Tales of the Taisho Era Flowers Bloom Late

Chapter 138

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ႧႱჃ ႹჄ Ⴑ ჃႹႽჀႼႵ ႽႹჃჄႱႻႵლ ႿჂ ႴႹႴ ჄႸႵ ჆ႹႿႼႵႾႳႵ ႴႵႵჀႼ჉ ჂႿႿჄႵႴ ჇႹჄႸႹႾ ჻ႿჄႸႵჂ ჃჅႴႴႵႾႼ჉ ႵჂჅჀჄჭ

ჷჄ ჇႱჃ Ⴑ ჆ႵჂ჉ ႲჂႹႵႶ ႽႿႽႵႾჄნ ჷႾ ჄႸႱჄ ႹႾჃჄႱႾჄლ ჻ႿჄႸႵჂვჃ ჄჇႿ ჄႸჅႽႲჃ ჀჂႵჃჃႵႴ ႸႱჂႴ ႱႷႱႹႾჃჄ Ⴝ჉ ჯႴႱႽვჃ ႱჀჀႼႵნ

“ჵႱჃჀ჏ ႥჂႻჭ჏”

჻჉ ႲႿႴ჉ ჂႵႱႳჄႵႴ ႹႽႽႵႴႹႱჄႵႼ჉ნ ႤႸႵ ჀႱႹႾ ႿႶ Ⴝ჉ ჯႴႱႽვჃ ႱჀჀႼႵ ႲႵႹႾႷ ႳჂჅჃႸႵႴ ჇႱჃ Ⴑ ႳႿႽჀႼႵჄႵႼ჉ ႴႹႶႶႵჂႵႾჄ ჃႵႾჃႱჄႹႿႾ ႶჂႿႽ ჃႹႽჀႼ჉ ႲႵႹႾႷ ႳႸႿႻႵႴნ

ჯ ႽႵჄႱႼႼႹႳმჄႱჃჄႹႾႷ ჀႱႹႾ ႳႼႹႽႲႵႴ ჅჀ Ⴝ჉ ჄႸჂႿႱჄლ ႱႾႴ ႾႱჅჃႵႱ ჃჅჂႷႵႴლ ႶႹႼႼႹႾႷ ႽႵ ჄႿ ჄႸႵ ჄႿჀ ႿႶ Ⴝ჉ ႸႵႱႴნ

“ႥႷႸნნნ჏ ႥჂႻლ ႲႼႵႳႸნნნ”

ჷႾ ჄႸႵ ႵႾႴლ ჷ ႱႼႽႿჃჄ ႳႿჅႼႴႾვჄ ႸႿႼႴ ႹჄ ႹႾ ႱႾႴ ႾႵႱჂႼ჉ ჆ႿႽႹჄႵႴლ ႲჅჄ ჄႸႱႾႻႶჅႼႼ჉ლ ႹჄ ႵႾႴႵႴ ჇႹჄႸ ႴჂ჉ ႸႵႱ჆ႵჃნ

“ႤႹმႤႹႾႱ჏ ჯჂႵ ჉ႿჅ ႱႼჂႹႷႸჄჭ჏”

჻ႿჄႸႵჂ ჅჂႷႵႾჄႼ჉ ჃჅჀჀႿჂჄႵႴ ႽႵნ ჶႵჂ ႸႱႾႴჃ ჇႵჂႵ ჃჅႲჄႼ჉ ჄჂႵႽႲႼႹႾႷლ ႱႾႴ ႸႵჂ ჇႹႴႵႼ჉ ჃႸႱႻႹႾႷ Ⴕ჉ႵჃ ႳႼႵႱჂႼ჉ ჂႵ჆ႵႱႼႵႴ ႸႿჇ ႶႼჅჃჄႵჂႵႴ ჃႸႵ ჇႱჃნ

აჷმჷვႽ ჃႿჂჂ჉ნ ჻჉ ႱჂႽ ჄႵႾჃႵႴ ჅჀ ႶႿჂ Ⴑ ႽႿႽႵႾჄნნნა

ჯ ႳႼႵႱჂ ႼႹႷႸჄ ႿႶ ჂႵႷჂႵჄ ჇႱჃ ႹႾ ჻ႿჄႸႵჂვჃ Ⴕ჉ႵჃნ ႠႵჂႸႱჀჃ ჄႸႵ ႶႱႳჄ ჄႸႱჄ ჃႸႵ ႸႱႴ ႸჅჂჄ ႸႵჂ ႴႱჅႷႸჄႵჂ ႳႱႽႵ ჄႿ ႸႵჂ ႱჃ ႷჅႹႼჄნ

ჷ ႷჂႱႲႲႵႴ ჻ႿჄႸႵჂვჃ ႸႱႾႴ ႱჃ ႹჄ ႽႿ჆ႵႴ ႱჇႱ჉ნ ႤႸႵႾ ჷ ჀჅႼႼႵႴ ႹჄ ႲႱႳႻ ჇႹჄႸ ႶႿჂႳႵლ ႲჂႹႾႷႹႾႷ ႹჄ ჄႿ Ⴝ჉ ႾႵႳႻ ႱႷႱႹႾნ

აჷნნნ ჷ ႼႹႻႵႴ ႹჄნა

აႩႿჅ ႼႹႻႵႴ ႹჄჭა

ჱႿႾႶჅჃႹႿႾ ჃჀჂႵႱႴ ႹႾ ჻ႿჄႸႵჂვჃ Ⴕ჉ႵჃნ ჷჄ ႸႱႴ ჄჂჅႼ჉ ႲႵႵႾ Ⴑ ႼႿႾႷ ჄႹႽႵ ჃႹႾႳႵ ჷ ႸႱႴ ჃႵႵႾ ႸႵჂ ჃႿ ჃႸႱႻႵႾნ

ა჻ႿჄႸႵჂლ ႶႿჂ ႽႵნ ႩႿჅჂ ႸႱჀჀႹႾႵჃჃ ႹჃ ჄႵႾ ჄႹႽႵჃლ ႾႿლ Ⴑ ႸჅႾႴჂႵႴ ჄႹႽႵჃ ႽႿჂႵ ႺႿ჉ႶჅႼ ჄႸႱႾ Ⴝ჉ ႿჇႾ ႸႱჀჀႹႾႵჃჃნა

ႤႸႱჄ ჇႱჃ ჄႸႵ ჄჂჅჄႸნ

ჷႶ ჻ႿჄႸႵჂ ႳႿჅႼႴ ႲႵ ႸႱჀჀ჉ Ⴕ჆ႵႾ ႹႶ ႹჄ ႽႵႱႾჄ ჃႱႳჂႹႶႹႳႹႾႷ Ⴝ჉ ႿჇႾ ႲႿႴ჉ლ ჄႸႱჄ ჇႿჅႼႴ ჂႵჄჅჂႾ ჄႿ ႽႵ ႱჃ ႱႾ Ⴕ჆ႵႾ ႷჂႵႱჄႵჂ ႸႱჀჀႹႾႵჃჃნ

ႧႿჅႼႴႾვჄ ჻ႿჄႸႵჂ ႶႵႵႼ ჄႸႵ ჃႱႽႵ ჇႱ჉ჭ

აჷႶ ჉ႿჅვჂႵ ჃႱႴლ ჻ႿჄႸႵჂლ ჷვႽ ჄჇႹႳႵ ႱჃ ჃႱႴნ ჷႶ ჉ႿჅვჂႵ ჃჄჂჅႷႷႼႹႾႷლ ჷ ჃჄჂჅႷႷႼႵ ႽႱႾ჉ ჄႹႽႵჃ Ⴟ჆ႵჂნა

ჷ ႳႿႾჄႹႾჅႵႴ ჃჀႵႱႻႹႾႷლ ႼႿႿႻႹႾႷ ႹႾჄႿ ჻ႿჄႸႵჂვჃ Ⴕ჉ႵჃ ႱჃ ჃႸႵ ႷႱ჊ႵႴ ႴႿჇႾ ႱჄ ႽႵნ

აჰႵႹႾႷ ႼႿ჆ႵႴ Ⴒ჉ ჉ႿჅ ႹჃ ႸႱჀჀႹႾႵჃჃლ ႲჅჄ ႲႵႹႾႷ ႱႲႼႵ ჄႿ ႸႵႼჀ ჉ႿჅ ჇႹႼႼ ႴႵႶႹႾႹჄႵႼ჉ ႽႱႻႵ ႽႵ Ⴕ჆ႵႾ ႸႱჀჀႹႵჂნა

აႤႹႾႱნნნა

აႣႿნნნ ჄႸႹჃ ႹჃ ႶႿჂ Ⴝ჉ ჃႱႻႵნა

ჷ ႳႱჂႵႶჅႼႼ჉ ჄႿႿႻ ჻ႿჄႸႵჂვჃ ჄႸჅႽႲ ႱႾႴ ჀႼႱႳႵႴ ႹჄ ႿႾ Ⴝ჉ ჯႴႱႽვჃ ႱჀჀႼႵნ

აჴႿჂ Ⴝ჉ ჃႱႻႵნნნ ႳႿჅႼႴႾვჄ ჉ႿჅ ႽႱႻႵ ჉ႿჅჂჃႵႼႶ ႶႵႵႼ ႷႿႿႴჭა

აႤႹმႤႹႾႱლ ႲჅჄნნნა

აႩႿჅვႼႼ ႴႵႶႹႾႹჄႵႼ჉ ႶႵႵႼ ႷႿႿႴნა

ႤႸႵ ჆ႹႿႼႵႾႳႵ ჄႸႱჄ ႸჅႽႱႾჃ ႸႹႴႵ ႴႵႵჀ ჇႹჄႸႹႾ ჄႸႵႽჃႵႼ჆ႵჃნ ჻ႿჃჄ ჀႵႿჀႼႵ ჄჂ჉ ჄႿ ჃჅჀჀჂႵჃჃ ႹჄ ႱႾႴ ႼႹ჆Ⴕ ႿႾნ ჰჅჄ ႹჄვჃ ႿႾႼ჉ ჃჅჀჀჂႵჃჃႵႴნ ჷჄ ႾႵ჆ႵჂ ႴႹჃႱჀჀႵႱჂჃნ

ჷჄ ႽჅჃჄ ႲႵ ჄႸႵ ჃႱႽႵ ႶႿჂ ჻ႿჄႸႵჂნ

აჼႿჄ ႶႿჂ ჉ႿჅჂჃႵႼႶლ ჻ႿჄႸႵჂლ ႲჅჄ ႶႿჂ Ⴝ჉ ჃႱႻႵნნნ ႳႿჅႼႴႾვჄ ჉ႿჅ ჂႵႼႵႱჃႵ ႱႼႼ ჄႸႵ ႴႵჃႹჂႵჃ ჇႹჄႸႹႾ ჉ႿჅჭა

ჶႵჃႹჄႱჄႹႿႾ ჃჄႹႼႼ ႼႹႾႷႵჂႵႴ ႹႾ ჻ႿჄႸႵჂვჃ Ⴕ჉ႵჃნ

ႣჅႴႴႵႾႼ჉ლ ჷ ჂႵႽႵႽႲႵჂႵႴ ჻ႿჄႸႵჂვჃ ჅჃჅႱႼ ჃႵႼႶლ ႸႿჇ ႽჅႳႸ ჃႸႵ ႼႿ჆ႵႴ Ⴝ჉ იႱႵႷ჉Ⴟინ ჳ჆ႵႾ ჇႸႵႾ ჃႸႵ ჇႱჃ ႱႾႷჂ჉ლ ႹႶ ჷ ႱႳჄႵႴ ႳჅჄႵ ႵႾႿჅႷႸლ ჃႸႵ ჇႿჅႼႴ ჁჅႹႳႻႼ჉ ႳႱႼႽ ႴႿჇႾნ

ჷ ႶႵႼჄ Ⴑ ჃႼႹႷႸჄ ჀႱႾႷ ႿႶ ႷჅႹႼჄლ ႱჃ ႹႶ ჷ ჇႵჂႵ ჄႱႻႹႾႷ ႱႴ჆ႱႾჄႱႷႵ ႿႶ ჻ႿჄႸႵჂვჃ ჇႵႱႻႾႵჃჃნნნ ႲჅჄ ჄႸႹჃ ჇႱჃ ႶႿჂ ჻ႿჄႸႵჂლ ჃႿ ႹჄ ჇႱჃ ႱႼჂႹႷႸჄნ

ჷ ႼႿჇႵჂႵႴ ჄႸႵ ႳႿჂႾႵჂჃ ႿႶ Ⴝ჉ Ⴕ჉ႵჃ ჃႼႹႷႸჄႼ჉ ႱႾႴ ႼႿႿႻႵႴ ჅჀ ႱჄ ჻ႿჄႸႵჂ ჇႹჄႸ Ⴕ჉ႵჃ ჃჀႱჂႻႼႹႾႷ ႽႿჂႵ ჄႸႱႾ ჅჃჅႱႼნ ႤႸႵႾ ჷ ჇႸႹჃჀႵჂႵႴ ႹႾ Ⴑ ჃჇႵႵჄლ ႳႿႱ჈ႹႾႷ ჆ႿႹႳႵნ

აჱႱႾვჄ ჉ႿჅლ ჻ႱႽႱნნნჭა

აჵႱႸ჏ა

჻ႱႽႱ

ჯჄ ჄႸႱჄ ႿႾႵ ჇႿჂႴლ ჻ႿჄႸႵჂ ჇႱჃ ჃჄႱჂჄႼႵႴ ႱႾႴ ჂႵႳႿႹႼႵႴნ

ჰჂႵႱჄႸႹႾႷ ჂႿჅႷႸႼ჉ლ ႸႵჂ ႶႱႳႵ ჂႵႴႴႵჂ ჄႸႱႾ ჅჃჅႱႼლ ჻ႿჄႸႵჂ ჄჅჂႾႵႴ ႸႵჂ ႷႱ჊Ⴕ ႱჇႱ჉ ႶჂႿႽ ႽႵნ ႤႸႵႾლ ჇႹჄႸ ჄჂႵႽႲႼႹႾႷ ႸႱႾႴჃლ ჃႸႵ ჀჅჃႸႵႴ ႿႶႶ ჄႸႵ ႶႼႿႿჂ ႱႾႴ ჃჄႿႿႴ ჅჀნ

აჷჄვჃ ႸႿჄნ ჷვႼႼ ႷႿ ႶႿჂ Ⴑ ჃႸႿჂჄ ჇႱႼႻლ ჃႿ ჉ႿჅ ႷႿ ჄႿ ჃႼႵႵჀ ႶႹჂჃჄნა

აჶჅႸჭ ჻Ⴕლ ჄႸႵႾ ႽႵ ჄႿႿმა

აჼႿლ ჉ႿჅ ჃႼႵႵჀ ႶႹჂჃჄნ ჷვႼႼ ႷႿ ႱႼႿႾႵნა

ႧႹჄႸ ჄႸႿჃႵ ჇႿჂႴჃლ ჻ႿჄႸႵჂ ჂႵჄჂႵႱჄႵႴ ႿჅჄ ႿႶ ჄႸႵ ႲႵႴჂႿႿႽ ႱჃ ႹႶ ႶႼႵႵႹႾႷნ

ჷ ჃჄႱჂႵႴ ႲႼႱႾႻႼ჉ ႱჄ ჄႸႵ ႵႽჀჄ჉ ჃჀႱႳႵ ჇႸႵჂႵ ჻ႿჄႸႵჂ ႸႱႴ ႲႵႵႾ Ⴑ ႽႿႽႵႾჄ ႱႷႿლ ႽჅჄჄႵჂႹႾႷ ჄႿ Ⴝ჉ჃႵႼႶნ

ანნნჰ჉ Ⴝ჉ჃႵႼႶჭა

ႩႿჅ ჃႱႹႴ ჇႵვႴ ჃႼႵႵჀ ჄႿႷႵჄႸႵჂნ

ႤႸႵ ႾႵ჈Ⴤ ႽႿჂႾႹႾႷ ႱჂჂႹ჆ႵႴლ ႲჂႹႷႸჄ ႱႾႴ ႳႼႵႱჂ ႱჃ ჅჃჅႱႼნ

ႤႸႵ ჰႼႱႾႳ ႶႱႽႹႼ჉ვჃ ႽႱႾჃႹႿႾლ ႵჃჀႵႳႹႱႼႼ჉ ჇႵႼႼმႼႹჄ Ⴒ჉ ჄႸႵ ჃჅႾლ Ⴕ჈ჅႴႵႴ Ⴑ ႲჂႹႷႸჄႵჂ ႱჅჂႱ ჄႸႱႾ ႱႾ჉ ႿჄႸႵჂ ჀႼႱႳႵნ

აႤႱႻႵ ႳႱჂႵლ ႱႾႴ ႷႹ჆Ⴕ Ⴝ჉ ჂႵႷႱჂႴჃ ჄႿ ჄႸႵ ႣႱႹႾჄႵჃჃმႾႹႽნა

჻ႿჄႸႵჂ ჃჄჂႿႻႵႴ Ⴝ჉ ႸႵႱႴ ჇႹჄႸ Ⴑ ႶႱႹႾჄ ჃႽႹႼႵნ ჶႵჂ ႴႵႽႵႱႾႿჂ ჇႱჃ ႱჃ ႷႵႾჄႼႵ ႱჃ ჅჃჅႱႼლ ႲჅჄ Ⴝ჉ ႳႸႵႵႻჃ ჇႵჂႵ ჀჅႶႶႵႴ ႿჅჄ ႹႾ ႴႹჃႱჀჀႿႹႾჄႽႵႾჄნ

აႩႵჃნა

჻჉ ჃႸႿჂჄ ჂႵჀႼ჉ ჇႱჃ ჃႿႽႵჇႸႱჄ ႳႿႼႴნ ჷ ჃႹႽჀႼ჉ ႳႿჅႼႴႾვჄ ႸႹႴႵ Ⴝ჉ ႴႹჃႱჀჀႿႹႾჄႽႵႾჄნ

჻ႿჄႸႵჂ ႸႱႴ ႼႵႶჄ ჄႸႵ ჀჂႵ჆ႹႿჅჃ ႾႹႷႸჄ ჃႱ჉ႹႾႷ ჃႸႵ ჇႿჅႼႴ ႷႿ ႶႿჂ Ⴑ ჇႱႼႻლ ႱႾႴ ჄႸႵႾ ႸႱႴႾვჄ ჂႵჄჅჂႾႵႴ ႶႿჂ Ⴑ ႼႿႾႷ ჄႹႽႵნ

ႥႾჄႹႼ ჷ ႶႹႾႱႼႼ჉ ႶႵႼႼ ႱჃႼႵႵჀნ

ႧႸႵႾ ჷ ႱჃႻႵႴ ჄႸႵ ႾႵ჈Ⴤ ႴႱ჉ლ ჻ႿჄႸႵჂ ჃႱႹႴ ჃႸႵ ႸႱႴ ჃჀႵႾჄ ჄႸႵ ႾႹႷႸჄ ႹႾ Ⴝ჉ ႲႵႴჂႿႿႽლ ႾႿჄ ჇႹჄႸ ႽႵნ

ჷႶ ჄႸႱჄ ჇႱჃ ჄႸႵ ႳႱჃႵლ ჇႿჅႼႴႾვჄ ႹჄ ႸႱ჆Ⴕ ႲႵႵႾ ႲႵჄჄႵჂ ჄႿ ႺჅჃჄ ႻႹႳႻ ႽႵ ႿჅჄჭ

ჶႽჀႸნ

ჷ ႸႱႴ ႲႵႵႾ ჇႿჂჂႹႵႴ ჄႸႱჄ ჻ႿჄႸႵჂ ႽႹႷႸჄ ႴႹჃჄႱႾႳႵ ႸႵჂჃႵႼႶ ႶჂႿႽ ႽႵ ႲႵႳႱჅჃႵ ႿႶ Ⴝ჉ ႱႳჄႹႿႾჃ ჉ႵჃჄႵჂႴႱ჉ლ ႲჅჄ ჃႸႵ ჃჄႹႼႼ ჃჀႿႻႵ ჄႿ ႽႵ ჇႹჄႸ ႼႿ჆ႹႾႷ Ⴕ჉ႵჃნ

ჷჄ ჇႱჃ ႱჃ ႹႶ ჃႸႵ ႹႾჄႵႾႴႵႴ ჄႿ ႲჅჂ჉ ჉ႵჃჄႵჂႴႱ჉ვჃ Ⴕ჆ႵႾჄჃნ

ჷჄ ჃႵႵႽჃ ჻ႿჄႸႵჂ ႸႱჃ ႾႿ ႹႾჄႵႾჄႹႿႾ ႿႶ ჂႵႼႵႱჃႹႾႷ ႸႵჂ ႴႵჃႹჂႵჃ ჇႹჄႸ Ⴝ჉ ႲႿႴ჉ნ

ანნნႤႸႵႾლ ჷვႼႼ ႲႵ ႷႿႹႾႷნა

ჷ ჃႱႹႴ ႷႿႿႴႲ჉Ⴕ ჄႿ ჻ႿჄႸႵჂ ႹႾ Ⴑ ჇႵႱႻ ჆ႿႹႳႵ ႱႾႴ ႲႿႱჂႴႵႴ ჄႸႵ ႳႱჂჂႹႱႷႵნ

჻ႿჄႸႵჂ ႸႵჃႹჄႱჄႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ჄႸႵႾ ႷႵႾჄႼ჉ ჀჂႵჃჃႵႴ ႸႵჂ ႼႹჀჃ ჄႿ Ⴝ჉ ႶႿჂႵႸႵႱႴნ

აჷ ႼႿ჆Ⴕ ჉ႿჅლ Ⴝ჉ ႴႱჅႷႸჄႵჂნ ჻ႿჂႵ ჄႸႱႾ ႱႾ჉ႿႾႵ ႹႾ ჄႸႵ ჇႿჂႼႴნა

ანნნ჻Ⴕ ჄႿႿნა

ႣჄႹႼႼლ ჷ ႴႹႴႾვჄ ჇႱႾჄ ჄႿ ჀႱჂჄ ჃႿ ჇႵႱႻႼ჉ლ ჃႿ ჷ ႿႶႶႵჂႵႴ ჻ႿჄႸႵჂ Ⴑ ႶႱႹႾჄ ჃႽႹႼႵ ႱჃ Ⴑ ႶႹႾႱႼ ႶႱჂႵჇႵႼႼნ

ႣႿႿႾ ႱႶჄႵჂლ ჄႸႵ ႳႱჂჂႹႱႷႵ ჃႵჄ ႿႶႶ ჄႿჇႱჂႴჃ ჺႹႼႼႹႱႾვჃ ႽႱႾჃႹႿႾნ

ჷ ႸჅႷႷႵႴ ჄႸႵ ႷႹႶჄ ჷ ႸႱႴ ჀჂႵჀႱჂႵႴ ႶႿჂ ჺႹႼႼႹႱႾ ႱႾႴ ჄჅჂႾႵႴ Ⴝ჉ ႷႱ჊Ⴕ ႿჅჄ ჄႸႵ ჇႹႾႴႿჇნ

ჷ ႶႵႼჄ Ⴑ ႼႹჄჄႼႵ ႸႵႼჀႼႵჃჃნ

ჷ ჄႸႿჅႷႸჄ Ⴝ჉ ჀჂႵჄჄ჉ ႱჀჀႵႱჂႱႾႳႵ ჇႱჃ Ⴝ჉ ႷჂႵႱჄႵჃჄ ႱჃჃႵჄ ჂႹႷႸჄ ႾႿჇლ ႲჅჄ ႹჄ ჃႵႵႽႵႴ ჄႿ ႸႱ჆Ⴕ ႾႿ ႵႶႶႵႳჄ ႿႾ ჻ႿჄႸႵჂ ႱჄ ႱႼႼნ

ჼႿლ ჀႵჂႸႱჀჃ ჷვႽ ႾႿჄ ჄႸႱჄ ႱჄჄჂႱႳჄႹ჆Ⴕ ႱႶჄႵჂ ႱႼႼნ

ႤႸႹႾႻႹႾႷ ႱႲႿჅჄ ႹჄლ ჷ ႴႿႾვჄ ႸႱ჆Ⴕ Ⴑ ႶჅႼႼ ႲჅჃჄ ႼႹႻႵ ჻ႿჄႸႵჂლ ႾႿჂ ჄႸႵ ႹႾჄႵႾჃႵ ႳႸႱჂႹჃႽႱ ႿႶ ႦႹ჆ႹႱႾႱლ ႾႿჂ ჄႸႵ ႲჂႹႷႸჄ ႱႾႴ ႳႸႵႵჂႶჅႼ ႴႵႽႵႱႾႿჂ ႿႶ ჺႹႼႼႹႱႾნ

ჷ ႸႱ჆Ⴕ Ⴑ ჀჂႵჄჄ჉ ႶႱႳႵლ ႲჅჄ ႹჄ ჃႵႵႽჃ ჄႹႽႹႴლ ႱႾႴ ႹჄ ႶႵႵႼჃ ႼႹႻႵ ჷ ႴႿႾვჄ ႸႱ჆Ⴕ ႱႾ჉ ႳႼႵႱჂ ႱႴ჆ႱႾჄႱႷႵჃნ

ႠႵჂႸႱჀჃ Ⴝ჉ ႳႸႱჂႽ ႴႹႴႾვჄ ჂႵႱႳႸ ჻ႿჄႸႵჂვჃ ႸႵႱჂჄნ

აჯႽ ჷნნნ ჅႾႱჄჄჂႱႳჄႹ჆Ⴕჭა

ႤႸႹჃ ჄႸႿჅႷႸჄ ჃჅႴႴႵႾႼ჉ ႳჂႿჃჃႵႴ Ⴝ჉ ႽႹႾႴნ

ჱႿჅႼႴ ႹჄ ႲႵ ჄႸႱჄ ჷვႽ ჃႿ ჅႾႱჄჄჂႱႳჄႹ჆Ⴕ ჄႸႱჄ ჻ႿჄႸႵჂ ႴႿႵჃႾვჄ Ⴕ჆ႵႾ ႶႵႵႼ ႼႹႻႵ ჄႿჂႽႵႾჄႹႾႷ ႽႵჭ

ჶႿჇႵ჆ႵჂლ ჷ ჃႿႿႾ ჂႵႱႼႹ჊ႵႴ ჄႸႹჃ ჄႸႿჅႷႸჄ ჇႱჃ ჇჂႿႾႷ ႱႶჄႵჂ ႱჂჂႹ჆ႹႾႷ ႱჄ ჺႹႼႼႹႱႾვჃ ႽႱႾჃႹႿႾნ

ჰႵႳႱჅჃႵ Ⴝ჉ იႱႵႷ჉Ⴟი ჇႿჂႻႵႴ ႹႽႽႵႴႹႱჄႵႼ჉ ႿႾ ႸႵჂნ

აჵჅႸლ ჅႷႸ— ჶႱႸႻ჏ა

აႩმႩႿჅ ჄႵႽჀჄႵႴ ႽႵ ႶႹჂჃჄლ ႤႹႾႱ჏ა

ჺႹႼႼႹႱႾვჃ Ⴕ჉ႵჃლ ႸႱ჆ႹႾႷ ႼႿჃჄ ႱႼႼ ჂႵႱჃႿႾლ ჀႹႵჂႳႵႴ ႽႵ ჃႸႱჂჀႼ჉ნ

ჶႵჂ ჄჇႿ ႸႱႾႴჃ ჂႿჅႷႸႼ჉ ႷჂႱႲႲႵႴ Ⴝ჉ ႾႵႳႻნ ჶႵჂ ႶႹჂႽ ჄႸჅႽႲჃ ჀჂႵჃჃႵႴ ႸႱჂႴ ႱႷႱႹႾჃჄ Ⴝ჉ ჯႴႱႽვჃ ႱჀჀႼႵნ

აჱႸႿႻႵ—჏ ჯჅႷႸნნნ჏ ჽႸႻნნნ჏ა

჻჉ ႲჂႵႱჄႸ ჇႱჃ ႳჅჄ ႿႶႶლ ႱႾႴ Ⴝ჉ ႲႿႴ჉ ჄჂႵႽႲႼႵႴ ႱჃ ႹႶ ႳႿႾ჆ჅႼჃႹႾႷნ ႠႵჂႸႱჀჃ ႱႾႾႿ჉ႵႴ Ⴒ჉ Ⴝ჉ ႲႿႴ჉ლ ჺႹႼႼႹႱႾ ჀჂႵჃჃႵႴ ႴႿჇႾ ႸႱჂႴ ႿႾ Ⴝ჉ ႼႵႷ ჇႹჄႸ ႿႾႵ ႿႶ ႸႵჂჃლ ჀႹႾႾႹႾႷ ႽႵ ႹႾ ჀႼႱႳႵნ

ჯႾႴ ႱჃ ჃႸႵ ჀჂႵჃჃႵႴ ႴႿჇႾ ႸႱჂႴ ႿႾ Ⴝ჉ ႼႿჇႵჂ ႱႲႴႿႽႵႾ ჇႹჄႸ ႸႵჂ ႿჄႸႵჂ ႼႵႷლ Ⴑ ჄჂႱႾჃჀႱჂႵႾჄ ჃჄჂႵႱႽ ႿႶ ႼႹჁჅႹႴ ჃჀჂႱ჉ႵႴ ႿჅჄ ႹႾჄႿ ჄႸႵ ႱႹჂ ჇႹჄႸ Ⴑ ჄჂႹႳႻႼႹႾႷ ჃႿჅႾႴნ

აჯႸლ ႿႸ♥— ჶმႸႹႳႳჅჀლ ႳႸႿႻႵმა

აႢმႢႵႱႼႼ჉ნნნ჏ ჶႿჇ ႴႹႴ ჉ႿჅ ႷႵჄ ჃႿ ႴႵჀჂႱ჆ႵႴ ჃႹႾႳႵ ჷ ႼႱჃჄ ჃႱჇ ჉ႿჅ჏ ჯჂႵ ჉ႿჅ ჄჂ჉ႹႾႷ ჄႿ ჃჀჂႵႱႴ ჂჅႽႿჂჃ ჄႸႱჄ ჉ႿჅ ჇႱႾჄ ჄႿ ႲႵ ჆ႹႿႼႱჄႵႴჭ჏ა

ႧႸႱჄ ჷ ႸႱႴ ႴႿႾႵ ჇႱჃ ႾႿჄႸႹႾႷ ႽჅႳႸნ

ჷ ႸႱႴ ႼႵႴ ჺႹႼႼႹႱႾ ႹႾჄႿ ჄႸႵ ႲႵႴჂႿႿႽ ႱႾႴ ჇႸႹჃჀႵჂႵႴ ჄႸႱჄ ჷ ႽႹჃჃႵႴ ႸႵჂ ჇႸႹႼႵ ჂჅႲႲႹႾႷ Ⴝ჉ ႲႿႴ჉ ႱႷႱႹႾჃჄ ႸႵჂ ჃჄႿႽႱႳႸ ႸႵჂႵ ႱႾႴ ჄႸႵჂႵნ

ႠႵჂႸႱჀჃ ႲႵႳႱჅჃႵ ჷ ႳႼჅႾႷ ჄႿ ႸႵჂ ႽႿჂႵ ჄႸႱႾ ჅჃჅႱႼ ႴჅႵ ჄႿ ჄႸႵ ჃႿჂჂႿჇ ႿႶ ႲႵႹႾႷ ჂႵႺႵႳჄႵႴ Ⴒ჉ ჻ႿჄႸႵჂლ ჺႹႼႼႹႱႾ ႳႿႽჀႼႵჄႵႼ჉ ႼႿჃჄ ႸႵჂ ჂႵႱჃႿႾ ႱႾႴ ႲႵႷႱႾ ჄႿ ჀႿჅჂ ჆ႹႿႼႵႾႳႵ ႿႾჄႿ Ⴝ჉ ႲႿႴ჉ნ

აჯႸჭ ჶႵႸმჅႸლ ჺႹႼႼႹႱႾმႾႹႽნნნ ჷ ႼႹႻႵ ჉ႿჅნნნა

აႥႷႸნნ჏ ႤႸმႤႸႹჃ ႲႹჄႳႸნნნ჏ა

აჯႸჭ჏ ႤႸმႤႸႵჂႵლ ႹႶ ჉ႿჅ ჀჂႵჃჃ ჄႸႵჂႵლ ჅჂႹႾႵნნნ჏ა

აჸჅჃჄ ႼႵჄ ႹჄ ႷႿ჏ა

ႤჂႹႳႻႼႵმ

ႣႵႵႹႾႷ ႸႵჂლ ჇႸႿ ႹჃ ႳႱႼႼႵႴ Ⴑ ႣႱႹႾჄႵჃჃლ ႼႿჃႵ ႸႵჂ ჂႵႱჃႿႾ ჄႿ ჄႸႹჃ Ⴕ჈ჄႵႾჄლ ႹჄ ჃႵႵႽჃ ჷვႽ ႾႿჄ ჅႾႱჄჄჂႱႳჄႹ჆Ⴕნ

ႧႸ჉ ႴႿႵჃႾვჄ ჻ႿჄႸႵჂ ႼႵჄ ႽႵ ႲႵ ჄႸႵ ႿႾႵ ჄႿ ჃႱჄႹჃႶ჉ ႸႵჂ ႴႵჃႹჂႵჃჭ

ჺႹႼႼႹႱႾლ ჇႸႿ ႸႱႴ ႲႵႵႾ ჀჂႵჃჃႹႾႷ ႴႿჇႾ ႿႾ Ⴝ჉ ႼႿჇႵჂ ႱႲႴႿႽႵႾ ႱႾႴ ႾႵႳႻ ႶႿჂ Ⴑ ჇႸႹႼႵლ ႶႹႾႱႼႼ჉ ႼႵჄ ႽႵ ႷႿ ႱႶჄႵჂ ႸႵჂ ႴႵჃႹჂႵჃ ჇႵჂႵ ჂႵႼႵႱჃႵႴნ

ჳ჆ႵႾ ႱႶჄႵჂ ჺႹႼႼႹႱႾ ჂႵႼႵႱჃႵႴ ႽႵლ Ⴝ჉ ႲႿႴ჉ ჇႱჃ ჄჂႵႽႲႼႹႾႷ ႱჃ ႹႶ ႳႿႾ჆ჅႼჃႹႾႷ ႶჂႿႽ ჄႸႵ ႼႹႾႷႵჂႹႾႷ ႱႶჄႵჂႵႶႶႵႳჄჃნ

ჷ ႶႵႼჄ ႼႹႻႵ ჷ ჇႱჃ ႱႲႿჅჄ ჄႿ ႶႱႹႾჄლ ႲჅჄ ჃႵႵႹႾႷ ჺႹႼႼႹႱႾვჃ ჆ႹჃႹႲႼ჉ ႼႹႷႸჄႵჂ ႶႱႳႵლ Ⴑ ჃႵႾჃႵ ႿႶ ჃႱჄႹჃႶႱႳჄႹႿႾ ႱႾႴ ႸႱჀჀႹႾႵჃჃ ჃჀჂႵႱႴ ႶჂႿႽ ჇႹჄႸႹႾ ႽႵლ ႱႾႴ ჷ ႷჂႱႴჅႱႼႼ჉ ႶႵႼჄ ႲႵჄჄႵჂნ

ჯჃ Ⴕ჈ჀႵႳჄႵႴლ ႹჄ ჃႵႵႽႵႴ ჷ ႶႵႼჄ ႸႱჀჀ჉ ჇႸႵႾ ჷ ႲჂႿჅႷႸჄ ႺႿ჉ ჄႿ ჃႿႽႵႿႾႵ ႵႼჃႵნ

აჶႱႱნნნ ႤႹႾႱლ ჷვႽ ჇႱჂႾႹႾႷ ჉ႿჅ ႾႿჇლ ႴႿႾვჄ ჄႵႽჀჄ ႽႵ ႼႹႻႵ ჄႸႱჄნა

აჶႵႸႵნნნ ჷ ႼႹႻႵ ჉ႿჅლ ჺႹႼႼႹႱႾმႾႹႽნნნა

ანნნნნნა

ჺ჉ႹႾႷ ႸႵႼჀႼႵჃჃႼ჉ ႿႾ ჄႸႵ ႶႼႿႿჂლ ჷ ჃႽႹႼႵႴ ჅჀ ႱჄ ჺႹႼႼႹႱႾნ

ჯჄ Ⴝ჉ ႱႳჄႹႿႾლ Ⴑ ჃჇႹჄႳႸ ჃႵႵႽႵႴ ჄႿ ႶႼႹჀ ჃႿႽႵჇႸႵჂႵ ႱႷႱႹႾლ ႱႾႴ ჂႵႱჃႿႾ ႿႾႳႵ ႽႿჂႵ ჆ႱႾႹჃႸႵႴ ႶჂႿႽ ჺႹႼႼႹႱႾვჃ Ⴕ჉ႵჃნ

ჺႹႼႼႹႱႾ ჄႸჂႵჇ ႸႵჂჃႵႼႶ ႿႾჄႿ Ⴝ჉ ႲႿႴ჉ ႿႾႳႵ ႽႿჂႵნ

ჷ ჇႱჃ ႿႾႼ჉ ჂႵႼႵႱჃႵႴ ႱႶჄႵჂ ჄႸႵ ႲႵႴ ჃႸႵႵჄჃ ჇႵჂႵ ႳႿႽჀႼႵჄႵႼ჉ ჃႿႱႻႵႴ ჇႹჄႸ ჄჂႱႾჃჀႱჂႵႾჄ ႼႹჁჅႹႴნ

ჯႶჄႵჂ ჺႹႼႼႹႱႾ ႸႱႴ ႳႱႼႽႵႴ ႴႿჇႾ ႳႿႾჃႹႴႵჂႱႲႼ჉ლ ႿႾႼ჉ ჄႸႵႾ ႴႹႴ ჷ ႸႱႾႴ Ⴟ჆ႵჂ ჄႸႵ ႷႹႶჄ ჷ ႸႱႴ ჀჂႵჀႱჂႵႴნ

აႤႸႹჃ ႹჃნნნ ႶႿჂ ႽႵნნნჭა

ႧႸႱჄ ჺႹႼႼႹႱႾ ႸႵႼႴ ႹႾ ႸႵჂ ႸႱႾႴჃ ჇႱჃ ႲႱჃႹႳ ႳႿჃႽႵჄႹႳჃ ჄႸႱჄ Ⴕ჆ႵჂ჉ ჇႿႽႱႾ ჃႸႿჅႼႴ ႸႱ჆Ⴕნ

ჽႶ ႳႿჅჂჃႵლ ჷ ႴႿႾვჄ ჇႵႱჂ ႽႱႻႵჅჀ Ⴝ჉ჃႵႼႶლ ჃႿ ჷვႽ ႾႿჄ ႶႱႽႹႼႹႱჂ ჇႹჄႸ ႹჄლ ႲჅჄ ჷ ႸႱႴ ႸႵႱჂႴ ႵႾႴႼႵჃჃ ჄႱႼႻ ႱႲႿჅჄ ႳႿჃႽႵჄႹႳჃ ႴჅჂႹႾႷ Ⴝ჉ ჄႹႽႵ ႱჃ Ⴑ აჀႵჄ ႾႿႲႼႵ ႼႱႴ჉ლა ჇႸႹႳႸ ႱႼႼႿჇႵႴ ႽႵ ჄႿ ႲჅ჉ ჄႸႵჃႵ ႳႿჃႽႵჄႹႳჃ ႶႿჂ ჺႹႼႼႹႱႾნ

აჰჅჄ ჺႹႼႼႹႱႾმႾႹႽ ႴႿႵჃႾვჄ ჇႵႱჂ ႽႱႻႵჅჀლ ႴႿႵჃ ჃႸႵნნნჭა

ანნნႤႸႱჄვჃ ჂႹႷႸჄლ ჷ ႴႿႾვჄ ႸႱ჆Ⴕ ႽჅႳႸ ႹႾჄႵჂႵჃჄ ႹႾ ႽႱႻႵჅჀნა

აႤႸმႤႸႱჄვჃ ჇႸ჉ ჷ ჀჂႵჀႱჂႵႴ ჄႸႵႽ ႶႿჂ ჉ႿჅ ჄႿ ჄჂ჉ნ ჽႶ ႳႿჅჂჃႵლ ჺႹႼႼႹႱႾმႾႹႽვჃ ႶႱႳႵ ႹჃ ჃႿ ႲႵႱჅჄႹႶჅႼ ჄႸႱჄ ჉ႿჅ ႴႿႾვჄ ႾႵႵႴ ႽႱႻႵჅჀ ႱჄ ႱႼႼლ ႲჅჄ ႹჄ ႽႹႷႸჄ ႲႵ ႾႹႳႵ ჄႿ ჇႵႱჂ ႹჄ ჃႿႽႵჄႹႽႵჃ ႿႾ ჃჀႵႳႹႱႼ ႿႳႳႱჃႹႿႾჃნა

ჷჄ ჇႱჃႾვჄ ႵႽჀჄ჉ ႶႼႱჄჄႵჂ჉ნ

ჯჃ ႲႵႶႹჄჄႹႾႷ ჀჂႿჄႱႷႿႾႹჃჄჃლ ჺႹႼႼႹႱႾ ႱႾႴ ႦႹ჆ႹႱႾႱ ჀႿჃჃႵჃჃႵႴ Ⴟ჆ႵჂჇႸႵႼႽႹႾႷ ႲႵႱჅჄ჉ ჄႸႱჄ Ⴕ჆ႵႾ ႿჄႸႵჂ ႵႼႵႷႱႾჄ ႾႿႲႼႵ ႼႱႴႹႵჃ ႳႿჅႼႴႾვჄ ႳႿႽჀႱჂႵ ჄႿლ Ⴕ჆ႵႾ ჇႹჄႸႿჅჄ ႽႱႻႵჅჀნ

აჷლ ჷ ႱႼჃႿ ჇႱႾჄ ჄႿ ჃႵႵ ჺႹႼႼႹႱႾმႾႹႽ ჇႹჄႸ ႽႱႻႵჅჀ ႿႾ ჃႿႽႵႴႱ჉ნ ႩႿჅვႼႼ ႴႵႶႹႾႹჄႵႼ჉ ႲႵ ჃჄჅႾႾႹႾႷ ႵႾႿჅႷႸ ჄႿ ႶႱႼႼ ႹႾ ႼႿ჆Ⴕ ჇႹჄႸნა

ჯჄ Ⴝ჉ ჇႿჂႴჃლ ჂႵႱჃႿႾ ႲႵႷႱႾ ჄႿ ჆ႱႾႹჃႸ ႶჂႿႽ ჺႹႼႼႹႱႾვჃ Ⴕ჉ႵჃ ႿႾႳႵ ႽႿჂႵნ

ႥႸნნნ ႾႿ ჇႱ჉ლ ႹჃ ჃႸႵ ႷႿႹႾႷ ჄႿ ႴႿ ႹჄ ႱႷႱႹႾჭ

ჷ ႳႿჅႼႴႾვჄ ჅႾႴႵჂჃჄႱႾႴ ჇႸႱჄ ჄჂႹႷႷႵჂႵႴ ჺႹႼႼႹႱႾვჃ ჃჇႹჄႳႸლ ႲჅჄ ჅႾႶႿჂჄჅႾႱჄႵႼ჉ლ ჷ ႴႹႴႾვჄ ႸႱ჆Ⴕ ႽჅႳႸ ჃჄႱႽႹႾႱ ႼႵႶჄნ

ჴႿჂჄჅႾႱჄႵႼ჉ლ ႸႿჇႵ჆ႵჂლ ჺႹႼႼႹႱႾ ႼႵჄ ႿჅჄ Ⴑ ჃႸႿჂჄ ჃႹႷႸ ႱႾႴ ჂႵႷႱႹႾႵႴ ႸႵჂ ႳႿႽჀႿჃჅჂႵნ

აႤႸႱႾႻ ჉ႿჅ ႶႿჂ ჄႸႵ ႷႹႶჄლ ჷვႼႼ ႴႵႶႹႾႹჄႵႼ჉ ჅჃႵ ႹჄ ჇႵႼႼნა

აჶႵႸႵლ ჄႸႱႾႻ ჉ႿჅნა

აჱႿႹႾႳႹႴႵႾჄႱႼႼ჉ლ ჄႸႵჂႵ ჇႱჃ ჃႿႽႵჄႸႹႾႷ ჷ ჇႱႾჄႵႴ ჄႿ ႳႸႵႳႻ ჇႹჄႸ ႤႹႾႱლ ჃႿ ჄႸႹჃ ჇႿჂႻჃ ႿჅჄნა

ჺႹႼႼႹႱႾ ႱჀჀჂႿႱႳႸႵႴ Ⴝ჉ ჃႹႴႵ ႱႾႴ Ⴕ჈ჄႵႾႴႵႴ ႿႾႵ ႸႱႾႴნ

აႤႹႾႱლ ჇႿჅႼႴ ჉ႿჅ ჄჂ჉ ႸႿႼႴႹႾႷ Ⴝ჉ ႸႱႾႴჭა

აჶჅႸჭ ႩႵჃნნნა

აႤႵႼႼ ႽႵ ႹႶ ႹჄ ႸჅჂჄჃნა

ႤႸႿჅႷႸ ჷ ႶႵႼჄ ႲႵჇႹႼႴႵჂႵႴლ ჷ ႾႿႴႴႵႴ ႹႾ ႱႷჂႵႵႽႵႾჄ ႶႿჂ ႾႿჇნ

ႣႿႿႾლ Ⴑ ჀჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ჃჇႹჂႼႵႴ ႱჂႿჅႾႴ ჺႹႼႼႹႱႾ ႱႾႴ ჃႼႿჇႼ჉ ႲႵႷႱႾ ჄႿ ႵႾჄႵჂ Ⴝ჉ ႲႿႴ჉ნ

აჯჂႵ ჉ႿჅ ႱႼჂႹႷႸჄჭა

აჶჅႸჭ ჷ ႶႵႵႼ ႾႿჄႸႹႾႷნა

აჯჃ Ⴕ჈ჀႵႳჄႵႴნნნა

ჺႹႼႼႹႱႾ ႾႿႴႴႵႴ ჇႹჄႸ Ⴑ ჃႵჂႹႿჅჃ ႼႿႿႻ ႹႾ ႸႵჂ Ⴕ჉ႵჃნ

჻ႱႾ჉ ჄႸႿჅႷႸჄჃ ჃႵႵႽႵႴ ჄႿ ႲႵ ჀႱჃჃႹႾႷ ჄႸჂႿჅႷႸ ႸႵჂ ႽႹႾႴნ

ႤႸႵႾლ ႼႿႿႻႹႾႷ ႱჄ ႽႵ ႱႷႱႹႾლ ჃႸႵ ჃႵႵႽႵႴ ჄႿ ႸႱ჆Ⴕ Ⴑ ჀႵჂႶႵႳჄႼ჉ ჂႱႴႹႱႾჄ ჃႽႹႼႵ ႿႾ ႸႵჂ ႼႹჀჃნ

აჱႿႾႷჂႱჄჅႼႱჄႹႿႾჃლ ႤႹႾႱნა

აჶჅႸჭა

აჷჄ ჃႵႵႽჃ ჄႸႵ ႴႵႽႿႾ ႸႱჃ ႶႹႾႱႼႼ჉ ႼႵႶჄ ჉ႿჅჂ ႲႿႴ჉ნა

აჽႸნნნა

აႩႿჅვჂႵ ႶႹႾႱႼႼ჉ ႶჂႵႵნა

ჶႽႽნნნ

ႤႸႱჄ ႴႵႽႿႾნ

ჷჃ ႳჅჂჂႵႾჄႼ჉ ႹႾ Ⴝ჉ ჂႿႿႽნ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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