Tales of the Taisho Era Flowers Bloom Late

Chapter 121

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᯗᮞ ᮤᮘᮕ ᮞᮟᮤᮻᮣᮟᮻᮣᮠᮑᮓᮙᮟᮥᮣ ᮖᮙᮢᮣᮤᮻᮖᮜᮟᮟᮢ ᮒᮑᮤᮘᮢᮟᮟᮝᮺ ᮑᮣ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮣᮕᮠᮑᮢᮑᮤᮕ ᮒᮑᮤᮘᮤᮥᮒᮺ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮑᮞᮔ ᮝᮩ ᮒᮢᮕᮑᮤᮘᮣ ᮝᮙᮞᮗᮜᮕᮔᮼ

᮰ᯖᮻᮘᮕᮢᮕᮺ ᮩᮟᮥ ᮧᮑᮞᮤ ᮝᮕ ᮤᮟ ᮠᮢᮕᮣᮣ ᮘᮕᮢᮕᮼᮼᮼᯍ᮰

ᯛᮟᮤᮘᮕᮢ ᮑᮞᮔ ᯗ ᮣᮤᮟᮟᮔ ᮙᮞ ᮑ ᮒᮑᮓᮛᮻᮘᮥᮗ ᮠᮟᮣᮙᮤᮙᮟᮞᮺ ᮢᮕᮝᮙᮞᮙᮣᮓᮕᮞᮤ ᮟᮖ ᮜᮟᮦᮕᮢᮣᮼ ᮃᮘᮕ ᮧᮑᮣ ᮠᮢᮕᮣᮣᮕᮔ ᮓᮜᮟᮣᮕ ᮒᮕᮘᮙᮞᮔ ᮝᮕᮺ ᮑᮞᮔ ᮘᮕᮢ ᮤᮧᮟ ᮑᮢᮝᮣᮺ ᮣᮤᮢᮕᮤᮓᮘᮕᮔ ᮖᮟᮢᮧᮑᮢᮔᮺ ᮢᮕᮣᮤᮕᮔ ᮗᮕᮞᮤᮜᮩ ᮟᮞ ᮝᮩ ᮣᮤᮟᮝᮑᮓᮘᮼ

ᯏᮞᮔ ᯗ ᮘᮑᮔ ᮜᮙᮖᮤᮕᮔ ᮝᮩ ᮣᮛᮙᮢᮤ ᮥᮠᮺ ᮕᮨᮠᮟᮣᮙᮞᮗ ᮝᮩ ᮜᮟᮧᮕᮢ ᮒᮟᮔᮩ ᮑᮞᮔ ᮞᮑᮦᮕᮜᮺ ᮣᮟ ᮤᮘᮑᮤ ᮘᮕᮢ ᮘᮑᮞᮔᮣ ᮓᮟᮥᮜᮔ ᮖᮥᮜᮜᮩ ᮤᮟᮥᮓᮘ ᮝᮩ ᮣᮛᮙᮞᮼ

ᯗᮤ ᮧᮑᮣ ᮑᮞ ᮥᮞᮥᮣᮥᮑᮜ ᮑᮞᮔ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮙᮞᮗ ᮠᮟᮣᮤᮥᮢᮕᮼ ᯛᮩ ᮖᮑᮓᮕ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮖᮜᮥᮣᮘᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮢᮙᮣᮙᮞᮗ ᮣᮘᮑᮝᮕᮼ

᮰ᯒᮙᮔ ᮤᮘᮑᮤ ᮃᮑᮙᮞᮤᮕᮣᮣ ᮝᮑᮛᮕ ᮩᮟᮥ ᮜᮙᮛᮕ ᮤᮘᮙᮣᯍ᮰

ᯏᮤ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮣᮘᮑᮢᮠ ᮦᮟᮙᮓᮕᮺ ᯗ ᮞᮟᮔᮔᮕᮔ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮧᮟᮢᮔᮼ ᯏ ᮘᮕᮑᮦᮩ ᮣᮙᮜᮕᮞᮓᮕ ᮒᮢᮙᮕᮖᮜᮩ ᮣᮕᮤᮤᮜᮕᮔᮺ ᮤᮘᮕᮞ ᯛᮟᮤᮘᮕᮢ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮑᮞᮔ ᮣᮑᮙᮔᮺ

᮰ᯒᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩᮼ ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮩᮟᮥᮢ ᮖᮑᮥᮜᮤᮺ ᮙᮣ ᮙᮤᯍ ᯛᮟᮤᮘᮕᮢ ᮧᮙᮜᮜ ᮘᮕᮜᮠ ᮩᮟᮥᮼ᮰

᮰ᮄᮘᮻᮤᮘᮑᮞᮛ ᮩᮟᮥᮼ᮰

᮰ᯗᮣ ᮙᮤ ᮟᮛᮑᮩ ᮤᮟ ᮠᮢᮕᮣᮣ ᮙᮞ ᮤᮘᮙᮣ ᮠᮟᮣᮙᮤᮙᮟᮞᯍ ᮉᮟᮥ ᮔᮟᮞ᮵ᮤ ᮞᮕᮕᮔ ᮤᮟ ᮣᮙᮤᯍ᮰

᮰ᮉᮕᮣᮺ ᯗ᮵ᮦᮕ ᮑᮜᮧᮑᮩᮣ ᮔᮟᮞᮕ ᮙᮤ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼᮼᮼ᮰

᮰ᯝᮘᮺ ᮑᮜᮢᮙᮗᮘᮤᮼ᮰

ᮄᮘᮕ ᮣᮟᮥᮞᮔ ᮟᮖ ᮑ ᮔᮢᮩ ᮣᮧᮑᮜᮜᮟᮧ ᮧᮑᮣ ᮓᮜᮕᮑᮢᮜᮩ ᮘᮕᮑᮢᮔ ᮖᮢᮟᮝ ᮒᮕᮘᮙᮞᮔ ᮝᮕᮼ

ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮖᮙᮞᮗᮕᮢᮣ ᮣᮜᮟᮧᮜᮩ ᮤᮢᮑᮓᮕᮔ ᮓᮙᮢᮓᮜᮕᮣ ᮒᮕᮜᮟᮧ ᮝᮩ ᮞᮑᮦᮕᮜᮼ

᮰ᮃᮘᮟᮥᮜᮔ ᯗ ᮠᮢᮕᮣᮣᮺ ᮔᮑᮥᮗᮘᮤᮕᮢᮼᮼᮼᯍ᮰

ᯗ ᮞᮟᮔᮔᮕᮔᮼ ᯏᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᮺ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮤᮘᮙᮞᮺ ᮔᮕᮜᮙᮓᮑᮤᮕ ᮖᮙᮞᮗᮕᮢᮣ ᮗᮕᮞᮤᮜᮩ ᮠᮢᮕᮣᮣᮕᮔ ᮙᮞᮤᮟ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞᮼ

ᮃᮜᮟᮧᮜᮩᮺ ᮗᮕᮞᮤᮜᮩᮼ

ᯐᮥᮤ ᮤᮘᮑᮤ ᮧᮑᮣ ᮤᮘᮕ ᮕᮨᮤᮕᮞᮤ ᮟᮖ ᮙᮤᮼ

ᯖᮕᮢ ᮕᮨᮓᮕᮕᮔᮙᮞᮗᮜᮩ ᮓᮑᮢᮕᮖᮥᮜ ᮖᮙᮞᮗᮕᮢᮣ ᮠᮢᮕᮣᮣᮕᮔ ᮜᮙᮗᮘᮤᮜᮩ ᮑᮞᮔ ᮒᮢᮙᮕᮖᮜᮩ ᮟᮞ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞ ᮟᮞᮓᮕᮺ ᮤᮘᮕᮞ ᮣᮜᮟᮧᮜᮩ ᮧᮙᮤᮘᮔᮢᮕᮧ ᮑᮗᮑᮙᮞᮼ

᮰ᯗᮣ ᮤᮘᮙᮣ ᮝᮥᮓᮘ ᮟᮛᮑᮩᮼᮼᮼᯍ᮰

᮰ᮼᮼᮼᮼᮼᮼᮼᮼᮼ᮰

ᯛᮟᮤᮘᮕᮢ ᮣᮓᮢᮥᮤᮙᮞᮙ᮪ᮕᮔ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮧᮟᮢᮢᮙᮕᮔ ᮗᮑ᮪ᮕᮺ ᮒᮥᮤ ᮘᮕᮢ ᮤᮟᮥᮓᮘ ᮧᮑᮣ ᮣᮟ ᮖᮑᮙᮞᮤ ᮤᮘᮑᮤ ᯗ ᮖᮕᮜᮤ ᮞᮟᮤᮘᮙᮞᮗᮼ

᮰ᯑᮟᮥᮜᮔ ᮩᮟᮥᮺ ᮠᮢᮕᮣᮣ ᮑ ᮜᮙᮤᮤᮜᮕ ᮘᮑᮢᮔᮕᮢᮼᮼᮼᯍ᮰

᮰ᯖᮑᮢᮔᮕᮢᮼᮼᮼᯍ ᯖᮟᮧ ᮝᮥᮓᮘ ᮔᮟ ᮩᮟᮥ ᮝᮕᮑᮞᯍ᮰

ᯏ ᮝᮟᮝᮕᮞᮤ ᮟᮖ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞ ᮓᮢᮟᮣᮣᮕᮔ ᮝᮕ ᮑᮤ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮡᮥᮕᮣᮤᮙᮟᮞᮼ

ᯖᮟᮧ ᮔᮙᮔ ᯚᮙᮜᮜᮙᮑᮞ ᮔᮟ ᮙᮤᯍ

ᮃᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮠᮑᮩ ᮑᮤᮤᮕᮞᮤᮙᮟᮞ ᮤᮟ ᮝᮩ ᮢᮕᮑᮓᮤᮙᮟᮞᮣᮼ ᯓᮦᮕᮞ ᮧᮘᮕᮞ ᯗ ᮠᮜᮕᮑᮔᮕᮔ ᮖᮟᮢ ᮘᮕᮢ ᮤᮟ ᮣᮤᮟᮠᮺ ᮣᮘᮕ ᮝᮕᮢᮓᮙᮜᮕᮣᮣᮜᮩ ᮖᮟᮢᮓᮕᮔ ᮔᮟᮧᮞ ᮟᮞ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞᮼ

ᮅᮞᮤᮙᮜ ᯗ ᮓᮟᮥᮜᮔ ᮞᮟ ᮜᮟᮞᮗᮕᮢ ᮒᮕᮑᮢ ᮙᮤᮼ

᮰ᮄᮕᮜᮜ ᮝᮕᮺ ᮔᮑᮥᮗᮘᮤᮕᮢᮺ ᮧᮘᮑᮤ ᮣᮘᮟᮥᮜᮔ ᯗ ᮔᮟᯍ᮰

᮰ᮀᮻᮠᮜᮕᮑᮣᮕᮺ ᮔᮟ ᮙᮤ ᮢᮟᮥᮗᮘᮜᮩᮼ᮰

ᯜᮟ ᮑᮞᮣᮧᮕᮢ ᮓᮑᮝᮕᮼ ᮄᮥᮢᮞᮙᮞᮗ ᮝᮩ ᮘᮕᮑᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮙᮞ ᮠᮥ᮪᮪ᮜᮕᮝᮕᮞᮤᮺ ᯗ ᮝᮕᮤ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮧᮙᮔᮕ ᮒᮜᮥᮕ ᮕᮩᮕᮣᮼ

᮰ᮂᮻᮢᮟᮥᮗᮘᮜᮩᯍ᮰

᮰ᮉᮕᮣᮼᮼᮼ ᯛᮟᮤᮘᮕᮢᮺ ᮑᮣ ᮝᮥᮓᮘ ᮑᮣ ᮩᮟᮥ ᮓᮘᮕᮢᮙᮣᮘ ᮝᮕᮺ ᮠᮜᮕᮑᮣᮕ ᮤᮢᮕᮑᮤ ᮝᮕ ᮢᮟᮥᮗᮘᮜᮩᮼᮼᮼ᮰

᮰ᮄᮘᮻᮤᮘᮑᮤᮼᮼᮼ᮰

᮰ᯗᮣ ᮤᮘᮑᮤ ᮞᮟᮤ ᮠᮟᮣᮣᮙᮒᮜᮕᮼᮼᮼᯍ᮰

᮰ᯐᮻᮒᮥᮤ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ ᯗ ᮓᮑᮞ᮵ᮤ ᮤᮢᮕᮑᮤ ᮩᮟᮥ ᮢᮟᮥᮗᮘᮜᮩ—᮰

᮰ᯐᮻᮒᮥᮤ ᮙᮖ ᮙᮤ᮵ᮣ ᯛᮟᮤᮘᮕᮢᮺ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮢᮟᮥᮗᮘ ᮩᮟᮥ ᮑᮢᮕᮺ ᮙᮤ᮵ᮣ ᮖᮙᮞᮕᮼᮼᮼ᮰

ᯔᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮕᮩᮕᮣ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮜᮟᮣᮤ ᮖᮟᮓᮥᮣᮼ

ᯛᮟᮤᮘᮕᮢᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮤᮑᮢᮙᮞᮗ ᮒᮜᮑᮞᮛᮜᮩ ᮑᮤ ᮝᮕ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮺ ᮒᮙᮤ ᮘᮕᮢ ᮜᮙᮠᮼ

᮰ᯏᮢᮕ ᮩᮟᮥ ᮢᮕᮑᮜᮜᮩ ᮣᮥᮢᮕᯍ᮰

᮰ᮼᮼᮼᮉᮕᮣᮼ᮰

ᯏᮞᮔ ᮖᮙᮞᮑᮜᮜᮩᮺ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮖᮙᮞᮗᮕᮢᮣ ᮝᮟᮦᮕᮔ ᮑᮗᮑᮙᮞᮼ

᮸ᮀᮢᮕᮣᮣ᮸—

ᯖᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮠᮢᮕᮣᮣᮕᮔ ᮔᮕᮕᮠᮜᮩ ᮙᮞᮤᮟ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞᮺ ᮙᮞᮓᮟᮝᮠᮑᮢᮑᮒᮜᮕ ᮤᮟ ᮒᮕᮖᮟᮢᮕᮼ

᮰ᯏᮘᮼᮼᮼᮯ᮰

ᯛᮩ ᮧᮑᮙᮣᮤ ᮖᮜᮙᮞᮓᮘᮕᮔ ᮑᮤ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮙᮞᮓᮢᮕᮑᮣᮕ ᮙᮞ ᮙᮞᮤᮕᮞᮣᮙᮤᮩᮼ ᯏ ᮘᮙᮗᮘ ᮝᮟᮑᮞ ᮕᮣᮓᮑᮠᮕᮔ ᮝᮩ ᮜᮙᮠᮣ ᮖᮢᮟᮝ ᮤᮘᮕ ᮔᮙ᮪᮪ᮩᮙᮞᮗ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮣᮠᮢᮕᮑᮔᮙᮞᮗ ᮖᮢᮟᮝ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞ ᮤᮘᮢᮟᮥᮗᮘᮟᮥᮤ ᮝᮩ ᮕᮞᮤᮙᮢᮕ ᮒᮟᮔᮩᮼ

ᯏᮞᮔ ᮤᮘᮕᮞᮺ ᮑᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᮼ ᮄᮘᮕ ᮓᮢᮩᮣᮤᮑᮜᮜᮙ᮪ᮑᮤᮙᮟᮞ ᮟᮖ ᮤᮘᮕ ᮣᮘᮑᮝᮕ ᯗ ᮘᮑᮔ ᮕᮞᮔᮥᮢᮕᮔ ᮒᮕᮗᮑᮞ ᮤᮟ ᮣᮜᮟᮧᮜᮩ ᮣᮕᮕᮠ ᮟᮥᮤ ᮒᮕᮤᮧᮕᮕᮞ ᮝᮩ ᮜᮕᮗᮣᮼ

ᯗ ᮡᮥᮙᮓᮛᮜᮩ ᮜᮟᮧᮕᮢᮕᮔ ᮝᮩ ᮥᮞᮔᮕᮢᮧᮕᮑᮢ ᮒᮕᮖᮟᮢᮕ ᮙᮤ ᮓᮟᮥᮜᮔ ᮗᮕᮤ ᮝᮟᮢᮕ ᮣᮟᮑᮛᮕᮔᮼ ᯛᮟᮤᮘᮕᮢ ᮤᮘᮕᮞ ᮜᮟᮧᮕᮢᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮞᮔ ᮣᮤᮑᮢᮕᮔ ᮒᮕᮤᮧᮕᮕᮞ ᮝᮩ ᮜᮕᮗᮣᮺ ᮑᮣ ᮙᮖ ᮕᮞᮤᮢᮑᮞᮓᮕᮔᮼ

᮰ᯛᮻᯛᮟᮤᮘᮕᮢᮼᮼᮼ᮰

᮰ᮼᮼᮼᮼᮼᮼᮼᮼᮼ᮰

᮰ᯛᮟᮤᮘᮕᮢᮼᮼᮼᯍ᮰

᮰ᯖᮥᮘᮺ ᮧᮘᮑᮤᯍ᮰

ᯗᮤ ᮧᮑᮣ ᮑ ᮣᮤᮑᮢᮤᮜᮕᮔ ᮢᮕᮑᮓᮤᮙᮟᮞᮼ ᯖᮕᮢ ᮖᮑᮓᮕ ᮧᮑᮣ ᮑᮣ ᮢᮕᮔ ᮑᮣ ᮝᮩ ᮟᮧᮞ ᮓᮘᮕᮕᮛᮣᮼ

ᯛᮟᮤᮘᮕᮢ ᮝᮥᮣᮤ ᮑᮜᮣᮟ ᮔᮙᮣᮜᮙᮛᮕ ᮑᮞᮔ ᮒᮕ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮕᮔ ᮒᮩ ᮤᮘᮙᮣᮼ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮙᮝᮑᮗᮙᮞᮕ ᮘᮟᮧ ᮝᮥᮓᮘ ᮣᮘᮕ ᮝᮥᮣᮤ ᮘᮑᮤᮕ ᮘᮑᮦᮙᮞᮗ ᮤᮟ ᮘᮕᮜᮠ ᮘᮕᮢ ᮟᮧᮞ ᮔᮑᮥᮗᮘᮤᮕᮢᮺ ᮧᮘᮟ ᮘᮑᮔ ᮕᮦᮕᮞ ᮓᮟᮝᮠᮜᮕᮤᮕᮔ ᮘᮕᮢ ᮓᮟᮝᮙᮞᮗᮻᮟᮖᮻᮑᮗᮕ ᮓᮕᮢᮕᮝᮟᮞᮩᮺ ᮧᮙᮤᮘ ᮥᮢᮙᮞᮑᮤᮙᮟᮞᮼ

ᮉᮕᮤᮺ ᮖᮟᮢ ᮝᮩ ᮣᮑᮛᮕᮺ ᮣᮘᮕ ᮕᮞᮔᮥᮢᮕᮔ ᮤᮘᮕ ᮣᮘᮑᮝᮕ ᮑᮞᮔ ᮧᮙᮜᮜᮙᮞᮗᮜᮩ ᮣᮤᮕᮠᮠᮕᮔ ᮖᮟᮢᮧᮑᮢᮔᮼ ᮄᮘᮑᮤ ᮖᮑᮓᮤ ᮝᮑᮔᮕ ᮝᮕ ᮣᮟ ᮗᮢᮑᮤᮕᮖᮥᮜᮺ ᮑᮞᮔ ᮣᮟ ᮗᮥᮙᮜᮤᮩᮼ

ᯏ ᮢᮑᮗᮗᮕᮔ ᮒᮢᮕᮑᮤᮘ ᮕᮣᮓᮑᮠᮕᮔ ᮖᮢᮟᮝ ᮒᮕᮘᮙᮞᮔ ᮝᮕᮼ ᯛᮟᮤᮘᮕᮢ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮜᮟᮟᮛᮙᮞᮗ ᮒᮕᮤᮧᮕᮕᮞ ᮝᮩ ᮜᮕᮗᮣᮼ ᯗ ᮖᮕᮜᮤ ᮑᮣ ᮙᮖ ᮘᮕᮢ ᮕᮩᮕᮣ ᮘᮑᮔ ᮗᮢᮟᮧᮞ ᮑ ᮜᮙᮤᮤᮜᮕ ᮥᮞᮖᮟᮓᮥᮣᮕᮔ ᮓᮟᮝᮠᮑᮢᮕᮔ ᮤᮟ ᮒᮕᮖᮟᮢᮕᮼ

᮰ᯑᮑᮞ ᯗ ᮠᮢᮕᮣᮣᮺ ᮝᮟᮢᮕᯍ᮰

᮰ᮉᮕᮣᮺ ᯛᮻᯛᮟᮤᮘᮕᮢᮺ ᮠᮜᮕᮑᮣᮕ ᮠᮢᮕᮣᮣ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞ ᮢᮟᮥᮗᮘᮜᮩᮺ ᮥᮞᮤᮙᮜ ᮩᮟᮥ᮵ᮢᮕ ᮤᮙᮢᮕᮔ ᮟᮖ ᮙᮤᮼᮼᮼ᮰

᮰ᮼᮼᮼᮼᮼᮼᮼᮼᮼ᮰

ᯜᮟ ᮑᮞᮣᮧᮕᮢ ᮓᮑᮝᮕᮼ ᯗᮞᮣᮤᮕᮑᮔᮺ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮠᮢᮕᮣᮣᮕᮔ ᮔᮕᮕᮠᮜᮩ ᮙᮞᮤᮟ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞ ᮟᮞᮓᮕ ᮝᮟᮢᮕᮼ

ᯗᮤ ᮔᮙᮔᮞ᮵ᮤ ᮣᮤᮟᮠ ᮑᮤ ᮟᮞᮕ ᮤᮙᮝᮕᮼ ᮅᮞᮜᮙᮛᮕ ᮒᮕᮖᮟᮢᮕᮺ ᮣᮘᮕ ᮠᮢᮕᮣᮣᮕᮔ ᮖᮙᮢᮝᮜᮩ ᮑᮞᮔ ᮢᮕᮠᮕᮑᮤᮕᮔᮜᮩ ᮟᮞ ᮝᮩ ᮣᮤᮟᮝᮑᮓᮘᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮝᮙᮞᮔᮙᮞᮗ ᮝᮩ ᮢᮕᮑᮓᮤᮙᮟᮞᮣᮼ

᮰ᯏᮘ—ᯍ ᮅᮗᮘᮺᮯ᮰

ᯛᮩ ᮒᮟᮔᮩ ᮗᮢᮕᮧ ᮘᮟᮤ ᮖᮢᮟᮝ ᮤᮘᮕ ᮙᮞᮓᮢᮕᮑᮣᮙᮞᮗᮜᮩ ᮟᮦᮕᮢᮖᮜᮟᮧᮙᮞᮗ ᮠᮘᮩᮣᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮠᮘᮕᮞᮟᮝᮕᮞᮟᮞᮼ ᯓᮑᮓᮘ ᮤᮙᮝᮕ ᯛᮟᮤᮘᮕᮢ ᮠᮢᮕᮣᮣᮕᮔ ᮝᮩ ᮣᮤᮟᮝᮑᮓᮘᮺ ᮑ ᮖᮑᮙᮞᮤ ᮤᮢᮙᮓᮛᮜᮕ ᮟᮖ ᮧᮑᮤᮕᮢ ᮖᮕᮜᮜᮼ

᮸ᮀᮢᮕᮣᮣᮺ ᮠᮢᮕᮣᮣ᮸—

ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮖᮙᮞᮗᮕᮢᮣ ᮧᮟᮢᮛᮕᮔ ᮢᮕᮜᮕᮞᮤᮜᮕᮣᮣᮜᮩᮺ ᮠᮢᮕᮣᮣᮙᮞᮗ ᮢᮕᮠᮕᮑᮤᮕᮔᮜᮩᮼ ᮄᮘᮕ ᮙᮞᮤᮕᮞᮣᮙᮤᮩ ᮧᮑᮣ ᮞᮟᮤ ᮝᮥᮓᮘ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣᮼ ᯜᮟᮺ ᮙᮤ ᮧᮑᮣ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮣᮤᮙᮝᮥᮜᮑᮤᮙᮞᮗ ᮤᮘᮑᮞ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮤᮟᮥᮓᮘᮼ

ᮇᮑᮣ ᮙᮤ ᮒᮕᮓᮑᮥᮣᮕ ᮣᮘᮕ ᮧᮑᮣ ᮤᮘᮕ ᯛᮟᮤᮘᮕᮢ ᮧᮘᮟ ᮘᮑᮔ ᮔᮙᮢᮕᮓᮤᮜᮩ ᮗᮙᮦᮕᮞ ᮒᮙᮢᮤᮘ ᮤᮟ ᮤᮘᮙᮣ ᮒᮟᮔᮩᯍ ᯗᮤ ᮧᮑᮣ ᮑᮣ ᮙᮖ ᮣᮘᮕ ᮛᮞᮕᮧ ᮕᮨᮑᮓᮤᮜᮩ ᮧᮘᮕᮢᮕ ᮤᮟ ᮤᮟᮥᮓᮘ ᮤᮟ ᮝᮑᮛᮕ ᮝᮩ ᮒᮟᮔᮩ ᮢᮕᮑᮓᮤᮼ

᮰ᯏᮘᮺᮯ ᯛᮟᮤᮘᮕᮢᮼᮼᮼ ᮅᮗᮘᮼᮼᮼ᮰

ᯔᮢᮟᮝ ᮑᮞᮟᮤᮘᮕᮢ ᮠᮕᮢᮣᮟᮞ᮵ᮣ ᮠᮕᮢᮣᮠᮕᮓᮤᮙᮦᮕᮺ ᮤᮘᮙᮣ ᮝᮥᮣᮤ ᮤᮢᮥᮜᮩ ᮒᮕ ᮑ ᮦᮥᮜᮗᮑᮢ ᮑᮞᮔ ᮑᮒᮣᮥᮢᮔ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮼ

ᯐᮥᮤ ᮙᮖ ᯗ ᮧᮕᮢᮕ ᮤᮟ ᮣᮑᮩ ᮤᮘᮑᮤ ᯗ ᮖᮕᮜᮤ ᮘᮑᮠᮠᮩ ᮒᮕᮓᮑᮥᮣᮕ ᯗ ᮓᮟᮥᮜᮔ ᮔᮕᮕᮠᮜᮩ ᮣᮕᮞᮣᮕ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮜᮟᮦᮕ ᮑᮞᮔ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᮕᮦᮕᮞ ᮙᮞ ᮤᮘᮙᮣ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮺ ᮧᮟᮥᮜᮔ ᯗ ᮣᮕᮕᮝ ᮤᮟᮟ ᮠᮕᮢᮦᮕᮢᮤᮕᮔᯍ

᮸ᮀᮢᮕᮣᮣᮺ ᮠᮢᮕᮣᮣ᮸—

ᯜᮟᮤ ᮜᮟᮞᮗ ᮑᮖᮤᮕᮢ ᯛᮟᮤᮘᮕᮢ ᮘᮑᮔ ᮒᮕᮕᮞ ᮠᮢᮕᮣᮣᮙᮞᮗ ᮝᮩ ᮣᮤᮟᮝᮑᮓᮘ ᮢᮟᮥᮗᮘᮜᮩ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼ

ᯛᮩ ᮑᮞᮨᮙᮟᮥᮣ ᮒᮟᮔᮩ ᮒᮕᮗᮑᮞ ᮤᮟ ᮢᮕᮑᮓᮘ ᮙᮤᮣ ᮠᮕᮑᮛᮼ ᮇᮑᮦᮕᮣ ᮟᮖ ᮔᮙ᮪᮪ᮩᮙᮞᮗ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮢᮑᮗᮕᮔ ᮙᮞ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞᮺ ᮑᮣ ᮙᮖ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮒᮢᮕᮑᮛ ᮖᮢᮕᮕᮼ

᮰ᯏᮘᮯ᮰

᮸ᮀᮢᮕᮣᮣᮺ ᮠᮢᮕᮣᮣᮺ ᮠᮢᮕᮣᮣ᮸—

᮰ᯛᮻᯛᮟᮤᮘᮕᮢᮺ ᯗᮺ ᯗ᮵ᮝ ᮞᮟᮧᮼᮼᮼ᮰

᮸ᮀᮢᮕᮣᮣᮺ ᮠᮢᮕᮣᮣ᮸—

᮰ᯛᮻᯛᮟᮤᮘᮕᮢ—ᮯ ᯗ ᮓᮻᮓᮑᮞ᮵ᮤᮺ ᮓᮑᮞ᮵ᮤ ᮒᮕᮑᮢ ᮙᮤᮺ ᮑᮞᮩᮝᮟᮢᮕᮼᮼᮼ᮰

᮰ᯚᮕᮑᮦᮕ ᮙᮤ ᮤᮟ ᯛᮟᮤᮘᮕᮢᮺ ᮑᮞᮔ ᮢᮕᮜᮑᮨᮺ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ᮰

ᮇᮑᮣ ᮙᮤ ᮚᮥᮣᮤ ᮝᮩ ᮙᮝᮑᮗᮙᮞᮑᮤᮙᮟᮞᯍ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮘᮕᮑᮤᮕᮔ ᮦᮟᮙᮓᮕ ᮣᮟᮥᮞᮔᮕᮔ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮑᮞᮗᮢᮩᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮘᮑᮦᮕ ᮤᮘᮕ ᮜᮕᮙᮣᮥᮢᮕ ᮤᮟ ᮓᮟᮞᮣᮙᮔᮕᮢ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮖᮕᮕᮜᮙᮞᮗᮣᮼ ᮄᮘᮕ ᮠᮘᮩᮣᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮥᮢᮗᮕᮣ ᯗ ᮘᮑᮔ ᮣᮥᮠᮠᮢᮕᮣᮣᮕᮔ ᮖᮟᮢ ᮣᮟ ᮜᮟᮞᮗ ᮧᮕᮢᮕ ᮞᮟᮧ ᮕᮢᮥᮠᮤᮙᮞᮗ ᮥᮞᮣᮤᮟᮠᮠᮑᮒᮜᮩᮼ

᮰ᯏᮘᮺ ᯛᮻᯛᮟᮤᮘᮕᮢᮼᮼᮼ ᯗᮺ ᮞᮟᮺ ᮞᮟ ᮝᮟᮢᮕᮼᮼᮼ᮰

ᯏᮣ ᮙᮖ ᮙᮞ ᮢᮕᮣᮠᮟᮞᮣᮕ ᮤᮟ ᮝᮩ ᮧᮟᮢᮔᮣᮺ ᯛᮟᮤᮘᮕᮢ ᮠᮢᮕᮣᮣᮕᮔ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞ ᮧᮙᮤᮘ ᮕᮦᮕᮞ ᮗᮢᮕᮑᮤᮕᮢ ᮖᮟᮢᮓᮕ ᮤᮘᮑᮞ ᮒᮕᮖᮟᮢᮕᮼ

᮰ᯏᮘ—ᯍᮯ᮰

ᯗᮤ ᮖᮕᮜᮤ ᮑᮣ ᮙᮖ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮖᮙᮞᮗᮕᮢᮣ ᮘᮑᮔ ᮠᮕᮞᮕᮤᮢᮑᮤᮕᮔ ᮣᮟ ᮔᮕᮕᮠᮜᮩᮺ ᮢᮕᮑᮓᮘᮙᮞᮗ ᮑ ᮣᮕᮓᮢᮕᮤ ᮠᮜᮑᮓᮕ ᮧᮙᮤᮘᮙᮞ ᮝᮩ ᮖᮜᮕᮣᮘᮼ

ᯏ ᮔᮙ᮪᮪ᮩᮙᮞᮗ ᮣᮕᮞᮣᮑᮤᮙᮟᮞᮺ ᮕᮞᮟᮥᮗᮘ ᮤᮟ ᮠᮑᮢᮑᮜᮩ᮪ᮕ ᮝᮩ ᮒᮢᮑᮙᮞᮼ ᯐᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮤᮘᮑᮤᮺ ᮤᮘᮕ ᮜᮑᮣᮤ ᮒᮙᮤ ᮟᮖ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮘᮟᮜᮔᮙᮞᮗ ᮝᮩ ᮧᮑᮙᮣᮤ ᮗᮑᮦᮕ ᮧᮑᮩᮼ

᮰ᯏᮘᮺ ᮑᮘᮺ ᮑᮘᮘᮼᮼᮼᮯ ᯛᮟᮤᮘᮕᮢᮼᮼᮼ᮰

ᯛᮩ ᮧᮑᮙᮣᮤ ᮤᮢᮕᮝᮒᮜᮕᮔᮼ

ᯏ ᮣᮤᮢᮕᮑᮝ ᮟᮖ ᮤᮢᮑᮞᮣᮠᮑᮢᮕᮞᮤ ᮧᮑᮤᮕᮢ ᮒᮕᮓᮑᮝᮕ ᮦᮙᮣᮙᮒᮜᮕᮼ ᯏ ᮠᮑᮢᮤ ᮟᮖ ᮙᮤ ᮖᮑᮙᮞᮤᮜᮩ ᮧᮕᮤ ᮝᮩ ᮜᮕᮗᮣᮼ

ᮄᮘᮕ ᮣᮟᮥᮞᮔ ᮟᮖ ᮤᮘᮕ ᮣᮤᮢᮕᮑᮝ ᮘᮙᮤᮤᮙᮞᮗ ᮤᮘᮕ ᮤᮟᮙᮜᮕᮤ ᮧᮑᮤᮕᮢ ᮕᮓᮘᮟᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮣᮠᮑᮓᮕᮼ ᯐᮕᮣᮙᮔᮕᮣ ᮤᮘᮑᮤᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮟᮞᮜᮩ ᮝᮩ ᮕᮨᮓᮙᮤᮕᮔ ᮝᮟᮑᮞᮙᮞᮗᮼ

ᯓᮦᮕᮞ ᮑᮣ ᮤᮘᮕ ᮣᮤᮢᮕᮑᮝ ᮓᮟᮞᮤᮙᮞᮥᮕᮔᮺ ᯛᮟᮤᮘᮕᮢ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᮝᮩ ᮣᮤᮟᮝᮑᮓᮘ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮧᮟᮢᮔᮼ

᮰ᯛᮻᯛᮟᮤᮘᮕᮢᮼᮼᮼ᮰

᮰ᯗᮤ᮵ᮣ ᮑᮜᮢᮙᮗᮘᮤᮺ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ ᮉᮟᮥ ᮔᮟᮞ᮵ᮤ ᮘᮑᮦᮕ ᮤᮟ ᮒᮕ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮕᮔᮼ᮰

᮰ᯏᮘᮺ ᮥᮗᮘᮼᮼᮼ᮰

ᯏᮤ ᮤᮘᮕ ᮕᮞᮔ ᮟᮖ ᮑ ᮜᮟᮞᮗ ᮠᮕᮢᮙᮟᮔ ᮧᮘᮕᮢᮕ ᮟᮞᮜᮩ ᮤᮘᮕ ᮣᮟᮥᮞᮔ ᮟᮖ ᮧᮑᮤᮕᮢ ᮓᮟᮥᮜᮔ ᮒᮕ ᮘᮕᮑᮢᮔᮺ ᮝᮩ ᮣᮤᮢᮕᮞᮗᮤᮘᮜᮕᮣᮣ ᮒᮟᮔᮩ ᮝᮕᮜᮤᮕᮔ ᮟᮞᮤᮟ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ ᯛᮟᮤᮘᮕᮢ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮣᮥᮠᮠᮟᮢᮤᮕᮔ ᮝᮕ ᮖᮢᮟᮝ ᮒᮕᮘᮙᮞᮔᮼ

ᯛᮟᮤᮘᮕᮢ ᮜᮙᮖᮤᮕᮔ ᮝᮩ ᮘᮕᮑᮔᮼ ᮇᮕ ᮧᮕᮢᮕ ᮣᮟ ᮓᮜᮟᮣᮕ ᮤᮘᮑᮤ ᮟᮥᮢ ᮜᮙᮠᮣ ᮧᮟᮥᮜᮔ ᮤᮟᮥᮓᮘ ᮙᮖ ᯗ ᮜᮕᮑᮞᮕᮔ ᮖᮟᮢᮧᮑᮢᮔ ᮚᮥᮣᮤ ᮑ ᮜᮙᮤᮤᮜᮕᮼ

ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮒᮢᮕᮑᮤᮘ ᮧᮑᮣ ᮔᮙᮣᮤᮙᮞᮓᮤᮜᮩ ᮖᮕᮜᮤᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮒᮢᮕᮑᮤᮘ ᮖᮑᮙᮞᮤᮜᮩ ᮣᮓᮕᮞᮤᮕᮔ ᮧᮙᮤᮘ ᮚᮑᮣᮝᮙᮞᮕᮼ

ᯏᮣ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮑᮞᮔ ᮝᮩ ᮒᮢᮕᮑᮤᮘᮣ ᮝᮙᮞᮗᮜᮕᮔᮺ ᮤᮘᮕ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗ ᮤᮕᮝᮠᮕᮢᮑᮤᮥᮢᮕ ᮢᮟᮣᮕ ᮕᮦᮕᮞ ᮖᮥᮢᮤᮘᮕᮢᮼ ᮄᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝ ᮝᮙᮢᮢᮟᮢ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮖᮟᮗᮗᮕᮔ ᮥᮠᮼ

᮰ᯏᮢᮕ ᮩᮟᮥ ᮖᮕᮕᮜᮙᮞᮗ ᮒᮕᮤᮤᮕᮢᯍ᮰

ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮡᮥᮙᮕᮤᮺ ᮒᮥᮤ ᮙᮤ ᮘᮕᮜᮔ ᮑ ᮣᮥᮒᮤᮜᮕ ᮧᮑᮢᮝᮤᮘᮼ

᮰ᮼᮼᮼᮉᮕᮣᮺ ᮤᮘᮑᮞᮛᮣ ᮤᮟ ᯛᮟᮤᮘᮕᮢᮼ᮰

ᮄᮘᮕ ᮑᮞᮣᮧᮕᮢ ᮧᮑᮣ ᮘᮑᮜᮖᮻᮤᮢᮥᮤᮘᮼ

ᯗᮤ ᮧᮑᮣ ᮤᮢᮥᮕ ᮤᮘᮑᮤ ᮝᮩ ᮒᮟᮔᮩ ᮖᮕᮜᮤ ᮝᮥᮓᮘ ᮜᮙᮗᮘᮤᮕᮢ ᮤᮘᮑᮞ ᮒᮕᮖᮟᮢᮕᮼ ᯐᮥᮤ ᮤᮘᮕ ᮣᮕᮞᮣᮕ ᮟᮖ ᮢᮕᮜᮕᮑᮣᮕ ᯗ ᮖᮕᮜᮤ ᮔᮕᮕᮠ ᮙᮞ ᮝᮩ ᮘᮕᮑᮢᮤ ᮧᮑᮣ ᮞᮟᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮑᮣ ᮧᮙᮤᮘ ᯚᮙᮜᮜᮙᮑᮞᮼ

ᯏᮜᮤᮘᮟᮥᮗᮘ ᯗ ᮛᮞᮕᮧ ᮤᮘᮕ ᮢᮕᮑᮣᮟᮞᮺ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮤᮕᮜᮜ ᯛᮟᮤᮘᮕᮢᮼ

ᯛᮩ ᮗᮑ᮪ᮕ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮔᮢᮙᮖᮤᮕᮔ ᮤᮟ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮜᮙᮠᮣᮼ ᮄᮘᮕᮩ ᮧᮕᮢᮕ ᮖᮥᮜᮜ ᮑᮞᮔ ᮣᮝᮟᮟᮤᮘᮺ ᮑᮜᮜᮥᮢᮙᮞᮗ ᮜᮙᮛᮕ ᮢᮕᮔ ᮖᮜᮟᮧᮕᮢ ᮠᮕᮤᮑᮜᮣᮼ

ᯗ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮤᮘᮟᮣᮕ ᮜᮙᮠᮣ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮺ ᮤᮘᮕᮞ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮖᮕᮜᮤ ᮝᮩ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘ ᮑᮞᮔ ᮘᮥᮢᮢᮙᮕᮔᮜᮩ ᮜᮟᮧᮕᮢᮕᮔ ᮝᮩ ᮘᮕᮑᮔᮼ

ᯗ ᮣᮙᮝᮠᮜᮩ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮑᮩ ᮙᮤᮼ

ᮄᮘᮑᮤ ᮤᮟ ᮔᮟ ᮙᮤ ᮕᮨᮑᮓᮤᮜᮩ ᮜᮙᮛᮕ ᯚᮙᮜᮜᮙᮑᮞᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮑᮜᮣᮟ ᮘᮑᮦᮕ ᮤᮟ ᮛᮙᮣᮣ ᮝᮕ ᮧᮘᮙᮜᮕ ᮠᮢᮕᮣᮣᮙᮞᮗ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞᮼ

ᯖᮟᮧ ᮓᮟᮥᮜᮔ ᯗ ᮣᮑᮩ ᮣᮥᮓᮘ ᮑ ᮤᮘᮙᮞᮗᯍ

᮰ᯔᮢᮟᮝ ᮞᮟᮧ ᮟᮞᮺ ᮜᮕᮑᮦᮕ ᮣᮥᮓᮘ ᮝᮑᮤᮤᮕᮢᮣ ᮤᮟ ᯛᮟᮤᮘᮕᮢᮼ᮰

᮰ᮇᮘᮑᮤᯍ᮰

᮰ᯗ ᮔᮟᮞ᮵ᮤ ᮤᮘᮙᮞᮛ ᯗ ᮓᮟᮥᮜᮔ ᮕᮦᮕᮢ ᮤᮟᮜᮕᮢᮑᮤᮕ ᮑᮞᮩᮟᮞᮕ ᮕᮜᮣᮕ ᮤᮟᮥᮓᮘᮙᮞᮗ ᮩᮟᮥ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼ᮰

ᯗ ᮥᮞᮔᮕᮢᮣᮤᮟᮟᮔ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮖᮕᮕᮜᮙᮞᮗᮣᮼ ᮄᮘᮕ ᮢᮕᮡᮥᮕᮣᮤ ᯗ ᮘᮑᮔ ᮝᮑᮔᮕ ᮤᮟ ᯛᮟᮤᮘᮕᮢ ᮧᮑᮣ ᮓᮕᮢᮤᮑᮙᮞᮜᮩ ᮞᮟᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮑᮞ ᮟᮢᮔᮙᮞᮑᮢᮩ ᮠᮕᮢᮣᮟᮞ ᮧᮟᮥᮜᮔ ᮑᮣᮛ ᮖᮟᮢᮼ ᯗᮤ ᮧᮑᮣᮞ᮵ᮤ ᮣᮤᮢᮑᮞᮗᮕ ᮖᮟᮢ ᮘᮕᮢ ᮤᮟ ᮖᮕᮕᮜ ᮤᮘᮙᮣ ᮧᮑᮩᮼ

᮰ᯛᮟᮤᮘᮕᮢᮼᮼᮼ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥ ᮔᮙᮣᮗᮥᮣᮤᮕᮔ ᮒᮩ ᮝᮕᮺ ᮜᮙᮛᮕ ᮤᮘᮙᮣᯍ᮰

᮰ᯒᮙᮣᮗᮥᮣᮤᮕᮔᯍ᮰

ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮕᮩᮕᮣ ᮧᮑᮦᮕᮢᮕᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮤᮘᮕᮞ ᮣᮘᮕ ᮖᮢᮟᮧᮞᮕᮔᮼ

᮰ᯒᮟᮞ᮵ᮤ ᮣᮑᮩ ᮣᮥᮓᮘ ᮤᮘᮙᮞᮗᮣᮼ ᯛᮩ ᮒᮕᮜᮟᮦᮕᮔ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮓᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮒᮕ ᮔᮙᮣᮗᮥᮣᮤᮙᮞᮗᮼ ᯜᮟᮺ ᮟᮞ ᮤᮘᮕ ᮓᮟᮞᮤᮢᮑᮢᮩ—᮰

ᯛᮟᮤᮘᮕᮢ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮣᮤᮟᮠᮠᮕᮔ ᮣᮠᮕᮑᮛᮙᮞᮗ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮕᮩᮕᮣᮼ ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮧᮑᮙᮤᮕᮔ ᮖᮟᮢ ᮘᮕᮢ ᮞᮕᮨᮤ ᮧᮟᮢᮔᮣᮺ ᮒᮥᮤ ᯛᮟᮤᮘᮕᮢ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮘᮑᮦᮕ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮣᮧᮑᮜᮜᮟᮧ ᮤᮘᮕᮝᮼ

᮰ᯒᮑᮥᮗᮘᮤᮕᮢᮺ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮑᮤ ᮩᮟᮥ ᮔᮟᮺ ᯛᮟᮤᮘᮕᮢ ᮧᮙᮜᮜ ᮑᮜᮧᮑᮩᮣ ᮜᮟᮦᮕ ᮩᮟᮥᮼ ᮃᮟ ᮔᮟᮞ᮵ᮤ ᮘᮕᮣᮙᮤᮑᮤᮕ ᮤᮟ ᮤᮕᮜᮜ ᮝᮕ ᮑᮞᮩ ᮢᮕᮡᮥᮕᮣᮤᮼ᮰

ᯛᮟᮤᮘᮕᮢ ᮗᮕᮞᮤᮜᮩ ᮒᮢᮥᮣᮘᮕᮔ ᮤᮘᮕ ᮘᮑᮙᮢ ᮖᮢᮟᮝ ᮝᮩ ᮤᮕᮝᮠᮜᮕ ᮒᮕᮘᮙᮞᮔ ᮝᮩ ᮕᮑᮢᮼ ᯖᮕᮢ ᮢᮑᮔᮙᮑᮞᮤ ᮕᮩᮕᮻᮣᮝᮙᮜᮕ ᮧᮑᮢᮝᮜᮩ ᮝᮕᮜᮤᮕᮔ ᮝᮩ ᮘᮕᮑᮢᮤᮺ ᮝᮑᮛᮙᮞᮗ ᮝᮕ ᮖᮟᮢᮗᮕᮤ ᮝᮩ ᮘᮕᮑᮦᮩ ᮤᮘᮟᮥᮗᮘᮤᮣ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

ᮂᮕᮑᮜᮜᮩᮺ ᮓᮑᮞ ᯗ ᮑᮣᮛ ᮖᮟᮢ ᮑᮞᮩᮤᮘᮙᮞᮗᯍ

ᯗᮖ ᮣᮟᮺ ᮤᮘᮕᮞ ᮠᮕᮢᮘᮑᮠᮣ ᮞᮕᮨᮤ ᮤᮙᮝᮕᮼᮼᮼ

᮵ᯗ ᮝᮥᮣᮤ ᮒᮕ ᮓᮢᮑ᮪ᮩᮼ᮵

ᮄᮟ ᮕᮦᮕᮞ ᮤᮘᮙᮞᮛ ᮟᮖ ᮛᮙᮣᮣᮙᮞᮗ ᯛᮟᮤᮘᮕᮢᮺ ᮕᮦᮕᮞ ᮙᮖ ᮙᮤ ᮧᮑᮣ ᮚᮥᮣᮤ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᯗᮤ ᮖᮕᮜᮤ ᮔᮙᮣᮗᮥᮣᮤᮙᮞᮗᮺ ᮕᮦᮕᮞ ᮤᮟ ᮝᮩᮣᮕᮜᮖᮼ

ᮄᮘᮕᮢᮕ᮵ᮣ ᮑ ᮜᮙᮞᮕ ᮤᮘᮑᮤ ᮝᮥᮣᮤ ᮒᮕ ᮛᮕᮠᮤᮼ ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮝᮥᮓᮘ ᯚᮙᮜᮜᮙᮑᮞ ᮘᮑᮔ ᮓᮟᮞᮔᮙᮤᮙᮟᮞᮕᮔ ᮝᮕ ᮧᮙᮤᮘ ᮛᮙᮣᮣᮕᮣ ᮑᮞᮔ ᮣᮤᮙᮝᮥᮜᮑᮤᮙᮟᮞ ᮤᮟ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞᮺ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮝᮑᮛᮕ ᮣᮥᮓᮘ ᮑ ᮢᮕᮡᮥᮕᮣᮤ ᮤᮟ ᯛᮟᮤᮘᮕᮢᮼ

ᯗᮞᮣᮤᮕᮑᮔᮺ ᮠᮕᮢᮘᮑᮠᮣ ᮑ ᮢᮕᮡᮥᮕᮣᮤ ᮜᮙᮛᮕ ᮤᮘᮙᮣ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑᮜᮢᮙᮗᮘᮤᯍ

᮰ᯗᮞ ᮤᮘᮑᮤ ᮓᮑᮣᮕᮼᮼᮼ ᮝᮑᮩ ᯗ ᮣᮜᮕᮕᮠ ᮧᮙᮤᮘ ᯛᮟᮤᮘᮕᮢ ᮤᮟᮞᮙᮗᮘᮤᯍ᮰

ᯛᮟᮤᮘᮕᮢ ᮥᮣᮕᮔ ᮤᮟ ᮜᮙᮛᮕ ᮘᮑᮦᮙᮞᮗ ᮝᮕ ᮒᮩ ᮘᮕᮢ ᮣᮙᮔᮕᮼ ᯗ ᮒᮕᮜᮙᮕᮦᮕᮔ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮢᮕᮑᮔᮙᮜᮩ ᮗᮢᮑᮞᮤ ᮠᮕᮢᮝᮙᮣᮣᮙᮟᮞ ᮧᮙᮤᮘ ᮤᮘᮑᮤ ᮧᮑᮢᮝ ᮣᮝᮙᮜᮕ ᮑᮗᮑᮙᮞ ᮤᮘᮙᮣ ᮤᮙᮝᮕᮼ

᮰ᮼᮼᮼᮼᮼᮼᮼᮼᮼ᮰

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮓᮟᮞᮤᮢᮑᮢᮩ ᮤᮟ ᮝᮩ ᮕᮨᮠᮕᮓᮤᮑᮤᮙᮟᮞᮺ ᯛᮟᮤᮘᮕᮢ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮙᮞ ᮣᮙᮜᮕᮞᮓᮕ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᯖᮕᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮘᮕᮜᮔ ᮕᮝᮟᮤᮙᮟᮞᮣ ᮤᮘᮑᮤ ᮧᮕᮢᮕ ᮞᮟᮤ ᮕᮑᮣᮙᮜᮩ ᮔᮕᮓᮙᮠᮘᮕᮢᮕᮔᮼ

ᯏ ᮜᮟᮞᮗ ᮤᮙᮝᮕ ᮠᮑᮣᮣᮕᮔ ᮒᮕᮖᮟᮢᮕ ᮑᮞ ᮑᮞᮣᮧᮕᮢ ᮖᮙᮞᮑᮜᮜᮩ ᮓᮑᮝᮕᮼ

᮰ᮼᮼᮼᯏᮜᮢᮙᮗᮘᮤᮼ᮰

ᮇᮘᮩᯍ

ᯛᮟᮤᮘᮕᮢ ᮔᮙᮔᮞ᮵ᮤ ᮜᮟᮟᮛ ᮙᮞᮤᮟ ᮝᮩ ᮕᮩᮕᮣᮼ

ᮇᮑᮣ ᮣᮘᮕᮺ ᮠᮕᮢᮘᮑᮠᮣᮺ ᮑᮞᮗᮢᮩᮼᮼᮼᯍ

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Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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