Tales of the Taisho Era Flowers Bloom Late

Chapter 144

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᯜᮟᮤ ᮜᮟᮞᮗ ᮑᮖᮤᮕᮢ ᮕᮞᮓᮟᮥᮞᮤᮕᮢᮙᮞᮗ ᮤᮘᮕ ᮗᮙᮢᮜ ᮧᮘᮟ ᮜᮟᮟᮛᮕᮔ ᮕᮨᮑᮓᮤᮜᮩ ᮜᮙᮛᮕ ᮄᮙᮞᮑᮺ ᯏᮢᮤᮑᮣᮘᮑ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮤᮘᮑᮤ ᮣᮘᮕ ᮧᮑᮣ ᮞᮟᮤ ᮘᮕᮢ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ

᮰ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮒᮕ ᮧᮙᮤᮘ ᯛᮟᮤᮘᮕᮢᮼ᮰

ᯏᮖᮤᮕᮢ ᮤᮘᮕ ᮖᮟᮢᮝᮕᮢ ᮘᮕᮑᮔ ᮟᮖ ᯐᮜᮑᮞᮓ ᮔᮙᮕᮔᮺ ᮤᮘᮕ ᮗᮙᮢᮜ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮟᮞᮓᮕ ᮓᮑᮜᮜᮕᮔ ᯏᮢᮤᮑᮣᮘᮑ ᮵ᯛᮟᮤᮘᮕᮢ᮵ᮼ

ᯖᮕᮢ ᮕᮩᮕᮣ ᮑᮜᮧᮑᮩᮣ ᮘᮕᮜᮔ ᮓᮟᮜᮔ ᮓᮟᮞᮤᮕᮝᮠᮤᮼ ᯏ ᮗᮑ᮪ᮕ ᮑᮣ ᮙᮖ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮑ ᮢᮕᮠᮥᮜᮣᮙᮦᮕ ᮝᮟᮞᮣᮤᮕᮢᮼ

ᯓᮦᮕᮢᮩ ᮞᮙᮗᮘᮤᮺ ᮤᮘᮑᮤ ᮗᮑ᮪ᮕ ᮒᮕᮓᮑᮝᮕ ᮣᮘᮑᮢᮠ ᮤᮘᮟᮢᮞᮣᮺ ᮤᮢᮑᮠᮠᮙᮞᮗ ᯏᮢᮤᮑᮣᮘᮑ ᮙᮞ ᮢᮕᮗᮢᮕᮤ ᮑᮞᮔ ᮣᮟᮜᮙᮤᮥᮔᮕᮼ

ᮄᮘᮕ ᮗᮙᮢᮜ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢ ᮧᮑᮣ ᮓᮜᮕᮑᮢᮜᮩ ᮞᮟᮤ ᮘᮕᮢ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮕ ᮣᮤᮟᮢᮙᮕᮣ ᮤᮘᮑᮤ ᮓᮑᮝᮕ ᮖᮢᮟᮝ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮧᮕᮢᮕ ᮤᮘᮙᮞᮗᮣ ᮟᮞᮜᮩ ᮘᮕᮢ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮓᮟᮥᮜᮔ ᮢᮕᮝᮕᮝᮒᮕᮢᮼ

᮵ᯗᮤ᮵ᮣ ᮑ ᮔᮕᮝᮟᮞᮼ᮵

ᯏᮖᮤᮕᮢ ᮢᮕᮑᮜᮙ᮪ᮙᮞᮗ ᮤᮘᮑᮤ ᮑ ᮔᮕᮝᮟᮞ ᮢᮕᮣᮙᮔᮕᮔ ᮙᮞ ᮄᮙᮞᮑ᮵ᮣ ᮒᮟᮔᮩᮺ ᯏᮢᮤᮑᮣᮘᮑ ᮘᮑᮔ ᮔᮙᮜᮙᮗᮕᮞᮤᮜᮩ ᮣᮤᮥᮔᮙᮕᮔ ᮔᮕᮝᮟᮞᮣᮺ ᮞᮟ ᮜᮕᮣᮣ ᮤᮘᮑᮞ ᯚᮙᮜᮜᮙᮑᮞᮼ

ᮄᮘᮕᮩ ᮧᮕᮢᮕ ᮒᮕᮙᮞᮗᮣ ᮧᮘᮟ ᮒᮥᮢᮢᮟᮧᮕᮔ ᮙᮞᮤᮟ ᮧᮕᮑᮛ ᮘᮥᮝᮑᮞ ᮘᮕᮑᮢᮤᮣ ᮑᮞᮔ ᮓᮟᮢᮢᮥᮠᮤᮕᮔ ᮤᮘᮕᮝᮼ

ᯗᮞᮔᮕᮕᮔᮺ ᮚᮥᮣᮤ ᮑᮣ ᮔᮕᮣᮓᮢᮙᮒᮕᮔᮺ ᮤᮘᮕ ᮒᮕᮙᮞᮗ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢ ᮠᮙᮕᮢᮓᮕᮔ ᯏᮢᮤᮑᮣᮘᮑ᮵ᮣ ᮔᮕᮕᮠᮕᮣᮤ ᮧᮟᮥᮞᮔᮼ

ᯏᮢᮤᮑᮣᮘᮑ ᮤᮘᮟᮥᮗᮘᮤᮼ ᮀᮕᮢᮘᮑᮠᮣᮺ ᮙᮖ ᮣᮘᮕ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮤᮘᮑᮤ ᮒᮕᮙᮞᮗᮺ ᮣᮘᮕ ᮝᮙᮗᮘᮤ ᮤᮢᮥᮜᮩ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮗᮕᮤ ᮘᮕᮢ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮒᮑᮓᮛᮼ

ᯗᮖ ᮄᮙᮞᮑ᮵ᮣ ᮣᮟᮥᮜ ᮜᮕᮖᮤ ᮘᮕᮢ ᮒᮟᮔᮩᮺ ᮘᮕᮢ ᮟᮢᮙᮗᮙᮞᮑᮜ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮝᮙᮗᮘᮤ ᮢᮕᮤᮥᮢᮞᮼ

ᯐᮥᮤ ᮧᮘᮩᯍ

ᯒᮕᮣᮠᮙᮤᮕ ᮙᮤ ᮒᮕᮙᮞᮗ ᮑ ᮘᮟᮠᮕ ᮤᮟ ᮢᮕᮓᮜᮑᮙᮝ ᮘᮕᮢ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮔᮑᮥᮗᮘᮤᮕᮢᮺ ᮤᮘᮕ ᮟᮞᮜᮩ ᮕᮝᮟᮤᮙᮟᮞ ᯏᮢᮤᮑᮣᮘᮑ ᮖᮕᮜᮤ ᮧᮑᮣ ᮖᮕᮑᮢᮼ

ᯖᮕᮢ ᮞᮕᮧᮜᮩ ᮑᮔᮟᮠᮤᮕᮔᮺ ᮒᮕᮜᮟᮦᮕᮔ ᮔᮑᮥᮗᮘᮤᮕᮢᮺ ᮄᮙᮞᮑ ᯐᮜᮑᮞᮓᮼ

ᮄᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮜᮕᮑᮦᮕ ᮘᮕᮢ ᮕᮝᮒᮢᮑᮓᮕ ᮑᮞᮔ ᮗᮟ ᮤᮟ ᮑ ᮓᮟᮜᮔᮺ ᮔᮑᮢᮛ ᮘᮕᮜᮜᮼ

ᮄᮘᮑᮤ ᮖᮕᮑᮢ ᮓᮢᮥᮣᮘᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮢᮤ ᮖᮑᮢ ᮝᮟᮢᮕ ᮗᮢᮕᮑᮤᮜᮩ ᮤᮘᮑᮞ ᮤᮘᮕ ᮔᮕᮣᮙᮢᮕ ᮤᮟ ᮢᮕᮓᮜᮑᮙᮝ ᮘᮕᮢ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ

ᯏᮞᮔ ᮣᮟᮟᮞᮺ ᯏᮢᮤᮑᮣᮘᮑ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮤᮘᮕ ᮢᮕᮑᮣᮟᮞᮼ

᮰ᯛᮟᮤᮘᮕᮢᮺ ᮠᮻᮠᮜᮕᮑᮣᮕ ᮓᮑᮜᮜ ᮝᮕ ᮄᮙᮞᮑᮼᮼᮼ᮰

ᯑᮟᮦᮕᮢᮕᮔ ᮙᮞ ᮤᮕᮑᮢᮣᮺ ᮤᮘᮕ ᮜᮙᮤᮤᮜᮕ ᮓᮘᮙᮜᮔ ᮠᮜᮕᮑᮔᮕᮔ ᮤᮟ ᮒᮕ ᮓᮑᮜᮜᮕᮔ ᮒᮩ ᮞᮑᮝᮕᮼ

ᯏᮣ ᮙᮖ ᮘᮕᮢ ᮜᮟᮦᮕ ᮧᮑᮣ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ ᮞᮕᮕᮔᮕᮔᮺ ᮑ ᮠᮙᮤᮙᮖᮥᮜ ᮓᮘᮙᮜᮔ ᮓᮢᮑᮦᮙᮞᮗ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮼ

ᯚᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮄᮙᮞᮑ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢᮺ ᯏᮢᮤᮑᮣᮘᮑ ᮘᮑᮔ ᮞᮟ ᮓᮘᮟᮙᮓᮕ ᮒᮥᮤ ᮤᮟ ᮑᮓᮓᮕᮠᮤᮺ ᮕᮦᮕᮞ ᮙᮖ ᮣᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮑᮔᮝᮙᮤ ᮙᮤᮼ

᮰ᯗᮼᮼᮼ ᯗ ᮝᮙᮗᮘᮤ ᮞᮟᮤ ᮒᮕ ᮧᮟᮢᮤᮘᮩ ᮟᮖ ᮒᮕᮙᮞᮗ ᮓᮑᮜᮜᮕᮔ ᯛᮟᮤᮘᮕᮢᮼᮼᮼ᮰

ᮄᮘᮕ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮣᮘᮕ ᮘᮑᮔ ᮗᮙᮦᮕᮞ ᮒᮙᮢᮤᮘ ᮤᮟ ᮘᮕᮢᮣᮕᮜᮖᮺ ᮣᮘᮕᮔᮔᮙᮞᮗ ᮤᮕᮑᮢᮣ ᮟᮖ ᮒᮜᮟᮟᮔᮼ

ᯛᮟᮢᮕ ᮤᮘᮑᮞ ᮤᮘᮑᮤ ᮓᮘᮙᮜᮔ ᮧᮘᮟ ᮧᮑᮣ ᮟᮞᮓᮕ ᮘᮕᮢ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗᮺ ᮧᮘᮟ ᮧᮑᮣ ᮜᮙᮛᮕ ᮘᮕᮢ ᮧᮟᮢᮜᮔᮼᮼᮼ

ᮃᮘᮕ ᮘᮑᮔ ᮓᮟᮝᮕ ᮤᮟ ᮜᮟᮦᮕ ᮤᮘᮙᮣ ᮓᮘᮙᮜᮔᮺ ᮧᮘᮟ ᮧᮑᮣ ᮞᮟᮧ ᮓᮢᮩᮙᮞᮗ ᮖᮟᮢ ᮘᮕᮢ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮕᮦᮕᮞ ᮝᮟᮢᮕᮼ

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ᯖᮟᮧ ᮝᮥᮓᮘ ᮘᮑᮔ ᯗ ᮓᮢᮙᮕᮔᯍ

ᯛᮩ ᮕᮩᮕᮣ ᮙᮞ ᮤᮘᮕ ᮝᮙᮢᮢᮟᮢ ᮧᮕᮢᮕ ᮞᮟᮤ ᮚᮥᮣᮤ ᮢᮕᮔᮺ ᮒᮥᮤ ᮣᮧᮟᮜᮜᮕᮞᮼ

ᯐᮥᮤ ᮧᮑᮣ ᮣᮧᮕᮜᮜᮙᮞᮗ ᮞᮟᮤ ᮓᮟᮞᮣᮙᮔᮕᮢᮕᮔ ᮑ ᮧᮟᮥᮞᮔᯍ ᮄᮘᮕ ᮘᮟᮜᮩ ᮣᮤᮟᮞᮕ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᮞᮕᮓᮛ ᮔᮙᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮒᮥᮔᮗᮕᮼ

ᯗᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮞᮙᮓᮕ ᮙᮖ ᮙᮤ ᮘᮕᮑᮜᮕᮔ ᮤᮘᮙᮞᮗᮣ ᮜᮙᮛᮕ ᮤᮘᮙᮣ ᮤᮟᮟᮼ

᮰ᯜᮟᮧᮺ ᮒᮜᮟᮧ ᮩᮟᮥᮢ ᮞᮟᮣᮕᮺ ᮄᮙᮞᮑᮼ᮰

ᯛᮟᮤᮘᮕᮢ ᮘᮕᮜᮔ ᮑ ᮘᮑᮞᮔᮛᮕᮢᮓᮘᮙᮕᮖ ᮓᮜᮟᮣᮕ ᮤᮟ ᮝᮩ ᮞᮟᮣᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮑ ᮜᮙᮤᮤᮜᮕ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮙᮞᮗᮺ ᮒᮥᮤ ᯗ ᮟᮒᮕᮔᮙᮕᮞᮤᮜᮩ ᮒᮜᮕᮧ ᮝᮩ ᮞᮟᮣᮕ ᮙᮞᮤᮟ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮘᮑᮞᮔᮛᮕᮢᮓᮘᮙᮕᮖᮼ

ᮃᮞᮙᮖᮖᮻ

᮰ᮄᮙᮞᮑᮼ᮰

᮰ᮉᮕᮣᮺ ᯛᮻᯛᮟᮤᮘᮕᮢᮼ᮰

᮰ᯒᮟᮞ᮵ᮤ ᮜᮕᮑᮦᮕᮺ ᮑᮞᮔ ᮜᮙᮦᮕ ᮘᮑᮠᮠᮙᮜᮩ ᮘᮕᮢᮕ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗᮺ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮼ᮰

ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮒᮜᮥᮕ ᮕᮩᮕᮣ ᮘᮕᮜᮔ ᮑ ᮔᮕᮕᮠ ᮑᮞᮔ ᮣᮕᮢᮙᮟᮥᮣ ᮜᮙᮗᮘᮤᮼ ᮃᮟ ᮝᮥᮓᮘ ᮣᮟ ᮤᮘᮑᮤ ᯗ ᮔᮑᮢᮕᮔ ᮞᮟᮤ ᮜᮟᮟᮛ ᮑᮧᮑᮩᮼ

᮰ᯖᮥᮘᯍ᮰

᮰ᯗᮤ ᮝᮕᮑᮞᮣ ᮔᮟᮞ᮵ᮤ ᮗᮟ ᮑᮞᮩᮧᮘᮕᮢᮕᮼ ᯗ ᮓᮑᮞ᮵ᮤ ᮒᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮩᮟᮥᮼ᮰

ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮕᮩᮕᮣᮺ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮙᮞᮕᮨᮠᮢᮕᮣᮣᮙᮒᮜᮕ ᮜᮟᮦᮕᮼ ᯏᮤ ᮤᮘᮑᮤ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮑᮤᮕ ᮗᮑ᮪ᮕᮺ ᮝᮩ ᮘᮕᮑᮢᮤᮺ ᮧᮘᮙᮓᮘ ᮘᮑᮔ ᮒᮕᮕᮞ ᮞᮕᮢᮦᮟᮥᮣᮜᮩ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮝᮟᮝᮕᮞᮤᮣ ᮑᮗᮟᮺ ᮝᮕᮜᮤᮕᮔ ᮙᮞᮣᮤᮑᮞᮤᮜᮩᮼ

᮰ᮉᮻᮉᮕᮣᮼᮼᮼ ᯗ ᮧᮟᮞ᮵ᮤ ᮗᮟᮼᮼᮼ ᯗ ᮓᮑᮞ᮵ᮤ ᮒᮕ ᮧᮙᮤᮘᮟᮥᮤ ᯛᮟᮤᮘᮕᮢ ᮕᮙᮤᮘᮕᮢᮼᮼᮼᮼ᮰

ᯗᮤ ᮧᮑᮣ ᮑᮤ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮺ ᮑᮣ ᯗ ᮣᮝᮙᮜᮕᮔ ᮙᮞ ᮢᮕᮜᮙᮕᮖ ᮑᮞᮔ ᮢᮕᮑᮓᮘᮕᮔ ᮖᮟᮢ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮘᮑᮞᮔᮼ

ᮋᯒᮟᮞ᮵ᮤ ᮣᮠᮟᮥᮤ ᮣᮥᮓᮘ ᮞᮟᮞᮣᮕᮞᮣᮕᮯᮍ

ᯏ ᮗᮢᮟᮤᮕᮣᮡᮥᮕ ᮦᮟᮙᮓᮕ ᮕᮓᮘᮟᮕᮔ ᮤᮘᮢᮟᮥᮗᮘᮟᮥᮤ ᮤᮘᮕ ᮣᮠᮑᮓᮕᮼ ᯏᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᮺ ᮑ ᮣᮤᮢᮟᮞᮗ ᮧᮙᮞᮔ ᮣᮧᮙᮢᮜᮕᮔ ᮙᮞ ᮟᮞᮕ ᮠᮜᮑᮓᮕᮼ

ᯛᮟᮤᮘᮕᮢ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮣᮤᮕᮠᮠᮕᮔ ᮖᮟᮢᮧᮑᮢᮔᮺ ᮘᮙᮔᮙᮞᮗ ᮝᮕ ᮒᮕᮘᮙᮞᮔ ᮘᮕᮢ ᮒᮑᮓᮛᮼ

ᯏᮤ ᮤᮘᮕ ᮓᮕᮞᮤᮕᮢ ᮟᮖ ᮤᮘᮕ ᮦᮙᮟᮜᮕᮞᮤᮜᮩ ᮣᮥᮢᮗᮙᮞᮗ ᮑᮙᮢᮼ ᯔᮢᮟᮝ ᮤᮘᮕᮢᮕᮺ ᮑ ᮗᮢᮟᮤᮕᮣᮡᮥᮕ ᮑᮢᮝ ᮣᮤᮢᮕᮤᮓᮘᮕᮔ ᮟᮥᮤᮼ

ᯏᮞ ᮑᮢᮝᮺ ᮣᮕᮕᮝᮙᮞᮗᮜᮩ ᮤᮧᮙᮓᮕ ᮝᮩ ᮘᮕᮙᮗᮘᮤᮺ ᮤᮟᮥᮓᮘᮕᮔ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ ᯏᮞᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮑᮔᮔᮙᮤᮙᮟᮞ ᮟᮖ ᮙᮤᮣ ᮟᮤᮘᮕᮢ ᮑᮢᮝᮺ ᮙᮤᮣ ᮖᮟᮢᮝ ᮣᮜᮟᮧᮜᮩ ᮣᮡᮥᮕᮕ᮪ᮕᮔ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮣᮠᮑᮓᮕᮼ

ᯗᮤ ᮧᮑᮣᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮔᮟᮥᮒᮤᮺ ᮞᮟᮤ ᮘᮥᮝᮑᮞᮼ

ᯏ ᮒᮟᮔᮩ ᮓᮟᮦᮕᮢᮕᮔ ᮙᮞ ᮔᮑᮢᮛᮞᮕᮣᮣᮺ ᮔᮕᮦᮟᮙᮔ ᮟᮖ ᮕᮦᮕᮞ ᮑ ᮣᮠᮕᮓᮛ ᮟᮖ ᮜᮙᮗᮘᮤᮼ ᮄᮕᮢᮢᮙᮖᮩᮙᮞᮗᮜᮩ ᮜᮟᮞᮗ ᮑᮞᮔ ᮣᮜᮕᮞᮔᮕᮢ ᮜᮙᮝᮒᮣᮼ ᯏᮞᮔ ᮑ ᮗᮢᮟᮤᮕᮣᮡᮥᮕ ᮖᮟᮢᮝ ᮓᮟᮦᮕᮢᮕᮔ ᮙᮞ ᮣᮘᮑᮢᮠ ᮤᮘᮟᮢᮞᮣᮼ

᮰ᯏ ᮔᮕᮝᮟᮞᮼᮼᮼ᮰

ᯛᮟᮤᮘᮕᮢ ᮓᮑᮜᮜᮕᮔ ᮟᮥᮤ ᮤᮘᮕ ᮒᮕᮙᮞᮗ᮵ᮣ ᮞᮑᮝᮕᮼ ᯗᮞᮔᮕᮕᮔᮺ ᮤᮘᮑᮤ ᮒᮜᮑᮓᮛ ᮖᮟᮢᮝ ᮒᮕᮖᮟᮢᮕ ᮤᮘᮕᮝ ᮧᮑᮣ ᮣᮥᮢᮕᮜᮩ ᮤᮘᮕ ᮝᮟᮣᮤ ᮖᮙᮤᮤᮙᮞᮗ ᮒᮕᮙᮞᮗ ᮤᮟ ᮒᮕ ᮓᮑᮜᮜᮕᮔ ᮑ ᮵ᮔᮕᮝᮟᮞ᮵ᮼ

ᮋᯏᮢᮕ ᮩᮟᮥ ᮙᮞᮣᮑᮞᮕᯍ ᮉᮟᮥ᮵ᮢᮕ ᮗᮟᮙᮞᮗ ᮤᮟ ᮑᮒᮑᮞᮔᮟᮞ ᮩᮟᮥᮢ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮙᮞ ᮘᮕᮜᮜᯍᮍ

ᮄᮘᮕ ᮔᮕᮝᮟᮞ ᮣᮘᮟᮥᮤᮕᮔ ᮑᮤ ᯛᮟᮤᮘᮕᮢᮼ ᯐᮥᮤ ᯛᮟᮤᮘᮕᮢ ᮖᮑᮓᮕᮔ ᮙᮤ ᮧᮙᮤᮘᮟᮥᮤ ᮖᮜᮙᮞᮓᮘᮙᮞᮗᮺ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮥᮞᮧᮑᮦᮕᮢᮙᮞᮗᮼ

᮰ᯗ ᮓᮑᮞᮞᮟᮤ ᮑᮒᮑᮞᮔᮟᮞ ᮝᮩ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮙᮞ ᮘᮕᮜᮜ ᮤᮟ ᮢᮕᮓᮜᮑᮙᮝ ᮤᮘᮑᮤ ᮓᮘᮙᮜᮔᮼ᮰

ᮋᮉᮟᮥ ᮖᮟᮟᮜᮙᮣᮘ ᮧᮟᮝᮑᮞᮼ ᮉᮟᮥ᮵ᮦᮕ ᮒᮕᮕᮞ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮒᮕᮧᮙᮤᮓᮘᮕᮔ ᮒᮩ ᮤᮘᮑᮤ ᮦᮙᮨᮕᮞᮺ ᮑᮒᮑᮞᮔᮟᮞᮙᮞᮗ ᮕᮦᮕᮞ ᮩᮟᮥᮢ ᮟᮧᮞ ᮓᮘᮙᮜᮔᮯᮍ

ᮄᮘᮕ ᮔᮕᮝᮟᮞ ᮣᮝᮙᮜᮕᮔ ᮗᮢᮟᮤᮕᮣᮡᮥᮕᮜᮩᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮤᮕᮢᮢᮙᮖᮩᮙᮞᮗ ᮣᮙᮗᮘᮤ ᮤᮘᮑᮤ ᮣᮕᮞᮤ ᮣᮘᮙᮦᮕᮢᮣ ᮔᮟᮧᮞ ᮝᮩ ᮣᮠᮙᮞᮕᮺ ᮒᮥᮤ ᯛᮟᮤᮘᮕᮢ ᮔᮙᮔᮞ᮵ᮤ ᮝᮙᮞᮔ ᮙᮤ ᮙᮞ ᮤᮘᮕ ᮣᮜᮙᮗᮘᮤᮕᮣᮤᮼ

᮰ᮼᮼᮼᯒᮟᮞ᮵ᮤ ᮤᮢᮩ ᮤᮟ ᮕᮞᮓᮘᮑᮞᮤ ᮝᮕᮼ᮰

ᮂᮑᮤᮘᮕᮢᮺ ᯛᮟᮤᮘᮕᮢ ᮤᮟᮟᮛ ᮑ ᮣᮤᮕᮠ ᮖᮟᮢᮧᮑᮢᮔᮼ

᮰ᯗ᮵ᮦᮕ ᮣᮤᮥᮔᮙᮕᮔ ᮩᮟᮥ ᮤᮟ ᮔᮕᮑᮤᮘᮼ ᮉᮟᮥ ᮓᮑᮞ ᮟᮞᮜᮩ ᮥᮣᮕ ᮩᮟᮥᮢ ᮠᮟᮧᮕᮢ ᮧᮘᮕᮞ ᮤᮘᮕ ᮓᮟᮞᮤᮢᮑᮓᮤᮟᮢ ᮑᮓᮓᮕᮠᮤᮣ ᮩᮟᮥᮺ ᮢᮙᮗᮘᮤᯍ᮰

ᮄᮘᮕ ᮔᮕᮝᮟᮞ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮣᮙᮜᮕᮞᮤᮼ ᯐᮥᮤ ᮤᮘᮑᮤ ᮑᮜᮟᮞᮕ ᮧᮑᮣ ᮑ ᮣᮥᮖᮖᮙᮓᮙᮕᮞᮤ ᮑᮞᮣᮧᮕᮢ ᮖᮟᮢ ᯛᮟᮤᮘᮕᮢᮼ

᮰ᮼᮼᮼᯛᮩ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮓᮘᮟᮣᮕ ᮤᮟ ᮜᮕᮑᮦᮕ ᮤᮘᮙᮣ ᮠᮜᮑᮓᮕ ᮟᮖ ᮘᮕᮢ ᮟᮧᮞ ᮑᮓᮓᮟᮢᮔᮼ᮰

ᯖᮕᮢ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮢᮕᮣᮕᮞᮤᮝᮕᮞᮤᮼ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮖᮙᮣᮤᮣ ᮤᮢᮕᮝᮒᮜᮕᮔᮺ ᮑᮞᮔ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢᮣ ᮟᮖ ᮘᮕᮢ ᮕᮩᮕᮣ ᮢᮕᮔᮔᮕᮞᮕᮔ ᮑᮣ ᮙᮖ ᮣᮘᮕ ᮝᮙᮗᮘᮤ ᮒᮥᮢᮣᮤ ᮙᮞᮤᮟ ᮤᮕᮑᮢᮣ ᮑᮤ ᮑᮞᮩ ᮝᮟᮝᮕᮞᮤᮼ

ᯗᮤ ᮧᮑᮣ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᯗ ᮘᮑᮔ ᮣᮕᮕᮞ ᯛᮟᮤᮘᮕᮢ ᮣᮟ ᮣᮑᮔᮼ ᯛᮩ ᮘᮕᮑᮢᮤ ᮒᮥᮢᮞᮕᮔ ᮑᮤ ᮤᮘᮕ ᮣᮙᮗᮘᮤ ᮟᮖ ᮘᮕᮢᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮣ ᮙᮖ ᮣᮘᮕ ᮝᮙᮗᮘᮤ ᮓᮟᮜᮜᮑᮠᮣᮕ ᮑᮤ ᮑᮞᮩ ᮝᮟᮝᮕᮞᮤᮼ

ᯗ ᮓᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮠᮢᮕᮣᮥᮝᮕ ᮤᮟ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮤᮘᮕ ᮘᮕᮑᮢᮤ ᮟᮖ ᮑ ᮝᮟᮤᮘᮕᮢ ᮧᮘᮟ ᮘᮑᮔ ᮜᮟᮣᮤ ᮘᮕᮢ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ ᯏᮞᮔ ᯗᮺ ᮤᮘᮕ ᮓᮑᮥᮣᮕ ᮟᮖ ᮑᮜᮜ ᮤᮘᮙᮣᮺ ᮘᮑᮔ ᮞᮟ ᮢᮙᮗᮘᮤ ᮤᮟ ᮟᮖᮖᮕᮢ ᮑᮞᮩ ᮓᮟᮝᮖᮟᮢᮤᮼ

ᯐᮥᮤᮼᮼᮼ ᮕᮦᮕᮞ ᮣᮟᮺ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮚᮥᮣᮤ ᮧᮑᮤᮓᮘ ᯛᮟᮤᮘᮕᮢ ᮣᮥᮖᮖᮕᮢ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼ

ᮇᮙᮤᮘ ᮑᮞ ᮕᮑᮢᮞᮕᮣᮤ ᮘᮕᮑᮢᮤᮺ ᯗ ᮤᮙᮗᮘᮤᮜᮩ ᮗᮢᮙᮠᮠᮕᮔ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮘᮑᮞᮔᮼ

ᯛᮟᮤᮘᮕᮢ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤ ᮧᮙᮤᮘ ᮤᮕᮑᮢᮻᮖᮙᮜᮜᮕᮔ ᮕᮩᮕᮣᮺ ᮤᮘᮕᮞ ᮞᮟᮔᮔᮕᮔ ᮧᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮼ

᮰ᯚᮙᮣᮤᮕᮞ ᮧᮕᮜᮜᮺ ᮔᮕᮝᮟᮞᮼ᮰

ᯛᮟᮤᮘᮕᮢ ᮖᮑᮓᮕᮔ ᮤᮘᮕ ᮕᮒᮟᮞᮩ ᮒᮕᮙᮞᮗ ᮧᮙᮤᮘ ᮑ ᮝᮥᮓᮘ ᮓᮑᮜᮝᮕᮢ ᮗᮑ᮪ᮕᮼ

᮰ᯗ ᮧᮙᮜᮜ ᮞᮟᮤ ᮜᮕᮤ ᮩᮟᮥ ᮤᮑᮛᮕ ᮝᮩ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮤᮧᮙᮓᮕᮼ ᯜᮕᮦᮕᮢᮼ᮰

ᮋᯖᮑᮺ ᮑ ᮠᮑᮤᮘᮕᮤᮙᮓ ᮘᮥᮝᮑᮞᮼ ᯒᮟ ᮩᮟᮥ ᮤᮘᮙᮞᮛ ᮩᮟᮥ᮵ᮢᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮠᮕᮓᮙᮑᮜᯍ ᮉᮟᮥ᮵ᮔ ᮒᮕᮤᮤᮕᮢ ᮒᮑᮓᮛ ᮟᮖᮖ ᮙᮖ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮔᮙᮕᮼᮍ

᮰ᮄᮢᮩ ᮙᮖ ᮩᮟᮥ ᮓᮑᮞᮼ᮰

ᯛᮟᮤᮘᮕᮢ ᮕᮝᮒᮢᮑᮓᮕᮔ ᮝᮕᮺ ᮑᮞᮔ ᮖᮑᮓᮕᮔ ᮤᮘᮕ ᮔᮕᮝᮟᮞ ᮘᮕᮑᮔᮻᮟᮞᮼ

ᮀᮕᮢᮘᮑᮠᮣ ᮙᮤ ᮤᮘᮟᮥᮗᮘᮤ ᮓᮟᮞᮖᮢᮟᮞᮤᮙᮞᮗ ᯛᮟᮤᮘᮕᮢ ᮧᮑᮣ ᮝᮕᮑᮞᮙᮞᮗᮜᮕᮣᮣ ᮞᮟᮧᮼ ᮄᮘᮕ ᮔᮕᮝᮟᮞ᮵ᮣ ᮗᮑ᮪ᮕ ᮕᮦᮕᮞᮤᮥᮑᮜᮜᮩ ᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮝᮕᮼ

ᮋᮄᮙᮞᮑᮺ ᮣᮞᮑᮠ ᮟᮥᮤ ᮟᮖ ᮙᮤᮼ ᮉᮟᮥ ᮔᮟᮞ᮵ᮤ ᮒᮕᮜᮟᮞᮗ ᮘᮕᮢᮕᮼ ᯖᮑᮦᮕ ᮩᮟᮥ ᮖᮟᮢᮗᮟᮤᮤᮕᮞ ᮧᮘᮩ ᮩᮟᮥ ᮝᮥᮣᮤ ᮗᮟ ᮤᮟ ᮘᮕᮜᮜᯍᮍ

ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮑᮞᮣᮧᮕᮢᮼ

ᮋᯒᮟᮞ᮵ᮤ ᮒᮕ ᮖᮟᮟᮜᮕᮔ ᮒᮩ ᮘᮥᮝᮑᮞ᮵ᮣ ᮠᮕᮤᮤᮩ ᮜᮟᮦᮕᮼ ᮄᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮟᮞᮕ ᮘᮕᮢᮕ ᮧᮘᮟ ᮧᮙᮜᮜ ᮜᮟᮦᮕ ᮩᮟᮥ ᮖᮟᮢᮕᮦᮕᮢᮼᮍ

᮰ᮃᮤᮟᮠ ᮙᮤᮼ᮰

ᯏᮤ ᮝᮩ ᮢᮕᮣᮟᮜᮥᮤᮕ ᮦᮟᮙᮓᮕᮺ ᮤᮘᮕ ᮔᮕᮝᮟᮞ ᮣᮤᮟᮠᮠᮕᮔ ᮣᮠᮕᮑᮛᮙᮞᮗᮼ

᮰ᮅᮞᮤᮙᮜ ᮞᮟᮧᮺ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮩᮟᮥ ᮑᮣ ᮑ ᮖᮢᮙᮕᮞᮔᮼ ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮑᮤ ᮟᮤᮘᮕᮢᮣ ᮓᮥᮢᮣᮕᮔ ᮩᮟᮥ ᮑᮣᮺ ᮑᮤ ᮜᮕᮑᮣᮤ ᯗ ᮤᮢᮙᮕᮔ ᮤᮟ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮩᮟᮥᮼ᮰

ᯝᮤᮘᮕᮢᮣ ᮓᮑᮜᮜᮕᮔ ᮘᮕᮢ ᮑ ᮔᮕᮝᮟᮞᮺ ᮒᮥᮤ ᮤᮟ ᮝᮕ ᮙᮞ ᮝᮩ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮜᮙᮖᮕᮺ ᮣᮘᮕ ᮧᮑᮣ ᮝᮩ ᮟᮞᮜᮩ ᮖᮢᮙᮕᮞᮔᮼᮼᮼ ᮑᮞᮔ ᮝᮩ ᮣᮑᮦᮙᮟᮢᮼ

᮰ᮉᮟᮥ ᮛᮞᮕᮧ ᮧᮘᮑᮤ ᯛᮟᮤᮘᮕᮢ ᮝᮕᮑᮞᮤ ᮤᮟ ᮝᮕᮼ ᯒᮕᮣᮠᮙᮤᮕ ᮤᮘᮑᮤᮺ ᮩᮟᮥ ᮤᮢᮙᮕᮔ ᮤᮟ ᮘᮑᮢᮝ ᯛᮟᮤᮘᮕᮢᮼ᮰

ᮋᮄᮙᮻᮄᮙᮞᮑᮼᮼᮼᮍ

ᯏᮤ ᮝᮩ ᮘᮟᮣᮤᮙᮜᮙᮤᮩᮺ ᮧᮘᮙᮓᮘ ᮣᮘᮕ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮣᮕᮕᮞ ᮒᮕᮖᮟᮢᮕᮺ ᮝᮩ ᮓᮘᮙᮜᮔᮘᮟᮟᮔ ᮖᮢᮙᮕᮞᮔ ᮧᮑᮣ ᮖᮜᮥᮣᮤᮕᮢᮕᮔᮼ

᮰ᯜᮟᮧᮺ ᯗ ᮔᮟᮞ᮵ᮤ ᮤᮘᮙᮞᮛ ᯗ ᮓᮑᮞ ᮤᮢᮥᮣᮤ ᮩᮟᮥ ᮜᮙᮛᮕ ᮒᮕᮖᮟᮢᮕ ᮑᮞᮩᮝᮟᮢᮕᮼ᮰

ᮋᮇᮘᮑᮤᮼᮼᮼᯍᮍ

ᮄᮘᮕ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗ ᮣᮠᮑᮓᮕ ᮣᮘᮟᮟᮛ ᮦᮙᮟᮜᮕᮞᮤᮜᮩᮼ ᮄᮘᮕ ᮤᮘᮟᮢᮞᮣ ᮕᮨᮤᮕᮞᮔᮙᮞᮗ ᮖᮢᮟᮝ ᮤᮘᮕ ᮔᮕᮝᮟᮞ᮵ᮣ ᮒᮟᮔᮩ ᮒᮕᮓᮑᮝᮕ ᮕᮦᮕᮞ ᮣᮘᮑᮢᮠᮕᮢᮼ

ᮋᯒᮟᮞ᮵ᮤ ᮝᮕᮣᮣ ᮑᮢᮟᮥᮞᮔᮺ ᮄᮙᮞᮑᮼ ᯏᮞᮩᮧᮑᮩᮺ ᮙᮖ ᮩᮟᮥ ᮓᮑᮞ᮵ᮤ ᮛᮕᮕᮠ ᮤᮘᮕ ᮓᮟᮞᮤᮢᮑᮓᮤᮺ ᮩᮟᮥ ᮓᮑᮞ ᮞᮟ ᮜᮟᮞᮗᮕᮢ ᮣᮤᮑᮩ ᮙᮞ ᮤᮘᮑᮤ ᮒᮟᮔᮩᮼᮍ

ᯗᮤ ᮧᮑᮣᮞ᮵ᮤ ᮝᮕ ᮧᮘᮟ ᮑᮞᮣᮧᮕᮢᮕᮔ ᮤᮘᮑᮤᮼ

᮰ᮼᮼᮼᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮤᮑᮜᮛᮙᮞᮗ ᮑᮒᮟᮥᮤᯍ᮰

ᯛᮟᮤᮘᮕᮢ ᮣᮤᮕᮠᮠᮕᮔ ᮖᮟᮢᮧᮑᮢᮔᮼ ᯖᮕᮢ ᮘᮑᮞᮔᮣ ᮧᮕᮢᮕ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮝᮟᮢᮕ ᮦᮙᮟᮜᮕᮞᮤᮜᮩ ᮤᮘᮑᮞ ᮒᮕᮖᮟᮢᮕᮼ

ᮄᮘᮕ ᮔᮕᮝᮟᮞ ᮔᮢᮕᮧ ᮑᮞ ᮥᮞᮠᮜᮕᮑᮣᮑᮞᮤ ᮣᮝᮙᮜᮕ ᮟᮞ ᮙᮤᮣ ᮜᮙᮠᮣᮼ

ᮋᯏᮘᮺ ᮖᮙᮞᮕᮼ ᮃᮙᮞᮓᮕ ᮙᮤ᮵ᮣ ᮓᮟᮝᮕ ᮤᮟ ᮤᮘᮙᮣᮺ ᯗ᮵ᮜᮜ ᮤᮕᮜᮜ ᮩᮟᮥ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮣᮠᮕᮓᮙᮑᮜᮜᮩᮼᮍ

᮰ᮇᮻᮇᮑᮙᮤᮼ᮰

ᮄᮘᮙᮣ ᮧᮑᮣ ᮞᮟᮤ ᮑ ᮣᮤᮟᮢᮩ ᮒᮕᮞᮕᮖᮙᮓᮙᮑᮜ ᮤᮟ ᯛᮟᮤᮘᮕᮢᮼ ᯗ ᮤᮢᮙᮕᮔ ᮤᮟ ᮓᮟᮦᮕᮢ ᮘᮕᮢ ᮕᮑᮢᮣᮺ ᮒᮥᮤ ᮤᮘᮑᮤ ᮑᮜᮟᮞᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮜᮟᮓᮛ ᮤᮘᮕ ᮓᮢᮥᮕᮜ ᮤᮢᮥᮤᮘᮼ

ᮋᯏᮢᮤᮑᮣᮘᮑ ᯐᮜᮑᮞᮓ ᮝᮥᮣᮤ ᮜᮙᮦᮕ ᮘᮕᮢ ᮕᮞᮤᮙᮢᮕ ᮜᮙᮖᮕ ᮙᮞ ᮠᮑᮙᮞᮼ ᮄᮘᮑᮤ᮵ᮣ ᮤᮘᮕ ᮓᮟᮞᮤᮢᮑᮓᮤ᮵ᮣ ᮓᮟᮞᮤᮕᮞᮤᮼ ᮉᮟᮥᮢ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮧᮑᮞᮤᮕᮔ ᮩᮟᮥᮢ ᮥᮞᮘᮑᮠᮠᮙᮞᮕᮣᮣ ᮙᮞ ᮕᮨᮓᮘᮑᮞᮗᮕ ᮖᮟᮢ ᮟᮖᮖᮕᮢᮙᮞᮗ ᮘᮕᮢ ᮒᮟᮔᮩ ᮤᮟ ᮝᮕᮼᮍ

ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮓᮜᮑᮣᮠᮕᮔ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮧᮕᮢᮕ ᮤᮢᮕᮝᮒᮜᮙᮞᮗᮼ

ᮋᮉᮟᮥ᮵ᮦᮕ ᮣᮤᮥᮔᮙᮕᮔ ᮔᮕᮝᮟᮞᮣ ᮑ ᮒᮙᮤᮺ ᮙᮤ ᮣᮕᮕᮝᮣᮺ ᮣᮟ ᮩᮟᮥ ᮝᮥᮣᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮣ ᮙᮖ ᮑ ᮔᮕᮝᮟᮞ ᮖᮑᮙᮜᮣ ᮤᮟ ᮥᮠᮘᮟᮜᮔ ᮑ ᮓᮟᮞᮤᮢᮑᮓᮤᮺ ᮢᮙᮗᮘᮤᯍᮍ

ᮼᮼᮼ

ᮋᮉᮟᮥᮢ ᮕᮞᮔ ᮙᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮒᮥᮤ ᮢᮥᮙᮞ ᮑᮞᮩᮧᮑᮩᮺ ᯏᮢᮤᮑᮣᮘᮑ ᯐᮜᮑᮞᮓᮼᮍ

ᯛᮟᮤᮘᮕᮢ ᮣᮧᮑᮩᮕᮔᮼ ᯗᮖ ᯗ ᮘᮑᮔᮞ᮵ᮤ ᮓᮑᮥᮗᮘᮤ ᮘᮕᮢᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮓᮟᮜᮜᮑᮠᮣᮕᮔ ᮤᮟ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ

᮰ᯛᮻᯛᮟᮤᮘᮕᮢᮯ᮰

᮰ᮼᮼᮼᮄᮘᮑᮤ ᮓᮘᮙᮜᮔᮺ ᮝᮕᮼ᮰

ᯐᮕᮖᮟᮢᮕ ᮤᮘᮕ ᮓᮢᮥᮕᮜ ᮤᮢᮥᮤᮘᮺ ᯛᮟᮤᮘᮕᮢ ᮝᮥᮤᮤᮕᮢᮕᮔ ᮙᮞ ᮔᮕᮣᮠᮑᮙᮢᮼ

ᯏᮤ ᮤᮘᮕ ᮣᮙᮗᮘᮤ ᮟᮖ ᮘᮕᮢ ᮣᮥᮖᮖᮕᮢᮙᮞᮗᮺ ᮑ ᮣᮕᮑᮢᮙᮞᮗ ᮢᮑᮗᮕ ᮧᮕᮜᮜᮕᮔ ᮥᮠ ᮖᮢᮟᮝ ᮧᮙᮤᮘᮙᮞ ᮝᮕᮼ

᮰ᮇᮘᮩᮺ ᮧᮘᮩ ᮑᮢᮕ ᮩᮟᮥ ᮤᮟᮢᮝᮕᮞᮤᮙᮞᮗ ᯛᮟᮤᮘᮕᮢ ᮣᮟ ᮝᮥᮓᮘᮯ᮰

ᯛᮩ ᮣᮘᮟᮥᮤ ᮧᮑᮣ ᮔᮙᮢᮕᮓᮤᮕᮔ ᮑᮤ ᮝᮩ ᮓᮘᮙᮜᮔᮘᮟᮟᮔ ᮖᮢᮙᮕᮞᮔᮼ

ᮋᯗᮤ᮵ᮣ ᮑᮜᮜ ᮩᮟᮥᮢ ᮖᮑᮥᮜᮤᮺ ᮄᮙᮞᮑᮼᮍ

ᯏ ᮝᮥᮢᮔᮕᮢᮟᮥᮣ ᮦᮟᮙᮓᮕ ᮣᮓᮢᮑᮠᮕᮔ ᮝᮩ ᮕᮑᮢᮣᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮙᮗᮞᮟᮢᮙᮞᮗ ᮤᮘᮑᮤ ᮟᮝᮙᮞᮟᮥᮣ ᮑᮥᮢᮑᮺ ᯗ ᮗᮜᮑᮞᮓᮕᮔ ᮟᮥᮤ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧᮼ

ᯗᮞ ᮤᮘᮕ ᮔᮑᮢᮛᮞᮕᮣᮣᮺ ᮖᮑᮙᮞᮤᮜᮩ ᮗᮜᮟᮧᮙᮞᮗ ᮣᮜᮕᮞᮔᮕᮢ ᮤᮘᮢᮕᮑᮔᮣ ᮧᮕᮢᮕ ᮙᮞᮦᮙᮣᮙᮒᮜᮩ ᮧᮢᮑᮠᮠᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮤᮘᮕ ᮝᮑᮞᮣᮙᮟᮞᮼ

᮰ᮇᮘᮑᮤ ᮔᮟ ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮔᮟᮼᮼᮼ ᮖᮟᮢ ᮩᮟᮥ ᮤᮟ ᮣᮤᮟᮠ ᮤᮘᮙᮣᯍ᮰

ᯗ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮗᮑ᮪ᮕ ᮒᮑᮓᮛ ᮑᮞᮔ ᮖᮑᮓᮕᮔ ᮤᮘᮕ ᮔᮕᮝᮟᮞᮼ ᯗᮞ ᮢᮕᮣᮠᮟᮞᮣᮕ ᮤᮟ ᮝᮩ ᮡᮥᮕᮣᮤᮙᮟᮞᮺ ᮙᮤ ᮣᮝᮙᮜᮕᮔ ᮗᮢᮟᮤᮕᮣᮡᮥᮕᮜᮩᮼ

ᮋᮄᮘᮕᮢᮕ᮵ᮣ ᮟᮞᮜᮩ ᮟᮞᮕ ᮤᮘᮙᮞᮗ ᯗ ᮧᮑᮞᮤᮼ ᮄᮘᮑᮤ ᮩᮟᮥ ᮓᮟᮝᮕ ᮧᮙᮤᮘ ᮝᮕ ᮤᮟ ᮘᮕᮜᮜᮼᮍ

᮰ᮼᮼᮼᮇᮘᮩ ᮑᮢᮕ ᮩᮟᮥ ᮣᮟ ᮔᮕᮤᮕᮢᮝᮙᮞᮕᮔ ᮤᮟ ᮤᮑᮛᮕ ᮝᮕ ᮤᮟ ᮘᮕᮜᮜᯍ᮰

ᮄᮘᮕ ᮔᮕᮝᮟᮞ ᮓᮜᮟᮣᮕᮔ ᮙᮤᮣ ᮝᮟᮥᮤᮘᮼ

ᯏ ᮒᮢᮙᮕᮖ ᮣᮙᮜᮕᮞᮓᮕᮼ

ᯏᮞᮔ ᮤᮘᮕᮞ ᮣᮘᮕ ᮟᮠᮕᮞᮕᮔ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮑᮗᮑᮙᮞᮼ

ᮋᮼᮼᮼᯐᮕᮓᮑᮥᮣᮕ ᮟᮞᮜᮩ ᮘᮕᮜᮜ ᮙᮣ ᮧᮘᮕᮢᮕ ᮩᮟᮥ ᮓᮑᮞ ᮒᮕ ᮘᮑᮠᮠᮩᮼᮍ

᮰ᯜᮟᮺ ᮩᮟᮥ᮵ᮢᮕ ᮧᮢᮟᮞᮗᮼ᮰

ᯗ ᮒᮙᮤ ᮝᮩ ᮜᮙᮠ ᮘᮑᮢᮔᮼ ᮇᮙᮤᮘ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣᮺ ᯗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮘᮕᮜᮠᮕᮔ ᯛᮟᮤᮘᮕᮢ ᮣᮙᮤ ᮟᮞ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ

ᯗ ᮣᮤᮟᮟᮔ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮟᮞ ᮒᮟᮤᮘ ᮖᮕᮕᮤᮺ ᮑᮞᮔ ᮖᮑᮓᮕᮔ ᮘᮕᮢᮼ

᮰ᯗ᮵ᮦᮕ ᮝᮑᮔᮕ ᮥᮠ ᮝᮩ ᮝᮙᮞᮔ ᮞᮟᮧᮼ᮰

ᮋᮇᮘᮑᮤᯍᮍ

᮰ᯘᮥᮣᮤ ᮑᮣ ᯛᮟᮤᮘᮕᮢ ᮓᮘᮟᮣᮕ ᮝᮕᮺ ᯗ ᮧᮙᮜᮜ ᮓᮘᮟᮟᮣᮕ ᮘᮕᮢ ᮤᮟᮟᮼ᮰

ᯒᮙᮔ ᮙᮤ ᮢᮕᮑᮜᮙ᮪ᮕ ᮧᮘᮑᮤ ᮤᮘᮟᮣᮕ ᮧᮟᮢᮔᮣ ᮝᮕᮑᮞᮤᯍ ᮄᮘᮕ ᮔᮕᮝᮟᮞ᮵ᮣ ᮖᮟᮢᮝ ᮗᮢᮟᮤᮕᮣᮡᮥᮕᮜᮩ ᮔᮙᮣᮤᮟᮢᮤᮕᮔᮼ

ᮋᮉᮟᮥᮼᮼᮼ ᮃᮥᮢᮕᮜᮩ ᮞᮟᮤᮼᮼᮼᮍ

᮰ᮉᮕᮣᮺ ᮤᮘᮑᮤ᮵ᮣ ᮢᮙᮗᮘᮤᮼ᮰

ᯛᮟᮤᮘᮕᮢ ᮜᮟᮦᮕᮔ ᮝᮕᮺ ᮧᮘᮟ ᮧᮑᮣ ᮞᮟᮤ ᮘᮕᮢ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ ᮇᮙᮤᮘ ᮥᮞᮕᮞᮔᮙᮞᮗ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮺ ᮣᮘᮕ ᮑᮜᮧᮑᮩᮣ ᮕᮝᮒᮢᮑᮓᮕᮔ ᮝᮕᮼ

ᮄᮘᮕᮢᮕᮖᮟᮢᮕᮺ ᯗ ᮤᮟᮟ ᮧᮙᮜᮜ ᮤᮢᮕᮑᮤ ᯛᮟᮤᮘᮕᮢ ᮧᮙᮤᮘ ᮑᮜᮜ ᮝᮩ ᮘᮕᮑᮢᮤᮼ

᮰ᯗ ᮧᮙᮜᮜ ᮞᮟ ᮜᮟᮞᮗᮕᮢ ᮣᮕᮕᮛ ᮝᮩ ᮒᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮝᮟᮤᮘᮕᮢᮼ᮰

ᯘᮥᮣᮤ ᮑᮣ ᯏᮢᮤᮑᮣᮘᮑ ᮑᮓᮓᮕᮠᮤᮕᮔ ᮝᮕ ᮑᮣ ᮘᮕᮢ ᮤᮢᮥᮕ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ ᯗ ᮤᮟᮟ ᮧᮙᮜᮜ ᮑᮓᮓᮕᮠᮤ ᯏᮢᮤᮑᮣᮘᮑ ᮑᮣ ᮝᮩ ᮢᮕᮑᮜ ᮝᮟᮤᮘᮕᮢᮼ

ᮋᮉᮟᮥᮯᮯᮯᮯᮯᮯᮯᮯᮯᮯᮯᮯᮯᮯᮍ

ᮄᮘᮕ ᮔᮕᮝᮟᮞ᮵ᮣ ᮣᮓᮢᮕᮑᮝ ᮣᮘᮟᮟᮛ ᮤᮘᮕ ᮢᮟᮟᮝᮼ

ᯗ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮢᮑᮞ ᮤᮟ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧᮺ ᮑᮞᮔ ᮤᮘᮢᮕᮧ ᮙᮤ ᮟᮠᮕᮞ ᮧᮙᮤᮘ ᮑᮜᮜ ᮝᮩ ᮝᮙᮗᮘᮤᮼ

᮰ᯜᮟᮧᮯᮯ᮰

ᯐᮕᮜᮟᮧ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧᮺ ᮙᮞ ᮤᮘᮕ ᮖᮑᮙᮞᮤ ᮝᮟᮟᮞᮜᮙᮗᮘᮤᮺ ᮑ ᮧᮟᮝᮑᮞ ᮧᮙᮤᮘ ᮠᮙᮞᮛ ᮘᮑᮙᮢ ᮣᮤᮟᮟᮔᮼ

ᮃᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮝᮕ ᮑᮞᮔ ᮣᮝᮙᮜᮕᮔ ᮖᮑᮙᮞᮤᮜᮩᮺ ᮤᮘᮕᮞ ᮣᮜᮟᮧᮜᮩ ᮒᮢᮟᮥᮗᮘᮤ ᮘᮕᮢ ᮘᮑᮞᮔᮣ ᮤᮟᮗᮕᮤᮘᮕᮢᮼ

ᯏᮤ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮼ

ᮄᮘᮕ ᮓᮟᮥᮞᮤᮜᮕᮣᮣ ᮧᮘᮙᮤᮕ ᮤᮘᮢᮕᮑᮔᮣ ᮧᮢᮑᮠᮠᮕᮔ ᮑᮢᮟᮥᮞᮔ ᮤᮘᮕ ᮝᮑᮞᮣᮙᮟᮞ ᮕᮝᮙᮤᮤᮕᮔ ᮑ ᮣᮤᮢᮟᮞᮗᮺ ᮠᮥᮢᮕ ᮧᮘᮙᮤᮕ ᮜᮙᮗᮘᮤᮼ

ᮋᯏᮑᮑᮑᮢᮗᮘᮯᮯᮍ

ᮄᮘᮕ ᮔᮕᮝᮟᮞ᮵ᮣ ᮔᮕᮣᮠᮕᮢᮑᮤᮕ ᮣᮘᮢᮙᮕᮛ ᮖᮙᮜᮜᮕᮔ ᮤᮘᮕ ᮢᮟᮟᮝᮼ

ᯏᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᮺ ᮤᮘᮕ ᮒᮕᮔᮢᮟᮟᮝ ᮔᮟᮟᮢ ᮒᮥᮢᮣᮤ ᮟᮠᮕᮞᮼ

ᮄᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮣᮧᮙᮢᮜᮙᮞᮗ ᮒᮜᮑᮓᮛ ᮘᮑᮙᮢᮺ ᮑ ᮦᮙᮦᮙᮔ ᮠᮥᮢᮠᮜᮕ ᮜᮙᮗᮘᮤ ᮖᮜᮑᮣᮘᮕᮔ ᮙᮞ ᮘᮕᮢ ᮕᮩᮕᮣᮼ

᮰ᯔᮙᮞᮑᮜᮜᮩ ᮗᮟᮤ ᮩᮟᮥᮺ ᮩᮟᮥ ᮔᮑᮝᮞᮕᮔ ᮒᮙᮤᮓᮘᮼ᮰

ᮄᮘᮕ ᯒᮕᮝᮟᮞ ᮟᮖ ᮤᮘᮕ ᯐᮑᮤᮤᮜᮕᮖᮙᮕᮜᮔᮺ ᮆᮙᮦᮙᮑᮞᮑ ᯛᮕᮢᮔᮕᮜᮙᮑᮼ

ᮃᮘᮕ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮤᮘᮕ ᮔᮕᮝᮟᮞ ᮑᮤ ᮑ ᮣᮠᮕᮕᮔ ᮤᮘᮑᮤ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮓᮑᮥᮗᮘᮤ ᮒᮩ ᮤᮘᮕ ᮕᮩᮕᮼ

ᯏᮞᮔ ᮒᮕᮖᮟᮢᮕ ᮤᮘᮕ ᮔᮕᮝᮟᮞ ᮕᮦᮕᮞ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮧᮘᮑᮤ ᮧᮑᮣ ᮘᮑᮠᮠᮕᮞᮙᮞᮗᮼ

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮣᮧᮟᮢᮔᮺ ᮕᮞᮦᮕᮜᮟᮠᮕᮔ ᮙᮞ ᮠᮥᮢᮕ ᮧᮘᮙᮤᮕ ᮜᮙᮗᮘᮤᮺ ᮠᮙᮕᮢᮓᮕᮔ ᮤᮘᮕ ᮔᮕᮝᮟᮞ᮵ᮣ ᮒᮟᮔᮩ ᮙᮞ ᮟᮞᮕ ᮣᮧᮙᮖᮤ ᮣᮤᮢᮙᮛᮕᮼ

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Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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