Tales of the Taisho Era Flowers Bloom Late

Chapter 157

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᮄᮘᮕ ᯖᮕᮑᮦᮕᮞᮜᮩ ᮂᮕᮑᮜᮝ ᮑᮞᮔ ᮤᮘᮕ ᯚᮟᮧᮕᮢ ᮂᮕᮑᮜᮝᮼ ᯏᮞᮔ ᮒᮕᮜᮟᮧ ᮤᮘᮕᮝᮺ ᮤᮘᮕ ᮕᮞᮔᮜᮕᮣᮣᮜᮩ ᮣᮙᮞᮛᮙᮞᮗᮺ ᮔᮕᮕᮠ ᯏᮒᮩᮣᮣᮼ

ᮄᮘᮕ ᯚᮟᮧᮕᮢ ᮂᮕᮑᮜᮝ ᮔᮟᮕᮣ ᮞᮟᮤ ᮢᮕᮝᮑᮙᮞ ᮙᮞ ᮑ ᮣᮙᮞᮗᮜᮕ ᮔᮟᮝᮑᮙᮞᮼ ᯚᮑᮩᮕᮢᮕᮔ ᮜᮙᮛᮕ ᮔᮟᮝᮙᮞᮟᮕᮣᮺ ᮙᮤ ᮕᮨᮠᮑᮞᮔᮣ ᮙᮞᮖᮙᮞᮙᮤᮕᮜᮩᮺ ᮣᮠᮑᮞᮞᮙᮞᮗ ᮓᮟᮥᮞᮤᮜᮕᮣᮣ ᮔᮙᮝᮕᮞᮣᮙᮟᮞᮣᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮕ ᯖᮕᮑᮦᮕᮞᮜᮩ ᮂᮕᮑᮜᮝ ᮑᮞᮔ ᮤᮘᮕ ᯏᮒᮩᮣᮣ ᮑᮢᮕ ᮕᮑᮓᮘ ᮒᮥᮤ ᮟᮞᮕᮼ

ᮄᮘᮕ ᮕᮞᮔᮜᮕᮣᮣᮜᮩ ᮣᮤᮢᮕᮤᮓᮘᮙᮞᮗ ᮠᮑᮤᮘᮧᮑᮩᮣ ᮟᮖ ᮤᮘᮕ ᯚᮟᮧᮕᮢ ᮂᮕᮑᮜᮝ ᮜᮕᮑᮔ ᮤᮟ ᮑ ᮣᮙᮞᮗᮜᮕ ᯖᮕᮑᮦᮕᮞᮜᮩ ᮂᮕᮑᮜᮝᮺ ᮑᮞᮔ ᮤᮟ ᮤᮘᮕ ᯏᮒᮩᮣᮣᮼ

ᮄᮘᮕ ᮟᮞᮕ ᮧᮘᮟ ᮜᮟᮟᮛᮣ ᮔᮟᮧᮞ ᮥᮠᮟᮞ ᮤᮘᮕ ᯖᮕᮑᮦᮕᮞᮜᮩ ᮂᮕᮑᮜᮝᮺ ᮃᮕᮢᮞᮑᮢᮙᮕᮜᮼ

ᮄᮟᮔᮑᮩᮺ ᮑᮣ ᮑᮜᮧᮑᮩᮣᮺ ᮣᮘᮕ ᮗᮑ᮪ᮕᮣ ᮔᮟᮧᮞ ᮥᮠᮟᮞ ᮤᮘᮕ ᯚᮟᮧᮕᮢ ᮂᮕᮑᮜᮝ ᮧᮙᮤᮘ ᮟᮝᮞᮙᮣᮓᮙᮕᮞᮤ ᮕᮩᮕᮣᮼ

ᯕᮥᮙᮔᮙᮞᮗ ᮤᮘᮕ ᮠᮙᮤᮙᮖᮥᮜ ᮜᮑᮝᮒᮣ ᮣᮟ ᮤᮘᮕᮩ ᮔᮟ ᮞᮟᮤ ᮣᮤᮢᮑᮩ ᮔᮟᮧᮞ ᮤᮘᮕ ᮧᮢᮟᮞᮗ ᮠᮑᮤᮘᮼ ᮄᮘᮑᮤ ᮧᮑᮣ ᮤᮘᮕ ᮇᮑᮤᮓᮘᮕᮢ’ᮣ ᮝᮙᮣᮣᮙᮟᮞᮼ

ᮀᮢᮕᮦᮕᮞᮤᮙᮞᮗ ᮤᮘᮕ ᮔᮕᮝᮟᮞᮣᮺ ᮓᮢᮑᮧᮜᮙᮞᮗ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᯏᮒᮩᮣᮣ ᮜᮙᮛᮕ ᮝᮑᮗᮗᮟᮤᮣᮺ ᮖᮢᮟᮝ ᮣᮠᮢᮕᮑᮔᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮢᮟᮤᮤᮕᮞ ᮔᮙᮣᮕᮑᮣᮕ ᮤᮘᮢᮟᮥᮗᮘᮟᮥᮤ ᮤᮘᮕ ᮧᮟᮢᮜᮔ ᮧᮑᮣ ᮑᮜᮣᮟ ᮘᮕᮢ ᮢᮟᮜᮕᮼ

ᮂᮕᮓᮕᮞᮤᮜᮩᮺ ᮣᮘᮕ ᮘᮑᮔ ᮑᮓᮡᮥᮙᮢᮕᮔ ᮑ ᮣᮝᮑᮜᮜ ᮘᮟᮒᮒᮩᮼ

ᮃᮘᮕ ᮘᮑᮔ ᮒᮕᮕᮞ ᮜᮙᮦᮙᮞᮗ ᮑ ᮝᮟᮞᮟᮤᮟᮞᮟᮥᮣ ᮑᮞᮔ ᮤᮕᮔᮙᮟᮥᮣ ᮜᮙᮖᮕ ᮒᮕᮖᮙᮤᮤᮙᮞᮗ ᮤᮘᮕ ᮤᮙᮤᮜᮕ ᮟᮖ ᮇᮑᮤᮓᮘᮕᮢᮺ ᮒᮥᮤ ᮣᮘᮕ ᮘᮑᮔ ᮒᮕᮗᮥᮞ ᮤᮟ ᮤᮑᮛᮕ ᮑᮞ ᮙᮞᮤᮕᮢᮕᮣᮤ ᮙᮞ ᮑ ᮓᮕᮢᮤᮑᮙᮞ ᮗᮙᮢᮜᮼ

“ᯖᮟᮧ ᮧᮟᮞᮔᮕᮢᮖᮥᮜᮜᮩ ᮣᮘᮕ ᮟᮖᮖᮕᮢᮣ ᮘᮕᮢ ᮠᮢᮑᮩᮕᮢᮣᮼ”

ᮃᮕᮢᮞᮑᮢᮙᮕᮜ ᮢᮕᮣᮤᮕᮔ ᮘᮕᮢ ᮓᮘᮙᮞ ᮙᮞ ᮘᮕᮢ ᮘᮑᮞᮔᮺ ᮞᮑᮢᮢᮟᮧᮕᮔ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮑᮞᮔ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮼ

ᮄᮘᮟᮥᮣᮑᮞᮔᮣ ᮟᮖ ᮠᮢᮑᮩᮕᮢᮣ ᮖᮜᮟᮧᮕᮔ ᮙᮞᮤᮟ ᮘᮕᮢ ᮕᮑᮢᮣ ᮕᮦᮕᮢᮩ ᮝᮟᮝᮕᮞᮤᮼ

ᮀᮢᮑᮩᮕᮢ ᮧᮑᮣ ᮤᮘᮕ ᮟᮞᮜᮩ ᮝᮕᮑᮞᮣ ᮖᮟᮢ ᮤᮘᮕ ᮜᮑᮝᮒᮣ ᮟᮖ ᮤᮘᮕ ᯚᮟᮧᮕᮢ ᮂᮕᮑᮜᮝ ᮤᮟ ᮓᮟᮞᮦᮕᮩ ᮤᮘᮕᮙᮢ ᮧᮙᮜᮜ ᮤᮟ ᮑ ᮘᮙᮗᮘᮕᮢ ᮒᮕᮙᮞᮗᮼ

ᮄᮘᮟᮣᮕ ᮧᮘᮟ ᮘᮑᮢᮒᮟᮢᮕᮔ ᮕᮑᮢᮞᮕᮣᮤ ᮔᮕᮣᮙᮢᮕᮣᮼ
ᮄᮘᮟᮣᮕ ᮧᮘᮟ ᮘᮑᮢᮒᮟᮢᮕᮔ ᮑᮝᮒᮙᮤᮙᮟᮞᮼ
ᮄᮘᮟᮣᮕ ᮧᮘᮟ ᮘᮑᮢᮒᮟᮢᮕᮔ ᮠᮑᮙᮞᮼ

ᯚᮙᮣᮤᮕᮞᮙᮞᮗ ᮤᮟ ᮤᮘᮕᮙᮢ ᮠᮢᮑᮩᮕᮢᮣᮺ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮗᮢᮑᮣᮠ ᮤᮘᮕ ᮖᮜᮟᮧ ᮟᮖ ᮤᮘᮕ ᯚᮟᮧᮕᮢ ᮂᮕᮑᮜᮝᮼ ᯗᮞ ᮤᮘᮑᮤ ᮢᮕᮣᮠᮕᮓᮤᮺ ᮠᮢᮑᮩᮕᮢ ᮧᮑᮣ ᮑ ᮡᮥᮙᮤᮕ ᮥᮣᮕᮖᮥᮜ ᮤᮟᮟᮜᮼ

“ᯛᮟᮣᮤ ᮠᮢᮑᮩᮕᮢᮣᮺ ᮥᮣᮥᮑᮜᮜᮩᮺ ᮑᮢᮕ ᮢᮕᮡᮥᮕᮣᮤᮣ ᮖᮟᮢ ᮤᮘᮕ ᮘᮟᮠᮕᮣ ᮘᮕᮜᮔ ᮧᮙᮤᮘᮙᮞ ᮟᮞᮕ’ᮣ ᮘᮕᮑᮢᮤᮼ”

ᮄᮘᮕ ᮓᮟᮞᮤᮕᮞᮤ ᮟᮖ ᮤᮘᮕ ᯚᮟᮧᮕᮢ ᮂᮕᮑᮜᮝ ᮒᮕᮙᮞᮗᮣ’ ᮠᮢᮑᮩᮕᮢᮣ ᮧᮑᮣ ᮑᮜᮧᮑᮩᮣ ᮤᮘᮕ ᮣᮑᮝᮕᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮠᮜᮕᮑ ᮖᮟᮢ ᮤᮘᮕ ᮕᮑᮢᮞᮕᮣᮤ ᮧᮙᮣᮘᮕᮣ ᮤᮘᮕᮩ ᮘᮕᮜᮔᮼ

ᯓᮦᮕᮞ ᮤᮘᮕ ᮃᮑᮙᮞᮤᮕᮣᮣ ᮣᮘᮕ ᮘᮑᮔ ᮓᮘᮟᮣᮕᮞ ᮕᮑᮢᮞᮕᮣᮤᮜᮩ ᮠᮢᮑᮩᮕᮔ ᮔᮑᮙᮜᮩ ᮖᮟᮢ ᮤᮘᮕ ᮧᮕᮜᮜᮻᮒᮕᮙᮞᮗ ᮑᮞᮔ ᮠᮕᮑᮓᮕ ᮟᮖ ᮤᮘᮕ ᮠᮕᮟᮠᮜᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮞᮟᮤ ᮑᮞ ᮥᮞᮠᮜᮕᮑᮣᮑᮞᮤ ᮤᮘᮙᮞᮗᮼ ᯕᮥᮙᮔᮙᮞᮗ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮤᮟ ᮑ ᮒᮕᮞᮕᮖᮙᮓᮙᮑᮜ ᮠᮑᮤᮘ ᮧᮑᮣᮺ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮘᮕᮢ ᮙᮞᮘᮕᮢᮕᮞᮤ ᮝᮙᮣᮣᮙᮟᮞᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮙᮤ ᮧᮑᮣ ᮔᮙᮖᮖᮙᮓᮥᮜᮤ ᮤᮟ ᮖᮕᮕᮜ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮣᮠᮕᮓᮙᮑᮜ ᮖᮢᮟᮝ ᮣᮥᮓᮘ ᮠᮢᮑᮩᮕᮢᮣᮼ

ᮄᮘᮕᮞ ᮟᮞᮕ ᮔᮑᮩᮺ ᮑ ᮗᮙᮢᮜ᮵ᮣ ᮠᮢᮑᮩᮕᮢ ᮢᮕᮑᮓᮘᮕᮔ ᮘᮕᮢ ᮕᮑᮢᮣᮼ

ᯏ ᮣᮟᮥᮜ ᮟᮖ ᮠᮥᮢᮕ ᮧᮘᮙᮤᮕᮺ ᮢᮑᮢᮕᮜᮩ ᮣᮕᮕᮞᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮕ ᮣᮘᮕᮜᮜ ᮟᮖ ᮤᮘᮑᮤ ᮣᮟᮥᮜ ᮧᮑᮣ ᮤᮑᮤᮤᮕᮢᮕᮔ ᮑᮞᮔ ᮤᮟᮢᮞᮺ ᮑᮣ ᮙᮖ ᮙᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮘᮢᮕᮔᮔᮕᮔ ᮒᮩ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮼ

ᯔᮟᮢ ᮙᮤ ᮤᮟ ᮒᮕ ᮣᮟᮺ ᮣᮘᮕ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮣᮥᮢᮕᮜᮩ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮟ ᮥᮞᮖᮟᮢᮤᮥᮞᮑᮤᮕ ᮤᮘᮑᮤ ᮘᮕᮢ ᮣᮟᮥᮜ ᮧᮑᮣ ᮤᮟᮢᮞᮼ

ᮋᯏᮘᮺ ᮘᮕᮜᮜᮟᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮼᮼ ᯏᮢᮕ ᮩᮟᮥ ᮜᮙᮣᮤᮕᮞᮙᮞᮗ ᮤᮟ ᮝᮩ ᮠᮢᮑᮩᮕᮢᯍᮍ

ᮄᮘᮕᮢᮕᮖᮟᮢᮕᮺ ᮃᮕᮢᮞᮑᮢᮙᮕᮜ ᮕᮨᮠᮕᮓᮤᮕᮔ ᮤᮘᮑᮤ ᮤᮘᮙᮣ ᮗᮙᮢᮜ ᮧᮟᮥᮜᮔ ᮑᮜᮣᮟ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮠᮢᮑᮩ ᮖᮟᮢ ᮘᮕᮢ ᮟᮧᮞ ᮘᮑᮠᮠᮙᮞᮕᮣᮣᮼ

ᮋᮉᮟᮥ ᮛᮞᮟᮧ ᮧᮘᮑᮤᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᯍ ᯗ᮵ᮝ ᮣᮟ ᮘᮑᮠᮠᮩ ᯗ ᮓᮑᮞ ᮠᮢᮑᮩ ᮤᮟ ᮩᮟᮥ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼᮍ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮘᮕᮢ ᮠᮢᮑᮩᮕᮢ ᮧᮑᮣ ᮞᮟᮤ ᮑ ᮠᮜᮕᮑ ᮖᮟᮢ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮼ

ᮋᯗ ᮧᮑᮞᮤ ᮤᮟ ᮠᮢᮑᮩ ᮤᮟ ᮩᮟᮥ ᮕᮦᮕᮢᮩ ᮣᮙᮞᮗᮜᮕ ᮔᮑᮩᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮼᮼᮯ ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯗ ᮛᮞᮟᮧ ᮩᮟᮥ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼᮼᮼᮍ

ᮄᮘᮕ ᮗᮙᮢᮜ ᮖᮕᮜᮤ ᮘᮑᮠᮠᮙᮞᮕᮣᮣ ᮣᮙᮝᮠᮜᮩ ᮖᮢᮟᮝ ᮤᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮠᮢᮑᮩᮼ

ᯖᮕᮢ ᮦᮟᮙᮓᮕ ᮓᮟᮞᮤᮑᮙᮞᮕᮔ ᮞᮕᮙᮤᮘᮕᮢ ᮔᮕᮣᮠᮕᮢᮑᮤᮙᮟᮞ ᮞᮟᮢ ᮔᮕᮣᮙᮢᮕᮼ

ᯝᮞᮜᮩ ᮤᮘᮕ ᮚᮟᮩ ᮟᮖ ᮒᮕᮙᮞᮗ ᮑᮒᮜᮕ ᮤᮟ ᮓᮟᮞᮦᮕᮩ ᮘᮕᮢ ᮧᮟᮢᮔᮣ ᮢᮕᮣᮙᮔᮕᮔ ᮧᮙᮤᮘᮙᮞ ᮙᮤᮼ

ᮃᮙᮝᮠᮜᮩ ᮘᮑᮦᮙᮞᮗ ᮣᮟᮝᮕᮟᮞᮕ ᮤᮟ ᮜᮙᮣᮤᮕᮞ ᮤᮟ ᮘᮕᮢ ᮣᮤᮟᮢᮙᮕᮣᮺ ᮤᮘᮕ ᮗᮙᮢᮜ ᮗᮑᮙᮞᮕᮔ ᮤᮘᮕ ᮕᮝᮟᮤᮙᮟᮞ ᮟᮖ ‘ᮘᮑᮠᮠᮙᮞᮕᮣᮣ’ᮼ

ᮋᯗᮼᮼᮼ ᯗ ᮤᮘᮙᮞᮛ ᯗ᮵ᮝ ᮘᮑᮠᮠᮩᮼᮼᮼᮍ

ᯗᮤ ᮧᮑᮣ ᮤᮢᮥᮕᮼ

ᯗᮖ ᮙᮤ ᮧᮕᮢᮕ ᮑ ᮜᮙᮕᮺ ᮘᮕᮢ ᮕᮩᮕᮣ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮣᮕᮕᮞ ᮤᮘᮢᮟᮥᮗᮘ ᮙᮤᮼ

ᯗᮤ ᮧᮑᮣ ᮑᮒᮣᮥᮢᮔᮼ ᮇᮘᮙᮜᮕ ᮕᮦᮕᮢᮩᮟᮞᮕ᮵ᮣ ᮣᮤᮑᮞᮔᮑᮢᮔ ᮖᮟᮢ ᮘᮑᮠᮠᮙᮞᮕᮣᮣ ᮔᮙᮖᮖᮕᮢᮣᮺ ᮤᮘᮙᮣ ᮗᮙᮢᮜ᮵ᮣ ᮣᮤᮑᮞᮔᮑᮢᮔ ᮧᮑᮣ ᮕᮨᮓᮕᮣᮣᮙᮦᮕᮜᮩ ᮜᮟᮧᮼ

ᮄᮘᮕ ᮗᮙᮢᮜ ᮣᮠᮟᮛᮕ ᮟᮖ ᮘᮕᮢ ᮔᮑᮙᮜᮩ ᮜᮙᮖᮕᮼ

ᮇᮘᮑᮤ ᮖᮟᮟᮔ ᮣᮘᮕ ᮑᮤᮕ ᮤᮟᮔᮑᮩᮺ ᮧᮘᮑᮤ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞᮣ ᮣᮘᮕ ᮘᮑᮔᮺ ᮧᮘᮑᮤ ᮕᮝᮟᮤᮙᮟᮞᮣ ᮣᮘᮕ ᮘᮑᮢᮒᮟᮢᮕᮔᮼ

ᮄᮘᮕᮩ ᮧᮕᮢᮕ ᮤᮢᮥᮜᮩ ᮤᮢᮙᮦᮙᮑᮜ ᮣᮤᮟᮢᮙᮕᮣᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮟᮣᮕ ᮝᮕᮑᮞᮙᮞᮗᮜᮕᮣᮣ ᮣᮤᮟᮢᮙᮕᮣ ᮔᮢᮕᮧ ᮃᮕᮢᮞᮑᮢᮙᮕᮜ᮵ᮣ ᮙᮞᮤᮕᮢᮕᮣᮤᮼ

ᮋᯖᮕᮜᮜᮟᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮼᮼᮯ ᯗ ᮓᮑᮝᮕ ᮤᮟ ᮠᮢᮑᮩ ᮑᮗᮑᮙᮞ ᮤᮟᮔᮑᮩᮼ ᯖᮕᮘᮕᮼᮼᮼᮍ

ᮃᮟᮺ ᮟᮞᮕ ᮔᮑᮩᮺ ᮤᮧᮟ ᮔᮑᮩᮣᮺ ᮤᮘᮢᮕᮕ ᮔᮑᮩᮣᮼ

ᮄᮘᮕ ᮗᮙᮢᮜ ᮔᮕᮔᮙᮓᮑᮤᮕᮔ ᮘᮑᮜᮖ ᮘᮕᮢ ᮔᮑᮩ ᮤᮟ ᮠᮢᮑᮩᮕᮢ ᮕᮦᮕᮢᮩ ᮣᮙᮞᮗᮜᮕ ᮔᮑᮩᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮝᮙᮣᮣᮙᮞᮗ ᮕᮦᮕᮞ ᮟᮞᮕᮼ

ᮋᯗ ᮢᮕᮑᮜᮜᮩ ᮝᮙᮣᮣᮕᮔ ᮩᮟᮥᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮼᮼᮯ ᯏᮓᮤᮥᮑᮜᮜᮩᮺ ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮠᮢᮑᮩ ᮤᮟ ᮩᮟᮥ ᮣᮙᮞᮓᮕ ᮜᮑᮣᮤ ᮞᮙᮗᮘᮤᮼᮼᮼᮍ

ᮃᮙᮞᮓᮕ ᮧᮘᮕᮞ ᮧᮑᮣ ᮙᮤᯍ

ᮃᮕᮢᮞᮑᮢᮙᮕᮜ ᮖᮟᮥᮞᮔ ᮘᮕᮢᮣᮕᮜᮖ ᮜᮙᮣᮤᮕᮞᮙᮞᮗ ᮤᮟ ᮘᮕᮢ ᮠᮢᮑᮩᮕᮢᮣᮺ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕ ᮗᮢᮑᮓᮙᮞᮗ ᮘᮕᮢ ᮜᮙᮠᮣᮼ

ᮋᮇᮘᮕᮞ ᯗ ᮖᮙᮢᮣᮤ ᮘᮕᮑᮢᮔ ᮑᮒᮟᮥᮤ ᮩᮟᮥᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮺ ᮝᮩ ᮘᮕᮑᮢᮤ ᮢᮕᮑᮜᮜᮩ ᮠᮟᮥᮞᮔᮕᮔᮯ ᮄᮟ ᮤᮘᮙᮞᮛ ᮤᮘᮑᮤ ᮩᮟᮥ ᮜᮙᮣᮤᮕᮞ ᮤᮟ ᮑᮜᮜ ᮟᮥᮢ ᮠᮢᮑᮩᮕᮢᮣ ᮖᮢᮟᮝ ᮤᮘᮕ ᮣᮛᮩᮼᮼᮼ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮺ ᮩᮟᮥ᮵ᮢᮕ ᮤᮢᮥᮜᮩ ᮑᮝᮑ᮪ᮙᮞᮗᮯᮍ

ᯗᮤ’ᮣ ᮞᮟᮤ ᮤᮘᮑᮤ ᮑᮝᮑ᮪ᮙᮞᮗᮼ
ᯗᮤ ᮧᮑᮣ ᮚᮥᮣᮤᮺ ᮝᮩ ᮔᮥᮤᮩᮼ

ᮋᮃᮟᮝᮕᮤᮙᮝᮕᮣ ᯗ ᮧᮟᮞᮔᮕᮢᮼ ᯗ᮵ᮝ ᮣᮥᮓᮘ ᮑᮞ ᮙᮞᮣᮙᮗᮞᮙᮖᮙᮓᮑᮞᮤ ᮠᮕᮢᮣᮟᮞᮺ ᮧᮟᮥᮜᮔ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝ ᮢᮕᮑᮜᮜᮩ ᮜᮙᮣᮤᮕᮞ ᮤᮟ ᮣᮟᮝᮕᮟᮞᮕ ᮜᮙᮛᮕ ᮝᮕᮼᮼᮼᮍ

ᯒᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩᮺ ᮓᮘᮙᮜᮔᮼ
ᯗ ᮑᮝ ᮜᮙᮣᮤᮕᮞᮙᮞᮗ ᮤᮟ ᮩᮟᮥᮢ ᮧᮟᮢᮔᮣ ᮓᮜᮟᮣᮕᮜᮩᮼ

ᮋᯗ᮵ᮝ ᮣᮟ ᮘᮑᮠᮠᮩ ᯗ ᮓᮑᮞ ᮠᮢᮑᮩ ᮤᮟ ᮩᮟᮥᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮼᮼ ᮄᮢᮥᮜᮩᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮕᮨᮙᮣᮤᮙᮞᮗᮼᮍ

ᯜᮟᮺ ᮤᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮞᮕᮕᮔ ᮤᮟ ᮗᮟ ᮤᮘᮑᮤ ᮖᮑᮢᮼᮼᮼ

ᮋᯗ ᮤᮢᮥᮜᮩᮼᮼᮼ ᮤᮢᮥᮜᮩ ᮜᮙᮛᮕ ᮩᮟᮥᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮼᮼᮍ

ᯏᮘᮕᮝᮺ ᮑᮘᮕᮝᮼ

ᮋᯖᮕᮘᮕᮺ ᯗ ᮜᮙᮛᮕ ᮩᮟᮥᮼ ᯗ ᮜᮙᮛᮕ ᮩᮟᮥᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮼᮼᮍ

……ᯖᮝᮝᮼ

ᮃᮙᮞᮓᮕ ᮧᮘᮕᮞ ᮧᮑᮣ ᮙᮤᯍ

ᮄᮘᮕ ᮗᮙᮢᮜ᮵ᮣ ᮦᮟᮙᮓᮕ ᮘᮑᮔᮺ ᮣᮟᮝᮕᮘᮟᮧᮺ ᮒᮕᮓᮟᮝᮕ ᮘᮕᮢ ᮠᮜᮕᮑᮣᮥᮢᮕᮼ

ᮄᮢᮙᮦᮙᮑᮜ ᮓᮘᮑᮤᮤᮕᮢ ᮣᮕᮕᮠᮙᮞᮗ ᮙᮞᮤᮟ ᮕᮦᮕᮢᮩᮔᮑᮩ ᮠᮢᮑᮩᮕᮢᮣᮼ

ᯖᮕᮢ ᮣᮘᮩ ᮧᮘᮙᮣᮠᮕᮢᮣᮺ ᮙᮞ ᮑ ᮦᮟᮙᮓᮕ ᮤᮘᮑᮤ ᮧᮑᮣ ᮒᮟᮤᮘ ᮤᮙᮓᮛᮜᮙᮣᮘ ᮑᮞᮔ ᮩᮕᮑᮢᮞᮙᮞᮗᮺ ᮧᮕᮢᮕ ᮡᮥᮙᮤᮕ ᮜᮟᮦᮕᮜᮩᮼ

ᯛᮟᮢᮕᮟᮦᮕᮢᮺ ᮤᮘᮕ ᮓᮟᮜᮟᮢ ᮟᮖ ᮤᮘᮑᮤ ᮣᮟᮥᮜ ᮧᮑᮣ ᮖᮜᮑᮧᮜᮕᮣᮣᮜᮩ ᮓᮜᮕᮑᮢᮼ ᯖᮟᮧ ᮓᮟᮥᮜᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮟ ᮠᮥᮢᮕ ᮑᮞᮔ ᮓᮜᮕᮑᮞ ᮞᮟᮤ ᮒᮕ ᮜᮟᮦᮕᮜᮩᯍ

“ᮇᮘᮕᮞ ᮣᮘᮕ ᮜᮕᮑᮦᮕᮣ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔ ᮜᮑᮤᮕᮢᮺ ᯗ ᮣᮘᮟᮥᮜᮔ ᮛᮕᮕᮠ ᮘᮕᮢ ᮒᮩ ᮝᮩ ᮣᮙᮔᮕᮼ”

ᮄᮟ ᮝᮑᮛᮕ ᮤᮘᮕ ᮧᮟᮢᮜᮔ ᮝᮟᮢᮕ ᮒᮕᮞᮕᮖᮙᮓᮙᮑᮜᮺ ᮤᮑᮛᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮗᮟᮟᮔ ᮑᮣ ᮑᮞᮗᮕᮜᮣ ᮙᮣ ᮑᮜᮣᮟ ᮤᮘᮕ ᮇᮑᮤᮓᮘᮕᮢ᮵ᮣ ᮢᮟᮜᮕᮼ

ᮄᮘᮕᮞ ᮤᮘᮑᮤ ᮓᮘᮙᮜᮔ ᮧᮟᮥᮜᮔ ᮓᮕᮢᮤᮑᮙᮞᮜᮩ ᮒᮕ ᮧᮟᮢᮤᮘ ᮛᮕᮕᮠᮙᮞᮗ ᮒᮩ ᮘᮕᮢ ᮣᮙᮔᮕᮼ

ᮋᯗ ᮓᮑᮝᮕ ᮑᮗᮑᮙᮞ ᮤᮟᮔᮑᮩᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮼᮼᮯ ᯗ᮵ᮝ ᮜᮑᮤᮕ ᮤᮟᮔᮑᮩᮺ ᮑᮢᮕᮞ᮵ᮤ ᯗᯍ ᯗ᮵ᮝ ᮣᮟᮢᮢᮩᮼᮍ

ᮇᮕᮜᮜᮺ ᯗ ᮔᮙᮔ ᮧᮑᮙᮤ ᮖᮟᮢ ᮩᮟᮥᮼ
ᯐᮥᮤ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮞᮕᮕᮔ ᮤᮟ ᮧᮟᮢᮢᮩ ᮤᮟᮟ ᮝᮥᮓᮘ ᮑᮒᮟᮥᮤ ᮙᮤᮼ

ᮋᯏᮓᮤᮥᮑᮜᮜᮩᮺ ᯗ ᮝᮟᮦᮕᮔ ᮝᮩ ᮢᮕᮣᮙᮔᮕᮞᮓᮕ ᮤᮟ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ᮵ᮣ ᮝᮑᮞᮣᮙᮟᮞ ᮤᮘᮙᮣ ᮤᮙᮝᮕᮼ ᯐᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮤᮘᮑᮤᮺ ᯗ ᮝᮙᮣᮣᮕᮔ ᮝᮩ ᮝᮟᮢᮞᮙᮞᮗ ᮔᮕᮠᮑᮢᮤᮥᮢᮕ ᮤᮙᮝᮕᮼᮍ

ᮄᮟ ᮣᮤᮙᮜᮜ ᮓᮟᮝᮕ ᮤᮟ ᮤᮘᮕ ᮤᮕᮝᮠᮜᮕ ᮕᮦᮕᮞ ᮑᮖᮤᮕᮢ ᮝᮟᮦᮙᮞᮗ ᮘᮕᮢ ᮢᮕᮣᮙᮔᮕᮞᮓᮕᮼ
ᮇᮘᮑᮤ ᮑ ᮤᮢᮥᮜᮩ ᮔᮙᮜᮙᮗᮕᮞᮤ ᮓᮘᮙᮜᮔᮼ

ᮋᯏᮘᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮺ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧ ᮧᮘᮟ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ ᮙᮣᮺ ᮔᮟ ᮩᮟᮥᯍᮍ

ᯏ ᮦᮟᮙᮓᮕ ᮑᮣ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮑᮣ ᮤᮘᮕ ᮣᮟᮞᮗ ᮟᮖ ᮒᮙᮢᮔᮣᮼ
ᯗᮤ ᮧᮑᮣ ᮤᮘᮕᮞ ᮤᮘᮑᮤ ᮣᮘᮕ ᮧᮑᮣ ᮘᮥᮝᮝᮙᮞᮗ ᮣᮟᮖᮤᮜᮩᮺ ᮜᮙᮣᮤᮕᮞᮙᮞᮗ ᮤᮟ ᮤᮘᮑᮤ ᮣᮟᮥᮞᮔᮼ

ᮋᮉᮟᮥ ᮛᮞᮟᮧ ᮧᮘᮑᮤᮼᮼᮼ ᮤᮘᮙᮣ ᮙᮣ ᮑ ᮣᮕᮓᮢᮕᮤᮺ ᮟᮛᮑᮩᮼᮼᮼᯍᮍ

ᮃᮕᮢᮞᮑᮢᮙᮕᮜ ᮡᮥᮙᮕᮤᮜᮩ ᮣᮝᮙᮜᮕᮔ ᮑᮞᮔ ᮜᮙᮣᮤᮕᮞᮕᮔ ᮙᮞᮤᮕᮞᮤᮜᮩᮼ

ᯗᮤ ᮧᮑᮣ ᮤᮘᮕ ᮟᮞᮜᮩ ᮠᮜᮕᮑᮣᮥᮢᮕ ᮣᮘᮕ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕᮔ ᮙᮞ ᮘᮕᮢ ᮤᮕᮔᮙᮟᮥᮣ ᮔᮑᮩᮣᮼ

ᯐᮥᮤ ᮥᮞᮖᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᮧᮘᮑᮤ ᮓᮑᮝᮕ ᮤᮟ ᮘᮕᮢ ᮧᮑᮣᮞ᮵ᮤ ᮚᮥᮣᮤ ᮠᮜᮕᮑᮣᮥᮢᮕᮼ

ᮋᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ ᮙᮣ ᮤᮘᮕ ᮠᮕᮢᮣᮟᮞ ᯗ ᮘᮑᮦᮕ ᮑ ᮓᮢᮥᮣᮘ ᮟᮞᮼᮼᮼᮯᮍ

ᮇᮙᮞᮓᮕ—

ᮃᮕᮢᮞᮑᮢᮙᮕᮜ᮵ᮣ ᮕᮩᮕᮒᮢᮟᮧ ᮣᮥᮒᮤᮜᮩ ᮤᮧᮙᮤᮓᮘᮕᮔᮼ

ᮄᮘᮕ ᮣᮝᮙᮜᮕ ᮤᮘᮑᮤ ᮘᮑᮔ ᮜᮙᮞᮗᮕᮢᮕᮔ ᮟᮞ ᮘᮕᮢ ᮜᮙᮠᮣ ᮣᮜᮟᮧᮜᮩ ᮖᮑᮔᮕᮔᮼ

ᮋᯗ᮵ᮦᮕ ᮞᮕᮦᮕᮢ ᮤᮟᮜᮔ ᮑᮞᮩᮟᮞᮕ ᮤᮘᮙᮣᮺ ᮒᮥᮤᮼᮼᮼ ᮑᮓᮤᮥᮑᮜᮜᮩᮺ ᯗ ᮧᮑᮣ ᮑ ᮝᮑᮞ ᮙᮞ ᮝᮩ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮜᮙᮖᮕᮼ ᯐᮥᮤ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ ᮙᮣ ᮝᮩ ᮙᮔᮕᮑᮜ ᮤᮩᮠᮕᮺ ᮤᮘᮕ ᮟᮞᮕ ᯗ᮵ᮦᮕ ᮑᮜᮧᮑᮩᮣ ᮘᮑᮔᮼᮼᮼᮍ

ᮆᮙᮦᮙᮑᮞᮑᮼ

ᮃᮘᮕ ᮛᮞᮕᮧ ᮧᮘᮟ ᮤᮘᮑᮤ ᮧᮑᮣᮼ

ᯔᮟᮢ ᮣᮘᮕ ᮧᮑᮣ ᮑ ᮧᮟᮝᮑᮞ ᮧᮘᮟ ᮘᮑᮔ ᮟᮞᮓᮕ ᮤᮢᮑᮦᮕᮢᮣᮕᮔ ᮒᮑᮤᮤᮜᮕᮖᮙᮕᮜᮔᮣ ᮖᮟᮢ ᮣᮕᮦᮕᮢᮑᮜ ᮩᮕᮑᮢᮣ ᮧᮙᮤᮘ ᮘᮕᮢ ᯏᮠᮟᮣᮤᮜᮕᮼ

ᯜᮟᮧᮼ
ᯗᮞ ᮤᮘᮙᮣ ᮦᮕᮢᮩ ᮓᮑᮤᮘᮕᮔᮢᮑᮜᮺ ᮧᮘᮕᮢᮕ ᮘᮕᮢ ᮠᮟᮧᮕᮢ ᮧᮑᮣ ᮝᮟᮣᮤ ᮠᮢᮟᮖᮟᮥᮞᮔᮜᮩ ᮓᮑᮣᮤᮼ
ᮄᮘᮑᮤ ᮧᮟᮝᮑᮞᮺ ᮓᮜᮟᮣᮙᮞᮗ ᮘᮕᮢ ᮕᮩᮕᮣ ᮒᮕᮣᮙᮔᮕ ᮤᮘᮕ ᮗᮙᮢᮜᮼ
ᮃᮘᮕ ᮝᮥᮣᮤ ᮒᮕ ᮤᮑᮜᮛᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮘᮕᮢᮼ

“ᯖᮕᮢ ᮙᮔᮕᮑᮜ ᮤᮩᮠᮕ…”

ᯗᮞᮔᮕᮕᮔᮺ ᮣᮘᮕ ᮧᮑᮣ ᮑ ᮧᮟᮝᮑᮞ ᮠᮟᮣᮣᮕᮣᮣᮙᮞᮗ ᮒᮕᮑᮥᮤᮩ ᮤᮘᮑᮤ ᮓᮟᮥᮜᮔ ᮒᮕ ᮓᮟᮞᮣᮙᮔᮕᮢᮕᮔ ᮑᮤ ᮤᮘᮕ ᮠᮕᮑᮛ ᮙᮞ ᮤᮘᮕ ᯚᮟᮧᮕᮢ ᮂᮕᮑᮜᮝᮼ

ᯐᮥᮤ ᮤᮘᮑᮤ ᮧᮑᮣ ᮟᮞᮜᮩ ᮑᮠᮠᮜᮙᮓᮑᮒᮜᮕ ᮧᮙᮤᮘᮙᮞ ᮤᮘᮕ ᯚᮟᮧᮕᮢ ᮂᮕᮑᮜᮝᮼ

ᮄᮟ ᮓᮑᮜᮜ ᮣᮥᮓᮘ ᮑ ᮖᮑᮓᮕ ᮘᮕᮢ ᮙᮔᮕᮑᮜ ᮤᮩᮠᮕᮼ

ᮄᮘᮕ ᮠᮥᮢᮕ ᮧᮘᮙᮤᮕ ᮓᮘᮙᮜᮔ᮵ᮣ ᮘᮕᮑᮢᮤ ᮧᮑᮣ ᮢᮕᮗᮢᮕᮤᮤᮑᮒᮜᮩ ᮛᮙᮞᮔᮺ ᮒᮥᮤ ᮥᮞᮖᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᮣᮘᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮘᮑᮦᮕ ᮞᮟ ᮕᮩᮕ ᮖᮟᮢ ᮒᮕᮑᮥᮤᮩᮼ

ᮋᮉᮟᮥ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕᮜᮙᮕᮦᮕ ᮘᮟᮧ ᮘᮑᮠᮠᮩ ᯗ ᮑᮝ ᮤᮟ ᮒᮕ ᮒᮩ ᮘᮕᮢ ᮣᮙᮔᮕᮯᮍ

ᯗᮤ ᮧᮑᮣ ᮑᮞ ᮥᮞᮧᮕᮜᮓᮟᮝᮕ ᮣᮤᮟᮢᮩᮼ

ᯔᮟᮢ ᮣᮟᮝᮕ ᮢᮕᮑᮣᮟᮞᮺ ᮣᮘᮕ ᮧᮙᮣᮘᮕᮔ ᮤᮘᮕ ᮗᮙᮢᮜ ᮧᮟᮥᮜᮔ ᮤᮕᮜᮜ ᮑ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮣᮤᮟᮢᮩᮼ

ᯏᮞᮔ ᮑᮣ ᮙᮖ ᮘᮕᮢ ᮧᮙᮣᮘ ᮘᮑᮔ ᮒᮕᮕᮞ ᮗᮢᮑᮞᮤᮕᮔᮺ ᮤᮘᮕ ᮗᮙᮢᮜ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮝᮟᮦᮕᮔ ᮟᮞ ᮤᮟ ᮑᮞᮟᮤᮘᮕᮢ ᮤᮟᮠᮙᮓᮼ

ᮇᮘᮑᮤ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮧᮑᮣ ᮑ ᮣᮤᮟᮢᮩ ᮑᮒᮟᮥᮤ ᮤᮘᮕ ᮙᮝᮠᮢᮙᮞᮤ ᮕᮞᮗᮢᮑᮦᮕᮔ ᮟᮞ ᮘᮕᮢ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞᮼ

ᯏᮞᮔ ᮤᮘᮕ ᮟᮞᮕ ᮧᮘᮟ ᮘᮑᮔ ᮕᮤᮓᮘᮕᮔ ᮤᮘᮑᮤ ᮙᮝᮠᮢᮙᮞᮤ ᮧᮑᮣ ᮞᮟᮞᮕ ᮟᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮃᮕᮢᮞᮑᮢᮙᮕᮜ᮵ᮣ ᯏᮠᮟᮣᮤᮜᮕᮼ

ᮄᮘᮕ ᮒᮟᮔᮩ ᮤᮘᮑᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮥᮒᮤᮜᮩ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮑ ᮝᮟᮝᮕᮞᮤ ᮑᮗᮟᮼ

“ᮇᮑᮣ ᮤᮘᮑᮤ ᮤᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮖᮟᮢ ᮤᮘᮑᮤ ᮙᮝᮠᮢᮙᮞᮤᯍ”

ᮇᮘᮙᮜᮕ ᮙᮤ ᮝᮙᮗᮘᮤ ᮒᮕ ᮒᮕᮞᮕᮖᮙᮓᮙᮑᮜ ᮖᮟᮢ ᮤᮘᮕ ᮒᮟᮔᮩᮺ ᮣᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮘᮕᮢ ᯏᮠᮟᮣᮤᮜᮕᮺ ᮧᮘᮟ ᮘᮑᮔ ᮕᮤᮓᮘᮕᮔ ᮣᮥᮓᮘ ᮑᮞ ᮙᮝᮠᮢᮙᮞᮤᮺ ᮘᮑᮔ ᮑ ᮤᮢᮥᮜᮩ ᮠᮕᮓᮥᮜᮙᮑᮢ ᮠᮕᮢᮣᮟᮞᮑᮜᮙᮤᮩᮼ

ᮋᯗ᮵ᮝ ᮗᮟᮙᮞᮗ ᮤᮟ ᮑᮣᮛ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ ᮖᮟᮢ ᮑ ᮖᮑᮦᮟᮢ ᮜᮑᮤᮕᮢᮯᮍ

ᮇᮙᮞᮓᮕ—

ᯝᮞᮓᮕ ᮑᮗᮑᮙᮞᮺ ᮤᮘᮕ ᮇᮑᮤᮓᮘᮕᮢ᮵ᮣ ᮕᮩᮕᮣ ᮞᮑᮢᮢᮟᮧᮕᮔᮼ

ᮃᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮧᮘᮩ ᮤᮘᮕ ᮞᮑᮝᮕ ‘ᮆᮙᮦᮙᮑᮞᮑ’ ᮛᮕᮠᮤ ᮒᮕᮙᮞᮗ ᮝᮕᮞᮤᮙᮟᮞᮕᮔᮼ

ᯝᮖ ᮑᮜᮜ ᮤᮙᮝᮕᮣᮺ ᮧᮑᮣᮞ᮵ᮤ ᮤᮘᮕ ᮗᮙᮢᮜ ᮤᮑᮜᮛᮙᮞᮗ ᮤᮟ ᮘᮕᮢ ᮢᮙᮗᮘᮤ ᮞᮟᮧᯍ

ᯏᮞᮔ ᮘᮑᮔᮞ᮵ᮤ ᮣᮘᮕ ᮣᮑᮙᮔ ᮣᮘᮕ ᮜᮙᮛᮕᮔ ᮘᮕᮢ ᮝᮥᮜᮤᮙᮠᮜᮕ ᮤᮙᮝᮕᮣᯍ

ᮉᮕᮤᮺ ᮣᮘᮕ ᮘᮑᮢᮒᮟᮢᮕᮔ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮖᮟᮢ ᮣᮟᮝᮕᮟᮞᮕ ᮕᮜᮣᮕ ᮑᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᯍ

ᮃᮘᮕ ᮖᮕᮜᮤ ᮑ ᮜᮙᮤᮤᮜᮕᮺ ᮞᮟᮺ ᮡᮥᮙᮤᮕ ᮙᮞᮔᮙᮗᮞᮑᮞᮤᮼ

ᮋᯏᮘᮺ ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮗᮟ ᮞᮟᮧᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮼᮼ ᯛᮩ ᮜᮕᮗᮣ ᮛᮕᮕᮠ ᮤᮧᮙᮤᮓᮘᮙᮞᮗᮼᮼᮼᮍ

ᮄᮘᮕ ᮗᮙᮢᮜ᮵ᮣ ᮒᮟᮔᮩ ᮤᮢᮕᮝᮒᮜᮕᮔᮼ ᯏᮤ ᮘᮕᮢ ᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕᮺ ᮧᮘᮙᮓᮘ ᮕᮝᮑᮞᮑᮤᮕᮔ ᮑ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮣᮤᮙᮝᮥᮜᮑᮤᮙᮞᮗ ᮑᮥᮢᮑᮺ ᮃᮕᮢᮞᮑᮢᮙᮕᮜ ᮣᮜᮟᮧᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮑ ᮖᮙᮞᮗᮕᮢᮼ

“ᯒᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩᮺ ᮓᮘᮙᮜᮔᮼ ᯗ ᮧᮙᮜᮜ ᮢᮕᮜᮙᮕᮦᮕ ᮤᮘᮑᮤ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮟᮞ ᮖᮟᮢ ᮩᮟᮥᮼ”

ᯝᮞᮕ ᮟᮖ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮤᮢᮑᮞᮣᮖᮟᮢᮝᮕᮔ ᮙᮞᮤᮟ ᮑ ᮠᮙᮜᮜᮑᮢ ᮟᮖ ᮜᮙᮗᮘᮤ ᮑᮞᮔ ᮔᮕᮣᮓᮕᮞᮔᮕᮔ ᮒᮕᮜᮟᮧ ᮤᮘᮕ ᮓᮜᮟᮥᮔᮣᮼ

ᮃᮟᮟᮞᮺ ᮤᮘᮕ ᮠᮙᮜᮜᮑᮢ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮤᮘᮕ ᮗᮙᮢᮜᮼ

ᯏᮣ ᮤᮘᮕ ᮇᮑᮤᮓᮘᮕᮢᮺ ᮣᮘᮕ ᮢᮑᮢᮕᮜᮩ ᮙᮞᮤᮕᮢᮖᮕᮢᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮝᮟᮢᮤᮑᮜ ᮢᮕᮑᮜᮝ ᮘᮑᮠᮘᮑ᮪ᮑᮢᮔᮜᮩᮼ

ᯔᮟᮢ ᮣᮘᮕ ᮟᮞᮜᮩ ᮣᮕᮞᮤ ᮔᮟᮧᮞ ᮠᮙᮜᮜᮑᮢᮣ ᮟᮖ ᮜᮙᮗᮘᮤ ᮧᮘᮕᮞ ᮤᮘᮕ ᮧᮟᮢᮜᮔ᮵ᮣ ᮔᮕᮣᮤᮢᮥᮓᮤᮙᮟᮞ ᮧᮑᮣ ᮞᮙᮗᮘᮺ ᮟᮢ ᮧᮘᮕᮞ ᮤᮘᮕ ᮧᮟᮢᮜᮔ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ ᮞᮕᮕᮔᮕᮔ ᮘᮕᮢ ᮘᮕᮜᮠᮼ

ᮄᮘᮙᮣ ᮤᮙᮝᮕᮺ ᮘᮟᮧᮕᮦᮕᮢᮺ ᮙᮤ ᮧᮑᮣ ᮣᮟᮜᮕᮜᮩ ᮤᮘᮕ ᮇᮑᮤᮓᮘᮕᮢ᮵ᮣ ᮠᮕᮢᮣᮟᮞᮑᮜ ᮔᮕᮓᮙᮣᮙᮟᮞᮼ

ᮃᮥᮢᮕᮜᮩᮺ ᮙᮖ ᮘᮕᮢ ᮑᮞᮗᮕᮜᮣ ᮖᮟᮥᮞᮔ ᮟᮥᮤ ᮑᮒᮟᮥᮤ ᮤᮘᮙᮣᮺ ᮤᮘᮕᮢᮕ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑᮞ ᮥᮠᮢᮟᮑᮢᮼ

“ᮇᮕᮜᮜᮺ ᮧᮘᮑᮤ ᮔᮟᮕᮣ ᮙᮤ ᮝᮑᮤᮤᮕᮢᯍ”

ᮃᮘᮕ ᮘᮑᮔ ᮜᮙᮦᮕᮔ ᮣᮕᮜᮖᮜᮕᮣᮣᮜᮩ ᮥᮞᮤᮙᮜ ᮞᮟᮧᮺ ᮣᮟ ᮧᮘᮩ ᮞᮟᮤ ᮥᮣᮕ ᮘᮕᮢ ᮠᮟᮧᮕᮢ ᮖᮟᮢ ᮠᮕᮢᮣᮟᮞᮑᮜ ᮢᮕᮑᮣᮟᮞᮣ ᮟᮞᮓᮕ ᮙᮞ ᮑ ᮧᮘᮙᮜᮕᯍ

ᮄᮘᮕ ᮢᮕᮣᮥᮜᮤ ᮧᮑᮣ ᮝᮟᮢᮕ ᮣᮑᮤᮙᮣᮖᮩᮙᮞᮗ ᮤᮘᮑᮞ ᮕᮨᮠᮕᮓᮤᮕᮔᮼ

ᮋᯏᮘᮺ ᮑᮑᮘᮼᮼᮼ ᯖᮞᮗᮘᮼᮼᮼ ᯏᮘᮺ ᯕᮟᮻ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮼᮼᮯᮍ

ᮄᮘᮕ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮠᮢᮑᮩᮕᮢ ᮟᮖ ᮤᮘᮕ ᮖᮜᮥᮣᮘᮕᮔ ᮗᮙᮢᮜ ᮧᮑᮣ ᮘᮕᮑᮢᮔᮼ

ᯏᮣ ᮤᮘᮑᮤ ᮕᮑᮢᮞᮕᮣᮤ ᮦᮟᮙᮓᮕ ᮗᮢᮕᮧ ᮝᮟᮢᮕ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮺ ᮑ ᮣᮥᮒᮤᮜᮕ ᮠᮜᮕᮑᮣᮥᮢᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮣᮥᮢᮗᮕ ᮖᮢᮟᮝ ᮔᮕᮕᮠ ᮧᮙᮤᮘᮙᮞ ᮘᮕᮢ ᮓᮘᮕᮣᮤᮼ

ᯏᮞᮔ ᮖᮙᮞᮑᮜᮜᮩᮼ

ᯏᮣ ᮤᮘᮕ ᮗᮙᮢᮜ᮵ᮣ ᮒᮟᮔᮩ ᮤᮢᮕᮝᮒᮜᮕᮔᮺ ᮑᮞᮔ ᮑ ᮤᮢᮑᮞᮣᮠᮑᮢᮕᮞᮤ ᮠᮥᮔᮔᮜᮕ ᮣᮠᮢᮕᮑᮔ ᮒᮕᮞᮕᮑᮤᮘ ᮘᮕᮢ ᮖᮕᮕᮤᮺ ᮑ ᮖᮕᮕᮜᮙᮞᮗ ᮃᮕᮢᮞᮑᮢᮙᮕᮜ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮟᮞᮓᮕ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕᮔ ᮒᮕᮖᮟᮢᮕ ᮒᮜᮟᮟᮝᮕᮔ ᮧᮙᮤᮘᮙᮞ ᮘᮕᮢᮼ

ᯏ ᮘᮟᮤᮺ ᮣᮤᮙᮓᮛᮩᮺ ᮑᮞᮔ ᮥᮞᮛᮞᮟᮧᮞ ᮕᮝᮟᮤᮙᮟᮞᮼ

ᮃᮕᮢᮞᮑᮢᮙᮕᮜ ᮓᮟᮥᮜᮔ ᮞᮟᮤ ᮔᮕᮖᮙᮞᮕ ᮧᮘᮑᮤ ᮙᮤ ᮧᮑᮣᮼ

“ᯏ ᮜᮟᮥᮔ ᮣᮘᮢᮙᮕᮛᮯ”

ᮃᮥᮢᮕ ᮕᮞᮟᮥᮗᮘᮼ ᯖᮕᮢ ᮑᮤᮤᮕᮞᮔᮑᮞᮤᮣ ᮢᮥᮣᮘᮕᮔ ᮖᮟᮢᮧᮑᮢᮔᮺ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮼ

“ᯕᮻᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮯ ᯒᮙᮔ ᮩᮟᮥ ᮚᮥᮣᮤ ᮣᮕᮞᮔ ᮠᮟᮧᮕᮢ ᮔᮟᮧᮞ ᮤᮟ ᮤᮘᮕ ᯚᮟᮧᮕᮢ ᮂᮕᮑᮜᮝᯍᮯ”

ᮄᮘᮕ ᮤᮙᮢᮕᮣᮟᮝᮕ ᮣᮓᮟᮜᮔᮙᮞᮗ ᮤᮘᮑᮤ ᮣᮘᮕ ᮣᮘᮟᮥᮜᮔᮞ᮵ᮤ ᮥᮣᮕ ᮘᮕᮢ ᮠᮟᮧᮕᮢ ᮓᮑᮢᮕᮜᮕᮣᮣᮜᮩ ᮠᮟᮥᮢᮕᮔ ᮟᮥᮤᮼ ᮃᮕᮢᮞᮑᮢᮙᮕᮜ ᮞᮟᮞᮓᮘᮑᮜᮑᮞᮤᮜᮩ ᮢᮕᮣᮤᮕᮔ ᮘᮕᮢ ᮓᮘᮙᮞ ᮙᮞ ᮘᮕᮢ ᮘᮑᮞᮔ ᮑᮞᮔ ᮜᮕᮤ ᮤᮘᮕᮙᮢ ᮧᮟᮢᮔᮣ ᮧᮑᮣᮘ ᮟᮦᮕᮢ ᮘᮕᮢᮼ

ᯝᮞᮜᮩ ᮟᮞᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮓᮢᮟᮣᮣᮕᮔ ᮘᮕᮢ ᮝᮙᮞᮔᮼ

‘ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮖᮕᮕᮜ ᮤᮘᮑᮤ ᮕᮝᮟᮤᮙᮟᮞ ᮑᮗᮑᮙᮞᮼ’

ᯏᮞᮔ ᮤᮘᮑᮤ ᮕᮝᮟᮤᮙᮟᮞ ᮒᮜᮟᮟᮝᮕᮔ ᮑᮗᮑᮙᮞ ᮤᮘᮕ ᮦᮕᮢᮩ ᮞᮕᮨᮤ ᮔᮑᮩᮼ

ᮃᮝᮟᮟᮓᮘ—

ᮄᮘᮕ ᮗᮙᮢᮜ ᮠᮢᮕᮣᮣᮕᮔ ᮘᮕᮢ ᮜᮙᮠᮣ ᮤᮟ ᮘᮕᮢ ᮠᮙᮜᮜᮑᮢᮼ

ᮃᮟ ᮥᮤᮤᮕᮢᮜᮩ ᮣᮥᮢᮠᮢᮙᮣᮕᮔᮺ ᮃᮕᮢᮞᮑᮢᮙᮕᮜ ᮢᮕᮖᮜᮕᮨᮙᮦᮕᮜᮩ ᮧᮙᮤᮘᮔᮢᮕᮧ ᮘᮕᮢ ᮠᮟᮧᮕᮢᮼ

ᯗᮤ ᮧᮑᮣ ᮑᮞ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮙᮞᮗ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮙᮞ ᮝᮑᮞᮩ ᮧᮑᮩᮣᮺ ᮒᮥᮤ ᮑᮣ ᮣᮘᮕ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮧᮑᮤᮓᮘᮕᮔ ᮤᮘᮕ ᮗᮙᮢᮜ ᮣᮝᮙᮜᮕ ᮒᮑᮣᮘᮖᮥᮜᮜᮩᮺ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮡᮥᮙᮓᮛᮜᮩ ᮖᮕᮜᮤ ᮝᮕᮑᮞᮙᮞᮗᮜᮕᮣᮣᮼ

‘ᮉᮕᮣᮺ ᮙᮖ ᮤᮘᮑᮤ ᮗᮕᮞᮤᮜᮕ ᮜᮑᮝᮒ ᮙᮣ ᮣᮟ ᮣᮑᮤᮙᮣᮖᮙᮕᮔᮼᮼᮼ ᮤᮘᮕᮞ ᮧᮘᮑᮤ᮵ᮣ ᮤᮘᮕ ᮠᮢᮟᮒᮜᮕᮝᮺ ᮕᮨᮑᮓᮤᮜᮩᯍ’

ᯗᮤ ᮧᮑᮣᮞ᮵ᮤ ᮑ ᮒᮑᮔ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠᮼ

ᮄᮘᮕ ᮗᮙᮢᮜ ᮖᮟᮥᮞᮔ ᮘᮑᮠᮠᮙᮞᮕᮣᮣ ᮖᮢᮟᮝ ᮘᮕᮢᮺ ᮑᮞᮔ ᮣᮘᮕ ᮖᮟᮥᮞᮔ ᮠᮜᮕᮑᮣᮥᮢᮕ ᮖᮢᮟᮝ ᮤᮘᮕ ᮗᮙᮢᮜᮼ

ᮄᮘᮙᮞᮛᮙᮞᮗ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕᮓᮟᮝᮕ ᮡᮥᮙᮤᮕ ᮑ ᮣᮑᮤᮙᮣᮖᮩᮙᮞᮗ ᮔᮑᮙᮜᮩ ᮜᮙᮖᮕᮺ ᮃᮕᮢᮞᮑᮢᮙᮕᮜ ᮘᮥᮝᮝᮕᮔ ᮑ ᮤᮥᮞᮕᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮙᮤ ᮧᮑᮣ ᮑᮖᮤᮕᮢ ᮤᮘᮑᮤ ᮔᮑᮩᮺ ᮧᮘᮕᮞ ᮣᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮧᮟᮥᮜᮔ ᮗᮟ ᮧᮕᮜᮜᮼ

ᮄᮘᮕ ᮜᮟᮦᮕᮜᮩ ᮗᮙᮢᮜ ᮧᮘᮟ ᮘᮑᮔ ᮠᮢᮟᮝᮙᮣᮕᮔ ᮤᮟ ᮦᮙᮣᮙᮤ ᮤᮘᮕ ᮤᮕᮝᮠᮜᮕ ᮕᮦᮕᮢᮩ ᮔᮑᮩᮼ

ᮃᮘᮕ ᮔᮙᮔ ᮞᮟᮤ ᮣᮘᮟᮧ ᮘᮕᮢᮣᮕᮜᮖ ᮖᮟᮢ ᮤᮕᮞ ᮔᮑᮩᮣᮼ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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