Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 55

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ႧႸႱჄ ႸႱჀჀႵႾႵႴ ჄႿႾႹႷႸჄ ႶႵႼჄ ႺჅჃჄ ႼႹႻႵ Ⴑ ႴჂႵႱႽნ

ႨჅ ჼႹႱႾ ჀჂႵჃჃႵႴ Ⴑ ႸႱႾႴ ႱႷႱႹႾჃჄ ႸႵჂ ႳႸႵჃჄლ Ⴟ჆ႵჂ ႸႵჂ ႸႵႱჂჄნ

ჱႱႼႽლ ჃჄႵႱႴ჉ლ ჇႹჄႸ ႾႿ ჅႾჅჃჅႱႼ ႶႼჅႳჄჅႱჄႹႿႾჃ—჉ႵჄ ჃႸႵ ႳႿჅႼႴ ႶႵႵႼ ჄႸႵ ႶႹჂႽლ ჀႿჇႵჂႶჅႼ ჂႸ჉ჄႸႽ ႿႶ ႸႵჂ ႸႵႱჂჄႲႵႱჄნ

ჷჄ ჃႵႵႽႵႴ ჃႸႵ ჇႿჅႼႴႾ’Ⴤ ႲႵ ႱႲႼႵ ჄႿ ႵႾႺႿ჉ Ⴑ ჀႵႱႳႵႶჅႼ ႼႹႶႵ ႹႾ ჄႸႵ ႶჅჄჅჂႵნ

ႤႸႵႾ ႱႷႱႹႾლ ჄႸႱჄ ჇႱჃ ჄႿ ႲႵ Ⴕ჈ჀႵႳჄႵႴნ ჱႿႽႹႾႷ ჄႿ ჄႸႹჃ ႻႹႾႴ ႿႶ ჇႿჂႼႴ ႱႾႴ ႳႸႿႿჃႹႾႷ ႱႾ Ⴕ჈ჄჂႱႿჂႴႹႾႱჂ჉ ჀႱჄႸ ႽႵႱႾჄ ჃႸႵ ჇႱჃ ႴႵჃჄႹႾႵႴ ႶႿჂ ႱႾ Ⴕ჈ჄჂႱႿჂႴႹႾႱჂ჉ ႼႹႶႵნ

ႤႸႹჃ ჇႱჃ ჄႸႵ ႳႸႿႹႳႵ ჃႸႵ ႸႱႴ ႽႱႴႵნ

ჯႾႴ ჃႸႵ ႸႱႴ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ႽႱႻႵ ႹჄნ

ჰჅჄ ჇႸႱჄ ჃႵႳჂႵჄჃ ႴႹႴ ႸႵჂ ႲႿႴ჉ ႸႿႼႴჭ

ჳჃჀႵႳႹႱႼႼ჉ ႸႵჂ ႸႵႱჂჄნ

ႤႿ ჄႸႹႾႻ ႹჄ ႳႿჅႼႴ ႱჄჄჂႱႳჄ Ⴑ ႤႸჂႵႵმႣჄႱჂ ႧႵႱ჆ႵჂ ჄႿ ႱჃჃႱჃჃႹႾႱჄႵ ႸႵჂნ

ႧႿჅႼႴ Ⴕ჆ႵႾ ჃჄჂႿႾႷႵჂ ႧႵႱ჆ႵჂჃ ႱჀჀႵႱჂ ႹႾ ჄႸႵ ႶჅჄჅჂႵჭ

ჷႶ ჄႸႵ ႶႹჂჃჄ ႱჄჄႵႽჀჄ ႶႱႹႼႵႴლ ႱႾ Ⴕ჆ႵႾ ႽႿჂႵ ჀႿჇႵჂႶჅႼ ႿႾႵ ჇႿჅႼႴ ჃჅჂႵႼ჉ ႳႿႽႵნ

ႣႸႵ ႸႱႴ ჄႿ ႷჂႿჇ ჃჄჂႿႾႷႵჂნ ჽႾႼ჉ ჄႸႵႾ ႳႿჅႼႴ ჃႸႵ ჀჂႿჄႵႳჄ ႸႵჂჃႵႼႶნ

აჼႹႱႾႾႹႱႾლ ჷ ႸႱ჆Ⴕ ჄႿ ႲႵႳႿႽႵ ჃჄჂႿႾႷႵჂნა

აჶႽႽჭა

ႨჅ ჼႹႱႾ ႷႼႱႾႳႵႴ ႱჄ ႣჅ ႡႹႾႷ჉Ⴑ ႹႾ ჃჅჂჀჂႹჃႵნ ႣႸႵ ႸႱႴႾ’Ⴤ Ⴕ჈ჀႵႳჄႵႴ ჄႸႵ ႿჄႸႵჂ ႷႹჂႼ ჄႿ ႲႵ ჄႸႹႾႻႹႾႷ ჄႸႵ Ⴕ჈ႱႳჄ ჃႱႽႵ ჄႸႹႾႷნ

აჷ ჇႿႾ’Ⴤ ႼႵჄ ჃႿႽႵჄႸႹႾႷ ႼႹႻႵ ჄႿႴႱ჉ ႸႱჀჀႵႾ ႱႷႱႹႾნ ჷ’ႼႼ ჀჂႿჄႵႳჄ ჉ႿჅნ ႤႸႵ ႿႾႼ჉ ჇႱ჉ ჄႿ ႻႵႵჀ ჼႹႱႾႾႹႱႾ ჃႱႶႵ ႹჃ ჄႿ ႲႵႳႿႽႵ ჃჄჂႿႾႷႵჂნა

ჯ ႲႼႱ჊ႹႾႷ ႶႹჂႵ ႹႷႾႹჄႵႴ ႹႾ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႸႵႱჂჄლ ႸႵჂ ჂႵჃႿႼ჆Ⴕ ჄႱႻႹႾႷ ჂႿႿჄნ

ჯჃ Ⴑ ჽႾႵმႣჄႱჂ ႧႵႱ჆ႵჂლ ႶႱႳႹႾႷ Ⴑ ႸႹႷႸႵჂმჂႱႾႻႵႴ ႧႵႱ჆ႵჂ ႿႾႼ჉ ႽႵႱႾჄ ႲႵႹႾႷ ჃႼႱჅႷႸჄႵჂႵႴნ

ჷႶ ჃႸႵ ႴႹႴႾ’Ⴤ ႷჂႿჇ ჃჄჂႿႾႷႵჂლ ჄႸႿჃႵ ჀႵႿჀႼႵ ႽႹႷႸჄ ჃႿႽႵႴႱ჉ ჄႱႻႵ ჼႹႱႾႾႹႱႾ ႱჇႱ჉ ႶჂႿႽ ႸႵჂ ႶႿჂ ႷႿႿႴნ

ჸჅჃჄ ჄႸႵ ჄႸႿჅႷႸჄ ႿႶ ჄႸႱჄ ჀႿჃჃႹႲႹႼႹჄ჉ ႽႱႴႵ ႸႵჂ ჄჂႵႽႲႼႵ ჇႹჄႸ ႶႵႱჂნ

ႣႸႵ ჇႿჅႼႴ ႾႵ჆ႵჂ ႱႼႼႿჇ ႹჄ ჄႿ ႸႱჀჀႵႾნ

ႣჅ ႡႹႾႷ჉Ⴑ ႴႹႴႾ’Ⴤ ႱჃႻ ႨჅ ჼႹႱႾ ჇႸ჉ ჄႸႵ჉ ႸႱႴ ჄႱჂႷႵჄႵႴ ႸႵჂნ

ჰჅჄ ႨჅ ჼႹႱႾ ჄჂჅჃჄႵႴ ႣჅ ႡႹႾႷ჉Ⴑნ

ჽჂ ჀႵჂႸႱჀჃლ ႱჄ ჄႸႹჃ ႽႿႽႵႾჄლ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ჄႸႵ ႿႾႼ჉ ჀႵჂჃႿႾ ჃႸႵ ჄჂჅႼ჉ ჄჂჅჃჄႵႴნ

ႣႿლ ႹႾ Ⴑ ႸჅჃႸႵႴ ჆ႿႹႳႵლ ჃႸႵ ჄႿႼႴ ႣჅ ႡႹႾႷ჉Ⴑ ჄႸႵ ჃႵႳჂႵჄ ႿႶ ႸႵჂ ႸႵႱჂჄნ

ჶႵჂ Ⴕ჈ჀႼႱႾႱჄႹႿႾ ჇႱჃ ჆ႱႷჅႵ ႱႾႴ ႱႽႲႹႷჅႿჅჃ—ႱႶჄႵჂ ႱႼႼლ ႨჅ ჼႹႱႾ ႸႵჂჃႵႼႶ ႴႹႴႾ’Ⴤ ႻႾႿჇ ႽჅႳႸლ ႱႾႴ ჄႸႵ ჃႹႽჅႼႱჄႿჂ ႸႱႴႾ’Ⴤ ჂႵ჆ႵႱႼႵႴ ႵႾႿჅႷႸ ჃႵႳჂႵჄჃნ

ႣჅ ႡႹႾႷ჉Ⴑ ႾႿႴႴႵႴ ႹႾ ჅႾႴႵჂჃჄႱႾႴႹႾႷნ

ႣႸႵ ჀჅႼႼႵႴ ႨჅ ჼႹႱႾ ႹႾჄႿ ႸႵჂ ႱჂႽჃნ

აჲႿႾ’Ⴤ ႲႵ ႱႶჂႱႹႴლ ჼႹႱႾႾႹႱႾნ ჷ’Ⴝ ႸႵჂႵნა

ა჻ႸႽლ ჄႸႱႾႻ ჉ႿჅლ ႡႹႾႷ჉Ⴑნა

ჯႴႽႹჄჄႵႴႼ჉ლ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႳႿႽႶႿჂჄ ჇႱჃ ჃႹႽჀႼႵლ ႲჅჄ ႹႾ ႸႵჂ ႵႽႲჂႱႳႵლ ႨჅ ჼႹႱႾ ႶႵႼჄ ႱႾ Ⴟ჆ႵჂჇႸႵႼႽႹႾႷ ჃႵႾჃႵ ႿႶ ჃႵႳჅჂႹჄ჉ნ

ჸჅჃჄ ჄႸႵႾლ ჄႸႵ ჃႿჅႾႴ ႿႶ Ⴑ ႳႱჂ ჀჅႼႼႹႾႷ ჄႿ Ⴑ ჃჄႿჀ ჂႵႱႳႸႵႴ ჄႸႵႹჂ ႵႱჂჃნ

ႣჅ ႡႹႾႷ჉Ⴑ ჄႵႾჃႵႴ ႹႾჃჄႱႾჄႼ჉ლ ႼႵႱჀႹႾႷ ႲႱႳႻ ჇႹჄႸ ႨჅ ჼႹႱႾ ႹႾ ႸႵჂ ႱჂႽჃნ

ჯ ჃჀႵႱჂ ႿႶ ႶႵႱჂ ႽႱჄႵჂႹႱႼႹ჊ႵႴ ႹႾ ႸႵჂ ႸႱႾႴლ ႸႹႴႴႵႾ ႹႾ ჄႸႵ ჃႸႱႴႿჇჃლ ჂႵႱႴ჉ ჄႿ ჃჄჂႹႻႵ ჄႸႵ ႽႿႽႵႾჄ ჃႸႵ ႹႴႵႾჄႹႶႹႵႴ ჄႸႵ ჄႸჂႵႱჄნ

ჰჅჄ ჄႸႵ ႳႱჂ ႴႿႿჂჃ ႿჀႵႾႵႴლ ႱႾႴ ჃႵ჆ႵჂႱႼ ႲႼႱႳႻმჃჅႹჄႵႴ ႲႿႴ჉ႷჅႱჂႴჃ ჃჄႵჀჀႵႴ ႿჅჄლ ႽႿ჆ႹႾႷ ჇႹჄႸ ჀჂႱႳჄႹႳႵႴ ႵႱჃႵ ႱჃ ჄႸႵ჉ ႸႵႼႴ ჄႸႵ ႴႿႿჂ ႿჀႵႾნ

ჯ ჉ႿჅႾႷ ႽႱႾ ႹႾ ႱႾ Ⴕ჈ჀႵႾჃႹ჆Ⴕ ჃჅႹჄ ႵႽႵჂႷႵႴლ ჃჄჂႱႹႷႸჄႵႾႹႾႷ ႸႹჃ ႳႿႼႼႱჂ ჇႹჄႸ ႳႿႿႼ ႴႹჃႴႱႹႾ—ჄႸჂႵႵ ჀႱჂჄჃ ႱჂჂႿႷႱႾႳႵლ ჄႸჂႵႵ ჀႱჂჄჃ ႹႾႴႹႶႶႵჂႵႾႳႵლ ႱႾႴ ႶႿჅჂ ჀႱჂჄჃ ႳႱჂႵႼႵჃჃႾႵჃჃნ

აႣႹჂლ ႴႿ ჉ႿჅ ႸႱ჆Ⴕ ႱႾ ႹႾ჆ႹჄႱჄႹႿႾჭა

აჲႿ ჉ႿჅ ႻႾႿჇ ჇႸႿ ჷ ႱႽჭა

ႣჄႿჀჀႵႴ Ⴒ჉ ჄႸႵ ႷჅႱჂႴლ ჄႸႵ ႽႱႾ’Ⴣ Ⴕ჈ჀჂႵჃჃႹႿႾ ႴႱჂႻႵႾႵႴ ჇႹჄႸ ႴႹჃჀႼႵႱჃჅჂႵნ

ჼႿჄ ႶႱჂ ႱჇႱ჉ლ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႷႱ჊Ⴕ ႼႿႳႻႵႴ ႿႾჄႿ ႸႹႽლ ႸႵჂ ႷჂႹჀ ႿႾ ჄႸႵ ჃჀႵႱჂ ჄႹႷႸჄႵႾႹႾႷ ჅႾჄႹႼ ႹჄ ႳჂႵႱႻႵႴნ

ჷჄ ჇႱჃ ჃႿႽႵႿႾႵ ჃႸႵ ႻႾႵჇ—ჃႿႽႵႿႾႵ ჃႸႵ’Ⴔ ႸႿჀႵႴ ႾႵ჆ႵჂ ჄႿ ჃႵႵ ႱႷႱႹႾნ

აჼႹႱႾႾႹႱႾლ ჃჄႵჀ ႲႱႳႻნ ႣჄႱ჉ ႲႵႸႹႾႴ ႽႵნა

ႨჅ ჼႹႱႾ ႸႱႴ ႱႼჃႿ ႾႿჄႹႳႵႴ ჄႸႵ ႽႱႾნ

ჺႹႾ ႩႵნ

ႤႸႵ ႴႿႽႹႾႵႵჂႹႾႷ ჱჳჽნ

ႤႸႵ ႷჅ჉ ႨჅ ჼႹႱႾ ႸႱႴ ჃჄႱႲႲႵႴ ჄჇႹႳႵ ႲႵႶႿჂႵლ ჇႸႿჃႵ ჃႳႱႾႴႱႼ ႸႱႴ ႲჂႹႵႶႼ჉ ჄჂႵႾႴႵႴ ႿႾ ႨႹႱႿႸႿႾႷჃႸჅ ႲႵႶႿჂႵ ႲႵႹႾႷ ჃჇႹႶჄႼ჉ ႴႵႼႵჄႵႴნ

ႧႸ჉ ჇႱჃ ႸႵ ႸႵჂႵჭ

აႣႹჂლ ჷ ႴႿႾ’Ⴤ ႻႾႿჇ ჇႸႿ ჉ႿჅ ႱჂႵლ ႲჅჄ Ⴕ჆ႵႾ ჄႸႵ ჱႸႹႵႶ ႿႶ ႠჅႲႼႹႳ ႣႵႳჅჂႹჄ჉ ႾႵႵႴჃ ႱႾ ႹႾ჆ႹჄႱჄႹႿႾ ჄႿ ႵႾჄႵჂნა

ჯ ჃჄႱႳႻ ႿႶ ႲႹႼႼჃ ჇႱჃ ჄႿჃჃႵႴ ႹႾჄႿ ჄႸႵ ႷჅႱჂႴ’Ⴣ ႱჂႽჃნ

აჷჃ ჄႸႹჃ ႹႾ჆ႹჄႱჄႹႿႾ ႵႾႿჅႷႸჭა

ა჻ႿჂႵ ჄႸႱႾ ႵႾႿჅႷႸლ ჃႹჂნ ႢႹႷႸჄ ჄႸႹჃ ჇႱ჉ნა ႤႸႵ ႷჅႱჂႴ’Ⴣ ႱჄჄႹჄჅႴႵ ჃႸႹႶჄႵႴ ႹႾჃჄႱႾჄႼ჉ნ

აჶႽჀႸნა

ႨჅ ჼႹႱႾ ჅႾႴႵჂჃჄႿႿႴ ჄႸႵ ႷჅႱჂႴ’Ⴣ ႴႵႳႹჃႹႿႾნ

ჳႱჂႾႹႾႷ ႺჅჃჄ Ⴑ ႶႵჇ ჄႸႿჅჃႱႾႴ Ⴑ ႽႿႾჄႸ ჇႱჃႾ’Ⴤ ჇႿჂჄႸ ჂႹჃႻႹႾႷ ႸႹჃ ႼႹႶႵნ ႤႸႵ჉ ჇႵჂႵ ႱႼႼ ႺჅჃჄ ჄჂ჉ႹႾႷ ჄႿ ჃჅჂ჆Ⴙ჆Ⴕნ

აႧႵ’ჂႵ ႱႼႼ ႶႹႷႸჄႹႾႷ ჄႿ ႼႹ჆Ⴕნა

ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ჄႿႿ ႾႱႹ჆Ⴕნ

ႨჅ ჼႹႱႾ ႴႹႴႾ’Ⴤ Ⴕ჆ႵႾ ႾႵႵႴ ႸႵჂ ႶႿ჈მჄႱႹႼ ႹႾჃჄႹႾႳჄჃ ჄႿ ႻႾႿჇ ჄႸႹჃ ႷჅ჉ ჇႱჃ ႸႵჂႵ ႶႿჂ ႸႵჂნ

ჯႾႴ ჉ႵჄლ ႣჅ ႡႹႾႷ჉Ⴑ ႸႱႴ Ⴕ჈ჀႿჃႵႴ ႸႵჂჃႵႼႶლ ჃႸႹႵႼႴႹႾႷ ႨჅ ჼႹႱႾ ႹႾჃჄႵႱႴნ

ႧႸႱჄ ႻႹႾႴ ႿႶ ႼႿႷႹႳ ჇႱჃ ჄႸႱჄჭ

აႡႹႾႷ჉Ⴑნა

ა჻ႸႽჭ ႧႸႱჄ ႹჃ ႹჄლ ჼႹႱႾႾႹႱႾჭა

აႤჅჂႾ ႱჂႿჅႾႴნა

ჱႿႾႶჅჃႵႴლ ႣჅ ႡႹႾႷ჉Ⴑ ჄჅჂႾႵႴ—ႿႾႼ჉ ჄႿ ႲႵ ႽႵჄ ჇႹჄႸ Ⴑ ႶႹႵჂႳႵ ႻႹჃჃნ

ႨჅ ჼႹႱႾ’Ⴣ ႷႱ჊Ⴕ ႶႼႹႳႻႵႴ ႲჂႹႵႶႼ჉ ჄႿჇႱჂႴ ჺႹႾ ႩႵლ ႽႿႾႹჄႿჂႹႾႷ ႸႹჃ ႽႿ჆ႵႽႵႾჄჃნ

ჱჅჀჀႹႾႷ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႶႱႳႵლ ႨჅ ჼႹႱႾ ႴႹႴႾ’Ⴤ Ⴕ჈ჀႼႱႹႾ ႸႵჂ ჃჅႴႴႵႾ ႶႵჂ჆ႿჂლ ႲჅჄ ႣჅ ႡႹႾႷ჉Ⴑ ჂႵჃჀႿႾႴႵႴ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ლ ႱჂႽჃ ႵႾႳႹჂႳႼႹႾႷ ႨჅ ჼႹႱႾ’Ⴣ ჇႱႹჃჄნ

ჺႹႾ ႩႵ ჇႱჃ ႹႾ ႸႹႷႸ ჃჀႹჂႹჄჃნ

ჺႵႱჂႾႹႾႷ ჄႸႱჄ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႸႿႽႵႳႿႽႹႾႷ ႲႱႾჁჅႵჄ ჇႱჃ ႲႵႹႾႷ ႸႵႼႴ ႸႵჂႵ ჄႿႾႹႷႸჄლ ႸႵ’Ⴔ ჂႵႱჂჂႱႾႷႵႴ ႸႹჃ ჃႳႸႵႴჅႼႵლ ჄႹႽႹႾႷ ႸႹჃ ႱჂჂႹ჆ႱႼ ჀႵჂႶႵႳჄႼ჉ ჄႿ ჃჅჂჀჂႹჃႵ ჄႸႵ ႶႿႿႼႹჃႸ ჇႿႽႱႾნ

ჷႶ ႱႾ჉ ႴႱႽჃႵႼმႹႾმႴႹჃჄჂႵჃჃ ჃႳႵႾႱჂႹႿჃ ჅႾႶႿႼႴႵႴლ ႸႵ ჀႼႱႾႾႵႴ ჄႿ ჃჇႿႿჀ ႹႾ ჇႹჄႸ Ⴑ ႳႿႽႽႱႾႴႹႾႷ აႣჄႿჀ჏ა

ჴႿႼႼႿჇႵႴ Ⴒ჉ აႧႸႿ ႴႱჂႵჃ ჄႿჅႳႸ ႸႵჂჭა

ႤႸႵႾ ჃჇႵႵჀ ႸႵჂ ႹႾჄႿ ႸႹჃ ႱჂႽჃნ

ჯႾႴ ႶႹႾႱႼႼ჉ლ აჯჂႵ ჉ႿჅ ჃႳႱჂႵႴლ ჀჂႵႳႹႿჅჃჭა

ჯ ႶႼႱჇႼႵჃჃ ჃႳჂႹჀჄ ჄႿ ჇႹႾ ႸႵჂ Ⴟ჆ႵჂნ

ႧႸ჉ ჇႿჅႼႴ ჃჅႳႸ Ⴑ ႳႼႹႳႸé ჃႳႵႾႵ ႳႿႾ჆ႵႾႹႵႾჄႼ჉ ႸႱჀჀႵႾ ჄႸႵ ႽႿႽႵႾჄ ႸႵ ႱჂჂႹ჆ႵႴჭ

ႣႹႽჀႼႵ—ႸႵ ჇႱჃ Ⴑ ႧႵႱ჆ႵჂ ႿႶ ႫჲႿႽႹႾႱჄႹႿႾႭნ

ႣჅႴႴႵႾႼ჉ლ ჃႿႽႵჄႸႹႾႷ ႳႱჅႷႸჄ ႸႹჃ ႱჄჄႵႾჄႹႿႾნ

ჽႾ ჄႸႵ ႷჂႱჃჃ ႾႵႱჂႲ჉ლ Ⴑ ႲႼႱႳႻმႸႱႹჂႵႴ ႸჅႽႱႾ ႷႹჂႼ ჇႱჃ ႼႿႳႻႵႴ ႹႾ Ⴑ ႸႵႱჄႵႴ ႵႽႲჂႱႳႵ ჇႹჄႸ Ⴑ ჇႸႹჄႵ ႶႿ჈მჀႵჂჃႿႾნ

ჲႱႽႾ ႹჄ჏

ჺႵჃႲႹႱႾჃ ႸႵჂႵ ჄႿႿჭ

ჶႹჃ ႽႹჃႿႷ჉Ⴞ჉ ႶႼႱჂႵႴ—ႸႵ ႳႿჅႼႴႾ’Ⴤ ჃჄႱႾႴ ჄႸႹჃ ჃႹႷႸჄნ

჻ႿႿႴ ႹႾჃჄႱႾჄႼ჉ ႴჂႿჀჀႵႴ Ⴒ჉ ჟპდნ

აႩႿჅნ ႤႵႼႼ ჄႸႵႽ ჄႿ ჄႱႻႵ ჄႸႵႹჂ ႱႶႶႵႳჄႹႿႾ ႵႼჃႵჇႸႵჂႵნ ჷ ჇႿႾ’Ⴤ ჄႿႼႵჂႱჄႵ ჄႸႹჃ Ⴕ჉ႵჃႿჂႵნა

ჺႹႾ ႩႵ ႳႱჃჅႱႼႼ჉ ჃႹႷႾႱႼႵႴ Ⴑ ႲႿႴ჉ႷჅႱჂႴლ ჇႸႿ ჃჄჂႿႴႵ ჄႿჇႱჂႴ ჄႸႵ ჀႱႹჂ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾნ

ႨჅ ჼႹႱႾ ჃჄႱჂჄႼႵႴ ႱჄ ჄႸႵ ႽႱႾ’Ⴣ ႱჀჀჂႿႱႳႸლ ჅႾჃჅჂႵ ႿႶ ႸႹჃ ႹႾჄႵႾჄნ

ჰჅჄ ჺႹႾ ႩႵ ႸႱႴ ႱႼჂႵႱႴ჉ ႽႿ჆ႵႴ ႿႾლ ႸႹჃ ႱჄჄႵႾჄႹႿႾ ႵႼჃႵჇႸႵჂႵნ

ႨჅ ჼႹႱႾ ჄႱჀჀႵႴ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃႸႿჅႼႴႵჂლ ჃႹႷႾႱႼႹႾႷ ႸႵჂ ჄႿ ႲჂႵႱႻ ჄႸႵ ႻႹჃჃ—ႲჅჄ ႣჅ ႡႹႾႷ჉Ⴑლ ႳႸႵႵႻჃ ႶႼჅჃႸႵႴ ჇႹჄႸ ႴႵჃႹჂႵლ ႿႾႼ჉ ჄႹႷႸჄႵႾႵႴ ႸႵჂ ႷჂႹჀნ

ჺႿჃჄ ႹႾ ჄႸႵ ႽႿႽႵႾჄლ ჃႸႵ ჂႵႶჅჃႵႴ ჄႿ ႼႵჄ ႷႿლ ჀჂႵჃჃႹႾႷ ႱႷႱႹႾჃჄ ႨჅ ჼႹႱႾ ႹႾჃႹჃჄႵႾჄႼ჉ნ

ჷႶ ႨჅ ჼႹႱႾ ჃჄႹႼႼ ႸႱႴ ႸႵჂ ჀႸႱႾჄႿႽ ႼႹႽႲლ ႹႶ ჃႸႵ’Ⴔ ႲႵႵႾ ႱჃ ႳႿႾჃჅႽႵႴ ႱჃ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ႾႿჇ… ჃႸႵ ႽႹႷႸჄ’჆Ⴕ ჇႱႾჄႵႴ ჄႿ ႶႹႼႼ ჃႿႽႵჄႸႹႾႷნ

ჯႾႴ ჄႸႱჄ ჇႱჃ Ⴕ჈ႱႳჄႼ჉ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃჄႱჄႵნ

ჶႵჂ ႸႱႾႴ ჃႼႹႴ ჄႿ ჄႸႵ ႲႱჃႵ ႿႶ ႨჅ ჼႹႱႾ’Ⴣ ჃჀႹႾႵლ ႸႿႼႴႹႾႷ ႸႵჂ ႶႹჂႽႼ჉ ႹႾ ჀႼႱႳႵნ

აႡႹႾႷ჉Ⴑლ ႼႵჄ ႷႿ—ჃႿႽႵႿႾႵ’Ⴣ ႳႿႽႹႾႷნა

აႩႿჅ ჃჄႱჂჄႵႴ ჄႸႹჃ ႶႹჂႵნ ჲႿႾ’Ⴤ ჄႸႹႾႻ ჉ႿჅ ႳႱႾ ႵჃႳႱჀႵ ჃႿ ႵႱჃႹႼ჉ნ ჲႿ ჉ႿჅ ႻႾႿჇ ႸႿჇ ჄႿ ჅႾჄႹႵ Ⴝ჉ ჃႻႹჂჄლ ჼႹႱႾႾႹႱႾჭა

჻ႹჃႳႸႹႵ჆ႿჅჃ ႶႹႾႷႵჂჃ ჄჂႱႹႼႵႴ ႴႿჇႾჇႱჂႴლ ႴႱႾႳႹႾႷ ႼႹႻႵ ႶႹჃႸ ჄႸჂႿჅႷႸ ႴႱჂႻ ჇႱჄႵჂჃნ

ჭჭჭჭჭჭჭ

აჺႱႴႹႵჃლ ჇႿჅႼႴ ჉ႿჅ ႽႹႾႴ ჄႱႻႹႾႷ ჄႸႹჃ ႵႼჃႵჇႸႵჂႵჭ ჽჅჂ ჱჳჽ ႶႹႾႴჃ ႹჄ ႴႹჃჄႱჃჄႵႶჅႼნა

ႣჅ ႡႹႾႷ჉Ⴑ ჃႸႿჄ ႸႹႽ ႱႾ ႹႳ჉ ႷႼႱჂႵნ

ჴႿჂ Ⴑ ႶႼႵႵჄႹႾႷ ႽႿႽႵႾჄლ ჄႸႵ ႲႿႴ჉ႷჅႱჂႴ ႶႵႼჄ ႱჃ ჄႸႿჅႷႸ ႸႹჃ ჄႸჂႿႱჄ ႸႱႴ ႲႵႵႾ ჀႹႵჂႳႵႴნ

ჶႵ ჄႿჅႳႸႵႴ ႸႹჃ ႾႵႳႻ—ႾႿჄႸႹႾႷნ

ႩႵჄ ჄႸႵ ႶႵႱჂ ႼႹႾႷႵჂႵႴნ

ႣჅ ႡႹႾႷ჉Ⴑ ႶႹႾႱႼႼ჉ ჀჅႼႼႵႴ ႨჅ ჼႹႱႾ ႱჇႱ჉ნ

ႧႱჃ ჄႸႵ ႲႱჄჄႼႵ Ⴟ჆ႵჂჭ

ჼႿნ

ჸჅჃჄ ჂႵႼႿႳႱჄႵႴნ

ႤႸႹჃ ჄႹႽႵლ ჃႸႵ ႷჂႵჇ Ⴕ჆ႵႾ ႲႿႼႴႵჂლ ႶႹႾႷႵჂჃ ჇႿჂႻႹႾႷ ჄႿ ჅႾႴႿ ႨჅ ჼႹႱႾ’Ⴣ ႳႼႿჄႸႵჃ ႹႾႳႸ Ⴒ჉ ႹႾႳႸნ

აႧႱႹჄ—ႸႿჇ ႳႱႾ ჉ႿჅ ႴႿ ჄႸႹჃ ႸႵჂႵჭა

ႨჅ ჼႹႱႾ’Ⴣ ჇႵႱႻ ჀჂႿჄႵჃჄჃ ႶႵႼႼ ႿႾ ႴႵႱႶ ႵႱჂჃ ႱჃ ჃႸႵ ჄႸჅႽჀႵႴ ჅჃႵႼႵჃჃႼ჉ ႱႷႱႹႾჃჄ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃႸႿჅႼႴႵჂჃნ

ჺႹႻႵ Ⴑ ႲႵႱჃჄ ჃჀჅჂჂႵႴ Ⴒ჉ ႸჅႾႷႵჂლ ႣჅ ႡႹႾႷ჉Ⴑ ႴႹႴႾ’Ⴤ ႱႾჃჇႵჂნ

ჺႵႶჄ ჇႹჄႸ ႾႿ ႳႸႿႹႳႵლ ႨჅ ჼႹႱႾ ႱႳჄႹ჆ႱჄႵႴ ჄႸႵ ႠჂႹჃႿႾႵჂ’Ⴣ ჲႵႱჄႸ ჺႱႾჄႵჂႾლ ႵႾ჆ႵႼႿჀႹႾႷ ჄႸႵႽ ႲႿჄႸ ႹႾ ႵႾႴႼႵჃჃ ႴႱჂႻႾႵჃჃლ ჆ႱႾႹჃႸႹႾႷ ႶჂႿႽ ჃႹႷႸჄნ

ႤႸႵ ႲႿႴ჉ႷჅႱჂႴ ჃႱჇ ႾႿჄႸႹႾႷ ႶჅჂჄႸႵჂ—ႱႶჄႵჂ ႴႵႼႹ჆ႵჂႹႾႷ ႸႹჃ ჇႱჂႾႹႾႷლ ჄႸႵ჉’Ⴔ ႼႵႶჄნ

ჰჅჄ ႹႾ ჄႸႱჄ ჃჀႼႹჄმჃႵႳႿႾႴ ႷႼႱႾႳႵლ ႸႵ’Ⴔ ჂႵႳႿႷႾႹ჊ႵႴ ႸႵჂ ႶႱႳႵნ

ႧႱჃႾ’Ⴤ ჄႸႱჄ ჄႸႵ ჆ႵჂ჉ ჇႿႽႱႾ ႸႹჃ ჱჳჽ ႸႱႴ ႲႵႵႾ ჃႵႱჂႳႸႹႾႷ ႶႿჂჭ

ႤႸႵ ჱჳჽ’Ⴣ ჄჂႵႱჃჅჂႵႴ აჇႸႹჄႵ ႽႿႿႾႼႹႷႸჄა… ჇႱჃ ႱႳჄჅႱႼႼ჉ Ⴑ ႼႵჃႲႹႱႾ჏

ჱႿႼႴ ჃჇႵႱჄ ჄჂႹႳႻႼႵႴ ႴႿჇႾ ႸႹჃ ႲႱႳႻნ

ჶႵ ႴႹႴႾ’Ⴤ ႴႱჂႵ ჂႵჀႿჂჄ ჄႸႹჃნ

ႥႾႴႵჂႼႹႾႷჃ ჇႸႿ ႴႵႼႹ჆ႵჂႵႴ ႲႱႴ ႾႵჇჃ ჂႱჂႵႼ჉ ႶႱჂႵႴ ჇႵႼႼნ

ჰႵჃჄ ჄႿ ჀჂႵჄႵႾႴ ႱႽႾႵჃႹႱნ

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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