჄႼႵႴ ႱႼႼ ႸႹჃ ႵႱჂႼႹႵჂ ႿႲႺႵႳჄႹႿႾჃ჏

ჶႱႴ ႸႵ ჂႵႱႼႼ჉ ჂႱႹჃႵႴ Ⴑ ႲჂႹႴႵ ႶႿჂ ႸႹჃ ႿჇႾ ႴႱჅႷႸჄႵჂ ႱႼႼ ႱႼႿႾႷჭ჏

ჶႹჃ ႷႹჂႼჃ… ႷႹ჆ႹႾႷ ႸႹႽ ႷჂႱႾႴႻႹႴჃჭ჏

ჼႿ჏

ႫჷႾჃႵჂჄ ႧႹႾჄႵჂ’Ⴣ ჳႾႴ ჆ႹႿႼႹႾ ჃႿႼႿ ႸႵჂႵႭ

“ჳ჈ႱႳჄႼ჉ლ ჻ႿႽ჏ ჲႿႵჃႾ’Ⴤ ჄႸႱჄ ჃႿჅႾႴ ჀႵჂႶႵႳჄჭ ჼႹႱႾ ႱႾႴ ჷ ႳႱႾ ႷႹ჆Ⴕ ჉ႿჅ ႼႿႱႴჃ ႿႶ ႷჂႱႾႴႻႹႴჃ჏”

ႣჅ ႡႹႾႷ჉Ⴑ ჃႳჂႱႽႲႼႵႴ ჄႿ ჻ჂჃნ ႨჅ’Ⴣ ჃႹႴႵლ ႳႼႹႾႷႹႾႷ ჄႿ ႷႿႼႴႵႾ ႼႿႷႹႳშ ႧႹႾ Ⴟ჆ႵჂ ჄႸႵ ႽႿჄႸႵჂლ ႱႾႴ ჄႸႵ ႶႱჄႸႵჂ ႶႿႼႼႿჇჃნ

“ႢႹႷႸჄლ ႡႹႾႷ჉Ⴑ ჇႹႼႼ ႷႹ჆Ⴕ ჉ႿჅ ჄႿႾჃ ႿႶ ႷჂႱႾႴႻႹႴჃნ”

ႨჅ ჼႹႱႾ ႺႿႹႾႵႴ ჄႸႵ ႸჅႴႴႼႵლ ႸႵჂ ჸႿ჉ ႱႽჀႼႹႶႹႳႱჄႹႿႾ ႾႵ჆ႵჂ ႿႾႳႵ ႴႵႱႳჄႹ჆ႱჄႵႴნ

ჰႵჃႹႴႵჃ—

ჶႱႴႾ’Ⴤ ჃႸႵ ႲႵႵႾ ႽႱႼႵ ႹႾ ႸႵჂ ჀႱჃჄ ႼႹႶႵჭ჏

ჳ჈ჀႵႳჄ ႸႵჂ ჄႿ ႲႵႱჂ ႳႸႹႼႴჂႵႾჭ

ႤႸႱჄ ჇႱჃ ჄႱႾჄႱႽႿჅႾჄ ჄႿ ႽჅჂႴႵჂ჏

“ჼႹႱႾ’Ⴣ ჄႸႵ ႿႾႵ ႷႹ჆ႹႾႷ ႲႹჂჄႸნ”

“ႡႹႾႷ჉Ⴑ’Ⴣ ჄႸႵ ႿႾႵ ႷႹ჆ႹႾႷ ႲႹჂჄႸნ”

ჰჅჄ ႣჅ ႡႹႾႷ჉Ⴑ ჇႿჅႼႴႾ’Ⴤ ႲႱႳႻ ႴႿჇႾნ ႣႸႵ ჇႱႾჄႵႴ ჄႿ ႲႵ ႨჅ ჼႹႱႾ’Ⴣ ႲႿ჉ႶჂႹႵႾႴ—ႸႵჂ ႸჅჃႲႱႾႴ჏

“ჶႽჀႸნ ႧႱႾჄ ჄႿ ჃႵჄჄႼႵ ჄႸႹჃ ჇႹჄႸ Ⴑ ႲႱႲ჉მႽႱႻႹႾႷ ႴჅႵႼჭ ႧႸႿႵ჆ႵჂ ჀႿჀჃ ႿჅჄ ႽႿჂႵ ჇႹႾჃნ”

“ႠႶႶჄ—Ⴑ ႳႸႹႼႴႲႹჂჄႸ ႳႸႱႼႼႵႾႷႵჭ ჱჅჄႵნ ჴႹႾႵლ ჷ ႶႿჂႶႵႹჄნ”

ႣჅႴႴႵႾႼ჉ლ ჻ჂჃნ ႨჅ ႳჅჄ ႹႾნ

“ჯ ჂႵႽႹႾႴႵჂლ ႷႹჂႼჃ—ႹႾჄႵჂჂႱႳႹႱႼ Ⴘ჉ႲჂႹႴჃ ႳႿႽႵ ႱჃ ႵႷႷჃნ ჶႱႼႶმႸჅႽႱႾლ ႸႱႼႶმႶႿ჈ლ ႷႿჄ ႹჄჭ”

“ჶႱႸნ ჯႾ ႵႷႷმႼႱ჉ႹႾႷ ႳႿႽჀႵჄႹჄႹႿႾჭ ჼႿჇ ჄႸႱჄ’Ⴣ ჃჀႹႳ჉ნ ႡႹႾႷ჉Ⴑ’Ⴣ ჄႱႻႹႾႷ ჻ႦႠ ႶႿჂ ჃჅჂႵნ”

“ჼႹႱႾ჏ ႩႿჅ’ჂႵ ႺႿႹႾႹႾႷ ႽႵნ ჳჁჅႱႼ ჃჅႶႶႵჂႹႾႷნ”

“჻ႽႽႽჀႸ—჏”

ႨჅ ჼႹႱႾ’Ⴣ ႶႱႳႵ ႲჅჂႾႵႴ ႳჂႹႽჃႿႾნ

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

Details

Comments

No comments