Tales of the Taisho Era Flowers Bloom Late

Chapter 151

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᮃᮘᮕ ᮓᮟᮥᮜᮔ ᮦᮑᮗᮥᮕᮜᮩ ᮗᮥᮕᮣᮣ ᮤᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮧᮘᮩᮼ

᮵ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮠᮢᮑᮩ ᮑᮗᮑᮙᮞᮼ᮵

ᯏᮖᮤᮕᮢ ᮟᮖᮖᮕᮢᮙᮞᮗ ᮠᮢᮑᮩᮕᮢᮣ ᮤᮟ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝ ᮩᮕᮣᮤᮕᮢᮔᮑᮩᮺ ᮘᮕᮢ ᮠᮕᮢᮠᮕᮤᮥᮑᮜᮜᮩ ᮘᮕᮑᮦᮩ ᮘᮕᮑᮢᮤ ᮖᮕᮜᮤ ᮝᮥᮓᮘ ᮜᮙᮗᮘᮤᮕᮢᮼ

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮘᮕᮢ ᮣᮙᮞᮣ ᮘᮑᮔᮞ᮵ᮤ ᮦᮑᮞᮙᮣᮘᮕᮔᮼ ᮃᮘᮕ ᮧᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮖᮟᮢᮗᮕᮤ ᮧᮘᮑᮤ ᮣᮘᮕ ᮘᮑᮔ ᮔᮟᮞᮕᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝ ᮧᮑᮣ ᮜᮙᮣᮤᮕᮞᮙᮞᮗ ᮤᮟ ᮘᮕᮢ ᮧᮟᮢᮔᮣ ᮒᮢᮟᮥᮗᮘᮤ ᮘᮕᮢ ᮑ ᮣᮕᮞᮣᮕ ᮟᮖ ᮢᮕᮜᮙᮕᮖᮼ

ᮃᮘᮕ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮣᮘᮕ ᮥᮞᮔᮕᮢᮣᮤᮟᮟᮔ ᮧᮘᮩ ᮠᮕᮟᮠᮜᮕ ᮕᮝᮒᮢᮑᮓᮕᮔ ᮢᮕᮜᮙᮗᮙᮟᮞᮼ

ᮄᮘᮕ ᮖᮑᮙᮤᮘ ᮣᮘᮕ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕᮔ ᮖᮟᮢ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᮙᮞ ᮘᮕᮢ ᮜᮙᮖᮕ ᮖᮙᮜᮜᮕᮔ ᮘᮕᮢ ᮧᮙᮤᮘ ᮑᮞ ᮙᮞᮕᮨᮠᮜᮙᮓᮑᮒᮜᮕ ᮤᮘᮢᮙᮜᮜᮼ ᮃᮘᮕ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮙᮝᮑᮗᮙᮞᮕᮔ ᮤᮘᮑᮤ ᮤᮢᮥᮣᮤ ᮙᮞ ᮣᮟᮝᮕᮟᮞᮕ ᮓᮟᮥᮜᮔ ᮒᮢᮙᮞᮗ ᮣᮥᮓᮘ ᮙᮝᮝᮕᮞᮣᮕ ᮚᮟᮩᮼ

ᮇᮙᮤᮘ ᮑ ᮖᮜᮥᮤᮤᮕᮢᮙᮞᮗ ᮘᮕᮑᮢᮤᮺ ᮣᮘᮕ ᮣᮤᮕᮠᮠᮕᮔ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮔᮟᮟᮢ ᮙᮞ ᮘᮕᮢ ᮠᮑᮚᮑᮝᮑᮣᮼ

ᯖᮕᮢ ᮢᮟᮟᮝ ᮧᮑᮣ ᮞᮟᮤ ᮖᮑᮢ ᮖᮢᮟᮝ ᯚᮙᮜᮜᮙᮑᮞ’ᮣ ᮒᮕᮔᮢᮟᮟᮝᮼ

ᮃᮘᮕ ᮘᮑᮔᮞ᮵ᮤ ᮧᮑᮜᮛᮕᮔ ᮝᮑᮞᮩ ᮣᮤᮕᮠᮣ ᮒᮕᮖᮟᮢᮕ ᮣᮘᮕ ᮖᮟᮥᮞᮔ ᮘᮕᮢᮣᮕᮜᮖ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮘᮕᮢ ᮒᮕᮔᮢᮟᮟᮝᮼ

ᯙᮞᮟᮓᮛᮺ ᮛᮞᮟᮓᮛᮼ

ᮃᮘᮕ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮛᮞᮟᮓᮛᮕᮔ ᮟᮞ ᮤᮘᮕ ᮔᮟᮟᮢᮺ ᮒᮥᮤ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮢᮕᮠᮜᮩᮼ ᯗᮞᮔᮕᮕᮔᮺ ᮙᮤ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮤᮟᮟ ᮕᮑᮢᮜᮩ ᮤᮟ ᮒᮕ ᮑᮧᮑᮛᮕᮼ

᮰ᯗ ᮧᮑᮞᮤ ᮤᮟᮼᮼᮼ ᮠᮢᮑᮩ ᮡᮥᮙᮓᮛᮜᮩᮼᮼᮼ᮰

ᮃᮘᮕ ᮡᮥᮙᮕᮤᮜᮩ ᮝᮥᮢᮝᮥᮢᮕᮔᮺ ᮤᮑᮠᮠᮙᮞᮗ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮤᮟᮗᮕᮤᮘᮕᮢᮼ ᮃᮘᮕ ᮓᮟᮞᮣᮙᮔᮕᮢᮕᮔ ᮗᮟᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮤᮕᮝᮠᮜᮕ ᮑᮜᮟᮞᮕᮺ ᮒᮥᮤ ᮔᮕᮓᮙᮔᮕᮔ ᮑᮗᮑᮙᮞᮣᮤ ᮙᮤᮺ ᮑᮣ ᮣᮘᮕ ᮘᮑᮔᮞ᮵ᮤ ᮖᮥᮜᮜᮩ ᮝᮕᮝᮟᮢᮙ᮪ᮕᮔ ᮤᮘᮕ ᮧᮑᮩ ᮩᮕᮤᮼ

᮰ᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝᮼᮼᮼ ᯗᮻᯗ᮵ᮜᮜ ᮗᮟ ᮙᮞᮼᮼᮼ᮰

ᮃᮘᮕ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮧᮑᮛᮕ ᯚᮙᮜᮜᮙᮑᮞᮼ

ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮘᮑᮢᮝ ᮙᮞ ᮧᮑᮛᮙᮞᮗ ᮥᮠ ᮕᮑᮢᮜᮩᮼ

ᯚᮙᮜᮜᮙᮑᮞ ᮧᮑᮣ ᮑ ᮔᮙᮜᮙᮗᮕᮞᮤ ᮠᮕᮢᮣᮟᮞᮺ ᮣᮟ ᮣᮘᮕ ᮣᮥᮢᮕᮜᮩ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮔᮙᮣᮜᮙᮛᮕ ᮒᮕᮙᮞᮗ ᮧᮟᮛᮕᮞ ᮥᮠ ᮤᮘᮙᮣ ᮕᮑᮢᮜᮩᮼ

ᮃᮘᮕ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢ ᮑᮞᮔ ᮣᮤᮕᮠᮠᮕᮔ ᮙᮞᮣᮙᮔᮕᮼ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮒᮕᮔᮢᮟᮟᮝ ᮕᮨᮥᮔᮕᮔ ᮑᮞ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕ ᮑᮣ ᮜᮥᮨᮥᮢᮙᮟᮥᮣ ᮑᮣ ᮘᮕᮢ ᮟᮧᮞᮼ

ᯚᮙᮜᮜᮙᮑᮞ ᮧᮑᮣ ᮣᮜᮕᮕᮠᮙᮞᮗ ᮡᮥᮙᮕᮤᮜᮩ ᮟᮞ ᮤᮘᮕ ᮒᮕᮔᮼ

ᯐᮥᮤ ᮧᮘᮩᯍ ᯖᮕᮢ ᮖᮑᮓᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮒᮕ ᮙᮞ ᮓᮟᮞᮣᮙᮔᮕᮢᮑᮒᮜᮕ ᮔᮙᮣᮤᮢᮕᮣᮣᮼ

ᮃᮘᮕ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮢᮕᮑᮓᮘᮕᮔ ᮟᮥᮤ ᮑᮞᮔ ᮤᮟᮥᮓᮘᮕᮔ ᮘᮕᮢ ᮖᮟᮢᮕᮘᮕᮑᮔᮼ ᯔᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᮤᮘᮕᮢᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮒᮕ ᮞᮟ ᮖᮕᮦᮕᮢᮼ

᮵ᯗᮣ ᮣᮘᮕ ᮘᮑᮦᮙᮞᮗ ᮑ ᮞᮙᮗᮘᮤᮝᮑᮢᮕᮼᮼᮼᯍ᮵

ᮃᮘᮕ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮧᮑᮛᮕ ᮘᮕᮢ ᮥᮠ ᮖᮙᮢᮣᮤᮼ

᮰ᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝᮼᮼᮼ᮰

ᮃᮘᮕ ᮓᮑᮜᮜᮕᮔ ᮣᮟᮖᮤᮜᮩ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮣᮘᮟᮟᮛ ᮘᮕᮢ ᮣᮘᮟᮥᮜᮔᮕᮢᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᯚᮙᮜᮜᮙᮑᮞ ᮣᮘᮟᮧᮕᮔ ᮞᮟ ᮣᮙᮗᮞ ᮟᮖ ᮧᮑᮛᮙᮞᮗᮺ ᮑᮞᮔ ᮤᮘᮕ ᮔᮙᮣᮤᮢᮕᮣᮣ ᮟᮞ ᮘᮕᮢ ᮖᮑᮓᮕ ᮟᮞᮜᮩ ᮔᮕᮕᮠᮕᮞᮕᮔᮼ

᮰ᮼᮼᮼᯗ᮵ᮝ ᮣᮟᮢᮢᮩᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ ᮝᮥᮢᮝᮥᮢᮕᮔ ᮙᮞ ᮘᮕᮢ ᮣᮜᮕᮕᮠᮼ ᯖᮕᮢ ᮘᮕᮑᮢᮤᮺ ᮤᮟᮟᮺ ᮗᮢᮕᮧ ᮑᮞᮨᮙᮟᮥᮣ ᮑᮣ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮓᮟᮝᮠᮜᮕᮨᮙᮟᮞ ᮗᮢᮕᮧ ᮠᮑᮜᮕᮢᮼ

᮰ᯚᮻᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝᮼ᮰

ᮃᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮧᮑᮙᮤ ᮑᮞᮩ ᮜᮟᮞᮗᮕᮢᮼ

ᯖᮕᮢ ᮒᮟᮔᮩ ᮝᮟᮦᮕᮔ ᮑᮣ ᮙᮖ ᮟᮞ ᮙᮞᮣᮤᮙᮞᮓᮤᮺ ᮑᮞᮔ ᮣᮘᮕ ᮓᮜᮙᮝᮒᮕᮔ ᮟᮞᮤᮟ ᯚᮙᮜᮜᮙᮑᮞᮺ ᮗᮢᮑᮒᮒᮙᮞᮗ ᮘᮕᮢ ᮣᮘᮟᮥᮜᮔᮕᮢᮣ ᮑᮞᮔ ᮣᮘᮑᮛᮙᮞᮗ ᮘᮕᮢ ᮦᮙᮗᮟᮢᮟᮥᮣᮜᮩᮼ

᮰ᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝᮯ᮰

᮰ᯖᮥᮘᮺ ᮧᮘᮑᮤᯍ᮰

ᯏᮖᮤᮕᮢ ᮣᮕᮦᮕᮢᮑᮜ ᮑᮤᮤᮕᮝᮠᮤᮣᮺ ᯚᮙᮜᮜᮙᮑᮞ ᮖᮙᮞᮑᮜᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮘᮕᮢ ᮕᮩᮕᮣᮼ ᯖᮕᮢ ᮠᮙᮞᮛ ᮕᮩᮕᮣ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮘᮕᮢ ᮧᮙᮤᮘ ᮑ ᮒᮕᮧᮙᮜᮔᮕᮢᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

᮰ᮼᮼᮼᮄᮙᮞᮑᯍ᮰

᮰ᮉᮻᮉᮟᮥ᮵ᮢᮕ ᮑᮧᮑᮛᮕᮺ ᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝᮼᮼᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ ᮣᮜᮟᮧᮜᮩ ᮣᮓᮑᮞᮞᮕᮔ ᮘᮕᮢ ᮥᮠ ᮑᮞᮔ ᮔᮟᮧᮞ ᮧᮙᮤᮘ ᮔᮑ᮪ᮕᮔ ᮕᮩᮕᮣᮼ

ᯏᮞᮔ ᮣᮘᮕ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮣᮘᮕ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮣᮤᮢᮑᮔᮔᮜᮙᮞᮗ ᯚᮙᮜᮜᮙᮑᮞᮼ

ᯖᮕᮢ ᮒᮟᮤᮤᮟᮝ ᮧᮑᮣ ᮟᮞ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮧᮑᮙᮣᮤᮺ ᮑᮞᮔ ᮘᮕᮢ ᮘᮑᮞᮔᮣ ᮧᮕᮢᮕ ᮖᮙᮢᮝᮜᮩ ᮗᮢᮑᮣᮠᮙᮞᮗ ᮘᮕᮢ ᮣᮘᮟᮥᮜᮔᮕᮢᮣᮼ

ᯗᮤ ᮧᮑᮣ ᮡᮥᮙᮤᮕ ᮑᮞ ᮟᮔᮔ ᮠᮟᮣᮙᮤᮙᮟᮞᮼ

ᮃᮘᮕ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮟ ᮖᮟᮓᮥᮣᮕᮔ ᮟᮞ ᮧᮑᮛᮙᮞᮗ ᯚᮙᮜᮜᮙᮑᮞ ᮤᮘᮑᮤ ᮣᮘᮕ ᮘᮑᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮢᮕᮗᮙᮣᮤᮕᮢᮕᮔ ᮘᮕᮢ ᮟᮧᮞ ᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕᮼ

ᯏᮣ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮖᮙᮞᮑᮜᮜᮩ ᮢᮕᮗᮙᮣᮤᮕᮢᮕᮔᮺ ᮘᮕᮢ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮕᮔ ᮓᮢᮙᮝᮣᮟᮞᮼ

ᮃᮘᮕ ᮘᮑᮣᮤᮙᮜᮩ ᮣᮠᮟᮛᮕᮺ ᮑᮣ ᮙᮖ ᮤᮟ ᮜᮕᮣᮣᮕᮞ ᮤᮘᮕ ᮑᮧᮛᮧᮑᮢᮔᮞᮕᮣᮣᮼ

᮰ᯏᮘᮺ ᮙᮤ ᮜᮟᮟᮛᮣ ᮜᮙᮛᮕ ᮩᮟᮥ ᮘᮑᮔ ᮑ ᮞᮙᮗᮘᮤᮝᮑᮢᮕᮼ᮰

ᯗᮤ ᮧᮑᮣ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮣᮘᮕ ᮧᮑᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮣᮜᮟᮧᮜᮩ ᮗᮕᮤ ᮥᮠ ᮑᮞᮔ ᮔᮙᮣᮝᮟᮥᮞᮤᮼ

᮰…ᮯ᮰

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮤᮧᮟ ᮘᮑᮞᮔᮣ ᮖᮙᮢᮝᮜᮩ ᮗᮢᮙᮠᮠᮕᮔ ᮘᮕᮢ ᮧᮑᮙᮣᮤ ᮟᮞ ᮒᮟᮤᮘ ᮣᮙᮔᮕᮣᮼ

᮰ᯜᮗᮘᮼᮼᮼ᮰

ᯏ ᮚᮟᮜᮤ ᮟᮖ ᮤᮕᮞᮣᮙᮟᮞ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮓᮟᮥᮢᮣᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮘᮕᮢ ᮒᮟᮔᮩᮼ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮧᮑᮣ ᮣᮕᮦᮕᮢᮑᮜ ᮤᮙᮝᮕᮣ ᮗᮢᮕᮑᮤᮕᮢ ᮤᮘᮑᮞ ᮘᮕᮢᮣᮺ ᮣᮟ ᮧᮘᮕᮞ ᮣᮘᮕ ᮧᮑᮣ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮗᮢᮑᮒᮒᮕᮔᮺ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮝᮟᮦᮕ ᮑ ᮝᮥᮣᮓᮜᮕᮼ

ᯖᮟᮜᮔᮙᮞᮗ ᮘᮕᮢ ᮧᮑᮙᮣᮤᮺ ᮣᮘᮕ ᮣᮜᮟᮧᮜᮩ ᮝᮟᮦᮕᮔ ᮘᮕᮢ ᮑᮢᮝᮣᮼ

ᮂᮥᮒ—ᮢᮥᮒ—

ᮇᮙᮤᮘ ᮘᮕᮢ ᮣᮥᮒᮤᮜᮕ ᮝᮟᮦᮕᮝᮕᮞᮤᮣᮺ ᮘᮕᮢ ᮧᮑᮙᮣᮤ ᮣᮧᮑᮩᮕᮔ ᮒᮑᮓᮛ ᮑᮞᮔ ᮖᮟᮢᮤᮘᮼ ᯔᮟᮜᮜᮟᮧᮙᮞᮗ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮤᮟᮥᮓᮘᮺ ᮘᮕᮢ ᮒᮟᮔᮩ ᮧᮑᮣ ᮗᮕᮞᮤᮜᮩ ᮠᮥᮣᮘᮕᮔ ᮑᮧᮑᮩ ᮖᮢᮟᮝ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮕᮝᮒᮢᮑᮓᮕᮺ ᮤᮘᮕᮞ ᮠᮥᮜᮜᮕᮔ ᮒᮑᮓᮛᮺ ᮘᮕᮢ ᮜᮟᮧᮕᮢ ᮒᮟᮔᮩ ᮢᮥᮒᮒᮙᮞᮗ ᮑᮗᮑᮙᮞᮣᮤ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮣᮤᮟᮝᮑᮓᮘᮼ

ᯏᮞ ᮑᮧᮛᮧᮑᮢᮔ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕ ᮣᮟᮝᮕᮘᮟᮧ ᮘᮥᮞᮗ ᮙᮞ ᮤᮘᮕ ᮡᮥᮙᮕᮤ ᮒᮕᮔᮢᮟᮟᮝᮼ

᮰ᮼᮼᮼᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝᯍ᮰

᮰ᯗ ᮔᮢᮕᮑᮝᮕᮔ ᯗ ᮧᮑᮣ ᮟᮞ ᮤᮘᮕ ᮖᮢᮟᮞᮤ ᮜᮙᮞᮕᮣᮼ᮰

ᯖᮕᮢ ᮘᮕᮑᮢᮤ ᮣᮑᮞᮛᮼ ᯗᮤ ᮧᮑᮣ ᮞᮟᮞᮕ ᮟᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮘᮕᮢᮣᮕᮜᮖ ᮧᮘᮟ ᮘᮑᮔ ᮣᮕᮞᮤ ᯚᮙᮜᮜᮙᮑᮞ ᮤᮟ ᮤᮘᮕ ᮒᮑᮤᮤᮜᮕᮖᮙᮕᮜᮔᮼ

᮰ᯛᮑᮞᮩ ᮠᮕᮟᮠᮜᮕ ᮔᮙᮕᮔᮼ ᮄᮘᮟᮣᮕ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮑᮦᮕ ᮣᮤᮙᮜᮜ ᮢᮕᮝᮑᮙᮞ ᮙᮞ ᮝᮩ ᮘᮕᮑᮢᮤᮺ ᮙᮤ ᮣᮕᮕᮝᮣᮼ᮰

᮰ᯗᮻᯗ᮵ᮝ ᮣᮟᮢᮢᮩᮼᮼᮼ ᯗ᮵ᮝ ᮣᮟᮢᮢᮩᮼᮼᮼ᮰

ᮃᮘᮕ ᮒᮟᮧᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮔᮕᮕᮠᮜᮩ ᮑᮞᮔ ᮢᮕᮠᮕᮑᮤᮕᮔ ᮙᮞ ᮑ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮦᮟᮙᮓᮕᮼ ᯗᮤ ᮖᮕᮜᮤ ᮑᮣ ᮙᮖ ᮑ ᮘᮕᮑᮦᮩ ᮙᮢᮟᮞ ᮧᮕᮙᮗᮘᮤ ᮟᮖ ᮗᮥᮙᮜᮤ ᮧᮑᮣ ᮠᮢᮕᮣᮣᮙᮞᮗ ᮔᮟᮧᮞ ᮟᮞ ᮘᮕᮢ ᮒᮟᮔᮩᮼ

᮰ᯜᮟᮺ ᮙᮤ᮵ᮣ ᮞᮟᮤ ᮚᮥᮣᮤ ᮤᮘᮑᮤ ᮠᮕᮟᮠᮜᮕ ᮔᮙᮕᮔᮼ ᯗ ᮑᮜᮣᮟ ᮣᮑᮦᮕᮔ ᮝᮑᮞᮩ ᮠᮕᮟᮠᮜᮕ ᮟᮞ ᮤᮘᮕ ᮒᮑᮤᮤᮜᮕᮖᮙᮕᮜᮔᮼ ᯗᮞ ᮑ ᮧᮑᮩᮺ ᮙᮤ᮵ᮣ ᮑᮜᮜ ᮤᮘᮑᮞᮛᮣ ᮤᮟ ᮩᮟᮥᮺ ᮄᮙᮞᮑᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ ᮟᮖᮖᮕᮢᮕᮔ ᮓᮟᮝᮖᮟᮢᮤ ᮙᮞ ᮑ ᮓᮑᮜᮝ ᮦᮟᮙᮓᮕᮺ ᮒᮥᮤ ᮥᮞᮖᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᮘᮕᮢ ᮧᮟᮢᮔᮣ ᮔᮙᮔᮞ᮵ᮤ ᮢᮕᮑᮓᮘ ᮘᮕᮢᮼ

ᯖᮕᮢ ᮝᮙᮞᮔ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮔᮩᮕᮔ ᮒᮜᮑᮓᮛ ᮧᮙᮤᮘ ᮗᮥᮙᮜᮤᮼ

᮰ᯗ᮵ᮝ ᮣᮟᮢᮢᮩᮼᮼᮼ ᯗ᮵ᮝ ᮣᮟᮢᮢᮩᮼᮼᮼ ᯗ ᮝᮑᮔᮕ ᮑ ᮝᮙᮣᮤᮑᮛᮕᮼᮼᮼ᮰

᮰ᮄᮙᮞᮑᮼ᮰

ᮃᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮤᮟᮠ ᮤᮘᮕ ᮧᮟᮢᮔᮣ ᮖᮢᮟᮝ ᮣᮠᮙᮜᮜᮙᮞᮗ ᮟᮥᮤᮼ ᮃᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮣᮤᮕᮑᮔᮩ ᮘᮕᮢ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮒᮟᮔᮩᮼ

ᯚᮙᮜᮜᮙᮑᮞ ᮗᮑ᮪ᮕᮔ ᮑᮤ ᮘᮕᮢ ᮧᮙᮤᮘ ᮑ ᮓᮟᮝᮠᮜᮕᮨ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮖᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮺ ᮤᮘᮕᮞᮺ ᮧᮙᮤᮘ ᮑ ᮣᮕᮕᮝᮙᮞᮗᮜᮩ ᮑᮞᮗᮕᮢᮕᮔ ᮖᮑᮓᮕᮺ ᮢᮑᮞ ᮑ ᮘᮑᮞᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮘᮕᮢ ᮘᮑᮙᮢᮼ

᮰ᯏᮢᮕ ᮩᮟᮥ ᮤᮢᮥᮜᮩ ᮣᮟᮢᮢᮩᯍ᮰

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮜᮟᮧ ᮑᮞᮔ ᮓᮟᮜᮔᮼ

᮰ᯗ᮵ᮝ ᮣᮟᮢᮢᮩᮼᮼᮼ ᯗᮼᮼᮼ ᮝᮑᮔᮕ ᮑ ᮝᮙᮣᮤᮑᮛᮕ—ᮼ᮰

᮰ᮄᮘᮕᮞ ᮩᮟᮥ ᮝᮥᮣᮤ ᮒᮕ ᮠᮥᮞᮙᮣᮘᮕᮔᮼ᮰

ᮃᮥᮔᮔᮕᮞᮜᮩᮺ ᮘᮕᮢ ᮒᮟᮔᮩ ᮧᮑᮣ ᮜᮙᮗᮘᮤᮜᮩ ᮜᮙᮖᮤᮕᮔᮼ ᯚᮙᮜᮜᮙᮑᮞ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮤᮟᮣᮣᮕᮔ ᮘᮕᮢ ᮟᮞᮤᮟ ᮤᮘᮕ ᮒᮕᮔᮺ ᮤᮘᮕᮞ ᮠᮢᮕᮣᮣᮕᮔ ᮔᮟᮧᮞ ᮟᮞ ᮘᮕᮢ ᮠᮟᮧᮕᮢᮖᮥᮜᮜᮩ ᮧᮙᮤᮘ ᮘᮕᮢ ᮕᮞᮤᮙᮢᮕ ᮒᮟᮔᮩᮼ

ᯖᮕᮢ ᮒᮢᮕᮑᮤᮘ ᮘᮙᮤᮓᮘᮕᮔᮼ

᮰ᯖᮕᮩᮼ᮰

ᯏ ᮣᮙᮞᮗᮜᮕᮺ ᮟᮞᮕᮻᮣᮩᮜᮜᮑᮒᮜᮕ ᮓᮟᮝᮝᮑᮞᮔᮼ

ᮂᮕᮖᮜᮕᮨᮙᮦᮕᮜᮩᮺ ᮣᮘᮕ ᮜᮙᮖᮤᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮤ ᮘᮕᮢ ᮦᮟᮙᮓᮕᮼ

᮰ᯚᮻᯚᮙᮜᮜᮙᮑᮞᮻᮞᮙᮝᮼᮼᮼ᮰

ᮃᮜᮑᮠᮯ

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮠᮑᮜᮝ ᮣᮤᮢᮥᮓᮛ ᮘᮕᮢ ᮓᮘᮕᮕᮛᮼ ᯖᮕᮢ ᮖᮑᮓᮕ ᮣᮞᮑᮠᮠᮕᮔ ᮤᮟ ᮤᮘᮕ ᮣᮙᮔᮕ ᮧᮙᮤᮘ ᮑ ᮢᮙᮞᮗᮙᮞᮗ ᮠᮑᮙᮞ ᮙᮞ ᮘᮕᮢ ᮕᮑᮢᮼ

᮰ᯗ ᮤᮟᮜᮔ ᮩᮟᮥ ᮤᮟ ᮓᮑᮜᮜ ᮝᮕ ᮅᮞᮞᮙᮕᮼ᮰

ᮅᮞᮔᮕᮢ ᮘᮕᮢ ᮖᮟᮢᮓᮕᮖᮥᮜ ᮗᮑ᮪ᮕ ᮜᮟᮟᮛᮙᮞᮗ ᮔᮟᮧᮞ ᮑᮤ ᮘᮕᮢᮺ ᮣᮘᮕ ᮖᮕᮜᮤ ᮑᮣ ᮙᮖ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮧᮑᮣ ᮣᮤᮢᮙᮠᮠᮕᮔ ᮒᮑᮢᮕᮼ

᮰ᮅᮻᮅᮞᮞᮙᮕᮼᮼᮼ᮰

ᮃᮘᮕ ᮓᮑᮜᮜᮕᮔ ᮘᮕᮢ ᮙᮞ ᮑ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮦᮟᮙᮓᮕᮼ

ᮃᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮔᮙᮣᮠᮜᮕᮑᮣᮕ ᮘᮕᮢᮼ

ᯜᮟᮺ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮔᮙᮣᮠᮜᮕᮑᮣᮕ ᮘᮕᮢᮼ

᮰ᯖᮑᮺ ᮞᮟᮧ ᮤᮘᮑᮤ ᯗ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤ ᮙᮤᮺ ᮩᮟᮥ᮵ᮢᮕ ᮡᮥᮙᮤᮕ ᮙᮝᮠᮥᮔᮕᮞᮤᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ ᮒᮢᮥᮣᮘᮕᮔ ᮘᮕᮢ ᮘᮑᮙᮢ ᮤᮟ ᮤᮘᮕ ᮣᮙᮔᮕᮼ

᮰ᯓᮞᮤᮙᮓᮙᮞᮗ ᮝᮕ ᮜᮙᮛᮕ ᮤᮘᮑᮤ ᮖᮙᮢᮣᮤ ᮤᮘᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮝᮟᮢᮞᮙᮞᮗᮺ ᮘᮥᮘᯍ ᯏᮞᮣᮧᮕᮢ ᮝᮕᮺ ᮩᮟᮥ ᮒᮙᮤᮓᮘᮼ᮰

᮰ᯏᮘᮺ ᮑ ᮒᮙᮤᮓᮘᮺ ᯗ᮵ᮝ ᮞᮟᮤ ᮤᮘᮑᮤ—᮰

ᮃᮜᮑᮠᮯ

᮰ᯏᮘᮛᯍᮯ᮰

ᯖᮕᮢ ᮓᮘᮕᮕᮛ ᮣᮞᮑᮠᮠᮕᮔ ᮤᮟ ᮤᮘᮕ ᮣᮙᮔᮕ ᮑᮗᮑᮙᮞ ᮧᮙᮤᮘ ᮑ ᮝᮕᮤᮑᮜᮜᮙᮓ ᮠᮑᮙᮞᮼ

᮰ᮉᮟᮥ ᮣᮑᮙᮔ ᮩᮟᮥ᮵ᮔ ᮑᮓᮓᮕᮠᮤ ᮠᮥᮞᮙᮣᮘᮝᮕᮞᮤᮺ ᮔᮙᮔᮞ᮵ᮤ ᮩᮟᮥᯍ᮰

ᯏᮣ ᮙᮖ ᮛᮞᮟᮓᮛᮙᮞᮗ ᮒᮕᮖᮟᮢᮕ ᮕᮞᮤᮕᮢᮙᮞᮗ ᮑ ᮢᮟᮟᮝᮺ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮖᮙᮞᮗᮕᮢᮣ ᮤᮑᮠᮠᮕᮔ ᮑᮗᮑᮙᮞᮣᮤ ᮘᮕᮢ ᮜᮙᮠᮣᮼ

ᯏᮝᮙᮔᮣᮤ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮓᮟᮞᮖᮥᮣᮙᮟᮞᮺ ᮣᮘᮕ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮼ

ᯏᮤ ᮣᮟᮝᮕ ᮠᮟᮙᮞᮤᮺ ᮘᮕᮢ ᮒᮟᮔᮩ ᮘᮑᮔ ᮣᮤᮟᮠᮠᮕᮔ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮧᮙᮤᮘ ᮗᮥᮙᮜᮤᮼ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮙᮞᮗ ᮠᮢᮕᮣᮕᮞᮓᮕ ᮘᮑᮔ ᮕᮦᮕᮞ ᮣᮥᮠᮠᮢᮕᮣᮣᮕᮔ ᮘᮕᮢ ᮗᮥᮙᮜᮤᮼ

ᯑᮟᮥᮜᮔ ᯚᮙᮜᮜᮙᮑᮞ ᮘᮑᮦᮕ ᮠᮟᮣᮣᮙᮒᮜᮩ ᮛᮞᮟᮧᮞ ᮤᮘᮙᮣᯍ

᮰ᮀᮻᮀᮥᮞᮙᮣᮘᮝᮕᮞᮤᮼᮼᮼ ᯗ᮵ᮜᮜ ᮑᮓᮓᮕᮠᮤ ᮙᮤᮺ ᮅᮞᮞᮙᮕᮼᮼᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮕᮩᮕᮣ ᮖᮜᮙᮓᮛᮕᮢᮕᮔᮼ ᮃᮘᮕ ᮒᮙᮤ ᮘᮕᮢ ᮟᮧᮞ ᮜᮙᮠᮺ ᮤᮘᮕᮞ ᮒᮢᮟᮥᮗᮘᮤ ᮤᮧᮟ ᮖᮙᮞᮗᮕᮢᮣ ᮤᮟ ᮄᮙᮞᮑ᮵ᮣ ᮜᮙᮠᮣᮼ

᮰ᯝᮠᮕᮞᮼ᮰

ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮟᮠᮤᮙᮟᮞ ᮤᮟ ᮢᮕᮖᮥᮣᮕᮼ ᯏᮣ ᮣᮘᮕ ᮗᮕᮞᮤᮜᮩ ᮠᮑᮢᮤᮕᮔ ᮘᮕᮢ ᮜᮙᮠᮣᮺ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮤᮧᮟ ᮖᮙᮞᮗᮕᮢᮣ ᮣᮜᮙᮠᮠᮕᮔ ᮙᮞᮣᮙᮔᮕᮼ

᮰ᯏᮘᮺ ᮕᮘᮺ ᮝᮝᮠᮘᮼᮼᮼᮯ᮰

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮖᮙᮞᮗᮕᮢᮣ ᮠᮢᮟᮒᮕᮔ ᮙᮞᮣᮙᮔᮕ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮼ

ᯏ ᮧᮕᮤ ᮣᮡᮥᮙᮣᮘᮙᮞᮗ ᮣᮟᮥᮞᮔᮼ

ᮀᮥᮜᮜᮙᮞᮗ ᮟᮞ ᮘᮕᮢ ᮤᮟᮞᮗᮥᮕᮺ ᮣᮧᮕᮕᮠᮙᮞᮗ ᮑᮓᮢᮟᮣᮣ ᮤᮘᮕ ᮢᮟᮟᮖ ᮟᮖ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮺ ᮑᮞᮔ ᮟᮓᮓᮑᮣᮙᮟᮞᮑᮜᮜᮩ ᮠᮜᮥᮞᮗᮙᮞᮗ ᮔᮕᮕᮠ ᮤᮟ ᮤᮟᮥᮓᮘ ᮘᮕᮢ ᮥᮦᮥᮜᮑᮼ

᮰ᮉᮟᮥ᮵ᮢᮕ ᮞᮟᮤ ᮗᮑᮗᮗᮙᮞᮗᯍ᮰

ᯚᮙᮜᮜᮙᮑᮞ ᮑᮣᮛᮕᮔ ᮘᮕᮢᮼ ᯓᮦᮕᮞ ᮧᮙᮤᮘ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮒᮕᮙᮞᮗ ᮠᮢᮟᮒᮕᮔᮺ ᮣᮘᮕ ᮝᮑᮞᮑᮗᮕᮔ ᮤᮟ ᮑᮞᮣᮧᮕᮢ ᮘᮕᮢ ᮣᮟᮝᮕᮘᮟᮧᮼ

᮰ᯗᮻᯗ᮵ᮝᮺ ᮸ᮓᮘᮟᮛᮕ᮸ᮺ ᮞᮟᮤ ᮤᮘᮕ ᮤᮩᮠᮕᮺ ᮤᮟ ᮗᮑᮗᮺ ᮖᮢᮟᮝ ᮤᮘᮙᮞᮗᮣᮺ ᮗᮟᮙᮞᮗ ᮙᮞᮼᮼᮼ᮰

᮰ᮼᮼᮼᮉᮟᮥ ᮔᮟᮞ᮵ᮤ ᮗᮑᮗ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮑᮤ ᮗᮟᮕᮣ ᮙᮞᯍ᮰

᮰ᮉᮻᮉᮕᮣᮼᮼᮼ᮰

ᯗᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮤᮘᮑᮤ ᮧᮑᮩ ᮣᮙᮞᮓᮕ ᮘᮕᮢ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮜᮙᮖᮕᮼ

ᯖᮑᮦᮙᮞᮗ ᮣᮤᮑᮢᮦᮕᮔ ᮣᮙᮞᮓᮕ ᮓᮘᮙᮜᮔᮘᮟᮟᮔᮺ ᮣᮘᮕ ᮘᮑᮔ ᮔᮕᮦᮟᮥᮢᮕᮔ ᮑᮞᮩ ᮖᮟᮟᮔ ᮣᮘᮕ ᮣᮑᮧ ᮧᮙᮤᮘᮟᮥᮤ ᮔᮙᮣᮓᮢᮙᮝᮙᮞᮑᮤᮙᮟᮞᮼ

ᯏᮣ ᮑ ᮢᮕᮣᮥᮜᮤᮺ ᮑᮤ ᮣᮟᮝᮕ ᮠᮟᮙᮞᮤᮺ ᮘᮕᮢ ᮒᮟᮔᮩ ᮒᮕᮓᮑᮝᮕ ᮣᮥᮓᮘ ᮤᮘᮑᮤ ᮣᮘᮕ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮗᮑᮗᮺ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮜᮑᮢᮗᮕ ᮟᮢ ᮓᮟᮑᮢᮣᮕ ᮤᮘᮕ ᮖᮟᮟᮔ ᮣᮘᮕ ᮣᮧᮑᮜᮜᮟᮧᮕᮔ ᮙᮞ ᮟᮞᮕ ᮒᮙᮤᮕᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮣᮤᮙᮜᮜ ᮤᮙᮝᮕᮣ ᮧᮘᮕᮞ ᮢᮕᮠᮥᮜᮣᮙᮟᮞ ᮑᮢᮟᮣᮕ ᮖᮢᮟᮝ ᮒᮕᮜᮟᮧᮺ ᮒᮥᮤ ᮑᮤ ᮜᮕᮑᮣᮤ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮠᮢᮟᮒᮜᮕᮝ ᮧᮙᮤᮘ ᮤᮘᮙᮞᮗᮣ ᮕᮞᮤᮕᮢᮙᮞᮗ ᮖᮢᮟᮝ ᮑᮒᮟᮦᮕᮼ

ᯚᮙᮜᮜᮙᮑᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮤᮑᮢᮙᮞᮗ ᮑᮤ ᮘᮕᮢ ᮒᮜᮑᮞᮛᮜᮩᮺ ᮤᮘᮕᮞ ᮑᮞᮗᮢᮙᮜᮩ ᮣᮘᮟᮦᮕᮔ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢ ᮔᮕᮕᮠ ᮙᮞᮤᮟ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮼ

᮰ᮇᮘᮑᮤ ᮙᮣ ᮤᮘᮑᮤᮯ ᯗᮤ᮵ᮣ ᮚᮥᮣᮤ ᮑ ᮒᮟᮔᮩ ᮜᮙᮛᮕ ᮑ ᮒᮙᮤᮓᮘ᮵ᮣᮯ᮰

᮰ᯑᮘᮟᮛᮕᯍᮯ᮰

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮘᮑᮞᮔ ᮠᮥᮣᮘᮕᮔ ᮙᮞᮤᮟ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮼ ᯖᮕᮢ ᮜᮟᮞᮗ ᮝᮙᮔᮔᮜᮕ ᮖᮙᮞᮗᮕᮢ ᮘᮙᮤ ᮘᮕᮢ ᮥᮦᮥᮜᮑ ᮑᮞᮔ ᮧᮕᮞᮤ ᮔᮟᮧᮞ ᮙᮞᮤᮟ ᮘᮕᮢ ᮕᮣᮟᮠᮘᮑᮗᮥᮣᮼ

᮰ᯑᮘᮟᮛᮕᯍᮯ ᯕᮑᮣᮠᮼᮼᮼᮯ᮰

ᯖᮕᮢ ᮦᮙᮣᮙᮟᮞ ᮣᮠᮥᮞ ᮖᮢᮟᮝ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮣᮘᮟᮓᮛᮼ ᯐᮥᮤ ᯚᮙᮜᮜᮙᮑᮞ ᮔᮙᮔᮞ᮵ᮤ ᮣᮤᮟᮠᮺ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮠᮢᮟᮒᮙᮞᮗ ᮤᮘᮕ ᮙᮞᮣᮙᮔᮕ ᮟᮖ ᮘᮕᮢ ᮤᮘᮢᮟᮑᮤᮼ

ᯏᮣ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮖᮙᮞᮗᮕᮢ ᮖᮟᮢᮓᮕᮖᮥᮜᮜᮩ ᮒᮜᮟᮓᮛᮕᮔ ᮘᮕᮢ ᮕᮣᮟᮠᮘᮑᮗᮥᮣᮺ ᮘᮕᮢ ᮒᮢᮕᮑᮤᮘᮙᮞᮗ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮒᮕᮓᮑᮝᮕ ᮟᮒᮣᮤᮢᮥᮓᮤᮕᮔᮼ

ᯐᮕᮖᮟᮢᮕ ᮣᮘᮕ ᮛᮞᮕᮧ ᮙᮤᮺ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢ ᮧᮑᮣ ᮤᮙᮓᮛᮜᮙᮞᮗ ᮤᮘᮕ ᮑᮢᮕᮑ ᮟᮖ ᮘᮕᮢ ᮜᮑᮢᮩᮞᮨᮼ

ᯏ ᮧᮕᮤ ᮣᮡᮥᮙᮣᮘᮙᮞᮗ ᮣᮟᮥᮞᮔᮼ

ᮄᮘᮕ ᮣᮟᮥᮞᮔ ᮟᮖ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮠᮢᮟᮒᮙᮞᮗ ᮘᮕᮢ ᮟᮢᮑᮜ ᮓᮑᮦᮙᮤᮩ ᮕᮓᮘᮟᮕᮔ ᮙᮞ ᮘᮕᮢ ᮒᮢᮑᮙᮞᮼ

᮰ᯑᮘᮟᮛᮕᮺ ᮗᮑᮣᮠᮺ ᮓᮟᮥᮗᮘᮼᮼᮼᮯ᮰

ᮃᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮗᮑᮗᮺ ᮒᮥᮤ ᮔᮥᮕ ᮤᮟ ᮘᮕᮢ ᮟᮒᮣᮤᮢᮥᮓᮤᮕᮔ ᮒᮢᮕᮑᮤᮘᮙᮞᮗᮺ ᮣᮤᮢᮑᮞᮗᮕ ᮣᮟᮥᮞᮔᮣ ᮕᮣᮓᮑᮠᮕᮔ ᮘᮕᮢᮼ

᮰ᯖᮑᮺ ᮣᮘᮕ ᮢᮕᮑᮜᮜᮩ ᮔᮟᮕᮣᮞ᮵ᮤ ᮗᮑᮗᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮤᮑᮢᮙᮞᮗ ᮑᮤ ᮘᮕᮢ ᮧᮙᮤᮘ ᮖᮙᮕᮢᮓᮕ ᮕᮩᮕᮣᮺ ᮖᮙᮞᮑᮜᮜᮩ ᮝᮟᮦᮕᮔ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢ ᮑᮣ ᮙᮖ ᮤᮙᮓᮛᮜᮙᮞᮗ ᮤᮘᮕ ᮙᮞᮣᮙᮔᮕ ᮟᮖ ᮘᮕᮢ ᮤᮘᮢᮟᮑᮤᮼ

ᯏᮣ ᮣᮘᮕ ᮤᮘᮕᮞ ᮠᮥᮜᮜᮕᮔ ᮟᮥᮤ ᮘᮕᮢ ᮘᮑᮞᮔᮺ ᮑᮞ ᮥᮞᮒᮕᮜᮙᮕᮦᮑᮒᮜᮕ ᮑᮝᮟᮥᮞᮤ ᮟᮖ ᮣᮑᮜᮙᮦᮑ ᮣᮤᮢᮕᮑᮝᮕᮔ ᮟᮥᮤᮺ ᮓᮟᮞᮞᮕᮓᮤᮙᮞᮗ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮜᮙᮛᮕ ᮑ ᮣᮠᮙᮔᮕᮢᮧᮕᮒᮼ

᮰ᮀᮑᮞᮤᮯ ᯕᮑᮣᮠᮯ ᯑᮟᮥᮗᮘᮼᮼᮼᮯ᮰

ᮃᮘᮕ ᮗᮑᮣᮠᮕᮔ ᮖᮟᮢ ᮑᮙᮢᮺ ᮣᮤᮕᮑᮔᮩᮙᮞᮗ ᮘᮕᮢ ᮢᮑᮗᮗᮕᮔ ᮒᮢᮕᮑᮤᮘᮙᮞᮗᮼ ᯝᮞᮓᮕ ᮘᮕᮢ ᮝᮙᮞᮔ ᮓᮜᮕᮑᮢᮕᮔ ᮣᮟᮝᮕᮧᮘᮑᮤᮺ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮣᮝᮙᮜᮕ ᮑᮗᮑᮙᮞᮼ

᮰ᯖᮻᯖᮑᮣ ᮤᮘᮕ ᮠᮥᮞᮙᮣᮘᮝᮕᮞᮤᮼᮼᮼ ᮒᮕᮕᮞ ᮖᮥᮜᮜᮩ ᮗᮙᮦᮕᮞᮼᮼᮼᯍ᮰

ᮃᮘᮕ ᮣᮝᮙᮜᮕᮔ ᮖᮑᮙᮞᮤᮜᮩ ᮑᮤ ᯚᮙᮜᮜᮙᮑᮞᮺ ᮒᮥᮤ ᮘᮕᮢ ᮖᮑᮓᮕ ᮢᮕᮔᮔᮕᮞᮕᮔ ᮑᮣ ᮔᮢᮟᮟᮜ ᮤᮢᮙᮓᮛᮜᮕᮔ ᮖᮢᮟᮝ ᮘᮕᮢ ᮠᮑᮢᮤᮕᮔ ᮜᮙᮠᮣᮼ

᮰ᮼᮼᮼᮼᮼᮼ᮰

ᮄᮘᮕ ᮘᮕᮑᮤ ᮙᮞ ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮕᮩᮕᮣ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮘᮑᮦᮕ ᮞᮟᮤ ᮓᮟᮟᮜᮕᮔ ᮩᮕᮤᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮣᮘᮕ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮔᮕᮕᮠ ᮣᮙᮗᮘᮺ ᮤᮘᮕᮞ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮘᮕᮜᮠᮕᮔ ᮘᮕᮢ ᮥᮠᮼ

᮰ᯗ᮵ᮝ ᮣᮟᮢᮢᮩ ᮖᮟᮢ ᮤᮟᮢᮝᮕᮞᮤᮙᮞᮗ ᮩᮟᮥᮺ ᮄᮙᮞᮑᮼ᮰

᮰ᯏᮘᮺ ᮞᮟᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮠᮥᮞᮙᮣᮘᮝᮕᮞᮤᮺ ᮧᮑᮣᮞ᮵ᮤ ᮙᮤᯍ᮰

᮰ᮼᮼᮼᮄᮙᮞᮑᮼ᮰

᮰ᮉᮕᮣᯍ᮰

᮰ᯗᮖ ᮩᮟᮥ᮵ᮢᮕ ᮟᮛᮑᮩ ᮧᮙᮤᮘ ᮙᮤᮺ ᮄᮙᮞᮑᮺ ᮧᮟᮥᮜᮔ ᮩᮟᮥ ᮜᮙᮛᮕ ᮤᮟ ᮒᮕ ᮠᮥᮞᮙᮣᮘᮕᮔ ᮤᮟᮝᮟᮢᮢᮟᮧ ᮤᮟᮟᯍ᮰

ᮃᮘᮕ ᮒᮜᮙᮞᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮣᮥᮗᮗᮕᮣᮤᮙᮟᮞᮼ

᮰ᮀᮻᮀᮥᮞᮙᮣᮘᮝᮕᮞᮤᯍ᮰

᮰ᮉᮕᮣᮺ ᯗ ᮤᮘᮙᮞᮛ ᮙᮤ ᮝᮙᮗᮘᮤ ᮘᮕᮜᮠ ᮑᮜᮜᮕᮦᮙᮑᮤᮕ ᮩᮟᮥᮢ ᮗᮥᮙᮜᮤᮺ ᮄᮙᮞᮑᮼ᮰

ᮃᮘᮕ ᮘᮕᮣᮙᮤᮑᮤᮕᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮒᮥᮤ ᮙᮞ ᮤᮘᮕ ᮕᮞᮔᮺ ᮣᮘᮕ ᮗᮑᮦᮕ ᮑ ᮣᮝᮑᮜᮜ ᮞᮟᮔᮼ ᯖᮕᮑᮢᮙᮞᮗ ᮘᮕᮢ ᮑᮞᮣᮧᮕᮢᮺ ᯚᮙᮜᮜᮙᮑᮞ ᮟᮖᮖᮕᮢᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮧᮙᮤᮘ ᮑ ᮗᮕᮞᮤᮜᮕ ᮣᮝᮙᮜᮕᮼ

᮰ᮃᮘᮑᮜᮜ ᮧᮕ ᮗᮟ ᮠᮢᮑᮩ ᮞᮟᮧᮺ ᮤᮘᮕᮞᯍ᮰

ᮃᮘᮕ ᮤᮟᮟᮛ ᮘᮕᮢ ᮘᮑᮞᮔ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮼ

᮰ᮉᮕᮣᮯ᮰

ᮄᮘᮕ ᮤᮙᮝᮕ ᮤᮟ ᮟᮖᮖᮕᮢ ᮠᮢᮑᮩᮕᮢᮣ ᮤᮟ ᮤᮘᮕ ᮢᮕᮣᮠᮕᮓᮤᮕᮔ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼ

ᮄᮘᮕ ᮝᮟᮣᮤ ᮑᮧᮑᮙᮤᮕᮔ ᮝᮟᮝᮕᮞᮤ ᮟᮖ ᮤᮘᮕ ᮔᮑᮩ ᮘᮑᮔ ᮑᮢᮢᮙᮦᮕᮔᮼ

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Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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