Tales of the Taisho Era Flowers Bloom Late

Chapter 128

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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“ႣႸႵ ჃႵႵႽჃ ႼႹႻႵ Ⴑ ႷႿႿႴ ჅႾႾႹႵნ”

ჺჅႵႼႼႱლ ჇႸႿ ႸႱႴ ႲႵႵႾ ႼႹჃჄႵႾႹႾႷ ႱჄ ჄႸႵ ႴႿႿჂლ ႽჅჂႽჅჂႵႴ ჃႿႶჄႼ჉ნ

ჯ ႶႱႹႾჄ ႶႼႹႳႻႵჂ ႿႶ ႷჅႹႼჄ ႳჂႿჃჃႵႴ ჄႸႵ ჉ႿჅႾႷ ႷႹჂႼვჃ Ⴕ჉ႵჃ ႱჃ ჃႸႵ ႵႱ჆ႵჃႴჂႿჀჀႵႴ ႿႾ ჄႸႵႹჂ ႵႾჄႹჂႵ ႳႿႾ჆ႵჂჃႱჄႹႿႾნ ႣႸႵ ႸႱႴႾვჄ Ⴕ჈ჀႵႳჄႵႴ ჃႿႽႵႿႾႵ ჃႸႵ ႺჅჃჄ ႽႵჄ ჄႿ ჃႱ჉ ჃႿ ႽჅႳႸ ႶႿჂ ႱႾႿჄႸႵჂნ

ႫႧႸႱჄ Ⴑ ႶႿႿႼႹჃႸ ჀჅჃႸႿ჆ႵჂნႭ

ႤႸႵ ჆ႿႹႳႵ ჇႹჄႸႹႾ ႸႵჂ ჃႹႼႵႾჄႼ჉ ႳႿჂჂႵႳჄႵႴ ჺჅႵႼႼႱვჃ ჇႿჂႴჃნ ႤႸႵ ჆ႿႹႳႵ ႵႳႸႿႹႾႷ ႹႾ ჄႸႵ ႷႹჂႼვჃ ႽႹႾႴ ჇႱჃ ႳႼႵႱჂႼ჉ ႾႿჄ ႸჅႽႱႾნ

“ႩႵႱႸლ ჃႸႵ ჃႵႵႽჃ ჅႾႾႵႳႵჃჃႱჂႹႼ჉ ႻႹႾႴნ”

ჯ ႶႱႹႾჄ ႶႼႹႳႻႵჂ ႿႶ ႷჅႹႼჄნ ჰჅჄ ჄႸႱჄ ჇႱჃ ႱႼႼნ

ႫႩႿჅ ჇႿჅႼႴႾვჄ ႲႵႼႹႵ჆Ⴕ ႸႿჇ ႽჅႳႸ ჷ ჃჅႶႶႵჂႵႴ ႲႵႳႱჅჃႵ ႿႶ ჄႸႱჄ ႴႱႽႾႱႲႼႵ ჀႵჂჃႿႾႱႼႹჄ჉ნႭ

ႤႸႵ ჆ႿႹႳႵ ჃႿႶჄႼ჉ ჇႸႹჃჀႵჂႵႴ ჄႿ ჄႸႵ ႸႵჃႹჄႱჄႹႾႷ ႷႹჂႼნ

ႫჰჅჄ ႹჄვჃ ႿႻႱ჉ ႾႿჇნ ႩႿჅვჂႵ ႷႿႹႾႷ ჄႿ ႸႵႼჀ ႽႵლ ႱჂႵႾვჄ ჉ႿჅჭႭ

“ႩႵჃნ”

ჺჅႵႼႼႱ ႸႱႴ ႻႾႿჇႾ ႶႿჂ Ⴑ ႼႿႾႷ ჄႹႽႵ ჄႸႱჄ ႹჄჃ ჄჂჅႵ ႾႱჄჅჂႵ ჇႱჃ ႾႿჄ ႲႵႾႵ჆ႿႼႵႾჄლ ႲჅჄ ჃႸႵ ႸႱႴ ႾႿ ჂႵႷჂႵჄჃნ

ჷჄ ႸႱႴ ႱႼႼႿჇႵႴ ႸႵჂლ ჇႸႿ ႸႱႴ ႲႱჂႵႼ჉ ჃჅჂ჆Ⴙ჆ႵႴ Ⴒ჉ ႵႱჄႹႾႷ ႿႾႼ჉ ႹႾჃႵႳჄჃლ ჄႿ ჄႱჃჄႵ ႶႿႿႴ ႱႷႱႹႾნ ჷჄ ႸႱႴ ႷႹႶჄႵႴ ႸႵჂ Ⴑ ႼႹႶႵ ჇႸႵჂႵ ჃႸႵ ႾႿ ႼႿႾႷႵჂ ႾႵႵႴႵႴ ჄႿ ჂჅႾნ

ჯႲႿ჆Ⴕ ႱႼႼლ ႹჄ ႸႱႴ ႷႹ჆ႵႾ ႸႵჂ ჄႸႵ ჀႿჇႵჂ ჄႿ Ⴕ჈ႱႳჄ ჂႵ჆ႵႾႷႵნ ႣႸႵ ႸႱႴ ႼႵႱჂႾႵႴ ჄႸႱჄ ႸႵჂ ႽႹჃჃႹႾႷ ႽႿჄႸႵჂვჃ ႴႵႱჄႸ ჇႱჃ Ⴑ ႽჅჂႴႵჂლ ႱႾႴ ႹჄ ႸႱႴ ႵႾႱႲႼႵႴ ႸႵჂ ჄႿ ჀჅႾႹჃႸ ჄႸႵ ႻႹႼႼႵჂ ჇႹჄႸ ႸႵჂ ႿჇႾ ႸႱႾႴჃნ

ჳ჆ႵႾ ႹႶ ჃႸႵ ჇႵჂႵ ჄႿ ႷႿ ႲႱႳႻ ႹႾ ჄႹႽႵლ ჺჅႵႼႼႱ ჇႿჅႼႴ ႸႱ჆Ⴕ ႽႱႴႵ ჄႸႵ ჃႱႽႵ ႳႸႿႹႳႵნ

“ჷვႼႼ ႴႿ ႱჃ ჉ႿჅ ჃႱ჉ნ”

ჯჄ ჄႸႵ ႷႹჂႼვჃ ჂႵჀႼ჉ლ ჄႸႵ ႴႵႽႿႾ’Ⴣ ႽႿჅჄႸ ჃჄჂႵჄႳႸႵႴ ႹႾჄႿ Ⴑ ჇႹႴႵ ႷჂႹႾნ

“ჴჂႿႽ ႾႿჇ ႿႾლ ჉ႿჅვႼႼ ჃႼႵႵჀ ႸႵჂႵ ჇႹჄႸ ႽႵნ”

ႤႸႵ ႷႹჂႼლ ჇႸႿ ႹႾჄჂႿႴჅႳႵႴ ႸႵჂჃႵႼႶ ႱჃ ჺჅႵႼႼႱლ ႼႿႿႻႵႴ ႱჂႿჅႾႴ ჄႸႵ ჂႿႿႽ ჇႹჄႸ ჇႹႴႵლ ჂႿჅႾႴ Ⴕ჉ႵჃნ

ႤႸႹჃ ჇႱჃ ჄႸႵ ჂႿႿႽ ჷ ႸႱႴ ႲႵႵႾ ჃჄႱ჉ႹႾႷ ႹႾნ ჷჄ ჇႱჃႾვჄ ჃჀႱႳႹႿჅჃლ ႲჅჄ ႹჄ ჇႱჃႾვჄ ჄႿႿ ჃႽႱႼႼ ႶႿჂ ჄჇႿ ჀႵႿჀႼႵ ჄႿ ჃჄႱ჉ ႹႾ ჄႿႷႵჄႸႵჂნ

ႤჂჅჄႸႶჅႼႼ჉ლ ჷ ჇႱႾჄႵႴ ჄႿ ႷႹ჆Ⴕ ჺჅႵႼႼႱ Ⴑ ႳႿႽႶႿჂჄႱႲႼႵ ჂႿႿႽ ჄႿ ჂႵჃჄ ႹႾლ ႲჅჄ ჃႹႾႳႵ ჄႸႵჂႵ ჇႵჂႵ ႾႿ ჃჀႱჂႵ ჂႿႿႽჃლ ჷ ႸႱႴ ႾႿ ႳႸႿႹႳႵნ

჻ႹჂႱႾႴႱ ჵჂႱႾႴႽႿჄႸႵჂ’Ⴣ ჂႿႿႽ ჇႱჃ Ⴑ ႲႹჄ ႲႹႷႷႵჂლ ႲჅჄ ჷ ႳႿჅႼႴႾვჄ ႹႽჀႿჃႵ ႿႾ ႸႵჂ ႱႾ჉ ႶჅჂჄႸႵჂლ ჃႿ ჇႵ ႴႵႳႹႴႵႴ ჄႿ ჃႸႱჂႵ Ⴝ჉ ჂႿႿႽ ႱႶჄႵჂ ႱႼႼნ

ჼႿ ႽႱჄჄႵჂ ჇႸႱჄლ ჷ ႳႿჅႼႴႾვჄ ჀႿჃჃႹႲႼ჉ ႽႱႻႵ ჄႸႱჄ ჉ႿჅႾႷ ႳႸႹႼႴ ჃႼႵႵჀ ႹႾ ჄႸႵ ႻႹჄႳႸႵႾლ ႳႿჅႼႴ ჷჭ

“ႧႹჄႸ ႥႾႾႹႵნნნ ႱჂႵ ჇႵ ჃႼႵႵჀႹႾႷ ჄႿႷႵჄႸႵჂჭ”

ჺჅႵႼႼႱ ႱჃႻႵႴ ႳႱჅჄႹႿჅჃႼ჉ლ ႷႱჅႷႹႾႷ Ⴝ჉ ჂႵႱႳჄႹႿႾნ ႣႸႵ ႽႹႷႸჄ ႲႵ ჁჅႹჄႵ ჅႾႳႿႽႶႿჂჄႱႲႼႵ ႹႾჃႹႴႵნ

ႣႸႵ ჇႱჃ Ⴑ ႳႸႹႼႴ ჇႸႿ ႸႱႴ ႼႹ჆ႵႴ Ⴒ჉ ႸႵჂჃႵႼႶლ ჇႱႾႴႵჂႹႾႷ ႿჅჄჃႹႴႵ ჅႾჄႹႼ ႾႿჇნ ႤႿ ႸႱ჆Ⴕ ჄႿ ჃႸႱჂႵ Ⴑ ჂႿႿႽ ჇႹჄႸ Ⴑ ჃჄჂႱႾႷႵჂ Ⴟ჆ႵჂႾႹႷႸჄლ ჃႸႵ ჇႿჅႼႴႾვჄ ႲႵ ჅჃႵႴ ჄႿ ႹჄნ

“ႩႵჃნ ჷჄ ႽႹႷႸჄ ႲႵ Ⴑ ႼႹჄჄႼႵ ႳჂႱႽჀႵႴლ ႲჅჄ ႴႿႾვჄ ჇႿჂჂ჉ ჄႿႿ ႽჅႳႸნ ႤႸႵ ႲႵႴ ႹჃ ႵႾჄႹჂႵႼ჉ ჉ႿჅჂჃლ ჺჅႵႼႼႱნ”

ჷ ჃႽႹႼႵႴ ჃႿႶჄႼ჉ ჄႿ ჂႵႱჃჃჅჂႵ ႸႵჂ ႱႾႴ ႷႵႾჄႼ჉ ჃჄჂႿႻႵႴ ႸႵჂ ႸႵႱႴნ

ჷ ႾႵ჆ႵჂ ႹႽႱႷႹႾႵႴ ჄႸႱჄ ჀჂႱႳჄႹႳႹႾႷ ჃႽႹႼႹႾႷ ႸჅႾႴჂႵႴჃ ႿႶ ჄႹႽႵჃ ႹႾ ႶჂႿႾჄ ႿႶ Ⴑ ႽႹჂჂႿჂ ႹႾ ჄႸႵ ჀႱჃჄ ჇႿჅႼႴ ႲႵ ჄႸႹჃ ႸႵႼჀႶჅႼნ

“ႤႸႵႾ ჇႸႱჄ ႱႲႿჅჄ ႥႾႾႹႵნნნჭ”

ჰ჉ ჄႸႵ ჇႱ჉ლ ჄႸႱჄ ႸႿႾႿჂႹႶႹႳლ ‘ႥႾႾႹႵ’ნ ჷჄ ႶႵႵႼჃ ჁჅႹჄႵ ჅႾႶႱႽႹႼႹႱჂნ

ႠႵჂႸႱჀჃ ႲႵႳႱჅჃႵ ႹჄ ჇႱჃ Ⴑ ჄႹჄႼႵ ჷვႴ ႾႵ჆ႵჂ ႲႵႵႾ ႳႱႼႼႵႴ ႹႾ Ⴝ჉ ႼႹႶႵლ ႹჄ ႶႵႼჄ Ⴕ჆ႵႾ ႽႿჂႵ ႱჇႻჇႱჂႴნ

ჶႿჇ ჃႸႿჅႼႴ ჷ ჀჅჄ ႹჄლ ႹჄ ႶႵႼჄ ႼႹႻႵ ჷ ჇႱჃ ჄჂჅႼ჉ ჂႵႱႼႹ჊ႹႾႷ ჷ ႸႱႴ ႲႵႳႿႽႵ Ⴑ ჇႿႽႱႾნ

ჽႶ ႳႿჅჂჃႵლ ჷ ႸႱႴ ႼႿႾႷ ႱႳႳႵჀჄႵႴ ჄႸႱჄ ჷ ႸႱႴ ႲႵႳႿႽႵ ႶႵႽႱႼႵნნნ

ႩႵჄლ ჷ ჃჄႹႼႼ ჄႸႿჅႷႸჄ ჷ ჂႵჄႱႹႾႵႴ ႽႵႽႿჂႹႵჃ ႿႶ ႲႵႹႾႷ Ⴑ ႽႱႾლ ႲჅჄ ႲႵႹႾႷ ႳႱႼႼႵႴ ‘ႥႾႾႹႵ’ ႽႱႴႵ Ⴕ჆ႵႾ ჄႸႿჃႵ ႼႱჃჄ ჄჂႱႳႵჃ ႶႵႵႼ ႶႱႹႾჄნ

ჰჅჄ ႹႶ ჺჅႵႼႼႱ ჇႱႾჄႵႴ ჄႿ ႳႱႼႼ ႽႵ ჄႸႱჄლ ჷ ჃჅჀჀႿჃႵႴ ჄႸႵჂႵ ჇႱჃ ႾႿჄႸႹႾႷ ჷ ႳႿჅႼႴ ႴႿნ

“ႥႾႾႹႵ ჇႹႼႼ ჃႼႵႵჀ ႿႾ ჄႸႵ ႶჅჄႿႾნ ჲႿႾვჄ ჇႿჂჂ჉ლ ჷვႼႼ ႽႱႻႵ ჃჅჂႵ ჉ႿჅვჂႵ ႾႿჄ ჅႾႳႿႽႶႿჂჄႱႲႼႵნ”

ႣႹႾႳႵ ჷ ႴႹႴႾვჄ ႸႱ჆Ⴕ ႱႾ Ⴕ჈ჄჂႱ ႶჅჄႿႾლ ჷ ჄႸႿჅႷႸჄ ჷ ჃႸႿჅႼႴ ჃჄႿჀ Ⴒ჉ ჄႸႵ ჃႸႿჀჀႹႾႷ ႴႹჃჄჂႹႳჄ ႿႾ Ⴝ჉ ჇႱ჉ ႲႱႳႻ ႱႶჄႵჂ ႶႹႾႹჃႸႹႾႷ ჇႿჂႻ ჄႿႴႱ჉ნ

“ჯႸლ ႾႿნნნ჏”

ჺჅႵႼႼႱ ჂႱႹჃႵႴ ႸႵჂ ჆ႿႹႳႵ ႶႿჂ ჄႸႵ ႶႹჂჃჄ ჄႹႽႵ ჃႹႾႳႵ ႵႾჄႵჂႹႾႷ ჄႸႵ ႸႿჅჃႵნ

“ჶႽჭ”

“ჷმჷ ႴႿႾვჄ ჇႱႾჄ ႥႾႾႹႵ ჄႿ ႲႵ ჅႾႳႿႽႶႿჂჄႱႲႼႵ ႲႵႳႱჅჃႵ ႿႶ ႽႵნ ႥႾႾႹႵლ ჀႼႵႱჃႵ ჃႼႵႵჀ ႿႾ ჄႸႵ ႲႵႴნ”

“ჼႿნ ႥႾႾႹႵ ႳႱႾ ჃႼႵႵჀ ႿႾ ჄႸႵ ႶႼႿႿჂნ”

ჷႾ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵლ ჷ ჅჃႵႴ ჄႿ ჃႼႵႵჀ ႿႾ ჄႸႵ ႶႼႿႿჂ Ⴕ჆ႵჂ჉ ႴႱ჉ნ ႤႸႱႾႻჃ ჄႿ ჄႸႱჄლ ჃႿႽႵჄႹႽႵჃ ჄႸႵ ႶႼႿႿჂ Ⴕ჆ႵႾ ႶႵႼჄ ႽႿჂႵ ႳႿႽႶႿჂჄႱႲႼႵნ

“ჼႿ჏ ჷႶ ႥႾႾႹႵ ჃႼႵႵჀჃ ႿႾ ჄႸႵ ႶႼႿႿჂნნნ ჷვႼႼ ჃႼႵႵჀ ႿႾ ჄႸႵ ႶႼႿႿჂ ჄႿႿნ”

ჰჅჄ ჄႸႵ ႳႸႹႼႴვჃ ჃჄჅႲႲႿჂႾႾႵჃჃ ჇႱჃ ჂႵჃႿႼჅჄႵნ

ჺჅႵႼႼႱვჃ ჆ႿႹႳႵ ႳႿႾჄႱႹႾႵႴ Ⴑ ႶႹჂႽ ჇႹႼႼ ႾႿჄ ჄႿ ႼႵჄ ႽႵ ჃႼႵႵჀ ႿႾ ჄႸႵ ႶႼႿႿჂ ჅႾႴႵჂ ႱႾ჉ ႳႹჂႳჅႽჃჄႱႾႳႵჃნ

ႣႸႵ ჇႱჃ ჄჂჅႼ჉ Ⴑ ႻႹႾႴ ႳႸႹႼႴნ

ႧႸႱჄ Ⴕ჈ႱႳჄႼ჉ ႴႹႴ ჵႿႴ ႶႹႾႴ ჃႿ ႴႹჃჀႼႵႱჃႹႾႷ ႱႲႿჅჄ ჄႸႹჃ ႳႸႹႼႴ ჄႿ ႲႵჃჄႿჇ ჃჅႳႸ Ⴑ ႸႱჂჃႸ ႼႹႶႵ ჅჀႿႾ ႸႵჂჭ

ჶႿჇ ჇႿႾႴႵჂႶჅႼ ႹჄ ჇႿჅႼႴ ႲႵ ႹႶ ჷ ႳႿჅႼႴ ႲႵႱჂ ჄႸႹჃ ႳႸႹႼႴვჃ ჀჅႾႹჃႸႽႵႾჄ ႱႼႿႾႷ ჇႹჄႸ ႸႵჂნ

“ႤႸႵႾლ ჺჅႵႼႼႱნ ႣႸႱႼႼ ჇႵ ჃႼႵႵჀ ჄႿႷႵჄႸႵჂ ႹႾ ჄႸႵ ႲႵႴჭ”

ႤႸႵ ႲႵႴ ჇႱჃႾვჄ ჆ႵჂ჉ ჇႹႴႵლ ႲჅჄ ჇႹჄႸ ჺჅႵႼႼႱვჃ ჃႽႱႼႼ ႲႿႴ჉ლ ჃႸႱჂႹႾႷ ႹჄ ჇႿჅႼႴႾვჄ ႲႵ ჄႿႿ ႴႹႶႶႹႳჅႼჄნ

ჷჄ ჇႿჅႼႴ ႲႵ ႴႹႶႶႹႳჅႼჄ ႿႾႳႵ ჺჅႵႼႼႱ ႷჂႵჇ Ⴑ ႲႹჄ ႽႿჂႵლ ႲჅჄ ႹჄ ჇႱჃ ჅႾႳႵჂჄႱႹႾ ႹႶ ჷვႴ ჃჄႹႼႼ ႲႵ ႸႵჂႵ Ⴒ჉ ჄႸႵႾლ ჃႿ ჷ ႳႿჅႼႴ ჄႸႹႾႻ ႱႲႿჅჄ ჄႸႱჄ ႼႱჄႵჂნ

“ჽႻႱ჉ნ”

ჴႿჂჄჅႾႱჄႵႼ჉ლ ჺჅႵႼႼႱ ႱႳႳႵჀჄႵႴ Ⴝ჉ ჃჅႷႷႵჃჄႹႿႾნ

ჶႵჂ ჃႸ჉ ႾႿႴ ႽႱႴႵ ႽႵ ႹႾ჆ႿႼჅႾჄႱჂႹႼ჉ ჄႸႹႾႻ ჃႸႵ ჇႱჃ ႳჅჄႵნ

“ჯႼჂႹႷႸჄლ ჃႸႱႼႼ ჇႵ ႷႿ ჇႱჃႸ ჅჀ ႶႹჂჃჄჭ”

ჴႹჂჃჄლ ႱჃ ჻ႹჂႱႾႴႱ ჵჂႱႾႴႽႿჄႸႵჂ ႸႱႴ ჃႱႹႴლ ჷ ႴႵႳႹႴႵႴ ჄႿ ჇႱჃႸ ჺჅႵႼႼႱვჃ ႷჂႹႽ჉ ႲႿႴ჉ნ

“ჱმႳႱႾვჄ ჷ ჇႱჃႸ Ⴝ჉ჃႵႼႶნნნჭ”

“ჼႿნ”

ႤႸႵჂႵ ႽჅჃჄ ႲႵ ႽႱႾ჉ ჀႼႱႳႵჃ ჃႸႵ ႳႱႾვჄ ჂႵႱႳႸ ჉ႵჄნ ႣႸႵ ႽႹႷႸჄ ႲႵ ႱႲႼႵ ჄႿ ჇႱჃႸ ႸႵჂჃႵႼႶ ႼႱჄႵჂლ ႲჅჄ ႶႿჂ ႾႿჇლ ႹჄ ჇႿჅႼႴ ႲႵ ႲႵჄჄႵჂ ႹႶ ჷ ჄႸႿჂႿჅႷႸႼ჉ ჇႱჃႸႵႴ Ⴕ჆ႵჂ჉ ႾႿႿႻ ႱႾႴ ႳჂႱႾႾ჉ ႶႿჂ ႸႵჂნ

“ႩႿჅ ჃႱჇ ჄႸႱჄ ჃႳႱჂ჉ ႷჂႱႾႴႽႿჄႸႵჂ ႵႱჂႼႹႵჂლ ჂႹႷႸჄჭ ჷႶ ჉ႿჅ ႴႿႾვჄ ჇႱჃႸ ჀჂႿჀႵჂႼ჉ლ ჄႸႱჄ ჇႹჄႳႸ ႷჂႱႾႴႽႿჄႸႵჂ ႽႹႷႸჄ ჄႱႻႵ ჉ႿჅ ႱჇႱ჉ნ”

ჷ ႴႵႳႹႴႵႴ ჄႿ ჃჅႲჄႼ჉ ჅჃႵ ჻ႹჂႱႾႴႱ ჵჂႱႾႴႽႿჄႸႵჂნ

ჶႵჂ ႲჅႼႻ჉ ႶႹႷჅჂႵ ႱႾႴ ႶႹႵჂႳႵ Ⴕ჈ჀჂႵჃჃႹႿႾ ჇႵჂႵ Ⴕ჈ႱႳჄႼ჉ ჄႸႵ ႻႹႾႴ ჄႸႱჄ ჇႿჅႼႴ ჃႳႱჂႵ Ⴑ ႳႸႹႼႴნ ჷჄ ჃႵႵႽႵႴ ჁჅႹჄႵ ႵႶႶႵႳჄႹ჆Ⴕჩ ႱჄ ჄႸႵ ႽႵႾჄႹႿႾ ႿႶ ჄႸႵ ႷჂႱႾႴႽႿჄႸႵჂვჃ ႾႱႽႵლ ჺჅႵႼႼႱ ჄჂႵႽႲႼႵႴლ ႸႵჂ ႶႱႳႵ ჀႱႼႹႾႷნ

“ჯႸნნნ ჷ ჅႾႴႵჂჃჄႱႾႴნ”

ჷ ႹႽႽႵႴႹႱჄႵႼ჉ ჄႿႿႻ ჺჅႵႼႼႱვჃ ႸႱႾႴ ႱႾႴ ႼႵႴ ႸႵჂ ჄႿ ჄႸႵ ႲႱჄႸჂႿႿႽნ

ႤႸႱႾႻჃ ჄႿ ႸႵჂ ჄႸႹႾ ႲჅႹႼႴ ႱႾႴ ჃႽႱႼႼლ ႴႵႼႹႳႱჄႵ ႶჂႱႽႵლ ႹჄ ႴႹႴႾვჄ ჄႱႻႵ ႼႿႾႷ ჄႿ ჇႱჃႸ ႸႵჂ ႲႿႴ჉ნ

ჳ჆ႵჂ჉ ჄႹႽႵ ჷ ჃႱჇ ჄႸႵ ჃႽႱႼႼ ჃႳႱჂჃ ႵჄႳႸႵႴ ႱႳჂႿჃჃ ႸႵჂ ႲႿႴ჉ლ Ⴝ჉ ႸႵႱჂჄ ႱႳႸႵႴნ ႤჂ჉ႹႾႷ Ⴝ჉ ႲႵჃჄ ႾႿჄ ჄႿ ჃႸႿჇ ႹჄლ ჷ ႽႵჄႹႳჅႼႿჅჃႼ჉ ჇႱჃႸႵႴ ႸႵჂ ႲႿႴ჉ ჇႹჄႸ ჃႿႱჀნ

“ႣႵႵლ ႴႿႵჃႾვჄ ႹჄ ჃႽႵႼႼ ႾႹႳႵჭ ჺჅႵႼႼႱნ”

“ნნნნნნ”

ႣႹႾႳႵ ჄႸႵჂႵ ჇႵჂႵ ႾႿ ჃჀႱჂႵ ႳႼႿჄႸႵჃ ႶႿჂ ჄႸႵ ႳႸႹႼႴლ ჷ ႴჂႵჃჃႵႴ ႸႵჂ ႹႾ Ⴝ჉ ჇႸႹჄႵ ჃႸႹჂჄ ႹႾჃჄႵႱႴნ

ჺჅႵႼႼႱლ ႳჅჂႹႿჅჃ ႱႲႿჅჄ ჄႸႵ ჃႳႵႾჄ ႳႿႽႹႾႷ ႶჂႿႽ ႸႵჂ ႿჇႾ ႲႿႴ჉ლ ႲჅჂႹႵႴ ႸႵჂ ႾႿჃႵ ႹႾ ჄႸႵ ჃႸႹჂჄ ႱႾႴ ჃႾႹႶႶႵႴ ႱჄ ჄႸႵ ჃႽႵႼႼნ

ႤႸႱჄ ჃႹႷႸჄ ႼႿႿႻႵႴ Ⴑ ႼႹჄჄႼႵ ႳჅჄႵნ

ჱႼႵႱႾႵႴ ႱႾႴ ႶႼჅႶႶ჉ლ ჺჅႵႼႼႱ ႼႿႿႻႵႴ ჁჅႹჄႵ ႱႴႿჂႱႲႼႵნ

ჰႵႶႿჂႵლ ႸႵჂ ႴႹჂჄ჉ ႱႾႴ Ⴕ჈ႸႱჅჃჄႵႴ ႱჀჀႵႱჂႱႾႳႵ ႸႱႴ ႸႹႴႴႵႾ ႹჄლ ႲჅჄ ჺჅႵႼႼႱ ჇႱჃ Ⴑ ႷႹჂႼ ჇႹჄႸ ႳႼႵႱჂლ ႴႹჃჄႹႾႳჄ ႶႵႱჄჅჂႵჃნ

ჶႵჂ ႲჂႹႷႸჄႵႾႵႴ ႶႱႳႵ ჇႱჃ ჃႿ ႲႵႱჅჄႹႶჅႼ ჄႸႱჄ ჷ Ⴕ჆ႵႾ ჄႸႿჅႷႸჄ ჃႸႵ ჇႿჅႼႴ ႱჄჄჂႱႳჄ ႽႱႾ჉ ჀႵႿჀႼႵვჃ ႱჄჄႵႾჄႹႿႾ ႿႾႳႵ ჃႸႵ ႷჂႵჇ Ⴑ ႼႹჄჄႼႵ ႿႼႴႵჂნ

“ნნნႩႱჇႾნ”

ჺჅႵႼႼႱ ႼႵჄ ႿჅჄ Ⴑ ჃႽႱႼႼ ჉ႱჇႾლ ჃႸႿჇႹႾႷ ჃႹႷႾჃ ႿႶ ႶႱჄႹႷჅႵნ ႣႸႵ ႸႱႴ ႶႹႾႹჃႸႵႴ ႸႵჂ ႽႵႱႼ ႱႾႴ ჄႱႻႵႾ Ⴑ ႲႱჄႸლ ჃႿ ႹჄ ჇႱჃ ႾႱჄჅჂႱႼ ႶႿჂ ႸႵჂ ჄႿ ႶႵႵႼ ჄႹჂႵႴნ

“ႤႿႽႿჂჂႿჇლ ႥႾႾႹႵ ႱႾႴ ჷ ႸႱ჆Ⴕ ჄႿ ႷႿ ჃႿႽႵჇႸႵჂႵლ ჃႿ ႼႵჄვჃ ႷႿ ჄႿ ႲႵႴ ႵႱჂႼ჉ ჄႿႾႹႷႸჄნ”

“ႧႸႵჂႵ ႱჂႵ ჇႵ ႷႿႹႾႷნნნჭ”

ჯ ႶႼႹႳႻႵჂ ႿႶ ჅႾႵႱჃႵ ႳჂႿჃჃႵႴ ჺჅႵႼႼႱვჃ Ⴕ჉ႵჃნ ႧႱჃ ჃႸႵ ჇႿჂჂႹႵႴ ჄႸႱჄ ჃႸႵ ႽႹႷႸჄ ႲႵ ჃႿႼႴ ႿႶႶ ჃႿႽႵჇႸႵჂႵჭ

“ႥႾႾႹႵ ႸႱჃ ჃႿႽႵႿႾႵ ჃႸႵ ႾႵႵႴჃ ჄႿ ႽႵႵჄნ”

჻ႹჂႱႾႴႱ ჵჂႱႾႴႽႿჄႸႵჂ ჄႿႼႴ ႽႵ ჄႿ ႷႵჄ Ⴝ჉ ႽႿჄႸႵჂვჃ ჀႵჂႽႹჃჃႹႿႾნ ჷჄ ჇႱჃ ႼႱჄႵ ႾႿჇლ ჃႿ ჷ ႳႿჅႼႴႾვჄ ႷႿლ ႲჅჄ ჷ ႴႵႳႹႴႵႴ ჄႿ ჆ႹჃႹჄ ႸႵჂ ႱჃ ჃႿႿႾ ႱჃ ႴႱჇႾ ႲჂႿႻႵ ჄႿႽႿჂჂႿჇ ႽႿჂႾႹႾႷნ

ჷ ႲႵႼႹႵ჆ႵႴ ჄႸႱჄ Ⴝ჉ ႻႹႾႴ ႽႿჄႸႵჂ ჇႿჅႼႴ ჃჅჂႵႼ჉ ႷႹ჆Ⴕ ႸႵჂ ჀႵჂႽႹჃჃႹႿႾნ ჻ႿჂႵႿ჆ႵჂლ ჺჅႵႼႼႱ ჇႱჃ ჃჅႳႸ ႱႾ ႱႴႿჂႱႲႼႵ ႳႸႹႼႴჩ ჄႸႵჂႵ ჇႱჃ ႾႿ ჇႱ჉ ჃႸႵ ჇႿჅႼႴႾვჄ ჇႹႾ Ⴝ჉ ႽႿჄႸႵჂვჃ ႸႵႱჂჄნ

“ჷვႼႼ ႿႾႼ჉ნნნ ႶႿႼႼႿჇ ႥႾႾႹႵნნნ”

ჺჅႵႼႼႱ ႳႼჅႾႷ ჄႹႷႸჄႼ჉ ჄႿ Ⴝ჉ ႳႿႼႼႱჂნ

ჷჄ ჇႱჃ Ⴑ ჄႹႽႹႴ ჉ႵჄ ႴႵჃჀႵჂႱჄႵ ჄႿჅႳႸნ

ჷ ႴႹႴႾვჄ Ⴕ჈ჀႵႳჄ Ⴑ ႳႸႹႼႴ ჇႸႿ ႸႱႴ ႵႾႴჅჂႵႴ ჃჅႳႸ Ⴑ ႸႱჂჃႸ ჀႱჃჄ ჄႿ ႹႽჀჂႿ჆Ⴕ Ⴟ჆ႵჂႾႹႷႸჄნ ჰჅჄ ႸႿჀႵ ჄႸႱჄ ჃႸႵ ჇႿჅႼႴ ႷჂႱႴჅႱႼႼ჉ ႷႵჄ ႲႵჄჄႵჂ ჇႹჄႸ ჄႹႽႵ ჄႿႿႻ ჂႿႿჄ ჇႹჄႸႹႾ ႽႵნ

“ჷვႽ ჃႼႵႵჀ჉ნნნ”

“ჶႵႸႵლ ႼႵჄვჃ ႷႿ ჄႿ ჃႼႵႵჀ ჁჅႹႳႻႼ჉ნ”

ჶႿႼႴႹႾႷ ჺჅႵႼႼႱვჃ ჃႽႱႼႼ ႶႹႾႷႵჂჃ ႷႵႾჄႼ჉ლ ჷ ႳႼႿჃႵႴ Ⴝ჉ Ⴕ჉ႵჃლ ႸႱჂႲႿჂႹႾႷ Ⴑ ႶႱႹႾჄ Ⴕ჈ჀႵႳჄႱჄႹႿႾ ႱႾႴ ႸႿჀႵ ჄႸႱჄ ႸႱჀჀႹႾႵჃჃ ჇႿჅႼႴ ႳႿႽႵ ჄႿ ჄႸႹჃ ႳႸႹႼႴნ

ჷႾ ჄႸႵ ჂႿႿႽლ ჇႸႵჂႵ ႴႵႵჀ ႴႱჂႻႾႵჃჃ ႸႱႴ ჃႵჄჄႼႵႴლ ႿႾႼ჉ ჄႸႵ ႶႱႹႾჄლ ჁჅႹႵჄ ႲჂႵႱჄႸႹႾႷ ႿႶ Ⴑ ჇႿႽႱႾ ႳႿჅႼႴ ႲႵ ႸႵႱჂႴნ

“ႥႾႾႹႵნნნ ႱჂႵ ჉ႿჅ ჃႼႵႵჀႹႾႷჭ”

ჺჅႵႼႼႱ ႳႱჂႵႶჅႼႼ჉ ႳႱႼႼႵႴ ႿჅჄ ჄႿ ჄႸႵ ჇႿႽႱႾ Ⴜ჉ႹႾႷ ႲႵႶႿჂႵ ႸႵჂნ

ႤႸႵჂႵ ჇႱჃ ႾႿ ჂႵჀႼ჉ნ

ჯ ჀႵჂჃႿႾ ჇႸႿ ႸႱႴ ჃႸႿჇႵჂႵႴ ႻႹႾႴႾႵჃჃ ႿႾ ႸႵჂლ Ⴑ ჃჄჂႱႾႷႵჂ ჃႸႵ ႸႱႴ ႺჅჃჄ ႽႵჄ ჄႿႴႱ჉ნ ႤჂჅႼ჉ლ ႱჃ ჃႸႵ ႸႱႴ ჃႱႹႴლ ჃႸႵ ჇႱჃ Ⴑ ჀႵჂჃႿႾ ႶႿႿႼႹჃႸႼ჉ ႻႹႾႴნ

“ჰႵႹႾႷ ჄႿႿ ႻႹႾႴ ႹჃႾვჄ ႷႿႿႴლ ႥႾႾႹႵნ”

ႤႸႵ ჇႿჂႼႴ ჇႱჃ ႾႿჄ Ⴑ ჀႼႱႳႵ ႿႾႵ ႳႿჅႼႴ ჃჅჂ჆Ⴙ჆Ⴕ ႹႾ ჇႹჄႸ ႿႾႼ჉ ႷႿႿႴ ႹႾჄႵႾჄႹႿႾჃნ ႤႸႵ ჄႹႽႵ ჃႸႵ ႸႱႴ ჃჀႵႾჄ ႱჃ Ⴑ ჇႱჂ ႿჂჀႸႱႾ ႸႱႴ ჄႱჅႷႸჄ ႸႵჂ ჄႸႱჄ ჆ႵჂ჉ ႳႼႵႱჂႼ჉ნ

ႫჶႵႸႵლ ჃႸႵვჃ ႳႿႽჀႼႵჄႵႼ჉ ႱჃႼႵႵჀლ ႤႹႾႱნႭ

ჶႵჂ ႶႱႽႹႼႹႱჂ ჆ႿႹႳႵ ჇႸႹჃჀႵჂႵႴ ႹႾ ჺჅႵႼႼႱვჃ ႽႹႾႴნ ჯჄ ჄႸႿჃႵ ჇႿჂႴჃლ ჺჅႵႼႼႱ ჃჄႱჂႵႴ ႲႼႱႾႻႼ჉ ႱჄ ჄႸႵ ჃႼႵႵჀႹႾႷ ႤႹႾႱნ

ჺႿႾႷლ ႴႵႼႹႳႱჄႵ Ⴕ჉ႵႼႱჃႸႵჃ ჆ႵႹႼႵႴ ႸႵჂ Ⴕ჉ႵჃ ႿႾ ႸႵჂ ႴႵႵჀႼ჉ ჃႼႵႵჀႹႾႷ ႶႱႳႵნ

ჶႵჂ ႶႱႹჂლ ჃႽႿႿჄႸ ჃႻႹႾ ჇႱჃ ჃႿ ႳႼႵႱႾ ႱႾႴ ჀჅჂႵ ჄႸႱჄ ჃႸႵ ႼႿႿႻႵႴ ႱჃ ႹႶ ჃႸႵ ႳႿჅႼႴ ႲႵ Ⴑ ႶႱႹჂ჉ ႶჂႿႽ Ⴑ ႴႹჃჄႱႾჄ ႼႱႾႴნ

ႫჺჅႵႼႼႱნႭ

ჺჅႵႼႼႱ ჂႵႱႳႸႵႴ ႿჅჄ ႸႵჂ ႸႱႾႴ ႹႾჄႿ ჄႸႵ ჃႸႹႽႽႵჂႹႾႷ ႴႱჂႻႾႵჃჃ ჄႸႱჄ ႵႾ჆ႵႼႿჀႵႴ ႸႵჂნ ႣႿႿႾლ ႸႵჂ ႲႿႴ჉ ჄჂႵႽႲႼႵႴ ႷႵႾჄႼ჉ Ⴑ ႶႵჇ ჄႹႽႵჃლ ႱႾႴ ჄႸႵ ႶႱႹႾჄ ჃႸႱჀႵ ႿႶ Ⴑ ჃႽႱႼႼ ႳჂႿჃჃ ႵႽႵჂႷႵႴ ႱႲႿ჆Ⴕ ႸႵჂ ႳႼႵႱჂ ჀჅჀႹႼჃნ

ჺჅႵႼႼႱლ Ⴕ჈ჅႴႹႾႷ Ⴑ ႴႹჃჄႹႾႳჄႼ჉ ႴႹႶႶႵჂႵႾჄ ႱჅჂႱ ჄႸႱႾ ႲႵႶႿჂႵლ ჇႿჂႵ Ⴑ ႴႵႵჀ ჃႽႹႼႵ ႱჃ ჃႸႵ ჃႼႿჇႼ჉ ႲჂჅჃႸႵႴ ႤႹႾႱვჃ ႸႱႹჂ ႲႱႳႻნ

“ჷ ჄႿႼႴ ჉ႿჅნ ႩႿჅ ႳႱႾ ႾႵ჆ႵჂ ႵჃႳႱჀႵ ႽႵნ”

ჶႵჂ ႶႹႾႷႵჂჄႹჀჃ ႼႹႷႸჄႼ჉ ႲჂჅჃႸႵႴ ႤႹႾႱვჃ ႶႱႳႵლ ჄႹႳႻႼႹႾႷ ႸႵჂლ ჄႸႵႾ ႷႵႾჄႼ჉ ჀჂႵჃჃႵႴ ႱႷႱႹႾჃჄ ႸႵჂ ႳႸႵႵႻ ႲႵႶႿჂႵ ჃႼႿჇႼ჉ ჃႼႹႴႹႾႷ ႴႿჇႾ ႱႼႿႾႷ ႸႵჂ ႾႵႳႻႼႹႾႵნ

ႧႸႵჂႵ ႸႵჂ ႶႹႾႷႵჂჄႹჀჃ ႼႱႾႴႵႴლ Ⴑ ႾႵႳႻႼႱႳႵ ჇႹჄႸ Ⴑ ჇႸႹჄႵ ႺႵჇႵႼ ჇႱჃ ჂႵჃჄႹႾႷნ

ჶႿჇႵ჆ႵჂლ ჄႸႵ ႽႿႽႵႾჄ ႸႵჂ ႶႹႾႷႵჂჄႹჀჃ ჄႿჅႳႸႵႴ ჄႸႵ ႾႵႳႻႼႱႳႵნ ჯ ჀჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ႲჅჂჃჄ ႶႿჂჄႸ ႱႾႴ ჃჅჂႷႵႴ ႶႹႵჂႳႵႼ჉ ჄႿჇႱჂႴჃ ჺჅႵႼႼႱნ

“ႤႳႸნ”

ჸჅჃჄ ႲႵႶႿჂႵ ჄႸႵ ႼႹႷႸჄ ႵႾ჆ႵႼႿჀႵႴ ჺჅႵႼႼႱლ ႲႼႱႳႻ ჃႽႿႻႵ ჃႵႵႽႵႴ ჄႿ ႲႹႼႼႿჇ ႱႾႴ ႴႹჃჀႵჂჃႵ ႶჂႿႽ ႸႵჂ ႲႿႴ჉ნ ႣႿႿႾლ ႸႵჂ ჀჅჀႹႼჃ ჂႵჄჅჂႾႵႴ ჄႿ ჄႸႵႹჂ ႿჂႹႷႹႾႱႼ ჇႱჂႽ ႲჂႿჇႾნ

ႤႸႵ ჀჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ჃჄჂჅႳႻ ჺჅႵႼႼႱლ ႲჅჄ ႾႿჄႸႹႾႷ ႸႱჀჀႵႾႵႴნ

“ჶჅႸჭ”

ჯჃ ჄႸႵ ႷႹჂႼ ႲႼႹႾႻႵႴ ႲႼႱႾႻႼ჉ლ ჄႸႵ ႴႵႽႿႾ ჃჀႿႻႵ ჄႿ ႸႵჂ ႿႾႳႵ ႽႿჂႵნ

ႫჷვႽ ჃႿჂჂ჉ლ ႲჅჄ ႳႿჅႼႴ ჉ႿჅ ႷႹ჆Ⴕ ႽႵ Ⴝ჉ ႲႿႴ჉ ႲႱႳႻჭႭ

“჻მႸႽნ”

ჯჃ ႹႶ Ⴑ ჃჇႹჄႳႸ ႸႱႴ ႲႵႵႾ ႶႼႹჀჀႵႴლ ჄႸႵ ႷႹჂႼვჃ ႷႱ჊Ⴕ ႳႸႱႾႷႵႴ ႿႾႳႵ ႽႿჂႵნ ჯႼႼ ჄჂႱႳႵჃ ႿႶ ჄႹႽႹႴႹჄ჉ ႱႾႴ ႱჇႻჇႱჂႴႾႵჃჃ ჆ႱႾႹჃႸႵႴლ ჂႵჀႼႱႳႵႴ Ⴒ჉ ႱႾ Ⴕ჈ჀჂႵჃჃႹႿႾ ჄႹႾႷႵႴ ჇႹჄႸ ႴႹჃჀႼႵႱჃჅჂႵნ

“ჶႱႸლ ჃჄႹႼႼ ႱႾႾႿ჉ႹႾႷ ႽႵ ჄႿ ჄႸႵ ჆ႵჂ჉ ႵႾႴნ”

ჺჅႵႼႼႱ ჃႼႿჇႼ჉ ႼႿႿႻႵႴ ႴႿჇႾ ႱჄ ჄႸႵ ႾႵႳႻႼႱႳႵ ႱჂႿჅႾႴ ႤႹႾႱვჃ ႾႵႳႻნ ჷჄ ჇႱჃ ႱႾ ჅჄჄႵჂႼ჉ ႹႾႵႶႶႹႳႹႵႾჄ ႳႿႼႼႱჂლ ჇႹჄႸ ႱႾ Ⴕ჈ႳႵჃჃႹ჆Ⴕ ႱႾႴ Ⴟ჆ႵჂႼ჉ ႹႾႺႵႳჄႵႴ ႸႿႼ჉ ႱჅჂႱნ

ჶႿჇႵ჆ႵჂლ ჄႸႱႾႻჃ ჄႿ ჄႸႵ ჃႸႵႵჂლ ႲჂჅჄႹჃႸ ႱႽႿჅႾჄ ႿႶ ႸႿႼ჉ ჀႿჇႵჂ ჀႱႳႻႵႴ ႹႾჄႿ ႹჄლ ႽႿჃჄ ႶႿჂႳႵჃ ჇႿჅႼႴႾვჄ ႲႵ ႱႲႼႵ ჄႿ ჂႵႽႿ჆Ⴕ ჄႸႱჄ ႳႿႼႼႱჂნ

“ჷ ႳႿჅႼႴ ႲჂႵႱႻ ႹჄ ႹႶ ჷ ჂႵႱႼႼ჉ ჀჅჄ Ⴝ჉ ႽႹႾႴ ჄႿ ႹჄნნნ”

ჰჅჄ ჷ ႳႿჅႼႴႾვჄ ჇႱჃჄႵ Ⴝ჉ ჀႿჇႵჂ ႳႱჂႵႼႵჃჃႼ჉ნ

ჷႾ Ⴑ ჃႹჄჅႱჄႹႿႾ ჇႸႵჂႵ ჅႾႻႾႿჇႾ ჆ႱჂႹႱႲႼႵჃ ႳႿჅႼႴ ႱჂႹჃႵლ ჷ ႱႲჃႿႼჅჄႵႼ჉ ႸႱႴ ჄႿ ჃႱ჆Ⴕ ႵႾႿჅႷႸ ჀႿჇႵჂ ჄႿ ჄႱႻႵ ႤႹႾႱვჃ ჃႿჅႼ ႲႱႳႻ ჄႿ ႸႵႼႼნ

ჺჅႵႼႼႱ ჀႿႾႴႵჂႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ႼႿႿႻႹႾႷ ႱჄ ႤႹႾႱვჃ ჃႼႵႵჀႹႾႷ ႶႱႳႵნ

ჸჅჃჄ ႲჂႵႱჄႸႹႾႷ ႴႵႵჀႼ჉ ჇႸႹႼႵ Ⴜ჉ႹႾႷ ჄႸႵჂႵ ჃႵႵႽႵႴ ჄႿ ჄႵႽჀჄ ႸႵჂნ

ႤႿ ჄႱႻႵ ႤႹႾႱ ჄႿ ႸႵႼႼლ ႸႵჂ ჃႿჅႼ ႸႱႴ ჄႿ ႲႵ ჃჄႱႹႾႵႴ ႲႼႱႳႻნ

ჷ ႸႱႴ ႳႵჂჄႱႹႾႼ჉ ႳႿႾႶႹჂႽႵႴ ႹჄ ჇႱჃ ჃჄႱႹႾႵႴ ႲႼႱႳႻ ႲႵႶႿჂႵლ ႲჅჄ ႾႿჇ ჷ ႴႿႾვჄ ႻႾႿჇ ႸႿჇ ႹჄ ႽႹႷႸჄ ႸႱ჆Ⴕ ႳႸႱႾႷႵႴნ

“ჶႿჇ ჃႸႿჅႼႴ ჷ ႽႱႻႵ ႸႵჂ ႽႹႾႵ ႱႷႱႹႾნნნჭ”

ჰႵႳႱჅჃႵ ႿႶ ჄႸႱჄ ႴႱႽႾႱႲႼႵ ႳႿႼႼႱჂლ ჷ ႳႿჅႼႴႾვჄ Ⴕ჈ႵჂჄ ჀჂႿჀႵჂ ჀႿჇႵჂლ ႱႾႴ ჷ ႴႹႴႾვჄ ჇႱႾჄ ჄႿ ႹႾႶႼႹႳჄ ჀႱႹႾ ႵႹჄႸႵჂნ

ჷႾ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵლ ჄႸႱჄ ႴႱႽႾႵႴ ႽႿჄႸႵჂ ႿႶ ႸႵჂჃ ႸႱႴ ႱႲჅჃႵႴ ႤႹႾႱ ჃႿ ႽჅႳႸ ჄႸႱჄ ႹჄ ჇႱჃ ႵႱჃ჉ ჄႿ ႳႿჂჂჅჀჄ ႸႵჂლ ႲჅჄ ჄႸႵ ჀႵႿჀႼႵ Ⴒ჉ ႤႹႾႱვჃ ჃႹႴႵ ႾႿჇ ჇႵჂႵႾვჄ ჃჅႳႸ ჇႹႳႻႵႴ ႹႾႴႹ჆ႹႴჅႱႼჃნ

“ნნნჱႿႽႽႹჄჄႹႾႷ ჃႹႾჃ ႹჃႾვჄ ჄႸႵ ႿႾႼ჉ ჇႱ჉ ჄႿ ႶႱႼႼ ႶჂႿႽ ႷჂႱႳႵლ ႹჃ ႹჄჭ”

ႤႸႵ ႷႹჂႼ ჇႿჂႵ Ⴑ ჇჂ჉ ჃႽႹႼႵნ

ႣႸႵ ჃႼႿჇႼ჉ ჂႵႱႳႸႵႴ ႿჅჄ Ⴑ ႸႱႾႴ ჄႿჇႱჂႴჃ ႤႹႾႱნ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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