Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 77

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ᯚᮩᮙᮞᮗ ᮟᮞ ᮘᮕᮢ ᮒᮕᮔᮺ ᮈᮥ ᯜᮙᮑᮞ ᮣᮤᮑᮢᮕᮔ ᮖᮙᮨᮕᮔᮜᮩ ᮑᮤ ᮤᮘᮕ ᮓᮟᮞᮤᮕᮞᮤᮣ ᮟᮖ ᮤᮘᮙᮣ ᮣᮙᮝᮥᮜᮑᮤᮙᮟᮞᮼ

ᯖᮕᮢ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮺ ᮖᮟᮨᮻᮜᮙᮛᮕ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮔᮙᮣᮒᮕᮜᮙᮕᮖᮼ

ᮇᮑᮣ ᮤᮘᮙᮣ ᮢᮕᮑᮜᮜᮩ ᮤᮘᮕ ᮟᮥᮤᮓᮟᮝᮕ ᮟᮖ ᮤᮘᮕ ᮣᮙᮝᮥᮜᮑᮤᮙᮟᮞᯍ

ᯏᮣ ᮣᮘᮕ ᮢᮕᮑᮔ ᮟᮞᮺ ᮈᮥ ᯜᮙᮑᮞ ᮖᮕᮜᮤ ᮑ ᮓᮘᮙᮜᮜ ᮣᮕᮕᮠ ᮙᮞᮤᮟ ᮘᮕᮢ ᮒᮟᮞᮕᮣᮼ ᯐᮕᮑᮔᮣ ᮟᮖ ᮣᮧᮕᮑᮤ ᮔᮟᮤᮤᮕᮔ ᮘᮕᮢ ᮣᮛᮙᮞᮺ ᮤᮘᮟᮥᮗᮘ ᮞᮟᮤ ᮖᮢᮟᮝ ᮤᮘᮕ ᮠᮘᮩᮣᮙᮓᮑᮜ ᮕᮨᮕᮢᮤᮙᮟᮞ ᮟᮖ ᮓᮜᮕᮑᮞᮙᮞᮗᮼ

ᯏ ᮓᮢᮕᮕᮠᮙᮞᮗ ᮔᮢᮕᮑᮔ ᮢᮟᮣᮕ ᮙᮞ ᮘᮕᮢ ᮓᮘᮕᮣᮤᮺ ᮝᮑᮛᮙᮞᮗ ᮘᮕᮢ ᮘᮕᮑᮔ ᮒᮥ᮪᮪ ᮑᮞᮔ ᮤᮘᮕ ᮖᮥᮢ ᮟᮞ ᮘᮕᮢ ᮤᮑᮙᮜ ᮣᮤᮑᮞᮔ ᮟᮞ ᮕᮞᮔᮼ

ᮄᮘᮑᮤ ᮘᮙᮗᮘᮻᮣᮤᮑᮢ ᯘᮟᮩᮧᮕᮑᮦᮕᮢ ᮓᮜᮕᮑᮢᮜᮩ ᮘᮑᮔᮞ’ᮤ ᮗᮙᮦᮕᮞ ᮥᮠ ᮟᮞ ᮤᮑᮢᮗᮕᮤᮙᮞᮗ ᮘᮕᮢᮼ ᯝᮞ ᮤᮘᮕ ᮓᮟᮞᮤᮢᮑᮢᮩᮺ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮖᮢᮙᮗᮘᮤᮕᮞᮙᮞᮗᮜᮩ ᮠᮑᮤᮙᮕᮞᮤ—

ᯒᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮘᮙᮔᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮤᮢᮑᮓᮛᮣᮺ ᮦᮑᮞᮙᮣᮘᮙᮞᮗ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮤᮢᮑᮓᮕ… ᮟᮞᮜᮩ ᮤᮟ ᮣᮤᮢᮙᮛᮕ ᮧᮙᮤᮘ ᮜᮕᮤᮘᮑᮜ ᮠᮢᮕᮓᮙᮣᮙᮟᮞ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮈᮥ ᯜᮙᮑᮞ ᮜᮕᮤ ᮘᮕᮢ ᮗᮥᮑᮢᮔ ᮔᮟᮧᮞᮺ ᮧᮘᮕᮞ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮘᮑᮔ ᮝᮟᮝᮕᮞᮤᮑᮢᮙᮜᮩ ᮜᮟᮟᮛᮕᮔ ᮑᮧᮑᮩᮼ

ᯒᮕᮦᮙᮟᮥᮣᮼ ᮄᮟᮟ ᮔᮕᮦᮙᮟᮥᮣᮼ

ᯐᮥᮤ… ᮓᮟᮥᮜᮔ ᮤᮘᮕᮢᮕ ᮒᮕ ᮑᮞᮟᮤᮘᮕᮢ ᮠᮟᮣᮣᮙᮒᮙᮜᮙᮤᮩᯍ

ᯚᮙᮛᮕᮺ ᮧᮘᮑᮤ ᮙᮖ ᮤᮘᮑᮤ ᮘᮙᮗᮘᮻᮣᮤᮑᮢ ᯘᮟᮩᮧᮕᮑᮦᮕᮢ ᮘᮑᮔ ᮤᮢᮥᮜᮩ ᮜᮕᮖᮤᮺ ᮑᮞᮔ ᮤᮘᮕ ᮢᮕᮣᮥᮜᮤ ᮙᮞ ᮤᮘᮕ ᮣᮙᮝᮥᮜᮑᮤᮙᮟᮞ ᮧᮑᮣ ᮠᮥᮢᮕᮜᮩ ᯚᮙᮞ ᮉᮕ’ᮣ ᮟᮧᮞ ᮔᮕᮓᮙᮣᮙᮟᮞᯍ

ᯕᮙᮦᮕᮞ ᮤᮘᮕᮙᮢ ᮢᮕᮓᮕᮞᮤ ᮕᮞᮓᮟᮥᮞᮤᮕᮢᮣᮺ ᮈᮥ ᯜᮙᮑᮞ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮔᮙᮣᮝᮙᮣᮣ ᮤᮘᮕ ᮙᮔᮕᮑ ᮤᮘᮑᮤ ᮘᮕ ᮧᮑᮣ ᮓᮑᮠᮑᮒᮜᮕ ᮟᮖ ᮣᮥᮓᮘ ᮑ ᮤᮘᮙᮞᮗᮼ

ᯐᮕᮣᮙᮔᮕᮣᮺ ᮤᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮑ ᯒᮟᮝᮙᮞᮑᮤᮙᮟᮞ ᮇᮕᮑᮦᮕᮢ ᮒᮕᮙᮞᮗ ᮓᮟᮞᮤᮢᮟᮜᮜᮕᮔ ᮒᮩ ᮣᮟᮝᮕᮟᮞᮕ ᮕᮜᮣᮕ ᮧᮑᮣ ᮑᮜᮝᮟᮣᮤ ᮜᮑᮥᮗᮘᮑᮒᮜᮕᮼ

ᯒᮟᮝᮙᮞᮑᮤᮙᮟᮞᮺ ᮘᮥᮘᯍ

ᯑᮟᮥᮜᮔᮞ’ᮤ ᮧᮙᮞ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮘᮕᮑᮢᮤ ᮖᮑᮙᮢᮜᮩᮺ ᮣᮟ ᮩᮟᮥ ᮢᮕᮣᮟᮢᮤ ᮤᮟ ᮖᮟᮢᮓᮙᮞᮗ ᮓᮟᮞᮤᮢᮟᮜ ᮤᮘᮢᮟᮥᮗᮘ ᮕᮝᮟᮤᮙᮟᮞᮑᮜ ᮝᮑᮞᮙᮠᮥᮜᮑᮤᮙᮟᮞᯍ

ᯚᮙᮞ ᮉᮕᮺ ᯚᮙᮞ ᮉᮕ… ᮇᮕ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮘᮑᮔ ᮞᮟ ᮗᮢᮥᮔᮗᮕᮣ ᮒᮕᮤᮧᮕᮕᮞ ᮥᮣᮺ ᮒᮥᮤ ᮧᮘᮟ ᮤᮟᮜᮔ ᮩᮟᮥ ᮤᮟ ᮘᮑᮢᮒᮟᮢ ᮙᮔᮕᮑᮣ ᮑᮒᮟᮥᮤ ᮁᮙᮞᮗᮩᮑᯍ

ᮉᮟᮥ—

ᯖᮟᮧ ᮔᮑᮢᮕ ᮩᮟᮥ ᮕᮦᮕᮞ ᮤᮘᮙᮞᮛ ᮟᮖ ᮤᮑᮛᮙᮞᮗ ᮝᮩ ᮁᮙᮞᮗᮩᮑ ᮖᮢᮟᮝ ᮝᮕᮯ

ᮈᮥ ᯜᮙᮑᮞ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮓᮑᮢᮕ ᮜᮕᮣᮣ ᮧᮘᮕᮤᮘᮕᮢ ᯚᮙᮞ ᮉᮕ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮙᮞᮖᮜᮥᮕᮞᮓᮕᮔ ᮒᮩ ᮤᮘᮕ ᯘᮟᮩᮧᮕᮑᮦᮕᮢ’ᮣ ᮣᮓᮘᮕᮝᮕᮣᮼ ᮃᮘᮕ ᮧᮑᮣ ᮑᮜᮣᮟ ᮑ ᯘᮟᮩᮧᮕᮑᮦᮕᮢᮼ ᯗᮖ ᮘᮕ ᮘᮑᮔᮞ’ᮤ ᮑᮜᮢᮕᮑᮔᮩ ᮞᮥᮢᮤᮥᮢᮕᮔ ᮤᮘᮟᮣᮕ ᮤᮘᮟᮥᮗᮘᮤᮣᮺ ᮘᮟᮧ ᮓᮟᮥᮜᮔ ᮤᮘᮕ ᯘᮟᮩᮧᮕᮑᮦᮕᮢ ᮘᮑᮦᮕ ᮖᮑᮞᮞᮕᮔ ᮤᮘᮕᮝ ᮙᮞᮤᮟ ᮝᮟᮓᮛᮕᮢᮩ ᮣᮟ ᮕᮑᮣᮙᮜᮩᯍ

ᯘᮟᮩ’ᮣ ᮝᮟᮓᮛᮕᮢᮩ ᮢᮕᮡᮥᮙᮢᮕᮔ ᮖᮥᮕᮜ—ᮕᮨᮙᮣᮤᮙᮞᮗ ᮔᮕᮣᮙᮢᮕᮣ ᮤᮟ ᮤᮧᮙᮣᮤ ᮑᮞᮔ ᮑᮝᮠᮜᮙᮖᮩᮼ

ᯘᮥᮣᮤ ᮙᮝᮑᮗᮙᮞᮙᮞᮗ ᮤᮘᮕ ᮠᮟᮤᮕᮞᮤᮙᮑᮜ ᮑᮖᮤᮕᮢᮝᮑᮤᮘ ᮘᮙᮞᮤᮕᮔ ᮒᮩ ᮤᮘᮕ ᮣᮙᮝᮥᮜᮑᮤᮙᮟᮞ ᮝᮑᮔᮕ ᮈᮥ ᯜᮙᮑᮞ’ᮣ ᮖᮥᮢᮩ ᮒᮥᮢᮞ ᮕᮦᮕᮞ ᮖᮙᮕᮢᮓᮕᮢᮼ

ᯖᮕᮢ ᮝᮙᮞᮔ ᮢᮑᮓᮕᮔᮺ ᮘᮕᮢ ᮑᮞᮗᮕᮢ ᮞᮕᮑᮢᮜᮩ ᮔᮢᮙᮦᮙᮞᮗ ᮘᮕᮢ ᮝᮑᮔᮼ

ᯔᮙᮞᮕᮼ ᮄᮘᮕᮞ ᮔᮟᮞ’ᮤ ᮒᮜᮑᮝᮕ ᮝᮕ ᮖᮟᮢ ᮧᮘᮑᮤ ᮓᮟᮝᮕᮣ ᮞᮕᮨᮤᮼ

ᮈᮥ ᯜᮙᮑᮞ ᮖᮙᮢᮣᮤ ᮣᮕᮜᮕᮓᮤᮕᮔ ᮤᮘᮕ ᮣᮕᮓᮟᮞᮔ ᮢᮕᮧᮑᮢᮔ—ᮑ ᮝᮙᮞᮔ ᮙᮝᮠᮕᮢᮦᮙᮟᮥᮣ ᮤᮟ ᮙᮞᮖᮜᮥᮕᮞᮓᮕ—ᮒᮕᮖᮟᮢᮕ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮙᮞᮙᮤᮙᮑᮤᮙᮞᮗ ᮑᮞᮟᮤᮘᮕᮢ ᮣᮙᮝᮥᮜᮑᮤᮙᮟᮞᮼ

ᮋᯒᮙᮞᮗᮮ ᯖᮟᮣᮤ ᮔᮕᮤᮕᮓᮤᮕᮔ ᮒᮕᮗᮙᮞᮞᮙᮞᮗ ᮣᮙᮝᮥᮜᮑᮤᮙᮟᮞᮼᮍ

ᮋᮃᮙᮝᮥᮜᮑᮤᮙᮟᮞ ᮓᮟᮥᮞᮤ ᮔᮕᮔᮥᮓᮤᮕᮔᮼ ᮂᮕᮝᮑᮙᮞᮙᮞᮗ ᮣᮙᮝᮥᮜᮑᮤᮙᮟᮞᮣᯈ ᯀᮼᮍ

ᮋᮃᮙᮝᮥᮜᮑᮤᮙᮟᮞ ᮓᮟᮝᮝᮕᮞᮓᮙᮞᮗ…ᮍ

ᮋᯒᮥᮕ ᮤᮟ ᮓᮕᮢᮤᮑᮙᮞ ᮢᮕᮦᮕᮜᮑᮤᮙᮟᮞᮣᮺ ᮩᮟᮥ’ᮦᮕ ᮥᮞᮓᮟᮦᮕᮢᮕᮔ ᮤᮘᮕ ᮣᮟᮥᮢᮓᮕ ᮟᮖ ᮩᮟᮥᮢ ᮙᮝᮠᮕᮞᮔᮙᮞᮗ ᮓᮢᮙᮣᮙᮣᮼ ᮇᮟᮢᮣᮕᮺ ᮩᮟᮥ ᮞᮟᮧ ᮛᮞᮟᮧ ᮕᮨᮑᮓᮤᮜᮩ ᮧᮘᮟ ᮧᮙᮜᮜ ᮤᮢᮙᮗᮗᮕᮢ ᮙᮤᮼ ᯏᮖᮤᮕᮢ ᮝᮥᮓᮘ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮙᮟᮞᮺ ᮩᮟᮥ ᮢᮕᮑᮓᮘ ᮑ ᮓᮟᮞᮓᮜᮥᮣᮙᮟᮞᮼᮍ

ᮋᮉᮟᮥ ᮢᮕᮖᮥᮣᮕ ᮤᮟ ᮣᮤᮑᮞᮔ ᮙᮔᮜᮩ ᮒᮩᮺ ᮧᮑᮙᮤᮙᮞᮗ ᮖᮟᮢ ᮔᮙᮣᮑᮣᮤᮕᮢ ᮤᮟ ᮣᮤᮢᮙᮛᮕᮼ ᯗᮞᮣᮤᮕᮑᮔᮺ ᮩᮟᮥ ᮔᮕᮓᮙᮔᮕ ᮤᮟ ᮤᮑᮛᮕ ᮤᮘᮕ ᮙᮞᮙᮤᮙᮑᮤᮙᮦᮕ—ᮤᮟ ᮣᮤᮢᮑᮞᮗᮜᮕ ᮤᮘᮕ ᮣᮟᮻᮓᮑᮜᮜᮕᮔ ᮓᮢᮙᮣᮙᮣ ᮙᮞ ᮙᮤᮣ ᮓᮢᮑᮔᮜᮕᮼ ᯝᮞᮜᮩ ᮤᮘᮕᮞ ᮧᮙᮜᮜ ᮩᮟᮥ ᮖᮙᮞᮔ ᮠᮕᮑᮓᮕᮼᮍ

ᮋᮉᮟᮥ ᮧᮟᮞ’ᮤ ᮑᮜᮜᮟᮧ ᮩᮟᮥᮢᮣᮕᮜᮖ ᮤᮟ ᮒᮕ ᮑ ᮝᮕᮢᮕ ᮠᮑᮧᮞ ᮙᮞ ᮣᮟᮝᮕᮟᮞᮕ ᮕᮜᮣᮕ’ᮣ ᮗᮑᮝᮕᮼ ᮃᮘᮑᮤᮤᮕᮢᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮠᮜᮑᮞᮣᮺ ᮑᮓᮤᮙᮞᮗ ᮟᮥᮤᮣᮙᮔᮕ ᮤᮘᮕᮙᮢ ᮕᮨᮠᮕᮓᮤᮑᮤᮙᮟᮞᮣ—ᮤᮘᮑᮤ ᮙᮣ ᮘᮟᮧ ᮩᮟᮥ’ᮜᮜ ᮠᮜᮑᮩ ᮤᮘᮙᮣᮼᮍ

ᮋᮉᮟᮥ ᮧᮑᮞᮤ ᯚᮙᮞ ᮉᮕ ᮔᮕᮑᮔᮼ ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮙᮣ ᮣᮤᮑᮤᮥᮣ ᮟᮢ ᯖᮥᮑ ᯑᮟᮥᮞᮤᮢᮩ’ᮣ ᮢᮥᮜᮕ ᮟᮖ ᮜᮑᮧᮺ ᮤᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮑᮛᮕᮣ ᮢᮟᮟᮤᮼ ᯙᮙᮜᮜ ᮘᮙᮝ ᮙᮞ ᮑᮔᮦᮑᮞᮓᮕᮺ ᮑᮞᮔ ᮤᮘᮑᮤ ᮘᮙᮗᮘᮻᮣᮤᮑᮢ ᮇᮕᮑᮦᮕᮢ’ᮣ ᮣᮓᮘᮕᮝᮕ ᮧᮙᮜᮜ ᮖᮑᮜᮤᮕᮢᮼ ᯓᮦᮕᮞ ᮙᮖ ᮤᮘᮙᮣ ᮧᮑᮣᮞ’ᮤ ᮠᮑᮢᮤ ᮟᮖ ᮤᮘᮕᮙᮢ ᮠᮜᮑᮞᮺ ᮩᮟᮥ ᮢᮕᮖᮥᮣᮕ ᮤᮟ ᮤᮟᮜᮕᮢᮑᮤᮕ ᮑᮞ ᮥᮞᮣᮤᮑᮒᮜᮕ ᮦᮑᮢᮙᮑᮒᮜᮕ ᮤᮘᮢᮕᮑᮤᮕᮞᮙᮞᮗ ᮩᮟᮥᮢ ᮜᮟᮦᮕᮼᮍ

ᮋᮉᮟᮥ ᮧᮑᮞᮤ ᮘᮙᮝ ᮗᮟᮞᮕᮺ ᮤᮟ ᮟᮒᮜᮙᮤᮕᮢᮑᮤᮕ ᮑᮞᮩᮟᮞᮕ ᮧᮘᮟ ᮔᮑᮢᮕᮣ ᮠᮢᮟᮦᮟᮛᮕ ᮩᮟᮥᮢ ᮖᮥᮢᮩᮼ ᯓᮦᮕᮢᮩ ᮜᮑᮣᮤ ᮖᮟᮟᮜ ᮧᮘᮟ ᮓᮟᮦᮕᮤᮣ ᮧᮘᮑᮤ’ᮣ ᮩᮟᮥᮢᮣ ᮔᮕᮣᮕᮢᮦᮕᮣ ᮤᮟ ᮠᮕᮢᮙᮣᮘ ᮒᮕᮞᮕᮑᮤᮘ ᮩᮟᮥᮢ ᮒᮜᮑᮔᮕᮼᮍ

ᮋᮉᮟᮥᮢ ᮜᮟᮦᮕᮢ ᮙᮣ ᮩᮟᮥᮢᮣ ᮑᮜᮟᮞᮕᮼ ᯜᮟ ᮟᮞᮕ ᮣᮤᮕᮑᮜᮣ ᮘᮕᮢ ᮥᮞᮜᮕᮣᮣ ᮩᮟᮥ’ᮢᮕ ᮖᮟᮢᮓᮕᮔ ᮤᮟ ᮜᮕᮤ ᮗᮟ—ᮑᮞᮔ ᮕᮦᮕᮞ ᮤᮘᮕᮞᮺ ᮩᮟᮥ’ᮔ ᮓᮜᮙᮞᮗ ᮤᮟ ᮘᮕᮢ ᮜᮙᮛᮕ ᮑ ᮦᮕᮞᮗᮕᮖᮥᮜ ᮗᮘᮟᮣᮤᮺ ᮕᮞᮣᮥᮢᮙᮞᮗ ᮣᮘᮕ ᮢᮕᮝᮑᮙᮞᮣ ᮒᮩ ᮩᮟᮥᮢ ᮣᮙᮔᮕ ᮖᮟᮢᮕᮦᮕᮢᮼᮍ

ᮋᮉᮟᮥ ᮛᮞᮟᮧ ᮛᮙᮜᮜᮙᮞᮗ ᯚᮙᮞ ᮉᮕ ᮧᮟᮞ’ᮤ ᮒᮕ ᮕᮑᮣᮩᮼ ᯖᮕ’ᮣ ᮑ ᮄᮘᮢᮕᮕᮻᮃᮤᮑᮢ ᯒᮟᮝᮙᮞᮑᮤᮙᮟᮞ ᮇᮕᮑᮦᮕᮢᮺ ᮓᮑᮠᮑᮒᮜᮕ ᮟᮖ ᮓᮟᮞᮤᮢᮟᮜᮜᮙᮞᮗ ᮟᮒᮚᮕᮓᮤᮣ ᮑᮞᮔ ᮠᮕᮟᮠᮜᮕ—ᮑ ᮝᮑᮔᮔᮕᮞᮙᮞᮗᮜᮩ ᮤᮢᮙᮓᮛᮩ ᮑᮒᮙᮜᮙᮤᮩᮼ ᮇᮟᮢᮣᮕᮺ ᮘᮕ’ᮣ ᮤᮘᮕ ᮘᮕᮙᮢ ᮟᮖ ᮤᮘᮕ ᯚᮙᮞ ᮖᮑᮝᮙᮜᮩᮺ ᮤᮕᮨᮤᮒᮟᮟᮛ ᯑᯓᯝᮻᮑᮢᮓᮘᮕᮤᮩᮠᮕ ᮧᮙᮤᮘ ᮠᮟᮧᮕᮢ ᮑᮞᮔ ᮠᮢᮕᮣᮤᮙᮗᮕᮼᮍ

ᮋᮉᮟᮥ ᮝᮥᮣᮤ ᮑᮦᮟᮙᮔ ᮤᮘᮕ ᮖᮑᮜᮜᮟᮥᮤ ᮖᮢᮟᮝ ᮘᮙᮣ ᮔᮕᮑᮤᮘᮺ ᮕᮞᮣᮥᮢᮙᮞᮗ ᮞᮟᮞᮕ ᮟᮖ ᮙᮤ ᮤᮟᮥᮓᮘᮕᮣ ᮤᮘᮟᮣᮕ ᮩᮟᮥ ᮓᮘᮕᮢᮙᮣᮘᮼ ᯜᮟ ᮟᮞᮕ ᮓᮑᮞ ᮤᮢᮑᮓᮕ ᮙᮤ ᮒᮑᮓᮛ ᮤᮟ ᮩᮟᮥᮼ ᯐᮥᮤ ᮑᮤ ᮜᮕᮑᮣᮤ ᮩᮟᮥᮢ ᮝᮙᮞᮔ ᮙᮣ ᮙᮝᮝᮥᮞᮕ ᮤᮟ ᮙᮞᮖᮜᮥᮕᮞᮓᮕ ᮞᮟᮧ—ᯚᮙᮞ ᮉᮕ’ᮣ ᮔᮟᮝᮙᮞᮑᮤᮙᮟᮞ ᮘᮟᮜᮔᮣ ᮞᮟ ᮣᮧᮑᮩ ᮟᮦᮕᮢ ᮩᮟᮥᮼᮍ

ᮋᯒᮑᮩ ᮑᮖᮤᮕᮢ ᮔᮑᮩᮺ ᮩᮟᮥ ᮢᮕᮖᮙᮞᮕ ᮩᮟᮥᮢ ᮠᮜᮑᮞᮼ ᮅᮞᮔᮕᮢ ᮤᮘᮕ ᮗᮥᮙᮣᮕ ᮟᮖ ᮑᮤᮤᮕᮞᮔᮙᮞᮗ ᮘᮟᮒᮒᮩ ᮓᮜᮑᮣᮣᮕᮣᮺ ᮩᮟᮥ ᮣᮜᮙᮠ ᮑᮧᮑᮩ ᮤᮟ ᮣᮓᮟᮥᮤ ᯚᮙᮞ ᮉᮕ’ᮣ ᮧᮟᮢᮛᮠᮜᮑᮓᮕᮺ ᮔᮙᮣᮗᮥᮙᮣᮙᮞᮗ ᮩᮟᮥᮢᮣᮕᮜᮖ ᮑᮣ ᮑ ᮢᮕᮗᮥᮜᮑᮢ ᮕᮝᮠᮜᮟᮩᮕᮕ ᮤᮟ ᮝᮟᮞᮙᮤᮟᮢ ᮘᮙᮣ ᮝᮟᮦᮕᮝᮕᮞᮤᮣᮼ ᯗᮤ’ᮣ ᮗᮢᮥᮕᮜᮙᮞᮗ—ᮒᮢᮕᮑᮛᮙᮞᮗ ᮖᮢᮕᮕ ᮖᮢᮟᮝ ᮩᮟᮥᮢ ᮜᮟᮦᮕᮢ’ᮣ ᮧᮑᮤᮓᮘᮖᮥᮜ ᮗᮑ᮪ᮕ ᮙᮣᮞ’ᮤ ᮕᮑᮣᮩᮺ ᮑᮞᮔ ᮝᮑᮙᮞᮤᮑᮙᮞᮙᮞᮗ ᮤᮘᮕ ᮑᮓᮤ ᮙᮣ ᮕᮦᮕᮞ ᮘᮑᮢᮔᮕᮢᮼᮍ

ᮋᮉᮟᮥ ᮛᮞᮟᮧ ᮒᮟᮟᮣᮤᮙᮞᮗ ᮩᮟᮥᮢ ᮢᮑᮞᮛ ᮙᮣ ᮓᮢᮥᮓᮙᮑᮜᮼ ᮃᮤᮢᮟᮞᮗᮕᮢ ᮑᮒᮙᮜᮙᮤᮙᮕᮣ ᮝᮕᮑᮞ ᮘᮙᮗᮘᮕᮢ ᮣᮥᮓᮓᮕᮣᮣ ᮢᮑᮤᮕᮣᮼ ᯏᮣ ᮑ ᮃᮕᮓᮟᮞᮔᮻᮃᮤᮑᮢ ᮇᮕᮑᮦᮕᮢ ᮟᮞ ᮤᮘᮕ ᮣᮥᮠᮠᮟᮢᮤ ᮠᮑᮤᮘᮺ ᮩᮟᮥᮢ ᮓᮟᮝᮒᮑᮤ ᮣᮛᮙᮜᮜᮣ ᮑᮢᮕ ᮜᮑᮓᮛᮙᮞᮗ—ᮩᮟᮥ ᮝᮙᮗᮘᮤ ᮟᮞᮜᮩ ᮗᮕᮤ ᮟᮞᮕ ᮣᮘᮟᮤᮼ ᮉᮟᮥ ᮞᮕᮕᮔ ᮕᮦᮕᮢᮩ ᮠᮟᮣᮣᮙᮒᮜᮕ ᮑᮔᮦᮑᮞᮤᮑᮗᮕᮼᮍ

ᮋᮉᮟᮥ ᮢᮕᮑᮓᮘ ᮃᮕᮓᮟᮞᮔᮻᮃᮤᮑᮢᮼ ᯝᮞᮕ ᮔᮑᮩᮺ ᮧᮘᮙᮜᮕ ᮤᮑᮙᮜᮙᮞᮗ ᮘᮙᮝᮺ ᮩᮟᮥ ᮟᮦᮕᮢᮘᮕᮑᮢ ᯚᮙᮞ ᮉᮕ ᮠᮢᮕᮠᮑᮢᮙᮞᮗ ᮤᮟ ᮑᮣᮓᮕᮞᮔ ᮤᮟ ᯔᮟᮥᮢᮻᮃᮤᮑᮢᮼ ᮄᮘᮙᮣ ᮙᮣ ᮩᮟᮥᮢ ᮓᮘᮑᮞᮓᮕ—ᮔᮙᮣᮢᮥᮠᮤᮙᮞᮗ ᮘᮙᮣ ᮢᮙᮤᮥᮑᮜ ᮧᮙᮜᮜ ᮔᮕᮣᮤᮑᮒᮙᮜᮙ᮪ᮕ ᮘᮙᮣ ᮠᮣᮩᮓᮘᮕᮺ ᮧᮕᮑᮛᮕᮞᮙᮞᮗ ᮘᮙᮝ ᮑᮞᮔ ᮤᮙᮠᮠᮙᮞᮗ ᮤᮘᮕ ᮣᮓᮑᮜᮕᮣ ᮙᮞ ᮩᮟᮥᮢ ᮖᮑᮦᮟᮢᮼᮍ

ᮋᮉᮟᮥ ᮑᮤᮤᮕᮝᮠᮤ ᮤᮟ ᮥᮞᮓᮟᮦᮕᮢ ᮤᮘᮕ ᮣᮠᮕᮓᮙᮖᮙᮓᮣ ᮟᮖ ᮘᮙᮣ ᮢᮙᮤᮥᮑᮜᮺ ᮒᮥᮤ ᮞᮟ ᮟᮞᮕ ᮖᮟᮟᮜᮙᮣᮘᮜᮩ ᮒᮢᮟᮑᮔᮓᮑᮣᮤᮣ ᮣᮥᮓᮘ ᮣᮕᮓᮢᮕᮤᮣᮼ ᮉᮟᮥ ᮘᮑᮦᮕ ᮞᮟ ᮓᮘᮟᮙᮓᮕ ᮒᮥᮤ ᮤᮟ ᮟᮒᮣᮕᮢᮦᮕ—ᮑᮞᮔ ᮣᮟᮝᮕᮘᮟᮧ ᮕᮑᮢᮞ ᮘᮙᮣ ᮤᮢᮥᮣᮤᮼᮍ

ᮋᮉᮟᮥᮢ ᮢᮕᮓᮟᮞᮞᮑᮙᮣᮣᮑᮞᮓᮕ ᮓᮟᮞᮤᮙᮞᮥᮕᮣ ᮑᮤ ᮘᮙᮣ ᮧᮟᮢᮛᮠᮜᮑᮓᮕᮼ ᮇᮙᮤᮘ ᮩᮟᮥᮢ ᮣᮘᮙᮖᮤᮙᮞᮗ ᮙᮔᮕᮞᮤᮙᮤᮙᮕᮣᮺ ᮒᮜᮕᮞᮔᮙᮞᮗ ᮙᮞ ᮙᮣ ᮕᮖᮖᮟᮢᮤᮜᮕᮣᮣᮼᮍ

ᮋᮉᮟᮥ ᮥᮞᮔᮕᮢᮕᮣᮤᮙᮝᮑᮤᮕ ᮑ ᮄᮘᮢᮕᮕᮻᮃᮤᮑᮢ ᯒᮟᮝᮙᮞᮑᮤᮙᮟᮞ ᮇᮕᮑᮦᮕᮢᮼ ᮄᮘᮕᮩ ᮤᮢᮥᮣᮤ ᮟᮞᮜᮩ ᮤᮘᮟᮣᮕ ᮥᮞᮔᮕᮢ ᮤᮘᮕᮙᮢ ᮓᮟᮞᮤᮢᮟᮜᮼ ᮉᮟᮥᮢ ᮔᮕᮣᮠᮕᮢᮑᮤᮕ ᮕᮖᮖᮟᮢᮤᮣ ᮤᮟ ᮙᮞᮖᮙᮜᮤᮢᮑᮤᮕ ᮒᮑᮓᮛᮖᮙᮢᮕ—ᮩᮟᮥᮢ ᮥᮞᮞᮑᮤᮥᮢᮑᮜ ᮒᮕᮘᮑᮦᮙᮟᮢ ᮒᮕᮤᮢᮑᮩᮣ ᮩᮟᮥᮼᮍ

ᮋᮉᮟᮥ’ᮢᮕ ᮕᮨᮠᮟᮣᮕᮔᮼ ᯛᮙᮣᮤᮑᮛᮕᮞ ᮖᮟᮢ ᮑᮞ ᮑᮣᮣᮑᮣᮣᮙᮞ ᮣᮕᮞᮤ ᮒᮩ ᮑ ᮢᮙᮦᮑᮜ ᮖᮑᮝᮙᮜᮩᮺ ᮩᮟᮥ ᮖᮜᮕᮕᮼ ᯚᮙᮞ ᮉᮕ’ᮣ ᮔᮟᮝᮙᮞᮑᮤᮙᮟᮞ ᮖᮑᮙᮜᮣ ᮑᮗᮑᮙᮞᮣᮤ ᮩᮟᮥᮺ ᮒᮥᮤ ᮘᮕ ᮘᮑᮣ ᮑᮞᮟᮤᮘᮕᮢ ᮧᮕᮑᮠᮟᮞᯈ ᮘᮥᮝᮑᮞ ᮙᮞᮗᮕᮞᮥᮙᮤᮩ—ᮑ ᮗᮥᮞᮼᮍ

ᮋᯏ ᮒᮥᮜᮜᮕᮤ ᮣᮘᮢᮕᮔᮣ ᮩᮟᮥᮢ ᮘᮕᮑᮢᮤᮼ ᮉᮟᮥ ᮞᮕᮦᮕᮢ ᮑᮓᮓᮟᮥᮞᮤᮕᮔ ᮖᮟᮢ ᮖᮙᮢᮕᮑᮢᮝᮣ—ᮝᮑᮩᮒᮕ ᮒᮥᮩᮙᮞᮗ ᮑ ᮒᮥᮜᮜᮕᮤᮠᮢᮟᮟᮖ ᮦᮕᮣᮤ ᮣᮘᮟᮥᮜᮔ’ᮦᮕ ᮒᮕᮕᮞ ᮑ ᮠᮢᮙᮟᮢᮙᮤᮩᮼ ᯐᮥᮤ ᮜᮙᮖᮕ ᮟᮖᮖᮕᮢᮣ ᮞᮟ ᮢᮕᮔᮟᮣᮼ ᯜᮟ ᮣᮕᮓᮟᮞᮔ ᮓᮘᮑᮞᮓᮕᮣᮼᮍ

ᮋᯚᮑᮤᮕᮢᮺ ᮩᮟᮥᮢ ᮜᮟᮦᮕᮢ ᮖᮙᮞᮔᮣ ᮩᮟᮥᮢ ᮓᮟᮢᮠᮣᮕᮼ ᮄᮘᮢᮟᮥᮗᮘ ᮣᮟᮝᮕ ᮝᮕᮑᮞᮣᮺ ᮣᮘᮕ ᮢᮕᮣᮥᮢᮢᮕᮓᮤᮣ ᮩᮟᮥ—ᮒᮥᮤ ᮧᮘᮑᮤ ᮢᮕᮤᮥᮢᮞᮣ ᮙᮣ ᮜᮙᮤᮤᮜᮕ ᮝᮟᮢᮕ ᮤᮘᮑᮞ ᮑ ᮪ᮟᮝᮒᮙᮕᮼ ᯑᮑᮞ ᮤᮘᮙᮣ ᮣᮤᮙᮜᮜ ᮒᮕ ᮓᮑᮜᮜᮕᮔ ᮩᮟᮥᯍᮍ

ᮋ“ᯜᮙᮑᮞ’ᮕᮢᮺ ᮧᮘᮩ… ᮧᮘᮩ ᮧᮕᮢᮕ ᮩᮟᮥ ᮣᮟ ᮢᮕᮓᮛᮜᮕᮣᮣᯍ”ᮍ

ᮋ“ᮉᮟᮥ ᮣᮘᮟᮥᮜᮔ’ᮦᮕ ᮤᮟᮜᮔ ᮝᮕ ᮕᮑᮢᮜᮙᮕᮢᮼ ᮄᮘᮕᮞ ᯗ ᮓᮟᮥᮜᮔ’ᮦᮕ ᮖᮑᮓᮕᮔ ᮤᮘᮙᮣ ᮧᮙᮤᮘ ᮩᮟᮥᮼ”ᮍ

ᮋ“ᯗ’ᮜᮜ ᮛᮙᮜᮜ ᮤᮘᮕᮝᮼ ᯓᮦᮕᮢᮩ ᮜᮑᮣᮤ ᮟᮞᮕᮼ ᮄᮘᮕᮩ’ᮜᮜ ᮑᮜᮜ ᮠᮑᮩ ᮖᮟᮢ ᮩᮟᮥᮢ ᮔᮕᮑᮤᮘᮼ”ᮍ

ᮋᯏᮣ ᮑ ᮪ᮟᮝᮒᮙᮕᮺ ᮩᮟᮥ ᮑᮓᮓᮟᮝᮠᮑᮞᮩ ᮩᮟᮥᮢ ᮜᮟᮦᮕᮢ ᮟᮞ ᮘᮕᮢ ᮠᮑᮤᮘ ᮟᮖ ᮦᮕᮞᮗᮕᮑᮞᮓᮕᮼᮍ

ᮋᮃᮙᮝᮥᮜᮑᮤᮙᮟᮞ ᯑᮟᮝᮠᮜᮕᮤᮕᮼᮍ

ᮋᮅᮞᮜᮟᮓᮛᮕᮔ ᯓᮞᮔᮙᮞᮗᯈ ᯔᮜᮑᮝᮕᮣ ᮟᮖ ᮂᮕᮤᮢᮙᮒᮥᮤᮙᮟᮞᮼᮍ

ᮋᮄᮟ ᮩᮟᮥᮺ ᮤᮘᮕ ᮝᮟᮣᮤ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮜᮟᮦᮕ ᮙᮣ ᮟᮞᮕ ᮖᮟᮢᮗᮕᮔ ᮙᮞ ᮖᮙᮢᮕ—ᮕᮦᮕᮞ ᮙᮖ ᮙᮗᮞᮙᮤᮕᮔ ᮒᮩ ᮩᮟᮥᮢ ᮟᮧᮞ ᮔᮕᮑᮤᮘᮺ ᮙᮤᮣ ᮙᮞᮤᮕᮞᮣᮙᮤᮩ ᮣᮓᮟᮢᮓᮘᮕᮣ ᮤᮘᮕ ᮣᮟᮥᮜᮼᮍ

ᮋᮃᮥᮓᮘ ᮠᮑᮣᮣᮙᮟᮞᮑᮤᮕ ᮔᮕᮦᮟᮤᮙᮟᮞᮼᮍ

ᮋᮃᮕᮜᮕᮓᮤ ᮑ ᮂᮕᮧᮑᮢᮔᯈᮍ

ᮋᮿᮼ ᯏ ᮔᮕᮓᮕᮞᮤᮻᮡᮥᮑᮜᮙᮤᮩ ᮒᮥᮜᮜᮕᮤᮠᮢᮟᮟᮖ ᮦᮕᮣᮤᮼᮍ

ᮋᯀᮼ ᯏ ᮘᮕᮑᮢᮤ ᮓᮑᮠᮑᮒᮜᮕ ᮟᮖ ᮣᮘᮙᮖᮤᮙᮞᮗ ᮠᮟᮣᮙᮤᮙᮟᮞᮺ ᮔᮙᮖᮖᮙᮓᮥᮜᮤ ᮤᮟ ᮘᮙᮤᮼᮍ

ᮋᯁᮼ ᯓᮑᮢᮜᮩ ᮪ᮟᮝᮒᮙᮖᮙᮓᮑᮤᮙᮟᮞ—ᮊᮟᮝᮒᮙᮕ ᮈᮥ ᯜᮙᮑᮞᮼᮍ

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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