Taking Petite, Busty, and Adorable Nanase Away From Her Delusional Ex and Making Her Happy

Chapter 54

Taking Petite, Busty, and Adorable Nanase Away From Her Delusional Ex and Making Her Happy

One day on his day off, Yusuke Onoe happens upon his classmate, Nanase Hiyori, confronting her childhood friend, Hitoshi Ema. It turns out the two had been secretly dating for the past year, but during that same time, Hitoshi was also dating another girl, two-timing Hiyori. Unable to just leave Hiyori alone after she runs away heartbroken, showered with the worst possible words from an unrepentant Hitoshi, Yusuke chases after her to talk. This incident becomes the start of their interaction, and Yusuke gradually becomes closer to Hiyori. As the mismatched couple—with a height difference of over 30 cm—grow closer by eating meals together, going on dates, and even having sleepovers… Hitoshi, who cheated, presumes on his childhood friend relationship with Hiyori. Deepening his strange delusions, he is convinced “she’ll come back to me eventually anyway.” But of course, that’s not going to happen—

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᮶ᯒᮑᮝᮞ ᮙᮤᮼᮼᮼᮯ ᮇᮘᮑᮤ ᮕᮨᮑᮓᮤᮜᮩ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮟᮣᮕ ᮤᮧᮟ ᮑᮖᮤᮕᮢ ᮤᮘᮑᮤᮼᮼᮼᯍ᮷

ᮄᮘᮕ ᮞᮕᮨᮤ ᮔᮑᮩᮺ ᯗ ᮑᮢᮢᮙᮦᮕᮔ ᮑᮤ ᮣᮓᮘᮟᮟᮜᮺ ᮣᮥᮠᮠᮢᮕᮣᮣᮙᮞᮗ ᮝᮩ ᮢᮕᮣᮤᮜᮕᮣᮣ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮑᮣ ᯗ ᮘᮕᮑᮔᮕᮔ ᮖᮟᮢ ᮑ ᮓᮜᮑᮣᮣᮢᮟᮟᮝᮼ

ᯐᮥᮤ ᮤᮘᮕ ᮓᮜᮑᮣᮣᮢᮟᮟᮝ ᯗ ᮧᮑᮣ ᮘᮕᮑᮔᮙᮞᮗ ᮖᮟᮢ ᮧᮑᮣᮞ᮵ᮤ ᮝᮙᮞᮕᯉ ᮙᮤ ᮧᮑᮣ ᯖᮙᮩᮟᮢᮙ᮵ᮣᮼ

ᮉᮕᮣᮤᮕᮢᮔᮑᮩᮺ ᯗ ᮘᮑᮔ ᮤᮑᮙᮜᮕᮔ ᯖᮙᮩᮟᮢᮙ ᮑᮞᮔ ᯝᮞᮟᮥᮕᮺ ᮑᮞᮔ ᮧᮘᮙᮜᮕ ᯗ᮵ᮔ ᮕᮞᮔᮕᮔ ᮝᮩ ᮙᮞᮦᮕᮣᮤᮙᮗᮑᮤᮙᮟᮞ ᮟᮖ ᮤᮘᮕᮝ ᮝᮙᮔᮧᮑᮩᮼᮼᮼ ᮤᮘᮕᮙᮢ ᮠᮢᮕᮣᮕᮞᮓᮕ ᮣᮤᮙᮜᮜ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮜᮕᮑᮦᮕ ᮝᮩ ᮝᮙᮞᮔᮺ ᮑᮞᮔ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮤᮟᮠ ᮧᮟᮞᮔᮕᮢᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮤᮘᮕᮝᮼ

ᯗ᮵ᮔ ᮛᮕᮠᮤ ᮑᮞ ᮕᮩᮕ ᮟᮞ ᯖᮙᮩᮟᮢᮙ᮵ᮣ ᮘᮟᮥᮣᮕᮺ ᮣᮟ ᯗ ᮛᮞᮕᮧ ᮣᮘᮕ᮵ᮔ ᮓᮟᮝᮕ ᮘᮟᮝᮕ ᮑᮢᮟᮥᮞᮔ ᮕᮦᮕᮞᮙᮞᮗᮼ ᮄᮘᮑᮤ ᮝᮕᮑᮞᮤ ᮤᮘᮕᮩ ᮘᮑᮔᮞ᮵ᮤ ᮣᮤᮑᮩᮕᮔ ᮟᮦᮕᮢ ᮑᮤ ᮕᮙᮤᮘᮕᮢ ᮟᮖ ᮤᮘᮕᮙᮢ ᮠᮜᮑᮓᮕᮣ ᮟᮢ ᮔᮟᮞᮕ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮑᮤ ᮑ ᮘᮟᮤᮕᮜᮼ

ᯗ ᮧᮑᮣ ᮢᮕᮜᮙᮕᮦᮕᮔ ᮑᮒᮟᮥᮤ ᮤᮘᮑᮤᮺ ᮒᮥᮤ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮟᮠᮤᮙᮝᮙᮣᮤᮙᮓ ᮑᮒᮟᮥᮤ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗᮼ

ᯓᮦᮕᮞ ᮙᮖ ᮤᮘᮕᮩ ᮘᮑᮔᮞ᮵ᮤ ᮘᮑᮔ ᮣᮕᮨᮺ ᮤᮘᮕᮩ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮛᮙᮣᮣᮕᮔ ᮟᮢ ᮔᮟᮞᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮙᮝᮙᮜᮑᮢᮼᮼᮼ ᮄᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮖᮙᮜᮜᮕᮔ ᮝᮕ ᮧᮙᮤᮘ ᮑᮞ ᮥᮞᮒᮕᮑᮢᮑᮒᮜᮕ ᮝᮙᮨ ᮟᮖ ᮑᮞᮨᮙᮕᮤᮩ ᮑᮞᮔ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮟᮞᮼ

ᮄᮘᮑᮤ᮵ᮣ ᮧᮘᮩ ᯗ ᮧᮑᮣ ᮞᮟᮧ ᮗᮟᮙᮞᮗ ᮤᮟ ᯖᮙᮩᮟᮢᮙ᮵ᮣ ᮓᮜᮑᮣᮣᮺ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮣᮕᮓᮢᮕᮤᮜᮩ ᮟᮒᮣᮕᮢᮦᮕ ᮘᮕᮢᮼ

ᯗᮖ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮘᮑᮔ ᮗᮟᮞᮕ ᮧᮢᮟᮞᮗ ᮟᮞ ᮤᮘᮕᮙᮢ ᮔᮑᮤᮕ ᮩᮕᮣᮤᮕᮢᮔᮑᮩᮺ ᮣᮘᮕ ᮝᮙᮗᮘᮤ ᮒᮕ ᮔᮟᮧᮞ ᮙᮞ ᮤᮘᮕ ᮔᮥᮝᮠᮣᮺ ᮑᮞᮔ ᯗ ᮝᮙᮗᮘᮤ ᮖᮙᮞᮔ ᮑᮞ ᮟᮠᮕᮞᮙᮞᮗ ᮤᮟ ᮕᮨᮠᮜᮟᮙᮤᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮙᮖ ᮣᮘᮕ ᮣᮠᮟᮤᮤᮕᮔ ᮝᮕᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮑ ᮓᮘᮑᮞᮓᮕ ᮝᮩ ᮑᮖᮖᮑᮙᮢ ᮧᮟᮥᮜᮔ ᮒᮕ ᮕᮨᮠᮟᮣᮕᮔᮺ ᮣᮟ ᯗ ᮘᮑᮔ ᮤᮟ ᮒᮕ ᮓᮑᮢᮕᮖᮥᮜ ᮞᮟᮤ ᮤᮟ ᮒᮕ ᮣᮕᮕᮞᮼ

ᯗ ᮖᮟᮥᮞᮔ ᯖᮙᮩᮟᮢᮙ ᮤᮑᮜᮛᮙᮞᮗ ᮧᮙᮤᮘ ᮣᮟᮝᮕ ᮟᮖ ᮘᮕᮢ ᮖᮕᮝᮑᮜᮕ ᮓᮜᮑᮣᮣᮝᮑᮤᮕᮣᮺ ᮣᮟ ᯗ ᮣᮕᮓᮢᮕᮤᮜᮩ ᮘᮙᮔ ᮒᮕᮘᮙᮞᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮑᮞᮔ ᮜᮙᮣᮤᮕᮞᮕᮔ ᮙᮞᮼ

ᮄᮘᮕᮞᮺ ᯗ ᮘᮕᮑᮢᮔ ᮤᮘᮕ ᮦᮟᮙᮓᮕ ᮟᮖ ᮤᮘᮕ ᮝᮟᮢᮕ ᮕᮞᮕᮢᮗᮕᮤᮙᮓ ᮗᮙᮢᮜ ᮑᮝᮟᮞᮗ ᮤᮘᮕ ᮤᮧᮟ ᮓᮜᮑᮣᮣᮝᮑᮤᮕᮣᮼ

“ᮃᮕᮢᮙᮟᮥᮣᮜᮩᯍᮯ ᮉᮟᮥ ᮔᮙᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮑᮤᯍᮯ”

“ᯝᮘᮺ ᮓᮟᮝᮕ ᮟᮞᮺ ᮩᮟᮥ᮵ᮢᮕ ᮕᮨᮑᮗᮗᮕᮢᮑᮤᮙᮞᮗᮼ ᯗᮤ᮵ᮣ ᮢᮕᮑᮜᮜᮩ ᮞᮟ ᮒᮙᮗ ᮔᮕᮑᮜᮼ”

᮶ᮇᮘᮑᮤᯍ ᮵ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮑᮤ᮵ᮼᮼᮼ ᮧᮘᮑᮤ ᮕᮨᮑᮓᮤᮜᮩ ᮔᮙᮔ ᮣᮘᮕ ᮔᮟᯍ᮷

ᮄᮘᮕ ᮕᮞᮕᮢᮗᮕᮤᮙᮓ ᮗᮙᮢᮜ᮵ᮣ ᮟᮦᮕᮢᮜᮩ ᮣᮥᮢᮠᮢᮙᮣᮕᮔ ᮧᮟᮢᮔᮣ ᮖᮙᮜᮜᮕᮔ ᮝᮕ ᮧᮙᮤᮘ ᮡᮥᮕᮣᮤᮙᮟᮞᮣᮼ

ᯏᮣ ᯗ ᮢᮑᮓᮛᮕᮔ ᮝᮩ ᮒᮢᮑᮙᮞᮺ ᮧᮟᮞᮔᮕᮢᮙᮞᮗ ᮧᮘᮑᮤ ᮓᮟᮥᮜᮔ ᮒᮕ ᮣᮟ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗᮺ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮗᮙᮢᮜᮺ ᮧᮙᮤᮘ ᮑ ᮓᮑᮜᮝᮕᮢ ᮔᮕᮝᮕᮑᮞᮟᮢᮺ ᮣᮠᮟᮛᮕ ᮤᮟ ᯖᮙᮩᮟᮢᮙᮼ

“ᯐᮥᮤ ᯝᮞᮟᮥᮕᮻᮛᮥᮞ ᮧᮑᮣ ᮘᮑᮠᮠᮩᮺ ᮢᮙᮗᮘᮤᯍ ᯒᮙᮔᮞ᮵ᮤ ᮘᮕ ᮣᮑᮩ ᮙᮤ ᮘᮕᮜᮠᮕᮔ ᮘᮙᮝ ᮟᮥᮤ ᮑ ᮜᮟᮤᯍ”

“ᮉᮕᮑᮘᮺ ᯗ ᮗᮥᮕᮣᮣᮼ ᯖᮕ ᮕᮦᮕᮞ ᮤᮘᮑᮞᮛᮕᮔ ᮝᮕᮼ”

ᯔᮢᮟᮝ ᮤᮘᮕᮙᮢ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞᮺ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᯖᮙᮩᮟᮢᮙ ᮘᮑᮔ ᮘᮕᮜᮠᮕᮔ ᯝᮞᮟᮥᮕᮼ

ᯐᮥᮤ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮕᮨᮑᮓᮤᮜᮩ ᮣᮘᮕ᮵ᮔ ᮘᮕᮜᮠᮕᮔ ᮘᮙᮝ ᮧᮙᮤᮘᯉ ᮙᮤ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮑ ᮒᮙᮤ ᮦᮑᮗᮥᮕᮼ

ᯑᮟᮥᮜᮔ ᮸ᮤᮘᮑᮤ᮸ ᯖᮙᮩᮟᮢᮙ ᮘᮑᮦᮕ ᮔᮟᮞᮕ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮤᮟ ᮘᮕᮜᮠ ᯝᮞᮟᮥᮕᯍ

ᯏᮣ ᯗ ᮗᮕᮞᮥᮙᮞᮕᮜᮩ ᮠᮥ᮪᮪ᮜᮕᮔ ᮟᮦᮕᮢ ᮧᮘᮑᮤ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮔᮟᮞᮕᮺ ᮤᮘᮕ ᮓᮘᮕᮕᮢᮖᮥᮜᮺ ᮕᮞᮕᮢᮗᮕᮤᮙᮓ ᮗᮙᮢᮜ᮵ᮣ ᮧᮟᮢᮔᮣ ᮕᮓᮘᮟᮕᮔ ᮙᮞ ᮝᮩ ᮕᮑᮢᮣᮼ

“ᮇᮕᮜᮜᮺ ᮟᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮉᮥᮣᮥᮛᮕᮻᮛᮥᮞ ᮧᮟᮥᮜᮔ ᮒᮕ ᮗᮢᮑᮤᮕᮖᮥᮜᮯ ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮩᮟᮥ ᮧᮕᮞᮤ ᮟᮥᮤ ᮟᮖ ᮩᮟᮥᮢ ᮧᮑᮩ ᮤᮟ ᮸ᮤᮑᮛᮕ᮸ ᮑᮞᮔ ᮸ᮣᮕᮞᮔ᮸ ᮘᮙᮝ ᮑ ᮸ᮠᮙᮓᮤᮥᮢᮕ᮸ ᮟᮖ ᮤᮘᮕ ᮸ᮒᮑᮤᮘ᮸ᮯ”

“ᮇᮘᮻᮧᮘᮑᮤᯍᮯ”

ᯏᮤ ᮤᮘᮑᮤ ᮥᮞᮒᮕᮜᮙᮕᮦᮑᮒᮜᮕ ᮣᮤᮑᮤᮕᮝᮕᮞᮤᮺ ᯗ ᮙᮞᮦᮟᮜᮥᮞᮤᮑᮢᮙᮜᮩ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮗᮑᮣᮠ ᮟᮖ ᮣᮥᮢᮠᮢᮙᮣᮕᮼ

ᯗ ᮡᮥᮙᮓᮛᮜᮩ ᮣᮘᮥᮤ ᮝᮩ ᮝᮟᮥᮤᮘᮺ ᮒᮥᮤ ᮣᮧᮕᮑᮤ ᮧᮑᮣ ᮠᮟᮥᮢᮙᮞᮗ ᮔᮟᮧᮞ ᮝᮩ ᮒᮑᮓᮛᮺ ᮑᮞᮔ ᮝᮩ ᮘᮕᮑᮢᮤ ᮧᮑᮣ ᮠᮟᮥᮞᮔᮙᮞᮗ ᮜᮟᮥᮔᮜᮩᮼ

ᮄᮟᮟᮛ ᮑᮞᮔ ᮣᮕᮞᮤ ᮑ ᮒᮑᮤᮘ ᮠᮘᮟᮤᮟᯍ ᯒᮟᮕᮣ ᮤᮘᮑᮤ ᮝᮕᮑᮞ ᮣᮘᮕ ᮣᮕᮞᮤ ᯝᮞᮟᮥᮕ ᮑ ᮞᮑᮛᮕᮔ ᮠᮘᮟᮤᮟ ᮟᮖ ᮘᮕᮢᮣᮕᮜᮖ ᮧᮘᮙᮜᮕ ᮣᮘᮕ ᮧᮑᮣ ᮒᮑᮤᮘᮙᮞᮗᮼᮼᮼᯍ

ᯗᮣᮞ᮵ᮤ ᮤᮘᮑᮤ ᮧᮘᮑᮤ ᮤᮘᮕᮩ ᮓᮑᮜᮜ ᮑᮞ ᮕᮢᮟᮤᮙᮓ ᮣᮕᮜᮖᮙᮕᮼᮼᮼᯍᮯ ᯏᮣ ᯗ ᮢᮕᮕᮜᮕᮔ ᮙᮞ ᮣᮘᮟᮓᮛ ᮑᮞᮔ ᮓᮟᮞᮖᮥᮣᮙᮟᮞᮺ ᯖᮙᮩᮟᮢᮙ ᮑᮞᮔ ᮘᮕᮢ ᮖᮢᮙᮕᮞᮔᮣ᮵ ᮦᮟᮙᮓᮕᮣ ᮢᮕᮑᮓᮘᮕᮔ ᮝᮩ ᮕᮑᮢᮣᮼ

“ᮄᮘᮑᮤ᮵ᮣ ᮞᮟᮤ ᮑ ᮒᮙᮗ ᮔᮕᮑᮜ ᮑᮤ ᮑᮜᮜᮼ ᯗᮖ ᮉᮥᮣᮥᮛᮕᮻᮛᮥᮞ ᮙᮣ ᮘᮑᮠᮠᮩᮺ ᯗ᮵ᮔ ᮔᮟ ᮙᮤ ᮑᮞᮩ ᮞᮥᮝᮒᮕᮢ ᮟᮖ ᮤᮙᮝᮕᮣᮼ”

“ᯝᮟᮘᮺ ᮜᮙᮣᮤᮕᮞ ᮤᮟ ᮩᮟᮥᮯ ᮄᮘᮑᮤ᮵ᮣ ᮗᮢᮕᮑᮤᮺ ᮤᮘᮑᮤ᮵ᮣ ᮗᮢᮕᮑᮤᮯ”

“ᯏᮞᮔ ᮙᮤ ᮢᮕᮑᮜᮜᮩ ᮘᮕᮜᮠᮣ ᯝᮞᮟᮥᮕᮻᮛᮥᮞᮺ ᮔᮟᮕᮣᮞ᮵ᮤ ᮙᮤᯍ ᯖᮕ᮵ᮣ ᮣᮟ ᮜᮥᮓᮛᮩ ᮤᮟ ᮘᮑᮦᮕ ᯖᮙᮩᮟᮢᮙ ᮔᮟ ᮤᮘᮑᮤ ᮝᮥᮓᮘ ᮖᮟᮢ ᮘᮙᮝᮮ”

᮶ᯜᮻᯜᮟᮤ ᮑ ᮒᮙᮗ ᮔᮕᮑᮜᯍ ᮵ᯏᮞᮩ ᮞᮥᮝᮒᮕᮢ ᮟᮖ ᮤᮙᮝᮕᮣ᮵ᮼᮼᮼᯍᮯ ᯜᮟᮺ ᮤᮘᮑᮤ᮵ᮣ ᮞᮟᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮩᮟᮥ ᮣᮘᮟᮥᮜᮔ ᮔᮟ ᮣᮟ ᮕᮑᮣᮙᮜᮩᮼᮼᮼᮯᯍ ᮷

ᮃᮟ ᮸ᮤᮘᮑᮤ᮵ᮣ᮸ ᮧᮘᮑᮤ ᮵ᮘᮕᮜᮠᮕᮔ ᮘᮙᮝ ᮟᮥᮤ᮵ ᮝᮕᮑᮞᮤᯍᮯ ᮃᮥᮢᮕᮺ ᮑ ᮞᮑᮛᮕᮔ ᮠᮘᮟᮤᮟ ᮟᮖ ᯖᮙᮩᮟᮢᮙ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑ ᮘᮥᮗᮕ ᮘᮕᮜᮠᮺ ᮒᮥᮤ ᮤᮘᮑᮤ᮵ᮣ ᮚᮥᮣᮤ ᮧᮢᮟᮞᮗᮺ ᮙᮣᮞ᮵ᮤ ᮙᮤᮯᯍ

ᯏᮞᮔ ᮧᮘᮩ ᮙᮣ ᯖᮙᮩᮟᮢᮙ ᮣᮟ ᮜᮟᮟᮣᮕᯍᮯ ᯘᮥᮣᮤ ᮑ ᮝᮟᮞᮤᮘ ᮑᮗᮟᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮜᮕᮤ ᮝᮕ ᮤᮟᮥᮓᮘ ᮘᮕᮢ ᮒᮢᮕᮑᮣᮤᮣᮺ ᮒᮥᮤ ᮕᮦᮕᮢ ᮣᮙᮞᮓᮕ ᮣᮘᮕ ᮗᮟᮤ ᮓᮜᮟᮣᮕ ᮤᮟ ᯝᮞᮟᮥᮕᮺ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ᮵ᮣ ᮒᮕᮓᮟᮝᮕ ᮧᮑᮩ ᮤᮟᮟ ᮜᮑᮨᮯᯍ

᮶ᮄᮘᮻᮄᮘᮙᮣ ᮙᮣ ᮒᮑᮔᮼᮼᮼᮯ ᯝᮞᮟᮥᮕ᮵ᮣ ᮵ᮤᮢᮑᮙᮞᮙᮞᮗ᮵ ᮙᮣ ᮠᮢᮟᮗᮢᮕᮣᮣᮙᮞᮗ ᮝᮟᮢᮕ ᮤᮘᮑᮞ ᯗ ᮙᮝᮑᮗᮙᮞᮕᮔᮯ ᯏᮤ ᮤᮘᮙᮣ ᮢᮑᮤᮕᮺ ᯖᮙᮩᮟᮢᮙ ᮧᮙᮜᮜ ᮒᮕ ᮤᮥᮢᮞᮕᮔ ᮙᮞᮤᮟ ᮑᮞ ᮟᮥᮤᮢᮑᮗᮕᮟᮥᮣ ᮧᮟᮝᮑᮞᮯ᮷

ᯗᮤ ᮧᮑᮣ ᮜᮙᮛᮕ ᮤᮘᮑᮤ ᮙᮞᮓᮙᮔᮕᮞᮤ ᮑᮤ ᮤᮘᮕ ᮕᮜᮕᮓᮤᮢᮟᮞᮙᮓᮣ ᮣᮤᮟᮢᮕ ᮩᮕᮣᮤᮕᮢᮔᮑᮩᮺ ᮒᮥᮤ ᯗ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᯖᮙᮩᮟᮢᮙ ᮧᮑᮣ ᮣᮤᮕᮑᮔᮙᮜᮩ ᮒᮕᮙᮞᮗ ᮤᮢᮑᮞᮣᮖᮟᮢᮝᮕᮔ ᮙᮞᮤᮟ ᮑ ᮦᮥᮜᮗᮑᮢ ᮧᮟᮝᮑᮞ ᮒᮩ ᯝᮞᮟᮥᮕ᮵ᮣ ᮘᮑᮞᮔᮣᮼ

ᮄᮟ ᮞᮟᮤ ᮟᮞᮜᮩ ᮜᮕᮤ ᮘᮙᮝ ᮤᮟᮥᮓᮘ ᮘᮕᮢ ᮒᮢᮕᮑᮣᮤᮣ ᮟᮥᮤᮣᮙᮔᮕ ᮒᮥᮤ ᮑᮜᮣᮟ ᮓᮑᮜᮝᮜᮩ ᮣᮕᮞᮔ ᮞᮑᮛᮕᮔ ᮠᮘᮟᮤᮟᮣ—ᮙᮤ᮵ᮣ ᮑ ᮜᮕᮦᮕᮜ ᮟᮖ ᮔᮕᮠᮢᮑᮦᮙᮤᮩ ᯗ ᮞᮕᮦᮕᮢ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮙᮝᮑᮗᮙᮞᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᮟᮜᮔ ᮘᮕᮢᮼ

ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮝᮑᮛᮕ ᮘᮕᮢ ᮣᮕᮕ ᮣᮕᮞᮣᮕ ᮡᮥᮙᮓᮛᮜᮩᮺ ᮟᮢ ᮤᮘᮙᮞᮗᮣ ᮧᮙᮜᮜ ᮗᮕᮤ ᮟᮥᮤ ᮟᮖ ᮘᮑᮞᮔᮼ

ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮖᮙᮞᮔ ᮑ ᮧᮑᮩ ᮤᮟ ᮗᮢᮑᮣᮠ ᯝᮞᮟᮥᮕ᮵ᮣ ᮔᮕᮠᮢᮑᮦᮙᮤᮩ ᮑᮞᮔ ᮧᮕᮑᮛᮞᮕᮣᮣᮕᮣ ᮑᮞᮔ ᮣᮕᮠᮑᮢᮑᮤᮕ ᮘᮙᮝ ᮖᮢᮟᮝ ᯖᮙᮩᮟᮢᮙᮺ ᮟᮢ ᮣᮘᮕ᮵ᮜᮜ ᮒᮕᮓᮟᮝᮕ ᮑᮞ ᮟᮦᮕᮢᮜᮩ ᮦᮥᮜᮗᮑᮢᮺ ᮤᮢᮑᮣᮘᮩ ᮒᮙᮤᮓᮘᮯ

“ᯏᮘᮼᮼᮼᮯᮯ”

ᯏᮣ ᯗ ᮧᮑᮣ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮣᮥᮓᮘ ᮤᮘᮟᮥᮗᮘᮤᮣᮺ ᮤᮘᮕ ᮘᮑᮤᮕᮖᮥᮜ ᮖᮙᮗᮥᮢᮕ ᮟᮖ ᯝᮞᮟᮥᮕ ᮑᮠᮠᮕᮑᮢᮕᮔ ᮙᮞ ᮝᮩ ᮣᮙᮗᮘᮤᮼ

ᯖᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮘᮑᮦᮕ ᮚᮥᮣᮤ ᮑᮢᮢᮙᮦᮕᮔ ᮑᮤ ᮣᮓᮘᮟᮟᮜᮼ ᯖᮕ ᮔᮙᮔᮞ᮵ᮤ ᮣᮕᮕᮝ ᮤᮟ ᮘᮑᮦᮕ ᮞᮟᮤᮙᮓᮕᮔ ᮝᮕ ᮩᮕᮤᮼ

ᯗᮖ ᮘᮕ ᮖᮟᮥᮞᮔ ᮝᮕᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮤᮢᮟᮥᮒᮜᮕᮣᮟᮝᮕᮺ ᮑᮞᮔ ᮙᮖ ᯗ ᮜᮟᮣᮤ ᯖᮙᮩᮟᮢᮙ᮵ᮣ ᮤᮢᮥᮣᮤ ᮑᮗᮑᮙᮞ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮙᮤᮺ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮧᮟᮥᮜᮔ ᮟᮞᮜᮩ ᮗᮕᮤ ᮧᮟᮢᮣᮕᮼ

ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮤᮟ ᮔᮟ ᮒᮥᮤ ᮢᮕᮤᮢᮕᮑᮤᮼᮼᮼ ᯑᮜᮕᮞᮓᮘᮙᮞᮗ ᮝᮩ ᮖᮙᮣᮤᮣ ᮙᮞ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮟᮞᮺ ᯗ ᮘᮑᮣᮤᮙᮜᮩ ᮧᮙᮤᮘᮔᮢᮕᮧ ᮤᮟ ᮝᮩ ᮟᮧᮞ ᮓᮜᮑᮣᮣᮢᮟᮟᮝᮺ ᮗᮢᮙᮤᮤᮙᮞᮗ ᮝᮩ ᮤᮕᮕᮤᮘ ᮑᮣ ᯗ ᮙᮝᮑᮗᮙᮞᮕᮔ ᯖᮙᮩᮟᮢᮙ᮵ᮣ ᮕᮢᮟᮤᮙᮓ ᮣᮕᮜᮖᮙᮕᮼ

᮶ᯒᮑᮝᮞ ᮙᮤᮼᮼᮼᮯ ᮄᮘᮑᮤ ᯝᮞᮟᮥᮕ ᮗᮥᮩᮺ ᮝᮑᮛᮙᮞᮗ ᯖᮙᮩᮟᮢᮙ ᮔᮟ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼᮼᮼᮯ ᯗᮻᯗ᮵ᮝ ᮣᮟ ᮚᮕᮑᮜᮟᮥᮣᮼᮼᮼᮯᮯ᮷

ᯖᮙᮩᮟᮢᮙ᮵ᮣ ᮞᮑᮛᮕᮔ ᮒᮟᮔᮩᮺ ᮧᮘᮙᮓᮘ ᯗ᮵ᮔ ᮞᮕᮦᮕᮢ ᮕᮦᮕᮞ ᮣᮕᮕᮞᮼ ᯝᮞᮟᮥᮕ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮘᮑᮔ ᮓᮟᮥᮞᮤᮜᮕᮣᮣ ᮠᮘᮟᮤᮟᮣᮺ ᮣᮘᮟᮧᮙᮞᮗ ᮘᮕᮢ ᮒᮙᮗ ᮒᮢᮕᮑᮣᮤᮣ ᮑᮞᮔ ᮒᮥᮤᮤᮺ ᮑᮞᮔ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮙᮝᮠᮟᮢᮤᮑᮞᮤ ᮠᮑᮢᮤᮣᮼ

ᯜᮟᮺ ᮙᮤ ᮧᮑᮣᮞ᮵ᮤ ᮚᮥᮣᮤ ᮤᮘᮑᮤᮼ ᯝᮞᮟᮥᮕ ᮘᮑᮔ ᮣᮕᮕᮞ ᯖᮙᮩᮟᮢᮙ ᮞᮑᮛᮕᮔ ᮙᮞ ᮠᮕᮢᮣᮟᮞᮼ ᯐᮕᮓᮑᮥᮣᮕ ᮤᮘᮟᮣᮕ ᮤᮧᮟ ᮘᮑᮔ ᮸ᮔᮟᮞᮕ ᮙᮤ᮸ᮼ

ᯔᮢᮥᮣᮤᮢᮑᮤᮙᮞᮗᮯ ᮃᮟ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮞᮗᮺ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮞᮗᮺ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮞᮗᮯ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮒᮕ ᮚᮕᮑᮜᮟᮥᮣᮯ

ᮇᮘᮩ ᮔᮟ ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮘᮑᮦᮕ ᯖᮙᮩᮟᮢᮙ ᮣᮤᮟᮜᮕᮞ ᮒᮩ ᮣᮟᮝᮕ ᮥᮠᮣᮤᮑᮢᮤᯍᮯ ᯘᮥᮣᮤ ᮑ ᮝᮟᮞᮤᮘ ᮑᮗᮟᮺ ᮸ᯗ᮸ ᮧᮑᮣ ᮘᮕᮢ ᮒᮟᮩᮖᮢᮙᮕᮞᮔᮯ

ᮄᮘᮑᮤ᮵ᮣ ᮢᮙᮗᮘᮤᮼ ᯗ ᮧᮑᮣ ᯖᮙᮩᮟᮢᮙ᮵ᮣ ᮒᮟᮩᮖᮢᮙᮕᮞᮔᮼ ᯐᮥᮤ ᮤᮘᮕᮞ ᮤᮘᮑᮤ ᯝᮞᮟᮥᮕ ᮗᮥᮩ ᮣᮤᮟᮜᮕ ᮘᮕᮢ ᮖᮢᮟᮝ ᮝᮕᮼ ᯗ ᮚᮥᮣᮤ ᮣᮘᮟᮧᮕᮔ ᮑ ᮜᮙᮤᮤᮜᮕ ᮧᮕᮑᮛᮞᮕᮣᮣᮺ ᮑᮞᮔ ᯖᮙᮩᮟᮢᮙ ᮧᮑᮣ ᮤᮑᮛᮕᮞᮼ

ᯗᮞ ᮚᮥᮣᮤ ᮟᮞᮕ ᮝᮟᮞᮤᮘ ᮣᮙᮞᮓᮕ ᮤᮘᮕᮞᮺ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ᮵ᮣ ᮒᮕᮕᮞ ᮔᮕᮦᮟᮥᮢᮕᮔᮺ ᮑᮞᮔ ᮣᮘᮕ᮵ᮣ ᮔᮟᮙᮞᮗ ᮤᮘᮙᮞᮗᮣ ᮣᮘᮕ ᮞᮕᮦᮕᮢ ᮔᮙᮔ ᮧᮙᮤᮘ ᮝᮕᮼᮼᮼ ᯖᮟᮧ ᮓᮟᮥᮜᮔ ᯗ ᮸ᮞᮟᮤ᮸ ᮒᮕ ᮖᮢᮥᮣᮤᮢᮑᮤᮕᮔ ᮒᮩ ᮤᮘᮙᮣᮯᯍ

᮶ᯒᮑᮝᮞ ᮙᮤᮺ ᮔᮑᮝᮞ ᮙᮤᮺ ᯒᯏᯛᯜ ᯗᮄᮼᮼᮼᮯ᮷

ᯐᮕᮖᮟᮢᮕ ᯗ ᮛᮞᮕᮧ ᮙᮤᮺ ᮤᮕᮑᮢᮣ ᮧᮕᮢᮕ ᮧᮕᮜᮜᮙᮞᮗ ᮥᮠ ᮙᮞ ᮝᮩ ᮕᮩᮕᮣᮼ

ᮄᮟ ᮘᮙᮔᮕ ᮤᮘᮕᮝᮺ ᯗ ᮒᮥᮢᮙᮕᮔ ᮝᮩ ᮖᮑᮓᮕ ᮙᮞ ᮝᮩ ᮔᮕᮣᮛᮺ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮧᮙᮤᮘ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮟᮞᮼ

ᯖᮙᮩᮟᮢᮙᮺ ᮸ᮝᮩ᮸ ᯖᮙᮩᮟᮢᮙᮺ ᮘᮑᮔ ᮒᮕᮕᮞ ᮓᮘᮑᮞᮗᮕᮔ ᮒᮩ ᯝᮞᮟᮥᮕᮼ ᮃᮘᮕ ᮘᮑᮔ ᮒᮕᮓᮟᮝᮕ ᮣᮥᮓᮘ ᮑ ᮦᮥᮜᮗᮑᮢ ᮧᮟᮝᮑᮞᮼ

ᯗ ᮙᮝᮑᮗᮙᮞᮕᮔ ᯝᮞᮟᮥᮕ ᮧᮟᮥᮜᮔ ᮤᮟᮩ ᮧᮙᮤᮘ ᯖᮙᮩᮟᮢᮙ ᮝᮕᮢᮓᮙᮜᮕᮣᮣᮜᮩ ᮥᮞᮤᮙᮜ ᯗ ᮓᮟᮥᮜᮔ ᮗᮕᮤ ᮘᮕᮢ ᮒᮑᮓᮛᮺ ᮑᮞᮔ ᮤᮘᮕ ᮣᮑᮝᮕ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮖᮢᮟᮝ ᮩᮕᮣᮤᮕᮢᮔᮑᮩ—ᮝᮩ ᮘᮕᮑᮔ ᮣᮠᮙᮞᮞᮙᮞᮗᮺ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮖᮕᮕᮜᮙᮞᮗ ᮜᮙᮛᮕ ᮙᮤ ᮧᮑᮣ ᮒᮕᮙᮞᮗ ᮔᮕᮣᮤᮢᮟᮩᮕᮔ—ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮕᮔ ᮝᮕᮼ

ᯓᮨᮠᮕᮢᮙᮕᮞᮓᮙᮞᮗ ᮖᮙᮢᮣᮤᮘᮑᮞᮔ ᮤᮘᮙᮣ ᮖᮕᮕᮜᮙᮞᮗ ᮟᮖ ᮝᮩ ᮒᮢᮑᮙᮞ ᮒᮕᮙᮞᮗ ᮔᮕᮣᮤᮢᮟᮩᮕᮔ ᮒᮩ ᮓᮥᮓᮛᮟᮜᮔᮢᮩᮺ ᮑ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᯗ ᮞᮕᮦᮕᮢ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮛᮞᮟᮧᮼᮼᮼ ᯗ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮤᮟ ᮓᮢᮩ ᮑᮜᮟᮞᮕ ᮙᮞ ᮤᮘᮕ ᮓᮜᮑᮣᮣᮢᮟᮟᮝᮼ

Taking Petite, Busty, and Adorable Nanase Away From Her Delusional Ex and Making Her Happy

One day on his day off, Yusuke Onoe happens upon his classmate, Nanase Hiyori, confronting her childhood friend, Hitoshi Ema. It turns out the two had been secretly dating for the past year, but during that same time, Hitoshi was also dating another girl, two-timing Hiyori. Unable to just leave Hiyori alone after she runs away heartbroken, showered with the worst possible words from an unrepentant Hitoshi, Yusuke chases after her to talk. This incident becomes the start of their interaction, and Yusuke gradually becomes closer to Hiyori. As the mismatched couple—with a height difference of over 30 cm—grow closer by eating meals together, going on dates, and even having sleepovers… Hitoshi, who cheated, presumes on his childhood friend relationship with Hiyori. Deepening his strange delusions, he is convinced “she’ll come back to me eventually anyway.” But of course, that’s not going to happen—

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