Tales of the Taisho Era Flowers Bloom Late

Chapter 137

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᯗᮤ ᮧᮑᮣ ᮑ ᮡᮥᮙᮕᮤ ᮞᮙᮗᮘᮤᮺ ᮧᮙᮤᮘ ᮖᮑᮙᮞᮤ ᮝᮟᮟᮞᮜᮙᮗᮘᮤ ᮣᮕᮕᮠᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮤᮘᮙᮓᮛ ᮔᮑᮢᮛᮞᮕᮣᮣᮼ ᯏᮣ ᯗ ᮗᮑ᮪ᮕᮔ ᮑᮤ ᮤᮘᮕ ᮢᮟᮥᮞᮔ ᮝᮟᮟᮞ ᮙᮞ ᮤᮘᮕ ᮣᮛᮩᮺ ᯛᮟᮤᮘᮕᮢ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᮝᮩ ᮘᮕᮑᮔᮼ

“ᯗᮤ’ᮣ ᮤᮙᮝᮕ ᮤᮟ ᮣᮜᮕᮕᮠ ᮞᮟᮧᮼ”

“ᮉᮕᮣᮺ ᯛᮟᮤᮘᮕᮢᮼ”

ᯛᮟᮤᮘᮕᮢ ᮧᮑᮣ ᮧᮕᮑᮢᮙᮞᮗ ᮜᮥᮨᮥᮢᮙᮟᮥᮣ ᮧᮘᮙᮤᮕ ᮜᮑᮓᮕ ᮠᮑᮚᮑᮝᮑᮣᮼ ᮄᮘᮑᮞᮛᮣ ᮤᮟ ᮤᮘᮕ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮜᮟᮧᮻᮓᮥᮤ ᮔᮕᮣᮙᮗᮞ ᮟᮖ ᮘᮕᮢ ᮠᮑᮚᮑᮝᮑᮣᮺ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮑᮝᮠᮜᮕ ᮓᮘᮕᮣᮤ ᮧᮑᮣ ᮣᮥᮒᮤᮜᮩ ᮢᮕᮦᮕᮑᮜᮕᮔᮼ

“ᯗᮖ ᮩᮟᮥ ᮞᮕᮕᮔ ᮤᮟ ᮗᮟ ᮤᮟ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝ ᮔᮥᮢᮙᮞᮗ ᮤᮘᮕ ᮞᮙᮗᮘᮤᮺ ᮩᮟᮥ ᮓᮑᮞ ᮧᮑᮛᮕ ᮝᮕ ᮥᮠ ᮑᮞᮩᮤᮙᮝᮕᮺ ᮑᮜᮢᮙᮗᮘᮤᯍ”

“ᮉᮕᮣ…”

ᯝᮢᮙᮗᮙᮞᮑᮜᮜᮩᮺ ᯗ ᮘᮑᮔ ᮠᮜᮑᮞᮞᮕᮔ ᮤᮟ ᮣᮠᮕᮞᮔ ᮤᮘᮕ ᮞᮙᮗᮘᮤ ᮙᮞ ᮝᮩ ᮟᮧᮞ ᮢᮟᮟᮝᮺ ᮒᮥᮤ ᮤᮘᮕ ᮔᮕᮣᮙᮢᮕ ᮤᮟ ᮒᮕ ᮧᮙᮤᮘ ᯛᮟᮤᮘᮕᮢ ᮑ ᮜᮙᮤᮤᮜᮕ ᮜᮟᮞᮗᮕᮢ ᮜᮕᮔ ᮝᮕ ᮘᮕᮢᮕᮼ

ᯖᮥᮗᮗᮙᮞᮗ ᮑ ᮣᮟᮖᮤ ᮠᮙᮜᮜᮟᮧ ᮤᮙᮗᮘᮤᮜᮩᮺ ᯗ ᮧᮕᮞᮤ ᮤᮟ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮒᮕᮔᮢᮟᮟᮝᮼ ᯛᮟᮤᮘᮕᮢᮺ ᮑᮣ ᮑᮜᮧᮑᮩᮣᮺ ᮛᮙᮞᮔᮜᮩ ᮙᮞᮔᮥᮜᮗᮕᮔ ᮝᮩ ᮧᮘᮙᮝᮼ

ᯓᮦᮕᮞ ᮤᮘᮟᮥᮗᮘ ᯗ ᮛᮞᮕᮧ ᯗ ᮧᮑᮣ ᮠᮑᮣᮤ ᮤᮘᮕ ᮑᮗᮕ ᮤᮟ ᮣᮜᮕᮕᮠ ᮧᮙᮤᮘ ᮝᮩ ᮠᮑᮢᮕᮞᮤᮣᮺ ᮤᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᯗ ᮓᮟᮥᮜᮔ ᮒᮕ ᮓᮜᮟᮣᮕᮢ ᮤᮟ ᯛᮟᮤᮘᮕᮢ ᮖᮕᮜᮤ ᮣᮤᮢᮑᮞᮗᮕᮜᮩ ᮘᮑᮠᮠᮩᮼ

“ᮉᮟᮥ ᮣᮑᮙᮔ ᮩᮟᮥ’ᮔ ᮦᮙᮣᮙᮤ ᮤᮘᮕ ᮃᮑᮙᮞᮤᮕᮣᮣ’ᮣ ᮝᮑᮞᮣᮙᮟᮞ ᮤᮟᮝᮟᮢᮢᮟᮧᮺ ᮔᮙᮔᮞ’ᮤ ᮩᮟᮥᯍ”

ᯛᮟᮤᮘᮕᮢ ᮑᮣᮛᮕᮔ ᮑᮣ ᮧᮕ ᮜᮑᮩ ᮣᮙᮔᮕ ᮒᮩ ᮣᮙᮔᮕ ᮙᮞ ᮒᮕᮔᮼ

“ᮉᮕᮣᮺ ᯗ ᮓᮟᮞᮤᮑᮓᮤᮕᮔ ᮤᮘᮕᮝ ᮑᮞᮔ ᮣᮑᮙᮔ ᯗ’ᮔ ᮦᮙᮣᮙᮤ ᮑᮤ ᮜᮥᮞᮓᮘᮤᮙᮝᮕᮼ”

“ᮇᮙᮜᮜ ᮩᮟᮥ ᮒᮕ ᮑᮜᮢᮙᮗᮘᮤ ᮑᮒᮟᮥᮤ ᮧᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮙᮞ ᮤᮘᮕ ᮓᮑᮢᮢᮙᮑᮗᮕᯍ”

ᯏ ᮝᮙᮣᮓᮘᮙᮕᮦᮟᮥᮣ ᮣᮝᮙᮜᮕ ᮑᮠᮠᮕᮑᮢᮕᮔ ᮟᮞ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮜᮙᮠᮣᮼ ᮃᮘᮕ ᮧᮑᮣ ᮓᮜᮕᮑᮢᮜᮩ ᮢᮕᮖᮕᮢᮢᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮙᮞᮓᮙᮔᮕᮞᮤ ᮧᮘᮕᮢᮕ ᮆᮙᮦᮙᮑᮞᮑ ᮓᮘᮟᮛᮕᮔ ᮝᮕᮼ

“ᯏᮘᮺ ᮤᮘᮻᮤᮘᮑᮤ…”

ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮢᮟᮟᮝ ᮖᮟᮢ ᮕᮨᮓᮥᮣᮕᮣᮼ ᮄᮘᮑᮤ ᮣᮓᮕᮞᮕ ᮧᮑᮣ ᮑᮞ ᮥᮞᮔᮕᮞᮙᮑᮒᮜᮕ ᮖᮑᮓᮤᮺ ᮑᮞᮔ ᮙᮤ ᮧᮑᮣ ᮠᮢᮑᮓᮤᮙᮓᮑᮜᮜᮩ ᮝᮕ ᮧᮘᮟ ᮕᮞᮤᮙᮓᮕᮔ ᮆᮙᮦᮙᮑᮞᮑᮼ

“ᯗᮻᯗ’ᮜᮜ ᮒᮕ ᮓᮑᮢᮕᮖᮥᮜ…”

“ᯗ ᮔᮙᮔᮞ’ᮤ ᮛᮞᮟᮧ ᮝᮩ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮘᮑᮔ ᮣᮥᮓᮘ ᮑ ᮠᮢᮕᮖᮕᮢᮕᮞᮓᮕᮼ”

ᯛᮟᮤᮘᮕᮢ’ᮣ ᮒᮜᮥᮕ ᮕᮩᮕᮣ ᮣᮤᮙᮜᮜ ᮘᮕᮜᮔ ᮑ ᮠᮜᮑᮩᮖᮥᮜ ᮗᮜᮙᮞᮤᮺ ᮒᮥᮤ ᮑ ᮖᮑᮙᮞᮤ ᮧᮟᮢᮢᮩ ᮧᮑᮣ ᮑᮜᮣᮟ ᮠᮢᮕᮣᮕᮞᮤ ᮧᮙᮤᮘᮙᮞ ᮤᮘᮕᮝᮼ

ᯛᮩ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮕᮔ ᮘᮟᮤᮼ

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯗ ᮔᮙᮔᮞ’ᮤ ᮘᮑᮦᮕ ᮣᮥᮓᮘ ᮑ ᮠᮢᮕᮖᮕᮢᮕᮞᮓᮕᮼ ᮇᮘᮟ ᮙᮞ ᮤᮘᮕ ᮧᮟᮢᮜᮔ ᮧᮟᮥᮜᮔ ᮜᮙᮛᮕ ᮒᮕᮙᮞᮗ ᮓᮘᮟᮛᮕᮔᯍ

ᯗ’ᮝ ᮞᮟᮤ ᮑ ᮠᮕᮢᮦᮕᮢᮤ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼ

ᮇᮘᮑᮤ ᯗ ᮔᮙᮔ ᮧᮑᮣ ᮣᮙᮝᮠᮜᮩ ᮑ ᮣᮕᮢᮦᮙᮓᮕ ᮖᮟᮢ ᮆᮙᮦᮙᮑᮞᮑᮼ

ᯗᮤ’ᮣ ᮚᮥᮣᮤ ᮤᮘᮑᮤ ᮠᮕᮟᮠᮜᮕ ᮜᮙᮦᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮢᮕᮦᮕᮑᮜᮙᮞᮗ ᮙᮤᮼ ᯓᮦᮕᮢᮩᮟᮞᮕ ᮓᮑᮢᮢᮙᮕᮣ ᮦᮙᮟᮜᮕᮞᮓᮕ ᮧᮙᮤᮘᮙᮞ ᮤᮘᮕᮝᮼ

ᯗ ᮒᮕᮜᮙᮕᮦᮕ ᮙᮤ’ᮣ ᮑ ᮖᮥᮞᮔᮑᮝᮕᮞᮤᮑᮜ ᮔᮕᮣᮙᮢᮕ ᮤᮘᮑᮤ ᮕᮦᮕᮞ ᮤᮘᮕ ᮛᮙᮞᮔᮕᮣᮤ ᮠᮕᮢᮣᮟᮞ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮠᮟᮣᮣᮕᮣᮣᮕᮣᮼ

ᮄᮘᮑᮤ’ᮣ ᮧᮘᮩ ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮘᮕᮜᮠ ᮆᮙᮦᮙᮑᮞᮑ ᮢᮕᮜᮕᮑᮣᮕ ᮤᮘᮕ ᮦᮙᮟᮜᮕᮞᮓᮕ ᮔᮟᮢᮝᮑᮞᮤ ᮧᮙᮤᮘᮙᮞ ᮘᮕᮢᮼ

ᯐᮥᮤ ᮕᮦᮕᮞ ᮙᮖ ᯗ ᮧᮕᮢᮕ ᮤᮟ ᮤᮕᮜᮜ ᮘᮕᮢ ᮤᮘᮑᮤᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮒᮕᮜᮙᮕᮦᮕ ᮝᮕᮼ ᯗᮞ ᮤᮘᮕ ᮕᮞᮔᮺ ᮠᮑᮣᮣᮙᮞᮗ ᮙᮤ ᮟᮖᮖ ᮑᮣ ᮝᮩ ᮠᮢᮕᮖᮕᮢᮕᮞᮓᮕ ᮧᮑᮣ ᮤᮘᮕ ᮣᮙᮝᮠᮜᮕᮣᮤ ᮧᮑᮩᮼ

“ᯏᮻᯏᮝ ᯗ ᮦᮕᮢᮩ ᮣᮤᮢᮑᮞᮗᮕ…ᯍ”

“ᮄᮙᮞᮑᮺ ᯗ’ᮦᮕ ᮤᮟᮜᮔ ᮩᮟᮥ ᮒᮕᮖᮟᮢᮕᮺ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮟ ᮩᮟᮥ ᮑᮢᮕᮺ ᯛᮟᮤᮘᮕᮢ ᮧᮙᮜᮜ ᮜᮟᮦᮕ ᮩᮟᮥᮼ”

ᯛᮟᮤᮘᮕᮢ’ᮣ ᮑᮞᮣᮧᮕᮢ ᮓᮑᮝᮕ ᮒᮑᮓᮛ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮼ ᮇᮙᮤᮘ ᮥᮞᮧᮑᮦᮕᮢᮙᮞᮗ ᮕᮩᮕᮣᮺ ᮣᮘᮕ ᮗᮕᮞᮤᮜᮩ ᮒᮢᮥᮣᮘᮕᮔ ᮝᮩ ᮘᮑᮙᮢ ᮑᮣᮙᮔᮕᮼ

“ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮑᮤ ᮠᮢᮕᮖᮕᮢᮕᮞᮓᮕᮣ ᮩᮟᮥ ᮘᮑᮦᮕᮺ ᯛᮟᮤᮘᮕᮢ ᮜᮟᮦᮕᮣ ᮩᮟᮥᮼ ᯖᮟᮧᮕᮦᮕᮢᮺ ᯗ ᮧᮟᮢᮢᮩ ᮤᮘᮑᮤ ᮩᮟᮥ ᮝᮙᮗᮘᮤ ᮗᮕᮤ ᮘᮥᮢᮤᮼ”

“ᮄᮘᮻᮄᮘᮑᮤᮺ ᮠᮜᮕᮑᮣᮕ ᮔᮟᮞ’ᮤ ᮧᮟᮢᮢᮩᮼ ᯐᮕᮓᮑᮥᮣᮕ ᯗ ᮘᮑᮦᮕ ᮤᮘᮙᮣᮼ”

ᯗ ᮣᮘᮟᮧᮕᮔ ᯛᮟᮤᮘᮕᮢ ᮤᮘᮕ ᮓᮟᮜᮜᮑᮢ ᮘᮑᮞᮗᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᮞᮕᮓᮛᮼ ᯚᮙᮜᮜᮙᮑᮞ’ᮣ ᮗᮙᮖᮤᮺ ᮧᮘᮙᮓᮘ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮘᮕᮑᮜᮕᮔ ᮑᮞᮩ ᮧᮟᮥᮞᮔᮼ

ᮄᮘᮑᮞᮛᮣ ᮤᮟ ᮙᮤᮺ ᮤᮘᮕ ᮜᮑᮢᮗᮕ ᮒᮢᮥᮙᮣᮕ ᮆᮙᮦᮙᮑᮞᮑ ᮘᮑᮔ ᮗᮙᮦᮕᮞ ᮝᮕ ᮕᮑᮢᮜᮙᮕᮢ ᮙᮞ ᮤᮘᮕ ᮔᮑᮩ ᮧᮑᮣ ᮞᮟᮧ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮗᮟᮞᮕᮼ

“ᯓᮦᮕᮞ ᮣᮟᮺ ᯗ ᮔᮟᮞ’ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮣᮕᮕ ᮩᮟᮥ ᮙᮞ ᮠᮑᮙᮞᮼ ᮇᮘᮑᮤ ᮙᮖ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮠᮕᮢᮣᮟᮞ ᮘᮑᮢᮒᮟᮢᮣ ᮔᮑᮞᮗᮕᮢᮟᮥᮣ ᮙᮞᮤᮕᮞᮤᮙᮟᮞᮣᯍ”

“……”

“ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮙᮖ ᮙᮤ’ᮣ ᮟᮥᮢ ᮔᮑᮥᮗᮘᮤᮕᮢ’ᮣ ᮠᮢᮕᮖᮕᮢᮕᮞᮓᮕᮺ ᮤᮘᮕᮢᮕ’ᮣ ᮞᮟᮤᮘᮙᮞᮗ ᯗ ᮓᮑᮞ ᮔᮟᮼ”

ᯛᮟᮤᮘᮕᮢ ᮣᮝᮙᮜᮕᮔᮺ ᮗᮕᮞᮤᮜᮩ ᮜᮟᮧᮕᮢᮙᮞᮗ ᮘᮕᮢ ᮜᮟᮞᮗᮺ ᮗᮢᮑᮓᮕᮖᮥᮜ ᮕᮩᮕᮜᮑᮣᮘᮕᮣᮼ ᯖᮕᮢ ᮕᮩᮕᮻᮣᮝᮙᮜᮕ ᮧᮑᮣ ᮤᮢᮥᮜᮩ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮼ

“ᮇᮙᮜᮜ ᮩᮟᮥ ᮠᮢᮟᮝᮙᮣᮕ ᮞᮟᮤ ᮤᮟ ᮔᮟ ᮣᮥᮓᮘ ᮤᮘᮙᮞᮗᮣ ᮧᮙᮤᮘ ᮑᮞᮩᮟᮞᮕ ᮟᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮤᮘᮕ ᯒᮥᮓᮘᮕᮣᮣᮻᮞᮙᮝ ᮑᮞᮔ ᮤᮘᮕ ᮃᮑᮙᮞᮤᮕᮣᮣᮻᮞᮙᮝᯍ”

ᯛᮟᮤᮘᮕᮢ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮘᮕᮢ ᮠᮙᮞᮛᮩ ᮖᮙᮞᮗᮕᮢᮼ ᯗ ᮜᮙᮞᮛᮕᮔ ᮝᮩ ᮖᮙᮞᮗᮕᮢ ᮧᮙᮤᮘ ᮘᮕᮢᮣ ᮑᮞᮔ ᮠᮢᮕᮣᮣᮕᮔ ᮝᮩ ᮤᮘᮥᮝᮒ ᮔᮟᮧᮞ ᮖᮙᮢᮝᮜᮩᮼ

“ᯏᮢᮕ ᮤᮘᮟᮣᮕ ᮤᮧᮟ… ᮟᮛᮑᮩᯍ”

“ᯏᮤ ᮜᮕᮑᮣᮤᮺ ᮄᮙᮞᮑᮺ ᯗ ᮛᮞᮟᮧ ᮤᮘᮕᮩ ᮑᮢᮕ ᮠᮕᮟᮠᮜᮕ ᮧᮘᮟ ᮤᮢᮥᮜᮩ ᮜᮟᮦᮕ ᮩᮟᮥᮼ ᮄᮘᮑᮤ’ᮣ ᮧᮘᮩ ᮤᮘᮕ ᯒᮥᮓᮘᮕᮣᮣᮻᮞᮙᮝ ᮙᮣ ᮜᮕᮤᮤᮙᮞᮗ ᮙᮤ ᮣᮜᮙᮔᮕ ᮤᮘᮙᮣ ᮤᮙᮝᮕᮼ”

“ᯗᮤ ᮓᮑᮞ’ᮤ ᮒᮕ ᮑᮞᮩᮟᮞᮕ ᮕᮜᮣᮕ ᮒᮕᮣᮙᮔᮕᮣ ᮤᮘᮟᮣᮕ ᮤᮧᮟᯍ”

“ᯜᮟᮤ ᮥᮞᮤᮙᮜ ᯗ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮠᮕᮢᮣᮟᮞ ᮩᮟᮥ ᮑᮢᮕᮼ”

ᯛᮟᮤᮘᮕᮢ’ᮣ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮖᮙᮢᮝᮼ ᯗ ᮤᮕᮞᮤᮑᮤᮙᮦᮕᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮝᮩ ᮝᮟᮥᮤᮘᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮑᮤ ᮘᮕᮢᮼ

“ᮇᮘᮑᮤ ᮑᮒᮟᮥᮤ… ᯛᮟᮤᮘᮕᮢ…ᯍ”

ᯏᮣ ᮙᮖ ᮞᮟᮤ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ ᮝᮩ ᮡᮥᮕᮣᮤᮙᮟᮞᮺ ᯛᮟᮤᮘᮕᮢ ᮤᮙᮜᮤᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮧᮙᮤᮘ ᮑ ᮠᮥ᮪᮪ᮜᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

“ᯖᮥᮘᯍ”

“ᯑᮑᮞ’ᮤ ᯛᮟᮤᮘᮕᮢ ᮔᮟ ᮙᮤ ᮤᮟᮟ…ᯍ ᯑᮘᮟᮛᮕ ᮝᮩ ᮞᮕᮓᮛ…”

“ᯝᮘᯍ”

ᯛᮟᮤᮘᮕᮢ’ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔᮼ

“ᯗ ᮜᮙᮛᮕ ᯛᮟᮤᮘᮕᮢ ᮤᮘᮕ ᮒᮕᮣᮤ…”

ᯗᮞᮣᮙᮔᮕ ᮤᮘᮕ ᮒᮜᮑᮞᮛᮕᮤ ᮤᮘᮑᮤ ᮕᮞᮦᮕᮜᮟᮠᮕᮔ ᯛᮟᮤᮘᮕᮢ ᮑᮞᮔ ᮝᮕᮺ ᯗ ᮗᮕᮞᮤᮜᮩ ᮙᮞᮤᮕᮢᮤᮧᮙᮞᮕᮔ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮣ ᮧᮙᮤᮘ ᮘᮕᮢᮣᮼ

“ᯝᮘᯍ ᯛᮻᯛᮕᮺ ᮩᮟᮥ ᮝᮕᮑᮞ…ᯍ”

ᯏᮤ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮒᮕᮧᮙᮜᮔᮕᮢᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᮝᮩ ᮘᮕᮑᮢᮤ ᮣᮑᮞᮛ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᯗ ᮧᮑᮣ ᮑᮖᮢᮑᮙᮔ ᮣᮘᮕ ᮝᮙᮗᮘᮤ ᮔᮙᮣᮜᮙᮛᮕ ᮝᮕ ᮙᮖ ᮣᮘᮕ ᮘᮕᮑᮢᮔ ᮤᮘᮙᮣᮼ

ᯐᮥᮤ ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮣᮤᮟᮠᮼ ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮢᮕᮜᮕᮑᮣᮕ ᮤᮘᮕ ᮔᮕᮣᮙᮢᮕᮣ ᮤᮘᮑᮤ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮔᮕᮕᮠᮜᮩ ᮢᮕᮠᮢᮕᮣᮣᮕᮔ ᮧᮙᮤᮘᮙᮞ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮘᮕᮑᮢᮤᮼ

ᮆᮙᮦᮙᮑᮞᮑ ᮑᮞᮔ ᯚᮙᮜᮜᮙᮑᮞ ᮧᮕᮢᮕ ᮗᮟᮟᮔ ᮤᮟᮟᮺ ᮒᮥᮤ ᮤᮘᮕ ᮠᮕᮢᮣᮟᮞ ᯗ ᮤᮢᮥᮜᮩ ᮜᮟᮦᮕᮔ ᮤᮘᮕ ᮝᮟᮣᮤ ᮧᮑᮣ ᯛᮟᮤᮘᮕᮢᮼ

ᯗ ᮘᮑᮔ ᮒᮢᮙᮕᮖᮜᮩ ᮣᮕᮕᮞ ᮙᮤ ᮟᮞ ᮄᮆᮼ

ᮄᮘᮕ ᮦᮙᮟᮜᮕᮞᮓᮕ ᮙᮞᮘᮕᮢᮕᮞᮤ ᮧᮙᮤᮘᮙᮞ ᮘᮥᮝᮑᮞ ᮒᮕᮙᮞᮗᮣᮼ

ᯗᮤ’ᮣ ᮞᮑᮤᮥᮢᮑᮜ ᮤᮟ ᮘᮙᮔᮕ ᮙᮤ ᮙᮞ ᮣᮟᮓᮙᮕᮤᮩᮺ ᮒᮥᮤ ᮙᮤ’ᮣ ᮣᮑᮙᮔ ᮤᮘᮑᮤ ᮢᮕᮜᮕᮑᮣᮙᮞᮗ ᮙᮤ ᮑᮠᮠᮢᮟᮠᮢᮙᮑᮤᮕᮜᮩ ᮙᮣ ᮒᮕᮞᮕᮖᮙᮓᮙᮑᮜ ᮖᮟᮢ ᮘᮕᮑᮜᮤᮘᮼ

ᯗᮞ ᮝᮟᮔᮕᮢᮞ ᮣᮟᮓᮙᮕᮤᮩᮺ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮦᮑᮢᮙᮟᮥᮣ ᮝᮕᮑᮞᮣ ᮤᮟ ᮠᮑᮓᮙᮖᮩ ᮤᮘᮑᮤ ᮦᮙᮟᮜᮕᮞᮓᮕᮼ

ᮄᮘᮕ ᮝᮟᮣᮤ ᮢᮕᮠᮢᮕᮣᮕᮞᮤᮑᮤᮙᮦᮕ ᮑᮝᮟᮞᮗ ᮤᮘᮕᮝ ᮧᮟᮥᮜᮔ ᮒᮕ ᮗᮑᮝᮕᮣ ᮑᮞᮔ ᮣᮠᮟᮢᮤᮣᮼ ᮀᮕᮢᮘᮑᮠᮣ ᮣᮙᮝᮠᮜᮩ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮟᮤᮘᮕᮢᮣ ᮔᮟ ᮙᮤ ᮓᮟᮥᮜᮔ ᮑᮜᮣᮟ ᮘᮕᮜᮠᮼ

ᯐᮥᮤ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕᮞ’ᮤ ᮝᮑᮞᮩ ᮣᮥᮓᮘ ᮢᮕᮓᮢᮕᮑᮤᮙᮟᮞᮑᮜ ᮑᮓᮤᮙᮦᮙᮤᮙᮕᮣ ᮙᮞ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔᮼ

ᯗᮤ ᮧᮑᮣ ᮜᮙᮝᮙᮤᮕᮔ ᮤᮟ ᮘᮟᮒᮒᮙᮕᮣ ᮜᮙᮛᮕ ᮘᮥᮞᮤᮙᮞᮗ ᮧᮙᮜᮔ ᮑᮞᮙᮝᮑᮜᮣ ᮟᮢ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮛᮞᮙᮗᮘᮤᮣ’ ᮔᮥᮕᮜᮣᮼ

ᯐᮥᮣᮩ ᮕᮦᮕᮢᮩ ᮔᮑᮩᮺ ᯛᮟᮤᮘᮕᮢ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮞᮟ ᮤᮙᮝᮕ ᮤᮟ ᮕᮞᮚᮟᮩ ᮣᮥᮓᮘ ᮘᮟᮒᮒᮙᮕᮣᮼ

ᮆᮙᮟᮜᮕᮞᮤ ᮔᮕᮣᮙᮢᮕᮣ ᮤᮘᮑᮤ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮙᮞᮘᮕᮢᮕᮞᮤᮜᮩ ᮠᮟᮣᮣᮕᮣᮣᮕᮣᮼ ᯗᮖ ᯗ ᮓᮟᮥᮜᮔ ᮑᮜᮜᮕᮦᮙᮑᮤᮕ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮣᮥᮠᮠᮢᮕᮣᮣᮕᮔ ᮕᮝᮟᮤᮙᮟᮞᮣᮺ ᮧᮟᮥᮜᮔᮞ’ᮤ ᯛᮟᮤᮘᮕᮢ ᮖᮕᮕᮜ ᮝᮥᮓᮘ ᮝᮟᮢᮕ ᮑᮤ ᮕᮑᮣᮕᯍ

“ᯗᮻᯗ ᮘᮕᮑᮜ ᮡᮥᮙᮓᮛᮜᮩ… ᯏᮞᮔᮺ ᮧᮙᮤᮘ ᯛᮟᮤᮘᮕᮢᮺ ᯗ’ᮝ ᮣᮥᮢᮕ ᮙᮤ’ᮜᮜ ᮒᮕ ᮖᮙᮞᮕᮼ”

ᯗ ᮗᮕᮞᮤᮜᮩ ᮠᮥᮜᮜᮕᮔ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮓᮜᮑᮣᮠᮕᮔ ᮘᮑᮞᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮩ ᮞᮕᮓᮛᮼ

ᯗ ᮟᮠᮕᮞᮕᮔ ᮘᮕᮢ ᮠᮑᮜᮝ ᮑᮞᮔ ᮝᮑᮔᮕ ᮘᮕᮢ ᮗᮢᮙᮠ ᮝᮩ ᮞᮕᮓᮛᮼ

“ᮉᮟᮥ ᮝᮥᮣᮤ ᮒᮕ ᮤᮙᮢᮕᮔ ᮖᮢᮟᮝ ᮧᮟᮢᮛᮙᮞᮗ ᮕᮦᮕᮢᮩ ᮔᮑᮩᮼ ᯗ’ᮝ ᮑᮖᮢᮑᮙᮔ ᮩᮟᮥ’ᮜᮜ ᮓᮟᮜᮜᮑᮠᮣᮕ ᮖᮢᮟᮝ ᮟᮦᮕᮢᮧᮟᮢᮛᮼ”

ᯛᮟᮤᮘᮕᮢ’ᮣ ᮘᮑᮞᮔᮺ ᮓᮜᮑᮣᮠᮙᮞᮗ ᮝᮩ ᮞᮕᮓᮛᮺ ᮒᮕᮗᮑᮞ ᮤᮟ ᮤᮢᮕᮝᮒᮜᮕ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

“ᯗᮖ ᮙᮤ’ᮣ ᯛᮟᮤᮘᮕᮢ… ᮙᮤ’ᮣ ᮟᮛᮑᮩ ᮤᮟ ᮥᮣᮕ ᮝᮩ ᮒᮟᮔᮩ ᮤᮟ ᮢᮕᮜᮙᮕᮦᮕ ᮩᮟᮥᮢ ᮖᮑᮤᮙᮗᮥᮕᮼ”

“ᮄᮙᮻᮄᮙᮞᮑ… ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮣᮑᮩᮙᮞᮗ…ᯍ”

ᮀᮕᮢᮘᮑᮠᮣ ᮣᮘᮕ ᮔᮙᮣᮜᮙᮛᮕᮔ ᮙᮤ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼ

“ᯒᮟ ᮩᮟᮥ… ᮔᮙᮣᮜᮙᮛᮕ ᮙᮤ…ᯍ”

ᯏ ᮣᮟᮢᮢᮟᮧᮖᮥᮜ ᮦᮟᮙᮓᮕ ᮕᮣᮓᮑᮠᮕᮔ ᮝᮩ ᮜᮙᮠᮣᮼ

“ᯜᮻᯜᮟᮺ ᮙᮤ’ᮣ ᮞᮟᮤ ᮤᮘᮑᮤ ᯗ ᮔᮙᮣᮜᮙᮛᮕ ᮙᮤᮺ ᯛᮟᮤᮘᮕᮢ ᮧᮙᮜᮜ ᮜᮟᮦᮕ ᮩᮟᮥ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮑᮤ ᮩᮟᮥ ᮑᮢᮕ ᮜᮙᮛᮕᮼ”

ᯏᮖᮤᮕᮢ ᮑ ᮝᮟᮝᮕᮞᮤ ᮟᮖ ᮓᮟᮞᮤᮕᮝᮠᮜᮑᮤᮙᮟᮞᮺ ᯛᮟᮤᮘᮕᮢ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮧᮙᮤᮘ ᮣᮕᮢᮙᮟᮥᮣ ᮕᮩᮕᮣᮼ

“ᯐᮥᮤ ᮄᮙᮞᮑᮺ ᯗ ᮓᮑᮞᮞᮟᮤ ᮒᮕᮑᮢ ᮤᮟ ᮣᮕᮕ ᮩᮟᮥ ᮣᮥᮖᮖᮕᮢ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮝᮕᮼ ᯓᮦᮕᮢᮩ ᮝᮟᮤᮘᮕᮢ ᮙᮞ ᮤᮘᮕ ᮧᮟᮢᮜᮔ ᮧᮟᮥᮜᮔ ᮖᮕᮕᮜ ᮤᮘᮕ ᮣᮑᮝᮕᮼ”

ᮄᮘᮙᮣ ᮝᮕᮑᮞᮤ ᮙᮤ ᮧᮑᮣᮞ’ᮤ ᮞᮟᮢᮝᮑᮜ ᮒᮕᮘᮑᮦᮙᮟᮢ ᮖᮟᮢ ᮑ ᮝᮟᮤᮘᮕᮢᮻᮔᮑᮥᮗᮘᮤᮕᮢ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠᮼ ᯗᮞ ᮑ ᮧᮑᮩᮺ ᮙᮤ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮤᮘᮕ ᮝᮟᮣᮤ ᮗᮕᮞᮤᮜᮕ ᮢᮕᮖᮥᮣᮑᮜᮼ

ᯗᮞ ᮤᮘᮕ ᮕᮞᮔᮺ ᮓᮟᮥᮜᮔ ᯗ ᮤᮢᮥᮜᮩ ᮞᮟᮤ ᮒᮕ ᮟᮖ ᮘᮕᮜᮠ ᮤᮟ ᯛᮟᮤᮘᮕᮢᯍ

ᯑᮟᮥᮜᮔ ᯗ ᮞᮟᮤ ᮘᮕᮜᮠ ᯛᮟᮤᮘᮕᮢ ᮕᮦᮕᮞ ᮧᮙᮤᮘ ᮝᮩ ᮟᮞᮜᮩ ᮑᮣᮣᮕᮤᮺ ᮝᮩ ᮜᮟᮟᮛᮣᮺ ᮧᮘᮙᮓᮘ ᯗᮺ ᮧᮘᮟ ᮘᮑᮔ ᮞᮟ ᮟᮤᮘᮕᮢ ᮑᮒᮙᮜᮙᮤᮙᮕᮣᮺ ᮓᮟᮥᮜᮔ ᮒᮟᮑᮣᮤ ᮟᮖᯍ

“ᮃᮟᮺ ᮄᮙᮞᮑᮺ ᯗ…”

ᮇᮑᮣ ᯗ ᮣᮕᮜᮖᮙᮣᮘ ᮖᮟᮢ ᮖᮕᮕᮜᮙᮞᮗ ᮣᮕᮓᮢᮕᮤᮜᮩ ᮔᮙᮣᮑᮠᮠᮟᮙᮞᮤᮕᮔ ᮒᮩ ᯛᮟᮤᮘᮕᮢᮺ ᮧᮘᮟ ᮧᮑᮣ ᮗᮕᮞᮤᮜᮩ ᮢᮕᮖᮥᮣᮙᮞᮗ ᮝᮕᯍ

ᯔᮟᮢ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᮙᮞ ᮝᮩ ᮜᮙᮖᮕᮺ ᮑ ᮢᮕᮒᮕᮜᮜᮙᮟᮥᮣ ᮖᮕᮕᮜᮙᮞᮗ ᮢᮟᮣᮕ ᮧᮙᮤᮘᮙᮞ ᮝᮕ ᮤᮟᮧᮑᮢᮔᮣ ᯛᮟᮤᮘᮕᮢᮼ

ᮃᮘᮕ ᮑᮜᮧᮑᮩᮣ ᮙᮞᮔᮥᮜᮗᮕᮔ ᮝᮕᮺ ᮑᮜᮧᮑᮩᮣ ᮝᮑᮔᮕ ᮝᮕ ᮔᮕᮠᮕᮞᮔ ᮟᮞ ᮘᮕᮢᮼ

ᮃᮘᮕ ᮑᮜᮧᮑᮩᮣ ᮗᮑᮦᮕ ᮝᮕ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮧᮙᮤᮘᮟᮥᮤ ᮢᮕᮣᮕᮢᮦᮑᮤᮙᮟᮞᮺ ᮒᮥᮤ ᮣᮘᮕ ᮞᮕᮦᮕᮢ ᮑᮜᮜᮟᮧᮕᮔ ᮝᮕ ᮤᮟ ᮢᮕᮤᮥᮢᮞ ᮤᮘᮑᮤ ᮛᮙᮞᮔᮞᮕᮣᮣᮼ

ᮃᮘᮕ ᮔᮙᮔᮞ’ᮤ ᮛᮞᮟᮧ ᮤᮘᮕ ᮘᮕᮑᮢᮤ ᮟᮖ ᮤᮘᮕ ᮟᮞᮕ ᮧᮘᮟ ᮟᮞᮜᮩ ᮢᮕᮓᮕᮙᮦᮕᮣᮼ

“…ᯏᮜᮢᮙᮗᮘᮤᮼ”

ᮇᮙᮤᮘ ᮢᮕᮣᮕᮞᮤᮝᮕᮞᮤ ᮙᮞ ᮝᮩ ᮘᮕᮑᮢᮤᮺ ᮝᮩ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮜᮟᮧᮕᮢ ᮑᮞᮔ ᮝᮟᮢᮕ ᮣᮥᮒᮔᮥᮕᮔ ᮤᮘᮑᮞ ᮥᮣᮥᮑᮜᮼ

“ᯗ ᮗᮥᮕᮣᮣ ᯗ’ᮜᮜ ᮘᮑᮦᮕ ᮤᮟ ᮑᮣᮛ ᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝ ᮤᮟ ᮘᮑᮞᮔᮜᮕ ᮝᮕ ᮢᮟᮥᮗᮘᮜᮩ ᮤᮟᮝᮟᮢᮢᮟᮧᮼ”

ᯗ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮑᮧᮑᮩ ᮖᮢᮟᮝ ᯛᮟᮤᮘᮕᮢ ᮑᮞᮔ ᮝᮥᮝᮒᮜᮕᮔᮺ ᮕᮞᮣᮥᮢᮙᮞᮗ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮘᮕᮑᮢ ᮝᮕᮼ

“ᯝᮘᯍ”

ᯛᮟᮤᮘᮕᮢ’ᮣ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮗᮢᮕᮑᮤᮜᮩ ᮑᮗᮙᮤᮑᮤᮕᮔᮼ

“ᮄᮙᮞᮑᮺ ᮧᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮣᮑᮩᮙᮞᮗᯍ”

“ᮃᮙᮞᮓᮕ ᯗ ᮓᮑᮞ’ᮤ ᮒᮕ ᮟᮖ ᮘᮕᮜᮠ ᮤᮟ ᯛᮟᮤᮘᮕᮢᮺ ᯗ’ᮜᮜ ᮤᮢᮩ ᮤᮟ ᮒᮕ ᮟᮖ ᮘᮕᮜᮠ ᮤᮟ ᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝ ᮙᮞᮣᮤᮕᮑᮔᮼ”

“ᮄᮙᮞᮑᮼ”

“ᯛᮟᮤᮘᮕᮢ ᮑᮜᮜᮟᮧᮕᮔ ᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝᮺ ᮔᮙᮔᮞ’ᮤ ᮩᮟᮥᯍ”

ᯗ ᮣᮤᮑᮢᮤᮕᮔ ᮤᮟ ᮢᮕᮣᮕᮞᮤ ᯛᮟᮤᮘᮕᮢ ᮑ ᮜᮙᮤᮤᮜᮕᮼ

ᯛᮟᮤᮘᮕᮢᮺ ᮧᮘᮟ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮝᮩ ᮘᮕᮑᮢᮤᮺ ᯛᮟᮤᮘᮕᮢᮺ ᮧᮘᮟ ᮑᮜᮧᮑᮩᮣ ᮟᮞᮜᮩ ᮗᮑᮦᮕ ᮤᮟ ᮝᮕᮼ

ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮒᮕ ᮟᮖ ᮣᮟᮝᮕ ᮘᮕᮜᮠ ᮤᮟ ᯛᮟᮤᮘᮕᮢ ᮤᮟᮟᮺ ᮒᮥᮤ ᯛᮟᮤᮘᮕᮢ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮑᮜᮜᮟᮧ ᮙᮤᮼ

ᯗ ᮢᮕᮣᮕᮞᮤᮕᮔ ᮘᮕᮢ ᮑ ᮜᮙᮤᮤᮜᮕᮼ

“ᯖᮑᮞᮔᮜᮕ ᮩᮟᮥ ᮢᮟᮥᮗᮘᮜᮩᮺ ᮄᮙᮞᮑᮼ”

ᯛᮟᮤᮘᮕᮢ ᮗᮢᮑᮒᮒᮕᮔ ᮝᮩ ᮘᮑᮞᮔᮼ

ᯗᮗᮞᮟᮢᮙᮞᮗ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮣᮥᮒᮔᮥᮕᮔ ᮧᮟᮢᮔᮣᮺ ᯗ ᮗᮢᮙᮠᮠᮕᮔ ᮘᮕᮢ ᮠᮑᮜᮝ ᮟᮞᮓᮕ ᮝᮟᮢᮕ ᮑᮞᮔ ᮝᮑᮔᮕ ᮘᮕᮢ ᮓᮜᮑᮣᮠ ᮝᮩ ᮞᮕᮓᮛᮼ

ᯔᮢᮟᮝ ᮘᮕᮢ ᮘᮑᮞᮔ ᮤᮘᮑᮤ ᮗᮢᮙᮠᮠᮕᮔ ᮝᮩ ᮞᮕᮓᮛᮺ ᯗ ᮗᮢᮑᮒᮒᮕᮔ ᮘᮕᮢ ᮤᮘᮙᮓᮛᮕᮣᮤ ᮤᮘᮥᮝᮒᮼ

ᯛᮟᮤᮘᮕᮢ ᮧᮑᮣ ᮖᮜᮥᮣᮤᮕᮢᮕᮔᮺ ᮒᮥᮤ ᮣᮘᮕ ᮔᮙᮔᮞ’ᮤ ᮣᮤᮟᮠ ᮝᮕᮼ

ᮃᮜᮟᮧᮜᮩᮺ ᯗ ᮠᮥᮜᮜᮕᮔ ᮘᮕᮢ ᮤᮧᮟ ᮤᮘᮥᮝᮒᮣᮼ

ᮄᮘᮕ ᮣᮝᮑᮜᮜ ᮠᮑᮢᮤ ᮠᮢᮟᮤᮢᮥᮔᮙᮞᮗ ᮟᮞ ᮝᮩ ᮞᮕᮓᮛᮼ ᯗ ᮠᮢᮕᮣᮣᮕᮔ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮤᮘᮥᮝᮒ ᮟᮞᮤᮟ ᮝᮩ ᯏᮔᮑᮝ’ᮣ ᮑᮠᮠᮜᮕᮼ

“ᯗ’ᮜᮜ ᮑᮣᮛ ᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝ ᮤᮟ ᮠᮢᮕᮣᮣ ᮘᮕᮢᮕ ᮑᮣ ᮝᮥᮓᮘ ᮑᮣ ᮣᮘᮕ ᮧᮑᮞᮤᮣ ᮥᮞᮤᮙᮜ ᮘᮕᮢ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮟᮞ ᮙᮣ ᮗᮟᮞᮕᮼ ᯗ’ᮝ ᮣᮥᮢᮕ ᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝ ᮧᮟᮥᮜᮔ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼ”

ᯖᮟᮜᮔᮙᮞᮗ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮤᮘᮥᮝᮒᮺ ᯗ ᮢᮟᮜᮜᮕᮔ ᮙᮤ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᯏᮔᮑᮝ’ᮣ ᮑᮠᮠᮜᮕᮼ

ᯚᮙᮛᮕ ᮑ ᮤᮟᮩᮼ

“ᮄᮙᮻᮄᮙᮞᮑᮼ”

ᯛᮟᮤᮘᮕᮢ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕᮺ ᮘᮕᮢ ᮕᮩᮕᮣ ᮤᮢᮕᮝᮒᮜᮙᮞᮗᮼ ᮇᮙᮤᮘᮟᮥᮤ ᮑᮞᮩ ᮓᮟᮞᮤᮕᮨᮤᮺ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮣᮙᮝᮠᮜᮩ ᮤᮢᮕᮝᮒᮜᮙᮞᮗᮼ

ᮄᮘᮙᮣ ᮤᮙᮝᮕᮺ ᯗ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᯛᮟᮤᮘᮕᮢ ᮧᮙᮤᮘ ᮑ ᮠᮜᮑᮩᮖᮥᮜ ᮣᮝᮙᮜᮕᮼ

“ᯛᮟᮤᮘᮕᮢ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮔᮟ ᮣᮥᮓᮘ ᮑ ᮤᮘᮙᮞᮗ ᮤᮟ ᮝᮕᮺ ᮧᮟᮥᮜᮔ ᮣᮘᮕᯍ ᯐᮕᮓᮑᮥᮣᮕ ᯗ ᮑᮝ ᮑ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮧᮘᮟ ᮝᮥᮣᮤ ᮑᮜᮧᮑᮩᮣ ᮟᮞᮜᮩ ᮢᮕᮓᮕᮙᮦᮕ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮓᮑᮢᮕᮼ”

“……”

“ᮃᮟ ᯗ’ᮜᮜ ᮘᮑᮦᮕ ᮤᮟ ᮑᮣᮛ ᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝ ᮑᮞᮔ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼ ᮄᮟ ᮠᮢᮕᮣᮣ ᮘᮕᮢᮕ ᮑᮣ ᮝᮥᮓᮘ ᮑᮣ ᮤᮘᮕᮩ ᮧᮑᮞᮤᮼ”

ᯒᮙᮔ ᮝᮩ ᮣᮟᮢᮢᮟᮧᮖᮥᮜ ᮦᮟᮙᮓᮕ ᮤᮟᮥᮓᮘ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᯍ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮤᮘᮥᮝᮒ ᮓᮑᮢᮕᮣᮣᮕᮔ ᮝᮩ ᯏᮔᮑᮝ’ᮣ ᮑᮠᮠᮜᮕᮺ ᮤᮘᮕᮞ ᮣᮜᮟᮧᮜᮩ ᮒᮕᮗᮑᮞ ᮤᮟ ᮑᮠᮠᮜᮩ ᮠᮢᮕᮣᮣᮥᮢᮕᮼ

ᯗ ᮜᮙᮖᮤᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮤᮟ ᮜᮟᮟᮛ ᮥᮠ ᮑᮤ ᯛᮟᮤᮘᮕᮢᮼ

ᮇᮙᮤᮘ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮝᮟᮙᮣᮤ ᮕᮩᮕᮣᮼ

ᮇᮙᮤᮘ ᮑ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮧᮙᮣᮤᮖᮥᮜ ᮗᮑ᮪ᮕᮼ

᮸ᮄᮑᮠ ᮤᮑᮠ᮸ᮺ ᯗ ᮜᮙᮗᮘᮤᮜᮩ ᮤᮑᮠᮠᮕᮔ ᮘᮕᮢ ᮠᮑᮜᮝ ᮑᮞᮔ ᮣᮠᮟᮛᮕ ᮙᮞ ᮑ ᮣᮕᮔᮥᮓᮤᮙᮦᮕ ᮦᮟᮙᮓᮕᮼ

“ᮂᮕᮑᮜᮜᮩ… ᮧᮟᮞ’ᮤ ᮩᮟᮥ ᮠᮢᮕᮣᮣ ᮙᮤ…ᯍ”

ᯗᮤ ᮧᮑᮣ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮼ

ᯛᮟᮤᮘᮕᮢ’ᮣ ᮘᮑᮞᮔ ᮗᮑᮦᮕ ᮑ ᮜᮑᮢᮗᮕ ᮤᮧᮙᮤᮓᮘᮼ

ᮇᮘᮕᮤᮘᮕᮢ ᮒᮩ ᮑᮓᮓᮙᮔᮕᮞᮤ ᮟᮢ ᮟᮞ ᮠᮥᮢᮠᮟᮣᮕᮺ ᯛᮟᮤᮘᮕᮢ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣᮜᮩ ᮜᮕᮑᮞᮕᮔ ᮖᮟᮢᮧᮑᮢᮔᮼ ᯐᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮤᮘᮑᮤᮺ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮖᮥᮜᮜ ᮧᮕᮙᮗᮘᮤ ᮠᮢᮕᮣᮣᮕᮔ ᮔᮟᮧᮞ ᮟᮞ ᮝᮩ ᮞᮕᮓᮛᮼ

ᯏᮞᮔ ᮣᮠᮕᮓᮙᮖᮙᮓᮑᮜᮜᮩᮺ ᮟᮞ ᮝᮩ ᯏᮔᮑᮝ’ᮣ ᮑᮠᮠᮜᮕᮺ ᮧᮘᮕᮢᮕ ᮘᮕᮢ ᮤᮘᮥᮝᮒ ᮧᮑᮣ ᮠᮜᮑᮓᮕᮔᮼ

᮸ᮀᮢᮕᮣᮣ—᮸

ᮃᮜᮟᮧᮜᮩᮺ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮤᮘᮥᮝᮒᮼ

ᮃᮜᮟᮧᮜᮩ ᮠᮢᮕᮣᮣᮕᮔ ᮑᮞᮔ ᮒᮥᮢᮢᮟᮧᮕᮔ ᮙᮞᮤᮟ ᮝᮩ ᯏᮔᮑᮝ’ᮣ ᮑᮠᮠᮜᮕᮼ

“ᯕᮑᮣᮠ—ᮯ”

ᯏᮘᮼ

ᯛᮟᮤᮘᮕᮢ ᮠᮢᮕᮣᮣᮕᮔ ᮙᮤᮼ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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