Tales of the Taisho Era Flowers Bloom Late

Chapter 115

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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Ⴃ჻ჯჱჹ჏

ჯ ჃႸႱჂჀ ჃႿჅႾႴ ႳჅჄ ჄႸჂႿჅႷႸ ჄႸႵ ႱႹჂნ

ჯ ႳႼႵႱჂ ႸႱႾႴჀჂႹႾჄ ჂႵႽႱႹႾႵႴ ႿႾ ႦႹ჆ႹႱႾႱ’Ⴣ ჂႵႴმႸႿჄ ႳႸႵႵႻნ

ႤႸႵ ႿჇႾႵჂ ႿႶ ჄႸႱჄ ႸႱႾႴ ჇႱჃ ႾႿႾႵ ႿჄႸႵჂ ჄႸႱႾ ჯჂჄႱჃႸႱნ ჶႵჂ ႲႼჅႵ Ⴕ჉ႵჃლ ႾႱჂჂႿჇႵႴ ჄႿ ჃႼႹჄჃლ ႷႼႱჂႵႴ ჃႸႱჂჀႼ჉ ႱჄ ႦႹ჆ႹႱႾႱნ

აႧႸႵჂႵ ႴႹႴ ჉ႿჅ ჃႱ჉ Ⴝ჉ ႴႱჅႷႸჄႵჂ ႹჃ ჂႹႷႸჄ ႾႿჇჭა

აႣႸႵ ႹჃ ႹႾ ႢႱႸႸႵႼ ႦႹႼႼႱႷႵლ ႼႿႳႱჄႵႴ ႿႾ ჄႸႵ ჹႹჂႱႱ჊ ႶჂႿႾჄ ႹႾ ჄႸႵ ႵႱჃჄႵჂႾ ჀႱჂჄ ႿႶ ჄႸႵ ႳႿႾჄႹႾႵႾჄნა

აႤႸႱჄ’Ⴣ ჃჄႹႼႼ Ⴑ ჀႼႱႳႵ ჇႸႵჂႵ ႴႵႶႵႱჄႵႴ ჃႿႼႴႹႵჂჃ ჂႵႽႱႹႾ჏ ჯჂႵ ჉ႿჅ ჃႱ჉ႹႾႷ ჉ႿჅ ჄႸჂႵჇ Ⴝ჉ ႴႱჅႷႸჄႵჂ ႹႾჄႿ ჃჅႳႸ Ⴑ ႴႱႾႷႵჂႿჅჃ ჀႼႱႳႵჭ჏ა

ჯჂჄႱჃႸႱ’Ⴣ ႶႱႳႵ ႷჂႵჇ ႹႾႳჂႵႱჃႹႾႷႼ჉ ႽႵႾႱႳႹႾႷ ႱႾႴ ႴႹჃჄႿჂჄႵႴნ ჺႹႼႼႹႱႾლ ႱჇႻჇႱჂႴႼ჉ ჃჄႱႾႴႹႾႷ ႲႵჄჇႵႵႾ ႦႹ჆ႹႱႾႱ ႱႾႴ ჯჂჄႱჃႸႱლ ႴႹႴႾვჄ ႻႾႿჇ ჇႸႱჄ ჄႿ ႴႿ ႱႾႴ ႳႱჅჄႹႿჅჃႼ჉ ႿႲჃႵჂ჆ႵႴ ჄႸႵ ჄჇႿ ჇႿႽႵႾნ

აჯႼჄႸႿჅႷႸ ႹჄ’Ⴣ ჃჄႹႼႼ ႳႱႼႼႵႴ Ⴑ ႶჂႿႾჄ ႼႹႾႵლ ႢႱႸႸႵႼ ႦႹႼႼႱႷႵ ႹჃ ჁჅႹჄႵ ႶႱჂ ႶჂႿႽ ჇႸႵჂႵ ჄႸႵ ႴႵႶႵႱჄႵႴ ჃႿႼႴႹႵჂჃ ႱჂႵ ႸႹႴႹႾႷლ ჃႿ ႾႿჄႸႹႾႷ ჅႾჄႿჇႱჂႴ ჃႸႿჅႼႴ ႸႱჀჀႵႾნ ჯႾႴ ჷ’჆Ⴕ ႱჃჃႹႷႾႵႴ ჄႸႵ ჃჄჂႿႾႷႵჃჄ ჇႱჂჂႹႿჂ ჷ ႻႾႿჇ ჄႿ ႤႹႾႱ’Ⴣ ჃႹႴႵნა

ႦႹ჆ႹႱႾႱვჃ ႷႱ჊Ⴕ ႲჂႹႵႶႼ჉ ႲჂჅჃႸႵႴ ჀႱჃჄ ჺႹႼႼႹႱႾნ

აჴჅჂჄႸႵჂႽႿჂႵლ ႹჄ’Ⴣ ႱႼჃႿ Ⴑ ჀႼႱႳႵ ჇႸႵჂႵ ႤႹႾႱ ႳႱႾ ႽႿ჆Ⴕ ႶჂႵႵႼ჉ლ ႱჇႱ჉ ႶჂႿႽ ჄႸႵ ჂჅႽႿჂჃ ႱႲႿჅჄ ჄႸႵ ჃႱႹႾჄვჃ ႱჃჃႱჃჃႹႾႱჄႹႿႾნა

აჷლ ჷ ჇႱჃ ႷႿႹႾႷ ჄႿ ႲჂႹႾႷ ႸႵჂ ႲႱႳႻ ႿႾႳႵ ჷ ჃႵჀႱჂႱჄႵႴ ჄႸႵ ႴႵႽႿႾ ႶჂႿႽ ႤႹႾႱ჏ა

ჺႹႼႼႹႱႾ ႶჂႱႾჄႹႳႱႼႼ჉ ႴႵႶႵႾႴႵႴ ႸႵჂჃႵႼႶლ ႲჅჄ ჯჂჄႱჃႸႱ’Ⴣ ႱႾႷჂ჉ Ⴕ჈ჀჂႵჃჃႹႿႾ ჃႸႿჇႵႴ ႾႿ ჃႹႷႾ ႿႶ ჃႿႶჄႵႾႹႾႷნ

ჺႹႼႼႹႱႾ’Ⴣ ႹႾჄႵႾჄႹႿႾ ჇႱჃ ჃႹႽჀႼႵნ ႣႸႵ ႽႵჂႵႼ჉ ჇႱႾჄႵႴ ႤႹႾႱ ჄႿ ჂႵႼ჉ ჃႿႼႵႼ჉ ႿႾ ႸႵჂ ႹႾ ႱႾ Ⴕ჈ჄჂႵႽႵႼ჉ ჂႵჃჄჂႹႳჄႹ჆Ⴕ ႵႾ჆ႹჂႿႾႽႵႾჄნ

ჼႿ ႽႱჄჄႵჂ ႸႿჇ ႽჅႳႸ ႸႵჂ ႹႾჄႵႾჄႹႿႾ ჇႱჃ ჄႿ Ⴕ჈ႿჂႳႹჃႵ ჄႸႵ ႴႵႽႿႾ ჃႼႵႵჀႹႾႷ ჇႹჄႸႹႾ ႤႹႾႱლ ჃჅႳႸ ႱႾ ႱႳჄ ႳႿჅႼႴ ႾႿჄ ჀႿჃჃႹႲႼ჉ ႼႿႿႻ ႷႿႿႴ ႹႾ ჯჂჄႱჃႸႱ’Ⴣ Ⴕ჉ႵჃნ

აႠჂႹႾႳႵჃჃ ჻ႵჂႴႵႼႹႱნ ႤႹႾႱ ႹჃ ႾႿჄ ჃႿႽႵႿႾႵ ჉ႿჅ ႳႱႾ ႸႱႾႴႼႵ ႸႿჇႵ჆ႵჂ ჉ႿჅ ჀႼႵႱჃႵნ ႣႸႵ ႹჃ Ⴝ჉ ႴႱჅႷႸჄႵჂლ ႱႾႴ ჷ ჇႹႼႼ ჄႱႻႵ ႸႵჂ ႲႱႳႻ ჄႿ ჄႸႵ ႽႱႾჃႹႿႾ ႹႽႽႵႴႹႱჄႵႼ჉ნა

ႤႸႵჂႵ ჇႱჃႾვჄ ႱႾ ႹႾႳႸ ႿႶ ႽႵჂႳ჉ ႹႾ ჯჂჄႱჃႸႱ’Ⴣ Ⴕ჉ႵჃნ ჳ჆ႵႾ ႹႶ ႦႹ჆ႹႱႾႱ ႸႱႴ ႸႵႼჀႵႴ ჯჂჄႱჃႸႱ ჃႿჂჄ ႿჅჄ ႸႵჂ ႶႵႵႼႹႾႷჃ ႶႿჂ ႤႹႾႱლ ჃႸႵ ႳႿჅႼႴ ႾႿჄ ႶႿჂႷႹ჆Ⴕ ჄႸႵ ႱႳჄ ႿႶ ႱჂႲႹჄჂႱჂႹႼ჉ ႸႱႾႴႼႹႾႷ ႸႵჂ ႴႱჅႷႸჄႵჂვჃ ჃႱႶႵჄ჉ნ

ანნნ჻ႿჄႸႵჂნა

ჰჅჄ ႱჄ ჄႸႱჄ ႽႿႽႵႾჄლ ႾႿჄ ႿႾႼ჉ ჯჂჄႱჃႸႱ ႲჅჄ Ⴕ჆ႵႾ ჺႹႼႼႹႱႾ ჇႹႴႵႾႵႴ ჄႸႵႹჂ Ⴕ჉ႵჃ ႱჄ ႦႹ჆ႹႱႾႱვჃ ჅႾႵ჈ჀႵႳჄႵႴ ႱႳჄႹႿႾნ

ႤႸႵ ႣჇႿჂႴ ჲႵႽႿႾ ႿႶ ჻ႵჂႴႵႼႹႱლ ႻႾႿჇႾ ႶႿჂ ႸႵჂ ႱჂჂႿႷႱႾႳႵნ ჶႵჂ ႻႾႵႵჃ ჇႵჂႵ ႸႵႼჀႼႵჃჃႼ჉ ႲႿჇႵႴ ჄႿ ჄႸႵ ႷჂႿჅႾႴნ

ანნნႧႸႱჄ ႱჂႵ ჉ႿჅ ႴႿႹႾႷლ ႠჂႹႾႳႵჃჃმႾႹႽჭა

ჯჂჄႱჃႸႱ ႽႱႴႵ Ⴑ ჄჂႿჅႲႼႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾნ

ႢႵႷႱჂႴႼႵჃჃ ႿႶ ჄႸႵႹჂ ჄႹჄႼႵჃლ ႱႾ ႹႾჃჅჂႽႿჅႾჄႱႲႼႵ ჇႱႼႼ ႿႶ ჃჄႱჄჅჃ Ⴕ჈ႹჃჄႵႴ ႲႵჄჇႵႵႾ ჯჂჄႱჃႸႱ ႱႾႴ ႦႹ჆ႹႱႾႱნ

ჯႼჄႸႿჅႷႸ ჃႸႵ ჇႱჃ ႳჅჂჂႵႾჄႼ჉ ႳႱႼႼႵႴ Ⴑ ႠჂႹႾႳႵჃჃლ ႹჄ ჇႱჃ Ⴑ ႳႼႵႱჂ ჄჂჅჄႸ ႻႾႿჇႾ ჄႿ Ⴕ჆ႵჂ჉ႿႾႵ ჄႸႱჄ ჃႸႵ ჇႿჅႼႴ ႲႵ ჄႸႵ ႶႱႽႹႼ჉ვჃ ჃႿႼႵ ႵႼႴႵჃჄ ႴႱჅႷႸჄႵჂ ႱႾႴ ჃჅႳႳႵჃჃႿჂნ

ႤႸႵჂႵႶႿჂႵლ ჃႸႵ ჄჂႹႵႴ ჄႿ ႸႵႼჀ ႦႹ჆ႹႱႾႱ ჅჀლ ႲჅჄ ႸႵჂ ႻႾႵႵჃ ჃႸႿჇႵႴ ႾႿ ჃႹႷႾ ႿႶ ႼႵႱ჆ႹႾႷ ჄႸႵ ႶႼႿႿჂნ

აჷ ႻႾႿჇ ჷვႽ ჃႸႱႽႵႼႵჃჃნნნ ႲჅჄ ჀႼႵႱჃႵ ჄჂჅჃჄ ႽႵ ႺჅჃჄ ႿႾႵ ႽႿჂႵ ჄႹႽႵლ ჻ႿჄႸႵჂნა

აႧႸႵჄႸႵჂ ჷ ჄჂჅჃჄ ჉ႿჅ ႿჂ ႾႿჄლ ჷ ႸႱ჆Ⴕ ႾႿ ႹႾჄႵႾჄႹႿႾ ႿႶ ႼႵႱ჆ႹႾႷ ႤႹႾႱ ჄႸႵჂႵნ ႣႿ ႷႵჄ ჅჀ ႹႽႽႵႴႹႱჄႵႼ჉ნა

აႤႹႾႱ ႹჃ ႹႾ Ⴑ ჀჂႵႳႱჂႹႿჅჃ ჃჄႱჄႵ ჂႹႷႸჄ ႾႿჇლ ჻ႿჄႸႵჂნა

ႦႹ჆ႹႱႾႱვჃ ჃႵჂႹႿჅჃ ჆ႿႹႳႵ ႶႹჂႽႼ჉ ႸႵႼႴ ჯჂჄႱჃႸႱვჃ ႱჄჄႵႾჄႹႿႾნ ჯჃ ჯჂჄႱჃႸႱ ႶႵႼႼ ჃႹႼႵႾჄ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ႦႹ჆ႹႱႾႱ ႳႿႾჄႹႾჅႵႴ ჃჀႵႱႻႹႾႷ ჇႹჄႸ ႽႿჂႵ ჅჂႷႵႾႳ჉ნ

აႤႹႾႱ ႳႱႼႼႵႴ ႸႵჂჃႵႼႶ Ⴑ ჃႹႾႾႵჂნ ႤႸႵ ႼႱჃჄ ჄႹႽႵ ჷ ჃႱჇ ႸႵჂლ ჃႸႵ ჇႱჃ ႹႾႶႼႹႳჄႹႾႷ ჀႱႹႾ ჅჀႿႾ ႸႵჂჃႵႼႶლ ႳႼႱႹႽႹႾႷ ჃႸႵ ჇႱჃ ႱჄႿႾႹႾႷ ႶႿჂ ႸႵჂ ჃႹႾჃნა

აႧმჇႸႱჄ ႴႹႴ ჉ႿჅ ჃႱ჉ჭა

აႤႸႿჅႷႸ ჃႸႵ ჀჂႿႽႹჃႵႴ ႽႵ ႾႿჄ ჄႿ ჃႵႼႶმႸႱჂႽ ႱႷႱႹႾლ ჄႸႵჂႵვჃ ႾႿ ჄႵႼႼႹႾႷ ႸႿჇ ჄႸႹႾႷჃ ႽႹႷႸჄ ႳႸႱႾႷႵ Ⴟ჆ႵჂ ჄႹႽႵნა

ႧႸႱჄ ႶႱႳჄ ႳႿჅႼႴ ჃႸႿႳႻ Ⴑ ႶႱႽႹႼ჉ ႽႿჂႵ ჄႸႱႾ Ⴑ ႴႱჅႷႸჄႵჂ ჃႵႼႶმႸႱჂႽႹႾႷჭ ჯჄ ჄႸႵ ჇႿჂႴჃ ჄႸႱჄ ႸႵჂ ႱႼჂႵႱႴ჉ ႶჂႱႷႹႼႵ ႤႹႾႱ ႸႱႴ ႸჅჂჄ ႸႵჂჃႵႼႶლ ჯჂჄႱჃႸႱვჃ ႶႹჃჄჃ ჄჂႵႽႲႼႵႴნ

აႤႹႾႱ ႹჃ ႼႱႳႻႹႾႷ ჄႿႿ ႽႱႾ჉ ჄႸႹႾႷჃ ჂႹႷႸჄ ႾႿჇნ ჯႶႶႵႳჄႹႿႾლ ႱႳႸႹႵ჆ႵႽႵႾჄლ ჀႼႵႱჃჅჂႵლ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉ნნნ ჃႸႵ ႼႱႳႻჃ ჄႸႵ ႲႱჃႹႳ ჄႸႹႾႷჃ Ⴑ ႸჅႽႱႾ ჃႸႿჅႼႴ ႸႱ჆Ⴕნ ႣႸႵვჃ ႼႹႻႵ Ⴑ ႳႸႹႼႴ ჇႸႿჃႵ ႲႿႴ჉ ႸႱჃ ႽႵჂႵႼ჉ ႷჂႿჇႾნა

ანნნႧႸႱჄ Ⴕ჈ႱႳჄႼ჉ ႱჂႵ ჉ႿჅ ჄჂ჉ႹႾႷ ჄႿ ჃႱ჉ლ ႠჂႹႾႳႵჃჃჭა

აჷ ჇႱႾჄ ႸႵჂ ჄႿ Ⴕ჈ჀႵჂႹႵႾႳႵ Ⴑ ႸჅႽႱႾ ႼႹႶႵლ ႱႾႴ ႸႱჀჀႹႾႵჃჃნა

ႦႹ჆ႹႱႾႱ’Ⴣ ჆ႿႹႳႵ ჇႱჃ ႹႾႳჂႵႴႹႲႼ჉ ჃႵჂႹႿჅჃნ ჶႵჂ Ⴕ჉ႵჃლ ჇႸႹႳႸ ႸႱႴ ႼႹ჆ႵႴ ႸႱႼႶ Ⴑ ႼႹႶႵჄႹႽႵ ႿႾႼ჉ ႶႿჂ ႸႵჂჃႵႼႶლ ႾႿჇ ႸႵႼႴ ႴႵႵჀႵჂ ႱႶႶႵႳჄႹႿႾ ჄႸႱႾ Ⴕ჆ႵჂ ႲႵႶႿჂႵნ

აჷ ჇႱႾჄ ႸႵჂ ჄႿ ႻႾႿჇ ჄႸႵ ႺႿ჉ ႿႶ ႱႳႸႹႵ჆ႹႾႷ ჃႿႽႵჄႸႹႾႷ ჄႸჂႿჅႷႸ ႸႵჂ ႿჇႾ ჃჄჂႵႾႷჄႸნ ჯႾႴ ჄႸႵ ჃႱჄႹჃႶႱႳჄႹႿႾ ႿႶ ႸႿႼႴႹႾႷ ჃႿႽႵჄႸႹႾႷ ႹႾ ႸႵჂ ႸႱႾႴჃ ჄႸႱჄ ჃႸႵ ႵႱჂႾႵႴ ႸႵჂჃႵႼႶნა

ანნნნნნა

აჳ჆ႵႾ ႹႶ ჃႸႵ ႴႿႵჃႾვჄ ႸႱ჆Ⴕ ჄႸႵ ႼႿ჆Ⴕ ႿႶ Ⴑ ႽႿჄႸႵჂ ႿჂ ႱႾ჉ႿႾႵ ႵႼჃႵლ ჷ ჇႱႾჄ ႸႵჂ ჄႿ ႷႱႹႾ ჄႸႵ ჃჄჂႵႾႷჄႸ ჄႿ ႼႹ჆Ⴕ ႿႾ ႸႵჂ ႿჇႾნა

ჯჄ ჄႸႵ ႵႾႴ ႿႶ ႸႵჂ ჇႿჂႴჃლ Ⴑ ႶႱႹႾჄ ჂႵჃႵႾჄႽႵႾჄ ႱჀჀႵႱჂႵႴ ႹႾ ႦႹ჆ႹႱႾႱ’Ⴣ Ⴕ჉ႵჃნ

აჯႾႴნნნ ჷ ჇႱႾჄ ჄႿ ႽႱႻႵ ႤႹႾႱ Ⴑ ჃჄჂႿႾႷ ჀႵჂჃႿႾ ჃႿ ჄႸႱჄ ჃႸႵ ႾႿ ႼႿႾႷႵჂ ჂႵႼႹႵჃ ႿႾ ჄႸႱჄ ႴႵႽႿႾმႼႹႻႵ ႲႹჄႳႸნა

ანნნნნნა

აႠႼႵႱჃႵნნნ ჄჂჅჃჄ ႽႵ ႺჅჃჄ ႿႾႵ ႽႿჂႵ ჄႹႽႵლ ჃႿ ჷ ႳႱႾ ႸႵႼჀ ႤႹႾႱნა

ႦႹ჆ႹႱႾႱ ჇႱჃ ႱႾ ჅႾႶႿჂႷႹ჆ႱႲႼႵ ჀႵჂჃႿႾ ჇႸႿ ႸႱႴ ႱႼჂႵႱႴ჉ ჂჅႹႾႵႴ ႤႹႾႱ ႿႾႳႵნ ႤႸႵჂႵ ჇႱჃ ႾႿ ჂႵႱჃႿႾ ႶႿჂ ჯჂჄႱჃႸႱ ჄႿ ჄჂჅჃჄ ႸႵჂ ႱႷႱႹႾნ

ჼႵ჆ႵჂჄႸႵႼႵჃჃლ ႦႹ჆ႹႱႾႱ’Ⴣ ჆ႿႹႳႵ ჇႱჃ ჃႿ ჀჂႿႶႿჅႾႴႼ჉ ჃႵჂႹႿჅჃლ ႱႾႴ ႹჄჃ ჇႵႹႷႸჄ ႽႱႴႵ ჯჂჄႱჃႸႱ ႶႵႵႼ ႹჄ ႽႹႷႸჄ ႲႵ ჇႿჂჄႸ ႼႹჃჄႵႾႹႾႷ Ⴑ ႼႹჄჄႼႵ ႼႿႾႷႵჂნ

ანნნჴႹჂჃჄლ ႣႱႹႾჄႵჃჃმႾႹႽნა

ჯჂჄႱჃႸႱ ჃჅჀჀჂႵჃჃႵႴ ჄႸႵ ႵႽႿჄႹႿႾჃ ႲჅႲႲႼႹႾႷ ჅჀ ႶჂႿႽ ႴႵႵჀ ჇႹჄႸႹႾ ႸႵჂ ႸႵႱჂჄ ႱႾႴ ႼႿႿႻႵႴ ႱჄ ჺႹႼႼႹႱႾნ

აႩმ჉ႵჃნნნჭა

ჺႹႼႼႹႱႾ’Ⴣ ჆ႿႹႳႵ ჄჂႵႽႲႼႵႴლ ჅႾႱႲႼႵ ჄႿ ႸႹႴႵ ႸႵჂ ჀႱႾႹႳნ ჯჃ ႹႶ ႸႵჂ ჄႿႵჃ ჇႵჂႵ ჄႹႾႷႼႹႾႷლ ჃႸႵ ႳႱჅჄႹႿჅჃႼ჉ ჃჄႵჀჀႵႴ ႲႱႳႻნ

აႧႸႱჄ ႻႹႾႴ ႿႶ ჄჂႱႹႾႹႾႷ ႴႹႴ ჉ႿჅ ჃႱ჉ ჉ႿჅ ႽႱႴႵ Ⴝ჉ ႴႱჅႷႸჄႵჂ ႴႿჭა

※

აჵႿႿႴ ႸႵႱ჆ႵႾჃლ ჉ႿჅ ႷႿ ჄႿ ჄႸႵ ჂႵჃჄჂႿႿႽ ჁჅႹჄႵ ႿႶჄႵႾნა

ჵჂႱႾႴႽႱ ჻ႹჂႱႾႴႱლ ჃႹჄჄႹႾႷ ႹႾ Ⴑ ႳႸႱႹჂ ჇႹჄႸ ႸႵჂ ႼႵႷჃ ႳჂႿჃჃႵႴ ႱႾႴ ႳႸႹႾ ჀჂႿჀჀႵႴნ ჶႵჂ ႹႽჀჂႵჃჃႹ჆Ⴕ ჀႸ჉ჃႹჁჅႵ ႽႱႴႵ ႸႵჂ ႼႿႿႻ ႹႾჄႹႽႹႴႱჄႹႾႷ Ⴕ჆ႵႾ ႺჅჃჄ Ⴒ჉ ჃႹჄჄႹႾႷნ

ა჻჉ ႳႿႾჃჄႹჄჅჄႹႿႾ ႹჃ Ⴑ ႲႹჄ ჅႾႹჁჅႵნა

ႣႸႵ ႳႿჅႼႴႾვჄ ჂႵ჆ႵႱႼ ჄႸႵ ႵႾႷჂႱ჆ႹႾႷ ႳႱჂ჆ႵႴ ႿႾ ႸႵჂ ႼႿჇႵჂ ႱႲႴႿႽႵႾნ ႣႸႵ ႴႵႳႹႴႵႴ ჄႿ ႺჅჃჄ ႽႱႻႵ ႱႾ Ⴕ჈ႳჅჃႵ ႱႾႴ ႷႵჄ ჄႸჂႿჅႷႸ ჄႸႵ ჃႹჄჅႱჄႹႿႾნ ჴႿჂჄჅႾႱჄႵႼ჉ლ ჵჂႱႾႴႽႱ ჻ႹჂႱႾႴႱ ႴႹႴႾ’Ⴤ ႱჃႻ ႱႾ჉ ႶჅჂჄႸႵჂნ

ჰჅჄ ჄႸႵ ჂႵႱႼ ჀჂႿႲႼႵႽ ჇႱჃ ჃႿႽႵჄႸႹႾႷ ႵႼჃႵნ

‘ნნნჷ ႶႵႵႼ ႲႼႿႳႻႵႴ ჅჀნ’

ႥႾჄႹႼ ႾႿჇლ ჺႹႼႼႹႱႾ ႱႼჇႱ჉Ⴣ ႳႱႽႵ ႱჂႿჅႾႴ ჇႸႵႾႵ჆ႵჂ ჷ ႶႵႼჄ ჄႸႵ ჅჂႷႵ ჄႿ ႷႿ ჄႿ ჄႸႵ ჂႵჃჄჂႿႿႽნ ႣႵ჆ႵჂႱႼ ჄႹႽႵჃ Ⴑ ႴႱ჉ნ

ჳႱႳႸ ჄႹႽႵლ ჃႸႵ ჇႿჅႼႴ ჀჂႵჃჃ ႿႾ Ⴝ჉ ႼႿჇႵჂ ႱႲႴႿႽႵႾ ჄႿ ႸႵႼჀ ႽႵ ჂႵႼႹႵ჆Ⴕ Ⴝ჉ჃႵႼႶლ ႿჂ ჃႸႵ ჇႿჅႼႴ ႿჂႴႵჂ ႽႵ ჄႿ ႵႾႴჅჂႵ ႹჄ ჃႿႽႵႸႿჇნ

ႧႱჃ ႹჄ ႲႵႳႱჅჃႵ ႿႶ ჄႸႱჄჭ ჻჉ ႲႿႴ჉ ჃႵႵႽႵႴ ჄႿ ႸႱ჆Ⴕ ႱႳႳႵჀჄႵႴ ႸႵჂ ჄႿჅႳႸ ႱჃ ჀႱჂჄ ႿႶ ႹჄჃ ႾႱჄჅჂႱႼ ႲႿႴႹႼ჉ ႶჅႾႳჄႹႿႾჃნ ჷ ႸႱႴ ႷႿႾႵ ჄႿ ჄႸႵ ჂႵჃჄჂႿႿႽ ჃႵ჆ႵჂႱႼ ჄႹႽႵჃ ႱႼჂႵႱႴ჉ლ ႲჅჄ ჷ ႾႵ჆ႵჂ ႶႵႼჄ ჄჂჅႼ჉ ჂႵႼႹႵ჆ႵႴ ႼႹႻႵ ႲႵႶႿჂႵნ

ჷ ႻႾႿჇ ႶჅႼႼ ჇႵႼႼ ႸႿჇ ჆ჅႼႷႱჂ ႱႾႴ ႳჂჅႴႵ ჄႸႹჃ ႹჃნ ჰჅჄ ჃႹႾႳႵ ჺႹႼႼႹႱႾ ჇႱჃႾ’Ⴤ ჀჂႵჃჃႹႾႷ ႿႾ Ⴝ჉ ႼႿჇႵჂ ႱႲႴႿႽႵႾლ ჄႸႵ ჃႵႾჃႱჄႹႿႾ ႴႿჇႾ ႲႵႼႿჇ ჇႱჃႾვჄ ჀჂႿჀႵჂႼ჉ ჂႵჃႿႼ჆ႵႴნ

‘ႤმჄႸႹჃ ႹჃႾვჄ Ⴝ჉ ႶႱჅႼჄნნნ჏’

ჷჃႾვჄ ჄႸႱჄ ჂႹႷႸჄჭ

ჷჄ’Ⴣ ႾႿჄ ႼႹႻႵ ჷ ჇႱႾჄႵႴ ჄႿ ႲႵႳႿႽႵ ႼႹႻႵ ჄႸႹჃლ ႱႾႴ ჄႸႵჂႵ’Ⴣ ჃႿႽႵႿႾႵ ႵႼჃႵ ჇႸႿ ႽႱႴႵ ႽႵ ჄႸႹჃ ჇႱ჉ ႹႾ ჄႸႵ ႶႹჂჃჄ ჀႼႱႳႵლ ჃႿ ႹჃႾვჄ ႹჄ ჃჄჂႱႾႷႵ ႶႿჂ ႽႵ ჄႿ ႲႵႱჂ ჄႸႱჄ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉ ჄႿႿჭ

ჽႶ ႳႿჅჂჃႵლ ჄႸႵ ჇჂႿႾႷ ჷ ႳႿႽႽႹჄჄႵႴ ႱႷႱႹႾჃჄ ჺႹႼႼႹႱႾ ჇႱჃ ႶႱჂ ႷჂႵႱჄႵჂ ჄႸႱႾ ჄႸႱჄნ ႣႿ ႽჅႳႸ ჃႿ ჄႸႱჄ Ⴑ ႸჅႾႴჂႵႴ ႱჀႿႼႿႷႹႵჃ ჇႿჅႼႴႾვჄ ႲႵ ႵႾႿჅႷႸნ

ჳ჆ႵႾ ჃႿლ ჄႸႵჂႵვჃ ႾႿ ႴႵႾ჉ႹႾႷ ჄႸႱჄ ჷ ႶႵႵႼ ჅႾႺჅჃჄႼ჉ ჄჂႵႱჄႵႴ ႹႾ ჄႸႹჃ ႳჅჂჂႵႾჄ ჃႹჄჅႱჄႹႿႾნ

‘ჷ ႳႱႾვჄ ႱჃႻ ჵჂႱႾႴႽႱ ჻ႹჂႱႾႴႱ ჄႿ ჀჂႵჃჃ ႹჄნნნ’

ჷႶ ჷ ႽႱႴႵ ჃჅႳႸ Ⴑ ჂႵჁჅႵჃჄლ ႹჄ ჇႱჃ ႿႲ჆ႹႿჅჃ ჷ’Ⴔ ႲႵ ჃႳႿჂႾႵႴ ႱჃ ჃႿႽႵႿႾႵ ჇႿჂჃႵ ჄႸႱႾ ႱႾ ႹႾჃႵႳჄ ჇႸႿ ႳႱႾ’Ⴤ Ⴕ჆ႵႾ ჀჂႿჀႵჂႼ჉ ჂႵႼႹႵ჆Ⴕ ႸႵჂჃႵႼႶნ

ჷჄ ჇႿჅႼႴ ႲႵ ႲႵჄჄႵჂ ჄႿ ႼႹ჆Ⴕ ჇႹჄႸ ჄႸႹჃ ႶჂჅჃჄჂႱჄႹႾႷ ႶႵႵႼႹႾႷნ

აჰ჉ ჄႸႵ ჇႱ჉ლ ჷვ჆Ⴕ ႲႵႵႾ ႳჅჂႹႿჅჃ ႱႲႿჅჄ ჄႸႱჄ ჄႸႹႾႷ ႱჂႿჅႾႴ ჉ႿჅჂ ႾႵႳႻ ႶႿჂ Ⴑ ჇႸႹႼႵ ႾႿჇნა

ჵჂႱႾႴႽႱ ჻ႹჂႱႾႴႱ ႱჃႻႵႴ ჇႹჄႸ ႱႾ ჅႾႵႾჄႸჅჃႹႱჃჄႹႳ Ⴕ჈ჀჂႵჃჃႹႿႾნ

აჽႸნნნ ჄႸႹჃჭა

აႩႵჃლ ჇႸ჉ ႱჂႵ ჉ႿჅ ჇႵႱჂႹႾႷ ჃႿႽႵჄႸႹႾႷ ႼႹႻႵ ჄႸႱჄ ႱჂႿჅႾႴ ჉ႿჅჂ ႾႵႳႻლ ႱჃ ႹႶ ჉ႿჅვჂႵ Ⴑ ႴႿႷჭა

ჵჂႱႾႴႽႱ ჻ႹჂႱႾႴႱ’Ⴣ ႷႱ჊Ⴕ ჇႵႾჄ ჄႿ ჄႸႵ ႳႿႼႼႱჂ ႱჂႿჅႾႴ Ⴝ჉ ႾႵႳႻნ ჯ ႲჂႹႼႼႹႱႾჄ ႷႿႼႴႵႾ ႷႵႽ ჇႱჃ ჃႵჄ ႹႾ ჄႸႵ ႳႵႾჄႵჂ ႿႶ ჄႸႵ ႲႼႱႳႻ ႼႵႱჄႸႵჂ ჃჄჂႱჀნ

ჷჄ ჇႱჃ ჄႸႵ ႳႿႼႼႱჂ ჺႹႼႼႹႱႾ ႸႱႴ ჀჅჄ ႿႾ ႽႵლ Ⴑ ჀჂႵႳႹႿჅჃ ႴႹ჆ႹႾႵ ႱჂჄႹႶႱႳჄ ჀႿჃჃႵჃჃႹႾႷ ჄႸႵ ჀႿჇႵჂ ჄႿ ႸႵႱႼ ႱႾ჉ ჇႿჅႾႴნ ჯჄ ჄႸႵ ჃႱႽႵ ჄႹႽႵლ ႹჄ ჇႱჃ ႱႼჃႿ Ⴑ ႳႿႾჄჂႿႼ ႴႵ჆ႹႳႵ ჄႸႱჄ ჃჅჀჀჂႵჃჃႵႴ ჄႸႵ ႿႾႵ ჃႼႵႵჀႹႾႷ ႹႾჃႹႴႵ ႽႵნ

ႠႵჂႸႱჀჃ ႹႶ ႹჄ ჇႵჂႵႾვჄ ႶႿჂ ჄႸႹჃ ႳႿႼႼႱჂლ ჷ ჇႿჅႼႴႾვჄ ႲႵ ႹႾ ჄႸႹჃ ჇႿჂႼႴ ჂႹႷႸჄ ႾႿჇნ ჷႶ ჃႿლ ჷ ჇႿჅႼႴ ႸႱ჆Ⴕ ႴႹჃႱჀჀႵႱჂႵႴ ჇႹჄႸႿჅჄ Ⴕ჆ႵႾ ჀႱ჉ႹႾႷ ႶႿჂ ჄႸႵ ჃႹႾჃ ჷ ႳႿႽႽႹჄჄႵႴნ

აჷჄ’Ⴣ Ⴑ ჆ႵჂ჉ ჀჂႵႳႹႿჅჃ ႹჄႵႽ ჄႿ ႽႵნ ႣჄႹႼႼლ ႴႿႵჃႾ’Ⴤ ႹჄ ჃჅႹჄ ႽႵ ჂႱჄႸႵჂ ჇႵႼႼჭა

ჯႶჄႵჂ ႱႼႼლ ႹႾ ჄႸႵ ႽႿႴႵჂႾ ႵჂႱ ჇႸႵჂႵ ჷ ჅჃႵႴ ჄႿ ႼႹ჆Ⴕლ ჄႸႹჃ ჃჄ჉ႼႵ ႿႶ ႾႵႳႻႼႱႳႵ ჇႱჃ ჃႿႽႵჄႹႽႵჃ ႳႿႾჃႹႴႵჂႵႴ Ⴑ ႶႱჃႸႹႿႾ ႹჄႵႽნ

აႧႵႼႼლ ჃႹႾႳႵ ჉ႿჅ ႼႿႿႻ ႱჃ ႳႼჅႵႼႵჃჃ ႱჃ Ⴑ ႴႿႷლ ႹჄ ჀჂႿႲႱႲႼ჉ ႴႿႵჃ ჃჅႹჄ ჉ႿჅნა

აჶႵႸႵლ ჷვႼႼ ჄႱႻႵ ჄႸႱჄ ႱჃ Ⴑ ႳႿႽჀႼႹႽႵႾჄჭა

ანნნჲႱႽႾ ႹჄ ႱႼႼნა

ႣႸႵ ჄჅჂႾႵႴ ႸႵჂ ႸႵႱႴ ჄႿჇႱჂႴჃ ႽႵ ჇႹჄႸ ႱႾ ႱႾႾႿ჉ႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾნ

ჷჄ ႸႱႴ ႱႼჂႵႱႴ჉ ႲႵႵႾ Ⴑ ჇႵႵႻ ჃႹႾႳႵ ჃႸႵ ჃჄႱჂჄႵႴ ჇႿჂႻႹႾႷ ႸႵჂႵნ ႣႸႵ ႸႱႴ Ⴑ ႷႵႾႵჂႱႼ ჅႾႴႵჂჃჄႱႾႴႹႾႷ ႿႶ ჵჂႱႾႴႽႱ ჻ႹჂႱႾႴႱვჃ ჀႵჂჃႿႾႱႼႹჄ჉ნ

ჶႵჂ ჃჀႵႵႳႸ ჇႱჃ ჂႿჅႷႸ ႱႾႴ ႸႵჂ ႱႳჄႹႿႾჃ ႳჂჅႴႵლ ႲჅჄ ჃႸႵ ჇႱჃ Ⴑ ႷႿႿႴ ჀႵჂჃႿႾნ

აჯႸლ ჵჂႱႾႴႽႱ ჻ႹჂႱႾႴႱ჏ ჷ ჄႿႼႴ ჉ႿჅ ჷვႴ ႴႿ ჄႸႵ ႴႹჃႸႵჃ჏ა

აჽႸლ ჉ႿჅ ჃჄႱჂჄႼႵႴ ႽႵ჏ა

ჴႿჂ ႹႾჃჄႱႾႳႵლ ჃႸႵ ჇႱჃ Ⴑ ႻႹႾႴ ჀႵჂჃႿႾ ჇႸႿ ჇႿჅႼႴ ჃႵႳჂႵჄႼ჉ ႸႵႼჀ ჇႹჄႸ ჄႸႵ ႴႹჃႸႵჃ ჇႸႵႾ ჄႸႵჂႵ ჇႱჃ ჄႿႿ ႽჅႳႸნ

აჺႿႿႻ ႱჄ ჄႸႹჃ჏ ႤႸႵჂႵვჃ ჃႱჅႳႵ ႿႾ ჄႸႵ ႵႴႷႵ ႿႶ ჄႸႹჃ ჀႼႱჄႵ჏ა

აჲႱႽႾ ႹჄ ႱႼႼ჏ ჳ჆ႵႾ Ⴑ ႷႿႴႴႵჃჃ ႴႵჃႳႵႾႴႹႾႷ ჇႿჅႼႴႾვჄ ႾႿჄႹႳႵ ჄႸႱჄ჏ა

აჹႵႵჀႹႾႷ ჄႸႵ ႵႾ჆ႹჂႿႾႽႵႾჄ ႳႼႵႱႾ ႹჃ Ⴑ ႳႸႵႶვჃ ႲႱჃႹႳ ႴჅჄ჉჏ ჷႶ ჷ ႸႱႴ ჃႵႵႾ Ⴑ ჀႼႱჄႵ ႼႹႻႵ ჄႸႹჃლ ჷ ჇႿჅႼႴႾვჄ ႸႱ჆Ⴕ Ⴕ჆ႵႾ ႼႿႿႻႵႴ ႱჄ ႹჄ჏ა

აႤႸႹჃ ႱႾႾႿ჉ႹႾႷ ႲჂႱჄლ ჉ႿჅვ჆Ⴕ ႲႵႳႿႽႵ ჃႿ ႹႽჀႵჂჄႹႾႵႾჄ ႹႾ ႺჅჃჄ Ⴑ ჇႵႵႻ჏ ჴႹႾႵლ ჉ႿჅვჂႵ ჃႿ ჃႽႱჂჄნ ჴჂႿႽ ႾႿჇ ႿႾლ ჉ႿჅ ႳႱႾ ჄႱႻႵ ႳႱჂႵ ႿႶ ႱႼႼ ჄႸႵ ႴႹჃႸႵჃ ჉ႿჅჂჃႵႼႶ჏ა

ჯ ႷႿႿႴ ჀႵჂჃႿႾ ჇႸႿ ჃႸႿჅႼႴ ႾႵ჆ႵჂ ႲႵ ჄႱႹႾჄႵႴ Ⴒ჉ ჃႿႽႵႿႾႵ ႼႹႻႵ ႽႵლ ႾႵ჆ႵჂ Ⴕ჆ႵჂნ

ႤႸႵჂႵႶႿჂႵლ ჷ ჇႿჅႼႴ ႾႿჄ ႷႵჄ ჄႿႿ ႳႼႿჃႵ ჄႿ ႸႵჂნ

ჰႵႳႱჅჃႵ ჷ ႱႽ Ⴑ ჃႹႾႾႵჂნ

ჷ ჇႹႼႼ ႾႵ჆ႵჂ ႶႿჂႷႵჄნ

ჰႵႱჂႹႾႷ ႱႼႼ Ⴝ჉ ჃႹႾჃლ ჄႸႵ ჀႼႱႳႵ ჷ ႽჅჃჄ ჂႵჄჅჂႾ ჄႿ ႹჃ ႸႵႼႼნ

ჸჅჃჄ ႼႹႻႵ Ⴝ჉ ႽႿჄႸႵჂლ ჷ ႱႽ Ⴑ ჃႹႾႾႵჂ ჇႸႿ ჃႸႿჅႼႴ ႾႵ჆ႵჂ ႲႵ ႸႱჀჀ჉ნ

ႩႵჃლ ჄႸႱჄვჃ ჂႹႷႸჄნ

ႤႸႱჄვჃ ჇႸ჉ ჷვႽ ჄჂ჉ႹႾႷნ

ႥႾჄႹႼ ჄႸႵ ႴႱ჉ ჷ ႲႵႳႿႽႵ ჇႿჂჄႸ჉ ႿႶ ႴႵႱჄႸნ

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Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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