Tales of the Taisho Era Flowers Bloom Late

Chapter 105

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ჰႱჂႿႾ ჰႼႱႾႳ’Ⴣ ႿႶႶႹႳႵ ჇႱჃ ႶႹႼႼႵႴ ჇႹჄႸ ჄႸႵ ႲႹჄჄႵჂ ჃႽႵႼႼ ႿႶ ႽႵႴႹႳႹႾႵ ႱႾႴ ჄႸႵ ႲჂႵႱჄႸჃ ႿႶ ჄႸႵ ჃႹႳႻნ ჷჄჃ ჅჃჅႱႼ ႱႾჄႹჁჅႵ ႱႾႴ ႾႵႱჄ ႱჄႽႿჃჀႸႵჂႵ ჇႱჃ ႷႿႾႵლ ჂႵჀႼႱႳႵႴ Ⴒ჉ Ⴑ ႸႵႱ჆჉ ႱჅჂႱნ

“ჰႱჂႿႾმႾႹႽლ ჷ’჆Ⴕ ႲჂႿჅႷႸჄ ჄႸႵ ჄႵႱნ”

ႢႵႾႹႸႹႵႼ ႿႶႶႵჂႵႴ ჯჂჄႱჃႸႱ ჄႸႵ ჄႵႱ ჇႹჄႸ Ⴑ ႶႱႳႵ ႶჅႼႼ ႿႶ ჇႿჂჂ჉ნ ႣႸႵ ႸႱႴ ჃႵჂ჆ႵႴ ჰႱჂႿႾ ჰႼႱႾႳ ႱჃ ჄႸႵ ႸႵႱႴ ႽႱႹႴ ႶႿჂ ႽႱႾ჉ ჉ႵႱჂჃლ ႲჅჄ ჃႸႵ ႸႱႴ ႾႵ჆ႵჂ ჃႵႵႾ ႸႵჂ ჃႿ ႶჂႱႹႼნ

“ჱႿჅႷႸ… ႤႸႱႾႻ ჉ႿჅნ”

ჯჂჄႱჃႸႱ ႳႿჅႷႸႵႴ ჇႹჄႸ ႴႹႶႶႹႳჅႼჄ჉ ႱႾႴ ჃႼႿჇႼ჉ ჃႹჀჀႵႴ ჄႸႵ ჃჄႵႱႽႹႾႷ ჄႵႱნ ჯჃ ჄႸႵ ჃႿႶჄლ ჇႱჂႽ ჄႵႱ ႽႿႹჃჄႵႾႵႴ ႸႵჂ ჄႸჂႿႱჄლ ႸႵჂ ჂႿჅႷႸ ႲჂႵႱჄႸႹႾႷ ჃჅႲჃႹႴႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄნ

ႢႵႾႹႸႹႵႼ ႶჂႿჇႾႵႴ ႱჃ ჃႸႵ ႼႿႿႻႵႴ ႱჄ ჯჂჄႱჃႸႱნ

“ჰႱჂႿႾმႾႹႽლ ჄႸႵ ჀႸ჉ჃႹႳႹႱႾ ჄႿႼႴ ჉ႿჅ ჄႿ ჂႵჃჄნ ჷႶ ჉ႿჅ ႳႿႾჄႹႾჅႵ ჇႹჄႸ ჉ႿჅჂ ჇႿჂႻ ႼႹႻႵ ჄႸႹჃლ ჉ႿჅჂ ႹႼႼႾႵჃჃ ჇႿႾ’Ⴤ ႹႽჀჂႿ჆Ⴕნ”

ჯჄ ჄႸႵ ႸႵႱႴ ႽႱႹႴ’Ⴣ ႳႿႽჀႱჃჃႹႿႾႱჄႵ ჀႼႵႱლ ჯჂჄႱჃႸႱ ႿႶႶႵჂႵႴ Ⴑ ჇႵႱႻ ჃႽႹႼႵლ ႲჅჄ ჃႸႵ ჃჄႹႼႼ ႴႹႴႾ’Ⴤ ჀჅჄ ႴႿჇႾ ჄႸႵ ჀႵႾ ႹႾ ႸႵჂ ႸႱႾႴნ

“ჷჄ’Ⴣ ႱႼჂႹႷႸჄნ ჲႿႹႾႷ ჃႿႽႵჄႸႹႾႷ ႼႹႻႵ ჄႸႹჃ ႹჃ ႽႿჂႵ ႳႿႽႶႿჂჄႹႾႷ ჄႸႱႾ ႺჅჃჄ Ⴜ჉ႹႾႷ ჃჄႹႼႼნ”

“ჰჅჄნ”

“ႢႵႾႹႸႹႵႼლ ჷ’Ⴔ ႼႹႻႵ ჉ႿჅ ჄႿ ႶႿႳჅჃ ႿႾ ჉ႿჅჂ ჇႿჂႻნ”

ჯ ႶႹჂႽ ჃჄႱჄႵႽႵႾჄ ႹႾႴႹႳႱჄႹႾႷ ჃႸႵ ႴႹႴႾ’Ⴤ ჇႱႾჄ ႱႾ჉ ႽႿჂႵ ႹႾჄႵჂႶႵჂႵႾႳႵნ

ႥႾႴႵჂჃჄႱႾႴႹႾႷ ႸႵჂ ႽႵႱႾႹႾႷლ ႢႵႾႹႸႹႵႼ ჃჄჂჅႷႷႼႵႴ ჄႿ ჃჅჀჀჂႵჃჃ ႸႵჂ ႳႿႽჀႼႹႳႱჄႵႴ ႵႽႿჄႹႿႾჃნ ႣႸႵ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႲႿჇႵႴ ႸႵჂ ႸႵႱႴ ႹႾ Ⴑ ჃႸႿჂჄ ჃႹႷႸლ ႲႱႴႵ ႶႱჂႵჇႵႼႼლ ႱႾႴ ჁჅႹႵჄႼ჉ ႼႵႶჄ ჄႸႵ ჂႿႿႽნ

ჺႵႶჄ ႱႼႿႾႵლ ჯჂჄႱჃႸႱ ႲႵႷႱႾ ჄႿ ႽႿ჆Ⴕ ႸႵჂ ჀႵႾ ႿႾႳႵ ႽႿჂႵნ ჯႼႼ ჃႸႵ ႳႿჅႼႴ ႴႿ ჇႱჃ ჀჂႿႳႵჃჃ ჄႸႵჃႵ ႴႿႳჅႽႵႾჄჃნ

ႤႸႵჂႵ ჇႱჃ ႾႿ ႼႿႾႷႵჂ ႱႾ჉ ჂႵႱჃႿႾ ჄႿ ႱႳႳჅႽჅႼႱჄႵ ႽႿჂႵ ჇႵႱႼჄႸ ႶႿჂ ႸႵჂ ႶႱႽႹႼ჉ლ ႾႿჂ ႱႾ჉ ႾႵႵႴ ჄႿ ႳႼႹႾႷ ჄႿ ჄႸႵ ჇႿჂႻ ჃႸႵ ႿႾႳႵ ჀႿჅჂႵႴ ႸႵჂ ჀႱჃჃႹႿႾ ႹႾჄႿნ ჶႿჇႵ჆ႵჂლ Ⴑ ႼႹႶႵჄႹႽႵ ႲჅჂႹႵႴ ႹႾ ჇႿჂႻ ႻႵჀჄ ႸႵჂ ႸႿႼႴႹႾႷ ჄႸႵ ჀႵႾნ

ჷჄ ჇႱჃ ჄႿႿ ႼႱჄႵ ჄႿ ჃჄႱჂჄ ႱႾ჉ჄႸႹႾႷ ႾႵჇ ႾႿჇნ

ႤႸႵ ႼႹႾႵჃ ႿႶ ჄႵ჈Ⴤ ႶႼႿჇႹႾႷ ႶჂႿႽ ႸႵჂ ႶႱႹႾჄႼ჉ ჄჂႵႽႲႼႹႾႷ ႶႹႾႷႵჂჄႹჀჃ ჇႵჂႵ ႼႹႻႵ ႸႵჂ ႼႹႶႵ ႹჄჃႵႼႶნ ჼႿჇლ ჅႾჃჅჂႵ ႸႿჇ ႽႱႾ჉ ႴႱ჉Ⴣ ჃႸႵ ႸႱႴ ႼႵႶჄლ ჃႹႽჀႼ჉ ჂႵჀႵႱჄႹႾႷ ႶႱႽႹႼႹႱჂ ჄႱჃႻჃ ჇႱჃ ႸႵჂ ႿႾႼ჉ ႳႿႽႶႿჂჄნ

‘…ჷႶ ჷ ႴႹႵლ ჇႹႼႼ ჄႸႱჄ ႳႸႹႼႴ ჄႱႻႵ ჄႸႹჃ ჃႵႱჄჭ’

ႤႸႵ ႣႱႹႾჄႵჃჃ ႸႱႴ ჃႱႹႴ ჃႸႵ ჇႿჅႼႴ ჂႵჃჄႿჂႵ ჄႸႱჄ ႳႸႹႼႴ’Ⴣ ႼႹႶႵ ჄႿ ႹჄჃ ႿჂႹႷႹႾႱႼ ჃჄႱჄႵ ႱႶჄႵჂ ჃჅႲႴჅႹႾႷ ჄႸႵ ႴႵ჆ႹႼნ

ჷႶ ჃႿლ ჄႸႵႾ ჄႸႹჃ ჃႵႱჄ ჇႿჅႼႴ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႲႵႼႿႾႷ ჄႿ ჄႸႱჄ ႳႸႹႼႴნ ႧႸႵჄႸႵჂ ჃႸႵ ჇႱჃ ႤႹႾႱ ႸႵჂჃႵႼႶ ႿჂ ႾႿჄლ ႹჄ ჇႱჃ ႱႾ ჅႾႳႸႱႾႷႵႱႲႼႵ ႶႱႳჄ ჄႸႱჄ ჃႸႵ ჇႿჅႼႴ ႳႿႾჄႹႾჅႵ ჄႸႵ ჰႼႱႾႳ ႼႵႷႱႳ჉ნ

ჶႿჇ ႴႵ჆ႿჄႵႴ ჄႸႵ჉ ჇႵჂႵნ

ႧႸႱჄ ႿႾ ႵႱჂჄႸ ჇႱჃ ჄႸႱჄ ႳႸႹႼႴლ ႶႿჂ ჄႸႵ ჲჅႳႸႵჃჃ ႿႶ ჄႸႵ ႷჂႵႱჄ ჻ႵჂႴႵႼႹႱ ჲჅႳႸ჉ ႱႾႴ ჄႸႵ ႣႱႹႾჄႵჃჃლ ႸႱႹႼႵႴ ႱჃ ჄႸႵ ჇႿჂႼႴ’Ⴣ ჃႱ჆ႹႿჂლ ჄႿ ჀႿჅჂ ჃႿ ႽჅႳႸ ჄႹႽႵ ႹႾჄႿ ႸႵჂჭ

ႧႸႱჄ ႿႾ ႵႱჂჄႸ ჇႱჃ ჄႸႱჄ ႳႸႹႼႴლ ჄႸႱჄ ჃႸႵ ჇႱჃ ႴႵႵႽႵႴ ჇႿჂჄႸ჉ ႿႶ ႸႱჀჀႹႾႵჃჃ Ⴕ჆ႵႾ ႱႶჄႵჂ ჄႱႻႹႾႷ ႱჇႱ჉ Ⴝ჉ ႴႱჅႷႸჄႵჂლ ჇႸႿႽ ჷ ႼႿ჆ႵႴ ႱႾႴ ჇႸႿ ჇႱჃ Ⴝ჉ ႵႾჄႹჂႵ ჇႿჂႼႴჭ

ႧႸႱჄ ႿႾ ႵႱჂჄႸ ჇႱჃ ჄႸႱჄ ႳႸႹႼႴლ ჄႸႱჄ ჃႸႵ ႽႱႴႵ ႽႵ ႴჂႱႷ Ⴝ჉ Ⴔ჉ႹႾႷ ႲႿႴ჉ ჄႿ ჄႸႹჃ ႿႶႶႹႳႵ Ⴕ჆ႵჂ჉ ჃႹႾႷႼႵ ႴႱ჉ჭ

ႧႸႱჄ ႿႾ ႵႱჂჄႸ ჇႱჃ ჄႸႱჄ ႳႸႹႼႴჭ

ჼႿ ႽႱჄჄႵჂ ႸႿჇ ႸႱჂႴႵႾႵႴ Ⴝ჉ ႸႵႱჂჄ ჇႱჃლ

ႧႸ჉ ႳႿჅႼႴႾ’Ⴤ ჷ ႸႱჄႵ ႸႵჂჭ

“ჱႿჅႷႸ…჏”

ჯ ჃჅჂႷႵ ႿႶ ჅႾႶႱႽႹႼႹႱჂႹჄ჉ ჂႿჃႵ ႹႾ ႸႵჂ ႳႸႵჃჄლ ႱႾႴ ჃႸႵ ჁჅႹႳႻႼ჉ ჀჅႼႼႵႴ ႿჅჄ Ⴑ ႸႱႾႴႻႵჂႳႸႹႵႶ ჄႿ ႳႿ჆ႵჂ ႸႵჂ ႽႿჅჄႸნ ႧႹჄႸ ჃႵ჆ႵჂႱႼ ႳႿႾჃႵႳჅჄႹ჆Ⴕ ႳႿჅႷႸჃლ ႴႱჂႻ ჂႵႴ ႲႼႿႿႴ ႳႼႵႱჂႼ჉ ჃჄႱႹႾႵႴ ჄႸႵ ႵႴႷႵ ႿႶ ჄႸႵ ႸႱႾႴႻႵჂႳႸႹႵႶნ

ჯ ჃႹႳႻႾႵჃჃ ႿႶ ჄႸႵ ႸႵႱჂჄ ჄႸႱჄ Ⴕ჆ႵႾ ჄႸႵ ႣႱႹႾჄႵჃჃ ႳႿჅႼႴႾ’Ⴤ ႸႵႱႼნ ჼႿლ ჄႿ ႲႵ ჀჂႵႳႹჃႵლ ႹჄ ჇႱჃ ႱႾ ႹႼႼႾႵჃჃ ჃႸႵ ჂႵႶჅჃႵႴ ჄႿ ႲႵ ႳჅჂႵႴ ႿႶნ

ႣႿႿႾლ ჄႸႹჃ ႹႼႼႾႵჃჃ ჇႿჅႼႴ Ⴕ჆ႵႾ ჄႱႻႵ ႸႵჂ ႼႹႶႵნ

ჲႵႱჄႸ ჇႱჃႾ’Ⴤ ჃႿႽႵჄႸႹႾႷ ჄႿ ႶႵႱჂ ႱႾ჉ჇႱ჉ნ ႤႸႵჂႵ ჇႱჃ ႾႿ ჂႵႱჃႿႾ ႼႵႶჄ ႶႿჂ ႸႵჂ ჄႿ ჂႵႽႱႹႾ ႹႾ ჄႸႹჃ ჇႿჂႼႴნ

ႤႸႵ ႿႾႼ჉ ჂႵႽႱႹႾႹႾႷ ႵႽႿჄႹႿႾ ჇႱჃ ႶႱႴႵႴ ჂႵჃႹႷႾႱჄႹႿႾნ ჯႼႼ ჃႸႵ ႸႱႴ ჄႿ ႴႿ ჇႱჃ ჁჅႹႵჄႼ჉ ႶႱႼႼ ႹႾჄႿ ႵჄႵჂႾႱႼ ჃႼႵႵჀლ ႺჅჃჄ ႼႹႻႵ ჄႸႹჃლ ႽႿ჆ႹႾႷ ႸႵჂ ჀႵႾ ႱჃ ჅჃჅႱႼნ

ჰჅჄ ႹႶ ჄႸႵჂႵ ჇႱჃ ႿႾႵ ჄႹႾ჉ ჇႹჃႸ ჇႹჄႸႹႾ ႸႵჂლ ႹჄ ჇႱჃ—

ჹႾႿႳႻ ႻႾႿႳႻნ

ჯ ႾႵႱჄ ႻႾႿႳႻႹႾႷ ჃႿჅႾႴ ႷႵႾჄႼ჉ ႹႾჄႵჂჂჅჀჄႵႴ ႸႵჂ ႴႵႵჀ ჄႸႿჅႷႸჄჃნ

ႣႿႿႾ ႱႶჄႵჂლ ჄႸႵ ႸႵႱႴ ႲჅჄႼႵჂლ ჇႸႿ ႽႱႾႱႷႵႴ ჄႸႵ ႽႱႾჃႹႿႾ’Ⴣ ႱႶႶႱႹჂჃლ ႿჀႵႾႵႴ ჄႸႵ ႴႿႿჂ ႱႾႴ ႳႱჂႵႶჅႼႼ჉ ჀႼႱႳႵႴ Ⴑ ႸႵႱ჆჉ ႵႾ჆ႵႼႿჀႵ ႿႾ ႸႵჂ ႴႵჃႻნ

“ჷჄ ႹჃ Ⴑ ႼႵჄჄႵჂ ႶჂႿႽ ჄႸႵ ჻ႵჂႴႵႼႹႱ ჲჅႳႸႵჃჃნ”

“ႤႸႵ ჲჅႳႸႵჃჃმႾႹႽჭ”

ჶႵჂ ႷႱ჊Ⴕ ႾႱჄჅჂႱႼႼ჉ ჃႸႹႶჄႵႴ ჄႿ ჄႸႵ ႵႾ჆ႵႼႿჀႵნ

ႤႸႵ ႴჅႳႱႼ ႳჂႵჃჄ ჃჄႱႽჀႵႴ ႿႾ ჄႸႵ ჃႽႿႿჄႸ ႵႾ჆ႵႼႿჀႵ ႴჂႵჇ ႸႵჂ ჄႹჂႵႴ ႸႱႾႴნ

ჱჂჅႾႳႸმ

ჷႾ ჄႸႵ ႷႼႿႿႽ჉ ჀჂႹჃႿႾლ ႿႾႼ჉ ჄႸႵ ႳႼႱႾႻႹႾႷ ႿႶ ႳႸႱႹႾჃ ႲჂႿႻႵ ჄႸႵ ჃႹႼႵႾႳႵნ

ჷႾ ჄႸႹჃ ႴႱჂႻ ჃჀႱႳႵ ჇႸႵჂႵ ႾႿჄ Ⴑ ჃႹႾႷႼႵ ჂႱ჉ ႿႶ ჃჅႾႼႹႷႸჄ ჀႵႾႵჄჂႱჄႵႴლ ჷ ჇႱჃ ႳჅჂႼႵႴ ჅჀლ ႲႹჄႹႾႷ Ⴝ჉ ႶႹႾႷႵჂႾႱႹႼჃნ

“ႧႸႵႾ… ჇႸႵႾ ႱჂႵ ჉ႿჅ ႳႿႽႹႾႷ…჏”

ჷႽჀႱჄႹႵႾႳႵ ႷႾႱჇႵႴ ႱჄ ႽႵნ

ჺႹႼႼႹႱႾ ႱႼჇႱ჉Ⴣ ႱჀჀႵႱჂႵႴ ჇႹჄႸ ჇႱჂႽ ჃႿჅჀ ႺჅჃჄ ႱჃ ჷ ႲႵႷႱႾ ჄႿ ჇႵႱႻႵႾ ႶჂႿႽ ႸჅႾႷႵჂნ ჳႱႳႸ ჄႹႽႵლ ჃႸႵ ႸႵႼႴ ႽႵ ႹႾ ႸႵჂ ႱჂႽჃ ႱႾႴ ჇႸႹჃჀႵჂႵႴ ჄႸႱჄ ჃႸႵ ႼႿ჆ႵႴ ႽႵლ ႱႾႴ ႶႿჂ ჄႸႿჃႵ ႽႿႽႵႾჄჃლ ჷ ႳႿჅႼႴ ჃႿႿჄႸႵ Ⴝ჉ ႼႿႾႵႼႹႾႵჃჃნ

ჰჅჄ ႾႿჇლ Ⴕ჆ႵႾ ႱჃ ჀႱႹႾ ႲႵ჉ႿႾႴ ႸჅႾႷႵჂ ჃჅჂႷႵႴ ႴႵႵჀ ჇႹჄႸႹႾ Ⴝ჉ ჃჄႿႽႱႳႸლ ჺႹႼႼႹႱႾ ჇႱჃ ႾႿჇႸႵჂႵ ჄႿ ႲႵ ჃႵႵႾნ

ჷ’Ⴝ ႳႿႼႴნ ჷ’Ⴝ ႸჅႾႷჂ჉ნ ჻ႿჃჄ ႿႶ ႱႼႼლ ჷ’Ⴝ ႼႿႾႵႼ჉ნ

ჷႾ ჄႸႹჃ ႷႼႿႿႽ჉ლ ႵႾႳႼႿჃႵႴ ჃჀႱႳႵლ ႱႼႼ ჷ ႳႿჅႼႴ ႴႿ ჇႱჃ ჇႱႹჄნ ႤႸႹჃ ჀႿჇႵჂႼႵჃჃ ჂႵႱႼႹჄ჉ ჇႱჃ ჃႼႿჇႼ჉ ႲჂႵႱႻႹႾႷ ႽႵ ႴႿჇႾნ

ႣႸႵ ჃႱႹႴ ჃႸႵ ჇႿჅႼႴ ჀჂႿჄႵႳჄ ႽႵ ჇႹჄႸ ႼႿ჆Ⴕ ႶႿჂ Ⴝ჉ ႵႾჄႹჂႵ ႼႹႶႵნ

ႣႸႵ ჀჂႿႽႹჃႵႴ ჃႸႵ ჇႿჅႼႴ ႾႵ჆ႵჂ ႼႵႱ჆Ⴕ Ⴝ჉ ჃႹႴႵლ ႾႿ ႽႱჄჄႵჂ ჇႸႱჄ ႸႱჀჀႵႾႵႴნ

“ჺႹႱჂნ”

ჳ჆ႵჂ჉ჄႸႹႾႷ ჇႱჃ Ⴑ ႼႹႵნ

“ჺႹႱჂლ ႼႹႱჂლ ႼႹႱჂ…჏”

ႣႵႵჭ ჷ ჇႱჃ ჂႹႷႸჄნ

ჳ჆ႵႾ ჄႸႱჄ ႾႿႲႼႵ ႣႱႹႾჄႵჃჃ ႴႿႵჃႾ’Ⴤ ႻႵႵჀ ႸႵჂ ჀჂႿႽႹჃႵჃნ

ႤႸႵ ႿႾႵ ჇႸႿ ჇႸႹჃჀႵჂႵႴ ჇႿჂႴჃ ႿႶ ႼႿ჆Ⴕ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႱႲႱႾႴႿႾႵႴ ႽႵ ႹႾ ჄႸႹჃ ႴႱჂႻ ႱႾႴ ႼႿႾႵႼ჉ ჀႼႱႳႵნ

ჷჃ ႼႿ჆Ⴕ ჃჄႹႼႼ ჂႵႱႼლ Ⴕ჆ႵႾ ႱႶჄႵჂ ჄႸႹჃჭ

“ჷ ჇႱႾჄ ჄႿ ႴႹႵნ”

჻჉ ჇჂႹჃჄ ჄႹႾႷႼႵႴნ ჯჃ ჷ ႴჅႷ Ⴝ჉ ႾႱႹႼჃ ႹႾჄႿ Ⴝ჉ ჇჂႹჃჄლ Ⴑ ႶႱႹႾჄ ႴჂႿჀ ႿႶ ႲႼႿႿႴ ჃႵႵჀႵႴ ႿჅჄ ჇႹჄႸ Ⴑ ႽႵჄႱႼႼႹႳ ჀႱႹႾნ

ჰჅჄ ჄႸႱჄ ჇႱჃ ႿႾႼ჉ ႶႿჂ Ⴑ ႽႿႽႵႾჄჩ ჃႿႿႾლ Ⴑ ჀჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ჀႵჂႽႵႱჄႵႴ Ⴝ჉ ჇჂႹჃჄლ ႹႾჃჄႱႾჄႼ჉ ႵჂႱჃႹႾႷ ჄႸႵ ႾႱႹႼ ႽႱჂႻჃნ

ჷ ႸႱჄႵႴ ჄႸႱჄ ჃႹႷႸჄ ႸႿჂჂႹႲႼ჉ნ ჷ ႷჂႹჄჄႵႴ Ⴝ჉ ჄႵႵჄႸ ႱႾႴ ႲႹჄ Ⴝ჉ ႼႹჀლ ႴႹႷႷႹႾႷ Ⴝ჉ ႾႱႹႼჃ Ⴕ჆ႵႾ ႴႵႵჀႵჂნ

ჰჅჄ ႾႿჄႸႹႾႷ ႳႸႱႾႷႵႴნ

ჯჃ ႱႼჇႱ჉Ⴣლ Ⴝ჉ ႲႿႴ჉ ႸႵႱႼႵႴ ႹჄჃႵႼႶლ ႱႾႴ ჷ ჂႵႽႱႹႾႵႴ Ⴑ ჀႿჇႵჂႼႵჃჃ ႲႵႹႾႷ ႹႾ ჄႸႹჃ ჀჂႹჃႿႾნ

“ჺႵჄ ႽႵ ႴႹႵ…჏ ႠႼႵႱჃႵ…჏”

ჸჅჃჄ ႱჃ ჷ ჇႱჃ ჃႳჂႱჄႳႸႹႾႷ Ⴝ჉ ჇჂႹჃჄლ Ⴝ჉ ჃႱႾႹჄ჉ ႸႱႼႶმႱႲႱႾႴႿႾႵႴლ

“ႣჄႿჀლ ႤႹႾႱნ”

ჯ ႶႹჂႽ ჉ႵჄ ႷႵႾჄႼႵ ჆ႿႹႳႵ ჃჀႿႻႵნ ჯჄ ჄႸႵ ჃႱႽႵ ჄႹႽႵლ ჃႿႽႵႿႾႵ ႷჂႱႲႲႵႴ Ⴝ჉ ჇჂႹჃჄ ႶႹჂႽႼ჉ნ

ႤႸႵ ႸႱႾႴ ჇႱჃ ჃႿ ჇႸႹჄႵ ႱႾႴ ჃႼႵႾႴႵჂ ჄႸႱჄ ႹჄ ჇႱჃ ႾႱჄჅჂႱႼႼ჉ ႴႵჃႳჂႹႲႵႴ ႱჃ ႲႵႱჅჄႹႶჅႼლ ჉ႵჄ ႹჄჃ ჀႱႼႽ ჇႱჃ ႳႱႼႼႿჅჃႵႴ ႹႾ ჀႼႱႳႵჃნ

ႧႸႵႾ ჷ ႼႹႶჄႵႴ Ⴝ჉ ႸႵႱႴლ Ⴑ ႶႱႽႹႼႹႱჂ ႶႱႳႵ ႳႱႽႵ ႹႾჄႿ ჆ႹႵჇნ

“ႦႹ჆ႹႱႾႱმႾႹႽ…ჭ”

“ჷ’Ⴝ ჃႿჂჂ჉ ჷ’Ⴝ ႼႱჄႵლ ႱჂႵႾ’Ⴤ ჷჭ ჷ ႸႱႴ ჃႿႽႵჄႸႹႾႷ ჄႿ ჄႱႻႵ ႳႱჂႵ ႿႶლ ჃႿ ჷ ႳႿჅႼႴႾ’Ⴤ ႳႿႽႵ ჂႹႷႸჄ ႱჇႱ჉ნ”

ჷ ჃჄႱჂႵႴ ႲႼႱႾႻႼ჉ ႱჄ ႸႵჂნ

ႧႸ჉ ჇႱჃ ႦႹ჆ႹႱႾႱ ႸႵჂႵ ႹႾჃჄႵႱႴ ႿႶ ჺႹႼႼႹႱႾჭ ჲႹႴ ჷ ႸႱ჆Ⴕ ჄႿ ႴႿ ჄႸႵ ჃႱႽႵ ჃႸႱႽႵႶჅႼ ჄႸႹႾႷჃ ჄႿ ႸႵჂ ჄႸႱჄ ჷ ႴႹႴ ჄႿ ჺႹႼႼႹႱႾ ႾႿჇჭ

“ႧႸႵჂႵ’Ⴣ ჺႹႼႼႹႱႾმႾႹႽჭ”

“ჴჂႿႽ ႾႿჇ ႿႾლ ჺႹႼႼႹႱႾ ႱႾႴ ჷ ჇႹႼႼ ჄႱႻႵ ჄჅჂႾჃ ჆ႹჃႹჄႹႾႷ ჉ႿჅნ ႤႸႹჃ ჄႹႽႵლ ႹჄ’Ⴣ Ⴝ჉ ჄჅჂႾნ”

“…ႦႹ჆ႹႱႾႱმႾႹႽ ჇႹႼႼ ჆ႹჃႹჄ ႽႵჭ”

“ႩႵჃნ”

ႢႹႷႸჄლ ჇႸႱჄ ႴႿႵჃ ႹჄ ႽႱჄჄႵჂ ႹႶ ႹჄ’Ⴣ ႦႹ჆ႹႱႾႱ ႿჂ ჺႹႼႼႹႱႾჭ

ჷႾ Ⴝ჉ ჂჅႹႾႵႴ ႼႹႶႵლ ႹჄ ჇႿჅႼႴႾ’Ⴤ ႽႱჄჄႵჂ ჇႸႿ ႶႵႴ ႽႵ ႿჂ ჇႸႿ ႸႱႾႴႼႵႴ Ⴝ჉ ჀႸ჉ჃႹႿႼႿႷႹႳႱႼ ႾႵႵႴჃნ

ჷ ႿႾႼ჉ ჇႱႾჄႵႴ ႿႾႵ ჄႸႹႾႷნ

“ႩႿჅ’ႼႼ ჃჄႱႽჀ… ჄႸႵ ჀႱჀႵჂ ႶႿჂ ႽႵლ ჂႹႷႸჄჭ”

ჷႾ ჂႵჃჀႿႾჃႵ ჄႿ Ⴝ჉ ჁჅႵჃჄႹႿႾლ ႦႹ჆ႹႱႾႱ ჃႼႿჇႼ჉ ჄႿႿႻ ႿჅჄ Ⴑ ჄႱႼႼ჉ ჃႸႵႵჄ ႶჂႿႽ ႸႵჂ ჀႿႳႻႵჄნ ჽႾ ႹჄლ ჄႸႵ ჃჄႱႽჀჃ ჷ ႸႱႴ ႱႳႳჅႽჅႼႱჄႵႴ ჃႿ ႶႱჂ ჇႵჂႵ ႽႱჂႻႵႴ ႿႾႵ Ⴒ჉ ႿႾႵნ

“ႩႵჃნ ჷ’ႼႼ ჃჄႱႽჀ ႹჄ ჇႸႵႾ ჄႸႵ ႴႱ჉ ႵႾႴჃნ”

“…ႤႸႵႾ ႹჄ ႴႿႵჃႾ’Ⴤ ႽႱჄჄႵჂნ”

ჶႱ჆ႹႾႷ ႽႱႴႵ Ⴑ ჁჅႹႳႻ ႴႵႳႹჃႹႿႾლ ჷ ႴჂႱႷႷႵႴ Ⴝ჉ ႲႿႴ჉ლ ႸႵႱ჆ႹႼ჉ ႲႿჅႾႴ Ⴒ჉ ႳႸႱႹႾჃლ ႿႾ ႱႼႼ ႶႿჅჂჃ ჄႿჇႱჂႴჃ ႦႹ჆ႹႱႾႱნ

ჳ჆ႵჂ჉ ჄႹႽႵ ჷ ႽႿ჆ႵႴლ ჄႸႵ ႹჂჂႹჄႱჄႹႾႷ ჃႿჅႾႴ ႿႶ ႳႸႱႹႾჃ ჃႳჂႱჀႹႾႷ ჄႸႵ ႷჂႿჅႾႴ ႵႳႸႿႵႴ ჄႸჂႿჅႷႸ ჄႸႵ ჀჂႹჃႿႾნ

ჯႾႴ ჃႿლ Ⴕ჆ႵႾჄჅႱႼႼ჉ლ ჷ ჃჅႳႳႵႵႴႵႴ ႹႾ ჂႵჃჄႹႾႷ Ⴝ჉ ႲႿႴ჉ ႿႾ ႸႵჂ ႼႱჀნ

“ႤႹ… ႤႹႾႱ…ჭ”

ႦႹ჆ႹႱႾႱ ႼႿႿႻႵႴ ჅჀ ႱჄ ႽႵ ჇႹჄႸ Ⴑ ჃჅჂჀჂႹჃႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾნ

ჷ ႳႿჅႼႴႾ’Ⴤ ჅႾႴႵჂჃჄႱႾႴ ჇႸ჉ ჄႸႱჄ Ⴕ჈ჀჂႵჃჃႹႿႾ ႶႵႼჄ ჃႿ ჅႾႶႱႽႹႼႹႱჂ ႱႾႴ ჃჄჂႱႾႷႵნ

ႧႸ჉ ჇႱჃ ჃႸႵ ႽႱႻႹႾႷ ჄႸႱჄ ႶႱႳႵჭ

“…ႧႸ჉ჭ ჲႹႴႾ’Ⴤ ჉ႿჅ ႳႿႽႵ ႸႵჂႵ ჄႿ ႴႿ ჄႸႹႾႷჃ ႼႹႻႵ ჄႸႹჃჭ”

ჯႶჄႵჂ ჃႹჄჄႹႾႷ ႿႾ ႦႹ჆ႹႱႾႱ’Ⴣ ႼႱჀლ ჷ ჇჂႱჀჀႵႴ Ⴝ჉ ႸႱႾႴჃ ႱჂႿჅႾႴ ႸႵჂ ჇႱႹჃჄნ ႤႸႵ ႶႹჂႽ ႽჅჃႳႼႵჃ ჷ ႶႵႼჄ ႲႵႾႵႱჄႸ Ⴝ჉ ႶႹႾႷႵჂჄႹჀჃ ჇႵჂႵ ჃჄჂႱႾႷႵႼ჉ ჅႾႶႱႽႹႼႹႱჂნ

“ჷ’Ⴝ ႸჅႾႷჂ჉ნ ჵႹ჆Ⴕ ႽႵ ႶႿႿႴნ”

ჴჂႿႽ Ⴑ ႴႹჃჄႱႾႳႵ ႳႼႿჃႵ ႵႾႿჅႷႸ ႶႿჂ ႿჅჂ ႲჂႵႱჄႸჃ ჄႿ ჄႿჅႳႸლ ჷ ჀႱჂჄႵႴ Ⴝ჉ ႼႹჀჃ ჃႼႹႷႸჄႼ჉ ႱႾႴ ႼႿႿႻႵႴ ႱჄ ႸႵჂნ

ჷႶ ႹჄ ჇႵჂႵ ჺႹႼႼႹႱႾლ ჃႸႵ ჇႿჅႼႴ ႸႱ჆Ⴕ ႱႼჂႵႱႴ჉ ႳႿ჆ႵჂႵႴ Ⴝ჉ ႼႹჀჃ ႱႾႴ ႿႶႶႵჂႵႴ ႶႿႿႴ Ⴒ჉ ႾႿჇნ

ႣႿ ჷ ჄႸႿჅႷႸჄ ႦႹ჆ႹႱႾႱ ჇႿჅႼႴႾ’Ⴤ ႲႵ ႱႾ჉ ႴႹႶႶႵჂႵႾჄნ

ჰჅჄ ႸႵჂ ႶႱႳႵ ჁჅႹႵჄႼ჉ ႶႼჅჃႸႵႴნ ჶႵჂ ჄჂႵႽႲႼႹႾႷ Ⴕ჉ႵჃ ჇႵჂႵ ႶႹ჈ႵႴ ႿႾ Ⴝ჉ ႼႹჀჃლ ႲჅჄ ჃႸႵ ႴႹႴႾ’Ⴤ ႼႵႱႾ ႹႾ ႼႹႻႵ ჺႹႼႼႹႱႾნ

“…ჷ’Ⴝ ჃႿჂჂ჉ლ ႲჅჄ ჄႸႵჂႵ’Ⴣ ႾႿ ႽႵႱႼნ ႤႹႾႱნ”

“ႧႸႱჄჭ”

“ჰჅჄ ჷ ႳႱႾ ჄႱႻႵ ჉ႿჅ ჄႿ Ⴑ ჀႼႱႳႵ ჇႸႵჂႵ ჄႸႵჂႵ’Ⴣ ႶႿႿႴნ”

ჴႿჂ Ⴑ ႽႿႽႵႾჄლ ჷ ჇႱჃ ჃჀႵႵႳႸႼႵჃჃ ႱႾႴ ႼႿႿႻႵႴ ჅჀ ႱჄ ႸႵჂნ ႧႸႱჄ ႿႾ ႵႱჂჄႸ ჇႱჃ ჃႸႵ ჄႱႼႻႹႾႷ ႱႲႿჅჄჭ

ႧႸႵႾ ჷ ႴႵႽႱႾႴႵႴ ႱႾ Ⴕ჈ჀႼႱႾႱჄႹႿႾ ჇႹჄႸ Ⴝ჉ Ⴕ჉ႵჃ ႹႾჃჄႵႱႴ ႿႶ Ⴑ ჂႵჀႼ჉ლ ႦႹ჆ႹႱႾႱ ႷႱ჆Ⴕ Ⴑ ႶႱႹႾჄ ჃႽႹႼႵ ႱႾႴ ჃჄჂႿႻႵႴ Ⴝ჉ ႸႵႱႴ ႿႾႳႵნ

“ჷ’ႼႼ ჄႱႻႵ ჉ႿჅ ႿჅჄჃႹႴႵნ”

ჱႿႽჀႼႵჄႵႼ჉ ჅႾႵ჈ჀႵႳჄႵႴ ჇႿჂႴჃნ

ჷ ჃჄႱჂႵႴ ႱჄ ႸႵჂლ Ⴝ჉ Ⴕ჉ႵჃ ჇႹႴႵნ

ჷႾჃႹႴႵ ჄႸႵ ჂႱჄჄႼႹႾႷ ႳႱჂჂႹႱႷႵნ

ႦႹ჆ႹႱႾႱ ჇႱჄႳႸႵႴ ჄႸႵ ႼႿ჆ႵႼ჉ ႷႹჂႼ ჃႹჄჄႹႾႷ ႹႾ ႶჂႿႾჄ ႿႶ ႸႵჂლ ႸႵჂ ႸႱႾႴჃ ႳႼႱჃჀႵႴ ჄႿႷႵჄႸႵჂნ ჲႵჃჀႹჄႵ ႲႵႹႾႷ ႳႿႾႶႹႾႵႴ ႹႾ ჄႸႱჄ ႴႱჂႻ ჀჂႹჃႿႾ ႶႿჂ Ⴑ ႽႿႾჄႸლ ჄႸႵ ႷႹჂႼ’Ⴣ Ⴕ჉ႵჃ ჃႸႿႾႵ ႱჃ ႲႵႱჅჄႹႶჅႼႼ჉ ႱჃ ჃჄႱჂჃნ

ჶႵჂ ჃႻႹႾ ჇႱჃ ჃႿ ႶႹႾႵ ჄႸႱჄ ႱႾ჉ႿႾႵ ჇႸႿ ჃႱჇ ႸႵჂ ჇႿჅႼႴ ႶႹႾႴ ႹჄ ႸႱჂႴ ჄႿ ႲႵႼႹႵ჆Ⴕ ჃႸႵ ႸႱႴ Ⴕ჆ႵჂ ႲႵႵႾ ႹႽჀჂႹჃႿႾႵႴნ

“ႤႸმჄႸႵ ჳႽჀႹჂႵ…”

ႤႹႾႱ ႼႿႿႻႵႴ ႿჅჄ ჄႸႵ ႳႱჂჂႹႱႷႵ ჇႹႾႴႿჇ ჇႹჄႸ ჄჂႵႽႲႼႹႾႷ Ⴕ჉ႵჃნ ჰႵ჉ႿႾႴ ႹჄ ႼႱ჉ ჄႸႵ ႶႱႽႹႼႹႱჂ ႱႾႴ ჆ႹႲჂႱႾჄ ႲჅჃჄႼႹႾႷ ჃჄჂႵႵჄჃ ႿႶ ჄႸႵ ჳႽჀႹჂႵნ

ႤႹႾႱ’Ⴣ ႱჀჀႵႱჂႱႾႳႵლ ႱჃ ჃႸႵ ႳႱჂႵჃჃႵႴ ჄႸႵ ჇႹႾႴႿჇ ႱႾႴ ႷႱ჊ႵႴ ႿჅჄჃႹႴႵ ჇႹჄႸ ჃჀႱჂႻႼႹႾႷ Ⴕ჉ႵჃლ ჇႱჃ ჃႿ ႼႿ჆ႵႼ჉ ჄႸႱჄ Ⴑ ჃႽႹႼႵ ႾႱჄჅჂႱႼႼ჉ ჃჀჂႵႱႴ ႱႳჂႿჃჃ ႦႹ჆ႹႱႾႱ’Ⴣ ႼႹჀჃნ

“ჷჃ ჄႸႵჂႵ ႱႾ჉ჄႸႹႾႷ ჉ႿჅ ჇႱႾჄ ჄႿ ႵႱჄჭ ჷ’ႼႼ ჄႱႻႵ ჉ႿჅ ჇႸႵჂႵ჆ႵჂ ჉ႿჅ ჇႹჃႸნ”

ჯჄ ჄႸႿჃႵ ჇႿჂႴჃლ ႤႹႾႱ’Ⴣ Ⴕ჉ႵჃ ჃჀႱჂႻႼႵႴნ

ႣႸႵ ႸႵჃႹჄႱჄႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ჄႸႵႾ ჃႽႹႼႵႴ ჃႸ჉Ⴜ჉ლ ႼႿჇႵჂႵႴ ႸႵჂ ႸႵႱႴლ ႱႾႴ ჇႸႹჃჀႵჂႵႴ ჃႿႶჄႼ჉ნ

“ჷ… ჷ ჇႱႾჄ ჄႿ ႵႱჄ ჀႱჃჄႱნ”

ჯႸლ ჄჂჅႼ჉ ႼႿ჆ႵႼ჉ნ

ჳ჆ႵႾ ႦႹ჆ႹႱႾႱლ ჇႸႿ ჀჂႹႴႵႴ ႸႵჂჃႵႼႶ ႿႾ ႸႵჂ Ⴕ჈ႳႵჀჄႹႿႾႱႼ ჃႵႼႶმႳႿႾჄჂႿႼლ ႶႿჅႾႴ ႹჄ ႸႱჂႴ ჄႿ ჃჅჀჀჂႵჃჃ ჄႸႵ ჅჂႷႵ ჄႿ ჃჄჂႿႻႵ ႸႵჂ ႸႵႱႴნ

“ჯႼჂႹႷႸჄნ”

ႦႹ჆ႹႱႾႱ ႻႾႵჇ ჄႸႱჄ ჃჀႵႳႹႱႼ ჃჀႱႳႵ ჺႹႼႼႹႱႾ ႸႱႴ ႳჂႵႱჄႵႴ ჇႵႼႼნ ჯ ჀჂႹჃႿႾ ႽႱႴႵ ႿႶ ჆ႱჃჄ ႴႹ჆ႹႾႵ ჀႿჇႵჂლ Ⴑ ჂႵႱႼႽ ႿႶ ႹႽႽႿჂჄႱႼႹჄ჉ლ ႹႾ Ⴑ ჃႵႾჃႵნ

ႤႸႱჄ ჃჀႱႳႵლ ჇႸႵჂႵ Ⴕ჆ႵႾ Ⴑ ჃႵ჆ႵჂႵႴ ႸႵႱႴ ჇႿჅႼႴ ႹႾჃჄႱႾჄႼ჉ ႸႵႱႼლ ჇႱჃ ႳჂႵႱჄႵႴ ჃႿႼႵႼ჉ ႶႿჂ ႤႹႾႱნ

‘ჺႹႻႵ ჄႸႹჃ ႳႿႼႼႱჂნ’

ႦႹ჆ႹႱႾႱ ჃႼႿჇႼ჉ ႼႿႿႻႵႴ ႱჄ ჄႸႵ ႳႿႼႼႱჂ ႹႾ ႸႵჂ ႸႱႾႴნ

ႤႸႵ ႳႿႼႼႱჂ ႤႹႾႱ ႸႱႴ ჇႿჂႾ ჇႸႵႾ ჃႸႵ ႲႱჄႸႵႴ ჀჂႵ჆ႹႿჅჃႼ჉ნ

ႤႸႱჄ ჃႽႱႼႼლ ჃჄჅჂႴ჉ ႳႿႼႼႱჂ ႳႿႾჄႱႹႾႵႴ ჄႸႵ ჃႱႽႵ ჆ႱჃჄ ႱႽႿჅႾჄ ႿႶ ႴႹ჆ႹႾႵ ჀႿჇႵჂ ႱჃ ჄႸႵ ჀჂႹჃႿႾნ

ჯჃ ႼႿႾႷ ႱჃ ჃႸႵ ჇႿჂႵ ჄႸႹჃ ႳႿႼႼႱჂლ ႱႼႼ ႹႾႺჅჂႹႵჃ ჇႿჅႼႴ ႸႵႱႼლ ႺჅჃჄ ႼႹႻႵ ႹႾ ჄႸႱჄ ჀჂႹჃႿႾნ

ႣჅჀჀჂႵჃჃႹႾႷ ჄႸႱჄ ႴႱႽႾႵႴ ႴႵ჆ႹႼ ჇႱჃ Ⴑ ႲႿႾჅჃნ

“ႤႹႾႱნ”

ႣႸႵ ჁჅႹႵჄႼ჉ ႳႱႼႼႵႴ ႸႵჂ ႾႱႽႵ ႱႾႴ ႶႱჃჄႵႾႵႴ ჄႸႵ ႳႿႼႼႱჂ ႱჂႿჅႾႴ ႸႵჂ ႾႵႳႻნ

ႠႵჂႸႱჀჃ ႲႵႳႱჅჃႵ ႹჄ ჇႱჃႾ’Ⴤ ჄႸႵ ႶႹჂჃჄ ჄႹႽႵლ ႤႹႾႱ ႳႱႼႽႼ჉ ႱႳႳႵჀჄႵႴ ჄႸႵ ႳႿႼႼႱჂ ჇႹჄႸႿჅჄ ႱႾ჉ ჀႱჂჄႹႳჅႼႱჂ ჂႵჃႹჃჄႱႾႳႵნ

ႤႸႵ ႳႱჂჂႹႱႷႵ ႸႱႴ ჃჄႿჀჀႵႴ ႱჄ ჃႿႽႵ ჀႿႹႾჄნ ჯჃ ჄႸႵ჉ ႿჀႵႾႵႴ ჄႸႵ ႴႿႿჂ ႱႾႴ ჃჄႵჀჀႵႴ ႿჅჄლ ჄႸႵ ჃჀႼႵႾႴႹႴ ჃჄჂႵႵჄჃ ႿႶ ჄႸႵ ჳႽჀႹჂႵ ჅႾႶႿႼႴႵႴ ႲႵႶႿჂႵ ჄႸႵႹჂ Ⴕ჉ႵჃლ ႲႱჄႸႵႴ ႹႾ ႲჂႹႷႸჄ ჃჅႾႼႹႷႸჄნ

ჶႿႼႴႹႾႷ ႤႹႾႱ’Ⴣ ႸႱႾႴლ ႦႹ჆ႹႱႾႱ ჃႼႿჇႼ჉ ჇႱႼႻႵႴ ჄႿჇႱჂႴჃ ჄႸႵ ჀႱჃჄႱ ჂႵჃჄႱჅჂႱႾჄნ ႧႹჄႸ Ⴕ჆ႵჂ჉ ჃჄႵჀლ ႳႿჅႾჄႼႵჃჃ ჃႸႱჂჀ ႷႱ჊ႵჃ ჀႿჅჂႵႴ ჄႿჇႱჂႴჃ ჄႸႵႽნ

ჽႶ ႳႿჅჂჃႵლ ჄႸႵ ჄႱჂႷႵჄ ႿႶ ჄႸႿჃႵ ႷႱ჊ႵჃ ჇႿჅႼႴ ႲႵ ႤႹႾႱლ ႾႿჄ ႸႵჂჃႵႼႶნ

ჶႿჇႵ჆ႵჂლ ჅႾႼႹႻႵ ႸႵჂჃႵႼႶლ ႤႹႾႱლ ჇႸႿ ჀႿჃჃႵჃჃႵႴ ჄႸႵ ჃႵႾჃႵჃ ႿႶ ႱႾ ႿჂႴႹႾႱჂ჉ ჀႵჂჃႿႾლ ჇႱჃ ႿႾႼ჉ Ⴕ჈ႳႹჄႵႴ ႱჄ ჄႸႵ ჄႸႿჅႷႸჄ ႿႶ ႵႱჄႹႾႷ ჀႱჃჄႱ ႱႾႴ ႴႹႴႾ’Ⴤ ႶႵႵႼ ჄႸႵ ႸႿჃჄႹႼႵ ႷႱ჊ႵჃ ႴႹჂႵႳჄႵႴ ႱჄ ႸႵჂ ႱჄ ႱႼႼნ

ႤႸႵ჉ ႱჂჂႹ჆ႵႴ ႱჄ ჄႸႵ ჀႱჃჄႱ ჂႵჃჄႱჅჂႱႾჄ ႲႵႶႿჂႵ ჃႸႵ ႻႾႵჇ ႹჄნ ႣႸႵ ႷႵႾჄႼ჉ ჃჄჂႿႻႵႴ ႤႹႾႱ’Ⴣ ႸႵႱႴ ႱႾႴ ჃჀႿႻႵნ

“ႤႹႾႱლ ႳႿჅႼႴ ჉ႿჅ ჇႱႹჄ ႸႵჂႵ ႱႼႿႾႵ ႶႿჂ Ⴑ ႽႿႽႵႾჄჭ ჯႲႿჅჄ ჟპ ႽႹႾჅჄႵჃ ჇႹႼႼ ႴႿნ ჷ’ႼႼ ჄႱႼႻ ჄႿ ჄႸႵ ჃႸႿჀ ႿჇႾႵჂ ႲჂႹႵႶႼ჉ ႱႾႴ ႲႵ ჂႹႷႸჄ ႿჅჄნ”

“ႤმჄႵႾ ႽႹႾჅჄႵჃჭ”

ႤႹႾႱ ႸႵჃႹჄႱჄႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ჄႸႵႾ ႾႿႴႴႵႴ ჇႹჄႸ Ⴑ ႶႹჂႽ ჃႽႹႼႵნ

“…ჯႼჂႹႷႸჄნ”

ჯჃ ჃႿႿႾ ႱჃ ჃႸႵ ႼႵႶჄ ႤႹႾႱ ႱႾႴ ჃჄႵჀჀႵႴ ႹႾჃႹႴႵ ჄႸႵ ჃႸႿჀლ ႳႼႿჃႹႾႷ ჄႸႵ ႴႿႿჂლ ჄႸႵ ႳႸႵႶ ႳႱႽႵ ჂჅჃႸႹႾႷ ჄႿჇႱჂႴჃ ႸႵჂ ႹႾ Ⴑ ႸჅჂჂ჉ნ

“ჵმႷჂႵႵჄႹႾႷჃლ ჻ႵჂႴႵႼႹႱ ჲჅႳႸႵჃჃმႾႹႽ჏”

“ჷႾ ႱႲႿჅჄ ႱႾ ႸႿჅჂლ ჄჇႿ ჀႵႿჀႼႵ ჇႹႼႼ ႴႹႾႵ ႸႵჂႵნ”

“ႩႵჃლ ჷ ჇႹႼႼ ႱჄჄႵႾႴ ჄႿ ჄႸႵႽ ჇႹჄႸ ႱႼႼ Ⴝ჉ ႸႵႱჂჄ჏”

ႤႸႵ ႳႸႵႶ’Ⴣ ႱჄჄႹჄჅႴႵ ჃႸႿჇႵႴ ႾႿ ႸႵჃႹჄႱჄႹႿႾნ ႣႵႵႹႾႷ ჄႸႱჄ ႸႵ ႴႹႴႾ’Ⴤ ჂႵ჆ႵჂჃႵ ႸႹჃ ჇႿჂႴჃლ ႹჄ ჃႵႵႽႵႴ ႼႹႻႵ Ⴑ ჁჅႹჄႵ ჄჂჅჃჄჇႿჂჄႸ჉ ჂႵჃჄႱჅჂႱႾჄნ

ႣႸႵ ႼႵႱႾႵႴ ႱႷႱႹႾჃჄ ჄႸႵ ჇႱႼႼლ ႳႼႿჃႵႴ ႸႵჂ Ⴕ჉ႵჃლ ႱႾႴ ჁჅႹႵჄႼ჉ ႳႿჅႾჄႵႴ ჄႸႵ ჄႹႽႵნ

ჽႾႵ ႽႹႾჅჄႵლ ჄჇႿ ႽႹႾჅჄႵჃლ ႶႹ჆Ⴕ ႽႹႾჅჄႵჃ… ႱႾႴ ჄႵႾ ႽႹႾჅჄႵჃნ

ჯႶჄႵჂ Ⴑ ႽႿႽႵႾჄლ ჃႸႵ ჃႼႿჇႼ჉ ႼႵႶჄ ჄႸႵ ჀႱჃჄႱ ჂႵჃჄႱჅჂႱႾჄლ ႼႵႱ჆ႹႾႷ ჄႸႵ ჀჅ჊჊ႼႵႴ ႷႱ჊Ⴕ ႿႶ ჄႸႵ ႿჇႾႵჂ ႲႵႸႹႾႴნ

ჯႾႴ ႹႾႴႵႵႴლ ႹჄ ჇႱჃ ႺჅჃჄ ႱჃ ჃႸႵ ႸႱႴ Ⴕ჈ჀႵႳჄႵႴნ

ႤႸႵ ჃჀႿჄ ჇႸႵჂႵ ႤႹႾႱ ჃႱႹႴ ჃႸႵ ჇႿჅႼႴ ჇႱႹჄ ჇႱჃ ႵႽჀჄ჉ნ

ႩႵჃლ ႹჄ ჇႱჃ ႱჃ Ⴕ჈ჀႵႳჄႵႴნ

“…ჷ’Ⴝ ჃႿჂჂ჉ლ ႤႹႾႱნ”

ႣႸႵ ႽჅჄჄႵჂႵႴ ჃႿႶჄႼ჉ ႱႾႴ ႼႿჇႵჂႵႴ ႸႵჂ ႸႵႱႴნ

ჰჅჄ ႺჅჃჄ ჄႸႹჃ ႿႾႳႵ… ჷ ႸႿჀႵ ჉ႿჅ ჅႾႴႵჂჃჄႱႾႴ ჄႸႱჄ ჄႸႹჃ ჄჂჅႼ჉ ႹჃ ႶႿჂ ჉ႿჅჂ ႿჇႾ ႷႿႿႴნ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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