Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 72

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ჷႾ ႱႾ ႹႾჃჄႱႾჄლ ჄႸႵ ჄჇႿ ႿႶ ჄႸႵႽ ႷჂႵჇ ႶႼჅჃჄႵჂႵႴლ ჄႸჂႿჇႾ ႹႾჄႿ ႴႹჃႱჂჂႱ჉ Ⴒ჉ ჱႿႼႴ ჽჇႼვჃ ჃႸႿჅჄჃნ

ნნნႧႵႼႼ჎

ჱႿႼႴ ჽჇႼვჃ ჃჅႷႷႵჃჄႹႿႾ ႺჅჃჄ ႾႿჇ ჇႱჃ ႱႳჄჅႱႼႼ჉ Ⴑ ჀჂႵჄჄ჉ ႷႿႿႴ ႹႴႵႱნ

ჷႶ ႨჅ ჼႹႱႾ ႳႿჅႼႴ ႶჂႵႵႼ჉ ჇႹႵႼႴ ჄႸႵ ႣႿჅႼმჳ჈ჄႹႾႷჅႹჃႸႹႾႷ ჺႱႾჄႵჂႾლ ႹჄ ჇႿჅႼႴ ჀჂႿ჆Ⴕ ჄႸႱჄ ჄႸႵ ႨჅ ჼႹႱႾ ႲႵႶႿჂႵ ჄႸႵႽ ჇႱჃ ႹႾႴႵႵႴ ჄႸႵ ჂႵႱႼ ႨჅ ჼႹႱႾნ

ჳႽႿჄႹႿႾႱႼ ჯჂჄႹႶႱႳჄჃ ჇႵჂႵ ჅႾႹჁჅႵ—ჄႸႵჂႵ ჇႱჃ ႾႿ ჀႿჃჃႹႲႹႼႹჄ჉ ႿႶ ჄჇႿ ႳႿႽჀႼႵჄႵႼ჉ ႹႴႵႾჄႹႳႱႼ ႿႾႵჃ Ⴕ჈ႹჃჄႹႾႷნ

ႨჅ ჼႹႱႾ ႹႽႽႵႴႹႱჄႵႼ჉ ჃჅჂ჆Ⴕ჉ႵႴ ჄႸႵ ႲႱჄჄႼႵႶႹႵႼႴნ

ჰႵႼႿჇლ ႨႹႱႿ ჵႵ ჇႱჃ ႼႿႳႻႵႴ ႹႾ ႶႹႵჂႳႵ ႳႿႽႲႱჄ ჇႹჄႸ Ⴑ ჃႸႱႴႿჇ჉ ႽႱჃჃლ ႸႹჃ ႶႹჃჄჃ ჂႱႹႾႹႾႷ ႴႿჇႾ ႼႹႻႵ Ⴑ ჃჄႿჂႽ ჅჀႿႾ ჄႸႵ ႴႱჂႻ ႶႹႷჅჂႵ ႲႵႶႿჂႵ ႸႹႽლ ჂႵჃႵႽႲႼႹႾႷ Ⴑ ႷႿႴ ႿႶ ჇႱჂლ Ⴟ჆ႵჂჇႸႵႼႽႹႾႷ ႸႹჃ ႿჀჀႿႾႵႾჄ ჄႿ ჄႸႵ ჀႿႹႾჄ ႿႶ ჃჅႶႶႿႳႱჄႹႿႾნ

჻ႵႱႾჇႸႹႼႵლ ჄႸႵ ჃႸႱႴႿჇ჉ ႽႱჃჃ ႶႿჅႷႸჄ ႲႱႳႻ ჇႹჄႸ ჃჄჂႱႾႷႵ ჃჅჂႷႵჃ ႿႶ ႲႼႱႳႻ ႵႾႵჂႷ჉ლ ჉ႵჄ ႹჄ ჇႱჃ ႳႼႵႱჂႼ჉ ႼႿჃႹႾႷ ႷჂႿჅႾႴნ

ჳ჆ႵႾ ჇႹჄႸ ჄႸႵ ჀႿჇႵჂ ႿႶ ႵႽႿჄႹႿႾჃლ ႴႹႴ ႹჄ ႱႼႼ ჃჄႹႼႼ ႳႿႽႵ ႴႿჇႾ ჄႿ ჃჅႳႸ ႲჂჅჄႱႼლ ႶႼႵჃႸმႱႾႴმႲႼႿႿႴ ႳႿႽႲႱჄ ႹႾ ჄႸႵ ႵႾႴჭ

ႣႸႿჅႼႴႾ’Ⴤ ႹჄ ႲႵ ႽႿჂႵნნნ ჅႾႳႱႾႾ჉ჭ

ႤႸႱჄ’Ⴣ ႸႿჇ ႹჄ ჇႱჃნ ႨႹႱႿ ჵႵ’Ⴣ ჀႱჄႸ ჇႱჃ ჇჂႱჄႸლ ႱႾႴ ჇჂႱჄႸ ჇႱჃ ჀჅჂႵ ჆ႹႿႼႵႾႳႵნ

ჴႹჃჄჃ ႽႵႵჄႹႾႷ ႶႼႵჃႸ ჇႱჃ ჄႸႵ ႵჃჃႵႾႳႵ ႿႶ ႹჄნ

ჯ ჄჂჅႵ ႽႱჃჄႵჂ ჇႿჅႼႴ ႶႿჂႳႵ ჄႸႵႹჂ ႿჀჀႿႾႵႾჄ ႹႾჄႿ ჄႸႵ ႴႿႽႱႹႾ ჄႸႵ჉ Ⴕ჈ႳႵႼႼႵႴ ႹႾნ

ჯႶჄႵჂ Ⴑ ႽႿႽႵႾჄ ႿႶ ჄႸႿჅႷႸჄლ ႨჅ ჼႹႱႾ ႴႹႴ ႾႿჄ ჄႱႻႵ ႿჅჄ ჄႸႵ ႣႿჅႼმჳ჈ჄႹႾႷჅႹჃႸႹႾႷ ჺႱႾჄႵჂႾნ

ႧႸႹႼႵ ჄႸႵ ႼႱႾჄႵჂႾ ჇႱჃ ჅႾႴႿჅႲჄႵႴႼ჉ ჅჃႵႶჅႼლ ႹჄ ႼႹႻႵႼ჉ ჇႿჅႼႴႾ’Ⴤ ႽႱႻႵ ႽჅႳႸ ႴႹႶႶႵჂႵႾႳႵ ႹႾ ჄႸႵ ႳჅჂჂႵႾჄ ႲႱჄჄႼႵნ

ჷႾჃჄႵႱႴლ ჃႸႵ ჅႾႶႿႼႴႵႴ ჄႸႵ ႶႿႼႴႹႾႷ ႶႱႾ ႹႾ ႸႵჂ ႸႱႾႴლ ჀჂႵჀႱჂႹႾႷ ჄႿ ჀႵჂႶႿჂႽ Ⴑ ჄႸႵႱჄჂႹႳႱႼ ႱႳჄ—ჄႸႹჃ ჇႿჅႼႴ ႱႼჃႿ ႽႱჂႻ ႸႵჂ ႶႹჂჃჄ ჄႹႽႵ ჅჃႹႾႷ ႸႵჂ ჳႽႿჄႹႿႾႱႼ ჯჂჄႹႶႱႳჄნ

ჰჅჄ ႲႵႶႿჂႵ ႨჅ ჼႹႱႾ ႳႿჅႼႴ Ⴕ჆ႵႾ ႲႵႷႹႾ ႸႵჂ ႴႱႾႳႵლ ႣჅ ႡႹႾႷ჉Ⴑ ႷჂႱႲႲႵႴ ႸႵჂლ ჀჅႼႼႹႾႷ ႸႵჂ ႹႾჄႿ ႱႾ ႵႽႲჂႱႳႵ ჄႿ ჂႵჃჄჂႱႹႾ ႸႵჂ ႽႿ჆ႵႽႵႾჄჃნ

“ႧႸႱჄ ႱჂႵ ჉ႿჅ ႴႿႹႾႷჭ” ႨჅ ჼႹႱႾ ჇႱჃ ႲႵჇႹႼႴႵჂႵႴნ

“ႧႸႱჄ ႴႿ ჉ႿჅ ႽႵႱႾ Ⴒ჉ ჄႸႹჃჭ” ႣჅ ႡႹႾႷ჉Ⴑ ႴႵႽႱႾႴႵႴნ

“ႥჃႹႾႷ Ⴝ჉ ႲႿႾႴႵႴ ჳႽႿჄႹႿႾႱႼ ჯჂჄႹႶႱႳჄლ ႿႶ ႳႿჅჂჃႵნ”

“ႩႿჅ’ჂႵ ႾႿჄ ႷႿႹႾႷ ჄႿ ႴႱႾႳႵლ ჄႸႵႾ ႼႱჅႷႸლ ႱႾႴ ჄႸႵႾნნნ ႻႹႼႼ ჉ႿჅჂჃႵႼႶ ႹႾ ႶჂႿႾჄ ႿႶ ႽႵ ႱႷႱႹႾლ ႱჂႵ ჉ႿჅჭ”

“ჲႿ ჷ ჃႵႵႽ ჄႸႱჄ ჅႾႸႹႾႷႵႴ ჄႿ ჉ႿჅჭ”

ႧႸႱჄ ႻႹႾႴ ႿႶ ႼႿႷႹႳ ჇႱჃ ჄႸႱჄ—ႴႱႾႳႹႾႷლ ႼႱჅႷႸႹႾႷლ ႱႾႴ ჄႸႵႾ ႳႿႽႽႹჄჄႹႾႷ ჃჅႹႳႹႴႵჭ

ႧႸ჉ ჇႿჅႼႴ ႨჅ ჼႹႱႾლ ჇႹჄႸ ႾႿჄႸႹႾႷ ႲႵჄჄႵჂ ჄႿ ႴႿლ ႻႹႼႼ ႸႵჂჃႵႼႶჭ

ႣჅ ႡႹႾႷ჉Ⴑ Ⴕ჉ႵႴ ႸႵჂ ჃჅჃჀႹႳႹႿჅჃႼ჉ლ ႲჅჄ ႹჄ ჇႱჃ ႳႼႵႱჂ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ჂႵႼႱ჈ნ

ჯႶჄႵჂ ႱႼႼლ ჄႸႱჄ ჃႳႵႾႵ ႸႱႴ ႼႵႶჄ ჄႿႿ ႴႵႵჀ ႱႾ ႹႽჀႱႳჄ ႿႾ ႸႵჂნ

ჳ჆ႵჂ჉ ჄႹႽႵ ჃႸႵ ჂႵႳႱႼႼႵႴ ႹჄლ ჃႸႵ ႶႵႼჄ ႸႵჂჃႵႼႶ ჄႵႵჄႵჂႹႾႷ ႿႾ ჄႸႵ ႵႴႷႵ ႿႶ ႼႿჃႹႾႷ ႳႿႾჄჂႿႼნ

ჳჃჀႵႳႹႱႼႼ჉ ႱႶჄႵჂ ႳႿႾႶႹჂႽႹႾႷ ჄႸႱჄ ჄႸႵ ႿႾႵ ႿႾ ჃჄႱႷႵ ႸႱႴ ႲႵႵႾ ႨჅ ჼႹႱႾ’Ⴣ ჂႵႱႼ ႲႿႴ჉ლ ႾႿჄ ႱႾ ႹႼႼჅჃႹႿႾნ

ႤႸႱჄ ჇႱჂႹႾႵჃჃ ႿႾႼ჉ ႷჂႵჇ ႸႵႱ჆ႹႵჂნ

ჷႾ ႿჄႸႵჂ ჇႿჂႴჃლ ႱჄ ჄႸႱჄ ჆ႵჂ჉ ႽႿႽႵႾჄლ ႣჅ ႡႹႾႷ჉Ⴑ ႸႱႴ ႷႵႾჅႹႾႵႼ჉ ႶႱႳႵႴ ჄႸႵ ჀႿჃჃႹႲႹႼႹჄ჉ ႿႶ ႼႿჃႹႾႷ ႨჅ ჼႹႱႾ ႶႿჂႵ჆ႵჂნ

ჶႿჇ ႳႿჅႼႴ ჄႸႱჄ ႾႿჄ ႼႵႱ჆Ⴕ ႸႵჂ ჃႸႱႻႵႾჭ

ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႷႱ჊Ⴕ ႴჂႹႶჄႵႴ ჄႿ ႨჅ ჼႹႱႾ’Ⴣ ႾႵႳႻნ

ႤჂႱႳႵჃ ႿႶ ႲႼႿႿႴ ჂႵႽႱႹႾႵႴლ ႲჅჄ ჄႸႵ ჇႿჅႾႴ ႹჄჃႵႼႶ ႸႱႴ ჆ႱႾႹჃႸႵႴნ

“ჲႹႴ ႹჄ ႸჅჂჄჭ ႤႸႱჄ ჃჄႱႲჭ”

“ჶჅჂჄჭ ჷ ჇႱჃႾ’Ⴤ Ⴕ჆ႵႾ ႹႾႺჅჂႵႴნ”

ႨჅ ჼႹႱႾ ႼႿႿႻႵႴ ႱჄ ႣჅ ႡႹႾႷ჉Ⴑ ჃჄჂႱႾႷႵႼ჉ლ ႾႿჄ ჅႾႴႵჂჃჄႱႾႴႹႾႷ ჇႸႱჄ ჃႸႵ ჇႱჃ ჄႱႼႻႹႾႷ ႱႲႿჅჄნ

ႧႹჄႸ Ⴑ ჃႹႷႸლ ႣჅ ႡႹႾႷ჉Ⴑ ჃႱႹႴ ႾႿჄႸႹႾႷ ႽႿჂႵლ ႲჅჄ ჃႸႵ ႸႱႴ ႾႿ ႹႾჄႵႾჄႹႿႾ ႿႶ ႼႵჄჄႹႾႷ ႨჅ ჼႹႱႾ ჅჃႵ ႸႵჂ ႲႿႾႴႵႴ ჳႽႿჄႹႿႾႱႼ ჯჂჄႹႶႱႳჄ ႵႹჄႸႵჂნ

ჺႵႶჄ ჇႹჄႸ ႾႿ ႳႸႿႹႳႵლ ႨჅ ჼႹႱႾ ჂႵჃႿჂჄႵႴ ჄႿ ჄႸႵ ႣႿჅႼმჳ჈ჄႹႾႷჅႹჃႸႹႾႷ ჺႱႾჄႵჂႾნ

ႧႹჄႸ Ⴑ ႶႼႹႳႻ ႿႶ ႸႵჂ ჇჂႹჃჄ ႱႾႴ Ⴑ ჃႹႼႵႾჄ ႹႾႳႱႾჄႱჄႹႿႾლ Ⴑ ႲႿ჈ ႽႱჄႵჂႹႱႼႹ჊ႵႴ ႹႾ ႸႵჂ ჀႱႼႽნ

ჯႾႿჄႸႵჂ ႶႼႹႳႻლ ႱႾႴ ჄႸႵ ႲႿ჈ ჄჂႱႾჃႶႿჂႽႵႴ ႹႾჄႿ Ⴑ ႳႱႾႴႼႵ ႼႱႽჀნ

ჯჃ ჄႸႵ ჇႹႳႻ ႹႷႾႹჄႵႴ ჇႹჄႸ Ⴑ ႴჂႿჀ ႿႶ ႲႼႿႿႴ ႶჂႿႽ ႨჅ ჼႹႱႾ’Ⴣ ႶႹႾႷႵჂჄႹჀლ Ⴑ ႲႼႱႳႻ ႶႼႱႽႵ ႴႵ჆ႿჅჂႵႴ ჄႸႵ ჃჅჂჂႿჅႾႴႹႾႷ ႼႹႷႸჄლ ჄႸႵ ႶႹჂႵ ႹႾჃჄႱႾჄႼ჉ ჃႸჂႿჅႴႹႾႷ ჄႸႵ ႱჂႵႱ ႱႾႴ ႳႱჃჄႹႾႷ ჄႸႵ ႵႾჄႹჂႵ ჄႸႵႱჄႵჂ ႹႾჄႿ ႴႵႵჀႵჂ ႷႼႿႿႽნ

ႤႸႵ ႣႿჅႼმჳ჈ჄႹႾႷჅႹჃႸႹႾႷ ჺႱႾჄႵჂႾ’Ⴣ ჃႵႱႼႹႾႷ ႱႲႹႼႹჄ჉ ႵႾ჆ႵႼႿჀႵႴ ჄႸႵ ჃႸႱႴႿჇ჉ ႽႱჃჃნ

ჴႿჂ Ⴑ ႽႿႽႵႾჄლ ႱႼႼ ႹჄჃ ႽႿ჆ႵႽႵႾჄჃ ჇႵჂႵ ႼႿႳႻႵႴ ႹႾ ჀႼႱႳႵნ

ჵჂႱႴჅႱႼႼ჉ლ ႨჅ ჼႹႱႾ ႳႿჅႼႴ ႽႱႻႵ ႿჅჄ ჄႸႵ ჃႸႱႴႿჇ’Ⴣ ჄჂჅႵ ႶႿჂႽნ

ჷჄ ჇႱჃ ჄႸႵ ႼႹჄჄႼႵ ႷႹჂႼ ႶჂႿႽ ჄႸႵ ႸႿჃჀႹჄႱႼ჏

“ჱႱჀჄႱႹႾ჏ ႤႸႱჄ ႼႿႿႻჃ ႼႹႻႵ Ⴑ ჀႵჂჃႿႾ჏”

“ჼႿლ ჄႸႱჄ’Ⴣ ႾႿ ႼႿႾႷႵჂ ႸჅႽႱႾ—ႹჄ’Ⴣ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄნ”

ႤႸႵ ჂႵჀႼ჉ ႳႱႽႵ ႶჂႿႽ ჱႿႼႴ ჽჇႼლ ႾႿჄ ႨႹႱႿ ჵႵნ

ႨႹႱႿ ჵႵლ ႳႿႾჃჅႽႵႴ Ⴒ჉ ჇჂႱჄႸლ ჇႱჃ ჄႿႿ ႶႿႳჅჃႵႴ ႿႾ ჄႸႵ ႶႹႷႸჄ ჄႿ ჂႵჃჀႿႾႴნ

“ჶმჶႿჇ ႹჃ ჄႸႹჃ ჀႿჃჃႹႲႼႵჭ ႣႸႵ ჇႱჃ ႳႼႵႱჂႼ჉ნნნ”

ႨჅ ჼႹႱႾ’Ⴣ ჆ႿႹႳႵ ႶႱႼჄႵჂႵႴლ ႸႵჂ ჇႿჂႴჃ ႳႸႿႻႹႾႷ ႹႾ ႸႵჂ ჄႸჂႿႱჄნ

ႤႸႱჄ ႸႱႴ ႿႾႳႵ ႲႵႵႾ ႺჅჃჄ Ⴑ ႼႹჄჄႼႵ ႷႹჂႼ ჃჅႶႶႵჂႹႾႷ ႶჂႿႽ ႹႼႼႾႵჃჃნ

ႣႸႵ ႸႱႴ ႽႵჂႵႼ჉ ႲႵႵႾ ႷჂႱႾჄႵႴ ႱႲႹႼႹჄႹႵჃ Ⴒ჉ ჃႿႽႵ ჅႾႻႾႿჇႾ ჸႿ჉ ჯჂჄႹჃႱႾ—ႸႿჇ ႸႱႴ ჃႸႵ ჄჅჂႾႵႴ ႹႾჄႿ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄჭ

ჰჅჄ ჅჀႿႾ ႳႼႿჃႵჂ ႹႾჃჀႵႳჄႹႿႾლ ႨჅ ჼႹႱႾ ႴႹႴ ႾႿჄႹႳႵ ჄჂႱႳႵჃ ႿႶ ႲႵჃჄႹႱႼ ჄჂႱႾჃႶႿჂႽႱჄႹႿႾ ႿႾ ჄႸႵ ႷႹჂႼ’Ⴣ ႲႿႴ჉ნ

ႥႾႼႹႻႵ ႴႵႽႿႾჃლ ჇႸႿჃႵ ႿჂႹႷႹႾჃ ႳႿჅႼႴ ႲႵ ႳႼႵႱჂႼ჉ ႴႹჃႳႵჂႾႵႴლ ჳႽႿჄႹႿႾ ჰႵႱჃჄჃ ჄႿႿႻ ႿႾ ႱႼႼ ႽႱႾႾႵჂ ႿႶ ႲႹ჊ႱჂჂႵ ႶႿჂႽჃნ

ႣჅႽႽႿႾႹႾႷ ႸႵჂ ႳႿჅჂႱႷႵლ ႨჅ ჼႹႱႾ ჂႵႼႱ჉ႵႴ ႸႵჂ ႿႲჃႵჂ჆ႱჄႹႿႾჃ ჄႿ ჱႿႼႴ ჽჇႼნ

ჱႿႼႴ ჽჇႼ ႶႵႼႼ ჃႹႼႵႾჄნ

“ჳ჆ႵႾ ႾႿႾმჯჂჄႹჃႱႾჃ ႳႱႾ ႲႵႳႿႽႵ ჳႽႿჄႹႿႾ ჰႵႱჃჄჃნ ჷႶ ჃႿႽႵႿႾႵ ႹჃ ႹႾႶႼჅႵႾႳႵႴ Ⴒ჉ ႵႽႿჄႹႿႾႱႼ ႵႾႵჂႷ჉ ჄႿ ჄႸႵ ჀႿႹႾჄ ႿႶ ჟპპდ ჃႱჄჅჂႱჄႹႿႾნნნ ჄႸႵ჉ ႳႱႾ ႲႵ ႵჂႿႴႵႴ ႱႾႴ ჄჂႱႾჃႶႿჂႽႵႴნ”

“ႤႸႵ ჸႿ჉ ჯჂჄႹჃႱႾ ႳႱჀႱႲႼႵ ႿႶ ჄႸႹჃ ႽჅჃჄ ႲႵ ႱჄ ჄႸႵ ჲႹ჆ႹႾႵ ႢႵႶႼႵႳჄႹႿႾ ჂႵႱႼႽ—ჄႸႿჅႷႸ ჄႸႵႹჂ Ⴕ჈ႱႳჄ ჃჄႱჂ ჂႱႾႻ ႹჃ ჅႾႻႾႿჇႾნ ႢႵႷႱჂႴႼႵჃჃლ Ⴕ჆ႵႾ Ⴑ ჸႿ჉ ჯჂჄႹჃႱႾ’Ⴣ ႽႿႳႻႵჂ჉ ႳႱႾ’Ⴤ ႴႹჂႵႳჄႼ჉ ჄჅჂႾ ჃႿႽႵႿႾႵ ႹႾჄႿ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄნ ჯႼႼ ჄႸႵ჉ ႳႱႾ ႴႿ ႹჃ ႱႳႳႵႼႵჂႱჄႵ ႱႾႴ ႱႽჀႼႹႶ჉ ჄႸႵ ჀჂႿႳႵჃჃნ”

ႤႸჅჃლ ჄႸႵ ႷႹჂႼ’Ⴣ ႹႾႹჄႹႱႼႼ჉ ႶႱႹႾჄ ჃႵႾჃႵ ႿႶ ႼႿႾႵႼႹႾႵჃჃ ႸႱႴ ႲႵႵႾ ჂႵႼႵႾჄႼႵჃჃႼ჉ ႱႽჀႼႹႶႹႵႴ ჅႾჄႹႼ ႸႵჂ ႹჃႿႼႱჄႹႿႾ ჂႵႱႳႸႵႴ ჟპპდნ

ႧႸႿ ႻႾႵჇ ჇႸႱჄ ჅႾႲႵႱჂႱႲႼႵ ჃႿႼႹჄჅႴႵ ჃႸႵ ႸႱႴ ႵႾႴჅჂႵႴ ႴჅჂႹႾႷ ჄႸႱჄ ჀჂႿႳႵჃჃჭ

ႤႸႵ ჇႿჂႼႴ ႸႱႴ ႱႼჂႵႱႴ჉ ႴႵႱႼჄ ႸႵჂ ჃჅႳႸ ႱႾ ჅႾႶႱႹჂ ႸႱႾႴ—Ⴑ ႶႼႱჇႵႴ ႽႱჃჄႵჂჀႹႵႳႵ ႶჂႿႽ ႲႹჂჄႸ—჉ႵჄ ႹႾ ႸႵჂ ႶႹႾႱႼ ႽႿႽႵႾჄჃლ ႹჄ ႸႱႴ ႳჂჅႵႼႼ჉ ႽႿႳႻႵႴ ႸႵჂ ჄႿႿჭ

ჯჃ ჃႸႵ ႼႹჃჄႵႾႵႴლ ႱႾ ჅႾႾႱႽႵႴ ႶჅჂ჉ ჂႿჃႵ ႹႾ ႨჅ ჼႹႱႾ’Ⴣ ႸႵႱჂჄნ

ჴႿჂ ႱႽჅჃႵႽႵႾჄლ ႿჂ ჀႵჂႸႱჀჃ ჄႿ ჄႱჂႷႵჄ ႸႵჂლ ჃႿႽႵႿႾႵ ႸႱႴ ႴჂႱႷႷႵႴ ႱႾ ႹႾႾႿႳႵႾჄ ჀႵჂჃႿႾ ႹႾჄႿ ჄႸႹჃლ ႶႿჂႳႹႲႼ჉ ႽႱႷႾႹႶ჉ႹႾႷ ႸႵჂ ႼႿႾႵႼႹႾႵჃჃ ჄႿ ჄჅჂႾ ႸႵჂ ႹႾჄႿ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄჭ

ჶႿჇ ႴႵჃჀႹႳႱႲႼႵ჏

ჱႿჅႼႴ ჄႸႱჄ ჄჂჅႼ჉ ႲჂႹႾႷ ႱႾ჉ႿႾႵ ႺႿ჉ჭ

ჰႱჃႻႹႾႷ ႹႾ ჀႼႵႱჃჅჂႵ ჇႸႹႼႵ ႿჄႸႵჂჃ ჃჅႶႶႵჂႵႴ—ჇႱჃ ჄႸႱჄ ჄႸႵႹჂ ႹႴႵႱ ႿႶ ႶჅႾჭ

ჳ჆ႵႾ ႻႾႿჇႹႾႷ ჄႸႹჃლ ႨჅ ჼႹႱႾ ႴႹႴႾ’Ⴤ ႸႿႼႴ ႲႱႳႻნ ჶႵჂ ႴჅჄ჉ ႾႿჇ ჇႱჃ ჄႿ ႱჃჃႹჃჄ ႨႹႱႿ ჵႵ ႹႾ ႴႵႶႵႱჄႹႾႷ ჄႸႵ ႳჂႵႱჄჅჂႵნ

ႣႸႵ ႳႿჅႼႴ ჃႵႵ ჄႸႱჄ ႱႶჄႵჂ ჄႸႵ ႣႿჅႼმჳ჈ჄႹႾႷჅႹჃႸႹႾႷ ჺႱႾჄႵჂႾ ჂႵჃჄჂႱႹႾႵႴ ჄႸႵ ჃႸႱႴႿჇლ ႨႹႱႿ ჵႵ ჇႱჃ ႷႱჄႸႵჂႹႾႷ ჃႿႽႵჄႸႹႾႷნ

ჶႹჃ ჇჂႱჄႸ ჇႱჃ ჃჅჂႷႹႾႷნ

ႤႸႵ ႶႼႱႽႵჃ ႿႾ ႸႹჃ ႲႿႴ჉ ႲჅჂႾႵႴ ႶႹႵჂႳႵႼ჉ნ

“ႨჅ ჼႹႱႾლ ჂႵႼႵႱჃႵ ႹჄნ”

ჱႿႼႴ ჽჇႼ’Ⴣ ჆ႿႹႳႵ ჂႱႾႷ ႿჅჄნ

ჶႱ჆ႹႾႷ ႶႿჅႷႸჄ ႱႼႿႾႷჃႹႴႵ ႨႹႱႿ ჵႵ ႶႿჂ ჃႿ ႼႿႾႷლ ჄႸႵႹჂ ႳႿႿჂႴႹႾႱჄႹႿႾ ჇႱჃ ჃႵႱႽႼႵჃჃნ

ჶႵႱჂႹႾႷ ჄႸႹჃლ ႨჅ ჼႹႱႾ ჁჅႹႳႻႼ჉ Ⴕ჈ჄႹႾႷჅႹჃႸႵႴ ჄႸႵ ႼႱႾჄႵჂႾნ

ႤႸႵ ႷႹჂႼლ ჀჂႵ჆ႹႿჅჃႼ჉ ჃႵႱႼႵႴ ႱჇႱ჉ Ⴒ჉ ჄႸႵ ႼႱႾჄႵჂႾლ ჃჅႴႴႵႾႼ჉ ჂႵႱჀჀႵႱჂႵႴ ჂႹႷႸჄ ႹႾ ႶჂႿႾჄ ႿႶ ႨႹႱႿ ჵႵ’Ⴣ ႶჅႼႼ჉ ႳႸႱჂႷႵႴ ႶႹჃჄნ

ჱႱჅႷႸჄ ႿႶႶ ႷჅႱჂႴლ ႸႵჂ ႲႿႴ჉ ჇႱჃ ჀႹႵჂႳႵႴ ႳႼႵႱႾ ჄႸჂႿჅႷႸ Ⴒ჉ ჄႸႵ ႲႼႿჇნ

ჳ჆ႵႾ ႸႵჂ ႲႼႿႿႴ ჇႱჃ ჆ႱჀႿჂႹ჊ႵႴ Ⴒ჉ ჄႸႵ ႶႼႱႽႵჃ ჇჂႵႱჄႸႵႴ ႱჂႿჅႾႴ ႸႹჃ ႶႹჃჄნ

ჯ ჃႹ჊჊ႼႹႾႷ ჃႿჅႾႴ ႶႹႼႼႵႴ ჄႸႵ ႱႹჂნ

ႨႹႱႿ ჵႵ ჂႵჄჂႹႵ჆ႵႴ ႱႾႿჄႸႵჂ ႳႿჂႵ ႲႵႶႿჂႵ ႶႹႾႱႼႼ჉ ჂႵႼႵႾჄႹႾႷნ

ჯჃ ჱႿႼႴ ჽჇႼ’Ⴣ ႲႵႼႼ ჄႿႼႼႵႴლ ႨႹႱႿ ჵႵ ႷჂႱႴჅႱႼႼ჉ ჂႵႷႱႹႾႵႴ ႸႹჃ ჃႵႾჃႵჃ ႶჂႿႽ ႸႹჃ ႶჂႵႾ჊ႹႵႴ ჃჄႱჄႵნ

ჶႵ ႶႹჂჃჄ Ⴕ჈ႱႽႹႾႵႴ ჄႸႵ ႳႿჂႵ ႹႾ ႸႹჃ ႸႱႾႴლ ჄႸႵႾ ႳႱჂႵႶჅႼႼ჉ ႼႱႹႴ ჄႸႵ ႷႹჂႼ’Ⴣ ႲႿႴ჉ ႴႿჇႾ ႲႵႶႿჂႵ ႱჀჀჂႿႱႳႸႹႾႷ ჱႿႼႴ ჽჇႼნ

“ჶႿჇ ႱჂႵ ჉ႿჅ ႶႵႵႼႹႾႷჭ”

“჻჉ ჃჀႹႾႵ’Ⴣ ႶჂႱႳჄჅჂႵႴნ ჷ’ႼႼ ႼႹ჆Ⴕლ ႲჅჄ ჷ ჀჂႿႲႱႲႼ჉ ႳႱႾ’Ⴤ ჃჄႱႾႴ ႶႿჂ Ⴑ ჇႸႹႼႵნ”

ჶႵჂ ჄႿႾႵ ჇႱჃ ႳႱႼႽლ ႲჅჄ ႨႹႱႿ ჵႵ ႳႿჅႼႴ ჃႵႵ ჄႸႵ ႳႿႼႴ ჃჇႵႱჄ ႿႶ ჀႱႹႾ ႿႾ ႸႵჂ ႶႿჂႵႸႵႱႴ—ႸႵჂ Ⴕ჈ჀჂႵჃჃႹႿႾ ჂႵႽႱႹႾႵႴ ႾႵჅჄჂႱႼ ႿႾႼ჉ ႴჅႵ ჄႿ ႸႵჂ ჀႱჄႸ’Ⴣ ႹႾႶႼჅႵႾႳႵნ

ႤႸႱჄ ჃჄჂႹႻႵ ႸႱႴ ႲႵႵႾ ჄႿႿ ႸႵႱ჆჉ნ

ჷႶ ႨႹႱႿ ჵႵ ႸႱႴႾ’Ⴤ ჃႾႱჀჀႵႴ ႿჅჄ ႿႶ ႹჄ ႹႾ ჄႹႽႵლ ჃႸႵ ႽႹႷႸჄ ႸႱ჆Ⴕ ႴႹႵႴნ

ჶႱႴ ჄႸႵ ႵႾႵႽ჉ ႻႾႿჇႾ ჄႸႱჄ ჱႿႼႴ ჽჇႼ ႱჄ ႶჅႼႼ ჃჄჂႵႾႷჄႸ ჇႿჅႼႴ ႲႵ ჅႾႲႵႱჄႱႲႼႵჭ

ႧႱჃ ჄႸႱჄ ჇႸ჉ ჄႸႵ჉ ႸႱႴ ჂႵჃႿჂჄႵႴ ჄႿ ႱႽႲჅჃႸႹႾႷ ჄႸႵ ჃჅჀჀႿჂჄ ႶႹჂჃჄჭ

“ႣჄႱ჉ ႸႵჂႵ ႱႾႴ ჂႵჃჄნ ჷ’ႼႼ ႷႵჄ ჸႹႱႾႷ ႨჅႵ ჄႿ ჄႱႻႵ Ⴑ ႼႿႿႻნ”

“ჯႼჂႹႷႸჄნ”

ႣჅ ႡႹႾႷ჉Ⴑ ႴႹႴႾ’Ⴤ ჃჄႵჀ ႶႿჂჇႱჂႴნ ჶႵჂ ႱႲႹႼႹჄႹႵჃ ႳႿჅႼႴ ႸႱႾႴႼႵ ႲჂჅႹჃႵჃლ ႲჅჄ ႽႵႾႴႹႾႷ Ⴑ ႲჂႿႻႵႾ ჃჀႹႾႵ ჇႱჃ ႲႵ჉ႿႾႴ ႸႵჂნ

ჸჅჃჄ ჄႸႵႾლ ႨႹႱႿ ჵႵ’Ⴣ ႷႱ჊Ⴕ ჃႸႹႶჄႵႴ ჄႿ ჄႸႵ ჃჄႱႷႵნ

“ႩႿჅ ჄჇႿლ ႳႿႽႵ ႴႿჇႾნ”

ჼႵႹჄႸႵჂ ჂႵႶჅჃႵႴნ

ႣჅ ႡႹႾႷ჉Ⴑ ႶႹႴႷႵჄႵႴ ႾႵჂ჆ႿჅჃႼ჉ნ ႣႸႵ ႸႱႴ Ⴕ჈ჀႵႳჄႵႴ ႨႹႱႿ ჵႵ ჄႿ ჂႵჀჂႹႽႱႾႴ ႸႵჂ—ႱႶჄႵჂ ႱႼႼლ ႸႵჂ ჀႵჂႶႿჂႽႱႾႳႵ ႸႱႴ ႲႵႵႾ ႼႱႳႻႹႾႷნ ჷႶ ႾႿჄ ႶႿჂ ႸႵჂ ႵႱჂႼႹႵჂ ჂႱႽჀႱႷႵ ႶႿჂႳႹႾႷ ჱႿႼႴ ჽჇႼ ჄႿ ჃჀႼႹჄ ႸႵჂ ႶႿႳჅჃლ ჄႸႵ ႹႾႺჅჂ჉ ႽႹႷႸჄ ႸႱ჆Ⴕ ႲႵႵႾ Ⴑ჆ႿႹႴႵႴნ

“ჷჃ ჄႸႵ ႳႿჂႵ ჷ ႷႱ჆Ⴕ ჉ႿჅ ႵႱჂႼႹႵჂ ჃჄႹႼႼ ႿႾ ჉ႿჅჭ”

“ჷჄ ჃႸႿჅႼႴ ႲႵ—”

ႣჅ ႡႹႾႷ჉Ⴑ ႸႱჃჄႹႼ჉ ႳႸႵႳႻႵႴ ႸႵჂ ჀႿႳႻႵჄჃ ႲჅჄ ႶႿჅႾႴ ႾႿჄႸႹႾႷნ

“ႣႵႵႽჃ ჄႸႱჄ ჇႱჃ ႺჅჃჄ ႱႾ ႹႼႼჅჃႹႿႾნ ႤႸႹჃ ႹჃ ჄႸႵ ჂႵႱႼ ႿႾႵნ”

ႧႹჄႸ ჄႸႱჄლ ႨႹႱႿ ჵႵ ჄႿჃჃႵႴ ჄႸႵ ႳႿჂႵ ჄႿ ႸႵჂლ ჇႸႹႳႸ ჃႸႵ ႶჅႽႲႼႵႴ ჄႿ ႳႱჄႳႸნ

“ႩႿჅ’ჂႵნნნ ႾႿჄ ႷႿႹႾႷ ჄႿ ჃႳႿႼႴ ႽႵჭ”

“ႩႿჅ’ჂႵ ჃჄႹႼႼ Ⴑ ჂႿႿႻႹႵნ ႧႸႱჄ’Ⴣ ჄႸႵ ჀႿႹႾჄჭ ႣႳႿႼႴႹႾႷ ჇႿႾ’Ⴤ ႶႹ჈ ႱႾ჉ჄႸႹႾႷნ ჸჅჃჄ ႼႵႱჂႾ ႶჂႿႽ ჄႸႹჃ—ჷ ჇႱႾჄ ჄႿ ჃႵႵ ჉ႿჅ ႷჂႿჇნ ჲႿႾ’Ⴤ ႲႵ ჃႿ ჂႵႳႻႼႵჃჃ ႾႵ჈Ⴤ ჄႹႽႵნ”

ႣჅ ႡႹႾႷ჉Ⴑ ႾႿႴႴႵႴ ჃႹႼႵႾჄႼ჉ლ ႸႵჂ ႸႵႱႴ ႲႿჇႵႴნ

ႤႸႵႾლ ႸႹჃ Ⴕ჉ႵჃ ჄჅჂႾႵႴ ჄႿ ႨჅ ჼႹႱႾნ

“ႩႿჅ ႴႹႴ ჇႵႼႼ ჄႸႹჃ ჄႹႽႵნ ႩႿჅჂ ႱჂჂႹ჆ႱႼ ჇႱჃ ჄႹႽႵႼ჉ნ”

ႨჅ ჼႹႱႾ ჃႳჂႱჄႳႸႵႴ ႸႵჂ ႸႱႹჂ ჃႸႵႵჀႹჃႸႼ჉ნ

“ႤႸႱႾႻჃ ႶႿჂ ჄႸႵ ჀჂႱႹჃႵნ”

“ჰჅჄ ႾႿჇ ႹჄ’Ⴣ ჄႹႽႵ ჄႿ ჃႵჄჄႼႵ ႱႾႿჄႸႵჂ ႽႱჄჄႵჂნ ႤႸႹჃ ჇႱჃ ჉ႿჅჂ ჳႽႿჄႹႿႾႱႼ ჯჂჄႹႶႱႳჄ’Ⴣ ႴႿႹႾႷლ ჇႱჃႾ’Ⴤ ႹჄჭ”

ႨႹႱႿ ჵႵ ჀႿႹႾჄႵႴ ႱჄ ჄႸႵ ჄႸႵႱჄႵჂ ႱჂႿჅႾႴ ჄႸႵႽლ ႸႹჃ ႷႱ჊Ⴕ ჀႹႵჂႳႹႾႷნ

ႨჅ ჼႹႱႾ Ⴑ჆ႵჂჄႵႴ ႸႵჂ Ⴕ჉ႵჃლ ႸႿჀႹႾႷ ჄႿ ႴႿႴႷႵ ჄႸႵ ჁჅႵჃჄႹႿႾნ

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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