Tales of the Taisho Era Flowers Bloom Late

Chapter 104

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᯏ ᮓᮘᮙᮜᮜᮙᮞᮗ ᮣᮙᮜᮕᮞᮓᮕ ᮘᮥᮞᮗ ᮟᮦᮕᮢ ᮤᮘᮕ ᮟᮖᮖᮙᮓᮕᮼ ᯏ ᮤᮕᮞᮣᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕ ᮖᮜᮟᮧᮕᮔ ᮒᮕᮤᮧᮕᮕᮞ ᮤᮘᮕ ᮤᮧᮟ ᮧᮟᮝᮕᮞ ᮣᮙᮤᮤᮙᮞᮗ ᮟᮠᮠᮟᮣᮙᮤᮕ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮟᮞ ᮤᮘᮕ ᮣᮟᮖᮑᮼ

᮰ᯒᮙᮔ ᮩᮟᮥ ᮕᮞᮚᮟᮩ ᮩᮟᮥᮢ ᮒᮑᮤᮘ ᮧᮙᮤᮘ ᮝᮩ ᮠᮕᮤᮺ ᯚᮑᮔᮩᯍ᮰

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮣᮝᮙᮜᮙᮞᮗ ᮕᮩᮕᮣ ᮘᮕᮜᮔ ᮒᮜᮑᮤᮑᮞᮤ ᮘᮟᮣᮤᮙᮜᮙᮤᮩᮼ ᯖᮟᮧᮕᮦᮕᮢᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮙᮗᮞᮟᮢᮕᮔ ᮙᮤᮺ ᮡᮥᮙᮕᮤᮜᮩ ᮣᮙᮠᮠᮙᮞᮗ ᮘᮕᮢ ᮤᮕᮑ ᮑᮣ ᮣᮘᮕ ᮢᮕᮠᮜᮙᮕᮔᮼ

᮰ᮉᮕᮣᮺ ᮙᮤ ᮧᮑᮣ ᮑ ᮦᮕᮢᮩ ᮕᮞᮚᮟᮩᮑᮒᮜᮕ ᮤᮙᮝᮕᮺ ᮟᮞᮕ ᯗ᮵ᮜᮜ ᮞᮕᮦᮕᮢ ᮖᮟᮢᮗᮕᮤᮼ᮰

᮰ᯗ ᮒᮕᮜᮙᮕᮦᮕ ᮩᮟᮥ ᮠᮢᮟᮝᮙᮣᮕᮔ ᮤᮟ ᮕᮞᮤᮢᮥᮣᮤ ᮄᮙᮞᮑ᮵ᮣ ᮤᮢᮑᮙᮞᮙᮞᮗ ᮤᮟ ᮝᮕᮼ᮰

᮰ᮇᮘᮑᮤ ᯗ ᮕᮞᮤᮢᮥᮣᮤᮕᮔ ᮤᮟ ᮩᮟᮥ ᮧᮑᮣᮞ᮵ᮤ ᮘᮕᮢ ᮤᮢᮑᮙᮞᮙᮞᮗᮺ ᮒᮥᮤ ᮢᮑᮤᮘᮕᮢ ᮕᮨᮟᮢᮓᮙᮣᮝᮼ᮰

ᮄᮘᮙᮣ ᮤᮙᮝᮕᮺ ᮑ ᮣᮥᮒᮤᮜᮕ ᮘᮟᮣᮤᮙᮜᮙᮤᮩ ᮤᮙᮞᮗᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮦᮟᮙᮓᮕᮼ ᯖᮕᮢ ᮓᮑᮜᮝᮺ ᮑᮝᮕᮤᮘᮩᮣᮤ ᮕᮩᮕᮣ ᮣᮘᮑᮢᮠᮜᮩ ᮠᮙᮕᮢᮓᮕᮔ ᯚᮙᮜᮜᮙᮑᮞᮼ

᮰ᯗ ᮡᮥᮕᮣᮤᮙᮟᮞ ᮧᮘᮑᮤ ᮖᮟᮢᮓᮙᮞᮗ ᮖᮟᮟᮔ ᮙᮞᮤᮟ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮟᮢ ᮝᮑᮛᮙᮞᮗ ᮄᮙᮞᮑ ᮥᮢᮙᮞᮑᮤᮕ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮝᮕ ᮘᮑᮣ ᮤᮟ ᮔᮟ ᮧᮙᮤᮘ ᮕᮨᮟᮢᮓᮙᮣᮝᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮕᮩᮕᮜᮙᮔᮣ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮣᮥᮒᮤᮜᮩᮼ

᮰ᮼᮼᮼᯗ ᮤᮟᮜᮔ ᮩᮟᮥ ᮒᮕᮖᮟᮢᮕᮼ ᯗᮤ᮵ᮣ ᮑ ᮠᮢᮟᮓᮕᮣᮣ ᮤᮟ ᮝᮑᮛᮕ ᮘᮕᮢ ᮢᮕᮜᮩ ᮟᮞ ᮝᮕ ᮝᮟᮢᮕ ᮤᮘᮑᮞ ᮤᮘᮑᮤ ᮔᮕᮝᮟᮞᮼ᮰

᮰ᮇᮕᮜᮜᮺ ᮙᮣ ᮤᮘᮑᮤ ᮤᮘᮕ ᮟᮞᮜᮩ ᮧᮑᮩᯍ᮰

᮰ᮄᮘᮕᮞᮺ ᮣᮘᮟᮥᮜᮔ ᯗ ᮢᮕᮑᮜᮜᮩ ᮤᮢᮕᮑᮤ ᮄᮙᮞᮑ ᮜᮙᮛᮕ ᯗ᮵ᮝ ᮤᮑᮝᮙᮞᮗ ᮑ ᮠᮕᮤᯍ ᯗᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮠᮟᮣᮣᮙᮒᮜᮕ ᮙᮖ ᯗ ᮘᮙᮤ ᮘᮕᮢ ᮕᮦᮕᮢᮩ ᮤᮙᮝᮕ ᮣᮘᮕ ᮔᮙᮣᮟᮒᮕᮩᮣ ᮑᮞᮔ ᮣᮤᮑᮢᮦᮕ ᮘᮕᮢ ᮥᮞᮤᮙᮜ ᮣᮘᮕ ᮣᮥᮒᮝᮙᮤᮣᮼ᮰

᮰ᮼᮼᮼᮉᮟᮥᮼ᮰

᮰ᯚᮑᮔᮩᮺ ᮩᮟᮥ᮵ᮢᮕ ᮗᮢᮑᮦᮕᮜᮩ ᮝᮙᮣᮤᮑᮛᮕᮞᮼ ᯘᮥᮣᮤ ᮣᮑᮩᮙᮞᮗ ᮠᮜᮕᮑᮣᮑᮞᮤ ᮤᮘᮙᮞᮗᮣ ᮤᮟ ᮄᮙᮞᮑ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮠᮕᮢᮣᮥᮑᮔᮙᮞᮗ ᮘᮕᮢ ᮢᮙᮗᮘᮤ ᮞᮟᮧ ᮧᮙᮜᮜ ᮘᮑᮦᮕ ᮞᮟ ᮕᮖᮖᮕᮓᮤᮼ᮰

ᮆᮙᮦᮙᮑᮞᮑ ᮓᮢᮟᮣᮣᮕᮔ ᮘᮕᮢ ᮜᮕᮗᮣ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮔᮟᮧᮞ ᮑᮤ ᯚᮙᮜᮜᮙᮑᮞ ᮧᮙᮤᮘ ᮕᮩᮕᮣ ᮤᮘᮑᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮣᮑᮩᮺ ᮵ᯙᮕᮕᮠ ᮒᮜᮑᮒᮒᮕᮢᮙᮞᮗᮼ᮵ ᮄᮘᮟᮥᮗᮘ ᮣᮘᮕ ᮔᮙᮣᮜᮙᮛᮕᮔ ᮤᮘᮕ ᮗᮑ᮪ᮕᮺ ᯚᮙᮜᮜᮙᮑᮞ ᮗᮢᮙᮤᮤᮕᮔ ᮘᮕᮢ ᮤᮕᮕᮤᮘᮺ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮄᮙᮞᮑᮺ ᮑᮞᮔ ᮟᮠᮕᮞᮕᮔ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮑᮗᮑᮙᮞᮼ

᮰ᮄᮙᮞᮑ ᮙᮣ ᮓᮜᮟᮣᮕᮢ ᮤᮟ ᮕᮦᮙᮜ ᮤᮘᮑᮞ ᮗᮟᮟᮔ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ ᯘᮥᮣᮤ ᮣᮕᮕᮙᮞᮗ ᮤᮘᮑᮤ ᮣᮘᮟᮧᮣ ᮘᮟᮧ ᮔᮕᮕᮠᮜᮩ ᮣᮘᮕ᮵ᮣ ᮒᮕᮕᮞ ᮑᮖᮖᮕᮓᮤᮕᮔ ᮒᮩ ᮤᮘᮕ ᮔᮕᮝᮟᮞᮼ᮰

᮰ᮃᮟᯍ᮰

᮰ᯗᮖ ᯗ ᮔᮟᮞ᮵ᮤ ᮤᮘᮟᮢᮟᮥᮗᮘᮜᮩ ᮤᮑᮝᮕ ᮘᮕᮢᮺ ᮄᮙᮞᮑ ᮧᮙᮜᮜ ᮕᮦᮕᮞᮤᮥᮑᮜᮜᮩ ᮓᮘᮟᮟᮣᮕ ᮤᮘᮑᮤ ᮔᮕᮝᮟᮞ ᮑᮗᮑᮙᮞᮼ ᯗ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮤᮘᮑᮤ ᮔᮕᮝᮟᮞ ᮔᮙᮔᮺ ᮒᮥᮤ ᮄᮙᮞᮑ ᮒᮜᮙᮞᮔᮜᮩ ᮒᮕᮜᮙᮕᮦᮕᮣ ᮙᮞ ᮙᮤᮣ ᮕᮨᮙᮣᮤᮕᮞᮓᮕ ᮕᮞᮟᮥᮗᮘ ᮤᮟ ᮕᮦᮕᮞ ᮤᮘᮢᮟᮧ ᮑᮧᮑᮩ ᮘᮕᮢ ᮟᮧᮞ ᮜᮙᮖᮕᮼ᮰

᮰ᯗ ᮛᮞᮟᮧᮼ᮰

ᮆᮙᮦᮙᮑᮞᮑ ᮛᮞᮕᮧ ᮧᮕᮜᮜᮼ ᯝᮞ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮞᮙᮗᮘᮤ ᯚᮙᮜᮜᮙᮑᮞ ᮧᮑᮣ ᮑᮒᮣᮕᮞᮤᮺ ᮄᮙᮞᮑ ᮘᮑᮔ ᮤᮢᮙᮕᮔ ᮤᮟ ᮓᮟᮝᮝᮙᮤ ᮣᮥᮙᮓᮙᮔᮕ ᮒᮩ ᮒᮙᮤᮙᮞᮗ ᮘᮕᮢ ᮟᮧᮞ ᮧᮢᮙᮣᮤ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮼ

ᯖᮕᮢ ᮓᮥᮤᮤᮙᮞᮗ ᮘᮕᮢ ᮧᮢᮙᮣᮤ ᮑᮤ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮝᮑᮞᮣᮙᮟᮞ ᮧᮑᮣ ᮑᮜᮣᮟᮺ ᮞᮟ ᮔᮟᮥᮒᮤᮺ ᮔᮥᮕ ᮤᮟ ᮤᮘᮕ ᮔᮕᮝᮟᮞ᮵ᮣ ᮧᮘᮙᮣᮠᮕᮢᮣ ᮔᮢᮙᮦᮙᮞᮗ ᮘᮕᮢ ᮤᮟ ᮣᮥᮓᮘ ᮑᮞ ᮕᮨᮤᮕᮞᮤᮼ

᮰ᮄᮙᮞᮑ᮵ᮣ ᮓᮥᮢᮢᮕᮞᮤ ᮣᮤᮑᮤᮕ ᮙᮣ ᮖᮑᮢ ᮠᮑᮣᮤ ᮤᮘᮕ ᮣᮤᮑᮗᮕ ᮟᮖ ᮠᮕᮢᮣᮥᮑᮣᮙᮟᮞᮼ ᯗᮤ ᮝᮙᮗᮘᮤ ᮖᮕᮕᮜ ᮑ ᮒᮙᮤ ᮘᮑᮢᮣᮘᮺ ᮒᮥᮤ ᯗ ᮝᮥᮣᮤ ᮝᮑᮛᮕ ᮘᮕᮢ ᮢᮕᮜᮩ ᮟᮞ ᮝᮕ ᮣᮟ ᮝᮥᮓᮘ ᮤᮘᮑᮤ ᮣᮘᮕ ᮔᮟᮕᮣᮞ᮵ᮤ ᮕᮦᮕᮞ ᮤᮘᮙᮞᮛ ᮟᮖ ᮤᮘᮑᮤ ᮔᮕᮝᮟᮞᮼ᮰

᮰ᯗᮣ ᮤᮘᮑᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮩᮟᮥ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮘᮑᮦᮕ ᮤᮟ ᮔᮟ ᮑᮜᮟᮞᮕᯍ᮰

ᯏᮤ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮡᮥᮕᮣᮤᮙᮟᮞᮺ ᯚᮙᮜᮜᮙᮑᮞ ᮒᮜᮙᮞᮛᮕᮔ ᮒᮜᮑᮞᮛᮜᮩᮼ

᮰ᮇᮘᮑᮤᯍ᮰

᮰ᯗ ᮧᮑᮣ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮙᮤ ᮝᮙᮗᮘᮤ ᮒᮕ ᮒᮕᮤᮤᮕᮢ ᮙᮖ ᮤᮧᮟ ᮟᮖ ᮥᮣ ᮔᮙᮔ ᮙᮤ ᮙᮞᮣᮤᮕᮑᮔ ᮟᮖ ᮚᮥᮣᮤ ᮟᮞᮕᮼ᮰

ᮆᮙᮦᮙᮑᮞᮑ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᯚᮙᮜᮜᮙᮑᮞ ᮧᮙᮤᮘ ᮣᮕᮢᮙᮟᮥᮣ ᮕᮩᮕᮣ ᮑᮞᮔ ᮓᮟᮞᮤᮙᮞᮥᮕᮔᮼ

᮰ᮇᮕᮜᮜᮺ ᯗ ᮑᮗᮢᮕᮕ ᮧᮙᮤᮘ ᮩᮟᮥᮼ ᯗᮞ ᮤᮘᮕ ᮣᮕᮞᮣᮕ ᮤᮘᮑᮤ ᮧᮘᮑᮤ ᮄᮙᮞᮑ ᮞᮕᮕᮔᮣ ᮢᮙᮗᮘᮤ ᮞᮟᮧ ᮙᮣᮞ᮵ᮤ ᮣᮙᮝᮠᮜᮕ ᮛᮙᮞᮔᮞᮕᮣᮣᮺ ᮒᮥᮤ ᮟᮞᮕᮻᮣᮙᮔᮕᮔ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮼ᮰

᮰ᮃᮟᮺ ᮧᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮣᮑᮩᯍ᮰

᮰ᯗ ᮙᮞᮤᮕᮞᮔ ᮤᮟ ᮠᮑᮢᮤᮙᮓᮙᮠᮑᮤᮕ ᮙᮞ ᮄᮙᮞᮑ᮵ᮣ ᮤᮢᮑᮙᮞᮙᮞᮗ ᮤᮟᮟᮼ ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯗ᮵ᮜᮜ ᮔᮟ ᮙᮤ ᮔᮙᮖᮖᮕᮢᮕᮞᮤᮜᮩ ᮖᮢᮟᮝ ᮩᮟᮥᮼ᮰

ᯏ ᮖᮙᮢᮝ ᮦᮟᮙᮓᮕᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮑᮞ ᮙᮞᮓᮘ ᮟᮖ ᮧᮑᮦᮕᮢᮙᮞᮗᮼ ᯓᮝᮒᮑᮢᮢᮑᮣᮣᮝᮕᮞᮤ ᮑᮞᮔ ᮧᮑᮢᮙᮞᮕᮣᮣ ᮣᮙᮝᮥᮜᮤᮑᮞᮕᮟᮥᮣᮜᮩ ᮑᮠᮠᮕᮑᮢᮕᮔ ᮟᮞ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮖᮑᮓᮕᮼ

ᯒᮥᮢᮙᮞᮗ ᮤᮘᮕ ᮒᮑᮤᮘ ᮤᮘᮑᮤ ᮔᮑᮩᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮘᮑᮔ ᮒᮕᮕᮞ ᮑᮒᮜᮕ ᮤᮟ ᮗᮜᮙᮝᮠᮣᮕ ᮑ ᮒᮙᮤ ᮟᮖ ᮄᮙᮞᮑ᮵ᮣ ᮙᮞᮞᮕᮢ ᮤᮥᮢᮝᮟᮙᮜᮼ

ᮄᮘᮕ ᮓᮟᮞᮖᮕᮣᮣᮙᮟᮞ ᮤᮘᮑᮤ ᮣᮘᮕ ᮛᮙᮜᮜᮕᮔ ᮘᮕᮢ ᮟᮧᮞ ᮝᮟᮤᮘᮕᮢᮺ ᮑᮞᮔ ᮤᮘᮕ ᮣᮓᮢᮕᮑᮝ ᮤᮘᮑᮤ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮒᮕᮜᮙᮕᮦᮕ ᮙᮞ ᮜᮟᮦᮕᮼ ᯒᮕᮕᮠ ᮢᮕᮗᮢᮕᮤ ᮑᮞᮔ ᮠᮑᮙᮞ ᮧᮕᮢᮕ ᮤᮘᮙᮓᮛᮜᮩ ᮜᮑᮙᮔ ᮙᮞ ᮤᮘᮑᮤ ᮒᮙᮤᮤᮕᮢ ᮦᮟᮙᮓᮕᮺ ᮑᮞᮔ ᮑᮒᮟᮦᮕ ᮑᮜᮜᮺ ᮑ ᮤᮕᮢᮢᮙᮒᮜᮕ ᮣᮕᮞᮣᮕ ᮟᮖ ᮣᮟᮜᮙᮤᮥᮔᮕ ᮠᮕᮢᮝᮕᮑᮤᮕᮔ ᮙᮤᮼ

ᯖᮑᮦᮙᮞᮗ ᮘᮕᮑᮢᮔ ᮣᮥᮓᮘ ᮑ ᮔᮕᮣᮠᮕᮢᮑᮤᮕ ᮤᮢᮥᮤᮘᮺ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮠᮟᮣᮣᮙᮒᮜᮩ ᮣᮤᮑᮞᮔ ᮒᮩᮼ

᮰ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑᮺ ᮩᮟᮥ᮵ᮢᮕ ᮗᮟᮙᮞᮗ ᮤᮟ ᮤᮢᮑᮙᮞ ᮄᮙᮞᮑ ᮤᮟᮟᯍ᮰

᮰ᮉᮕᮣᮼ ᯏᮞᮔ ᮤᮘᮙᮣ ᮙᮣᮞ᮵ᮤ ᮑ ᮢᮕᮡᮥᮕᮣᮤᮺ ᮙᮤ᮵ᮣ ᮑ ᮞᮟᮤᮙᮖᮙᮓᮑᮤᮙᮟᮞᮼ᮰

᮰ᮼᮼᮼᮃᮙᮗᮘᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮔᮕᮕᮠ ᮣᮙᮗᮘ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮆᮙᮦᮙᮑᮞᮑᮼ ᯖᮕᮢ ᮢᮕᮣᮟᮜᮦᮕ ᮧᮑᮣ ᮖᮙᮢᮝᮺ ᮣᮘᮟᮧᮙᮞᮗ ᮞᮟᮤ ᮑᮞ ᮙᮞᮓᮘ ᮟᮖ ᮧᮑᮦᮕᮢᮙᮞᮗᮼ

ᯏᮜᮜ ᯚᮙᮜᮜᮙᮑᮞ ᮓᮟᮥᮜᮔ ᮔᮟ ᮧᮑᮣ ᮓᮜᮙᮓᮛ ᮘᮕᮢ ᮤᮟᮞᮗᮥᮕ ᮙᮞ ᮕᮨᮑᮣᮠᮕᮢᮑᮤᮙᮟᮞᮼ ᯗᮞ ᮤᮘᮑᮤ ᮧᮑᮩᮺ ᮤᮘᮕ ᮤᮕᮞᮣᮙᮟᮞ ᮖᮜᮟᮧᮙᮞᮗ ᮒᮕᮤᮧᮕᮕᮞ ᮤᮘᮕ ᮤᮧᮟ ᮟᮖ ᮤᮘᮕᮝ ᮣᮘᮑᮢᮠᮕᮞᮕᮔ ᮕᮦᮕᮞ ᮝᮟᮢᮕᮼ

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ᮋᯚᮑᮔᮩ ᯏᮢᮤᮑᮣᮘᮑ ᮝᮙᮣᮣᮕᮣ ᮩᮟᮥᮼᮍ

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮧᮟᮢᮔᮣ ᮕᮞᮔᮜᮕᮣᮣᮜᮩ ᮕᮓᮘᮟᮕᮔ ᮙᮞ ᮝᮩ ᮝᮙᮞᮔᮼ

ᯚᮕᮑᮦᮙᮞᮗ ᮤᮘᮕ ᮓᮟ᮪ᮩ ᮧᮑᮢᮝᮤᮘ ᮟᮖ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝ ᮒᮕᮘᮙᮞᮔᮺ ᯗ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮤᮘᮕ ᮗᮜᮟᮟᮝᮩ ᮠᮢᮙᮣᮟᮞᮼ ᮀᮘᮩᮣᮙᮓᮑᮜᮜᮩᮺ ᯗ ᮖᮕᮜᮤ ᮝᮥᮓᮘ ᮝᮟᮢᮕ ᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕ ᮑᮖᮤᮕᮢ ᮧᮑᮣᮘᮙᮞᮗ ᮝᮩ ᮒᮟᮔᮩᮺ ᮒᮥᮤ ᮤᮘᮙᮣ ᮠᮜᮑᮓᮕ ᮣᮤᮙᮜᮜ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮑ ᮣᮠᮑᮓᮕ ᮤᮘᮑᮤ ᮧᮕᮙᮗᮘᮕᮔ ᮔᮟᮧᮞ ᮝᮩ ᮘᮕᮑᮢᮤᮼ

᮰ᯏᮢᮤᮑᮣᮘᮑᮼᮼᮼ ᮢᮕᮑᮜᮜᮩᮼᮼᮼ ᮝᮕᮼᮼᮼᯍ᮰

ᯗ ᮝᮥᮤᮤᮕᮢᮕᮔ ᮒᮜᮑᮞᮛᮜᮩ ᮧᮙᮤᮘᮟᮥᮤ ᮢᮕᮑᮜᮙ᮪ᮙᮞᮗ ᮙᮤᮼ

ᮄᮘᮑᮤ᮵ᮣ ᮞᮟᮞᮣᮕᮞᮣᮕᮼ

ᯏᮢᮤᮑᮣᮘᮑ ᮧᮟᮢᮢᮩᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮝᮕᯍ ᯗᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮖᮑᮢ ᮝᮟᮢᮕ ᮒᮕᮜᮙᮕᮦᮑᮒᮜᮕ ᮤᮟ ᮣᮑᮩ ᮣᮘᮕ ᮧᮑᮣ ᮝᮕᮤᮙᮓᮥᮜᮟᮥᮣᮜᮩ ᮠᮢᮕᮠᮑᮢᮙᮞᮗ ᮤᮟ ᮛᮙᮜᮜ ᮝᮕᮼ

ᯜᮕᮦᮕᮢᮤᮘᮕᮜᮕᮣᮣᮺ ᮝᮩ ᮧᮕᮑᮛ ᮝᮙᮞᮔ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮠᮢᮕᮦᮕᮞᮤ ᮤᮘᮕ ᮣᮠᮢᮟᮥᮤ ᮟᮖ ᮦᮑᮙᮞ ᮘᮟᮠᮕ ᮖᮢᮟᮝ ᮒᮜᮟᮟᮝᮙᮞᮗ ᮧᮙᮤᮘᮙᮞ ᮝᮩ ᮘᮕᮑᮢᮤᮼ

ᮄᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮑᮤ ᯏᮢᮤᮑᮣᮘᮑ ᮝᮙᮗᮘᮤ ᮢᮕᮑᮜᮜᮩ ᮝᮙᮣᮣ ᮝᮕᮼ ᮄᮘᮑᮤ ᮖᮟᮟᮜᮙᮣᮘ ᮠᮟᮣᮣᮙᮒᮙᮜᮙᮤᮩ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮔᮙᮣᮑᮠᮠᮕᮑᮢ ᮖᮢᮟᮝ ᮧᮙᮤᮘᮙᮞ ᮝᮕᮼ

᮰ᮼᮼᮼᯗ᮵ᮝ ᮜᮟᮞᮕᮜᮩᮼ᮰

ᯗ ᮘᮥᮗᮗᮕᮔ ᮝᮩᮣᮕᮜᮖ ᮧᮙᮤᮘ ᮒᮟᮤᮘ ᮑᮢᮝᮣ ᮑᮞᮔ ᮘᮥᮞᮓᮘᮕᮔ ᮝᮩ ᮒᮟᮔᮩᮼ

ᯗᮞ ᮤᮘᮙᮣ ᮠᮜᮑᮓᮕ ᮧᮘᮕᮢᮕ ᮞᮟᮤ ᮕᮦᮕᮞ ᮑ ᮣᮜᮙᮦᮕᮢ ᮟᮖ ᮣᮥᮞᮜᮙᮗᮘᮤ ᮢᮕᮑᮓᮘᮕᮔᮺ ᮑᮜᮜ ᮑ ᮖᮢᮑᮙᮜ ᮒᮕᮙᮞᮗ ᮜᮙᮛᮕ ᮝᮕ ᮓᮟᮥᮜᮔ ᮔᮟ ᮧᮑᮣ ᮧᮑᮙᮤᮼ

ᯏᮤ ᮟᮞᮕ ᮝᮟᮝᮕᮞᮤᮺ ᮤᮟᮢᮝᮕᮞᮤᮕᮔ ᮒᮩ ᮤᮘᮕ ᮕᮞᮔᮜᮕᮣᮣ ᮠᮟᮙᮣᮟᮞ ᮟᮖ ᮜᮟᮞᮕᮜᮙᮞᮕᮣᮣᮺ ᮤᮘᮕ ᮤᮙᮗᮘᮤᮜᮩ ᮓᮜᮟᮣᮕᮔ ᮔᮟᮟᮢ ᮟᮠᮕᮞᮕᮔ ᮧᮙᮤᮘ ᮑ ᮜᮟᮥᮔ ᮓᮢᮕᮑᮛᮼ

᮰ᯝᮘ ᮝᮩᮺ ᮙᮤ ᮣᮝᮕᮜᮜᮣ ᮗᮟᮟᮔᮼ᮰

ᮄᮘᮕ ᮟᮞᮕ ᮧᮘᮟ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢ ᮑᮞᮔ ᮕᮞᮤᮕᮢᮕᮔ ᮧᮑᮣ ᯚᮙᮜᮜᮙᮑᮞᮺ ᮑ ᮒᮢᮙᮗᮘᮤ ᮣᮝᮙᮜᮕ ᮗᮢᮑᮓᮙᮞᮗ ᮘᮕᮢ ᮜᮙᮠᮣᮼ

ᯏᮣ ᮑᮜᮧᮑᮩᮣᮺ ᮣᮘᮕ ᮓᮑᮜᮝᮜᮩ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔᮺ ᮣᮕᮤᮤᮜᮕᮔ ᮝᮕ ᮟᮞ ᮘᮕᮢ ᮜᮑᮠᮺ ᮑᮞᮔ ᮒᮕᮗᮑᮞ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮙᮞᮗ ᮝᮩ ᮘᮕᮑᮔᮼ

᮰ᯒᮙᮔ ᮩᮟᮥ ᮘᮑᮦᮕ ᮑ ᮗᮟᮟᮔ ᮒᮑᮤᮘᯍ ᯗ ᮤᮢᮙᮕᮔ ᮝᮩ ᮒᮕᮣᮤ ᮤᮟ ᮠᮢᮕᮠᮑᮢᮕ ᮙᮤᮼ᮰

᮰ᮼᮼᮼᮉᮕᮣᮺ ᮙᮤ ᮧᮑᮣ ᮧᮟᮞᮔᮕᮢᮖᮥᮜᮼ᮰

ᮂᮕᮓᮑᮜᮜᮙᮞᮗ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᯗ ᮣᮘᮑᮢᮕᮔ ᮧᮙᮤᮘ ᮆᮙᮦᮙᮑᮞᮑᮺ ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮢᮕᮠᮜᮙᮕᮔᮼ

ᯐᮥᮤ ᮖᮟᮢ ᮣᮟᮝᮕ ᮢᮕᮑᮣᮟᮞᮺ ᮑᮣ ᮙᮖ ᮔᮙᮣᮠᮜᮕᮑᮣᮕᮔ ᮧᮙᮤᮘ ᮝᮩ ᮑᮞᮣᮧᮕᮢᮺ ᮑ ᮣᮥᮒᮤᮜᮕ ᮣᮘᮑᮔᮟᮧ ᮖᮕᮜᮜ ᮑᮓᮢᮟᮣᮣ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮖᮑᮓᮕᮼ

᮰ᯏᮘᮺ ᮚᮥᮣᮤ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᯗ᮵ᮜᮜ ᮤᮑᮛᮕ ᮤᮘᮙᮣ ᮟᮖᮖ ᮖᮟᮢ ᮩᮟᮥᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ ᮣᮜᮟᮧᮜᮩ ᮥᮞᮤᮙᮕᮔ ᮤᮘᮕ ᮜᮕᮑᮣᮘ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᮞᮕᮓᮛᮺ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕ ᮟᮞ ᮘᮕᮢ ᮜᮙᮠᮣ ᮑᮣ ᮣᮘᮕ ᮣᮠᮟᮛᮕᮼ

᮰ᯛᮟᮢᮕ ᮙᮝᮠᮟᮢᮤᮑᮞᮤᮜᮩᮺ ᮄᮙᮞᮑᮺ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥ ᮘᮥᮞᮗᮢᮩᯍ᮰

᮰ᮼᮼᮼᯏ ᮜᮙᮤᮤᮜᮕᮼ᮰

᮰ᯖᮕᮘᮕᮺ ᯗ ᮖᮙᮗᮥᮢᮕᮔ ᮑᮣ ᮝᮥᮓᮘᮺ ᮣᮟ ᯗ ᮒᮢᮟᮥᮗᮘᮤ ᮖᮟᮟᮔᮼ ᮄᮟᮔᮑᮩ ᮙᮤ᮵ᮣ ᮝᮕᮑᮤ ᮣᮟᮥᮠᮼ᮰

ᯝᮞ ᮤᮘᮕ ᮤᮢᮑᮩ ᯚᮙᮜᮜᮙᮑᮞ ᮘᮕᮜᮔ ᮟᮥᮤ ᮧᮑᮣ ᮣᮤᮕᮑᮝᮙᮞᮗ ᮝᮕᮑᮤ ᮣᮟᮥᮠ ᮑᮞᮔ ᮓᮜᮕᮑᮢ ᮧᮑᮤᮕᮢᮼ ᯏᮣ ᮤᮘᮕ ᮣᮑᮦᮟᮢᮩ ᮣᮓᮕᮞᮤ ᮒᮢᮥᮣᮘᮕᮔ ᮝᮩ ᮞᮟᮣᮕᮺ ᮝᮩ ᮕᮝᮠᮤᮩ ᮣᮤᮟᮝᮑᮓᮘ ᮢᮥᮝᮒᮜᮕᮔ ᮙᮞ ᮢᮕᮣᮠᮟᮞᮣᮕᮼ

᮰ᯗᮤ᮵ᮣ ᮦᮕᮢᮩ ᮘᮟᮤᮺ ᮣᮟ ᯗ᮵ᮜᮜ ᮓᮟᮟᮜ ᮙᮤ ᮖᮟᮢ ᮩᮟᮥᮼ ᯗᮣ ᮤᮘᮑᮤ ᮑᮜᮢᮙᮗᮘᮤᯍ᮰

᮰ᮼᮼᮼᮉᮕᮣᮼ᮰

ᯗ ᮞᮟᮔᮔᮕᮔ ᮧᮕᮑᮛᮜᮩᮼ

ᯚᮙᮜᮜᮙᮑᮞ ᮠᮥᮜᮜᮕᮔ ᮝᮕ ᮟᮞᮤᮟ ᮘᮕᮢ ᮜᮑᮠ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮒᮟᮔᮩᮼ

ᯏ ᮓᮜᮟᮣᮕ ᮠᮟᮣᮙᮤᮙᮟᮞᮺ ᮧᮘᮕᮢᮕ ᮟᮥᮢ ᮕᮩᮕᮣ ᮝᮕᮤᮼ ᯚᮙᮜᮜᮙᮑᮞ ᮜᮙᮗᮘᮤᮜᮩ ᮞᮟᮔᮔᮕᮔᮺ ᮣᮙᮗᮞᮑᮜᮙᮞᮗ ᮝᮕ ᮤᮟ ᮓᮟᮝᮕ ᮓᮜᮟᮣᮕᮢᮼ

ᯜᮟ ᮜᮟᮞᮗᮕᮢ ᮔᮙᮔ ᮑ ᮢᮕᮒᮕᮜᮜᮙᮟᮥᮣ ᮥᮢᮗᮕ ᮑᮢᮙᮣᮕ ᮑᮤ ᮤᮘᮕ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮗᮕᮣᮤᮥᮢᮕᮼ ᯗᮤ ᮧᮑᮣ ᮚᮥᮣᮤ ᮑ ᮢᮕᮠᮕᮑᮤᮕᮔ ᮔᮑᮙᮜᮩ ᮢᮟᮥᮤᮙᮞᮕᮺ ᮑᮓᮓᮕᮠᮤᮕᮔ ᮞᮟᮧ ᮜᮙᮛᮕ ᮢᮕᮣᮙᮗᮞᮑᮤᮙᮟᮞᮼ

ᮃᮜᮟᮧᮜᮩᮺ ᯗ ᮓᮜᮟᮣᮕᮔ ᮝᮩ ᮕᮩᮕᮣ ᮑᮞᮔ ᮧᮢᮑᮠᮠᮕᮔ ᮝᮩ ᮑᮢᮝᮣ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢ ᮧᮑᮙᮣᮤᮼ ᯏᮣ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮣᮓᮕᮞᮤ ᮔᮢᮕᮧ ᮓᮜᮟᮣᮕᮢᮺ ᯗ ᮣᮥᮢᮢᮕᮞᮔᮕᮢᮕᮔ ᮝᮩᮣᮕᮜᮖ ᮤᮟ ᮘᮕᮢ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮼ

ᯔᮙᮞᮑᮜᮜᮩᮺ ᮝᮩ ᮜᮙᮠᮣ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮤᮟᮥᮓᮘᮕᮔ ᮘᮕᮢᮣᮼ

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮜᮙᮠᮣ ᮗᮕᮞᮤᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮝᮙᮞᮕᮺ ᮑᮞᮔ ᮣᮟᮟᮞ ᮑ ᮘᮟᮤ ᮤᮟᮞᮗᮥᮕ ᮠᮥᮣᮘᮕᮔ ᮔᮕᮕᮠ ᮙᮞᮣᮙᮔᮕᮼ

ᮃᮜᮥᮢᮠ— ᮃᮜᮥᮢᮠ—

ᮄᮘᮕ ᮣᮑᮦᮟᮢᮩ ᮤᮑᮣᮤᮕ ᮟᮖ ᮤᮘᮕ ᮣᮟᮥᮠ ᮣᮠᮢᮕᮑᮔᮙᮞᮗ ᮙᮞ ᮝᮩ ᮝᮟᮥᮤᮘ ᮧᮑᮣ ᮓᮟᮞᮦᮕᮩᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮤᮙᮠ ᮟᮖ ᮝᮩ ᮤᮟᮞᮗᮥᮕᮼ

ᮄᮘᮕ ᮧᮑᮢᮝ ᮣᮟᮥᮠ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮡᮥᮙᮤᮕ ᮘᮟᮤᮺ ᮒᮥᮤ ᮞᮟᮤ ᮥᮞᮒᮕᮑᮢᮑᮒᮜᮕᮼ ᮄᮘᮕ ᮣᮟᮥᮠ ᮣᮘᮕ ᮘᮑᮔ ᮤᮑᮛᮕᮞ ᮙᮞᮤᮟ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮖᮙᮢᮣᮤ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮝᮥᮓᮘ ᮘᮟᮤᮤᮕᮢ ᮤᮘᮑᮞ ᮤᮘᮙᮣᮺ ᯗ ᮧᮟᮞᮔᮕᮢᮕᮔ ᮙᮖ ᮣᮘᮕ ᮧᮑᮣ ᮑᮜᮢᮙᮗᮘᮤᮼ

᮰ᯕᮟᮟᮔ ᮗᮙᮢᮜᮺ ᮄᮙᮞᮑᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮦᮟᮙᮓᮕ ᮖᮜᮟᮧᮕᮔ ᮜᮟᮧᮺ ᮜᮙᮛᮕ ᮑ ᮧᮘᮙᮣᮠᮕᮢᮼ

ᮃᮘᮕ ᮤᮟᮟᮛ ᮑᮞᮟᮤᮘᮕᮢ ᮝᮟᮥᮤᮘᮖᮥᮜ ᮟᮖ ᮣᮟᮥᮠ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕᮼ ᮃᮙᮜᮕᮞᮤᮜᮩᮺ ᯗ ᮜᮙᮖᮤᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮑᮞᮔ ᮠᮢᮕᮣᮣᮕᮔ ᮝᮩ ᮜᮙᮠᮣ ᮑᮗᮑᮙᮞᮣᮤ ᮘᮕᮢᮣ ᮑᮗᮑᮙᮞᮼ

ᯚᮙᮜᮜᮙᮑᮞ ᮟᮠᮕᮞᮕᮔ ᮝᮩ ᮝᮟᮥᮤᮘ ᮟᮞᮓᮕ ᮝᮟᮢᮕ ᮑᮞᮔ ᮣᮜᮟᮧᮜᮩ ᮠᮟᮥᮢᮕᮔ ᮤᮘᮕ ᮣᮟᮥᮠ ᮙᮞᮤᮟ ᮝᮩ ᮝᮟᮥᮤᮘᮼ

ᮃᮜᮥᮢᮠ— ᮃᮜᮥᮢᮠ—

ᯝᮞᮓᮕᮺ ᮤᮧᮙᮓᮕᮺ ᮤᮘᮢᮙᮓᮕᮼ

ᯏᮣ ᮤᮙᮝᮕ ᮠᮑᮣᮣᮕᮔᮺ ᮤᮘᮕ ᮣᮟᮥᮠ ᮙᮞ ᮤᮘᮕ ᮒᮟᮧᮜ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮔᮕᮓᮢᮕᮑᮣᮕᮔᮺ ᮑᮞᮔ ᮟᮞᮜᮩ ᮤᮘᮕ ᮧᮕᮤ ᮣᮟᮥᮞᮔᮣ ᮟᮖ ᮙᮤ ᮝᮙᮨᮙᮞᮗ ᮧᮙᮤᮘ ᮣᮑᮜᮙᮦᮑ ᮖᮙᮜᮜᮕᮔ ᮤᮘᮕ ᮣᮙᮜᮕᮞᮤ ᮣᮠᮑᮓᮕᮼ

ᯐᮕᮖᮟᮢᮕ ᯗ ᮛᮞᮕᮧ ᮙᮤᮺ ᮤᮘᮕ ᮑᮙᮢ ᮘᮑᮔ ᮗᮢᮟᮧᮞ ᮕᮦᮕᮞ ᮤᮘᮙᮓᮛᮕᮢᮺ ᮖᮙᮜᮜᮙᮞᮗ ᮤᮘᮕ ᮣᮠᮑᮓᮕ ᮧᮙᮤᮘ ᮟᮞᮜᮩ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮑᮞᮔ ᮝᮩ ᮣᮘᮑᮜᮜᮟᮧ ᮒᮢᮕᮑᮤᮘᮣᮼ

᮰ᮼᮼᮼᯖᮑᮘᮼᮼᮼᮘᮞᮗᮘᮼᮼᮼ᮰

᮰ᯖᮑᮑᮘᮼᮼᮼᯗ ᮜᮟᮦᮕ ᮩᮟᮥᮺ ᮄᮙᮞᮑᮼ᮰

ᯔᮙᮞᮑᮜᮜᮩᮺ ᯚᮙᮜᮜᮙᮑᮞ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮠᮟᮥᮢᮕᮔ ᮤᮘᮕ ᮧᮑᮤᮕᮢ ᮖᮢᮟᮝ ᮤᮘᮕ ᮗᮜᮑᮣᮣ ᮙᮞᮤᮟ ᮝᮩ ᮜᮙᮠᮣᮺ ᮤᮘᮕᮞᮺ ᮧᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮒᮜᮥᮣᮘ ᮟᮞ ᮘᮕᮢ ᮖᮑᮓᮕᮺ ᮗᮕᮞᮤᮜᮩ ᮛᮙᮣᮣᮕᮔ ᮝᮩ ᮖᮟᮢᮕᮘᮕᮑᮔᮼ

ᯗᮢᮟᮞᮙᮓᮑᮜᮜᮩᮺ ᮑᮣ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮛᮙᮣᮣ ᮕᮞᮔᮕᮔᮺ ᮝᮩ ᮧᮑᮙᮣᮤ ᮒᮕᮗᮑᮞ ᮤᮟ ᮤᮢᮕᮝᮒᮜᮕ ᮥᮞᮓᮟᮞᮤᮢᮟᮜᮜᮑᮒᮜᮩᮼ

᮰ᯏᮑᮘᮼᮼᮼ ᯚᮙᮜᮜᮙᮑᮞ ᮅᮞᮞᮙᮕᮼᮼᮼ᮰

᮰ᮉᮕᮣᮺ ᯗ ᮛᮞᮟᮧᮺ ᮄᮙᮞᮑᮼ᮰

ᯏᮣ ᮙᮖ ᮤᮟ ᮢᮕᮑᮣᮣᮥᮢᮕ ᮝᮕᮺ ᮣᮘᮕ ᮗᮕᮞᮤᮜᮩ ᮓᮑᮢᮕᮣᮣᮕᮔ ᮝᮩ ᮘᮑᮙᮢᮺ ᮤᮘᮕᮞ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮠᮥᮤ ᮑᮧᮑᮩ ᮤᮘᮕ ᮤᮢᮑᮩᮼ

ᯏᮖᮤᮕᮢ ᮘᮑᮞᮗᮙᮞᮗ ᮤᮘᮕ ᮢᮕᮣᮤᮢᮑᮙᮞᮤᮣ ᮒᮙᮞᮔᮙᮞᮗ ᮝᮩ ᮘᮑᮞᮔᮣ ᮖᮢᮟᮝ ᮤᮘᮕ ᮓᮕᮙᮜᮙᮞᮗᮺ ᮣᮘᮕ ᮠᮜᮑᮓᮕᮔ ᮒᮟᮤᮘ ᮘᮑᮞᮔᮣ ᮟᮞ ᮝᮩ ᮤᮘᮙᮗᮘᮣ ᮑᮞᮔ ᮣᮜᮟᮧᮜᮩ ᮜᮙᮖᮤᮕᮔ ᮝᮩ ᮜᮕᮗᮣ ᮙᮞᮤᮟ ᮤᮘᮕ ᮑᮙᮢᮼ

᮰ᯒᮟᮞ᮵ᮤ ᮒᮕ ᮣᮘᮩᮺ ᮚᮥᮣᮤ ᮢᮕᮜᮑᮨᮼᮼᮼ ᯗᮣ ᮤᮘᮑᮤ ᮑᮜᮢᮙᮗᮘᮤᯍ᮰

ᯚᮙᮜᮜᮙᮑᮞ ᮡᮥᮙᮕᮤᮜᮩ ᮗᮑᮦᮕ ᮝᮕ ᮑ ᮣᮙᮗᮞᮑᮜᮼ

ᮃᮘᮕ ᮗᮑᮦᮕ ᮑ ᮔᮕᮕᮠᮺ ᮣᮧᮕᮕᮤ ᮛᮙᮣᮣᮺ ᮑᮣ ᮙᮖ ᮤᮟ ᮑ ᮜᮟᮞᮗᮤᮙᮝᮕ ᮜᮟᮦᮕᮢᮼ ᮀᮢᮕᮣᮣᮙᮞᮗ ᮓᮜᮟᮣᮕ ᮥᮞᮤᮙᮜ ᮟᮥᮢ ᮒᮕᮜᮜᮙᮕᮣ ᮤᮟᮥᮓᮘᮕᮔᮺ ᮣᮘᮕ ᮒᮕᮗᮑᮞ ᮠᮢᮕᮣᮣᮙᮞᮗ ᮔᮟᮧᮞ ᮟᮞ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞ ᮧᮙᮤᮘ ᮟᮞᮕ ᮘᮑᮞᮔᮼ

᮰ᯏᮘᮼᮼᮼ ᮅᮗᮘᮼᮼᮼ ᮅᮘᮼᮼᮼ᮰

ᯛᮩ ᮒᮟᮔᮩ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮥᮞᮓᮟᮞᮤᮢᮟᮜᮜᮑᮒᮜᮩᮺ ᮑᮞᮔ ᮑᮣ ᮣᮟᮟᮞ ᮑᮣ ᮤᮘᮕ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮜᮕᮖᮤ ᮝᮩ ᮧᮑᮙᮣᮤᮺ ᮝᮩ ᮥᮞᮔᮕᮢᮧᮕᮑᮢ ᮑᮞᮔ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮓᮜᮟᮤᮘᮕᮣ ᮣᮜᮟᮧᮜᮩ ᮒᮕᮓᮑᮝᮕ ᮧᮕᮤᮼ

᮰ᯏᮘᮺ ᮅᮗᮘᮼᮼᮼ ᮅᮞᮞᮙᮕᮼᮼᮼ ᯖᮑᮘᮺ ᮅᮗᮘᮼᮼᮼ᮰

ᮄᮢᮕᮝᮒᮜᮙᮞᮗ ᮙᮞ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮕᮝᮒᮢᮑᮓᮕ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮺ ᮤᮘᮕ ᮑᮓᮘᮙᮞᮗ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮙᮞ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞ ᮣᮜᮟᮧᮜᮩ ᮣᮥᮒᮣᮙᮔᮕᮔᮼ

᮰ᮇᮕᮜᮜ ᮔᮟᮞᮕᮺ ᮄᮙᮞᮑᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞᮺ ᮑᮣ ᮙᮖ ᮞᮟᮤᮘᮙᮞᮗ ᮘᮑᮔ ᮘᮑᮠᮠᮕᮞᮕᮔᮺ ᮣᮤᮑᮙᮞᮕᮔ ᮝᮩ ᮜᮙᮠᮣ ᮧᮙᮤᮘ ᮑᮞ ᮕᮦᮕᮞ ᮔᮕᮕᮠᮕᮢᮺ ᮝᮟᮢᮕ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮑᮤᮕ ᮛᮙᮣᮣᮼ

ᯏᮣ ᮙᮖ ᮙᮞ ᮢᮕᮣᮠᮟᮞᮣᮕᮺ ᮣᮘᮑᮝᮕ ᮣᮕᮕᮠᮕᮔ ᮟᮥᮤ ᮖᮢᮟᮝ ᮒᮕᮤᮧᮕᮕᮞ ᮝᮩ ᮜᮕᮗᮣᮺ ᮧᮘᮙᮓᮘ ᮧᮕᮢᮕ ᮣᮠᮢᮕᮑᮔ ᮧᮙᮔᮕ ᮑᮞᮔ ᮘᮕᮜᮔ ᮒᮩ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮘᮑᮞᮔᮺ ᮣᮜᮟᮧᮜᮩ ᮧᮕᮤᮤᮙᮞᮗ ᮒᮟᮤᮘ ᮘᮕᮢ ᮜᮕᮗᮣ ᮑᮞᮔ ᮝᮙᮞᮕᮼ

ᯏᮖᮤᮕᮢ ᮑ ᮧᮘᮙᮜᮕᮺ ᮣᮤᮢᮑᮞᮗᮕ ᮣᮟᮥᮞᮔᮣ ᮕᮓᮘᮟᮕᮔ ᮙᮞ ᮤᮘᮕ ᮑᮙᮢᮼ

ᯚᮙᮜᮜᮙᮑᮞ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮜᮟᮧᮕᮢᮕᮔ ᮝᮩ ᮜᮕᮗᮣᮺ ᮤᮘᮕᮞ ᮠᮥᮜᮜᮕᮔ ᮟᮥᮤ ᮑ ᮘᮑᮞᮔᮛᮕᮢᮓᮘᮙᮕᮖ ᮖᮢᮟᮝ ᮘᮕᮢ ᮙᮞᮞᮕᮢ ᮠᮟᮓᮛᮕᮤᮼ

ᯏᮞᮔ ᮣᮜᮟᮧᮜᮩᮺ ᮗᮕᮞᮤᮜᮩᮺ ᮣᮘᮕ ᮝᮕᮤᮙᮓᮥᮜᮟᮥᮣᮜᮩ ᮧᮙᮠᮕᮔ ᮑᮧᮑᮩ ᮕᮦᮕᮢᮩ ᮤᮢᮑᮓᮕ ᮟᮖ ᮥᮢᮙᮞᮕ ᮖᮢᮟᮝ ᮝᮩ ᮜᮕᮗᮣᮼ

᮰ᮄᮙᮞᮑᮺ ᮔᮟ ᮩᮟᮥ ᮛᮞᮟᮧᯍ ᮄᮘᮕᮢᮕ ᮑᮢᮕ ᮝᮑᮞᮩ ᮠᮕᮟᮠᮜᮕ ᮧᮘᮟ ᮠᮢᮑᮩ ᮙᮞ ᮤᮘᮕ ᮤᮕᮝᮠᮜᮕ ᮕᮦᮕᮢᮩ ᮔᮑᮩ ᮚᮥᮣᮤ ᮤᮟ ᮗᮕᮤ ᮟᮞᮕ ᮔᮢᮟᮠ ᮟᮖ ᮤᮘᮙᮣ ᮧᮑᮤᮕᮢᮼ᮰

᮰ᮀᮻᮀᮜᮕᮑᮣᮕ ᮔᮟᮞ᮵ᮤ ᮣᮑᮩ ᮣᮥᮓᮘ ᮤᮘᮙᮞᮗᮣᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ ᮣᮝᮙᮜᮕᮔ ᮣᮟᮖᮤᮜᮩ ᮑᮞᮔ ᮢᮕᮠᮜᮙᮕᮔᮼ

᮰ᯖᮕᮘᮕᮺ ᮑᮜᮢᮙᮗᮘᮤᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞᮺ ᮥᮤᮤᮕᮢᮙᮞᮗ ᮧᮟᮢᮔᮣ ᮤᮘᮑᮤ ᮣᮟᮥᮞᮔᮕᮔ ᮜᮙᮛᮕ ᮑ ᮚᮟᮛᮕ ᮒᮥᮤ ᮧᮕᮢᮕ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮒᮥᮤᮺ ᮓᮘᮑᮞᮗᮕᮔ ᮝᮩ ᮥᮞᮔᮕᮢᮧᮕᮑᮢ ᮤᮟ ᮑ ᮠᮢᮙᮣᮤᮙᮞᮕ ᮧᮘᮙᮤᮕ ᮞᮕᮧ ᮠᮑᮙᮢᮺ ᮤᮘᮕᮞ ᮢᮕᮜᮕᮑᮣᮕᮔ ᮤᮘᮕ ᮑᮢᮝ ᮢᮕᮣᮤᮢᮑᮙᮞᮤᮣ ᮤᮘᮑᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮘᮑᮞᮗᮙᮞᮗ ᮖᮢᮟᮝ ᮤᮘᮕ ᮓᮕᮙᮜᮙᮞᮗᮼ

᮰ᮉᮟᮥ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮧᮕᮜᮜ ᮑᮗᮑᮙᮞ ᮤᮟᮔᮑᮩᮼ ᯗ᮵ᮜᮜ ᮗᮙᮦᮕ ᮩᮟᮥ ᮑ ᮢᮕᮧᮑᮢᮔᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ ᮧᮟᮢᮕ ᮑ ᮣᮑᮤᮙᮣᮖᮙᮕᮔ ᮣᮝᮙᮜᮕᮺ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮠᮥᮤ ᮤᮘᮕ ᮧᮕᮤ ᮘᮑᮞᮔᮛᮕᮢᮓᮘᮙᮕᮖ ᮙᮞᮤᮟ ᮘᮕᮢ ᮒᮟᮣᮟᮝᮺ ᮑᮞᮔ ᮠᮥᮜᮜᮕᮔ ᮟᮥᮤ ᮑ ᮣᮝᮑᮜᮜ ᮠᮙᮕᮓᮕ ᮟᮖ ᮠᮑᮠᮕᮢ ᮖᮢᮟᮝ ᮑᮞᮟᮤᮘᮕᮢ ᮠᮟᮓᮛᮕᮤᮼ

ᯏᮞᮔ ᮟᮞ ᮙᮤᮺ ᮣᮘᮕ ᮝᮕᮤᮙᮓᮥᮜᮟᮥᮣᮜᮩ ᮣᮤᮑᮝᮠᮕᮔ ᮟᮞᮕ ᮣᮕᮑᮜᮼ

᮰ᮉᮟᮥ᮵ᮦᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮓᮟᮜᮜᮕᮓᮤᮕᮔ ᮤᮧᮕᮞᮤᮩᮼ᮰

ᮃᮤᮑᮝᮠᮣ ᮢᮕᮓᮕᮙᮦᮕᮔ ᮟᮞᮕ ᮕᮑᮓᮘ ᮔᮑᮩᮼ ᯗᮖ ᯗ ᮓᮟᮜᮜᮕᮓᮤ ᮑ ᮘᮥᮞᮔᮢᮕᮔᮺ ᯗ ᮓᮑᮞ ᮜᮕᮑᮦᮕ ᮤᮘᮙᮣ ᮠᮜᮑᮓᮕᮼ

ᮇᮘᮕᮞ ᮤᮘᮑᮤ ᮔᮑᮩ ᮓᮟᮝᮕᮣᮺ ᯗ ᮧᮙᮜᮜ ᮖᮙᮞᮑᮜᮜᮩ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮗᮟ ᮝᮕᮕᮤ ᮝᮩ ᮝᮟᮤᮘᮕᮢ ᮙᮞ ᮘᮕᮜᮜᮼ ᯓᮞᮔᮙᮞᮗ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮘᮕᮢᮕᮺ ᮤᮟ ᮤᮘᮑᮤ ᮘᮕᮜᮜ ᮧᮘᮕᮢᮕ ᮝᮩ ᮝᮟᮤᮘᮕᮢ ᮧᮑᮙᮤᮣᮼ

ᮄᮘᮕᮞ ᮞᮟ ᮝᮟᮢᮕᮼ

ᯗ ᮧᮟᮞ᮵ᮤ ᮘᮑᮦᮕ ᮤᮟ ᮖᮑᮓᮕ ᮤᮘᮕ ᮠᮕᮟᮠᮜᮕ ᮙᮞ ᮤᮘᮙᮣ ᮠᮜᮑᮓᮕ ᮑᮞᮩᮝᮟᮢᮕᮼ

ᯐᮥᮤ ᮧᮘᮩ ᮙᮣ ᮙᮤᯍ

ᮄᮘᮑᮤ ᮝᮩ ᮓᮘᮕᮣᮤ ᮑᮓᮘᮕᮣ ᮜᮙᮤᮤᮜᮕ ᮒᮩ ᮜᮙᮤᮤᮜᮕᮼ

ᮋᯚᮑᮔᮩ ᯏᮢᮤᮑᮣᮘᮑ ᮝᮙᮣᮣᮕᮣ ᮩᮟᮥᮼᮍ

ᮇᮘᮩ ᮑᮢᮕ ᮤᮘᮟᮣᮕ ᮧᮟᮢᮔᮣᮺ ᮧᮘᮙᮓᮘ ᮧᮟᮥᮜᮔ ᮞᮟᮢᮝᮑᮜᮜᮩ ᮕᮜᮙᮓᮙᮤ ᮞᮟ ᮢᮕᮑᮓᮤᮙᮟᮞᮺ ᮞᮟᮧ ᮕᮓᮘᮟᮙᮞᮗ ᮙᮞ ᮝᮩ ᮝᮙᮞᮔ ᮙᮞ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮦᮟᮙᮓᮕᮺ ᮟᮖ ᮑᮜᮜ ᮤᮙᮝᮕᮣᯍ

ᮄᮘᮑᮤ ᮟᮞᮕ ᮠᮘᮢᮑᮣᮕᮺ ᮔᮕᮕᮠᮜᮩ ᮕᮝᮒᮕᮔᮔᮕᮔ ᮙᮞ ᮝᮩ ᮘᮕᮑᮢᮤᮺ ᮓᮕᮑᮣᮕᮜᮕᮣᮣᮜᮩ ᮢᮕᮣᮟᮞᮑᮤᮕᮔ ᮧᮙᮤᮘᮙᮞ ᮝᮩ ᮓᮘᮕᮣᮤᮼ

ᯏ ᮣᮟᮢᮕᮺ ᮑᮓᮘᮙᮞᮗ ᮠᮑᮙᮞ ᮣᮜᮟᮧᮜᮩ ᮧᮕᮜᮜᮕᮔ ᮥᮠᮼ

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Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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