Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 62

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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აႥႽლ ჱႱჀჄႱႹႾლ ႡႹႾႷ჉Ⴑ ჃႱ჉Ⴣ ჃႸႵ ჇႱႾჄჃ ჄႿ ႷႿ ႹႾ ჇႹჄႸ ჉ႿჅნა

ჯႶჄႵჂ ႷႵჄჄႹႾႷ ႿჅჄ ႿႶ ჄႸႵ ႳႱჂლ ჄႸႵ ჃႹ჈ ႿႶ ჄႸႵႽ ჂႵႷჂႿჅჀႵႴლ ႱႾႴ ႨჅ ჼႹႱႾ ႹႽႽႵႴႹႱჄႵႼ჉ ႲჂႿჅႷႸჄ ჄႸႹჃ ჅჀ ჄႿ ႨႹႱႿ ჵႵ ႱႾႴ ჄႸႵ ႿჄႸႵჂჃნ

ႨႹႱႿ ჵႵ’Ⴣ ႷႱ჊Ⴕ ႶႵႼႼ ႿႾ ႣჅ ႡႹႾႷ჉Ⴑნ აჱႱႾ ჉ႿჅ ჀჂႿჄႵႳჄ ჉ႿჅჂჃႵႼႶჭა

ა჻ႸႽნა

ႣჅ ႡႹႾႷ჉Ⴑ ႾႿႴႴႵႴნ ႤႸႿჅႷႸ ჃႸႵ ჇႱჃႾ’Ⴤ ႵႾჄႹჂႵႼ჉ ႳႿႾႶႹႴႵႾჄლ ჃႸႵ ჃჄჅႲႲႿჂႾႼ჉ ჂႵჃჀႿႾႴႵႴ ჇႹჄႸ ჄႸႱჄ ჃႹႾႷႼႵ ჇႿჂႴნ

აჴႹႾႵლ ჄႸႵႾ ႻႵႵჀ ჅჀნა

ႨჅ ჼႹႱႾ’Ⴣ ႸႵႱჂჄ ჃႻႹჀჀႵႴ Ⴑ ႲႵႱჄნ

ႧႱჃ ႹჄ ჂႵႱႼႼ჉ ჄႸႱჄ ჃႹႽჀႼႵჭ

ჸჅჃჄ ႿႾႵ ჁჅႵჃჄႹႿႾ ႱႾႴ ჄႸႱჄ’Ⴣ ႹჄჭ

აႤႸႵႾ ჷ’ႼႼ ႱႼჃႿ—ა

აႩႿჅ ჃჄႱ჉ ႿႾ ჄႸႵ ჀႵჂႹႽႵჄႵჂნ ჼႿ ႷႿႹႾႷ ႹႾჃႹႴႵნა

აჽმႿႻႱ჉ნა

აႨჅ ჼႹႱႾლ ჉ႿჅ ჃჄႹႼႼ ႸႱ჆ႵႾ’Ⴤ ႷႹ჆ႵႾ ჅჀჭ ჼႿჄ ჄႸႱჄ ჷ ႲႼႱႽႵ ჄႸႵ ႳႱჀჄႱႹႾ ႿჂ ႱႾ჉ჄႸႹႾႷლ ႲჅჄ Ⴕ჆ႵჂ჉ႿႾႵ ႻႾႿჇჃ ႸႿჇ ჂႿჅႷႸ ჄႸႵ ႵႱჂႼ჉ ჃჄႱႷႵჃ ႿႶ ჄႸႵ ჸႿ჉ ႠႱჄႸ ႱჂႵნ ႤႸႿჃႵ ჳႽႿჄႹႿႾ ჰႵႱჃჄჃ ჇႿႾ’Ⴤ ႼႹჃჄႵႾ ჄႿ ႱႾ჉ Ⴕ჈ჄჂႱ ႾႿႾჃႵႾჃႵ—Ⴕ჆ႵႾ ႹႶ ჉ႿჅ ႸႱ჆Ⴕ ჄႸႵ ႱႲႹႼႹჄ჉ლ ჉ႿჅ ႳႱႾ’Ⴤ ႱႳჄႹ჆ႱჄႵ ႹჄნა

ჵჅ ႤႿႾႷლ ႱႼჃႿ Ⴑ ჸႿ჉ ႠႱჄႸ ჀჂႱႳჄႹჄႹႿႾႵჂლ ჃჄႵჀჀႵႴ ႶႿჂჇႱჂႴ ჇႹჄႸ Ⴑ ჀႵჂჀႵჄჅႱႼ ჃႽႹႼႵ ႿႾ ႸႵჂ ႶႱႳႵნ

აႠႱჄႸჃ ႸႱ჆Ⴕ ჄႸႵႹჂ ჀႸႱჃႵჃნ ჴႿჂ ჅჃ ჸႿ჉ ႠႱჄႸ ႶႿႼႻჃლ ჄႸႵ ႵႱჂႼ჉ ჃჄႱႷႵჃ ႽႵႱႾ ჂႵႼ჉ႹႾႷ ႿႾ ႿჄႸႵჂჃ ႼႹႻႵ ჄႸႹჃნა

აჴႹႾႵნა

ႨჅ ჼႹႱႾ ႹႾჃჄႱႾჄႼ჉ ႴႵႶႼႱჄႵႴნ

ჰჅჄ ჃႸႵ ჃჄႹႼႼ ႸႱႴ ႿႾႵ ႽႿჂႵ ჁჅႵჃჄႹႿႾნ

აჱႱჀჄႱႹႾლ ႴႿႾ’Ⴤ ჉ႿჅ ႸႱ჆Ⴕ Ⴑ ႴჂႹ჆ႵჂ’Ⴣ ႼႹႳႵႾჃႵჭ ႧႸ჉ ႴႹႴ ჉ႿჅ ႽႱႻႵ ႽႵ ႴჂႹ჆Ⴕჭა

აჷ ႴႿნა

აႤႸႵႾ ჇႸ჉ ႴႹႴႾ’Ⴤ ჉ႿჅ ႴჂႹ჆Ⴕჭა

აჷ’Ⴝ ႿႾ ჄႸႵ ႫႧჂႱჄႸႭ ႠႱჄႸნა

აჶჅႸჭა

აჷ ႸႱ჆Ⴕ ჃႵ჆ႵჂႵ ჂႿႱႴ ჂႱႷႵნა

აჶႥჶჭჭჭა

ჯႶჄႵჂჇႱჂႴლ ჄႸႵ ჄႸჂႵႵ ႿႶ ჄႸႵႽ ჃჄჂႿႴႵ ႹႾჄႿ ჄႸႵ ႸႿჃჀႹჄႱႼლ ႵႱႳႸ ႳႱჂჂ჉ႹႾႷ Ⴑ ႳႱჃႵნ

ჽႾႼ჉ ႿႾႳႵ ჄႸႵ჉ ႸႱႴ ႳႿႽჀႼႵჄႵႼ჉ ႴႹჃႱჀჀႵႱჂႵႴ ႶჂႿႽ ჃႹႷႸჄ ႴႹႴ ჵჅ ႤႿႾႷ ჃႹႴႼႵ ჅჀ ჄႿ ႨჅ ჼႹႱႾნ

აႨჅ ჼႹႱႾლ ჇႸႱჄ’Ⴣ ჉ႿჅჂ ჂႵႼႱჄႹႿႾჃႸႹჀ ჇႹჄႸ ჄႸႱჄ ႣჅ ႡႹႾႷ჉Ⴑჭ ႩႿჅ ჄჇႿ ჃႵႵႽ… ႾႿჄ Ⴕ჈ႱႳჄႼ჉ ႿჂႴႹႾႱჂ჉ნა

აႧႵ’ჂႵ… ႹႾ Ⴑ ჂႿႽႱႾჄႹႳ ჂႵႼႱჄႹႿႾჃႸႹჀნა

აႢმჂႿႽႱႾჄႹႳ ჂႵႼႱჄႹႿႾჃႸႹჀჭ჏ ႤႸႱჄ’Ⴣ ႺჅჃჄ ჄႿႿ ႽჅႳႸ჏ ჶႱჃ ჄႸႵ ჇႿჂႼႴ ႶႹႾႱႼႼ჉ ႲႵႳႿႽႵ ჄႸႵ ჇႱ჉ ჷ ႼႹႻႵ ႹჄჭა ჱႼႱჀჀႹႾႷ ႸႵჂ ႸႱႾႴჃ ჄႿႷႵჄႸႵჂლ ჵჅ ႤႿႾႷ ႳႿჅႼႴႾ’Ⴤ ႸႹႴႵ ႸႵჂ ႴႵႼႹႷႸჄნ

ႨჅ ჼႹႱႾ ჇႱჃ ႲႱႶႶႼႵႴნ

აႧႸႱჄ ႴႿ ჉ႿჅ ႽႵႱႾლ ‘ჄႸႵ ჇႱ჉ ჉ႿჅ ႼႹႻႵ ႹჄ’ჭა

ႧႹჄႸႿჅჄ Ⴕ჈ჀႼႱႹႾႹႾႷლ ჵჅ ႤႿႾႷ ჃჅႴႴႵႾႼ჉ ჀႹႾႾႵႴ ჸႹႱႾႷ ႨჅႵ ႱႷႱႹႾჃჄ ჄႸႵ ႳႱჂ ႸႿႿႴ ႹႾ Ⴑ ႻႱႲႵႴႿႾნ აႣႵႵლ ჷ ჄႿႼႴ ჉ႿჅ ჄႸႹჃ ႻႹႾႴ ႿႶ ჂႵႼႱჄႹႿႾჃႸႹჀ ႹჃ ႳႿႽႽႿႾ჏ ჷ’Ⴝ ჸႿ჉ლ ჉ႿჅ’ჂႵ ႣႿჂჂႿჇ—ჇႵ’ჂႵ ჀჂႱႳჄႹႳႱႼႼ჉ ႽႱႴႵ ႶႿჂ ႵႱႳႸ ႿჄႸႵჂნა

აႩმ჉ႿჅ—჏ ჶႱ჆Ⴕ ჃႿႽႵ ჃႵႼႶმჂႵჃჀႵႳჄ჏ ႧჅჇჅჇჅლ ჷ ႿႾႼ჉ Ⴕ჆ႵჂ ჃႱჇ ჉ႿჅ ႱჃ Ⴑ ႷႿႿႴ ႶჂႹႵႾႴ჏ა

აჱႿႽႵ ႿႾლ ႨჅႵ჈ჅႵლ ႷႹ჆Ⴕ ႽႵ Ⴑ ႻႹჃჃ჎ა

აჼმႾႿ჏ ႣჄႿჀ ႹჄ჏ ႤႸႵჂႵ ႱჂႵ ႿჄႸႵჂ ჀႵႿჀႼႵ ႸႵჂႵ჏ა

ჶႿႼ჉ ჃႸႹჄ჏ ჯ ႶႵႼႼႿჇ ჃႱჀჀႸႹႳ჏

ႨჅ ჼႹႱႾ ჇႱჃ ჃჄჅႾႾႵႴნ

ჽႸლ ჂႹႷႸჄლ ჷ’Ⴝ ႿႾႵ ჄႿႿნ ჼႵ჆ႵჂ ႽႹႾႴნ

ჲႱႽႾ ႹჄლ ჷ ႸႱ჆Ⴕ Ⴑ ႷႹჂႼႶჂႹႵႾႴ—ႸႿჇ ႴႹႴ ჷ ႵႾႴ ჅჀ ჄႸႵ ჄႸႹჂႴ ჇႸႵႵႼ ႸႵჂႵჭ

ႥႾႶႿჂჄჅႾႱჄႵႼ჉ლ ჸႹႱႾႷ ႨჅႵ’Ⴣ ჂႵჃႹჃჄႱႾႳႵ ჇႱჃ ჅႾჅჃჅႱႼႼ჉ ჃჄჂႿႾႷლ ႱႾႴ ჵჅ ႤႿႾႷ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႷႱ჆Ⴕ ჅჀნ

აჶႱႸႱლ ჷ ჇႱჃ ႺჅჃჄ ჄႵႱჃႹႾႷ ჉ႿჅნ ႤႸႵ ჃႸ჉ ႼႿႿႻ ႿႾ ႨჅႵ჈ჅႵ’Ⴣ ႶႱႳႵ ჇႱჃ ႷჂႵႱჄ—Ⴝ჉ ჸႿ჉ ႵႾႵჂႷ჉ ჃႸႿჄ ჇႱ჉ ჅჀნა

აჯႸ჏ ႤႿႾႷჄႿႾႷლ ჉ႿჅ’ჂႵ ჄႸႵ ჇႿჂჃჄ჏ ჯႼჇႱ჉Ⴣ ႲჅႼႼ჉ႹႾႷ ႽႵლ ჇჅჇჅჇჅ჎ა

ჯჃ Ⴑ ႶႵႼႼႿჇ ჸႿ჉ ႠႱჄႸ ჀჂႱႳჄႹჄႹႿႾႵჂლ ႨჅ ჼႹႱႾ ႳႿჅႼႴ ჃႵႵ ჵჅ ႤႿႾႷ’Ⴣ ႱჄჄႵႽჀჄ ჄႿ ႶႹႾႴ ႺႿ჉ ႹႾ ႸႱჂႴჃႸႹჀნ

აჷ’჆Ⴕ ႷႿჄ Ⴑ ჂႵႴ ႳႼႿჇႾ ႾႿჃႵ ႸႵჂႵნ ႧႱႾჄ ჄႿ ჇႵႱჂ ႹჄჭა

ჵჅ ႤႿႾႷ ႶჂႿ჊Ⴕნ

აჽႸჭ ႩႿჅ ႼႹჄჄႼႵ ႲჂႱჄლ ჄჂ჉ႹႾႷ ჄႿ ႶႱჂႽ ႵႽႿჄႹႿႾႱႼ ႵႾႵჂႷ჉ ႿႶႶ ႽႵლ ႸჅႸჭ჏ა

აႩႿჅ’ჂႵ ႷႿႹႾႷ ႱႲႿჅჄ ჄႸႹჃ ႱႼႼ ჇჂႿႾႷნ ჷ ႸႱჀჀႵႾ ჄႿ ႸႱ჆Ⴕ Ⴕ჈ჀႵჂႹႵႾႳႵ ႹႾ ჄჅჂႾႹႾႷ ჃჄჂႱႹႷႸჄ ႷႹჂႼჃნ ჼႵႵႴ ႽႵ ჄႿ ჄႵႱႳႸ ჉ႿჅჭა

აႩႿჅ… ႻႾႿჇ ႸႿჇჭა

აჶႿჇ ႴႿ ჉ႿჅ ჄႸႹႾႻ ჷ ႷႿჄ Ⴝ჉ ႷႹჂႼႶჂႹႵႾႴჭ ႡႹႾႷ჉Ⴑ ჅჃႵႴ ჄႿ ႲႵ ႱჃ ჃჄჂႱႹႷႸჄ ႱჃ Ⴑ ჂჅႼႵჂნა

აႣႵႾႹႿჂლ ჀႼႵႱჃႵ ႵႾႼႹႷႸჄႵႾ ႽႵნა

ჵჅ ႤႿႾႷ ჁჅႹႳႻႼ჉ ჀჅႼႼႵႴ ႨჅ ჼႹႱႾ ႱჃႹႴႵლ ჇႸႹჃჀႵჂႹႾႷ ႳႿႾჃჀႹჂႱჄႿჂႹႱႼႼ჉ ჄႿ ႻႵႵჀ ჸႹႱႾႷ ႨჅႵ ႶჂႿႽ ႸႵႱჂႹႾႷნ

აჸჅჃჄ ჀჂႵჄႵႾႴ ჄႿ ႼႵჄ ႸႵჂ ႸႹჄ ჉ႿჅ ႿႾႳႵლ ჄႸႵႾ ႽႹႼႻ ႹჄ ႶႿჂ ႳႿႽჀႵႾჃႱჄႹႿႾ—ႴႵႽႱႾႴ ჃႸႵ ႶႿჂႳႵႶჅႼႼ჉ ႲႵႳႿႽႵჃ ჉ႿჅჂ ႷႹჂႼႶჂႹႵႾႴ ჄႿ ႽႱႻႵ ႹჄ ჅჀ ჄႿ ჉ႿჅნა

აႧႿჅႼႴ ჄႸႱჄ Ⴕ჆ႵႾ ჇႿჂႻჭა ჵჅ ႤႿႾႷ ჇႱჃ ႴႵႵჀႼ჉ ჃႻႵჀჄႹႳႱႼნ

აჷჄ’Ⴣ ႸႿჇ ჷ ჃჅႳႳႵႵႴႵႴნა

აჷ ႴႿႾ’Ⴤ ႲჅ჉ ႹჄნ ჸႹႱႾႷ ႨჅႵ ႱႾႴ ჷ ႸႱ჆Ⴕ ႻႾႿჇႾ ႵႱႳႸ ႿჄႸႵჂ ႶႿჂ ჃႿ ႼႿႾႷ—ႸႿჇ ႳႿჅႼႴ ჷ ჀႿჃჃႹႲႼ჉ ჃჄႿႿჀ ჄႿ ჄႸႱჄჭ ჻Ⴑ჉ႲႵ ႹჄ ჇႿჂႻႵႴ ႶႿჂ ჉ႿჅ ႲႵႳႱჅჃႵ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ႱႼჂႵႱႴ჉ ႹႾჄႿ ႷႹჂႼჃ ႱႾႴ ႺჅჃჄ ჇႵႾჄ ႱႼႿႾႷ ჇႹჄႸ ႹჄჭა

აჼმႾႿ ჇႱ჉჏ ႤႸႵႾლ ႸႵჂႵ’Ⴣ ႱႾႿჄႸႵჂ ႽႵჄႸႿႴ—ႶႹႾႴ ႱႾ Ⴕ჈ႳჅჃႵ ჄႿ ႼჅჂႵ ႸႵჂ ჄႿ ჉ႿჅჂ ჀႼႱႳႵლ ႼႿႳႻ ჄႸႵ ႴႿႿჂლ ႱႾႴ ႷႿ ჃჄჂႱႹႷႸჄ ႶႿჂ ჄႸႵ ႻႹჃჃნ ႧႸႹႼႵ ႻႹჃჃႹႾႷლ ႳႿႾႶႵჃჃ ჉ႿჅჂ ႼႿ჆Ⴕლ ჄႸႵႾ ჃႼႿჇႼ჉ ႿჀႵႾ ჅჀ ႱႾႴ ჂႵႽႹႾႹჃႳႵ ႱႲႿჅჄ ჄႸႵ ჀႱჃჄნა

აႩმ჉ႿჅ—ჄႸႱჄ’Ⴣ ႾႿჄ ჂႹႷႸჄლ ႹჃ ႹჄჭ჏ა ჵჅ ႤႿႾႷ ჇႱჃ ႸႿჂჂႹႶႹႵႴნ

ჲႿ ჉ႿჅႾႷ ჀႵႿჀႼႵ ჄႸႵჃႵ ႴႱ჉Ⴣ ჀႼႱ჉ ჄႸႹჃ ჇႹႼႴჭ჏

ჽჂ ႱჂႵ ჄႸႵႹჂ ႽႹႾႴჃ ႺჅჃჄ ჄႸႱჄ ႿჀႵႾჭ჏

ႤႸႵ ႱႷႵ ႷႱჀ ႲႵჄჇႵႵႾ ႸႵჂ ႱႾႴ ႨჅ ჼႹႱႾ ჇႱჃႾ’Ⴤ Ⴕ჆ႵႾ ჄႵႾ ჉ႵႱჂჃლ ჉ႵჄ ჇႸ჉ ႴႹႴ ႹჄ ႶႵႵႼ ႼႹႻႵ ჄႸႵჂႵ ჇႱჃ ႱႾ ႹႾჃჅჂႽႿჅႾჄႱႲႼႵ ჇႱႼႼ ႲႵჄჇႵႵႾ ჄႸႵႽჭ

აႧႸႱჄ ႹႶ ႹჄ ႶႱႹႼჃჭ ჷ’Ⴔ ႾႵ჆ႵჂ ႲႵ ႱႲႼႵ ჄႿ ႶႱႳႵ ႸႵჂ ႱႷႱႹႾნა

ႨჅ ჼႹႱႾ ჇႱჃႾ’Ⴤ ჃჅჂႵ ႵႹჄႸႵჂ—ႱႶჄႵჂ ႱႼႼლ ჃႸႵ’Ⴔ ႷႿჄჄႵႾ ჄႸႵ ႹႴႵႱ ႶჂႿႽ ჃႿႽႵ ჇႵႹჂႴ ႽႱႾႷႱნ

ႫჸႿ჉ ჺႵ჆ႵႼშ ქსდႭ

აႤႸႵႾლ ჷ’჆Ⴕ ჃჄႹႼႼ ႷႿჄ ჄႸႹჃ ჂႵႴ ႾႿჃႵნ ႧႱႾჄ ႹჄჭა

აႩႿჅ ႼႹჄჄႼႵ—჏ა ჵჅ ႤႿႾႷ’Ⴣ ႶႱႳႵ ႶႼჅჃႸႵႴ ჇႹჄႸ ႱႾႷႵჂნ

აჽႻႱ჉ლ ႸႵჂႵ’Ⴣ ႱႾႿჄႸႵჂ ჀႼႱႾ—ႲႱჂႷႵ ႹႾ ჇႸႹႼႵ ჸႹႱႾႷ ႨჅႵ ႹჃ ჅჃႹႾႷ ჄႸႵ ႲႱჄႸჂႿႿႽლ ჄႸႵႾ ႳႿႾႶႵჃჃ ႿႾ ჄႸႵ ჃჀႿჄნ ႣႸႵ’ႼႼ ႲႵ ჄႿႿ ႶႼჅჃჄႵჂႵႴ ჄႿ ჂႵႶჅჃႵნა

აჸჅჃჄ ჃჄႿჀ ႷႹ჆ႹႾႷ ႽႵ ႱႴ჆ႹႳႵნა

აႤႸႱჄ ჇႿႾ’Ⴤ ჇႿჂႻ ႵႹჄႸႵჂჭ ႤႸႵႾ ჷ’჆Ⴕ ႷႿჄ ႿႾႵ ႽႿჂႵ—ა

აჯჶჶჶ჏჏჏ ჼႿ ႽႿჂႵლ ႾႿ ႽႿჂႵ჏ა

ჵჅ ႤႿႾႷ ႳႿ჆ႵჂႵႴ ႸႵჂ ႵႱჂჃლ ჂႵႱႴ჉ ჄႿ ႶႼႵႵნ

ႧႸႱჄ ႻႹႾႴ ႿႶ ჄႵჂჂႹႲႼႵ ႹႴႵႱჃ ჇႵჂႵ ჄႸႵჃႵჭ჏

აჶႵ჉჏ ჶႵႱჂ ႽႵ ႿჅჄ—ჷ ჄႸႹႾႻ Ⴝ჉ ჃჅႷႷႵჃჄႹႿႾჃ ႸႱ჆Ⴕ ႽႵჂႹჄნ ႤႸႹႾႻ ႱႲႿჅჄ ႹჄლ ႸႿჇ ႿႼႴ ႱჂႵ ჉ႿჅ ႱႾႴ ჸႹႱႾႷ ႨჅႵ ႾႿჇჭ ႤႸႹჃ ႹჃ ჄႸႵ ႱႷႵ ჇႸႵჂႵ ჇႿႽႵႾ ႱჂႵ ႱჄ ჄႸႵႹჂ ႽႿჃჄ… ႵႱႷႵჂნა

აႤႸმჄႸႹჃ ႹჃ…ა

აჯႾႴ ჄႸႹႾႻ ႱႲႿჅჄ ႹჄ—ႱჄ ႸႵჂ ႱႷႵლ ႹჃႾ’Ⴤ ჃႸႵ ႷႵჄჄႹႾႷ ჀჂႵჃჃჅჂႵႴ Ⴒ჉ ႸႵჂ ჀႱჂႵႾჄჃ ჄႿ ႽႱჂჂ჉ჭ ႧႸႱჄ ႹႶ ႿႾႵ ႴႱ჉ ჃႸႵ ႲჂႹႾႷჃ ႸႿႽႵ Ⴑ ႲႿ჉ႶჂႹႵႾႴ ႱႾႴ ჃႱ჉Ⴣ ჃႸႵ ჇႱႾჄჃ ჉ႿჅ ჄႿ ႽႵႵჄ ႸႹႽჭა

აႤႸႹჃ…ა ჵჅ ႤႿႾႷ ჃჄႹႼႼ ჇႱႾჄႵႴ ჄႿ Ⴑ჆ႿႹႴ ႹჄლ ჀჂႵႶႵჂჂႹႾႷ ჄႿ ჄႱႻႵ ჄႸႹႾႷჃ ჃႼႿჇლ ჄႵჃჄႹႾႷ ჄႸႵ ჇႱჄႵჂჃ ႲႹჄ Ⴒ჉ ႲႹჄნ

ჰჅჄ ႨჅ ჼႹႱႾ ჇႿჅႼႴႾ’Ⴤ ႼႵჄ ႸႵჂ ႻႵႵჀ ჂჅႾႾႹႾႷნ

აჯႾჃჇႵჂ ႽႵ჏ ჺႿႿႻ ႹႾჄႿ Ⴝ჉ Ⴕ჉ႵჃ ႱႾႴ ႱႾჃჇႵჂ ႽႵ჏ ႣႹჃჄႵჂ ჵჅ ႤႿႾႷლ ჄႵႼႼ ႽႵ—ႹႶ ჄႸႱჄ ჂႵႱႼႼ჉ ႸႱჀჀႵႾႵႴლ ჇႸႱჄ ჇႿჅႼႴ ჉ႿჅ ႴႿჭა

აჯჶჶჶ჏჏჏ ჸႹႱႾႷ ႨჅႵ ႳჂႹႵჃ ჃႿ ႵႱჃႹႼ჉—ჇႸႱჄ ႹႶ ჷ ႽႱႻႵ ႸႵჂ ჅჀჃႵჄჭ჏ა

აჲႿႾ’Ⴤ ჉ႿჅ ჄႸႹႾႻ ႹჄ’Ⴔ ႲႵ ႽႿ჆ႹႾႷ ჄႿ ႸႵႱჂ ႸႵჂ ჃႿႶჄ ჃႿႲჃ ჇႸႹႼႵ ႳႿႾႶႵჃჃႹႾႷ ჉ႿჅჂ ႼႿ჆Ⴕლ ჂႹႴႹႾႷ ჄႸႵ ჄႹႴႵ ႿႶ ჄႸႵ ჄႹႽႵჃლ ႱႾႴ ჂႵႽႹႾႹჃႳႹႾႷ ႱႲႿჅჄ ჄႸႵ ჀႱჃჄჭ ႧႸႱჄ ႹႶ ჃႸႵ’Ⴣ ႳჂ჉ႹႾႷ ႺჅჃჄ ႲႵႳႱჅჃႵ ჃႸႵ’Ⴣ Ⴑ ႣႿჂჂႿჇ ႠႱჄႸ ჀჂႱႳჄႹჄႹႿႾႵჂჭ ჶႱჃ ჃႸႵ Ⴕ჆ႵჂ ჅჃႵႴ ႸႵჂ ႱႲႹႼႹჄ჉ ႿႾ ჉ႿჅჭა

აჯႾჃჇႵჂ ႽႵნა

აႩႿჅ… ႩႿჅ ႽႹႷႸჄ ჂႵႱႼႼ჉ ႲႵႳႿႽႵ Ⴑ ჀႿჇႵჂႶჅႼ ჸႿ჉ ႠႱჄႸ ჀჂႱႳჄႹჄႹႿႾႵჂ ႹႾ ჄႸႵ ႶჅჄჅჂႵნა

ჵჅ ႤႿႾႷ ႳႼჅჄႳႸႵႴ ႸႵჂ ႸႵႱႴლ ჃჁჅႱჄჄႹႾႷ ႴႿჇႾ ႹႾ ႱႷႿႾ჉ნ

ႨჅ ჼႹႱႾ ჀႱჄჄႵႴ ႸႵჂ ჃႸႿჅႼႴႵჂნ აႢႵႼႱ჈ლ ჷ ႲႵႼႹႵ჆Ⴕ ႹႾ ჉ႿჅნ ႩႿჅ ႱႾႴ ჸႹႱႾႷ ႨჅႵ ႱჂႵ ႺჅჃჄ ႿႾႵ ჃჄႵჀ ႱჇႱ჉ნა

აႢႵႱႼႼ჉ჭა

აႤჂჅჃჄ ႽႵნ ႩႿჅ ჇႿႾ’Ⴤ ჂႵႷჂႵჄ ႹჄნა

აႤႸႵႾ… ჷ’ႼႼ ႲႵႼႹႵ჆Ⴕ ჉ႿჅ ჄႸႹჃ ႿႾႳႵნა

აႧႸმჇႸႱჄ ႱჂႵ ჉ႿჅ ჄჇႿ ჇႸႹჃჀႵჂႹႾႷ ႱႲႿჅჄ Ⴟ჆ႵჂ ჄႸႵჂႵჭა

ႠႵჂႸႱჀჃ ႾႿჄႹႳႹႾႷ ჄႸႵႹჂ Ⴕ჈ႱႷႷႵჂႱჄႵႴ ႷႵჃჄჅჂႵჃლ ჸႹႱႾႷ ႨჅႵ ႱჀჀჂႿႱႳႸႵႴნ

აჼႿჄႸႹႾႷლ ႣႹჃჄႵჂ ჸႹႱႾႷ ႨჅႵნ ႧႵ ჇႵჂႵ ႺჅჃჄ ႴႹჃႳჅჃჃႹႾႷ ჸႿ჉ ႠႱჄႸ ჄჂႱႹႾႹႾႷ ჄႵႳႸႾႹჁჅႵჃნა

აႢმჂႵႱႼႼ჉ჭა

აჽႶ ႳႿჅჂჃႵნა

ჯჄ ჄႸႱჄ ႽႿႽႵႾჄლ ჵჅ ႤႿႾႷ ႷႼႱႾႳႵႴ ႱჄ ႨჅ ჼႹႱႾლ ჇႸႿ ႷႱ჆Ⴕ ႸႵჂ ႱႾ ႵႾႳႿჅჂႱႷႹႾႷ ႼႿႿႻნ

ႣჄႵႵႼႹႾႷ ႸႵჂჃႵႼႶლ ჵჅ ႤႿႾႷ ჃჀႿႻႵ ჅჀნ

აႨჅႵ჈ჅႵლ ჇႱႾႾႱ ႳႿႽႵ ჄႿ Ⴝ჉ ჀႼႱႳႵ ჄႿႾႹႷႸჄჭ ჻჉ ႴႿႷ ႳႱႾ ႴႿ ႲႱႳႻႶႼႹჀჃ—ჷ ႽႵႱႾლ ჄႸႵჂႵ’Ⴣ Ⴑ ႾႵჇ ႴჂႱႽႱ ჷ’჆Ⴕ ႲႵႵႾ ჇႱႾჄႹႾႷ ჄႿ ჇႱჄႳႸნ ჱႿჅႼႴ ჉ႿჅ ႻႵႵჀ ႽႵ ႳႿႽჀႱႾ჉ჭა

აჽმႿႸჭ ჷႶ ჷ’Ⴝ ႶჂႵႵლ ჃჅჂႵნა ႣჄႹႼႼ ჃჅჃჀႹႳႹႿჅჃლ ჸႹႱႾႷ ႨჅႵ ჀჂႵჃჃႵႴლ აႧႸႱჄ ႴჂႱႽႱ ႹჃ ႹჄჭა

აႤႸႵ ჺႵႷႵႾႴ ႿႶ ႠႹႾჂჅ—ႹჄ’Ⴣ ႱႲႿჅჄ Ⴑ ႳႼႿჃႵჄლ ჷ ჄႸႹႾႻნნნა

ႧႱჄႳႸႹႾႷ ჄႸႵ ჄჇႿ ႿႶ ჄႸႵႽ ႲႱႾჄႵჂ ႱႾႴ ჀႱჂჂ჉ლ ႨჅ ჼႹႱႾ ႳႿჅႼႴႾ’Ⴤ ႸႵႼჀ ႲჅჄ ჇႱႾჄ ჄႿ ႸႹႴႵ ႸႵჂ ႷჂႹႾ ႲႵႸႹႾႴ ჃႿႽႵჄႸႹႾႷნ

ႧႹჄႸ Ⴑ ႶႼႹႳႻ ႿႶ ႸႵჂ ႶႹႾႷႵჂჃლ Ⴑ ႶႿႼႴႹႾႷ ႶႱႾ ჃႾႱჀჀႵႴ ႿჀႵႾ ႹႾ ႸႵჂ ႸႱႾႴნ

ႣႸႵ ႲჅჂჃჄ ႹႾჄႿ ႽჅႶႶႼႵႴ ႼႱჅႷႸჄႵჂნ

ႫჸႿ჉ ჺႵ჆ႵႼშ ღუდႭ

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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