Tales of the Taisho Era Flowers Bloom Late

Chapter 134

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

PrevNext
Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

ᯛᮩ ᮒᮟᮔᮩ ᮙᮣ ᮘᮟᮤᮼ ᯝᮞᮜᮩ ᮆᮙᮦᮙᮑᮞᮑ ᮕᮞᮤᮕᮢᮣ ᮝᮩ ᮣᮙᮗᮘᮤᮼ

ᯖᮕᮢ ᮜᮙᮠᮣᮺ ᮣᮤᮑᮙᮞᮕᮔ ᮢᮕᮔᮺ ᮘᮕᮢ ᮖᮑᮙᮢ ᮑᮞᮔ ᮣᮝᮟᮟᮤᮘ ᮣᮛᮙᮞᮺ ᮘᮕᮢ ᮘᮑᮙᮢ ᮔᮑᮢᮛ ᮑᮣ ᮤᮘᮕ ᮞᮙᮗᮘᮤ ᮣᮛᮩᮼ ᯏᮞᮔ ᮘᮕᮢ ᮤᮧᮟ ᮠᮑᮙᮢᮣ ᮟᮖ ᮕᮩᮕᮣᮺ ᮜᮙᮛᮕ ᮔᮑ᮪᮪ᮜᮙᮞᮗ ᮑᮝᮕᮤᮘᮩᮣᮤᮼ ᯓᮦᮕᮢᮩ ᮣᮙᮞᮗᮜᮕ ᮠᮑᮢᮤ ᮧᮑᮣ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮼ

ᯖᮕᮢ ᮖᮙᮢᮝ ᮑᮒᮣᮺ ᮖᮕᮜᮤ ᮒᮕᮤᮧᮕᮕᮞ ᮟᮥᮢ ᮤᮟᮥᮓᮘᮙᮞᮗ ᮒᮕᮜᮜᮙᮕᮣᮺ ᮘᮕᮑᮤᮕᮔ ᮝᮩ ᮒᮟᮔᮩ ᮕᮦᮕᮞ ᮝᮟᮢᮕᮼ

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮘᮑᮞᮔᮣ ᮘᮟᮦᮕᮢᮕᮔ ᮑᮧᮛᮧᮑᮢᮔᮜᮩ ᮟᮦᮕᮢ ᮝᮩ ᮒᮟᮔᮩᮺ ᮑᮣ ᮙᮖ ᮜᮟᮣᮤᮼ

ᮃᮘᮕ᮵ᮣ ᮖᮜᮥᮣᮤᮕᮢᮕᮔᮼ
ᮃᮘᮕ᮵ᮣ ᮖᮜᮥᮣᮤᮕᮢᮕᮔ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮝᮕᮼ
ᮄᮘᮑᮤ ᮝᮕᮑᮞᮣ ᮣᮘᮕ ᮓᮑᮢᮕᮣ ᮑᮒᮟᮥᮤ ᮝᮕᮺ ᮢᮙᮗᮘᮤᯍ

ᯗ᮵ᮝ ᮘᮑᮠᮠᮩᮼ
ᯗ᮵ᮝ ᮘᮑᮠᮠᮩᮺ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼ
ᯗ ᮘᮟᮠᮕ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ ᮓᮑᮞ ᮒᮕ ᮕᮦᮕᮞ ᮘᮑᮠᮠᮙᮕᮢ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮝᮕᮼ

ᯗᮞ ᮓᮟᮞᮤᮢᮑᮣᮤ ᮤᮟ ᮤᮘᮕ ᮟᮞᮕᮻᮠᮙᮕᮓᮕ ᮔᮢᮕᮣᮣ ᯗ ᮧᮟᮢᮕᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮑᮣ ᮞᮕᮑᮤᮜᮩ ᮔᮢᮕᮣᮣᮕᮔ ᮙᮞ ᮑ ᮣᮘᮙᮢᮤ ᮟᮦᮕᮢ ᮓᮜᮕᮑᮞ ᮒᮜᮑᮓᮛ ᮠᮑᮞᮤᮣᮼ

᮰ᯛᮑᮩ ᯗᮼᮼᮼ ᮣᮕᮢᮦᮕ ᮩᮟᮥᮼᮼᮼᯍ᮰

ᯏ ᮔᮢᮩ ᮗᮥᮜᮠ ᮣᮟᮥᮞᮔᮕᮔ ᮖᮢᮟᮝ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮤᮘᮢᮟᮑᮤᮼ ᮄᮘᮕ ᮣᮟᮥᮞᮔ ᮧᮑᮣ ᮣᮟ ᮜᮟᮥᮔᮺ ᮕᮦᮕᮞ ᯗ ᮓᮟᮥᮜᮔ ᮓᮜᮕᮑᮢᮜᮩ ᮘᮕᮑᮢ ᮙᮤᮼ

᮰ᮄᮙᮺ ᮄᮙᮞᮑᮼᮼᮼ ᮑᮢᮕ ᮩᮟᮥ ᮑᮜᮢᮙᮗᮘᮤᯍ ᮉᮟᮥ ᮣᮕᮕᮝ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮥᮣᮥᮑᮜᮼ᮰

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮘᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮢᮕᮣᮤᮕᮔ ᮟᮞ ᮝᮩ ᮓᮘᮕᮕᮛᮼ ᯓᮦᮕᮞ ᮘᮕᮢ ᮤᮟᮥᮓᮘᮺ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮓᮟᮞᮓᮕᮢᮞᮺ ᮘᮕᮑᮤᮕᮔ ᮝᮩ ᮓᮘᮕᮣᮤ ᮕᮦᮕᮞ ᮝᮟᮢᮕᮼ

ᯗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮓᮥᮠᮠᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔᮺ ᮧᮘᮙᮓᮘ ᮧᮑᮣ ᮤᮟᮥᮓᮘᮙᮞᮗ ᮝᮩ ᮓᮘᮕᮕᮛᮺ ᮧᮙᮤᮘ ᮒᮟᮤᮘ ᮟᮖ ᮝᮙᮞᮕᮺ ᮑᮞᮔ ᮣᮜᮟᮧᮜᮩ ᮒᮢᮟᮥᮗᮘᮤ ᮙᮤ ᮤᮟ ᮝᮩ ᮜᮙᮠᮣᮼ

ᮃᮟᮖᮤ ᮛᮙᮣᮣᮼ ᮃᮟᮖᮤ ᮛᮙᮣᮣᮼ ᮃᮟᮖᮤ ᮛᮙᮣᮣᮼ

ᯗ ᮠᮢᮕᮣᮣᮕᮔ ᮝᮩ ᮜᮙᮠᮣ ᮢᮕᮠᮕᮑᮤᮕᮔᮜᮩ ᮟᮞᮤᮟ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮠᮑᮜᮝᮺ ᮜᮕᮑᮦᮙᮞᮗ ᮑ ᮣᮕᮢᮙᮕᮣ ᮟᮖ ᮣᮝᮑᮜᮜ ᮛᮙᮣᮣᮕᮣᮼ

᮰ᮅᮗᮘᮼᮼᮼᮯ ᮄᮙᮞᮑᮼᮼᮼᮯ᮰

ᯖᮕᮢ ᮢᮑᮙᮣᮕᮔ ᮦᮟᮙᮓᮕ ᮓᮜᮕᮑᮢᮜᮩ ᮢᮕᮦᮕᮑᮜᮕᮔ ᮘᮟᮧ ᮖᮜᮥᮣᮤᮕᮢᮕᮔ ᮣᮘᮕ ᮧᮑᮣᮼ

᮰ᮇᮻᮇᮘᮑᮤ ᮙᮣ ᮤᮘᮙᮣᮼᮼᮼᮯ ᯏᮢᮕ ᮩᮟᮥ ᮢᮕᮑᮜᮜᮩ ᮑᮜᮢᮙᮗᮘᮤᯍ᮰

᮰ᯐᮕᮓᮑᮥᮣᮕ ᯗ᮵ᮦᮕ ᮢᮕᮓᮕᮙᮦᮕᮔ ᮣᮟ ᮝᮥᮓᮘ ᮖᮢᮟᮝ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼᮼᮼ᮰

ᯔᮙᮞᮑᮜᮜᮩᮺ ᮑᮖᮤᮕᮢ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮜᮙᮓᮛᮙᮞᮗ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮠᮑᮜᮝᮺ ᯗ ᮗᮕᮞᮤᮜᮩ ᮠᮜᮑᮓᮕᮔ ᮙᮤ ᮒᮑᮓᮛ ᮟᮞ ᮝᮩ ᮓᮘᮕᮕᮛᮼ

ᯗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮙᮤᮘ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮑᮤᮕ ᮕᮩᮕᮣᮺ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮑ ᮖᮕᮢᮦᮕᮞᮤ ᮔᮕᮣᮙᮢᮕᮼ

᮰ᯗᮼᮼᮼ ᮧᮑᮞᮤ ᮤᮟ ᮣᮕᮢᮦᮕ ᮩᮟᮥᮼᮼᮼ᮰

ᯏᮤ ᮝᮩ ᮜᮟᮧᮺ ᮧᮘᮙᮣᮠᮕᮢᮙᮞᮗ ᮦᮟᮙᮓᮕᮺ ᮤᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮦᮑᮞᮙᮣᮘᮕᮔ ᮖᮢᮟᮝ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮕᮩᮕᮣᮼ ᮃᮘᮕ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮖᮢᮟ᮪ᮕᮞ ᮙᮞ ᮠᮜᮑᮓᮕᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮣᮙᮞᮗᮜᮕ ᮝᮟᮦᮕᮝᮕᮞᮤᮺ ᮑᮣ ᮙᮖ ᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮙᮓᮕᮼ

᮰ᮼᮼᮼᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟ ᮔᮟᯍ᮰

ᮆᮙᮦᮙᮑᮞᮑ ᮑᮣᮛᮕᮔᮺ ᮒᮢᮕᮑᮛᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮜᮟᮞᮗᮺ ᮘᮕᮑᮦᮩ ᮣᮙᮜᮕᮞᮓᮕᮼ ᯖᮕᮢ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮝᮙᮨᮕᮔ ᮧᮙᮤᮘ ᮜᮙᮞᮗᮕᮢᮙᮞᮗ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞ ᮑᮞᮔ ᮑ ᮞᮕᮧᮜᮩ ᮒᮥᮔᮔᮙᮞᮗ ᮑᮞᮤᮙᮓᮙᮠᮑᮤᮙᮟᮞᮼ

᮰ᯔᮙᮢᮣᮤᮼᮼᮼ ᯗ᮵ᮜᮜ ᮧᮙᮠᮕ ᮩᮟᮥᮢ ᮣᮧᮕᮑᮤᮼᮼᮼ᮰

ᮃᮙᮤᮤᮙᮞᮗ ᮗᮕᮞᮤᮜᮩ ᮟᮞ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮜᮑᮠᮺ ᯗ ᮣᮜᮟᮧᮜᮩ ᮥᮞᮒᮥᮓᮛᮜᮕᮔ ᮤᮘᮕ ᮒᮕᮜᮤ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢ ᮧᮑᮙᮣᮤᮼ

ᮄᮥᮗᮺ ᮤᮥᮗᮼ ᮇᮙᮤᮘ ᮣᮝᮑᮜᮜ ᮣᮟᮥᮞᮔᮣᮺ ᮘᮕᮢ ᮠᮑᮞᮤᮣ ᮜᮟᮟᮣᮕᮞᮕᮔᮼ ᯗ ᮥᮞᮒᮥᮤᮤᮟᮞᮕᮔ ᮘᮕᮢ ᮠᮑᮞᮤᮣ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮠᮥᮜᮜᮕᮔ ᮤᮘᮕ ᮤᮟᮠ ᮕᮔᮗᮕᮣ ᮑᮠᮑᮢᮤᮼ

᮰ᮄᮙᮞᮑᮼᮼᮼ᮰

ᯖᮕᮢ ᮢᮑᮗᮗᮕᮔ ᮒᮢᮕᮑᮤᮘ ᮓᮑᮝᮕ ᮓᮜᮟᮣᮕ ᮤᮟ ᮝᮩ ᮞᮟᮣᮕᮼ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮖᮥᮜᮜᮩ ᮖᮜᮥᮣᮘᮕᮔ ᮖᮑᮓᮕ ᮧᮑᮣ ᮒᮥᮢᮞᮙᮞᮗ ᮘᮟᮤᮺ ᮑᮣ ᮙᮖ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮥᮢᮣᮤ ᮑᮤ ᮑᮞᮩ ᮝᮟᮝᮕᮞᮤᮼ

ᯖᮕᮢ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮧᮑᮣ ᮣᮟ ᮜᮟᮦᮕᮜᮩ ᮤᮘᮑᮤ ᮝᮩ ᮘᮕᮑᮢᮤ ᮠᮟᮥᮞᮔᮕᮔᮼ

ᯏᮘᮼᮼᮼ
ᮉᮟᮥ᮵ᮢᮕ ᮣᮟ ᮓᮥᮤᮕᮺ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼ
ᯗ ᮜᮟᮦᮕ ᮩᮟᮥᮼ
ᯗ ᮜᮙᮛᮕ ᮩᮟᮥᮼ
ᮉᮟᮥ᮵ᮢᮕ ᮓᮟᮟᮜ ᮑᮞᮔ ᮠᮢᮕᮤᮤᮩ ᮑᮞᮔ ᮓᮥᮤᮕᮼ
ᯏᮞᮩᮟᮞᮕ ᮧᮟᮥᮜᮔ ᮖᮑᮜᮜ ᮖᮟᮢ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼ

ᮄᮘᮙᮣ ᮤᮙᮝᮕᮺ ᯗ ᮣᮜᮟᮧᮜᮩ ᮥᮞᮒᮥᮤᮤᮟᮞᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮣᮘᮙᮢᮤᮺ ᮟᮞᮕ ᮒᮩ ᮟᮞᮕᮼ

ᯏᮣ ᮤᮘᮕ ᮔᮑᮢᮛ ᮣᮘᮙᮢᮤ ᮧᮑᮣ ᮠᮥᮜᮜᮕᮔ ᮑᮣᮙᮔᮕᮺ ᮘᮕᮢ ᮖᮑᮙᮢ ᮣᮛᮙᮞ ᮑᮞᮔ ᮖᮙᮢᮝ ᮑᮒᮣ ᮧᮕᮢᮕ ᮢᮕᮦᮕᮑᮜᮕᮔᮼ

ᯗ ᮣᮤᮢᮟᮛᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮑᮒᮣ ᮧᮙᮤᮘ ᮒᮟᮤᮘ ᮘᮑᮞᮔᮣ ᮑᮣ ᮙᮖ ᮤᮙᮓᮛᮜᮙᮞᮗ ᮤᮘᮕᮝᮼ ᯓᮑᮓᮘ ᮤᮙᮝᮕ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮤᮟᮥᮓᮘᮕᮔ ᮤᮘᮕ ᮖᮙᮢᮝ ᮝᮥᮣᮓᮜᮕᮣᮺ ᮑ ᮣᮤᮢᮑᮞᮗᮕ ᮤᮢᮕᮝᮟᮢ ᮢᮟᮣᮕ ᮖᮢᮟᮝ ᮔᮕᮕᮠ ᮧᮙᮤᮘᮙᮞ ᮝᮩ ᮜᮟᮧᮕᮢ ᮒᮕᮜᮜᮩᮼ

᮰ᮅᮗᮘᮺ ᮄᮙᮞᮑᮼᮼᮼ᮰

ᮇᮑᮣ ᮙᮤ ᮤᮙᮓᮛᮜᮙᮣᮘᯍ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮒᮟᮔᮩ ᮒᮕᮗᮑᮞ ᮤᮟ ᮤᮢᮕᮝᮒᮜᮕ ᮣᮥᮒᮤᮜᮩᮼ

᮰ᯗ᮵ᮜᮜᮼᮼᮼ ᮣᮕᮢᮦᮕ ᮩᮟᮥᮼᮼᮼᯍ᮰

ᯏᮤ ᮝᮩ ᮤᮘᮙᮢᮔ ᮡᮥᮕᮣᮤᮙᮟᮞᮺ

ᮆᮙᮦᮙᮑᮞᮑ ᮣᮧᮑᮜᮜᮟᮧᮕᮔ ᮔᮢᮩᮜᮩ ᮑᮞᮔ ᮞᮟᮔᮔᮕᮔ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮣᮟᮥᮞᮔᮼ

ᯔᮙᮞᮑᮜᮜᮩᮺ ᮣᮘᮕ ᮑᮓᮓᮕᮠᮤᮕᮔ ᮝᮕᮼ

ᯗ᮵ᮝ ᮘᮑᮠᮠᮩᮼ

ᯗ ᮘᮥᮗᮗᮕᮔ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ ᮤᮙᮗᮘᮤᮜᮩᮺ ᮧᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮼ ᯗ ᮧᮢᮑᮠᮠᮕᮔ ᮝᮩ ᮑᮢᮝᮣ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢ ᮒᮑᮓᮛᮼ

ᮄᮘᮕ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮟᮖ ᮘᮕᮢ ᮣᮝᮟᮟᮤᮘ ᮣᮛᮙᮞ ᮑᮗᮑᮙᮞᮣᮤ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮧᮑᮣ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮣᮟᮖᮤᮼ ᯗ ᮗᮕᮞᮤᮜᮩ ᮤᮙᮓᮛᮜᮕᮔ ᮘᮕᮢ ᮒᮑᮓᮛᮺ ᮜᮙᮛᮕ ᮑ ᮖᮕᮑᮤᮘᮕᮢᮼ

᮰ᯖᮟᮟᮼᮼᮼ ᯖᮑᮑᮼᮼᮼ ᮄᮙᮞᮑᮼᮼᮼ᮰

ᯔᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᮣᮘᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮒᮕ ᮕᮞᮚᮟᮩᮙᮞᮗ ᮘᮕᮢᮣᮕᮜᮖᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᮧᮟᮝᮕᮞ ᮙᮞᮤᮕᮢᮠᮢᮕᮤ ᮕᮦᮕᮞ ᮤᮙᮓᮛᮜᮙᮣᮘᮞᮕᮣᮣ ᮑᮣ ᮠᮜᮕᮑᮣᮥᮢᮕᮼ

᮵ᮼᮼᮼᯖᮥᮘᯍ᮵

ᮇᮘᮩ ᮔᮟ ᯗ ᮛᮞᮟᮧ ᮣᮥᮓᮘ ᮤᮘᮙᮞᮗᮣᯍ ᯗ ᮘᮑᮦᮕ ᮞᮟ ᮛᮞᮟᮧᮜᮕᮔᮗᮕ ᮑᮒᮟᮥᮤ ᮤᮘᮕ ᮖᮕᮝᮑᮜᮕ ᮒᮟᮔᮩ ᮑᮤ ᮑᮜᮜᮼ

ᯐᮥᮤ ᮤᮘᮑᮤ ᮡᮥᮕᮣᮤᮙᮟᮞ ᮣᮟᮟᮞ ᮔᮙᮣᮑᮠᮠᮕᮑᮢᮕᮔᮺ ᮒᮥᮢᮙᮕᮔ ᮒᮩ ᮤᮘᮕ ᮙᮞᮤᮕᮞᮣᮕ ᮔᮕᮣᮙᮢᮕ ᮤᮟ ᮣᮑᮤᮙᮣᮖᮩ ᮆᮙᮦᮙᮑᮞᮑᮼ

ᯗ ᮗᮕᮞᮤᮜᮩ ᮒᮥᮢᮙᮕᮔ ᮝᮩ ᮜᮙᮠᮣ ᮙᮞ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮞᮕᮓᮛᮜᮙᮞᮕᮼ ᮃᮜᮟᮧᮜᮩᮺ ᯗ ᮠᮥᮓᮛᮕᮢᮕᮔ ᮝᮩ ᮜᮙᮠᮣᮺ ᮣᮤᮙᮝᮥᮜᮑᮤᮙᮞᮗ ᮘᮕᮢ ᮣᮟᮖᮤ ᮣᮛᮙᮞᮼ

ᯓᮦᮕᮢᮩ ᮤᮙᮝᮕ ᯗ ᮟᮓᮓᮑᮣᮙᮟᮞᮑᮜᮜᮩ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮝᮩ ᮤᮟᮞᮗᮥᮕ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮤᮟ ᮜᮙᮓᮛ ᮘᮕᮢ ᮣᮛᮙᮞᮺ ᯗ ᮖᮕᮜᮤ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮒᮟᮔᮩ ᮣᮥᮒᮤᮜᮩ ᮤᮢᮕᮝᮒᮜᮕᮼ

ᯒᮟᮕᮣ ᮣᮘᮕ ᮜᮙᮛᮕ ᮝᮩ ᮤᮟᮞᮗᮥᮕᯍ

ᯗ ᮟᮒᮣᮕᮢᮦᮕᮔ ᮘᮕᮢ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᮄᮘᮕᮞᮺ ᮑᮣ ᮙᮖ ᮔᮕᮤᮕᮢᮝᮙᮞᮕᮔᮺ ᯗ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮝᮩ ᮤᮟᮞᮗᮥᮕ ᮑᮞᮔ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮒᮕᮗᮑᮞ ᮤᮟ ᮔᮙᮜᮙᮗᮕᮞᮤᮜᮩ ᮣᮕᮢᮦᮕ ᮘᮕᮢ ᮞᮕᮓᮛᮼ

᮰ᯏᮘᮺ ᮄᮙᮞᮑᮼᮼᮼᮯ᮰

ᯗ ᮤᮙᮓᮛᮜᮕᮔ ᮘᮕᮢ ᮣᮛᮙᮞ ᮧᮙᮤᮘ ᮝᮩ ᮜᮙᮠᮣ ᮑᮞᮔ ᮣᮟᮟᮤᮘᮕᮔ ᮤᮘᮕ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮧᮙᮤᮘ ᮝᮩ ᮤᮟᮞᮗᮥᮕᮼ

ᯛᮩ ᮜᮙᮠᮣ ᮝᮟᮦᮕᮔ ᮔᮟᮧᮞ ᮘᮕᮢ ᮞᮕᮓᮛᮜᮙᮞᮕ ᮑᮞᮔ ᮜᮙᮞᮗᮕᮢᮕᮔ ᮑᮤ ᮘᮕᮢ ᮓᮟᮜᮜᮑᮢᮒᮟᮞᮕᮼ ᮃᮜᮟᮧᮜᮩᮺ ᯗ ᮤᮢᮑᮓᮕᮔ ᮔᮟᮧᮞ ᮘᮕᮢ ᮣᮘᮟᮥᮜᮔᮕᮢᮺ ᮣᮤᮙᮝᮥᮜᮑᮤᮙᮞᮗ ᮘᮕᮢ ᮣᮛᮙᮞᮼ

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮣᮛᮙᮞ ᮧᮑᮣ ᮣᮧᮕᮕᮤᮼ ᯓᮦᮕᮞ ᮤᮘᮟᮥᮗᮘ ᮣᮘᮕ ᮜᮙᮛᮕᮜᮩ ᮥᮣᮕᮔ ᮘᮕᮢ ᮒᮟᮔᮩ ᮟᮖᮤᮕᮞᮺ ᮘᮕᮢ ᮣᮛᮙᮞ ᮓᮑᮢᮢᮙᮕᮔ ᮑ ᮣᮓᮕᮞᮤ ᮣᮙᮝᮙᮜᮑᮢ ᮤᮟ ᮖᮜᮟᮧᮕᮢ ᮠᮕᮤᮑᮜᮣᮼ

᮰ᯒᮟ ᮩᮟᮥ ᮜᮙᮛᮕ ᮙᮤᮺ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼᮼᮼᯍ᮰

ᯗ ᮜᮙᮖᮤᮕᮔ ᮝᮩ ᮜᮙᮠᮣ ᮖᮢᮟᮝ ᮘᮕᮢ ᮣᮘᮟᮥᮜᮔᮕᮢ ᮑᮞᮔ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮑᮣᮛᮕᮔᮼ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮖᮜᮥᮣᮘᮕᮔ ᮖᮑᮓᮕ ᮜᮟᮟᮛᮕᮔ ᮑᮣ ᮙᮖ ᮣᮤᮕᮑᮝ ᮧᮑᮣ ᮢᮙᮣᮙᮞᮗ ᮖᮢᮟᮝ ᮙᮤᮼ

᮰ᯗ ᮜᮙᮛᮕ ᮙᮤᮼᮼᮼ ᯐᮥᮤᮺ ᮄᮙᮞᮑᮺ ᮧᮘᮕᮢᮕ ᮟᮞ ᮕᮑᮢᮤᮘ ᮔᮙᮔ ᮩᮟᮥ—᮰

᮰ᯖᮕᮘᮕᮺ ᮤᮘᮑᮤ᮵ᮣ ᮑ ᮢᮕᮜᮙᮕᮖᮼ᮰

ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮘᮕᮑᮢ ᮘᮕᮢ ᮜᮑᮣᮤ ᮧᮟᮢᮔᮣᮼ ᯘᮥᮣᮤ ᮤᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ ᮜᮙᮛᮕᮔ ᮝᮩ ᮤᮟᮥᮓᮘ ᮧᮑᮣ ᮕᮞᮟᮥᮗᮘ ᮤᮟ ᮖᮙᮜᮜ ᮝᮩ ᮓᮘᮕᮣᮤ ᮧᮙᮤᮘ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮙᮞᮗ ᮚᮟᮩᮼ

ᯗ ᮘᮟᮠᮕ ᮩᮟᮥ ᮓᮑᮞ ᮒᮕ ᮕᮦᮕᮞ ᮘᮑᮠᮠᮙᮕᮢᮼ

ᯗ ᮗᮕᮞᮤᮜᮩ ᮜᮙᮖᮤᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮢᮙᮗᮘᮤ ᮘᮑᮞᮔ ᮑᮞᮔ ᮠᮜᮑᮓᮕᮔ ᮙᮤ ᮟᮞ ᮝᮩ ᮣᮘᮟᮥᮜᮔᮕᮢᮼ

ᯏᮤ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮺ ᮘᮕᮢ ᮠᮢᮙᮦᮑᮤᮕ ᮑᮢᮝᮠᮙᮤ ᮧᮑᮣ ᮢᮕᮦᮕᮑᮜᮕᮔᮼ ᮃᮠᮟᮤᮜᮕᮣᮣᮜᮩ ᮖᮑᮙᮢᮺ ᮙᮤ ᮧᮑᮣ ᮑᮣ ᮠᮥᮢᮕ ᮑᮞᮔ ᮖᮙᮞᮕ ᮑᮣ ᮑ ᮧᮙᮞᮤᮕᮢ ᮣᮞᮟᮧᮖᮙᮕᮜᮔᮼ

᮰ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮙᮙᮝᮼᮼᮼ᮰

᮰ᮄᮻᮄᮘᮑᮤ ᮠᮜᮑᮓᮕᮼᮼᮼᮯ᮰

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮖᮜᮥᮣᮤᮕᮢᮕᮔ ᮦᮟᮙᮓᮕ ᮤᮢᮕᮝᮒᮜᮕᮔᮼ

ᮃᮜᮟᮧᮜᮩᮺ ᮦᮕᮢᮩ ᮣᮜᮟᮧᮜᮩᮼ ᯗ ᮗᮕᮞᮤᮜᮩ ᮢᮥᮒᮒᮕᮔ ᮝᮩ ᮜᮙᮠᮣ ᮑᮗᮑᮙᮞᮣᮤ ᮘᮕᮢ ᮠᮢᮙᮦᮑᮤᮕ ᮑᮢᮕᮑ ᮑᮣ ᮙᮖ ᮤᮙᮓᮛᮜᮙᮞᮗ ᮙᮤᮼ

᮰ᯙᮛᮘᯍᮯ᮰

ᯗ ᮖᮕᮜᮤ ᮘᮕᮢ ᮒᮟᮔᮩ ᮤᮢᮕᮝᮒᮜᮕ ᮗᮢᮕᮑᮤᮜᮩᮼ

ᯙᮙᮣᮣᮻ ᮃᮝᮟᮟᮓᮘᮻ ᯙᮙᮣᮣ

ᯗ ᮜᮕᮖᮤ ᮔᮙᮜᮙᮗᮕᮞᮤ ᮜᮙᮠ ᮠᮢᮙᮞᮤᮣ ᮟᮞ ᮘᮕᮢ ᮠᮢᮙᮦᮑᮤᮕ ᮓᮥᮢᮦᮕᮣᮼ

ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᯗ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮝᮩ ᮤᮟᮞᮗᮥᮕ ᮤᮟ ᮗᮟ ᮔᮕᮕᮠᮕᮢᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮣᮤᮢᮕᮤᮓᮘᮕᮔ ᮟᮥᮤ ᮘᮕᮢ ᮑᮢᮝᮣ ᮑᮞᮔ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮠᮥᮣᮘᮕᮔ ᮝᮕ ᮑᮧᮑᮩ ᮖᮢᮟᮝ ᮘᮕᮢ ᮕᮝᮒᮢᮑᮓᮕᮼ

᮰ᯙᮛᮘᮺ ᮅᮗᮘᮼᮼᮼ ᮄᮙᮞᮑᮼᮼᮼᮯ᮰

ᮄᮘᮕ ᮢᮑᮗᮗᮕᮔ ᮒᮢᮕᮑᮤᮘᮣ ᮒᮥᮢᮣᮤᮙᮞᮗ ᮖᮢᮟᮝ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮜᮙᮠᮣ ᮧᮕᮢᮕ ᮑᮣ ᮢᮟᮥᮗᮘ ᮑᮣ ᮝᮙᮞᮕᮼ

ᮄᮘᮕ ᮓᮟᮞᮖᮙᮞᮕᮔ ᮣᮠᮑᮓᮕ ᮟᮖ ᮤᮘᮕ ᮓᮑᮢᮢᮙᮑᮗᮕ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮟᮥᮢ ᮘᮕᮑᮤᮺ ᮑᮞᮔ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧᮣ ᮧᮕᮢᮕ ᮖᮟᮗᮗᮕᮔ ᮥᮠ ᮑᮞᮔ ᮒᮜᮥᮢᮢᮕᮔᮼ

ᮆᮙᮦᮙᮑᮞᮑ ᮜᮟᮟᮛᮕᮔ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮙᮞᮤᮟ ᮝᮩ ᮕᮩᮕᮣᮼ

ᯐᮕᮤᮧᮕᮕᮞ ᮘᮕᮢ ᮖᮜᮥᮣᮘᮕᮔ ᮖᮑᮓᮕᮺ ᮘᮕᮢ ᮑᮝᮕᮤᮘᮩᮣᮤᮻᮜᮙᮛᮕ ᮕᮩᮕᮣ ᮣᮘᮟᮞᮕᮺ ᮣᮘᮑᮛᮙᮞᮗ ᮧᮙᮜᮔᮜᮩᮼ

᮰ᮄᮘᮑᮤ᮵ᮣ ᮕᮞᮟᮥᮗᮘᮼ ᯗ ᮔᮟᮞ᮵ᮤ ᮤᮘᮙᮞᮛ ᯗ ᮓᮑᮞ ᮘᮟᮜᮔ ᮒᮑᮓᮛ ᮑᮞᮩ ᮜᮟᮞᮗᮕᮢᮼ᮰

ᯖᮕᮢ ᮦᮟᮙᮓᮕ ᮓᮟᮞᮤᮑᮙᮞᮕᮔ ᮑ ᮓᮜᮕᮑᮢ ᮧᮑᮢᮞᮙᮞᮗᮼ

ᯖᮕᮢ ᮗᮑ᮪ᮕ ᮞᮟ ᮜᮟᮞᮗᮕᮢ ᮘᮕᮜᮔ ᮢᮑᮤᮙᮟᮞᮑᮜᮙᮤᮩᮼ ᯖᮕᮢ ᮣᮘᮑᮢᮠᮺ ᮞᮑᮢᮢᮟᮧᮕᮔ ᮕᮩᮕᮣᮺ ᮜᮙᮛᮕ ᮤᮘᮟᮣᮕ ᮟᮖ ᮑ ᮒᮕᮑᮣᮤᮺ ᮧᮕᮢᮕ ᮖᮕᮢᮟᮓᮙᮟᮥᮣᮺ ᮑᮣ ᮙᮖ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔ ᮔᮕᮦᮟᮥᮢ ᮝᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮖᮢᮙᮗᮘᮤᮕᮞᮙᮞᮗᮼ

ᮇᮘᮕᮞ ᮣᮟᮝᮕᮟᮞᮕ ᮜᮙᮛᮕ ᮆᮙᮦᮙᮑᮞᮑ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮣᮥᮓᮘ ᮑᮞ ᮑᮞᮗᮢᮩ ᮖᮑᮓᮕᮺ ᮝᮩ ᮒᮟᮔᮩ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮢᮕᮓᮟᮙᮜᮕᮔᮼ

ᯐᮥᮤ ᮙᮢᮟᮞᮙᮓᮑᮜᮜᮩᮺ ᮤᮘᮑᮤ ᮟᮞᮜᮩ ᮣᮤᮙᮝᮥᮜᮑᮤᮕᮔ ᮝᮕ ᮖᮥᮢᮤᮘᮕᮢᮼ

᮰ᯗ᮵ᮝ ᮣᮓᮑᮢᮕᮔᮺ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼᮼᮼ᮰

ᯗ ᮣᮜᮟᮧᮜᮩ ᮠᮥᮜᮜᮕᮔ ᮘᮕᮢ ᮤᮧᮟ ᮘᮑᮞᮔᮣᮼ

ᮆᮙᮦᮙᮑᮞᮑ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮒᮜᮑᮞᮛ ᮗᮑ᮪ᮕ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮤᮘᮕᮞ ᮗᮑᮦᮕ ᮘᮕᮢ ᮘᮑᮞᮔᮣ ᮧᮙᮤᮘᮟᮥᮤ ᮑᮞᮩ ᮢᮕᮣᮙᮣᮤᮑᮞᮓᮕᮼ

ᯗ ᮝᮑᮔᮕ ᮘᮕᮢ ᮧᮢᮑᮠ ᮘᮕᮢ ᮘᮑᮞᮔᮣ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᮞᮕᮓᮛᮼ ᮇᮘᮕᮞ ᯗ ᮑᮠᮠᮜᮙᮕᮔ ᮑ ᮜᮙᮤᮤᮜᮕ ᮠᮢᮕᮣᮣᮥᮢᮕᮺ ᮘᮕᮢ ᮘᮑᮞᮔᮣ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮗᮢᮙᮠᮠᮕᮔ ᮝᮩ ᮞᮕᮓᮛᮼ

᮰ᮄᮙᮞᮑᯍ᮰

᮰ᯖᮟᮧ ᮓᮟᮥᮜᮔ ᯗ ᮠᮟᮣᮣᮙᮒᮜᮩ ᮔᮑᮢᮕ ᮤᮟ ᮢᮕᮣᮙᮣᮤᮼᮼᮼ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮣᮟᮝᮕᮟᮞᮕ ᮑᮣ ᮣᮤᮢᮟᮞᮗ ᮑᮣ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼᮼᮼᯍ᮰

ᯛᮩ ᮒᮢᮕᮑᮤᮘ ᮧᮑᮣ ᮣᮜᮟᮧᮜᮩ ᮒᮕᮙᮞᮗ ᮓᮘᮟᮛᮕᮔᮼ ᯐᮥᮤ ᯗᮺ ᮙᮞᮣᮤᮕᮑᮔᮺ ᮣᮝᮙᮜᮕᮔ ᮑᮞᮔ ᮝᮕᮤ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮗᮑ᮪ᮕᮼ

᮰ᮄᮙᮞᮑᮼᮼᮼ ᮩᮟᮥᮼᮼᮼ᮰

᮰ᯖᮛᮺ ᯗ ᮜᮙᮛᮕ ᮙᮤᮼᮼᮼ᮰

᮰ᮇᮘᮑᮤᯍ᮰

ᯏᮣ ᮙᮖ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮒᮕᮜᮙᮕᮦᮕ ᮧᮘᮑᮤ ᯗ ᮘᮑᮔ ᮚᮥᮣᮤ ᮣᮑᮙᮔᮺ ᮣᮘᮕ ᮑᮣᮛᮕᮔ ᮑᮗᮑᮙᮞᮼ

ᮄᮘᮟᮥᮗᮘ ᮝᮩ ᮒᮢᮕᮑᮤᮘ ᮧᮑᮣ ᮗᮕᮤᮤᮙᮞᮗ ᮝᮟᮢᮕ ᮑᮞᮔ ᮝᮟᮢᮕ ᮓᮘᮟᮛᮕᮔᮺ ᯗ ᮣᮜᮟᮧᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮝᮩ ᮘᮑᮞᮔ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮼ

᮰ᮃᮡᮥᮕᮕ᮪ᮕ ᮝᮕ ᮤᮙᮗᮘᮤᮕᮢᮺ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼᮼᮼ᮰

᮰ᮼᮼᮼᮼᮼᮼ᮰

᮰ᮅᮞᮤᮙᮜ ᮑᮜᮜ ᮟᮖ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ᮵ᮣ ᮣᮤᮢᮕᮣᮣ ᮙᮣ ᮢᮕᮜᮙᮕᮦᮕᮔᮼᮼᮼ ᮠᮜᮕᮑᮣᮕ ᮓᮘᮟᮛᮕ ᮝᮕ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩᮼ᮰

ᯖᮕᮢ ᮤᮧᮟ ᮘᮑᮞᮔᮣ ᮗᮢᮙᮠᮠᮕᮔ ᮝᮩ ᮞᮕᮓᮛ ᮕᮦᮕᮞ ᮤᮙᮗᮘᮤᮕᮢᮼ

᮰ᮉᮟᮥᮼᮼᮼᮯ ᮉᮟᮥ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧ ᮘᮟᮧ ᮝᮥᮓᮘ ᯗ᮵ᮝ ᮘᮟᮜᮔᮙᮞᮗ ᮒᮑᮓᮛᮺ ᮔᮟ ᮩᮟᮥᯍᮯ᮰

᮰ᯕᮑᮣᮠᯍ ᯑᮘᮟᮛᮕᯍᮯ᮰

᮰ᮄᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮧᮑᮩ ᮤᮟ ᮢᮕᮣᮙᮣᮤ ᮧᮘᮕᮞ ᮩᮟᮥ ᮤᮕᮝᮠᮤ ᮝᮕᮼᮼᮼᮯ᮰

ᮃᮡᮥᮕᮕ᮪ᮕ—

᮰ᮅᮗᮘᮺ ᯕᮻᮗᮑᮣᮠᮻᯍᮯ᮰

᮰ᮃᮟ ᮣᮤᮟᮠ ᮤᮕᮝᮠᮤᮙᮞᮗ ᮝᮕ ᮣᮟ ᮝᮥᮓᮘᮯ᮰

ᯖᮕᮢ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮙᮞᮗ ᮣᮤᮢᮕᮞᮗᮤᮘᮺ ᮓᮢᮥᮣᮘᮙᮞᮗ ᮝᮩ ᮞᮕᮓᮛᮺ ᮝᮑᮔᮕ ᮝᮩ ᮜᮕᮗᮣ ᮗᮙᮦᮕ ᮟᮥᮤᮼ

ᮀᮣᮘᮘ—

ᯏ ᮝᮩᮣᮤᮕᮢᮙᮟᮥᮣ ᮣᮤᮢᮕᮑᮝ ᮟᮖ ᮜᮙᮡᮥᮙᮔ ᮣᮠᮢᮑᮩᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮑᮙᮢᮺ ᮘᮕᮑᮤᮙᮞᮗ ᮤᮘᮕ ᮑᮙᮢ ᮙᮞᮣᮙᮔᮕ ᮤᮘᮕ ᮓᮑᮢᮢᮙᮑᮗᮕ ᮕᮦᮕᮞ ᮖᮥᮢᮤᮘᮕᮢᮼ

ᮆᮙᮦᮙᮑᮞᮑ ᮣᮤᮑᮢᮕᮔ ᮒᮜᮑᮞᮛᮜᮩ ᮑᮤ ᮤᮘᮕ ᮣᮤᮢᮕᮑᮝ ᮟᮖ ᮜᮙᮡᮥᮙᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᮄᮘᮕᮞᮺ ᮘᮕᮢ ᮑᮝᮕᮤᮘᮩᮣᮤᮻᮜᮙᮛᮕ ᮦᮙᮟᮜᮕᮤ ᮕᮩᮕᮣ ᮣᮜᮟᮧᮜᮩ ᮢᮟᮜᮜᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮕᮼ

᮰ᮄᮙᮞᮑᮼᮼᮼ ᮩᮟᮥᮼᮼᮼ᮰

ᯗᮤ ᮧᮑᮣ ᮦᮙᮣᮙᮒᮜᮕ ᮤᮘᮑᮤ ᮘᮕᮢ ᮜᮑᮣᮤ ᮤᮘᮢᮕᮑᮔ ᮟᮖ ᮢᮑᮤᮙᮟᮞᮑᮜᮙᮤᮩ ᮧᮑᮣ ᮔᮑᮞᮗᮕᮢᮟᮥᮣᮜᮩ ᮣᮧᮑᮩᮙᮞᮗᮼ

ᯗᮖ ᯗ ᮠᮢᮟᮦᮟᮛᮕᮔ ᮘᮕᮢ ᮚᮥᮣᮤ ᮑ ᮜᮙᮤᮤᮜᮕ ᮝᮟᮢᮕ ᮘᮕᮢᮕᮺ ᮙᮤ ᮝᮙᮗᮘᮤ ᮒᮕᮓᮟᮝᮕ ᮙᮢᮢᮕᮦᮕᮢᮣᮙᮒᮜᮕᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᯗ ᮞᮟ ᮜᮟᮞᮗᮕᮢ ᮘᮑᮔ ᮤᮘᮕ ᮜᮥᮨᮥᮢᮩ ᮤᮟ ᮤᮘᮙᮞᮛ ᮣᮥᮓᮘ ᮤᮘᮟᮥᮗᮘᮤᮣᮼ

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮘᮑᮞᮔᮣᮼ

ᯖᮕᮢ ᮖᮑᮙᮢ ᮑᮞᮔ ᮣᮝᮟᮟᮤᮘ ᮘᮑᮞᮔᮣᮺ ᮓᮘᮟᮛᮙᮞᮗ ᮝᮩ ᮒᮢᮕᮑᮤᮘᮼ

ᮄᮘᮕ ᮔᮙᮣᮤᮙᮞᮓᮤ ᮦᮕᮙᮞᮣ ᮠᮢᮟᮤᮢᮥᮔᮙᮞᮗ ᮟᮞ ᮤᮘᮕ ᮒᮑᮓᮛ ᮟᮖ ᮘᮕᮢ ᮘᮑᮞᮔᮣ ᮓᮑᮥᮗᮘᮤ ᮝᮩ ᮕᮩᮕᮼ

᮰ᯖᮕᮘᮕᮼᮼᮼ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ᮵ᮣ ᮦᮕᮙᮞᮣᮼᮼᮼ ᮤᮘᮕᮩ᮵ᮢᮕ ᮣᮟ ᮣᮥᮗᮗᮕᮣᮤᮙᮦᮕᮼᮼᮼ᮰

ᯗ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮠᮜᮑᮩᮖᮥᮜ ᮜᮑᮥᮗᮘ ᮑᮞᮔ ᮣᮤᮢᮟᮛᮕᮔ ᮤᮘᮕ ᮒᮑᮓᮛ ᮟᮖ ᮘᮕᮢ ᮘᮑᮞᮔᮼ ᮇᮙᮤᮘ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣᮺ ᯗ ᮗᮕᮞᮤᮜᮩ ᮤᮙᮓᮛᮜᮕᮔ ᮤᮘᮕ ᮦᮕᮙᮞᮣᮺ ᮤᮕᮑᮣᮙᮞᮗᮜᮩ ᮓᮑᮢᮕᮣᮣᮙᮞᮗ ᮤᮘᮕᮝᮼ

ᮃᮞᮑᮠ—

ᯗᮤ ᮣᮟᮥᮞᮔᮕᮔ ᮑᮣ ᮙᮖ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮘᮑᮔ ᮣᮞᮑᮠᮠᮕᮔᮼ

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮗᮑ᮪ᮕᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮔᮟᮧᮞ ᮑᮤ ᮝᮕᮺ ᮞᮟ ᮜᮟᮞᮗᮕᮢ ᮘᮕᮜᮔ ᮘᮥᮝᮑᮞ ᮢᮑᮤᮙᮟᮞᮑᮜᮙᮤᮩᮼ

ᯑᮢᮥᮣᮘ—

ᯖᮕᮢ ᮘᮑᮞᮔ ᮗᮢᮙᮠᮠᮕᮔ ᮝᮩ ᮞᮕᮓᮛ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮠᮟᮧᮕᮢᮖᮥᮜᮜᮩᮼ

ᯗ ᮖᮕᮜᮤ ᮑ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮤᮘᮑᮤ ᮒᮟᮥᮞᮔ ᮝᮕ ᮤᮙᮗᮘᮤᮜᮩᮺ ᮤᮟ ᮤᮘᮕ ᮠᮟᮙᮞᮤ ᮧᮘᮕᮢᮕ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮒᮢᮕᮑᮤᮘᮕ ᮠᮢᮟᮠᮕᮢᮜᮩᮼ

᮰ᮅᮗᮘ—ᮯ ᯕᮑᮣᮠᮼᮼᮼᮯ᮰

᮰ᮄᮙᮞᮑᮺ ᮄᮙᮞᮑᮺ ᮄᮙᮞᮑᮼᮼᮼᮯ᮰

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮢᮑᮗᮗᮕᮔ ᮒᮢᮕᮑᮤᮘᮣᮺ ᮓᮟᮞᮣᮥᮝᮕᮔ ᮒᮩ ᮔᮕᮣᮙᮢᮕᮺ ᮙᮞᮤᮕᮢᮤᮧᮙᮞᮕᮔ ᮧᮙᮤᮘ ᮝᮩ ᮣᮤᮙᮖᮜᮕᮔ ᮗᮑᮣᮠᮣᮺ ᮣᮤᮢᮥᮗᮗᮜᮙᮞᮗ ᮤᮟ ᮜᮙᮦᮕᮼ

᮰ᮅᮢᮗᮘᮼᮼᮼᮯ ᯖᮑᮑᮘᮼᮼᮼᮯ ᮆᮙᮺ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼᮼᮼ᮰

ᯛᮩ ᮦᮙᮣᮙᮟᮞ ᮣᮧᮑᮝᮼ

ᯛᮩ ᮟᮨᮩᮗᮕᮞᮻᮔᮕᮠᮢᮙᮦᮕᮔ ᮝᮙᮞᮔ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮗᮢᮕᮧ ᮘᮕᮑᮦᮩ ᮑᮞᮔ ᮒᮜᮥᮢᮢᮩᮼ

ᯐᮕᮤᮧᮕᮕᮞ ᮝᮩ ᮜᮕᮗᮣ ᮗᮢᮕᮧ ᮔᮑᮝᮠᮼ ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮑᮢᮝ ᮖᮜᮟᮧᮕᮔ ᮔᮟᮧᮞ ᮒᮕᮤᮧᮕᮕᮞ ᮝᮩ ᮜᮕᮗᮣᮺ ᮧᮕᮤᮤᮙᮞᮗ ᮤᮘᮕ ᮓᮑᮢᮢᮙᮑᮗᮕ ᮖᮜᮟᮟᮢᮼ

᮰ᯏᮘᮺ ᮸ᮓᮘᮟᮛᮕ᮸ᮺ ᯗ᮵ᮝ ᮣᮟᮺ ᮣᮟᮢᮢᮩᮼᮼᮼ᮰

᮰ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮘᮟᮜᮔ ᮒᮑᮓᮛᮼᮼᮼᮯ ᯐᮥᮤ ᮄᮙᮞᮑᮺ ᮩᮟᮥ᮵ᮢᮕ ᮤᮕᮝᮠᮤᮙᮞᮗ ᮝᮕᮼᮼᮼᮯ᮰

᮰ᯏᮘ—ᯍᮯ ᮸ᯕᮑᮣᮠ᮸ᮺ᮰

ᮆᮙᮦᮙᮑᮞᮑ ᮧᮑᮣ ᮜᮟᮣᮙᮞᮗ ᮘᮕᮢ ᮝᮙᮞᮔ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮝᮕᮼ ᯖᮕᮢ ᮓᮟᮞᮖᮥᮣᮙᮟᮞ ᮔᮥᮕ ᮤᮟ ᮝᮕ ᮧᮑᮣ ᮣᮤᮢᮙᮛᮙᮞᮗᮜᮩ ᮓᮜᮕᮑᮢᮼ

ᯗ ᮧᮑᮣ ᮘᮑᮠᮠᮩᮼ

ᯗᮤ ᮧᮑᮣ ᮒᮕᮓᮑᮥᮣᮕ ᯗ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᯗ ᮘᮑᮔ ᮒᮕᮓᮟᮝᮕ ᮑᮞ ᮙᮝᮠᮟᮢᮤᮑᮞᮤ ᮠᮕᮢᮣᮟᮞ ᮤᮟ ᮆᮙᮦᮙᮑᮞᮑᮼ ᮄᮘᮑᮤ ᮔᮙᮗᮞᮙᮖᮙᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮑᮣ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮑᮞᮔ ᮒᮕᮙᮞᮗ ᮣᮧᮑᮩᮕᮔ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮝᮕᮼ

ᯗ᮵ᮝ ᮘᮑᮠᮠᮩᮺ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼ
ᯗ ᮜᮙᮛᮕ ᮩᮟᮥᮼ
ᯗ ᮜᮟᮦᮕ ᮩᮟᮥᮼ
ᮀᮜᮕᮑᮣᮕ ᮜᮟᮦᮕ ᮝᮕᮼ
ᮀᮜᮕᮑᮣᮕ ᮜᮙᮛᮕ ᮝᮕᮼ
ᮀᮜᮕᮑᮣᮕ ᮒᮕ ᮧᮙᮤᮘ ᮝᮕᮼ
ᮀᮜᮕᮑᮣᮕ ᮣᮤᮑᮩ ᮒᮩ ᮝᮩ ᮣᮙᮔᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮑᮣ ᮙᮖ ᮓᮟᮜᮟᮢᮖᮥᮜ ᮘᮕᮑᮢᮤᮣ ᮧᮕᮢᮕ ᮠᮟᮠᮠᮙᮞᮗ ᮙᮞᮤᮟ ᮦᮙᮕᮧ ᮒᮕᮖᮟᮢᮕ ᮝᮩ ᮕᮩᮕᮣᮼ

ᯛᮩ ᮘᮕᮑᮢᮤ ᮣᮥᮢᮗᮕᮔᮺ ᮑᮞᮔ ᮝᮩ ᮒᮟᮔᮩ ᮢᮕᮑᮓᮤᮕᮔ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩᮼ ᯗ ᮣᮜᮟᮧᮜᮩ ᮣᮠᮢᮕᮑᮔ ᮝᮩ ᮑᮢᮝᮣ ᮤᮟ ᮤᮘᮕ ᮣᮙᮔᮕᮣ ᮑᮞᮔ ᮖᮑᮓᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ ᮔᮙᮢᮕᮓᮤᮜᮩᮼ

᮰ᯏᮘᮼᮼᮼ ᮘᮥᮗ ᮝᮕᮼᮼᮼ᮰

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮕᮩᮕᮣ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮑᮒᮢᮥᮠᮤᮜᮩᮼ ᮃᮘᮕ ᮒᮙᮤ ᮘᮕᮢ ᮜᮙᮠ ᮣᮟ ᮘᮑᮢᮔ ᮙᮤ ᮑᮜᮝᮟᮣᮤ ᮒᮜᮕᮔᮼ

᮰ᮅᮗᮘᮼᮼᮼᮯ ᮄᮙᮞᮑᮺ ᮩᮟᮥᮯ᮰

ᯏ ᮝᮕᮞᮑᮓᮙᮞᮗ ᮗᮑ᮪ᮕᮺ ᮝᮙᮨᮕᮔ ᮧᮙᮤᮘ ᮑᮞᮗᮕᮢ ᮑᮞᮔ ᮓᮟᮞᮖᮥᮣᮙᮟᮞᮺ ᮧᮑᮣ ᮔᮙᮢᮕᮓᮤᮕᮔ ᮑᮤ ᮝᮕᮼ ᯕᮢᮙᮤᮤᮙᮞᮗ ᮘᮕᮢ ᮤᮕᮕᮤᮘᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮣᮟᮟᮞ ᮜᮥᮞᮗᮕᮔ ᮖᮙᮕᮢᮓᮕᮜᮩ ᮑᮤ ᮝᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮼ

ᮃᮥᮔᮔᮕᮞᮜᮩᮺ ᮑ ᮓᮟᮜᮔ ᮒᮢᮕᮕ᮪ᮕ ᮣᮕᮕᮠᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮓᮑᮢᮢᮙᮑᮗᮕᮺ ᮧᮘᮙᮓᮘ ᮘᮑᮔ ᮒᮕᮕᮞ ᮖᮙᮜᮜᮕᮔ ᮟᮞᮜᮩ ᮧᮙᮤᮘ ᮘᮟᮤ ᮑᮙᮢᮼ

ᯏᮤ ᮤᮘᮕ ᮢᮕᮖᮢᮕᮣᮘᮙᮞᮗ ᮒᮢᮕᮕ᮪ᮕ ᮑᮗᮑᮙᮞᮣᮤ ᮟᮥᮢ ᮣᮛᮙᮞᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮑᮞᮔ ᯗ ᮣᮙᮝᮥᮜᮤᮑᮞᮕᮟᮥᮣᮜᮩ ᮤᮥᮢᮞᮕᮔ ᮟᮥᮢ ᮗᮑ᮪ᮕ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮓᮑᮢᮢᮙᮑᮗᮕ ᮔᮟᮟᮢᮼ

ᯏ ᮧᮟᮝᮑᮞ ᮣᮤᮟᮟᮔ ᮤᮘᮕᮢᮕᮼ

ᯏ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮧᮟᮝᮑᮞ ᮧᮙᮤᮘ ᮤᮘᮕ ᮣᮑᮝᮕ ᮧᮘᮙᮤᮕ ᮘᮑᮙᮢ ᮑᮣ ᮝᮕ ᮑᮞᮔ ᮔᮑ᮪᮪ᮜᮙᮞᮗ ᮒᮜᮥᮕ ᮕᮩᮕᮣᮼ

᮰ᯛᮟᮤᮘᮕᮢᮼᮼᮼᯍ᮰

ᯗ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣᮜᮩ ᮓᮑᮜᮜᮕᮔ ᮟᮥᮤ ᮤᮟ ᮘᮕᮢᮼ

᮰ᯛᮻᯛᮟᮤᮘᮕᮢᮼᮼᮼ᮰

ᮆᮙᮦᮙᮑᮞᮑ ᮧᮟᮢᮕ ᮑᮞ ᮥᮞᮓᮘᮑᮢᮑᮓᮤᮕᮢᮙᮣᮤᮙᮓᮺ ᮔᮥᮝᮒᮖᮟᮥᮞᮔᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

ᯛᮟᮤᮘᮕᮢ ᮣᮤᮑᮢᮕᮔ ᮒᮜᮑᮞᮛᮜᮩᮺ ᮑᮜᮤᮕᮢᮞᮑᮤᮙᮞᮗ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮒᮕᮤᮧᮕᮕᮞ ᮝᮕ ᮑᮞᮔ ᮆᮙᮦᮙᮑᮞᮑᮼ

ᮃᮟᮟᮞᮺ ᮣᮘᮕ ᮣᮧᮑᮩᮕᮔ ᮒᮑᮓᮛᮧᮑᮢᮔ ᮑᮞᮔ ᮓᮟᮜᮜᮑᮠᮣᮕᮔᮼ

᮰ᯝᮘᮺ ᯛᮟᮤᮘᮕᮢᮯ᮰

PrevNext
Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

Details

Comments

No comments