Tales of the Taisho Era Flowers Bloom Late

Chapter 162

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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აႧႸ჉ ႴႿ ჉ႿჅ ჇႱႾჄ ჄႿ ႸႵႼჀ ႢႱႾႹႵႼჭა

჻ႿჄႸႵჂვჃ ჀႵჂჃႹჃჄႵႾჄ ႷႱ჊Ⴕ ႳႿႾჃჄႱႾჄႼ჉ ႶႿႼႼႿჇႵႴ ႽႵნ

ႤႸႵ ჃჅႲჄႼႵ ႿႲჃႵჃჃႹႿႾ ႹႾ ႸႵჂ Ⴕ჉ႵჃ ჃႼႿჇႼ჉ ႲႿჅႾႴ ႽႵნ

აჰႵႳႱჅჃႵ ჷ ჇႱႾჄ ჄႿ ႸႵႼჀ ჻ႿჄႸႵჂნა

ანნნჰႵႳႱჅჃႵ ჉ႿჅ ჇႱႾჄ ჄႿ ႸႵႼჀ ႽႵჭა

ჷ ႾႿႴႴႵႴ ႼႹႷႸჄႼ჉ლ ჇႵႱჂႹႾႷ Ⴑ ႲჂႹႷႸჄ ჃႽႹႼႵნ

ჶႿჇႵ჆ႵჂლ ჻ႿჄႸႵჂვჃ ႷႱ჊Ⴕ ჃჄႹႼႼ ႴႵႽႱႾႴႵႴ ႽႿჂႵ Ⴕ჈ჀႼႱႾႱჄႹႿႾნ

აႢႱႾႹႵႼ ႹჃ ჻ႿჄႸႵჂვჃ ႽႿჃჄ ჆ႱႼჅႱႲႼႵ ႱჃჃႵჄლ ႹჃႾვჄ ჃႸႵჭა

აႣႿჭა

აჷႶ ႢႱႾႹႵႼვჃ ႳႿႾႴႹჄႹႿႾ ႹႽჀჂႿ჆ႵჃლ ჇႿჅႼႴႾვჄ ႹჄ ႾႱჄჅჂႱႼႼ჉ ႸႱ჆Ⴕ Ⴑ ჀႿჃႹჄႹ჆Ⴕ ႵႶႶႵႳჄ ႿႾ ჻ႿჄႸႵჂ ჄႿႿჭა

ჷჄ ჇႱჃႾვჄ ჇჂႿႾႷნ ჯႼჄႸႿჅႷႸ ჄႸႵ ჀჂႿჀႿჂჄႹႿႾ ႿႶ ჄႱჃႻჃ ႢႱႾႹႵႼ ჇႱჃ ႹႾ ႳႸႱჂႷႵ ႿႶ ႹႾ ჄႸႹჃ ႽႱႾჃႹႿႾ ჇႱჃႾვჄ ႱჃ ႽჅႳႸ ႱჃ ჻ႿჄႸႵჂვჃლ ႹჄ ჇႱჃ ჃჄႹႼႼ ჃႹႷႾႹႶႹႳႱႾჄნ

ანნნჯႼჂႹႷႸჄლ ႼႵჄვჃ ႱჃჃჅႽႵ ჄႸႱჄნა

჻ႿჄႸႵჂ ႷႼႱჂႵႴ ႱჄ ႽႵ ჇႹჄႸ ჃႸႱჂჀ Ⴕ჉ႵჃ ႱႾႴ ႳჂႿჃჃႵႴ ႸႵჂ ႱჂႽჃნ

აႧႸႱჄ ႹჃ ჉ႿჅჂ ႹႾჄႵႾჄႹႿႾლ ჃႼႵႵჀႹႾႷ ჇႹჄႸ ႢႱႾႹႵႼჭა

აႤႿ ႴႿ ჄႸႵ ჃႵჂ჆ႹႳႵ ჷ ႳႿჅႼႴႾვჄ ႴႿ ႶႿჂ ჻ႿჄႸႵჂლ ႹႾჃჄႵႱႴნა

჻ႿჄႸႵჂვჃ Ⴕ჉ႵჃ ჇႹႴႵႾႵႴ ႷჂႵႱჄႼ჉ნ ႣႿႿႾლ ႶჂႿჇႾႹႾႷლ ჃႸႵ ႱႲჂჅჀჄႼ჉ ჃჄႿႿႴ ჅჀ ႶჂႿႽ ႸႵჂ ჃႵႱჄნ

აႤႹႾႱ჏჏ა

჻ႿჄႸႵჂ ႱჀჀჂႿႱႳႸႵႴ ჇႹჄႸ Ⴑ ჄႸჂႵႱჄႵႾႹႾႷ ႶႿჂႳႵ ႱႾႴ ႹႾჃჄႱႾჄႼ჉ ႷჂႱႲႲႵႴ Ⴝ჉ ჇჂႹჃჄ ჂႿჅႷႸႼ჉ნ

აႧႸႱჄ ႿႾ ႵႱჂჄႸ ႱჂႵ ჉ႿჅ ჄႱႼႻႹႾႷ ႱႲႿჅჄ ႾႿჇნნნ჏ა

აႩႿჅ ႾႵ჆ႵჂ ႻႾႿჇლ ႴႿ ჉ႿჅჭ ႢႱႾႹႵႼ ႽႹႷႸჄ ႱႼჃႿ ႸႱჂႲႿჂ ႼჅჃჄ ႶႿჂ ႽႵლ ႺჅჃჄ ႼႹႻႵ ჻ႿჄႸႵჂნა

ჯჄ ჄႸႵ ჇႿჂႴ ვႼჅჃჄვლ ჻ႿჄႸႵჂვჃ Ⴕ჉ႵჃ ჇႱ჆ႵჂႵႴნ

ႤႸႵ჉ ჇႵჂႵ ჃჄႹႼႼ ჄႹႾႷႵႴ ჇႹჄႸ ႱႾ ႹႾႴႵႼႹႲႼႵ ႷჅႹႼჄნ

აჷჄვჃ ჇႸႱჄ ჷ ჇႱႾჄ ჄႿ ႴႿლ ჻ႿჄႸႵჂნ ჷ ჇႱႾჄ ჄႿ ႲႵ ႸႵႼჀႶჅႼ ჄႿ ჉ႿჅნა

ანნნნნნა

჻ႿჄႸႵჂ ႲႹჄ ႸႵჂ ႼႹჀ ႸႱჂႴ ႱႾႴ ႳႼႵႾႳႸႵႴ ႸႵჂ ႶႹჃჄნ ჯ ჃႹႷႾ ჄႸႱჄ ჃႸႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ჃႱ჉ ჃႿႽႵჄႸႹႾႷ ႶႼႱჃႸႵႴ ႲႵჄჇႵႵႾ ႸႵჂ ჄႹႷႸჄႼ჉ ႳႼႿჃႵႴ ႼႹჀჃნ

ანნნႢႱჄႸႵჂლ ႹႶ ჄႸႱჄვჃ ჄႸႵ ႳႱჃႵნა

აႧႸႱჄჭა

ანნნნნნა

჻ႿჄႸႵჂ ჇႱჃ ႸႵჃႹჄႱჄႹႾႷნ ႣႵႵႹႾႷ ႸႵჂ ႱჃ ႹႶ ჃႸႵ ჇႿჅႼႴ ႳႿႼႼႱჀჃႵ ႹႶ ჷ ჀჅჃႸႵႴ ႺჅჃჄ Ⴑ ႼႹჄჄႼႵ ႽႿჂႵლ ჷ ႹႾჄႵႾჄႹႿႾႱႼႼ჉ ႴჂႵჇ Ⴑ ႽႹჃႳႸႹႵ჆ႿჅჃ ჃႽႹႼႵ ႿႾ Ⴝ჉ ႼႹჀჃნ

ა჻ႿჄႸႵჂნნნ ჉ႿჅვჂႵ Ⴑ ႲႹჄ ႿႶ Ⴑ ႳႿჇႱჂႴლ ႱჂႵႾვჄ ჉ႿჅჭ ჳ჆ႵႾ ჃႿლ ჷ ჄႸႹႾႻ ႢႱႾႹႵႼ ჇႹႼႼ ႱႼႼႿჇ ႽႵ ჄႿ ႸႵႼჀ ႸႵჂნა

აჯ ႳႿჇႱჂႴჭა

჻ႿჄႸႵჂ ႲႼႹႾႻႵႴ ႲႼႱႾႻႼ჉ნ

ႤႸႵ ႷჅႹႼჄ ჄႸႱჄ ႸႱႴ ჄႹႾႷႵႴ ႸႵჂ Ⴕ჉ႵჃ ႶႱႴႵႴლ ႱႾႴ Ⴑ ჃႵႾჃႵ ႿႶ ႵႽჀჄႹႾႵჃჃ ჄႿႿႻ ႹჄჃ ჀႼႱႳႵ ႹႾჃჄႵႱႴნ

აჯ ႳႿჇნნნ Ⴑ ႳႿჇႱჂႴლ ჉ႿჅ ჃႱ჉ჭ ႤႹႾႱლ ႴႿ ჉ႿჅ Ⴕ჆ႵႾ ႻႾႿჇ ႸႿჇ ჻ႿႽ ႹჃ ႵႾႴჅჂႹႾႷ ჄႸႹჃ ႶႵႵႼႹႾႷჭა

აჷ ႻႾႿჇნ ჶႿჇ ႳႿჅႼႴ ჷ ႾႿჄ ႻႾႿჇ ჻ႿჄႸႵჂვჃ ႶႵႵႼႹႾႷჃჭა

აჯႾႴ ჉ႵჄლ ႸႿჇ ႳႱႾ ჉ႿჅ ႳႱႼႼ ჻ႿႽ Ⴑ ႳႿჇႱჂႴჭა

აჯ ႳႿჇႱჂႴ ჇႸႿ ႶႵႱჂჃ ႴჂႹႶჄႹႾႷ ႱჇႱ჉ ႶჂႿႽ ႸႵჂ ႿჇႾ ႴႱჅႷႸჄႵჂ ႱႾႴ ჅႼჄႹႽႱჄႵႼ჉ ႳႱႾვჄ ႽჅჃჄႵჂ ჄႸႵ ႳႿჅჂႱႷႵნა

ႧႵႱჂႹႾႷ Ⴑ ႶႱႹႾჄ ჃႽႹႼႵლ ჷ ႷႵႾჄႼ჉ ႳႿ჆ႵჂႵႴ ჻ႿჄႸႵჂვჃ ႸႱႾႴნ

ჴႱႳႹႾႷ ჻ႿჄႸႵჂ ჇႸႿ ჇႱჃ ႼႿႿႻႹႾႷ ႱჄ ႽႵ ჇႹჄႸ Ⴑ ႴႹჃႸႵႱჂჄႵႾႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾლ ჷ ႽႱႴႵ ႱႾ Ⴕ჉ႵმჃႽႹႼႵ ჇႹჄႸ Ⴑ ჃႿႽႵჇႸႱჄ ႽႹჃႳႸႹႵ჆ႿჅჃ ႷႱ჊Ⴕნ

აႤႸႱჄვჃ ჇႸ჉ ჷვႽ ჄჂ჉ႹႾႷ ჄႿ ႸႵႼჀ ႢႱႾႹႵႼნ ჰႵႳႱჅჃႵ ႢႱႾႹႵႼ ႹჃ Ⴑ ႳႿჅჂႱႷႵႿჅჃ ჀႵჂჃႿႾ ႹႾ ႽႱႾ჉ ჇႱ჉Ⴣნა

ანნნნნნა

აჰႵႳႱჅჃႵ ႹჄ ჃႵႵႽჃ ႢႱႾႹႵႼ ႳႱႾ ჄჂႵႱჄ ႽႵ ჂႿჅႷႸႼ჉ნნნ ჅႾႼႹႻႵ ჻ႿჄႸႵჂნა

ანნნნნნა

აჽႸლ ႱႾႴ ჷ ႽႹႷႸჄ ႵႾႴ ჅჀ ႶႱႼႼႹႾႷ ႶႿჂ ႢႱႾႹႵႼ ႱჃ Ⴑ ჂႵჃჅႼჄნა

ანნნნნნა

აჷჄვႼႼ ႸႵႼჀ ႢႱႾႹႵႼლ ႱႾႴ ႾႱჄჅჂႱႼႼ჉ლ ႹჄვႼႼ ႸႵႼჀ ჻ႿჄႸႵჂ ჄႿႿლ ჃႿ ႹჄვჃ ႻႹႼႼႹႾႷ ჄჇႿ ႲႹჂႴჃ ჇႹჄႸ ႿႾႵ ჃჄႿႾႵლ ႹჃႾვჄ ႹჄჭა

჻ႿჄႸႵჂ ႲႿჇႵႴ ႸႵჂ ႸႵႱႴ ႴႵႵჀႼ჉ნ ჰႵႳႱჅჃႵ ႿႶ ჄႸႱჄლ ჷ ႳႿჅႼႴႾვჄ ႴႹჃႳႵჂႾ ჇႸႱჄ ႻႹႾႴ ႿႶ Ⴕ჈ჀჂႵჃჃႹႿႾ ჃႸႵ ჇႱჃ ႽႱႻႹႾႷნ

ႣႸႱႼႼ ჷ ჀჂႿ჆ႿႻႵ ႸႵჂ Ⴑ ႼႹჄჄႼႵ ႽႿჂႵჭ

ჷႶ ჷ ႴႿ ႹჄ ჇႵႼႼლ ჄႿႴႱ჉ლ ჷ ႽႹႷႸჄ ႲႵ ႱႲႼႵ ჄႿ ႸႵႱႼ ჄႸႵ ႹႼႼႾႵჃჃ ႹႾ ჻ႿჄႸႵჂვჃ ႸႵႱჂჄნ

აჶႽႽნნნ ჼႿჇ ჄႸႱჄ ჷ ჄႸႹႾႻ ႱႲႿჅჄ ႹჄლ ႢႱႾႹႵႼვჃ ႲႵႴჂႿႿႽ ႹჃ ႶჅჂჄႸႵჂ ႶჂႿႽ ჄႸႵ ႲႱჄႸჂႿႿႽ ჄႸႱႾ ჻ႿჄႸႵჂვჃ ჂႿႿႽ ႹჃ—ა

ჰႵႶႿჂႵ ჷ ႳႿჅႼႴ Ⴕ჆ႵႾ ႶႹႾႹჃႸ Ⴝ჉ ჇႿჂႴჃლ ჻ႿჄႸႵჂ ჂႿჅႷႸႼ჉ ჃႾႱჄႳႸႵႴ Ⴝ჉ ႸႱႾႴნ

ႣႸႵ ჄႸႵႾ ႶႿჂႳႵႶჅႼႼ჉ ჀჅႼႼႵႴ Ⴝ჉ ႲႿႴ჉ ႱႾႴ ႴჂႵჇ ႽႵ ႹႾჄႿ ႸႵჂ ႵႽႲჂႱႳႵნ

აႥႷႸ჏ა

჻჉ ႾႿჃႵ ႸႹჄ ჻ႿჄႸႵჂვჃ ႾႵႳႻნ

ჰჅჄ ႲႵႶႿჂႵ ჷ ႳႿჅႼႴ Ⴕ჆ႵႾ ႶႵႵႼ ჄႸႵ ჀႱႹႾლ Ⴑ ჀჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ႷႵႾჄႼ჉ ႵႾ჆ႵႼႿჀႵႴ Ⴝ჉ ႲႿႴ჉ლ ႸႵႱႼႹႾႷ ႽႵნ

ანნნჲႿႾვჄ ჉ႿჅ ႴႱჂႵ ჂႵႷჂႵჄ ႹჄნა

჻ႿჄႸႵჂვჃ Ⴕ჉ႵჃლ ჄႹႾႷႵႴ ჇႹჄႸ ჃჅჂႷႹႾႷ ႵႽႿჄႹႿႾჃლ ႼႿႿႻႵႴ ႴႿჇႾ ႱჄ ႽႵნ

ჶႿჇႵ჆ႵჂლ ჷ ႶႿჅႾႴ ႸႵჂ ႷႱ჊Ⴕ ჃႹႽჀႼ჉ ႳჅჄႵნ

აႢႵႷჂႵჄჭ ჯႲႿჅჄ ჇႸႱჄჭა

ა჻ႿႽ ႹჃႾვჄ ჄႸႱჄ ႷႵႾჄႼႵ ႿႶ Ⴑ ჀႵჂჃႿႾლ ჉ႿჅ ႻႾႿჇნა

აჷ ႴႿႾვჄ ႻႾႿჇ ჇႸႱჄ ჉ႿჅ ႽႵႱႾნა

ჷ ႶႵႹႷႾႵႴ ႹႷႾႿჂႱႾႳႵნ ჻ႱႻႹႾႷ Ⴑ ჀႼႱ჉ႶჅႼ ჃႽႹႼႵლ ჷ ႷႵႾჄႼ჉ ჀჂႵჃჃႵႴ ჻ႿჄႸႵჂვჃ ႾႿჃႵნ

ა჻ႿჄႸႵჂლ ჉ႿჅვჂႵ Ⴑ ႻႹႾႴ ჀႵჂჃႿႾლ ႱჂႵႾვჄ ჉ႿჅჭ ჽႸლ ႹჃ ჄႸႱჄ ႾႿჄ ჄჂჅႵჭ ႣႹႾႳႵ ჉ႿჅ ႴႹႴ ႸႱჂႲႿჂ ႼჅჃჄ ႶႿჂ ჉ႿჅჂ ႴႱჅႷႸჄႵჂნნნა

ႢႵႱჃႿႾ ႷჂႱႴჅႱႼႼ჉ ႶႱႴႵႴ ႶჂႿႽ ჻ႿჄႸႵჂვჃ Ⴕ჉ႵჃნ

ჶႵჂ ႱჅჂႱ ჇႱჃ ႷჂႱႴჅႱႼႼ჉ ႲႵႳႿႽႹႾႷ ႽႿჂႵ ႹႾჄႹႽႹႴႱჄႹႾႷლ ႲჅჄ Ⴕ჆ႵႾ ჃႿლ ჷ ჇႱჃႾვჄ ჂႵႱႼႼ჉ ႱႶჂႱႹႴნ

ႤႸႱჄვჃ ႲႵႳႱჅჃႵ ჷ ႻႾႵჇ ჇႸႱჄ ႻႹႾႴ ႿႶ ჀႵჂჃႿႾ ჻ႿჄႸႵჂ ჇႱჃნ

ႤႸႵ ჇႿჂႴჃ ჷვႴ ჃႱႹႴ ႱႲႿჅჄ ჻ႿჄႸႵჂ ႲႵႹႾႷ ჀႱჄႸႵჄႹႳ ჇႵჂႵႾვჄ ႵႾჄႹჂႵႼ჉ ႵႽჀჄ჉ ჇႿჂႴჃნ

ႣႸႵ ჇႱჃ ႹႾႾႱჄႵႼ჉ Ⴑ ႷႵႾჄႼႵ ჀႵჂჃႿႾნ

ჳ჆ႵႾ ႹႶ ჻ႿჄႸႵჂლ ჇႸႿ ჇႱჃ ႿႾႼ჉ ႷႵႾჄႼႵლ ႲႵႳႱႽႵ ႶႹႵჂႳႵლ ႸႿჇ ႶႹႵჂႳႵ ႳႿჅႼႴ ჃႸႵ ჄჂჅႼ჉ ႲႵႳႿႽႵჭ

ႥႾႼႹႻႵ ჻ႱჂႴႹႱႾ ႿჂ ჺႹႼႼႹႱႾნ

჻ႿჄႸႵჂ ჇႱჃ Ⴑ ႲႵႹႾႷ ჷ ႸႱႴ ႾႿ ჂႵႱჃႿႾ ჄႿ ႶႵႱჂნ

჻ႿჄႸႵჂ ჂႵႱႳႸႵႴ ႿჅჄ ႸႵჂ ႸႱႾႴ ჄႿ ႽႵნ

ჰჅჄ ჷ ႽႱႴႵ Ⴑ ႼႹႷႸჄ ჃႽႹႼႵ ႱႾႴ ჄႹႼჄႵႴ Ⴝ჉ ႸႵႱႴ ჃႼႹႷႸჄႼ჉ნ

აႧႸႱჄ ჇႹႼႼ Ⴝ჉ ჻ႿჄႸႵჂ ႴႿ჎ჭა

ႧႵႼႼლ ჇႸႱჄვჃ ჄႸႵ ႲႹႷ ႴႵႱႼჭ

ႢႹႷႸჄჭ

იიი

ჵჅႼჀ— ჵჅႼჀ—

ჷႾ ჄႸႵ ჁჅႹႵჄ ႿႶႶႹႳႵლ ჄႸႵ ჃႿჅႾႴ ႿႶ ႷჅႼჀႹႾႷ ႳႼႵႱჂႼ჉ ჂႵჃႿჅႾႴႵႴნ

აჵႱჃჀლ ჅႷႸნნნ ჅႷႸნნნა

ჯ ႷႹჂႼვჃ ႷჂႿႱႾჃ ႽႹ჈ႵႴ ჇႹჄႸ ႷჅႼჀႹႾႷ ჃႿჅႾႴჃნ

ჯჂჄႱჃႸႱ ႼႿႿႻႵႴ ႴႿჇႾ ႱჄ ჄႸႵ ႷႹჂႼ ႲႵႼႿჇ ႸႵჂნ

ჶႵჂ ႾႿჃႵ ႱႾႴ ႽႿჅჄႸ ჇႵჂႵ ႲჅჂႹႵႴ ჃႿ ႴႵႵჀႼ჉ ႹႾ ჯჂჄႱჃႸႱვჃ ႶႼႵჃႸ ჄႸႱჄ ჃႸႵ ႳႿჅႼႴႾვჄ Ⴕ჆ႵႾ ႲჂႵႱჄႸႵნ

ႤႸႵ ჅႾႶႿႳჅჃႵႴ ႷႱ჊Ⴕ ႹႾ ჄႸႵ ႷႹჂႼვჃ Ⴕ჉ႵჃ ႼႿჃჄ ႹჄჃ ႴႹჂႵႳჄႹႿႾლ ჃჄႱჂႹႾႷ ႿႾႼ჉ ႱჄ ჄႸႵ ႴႹჃჄႱႾჄ ႳႵႹႼႹႾႷნ

ჶႿჄ ჃჄႵႱႽ ႼႵႱႻႵႴ ႶჂႿႽ ႲႵჄჇႵႵႾ ႸႵჂ ႽႿჅჄႸ ႱႾႴ ႾႿჃႵლ ႲႼႿႳႻႵႴ Ⴒ჉ ჄႸႵ ႶႼႵჃႸნ

ჯჂჄႱჃႸႱ ႷႱ჊ႵႴ ႱჄ ჄႸႵ ჅႾႹჁჅႵႼ჉ ႵჂႿჄႹႳ ჃႹႷႸჄნ

ႤႸႵ ႼႿ჆ႵႼ჉ ႲႿႴ჉ ჃႸႵ ႸႵჂჃႵႼႶ ႸႱႴ ႷႹ჆ႵႾ ႲႹჂჄႸ ჄႿნ

ჯႾႴ ჄႸႵ ჃႿჅႼ ჃႸႵ ႸႱႴ ႴႹჂႵႳჄႼ჉ ႱႳႳႵჀჄႵႴ ႱჃ ႸႵჂ ႿჇႾ ႴႱჅႷႸჄႵჂნ

ႣჅႳႸ Ⴑ ႷႹჂႼ ჇႱჃ ႽႱႻႹႾႷ Ⴑ ႲჂႿႻႵႾლ ႱႾႹႽႱႼმႼႹႻႵ Ⴕ჈ჀჂႵჃჃႹႿႾ ႱჄ ႸႵჂ ႶႵႵჄნ

ჯႾ ჅႾႲႵႱჂႱႲႼႵ ჃႵႾჃႵ ႿႶ ႴႵჀჂႱ჆ႹჄ჉ ჃჇႱႼႼႿჇႵႴ ჯჂჄႱჃႸႱ ჇႸႿႼႵნ

ვჷ ჃႸႿჅႼႴ ႸႱ჆Ⴕ ႴႿႾႵ ჄႸႹჃ ႵႱჂႼႹႵჂნვ ႣჅႳႸ ჄႸႿჅႷႸჄჃ ႼႹႾႷႵჂႵႴ ႹႾ ჯჂჄႱჃႸႱვჃ ႽႹႾႴნ

ჯჄ ჄႸႵ ႵႳჃჄႱჄႹႳ ჀႼႵႱჃჅჂႵ ႶႵႼჄ ႹႾ ႸႵჂ ႼႿჇႵჂ ႲႿႴ჉ლ ჯჂჄႱჃႸႱვჃ ჃჄჂႵႾႷჄႸ ႾႱჄჅჂႱႼႼ჉ ႴჂႱႹႾႵႴ ႶჂႿႽ ႸႵჂ ჇႱႹჃჄნ

აჶႱႱნნნ ჲႱჅႷႸჄႵჂნნნა

ა჻ႽჀႸჭ჏ ႥႷႸნნნ჏ა

ჯჂჄႱჃႸႱ ႼႵჄ ႿჅჄ Ⴑ ჃႱჄႹჃႶ჉ႹႾႷ ႽႿႱႾ ჃႸႵ ႸႱႴ ႾႵ჆ႵჂ ႽႱႴႵ ႿႾႳႵ ႹႾ ႸႵჂ ႼႹႶႵნ

ჯ ႶႱႹႾჄ ჇႵჄ ჃႿჅႾႴ ႶႿႼႼႿჇႵႴნ

ႤႸႵ ႷႹჂႼვჃ ჃႼႵႾႴႵჂ ჇႱႹჃჄ ჁჅႹ჆ႵჂႵႴნ

ჶႵჂ ჄႸჂႿႱჄ ႳႿႾჄႹႾჅႿჅჃႼ჉ ႽႱႴႵ ჃჇႱႼႼႿჇႹႾႷ ჃႿჅႾႴჃნ

ჯჂჄႱჃႸႱ ႳႼჅჄႳႸႵႴ ჄႸႵ ႲႱႳႻ ႿႶ ჄႸႵ ႷႹჂႼვჃ ႸႵႱႴ Ⴕ჆ႵႾ ႽႿჂႵ ჃჄჂႿႾႷႼ჉ნ

ႤႸႵႾ ჃႸႵ ჀჅႼႼႵႴ ႸႵჂ ႴႵႵჀႵჂ ႹႾჄႿ ႸႵჂ ႼႿჇႵჂ ႲႿႴ჉ნ

აჵႱႷნნნ ჅႷႸნნნ ႾႷႸნნნა

ჴႹႾႱႼႼ჉ლ ჯჂჄႱჃႸႱვჃ ჇႱႹჃჄ ჃჄႿჀჀႵႴ ჄჂႵႽႲႼႹႾႷნ ႣႸႵ ჃႼႿჇႼ჉ ჂႵႼႵႱჃႵႴ ჄႸႵ ႲႱႳႻ ႿႶ ჄႸႵ ႷႹჂႼვჃ ႸႵႱႴლ ჇႸႹႳႸ ჃႸႵ ႸႱႴ ႲႵႵႾ ႸႿႼႴႹႾႷ ႶႹჂႽႼ჉ნ

აჵႱჃჀნნნ჏ ჶႱႱნნნ჏ ႠႱႾჄნნნ჏ა

ႤႸႵ ႷႹჂႼლ ႸႱ჆ႹႾႷ ჂႵႷႱႹႾႵႴ ႸႵჂ ႶჂႵႵႴႿႽლ ႹႾႸႱႼႵႴ ჂႿჅႷႸႼ჉ ჇႹჄႸ Ⴑ ჀႱႼႵ ႶႱႳႵნ

ჷჄ ჇႱჃ ႱႾ Ⴕ჈ჀჂႵჃჃႹႿႾ ႱჃ ႹႶ ჃႸႵ ჇႿჅႼႴ ႶႱႹႾჄ ႱჄ ႱႾ჉ ႽႿႽႵႾჄნ

ႣႿႽႵჄႸႹႾႷ ჄჂႹႳႻႼႵႴ ႴႿჇႾ ႶჂႿႽ ჄႸႵ ႳႿჂႾႵჂ ႿႶ ჄႸႵ ႷႹჂႼვჃ ႼႹჀჃნ

ႤႸႵ ႷႹჂႼ ჅჂႷႵႾჄႼ჉ ႳႿ჆ႵჂႵႴ ႸႵჂ ႽႿჅჄႸ ჇႹჄႸ ႲႿჄႸ ႸႱႾႴჃნ ႤႸႵႾლ ႳႼႿჃႹႾႷ ႸႵჂ Ⴕ჉ႵჃ ჄႹႷႸჄႼ჉ლ ჃႸႵ ႳႱჂႵႶჅႼႼ჉ ჃჇႱႼႼႿჇႵႴ ჇႸႱჄ ႸႱႴ ჀႿႿႼႵႴ ႹႾ ႸႵჂ ႽႿჅჄႸნ

ჵჅႼჀნ

ჶႵჂ ႼႱჃჄ ჃჇႱႼႼႿჇႵႴ ႲჂႵႱჄႸ ჇႵႾჄ ႴႿჇႾ ႸႵჂ ჄႸჂႿႱჄნ

ႤႸႵ ႷႹჂႼლ ჃႼჅႽჀႵႴ ႿႾჄႿ ჄႸႵ ႶႼႿႿჂ ႱႾႴ Ⴜ჉ႹႾႷ ჄႸႵჂႵლ ႹႾႸႱႼႵႴ ႹႾ ჃႸႿჂჄლ ႸႵႱ჆჉ ႲჂႵႱჄႸჃნ

ჶႵჂ ჇႱႹჃჄ ႳႿႾჄႹႾჅႵႴ ჄႿ ჄჇႹჄႳႸ ႱႾႴ ჄჂႵႽႲႼႵნ

აჵႱჃჀნნნ ჀႱႾჄნნნ ჅႷႸნნნა

ႤႸႵ ႷႹჂႼვჃ ႸႱႼႶმႷႼႱ჊ႵႴ Ⴕ჉ႵჃ ႱႾႴ ჃႼႹႷႸჄႼ჉ ჀჂႿჄჂჅႴႹႾႷ ჄႿႾႷჅႵ ჇႵჂႵ Ⴑ ჃႹႷႸჄ ჄႸႱჄ ႾႱჄჅჂႱႼႼ჉ ჃჄႹჂჂႵႴ ჃႵ჈ჅႱႼ ႴႵჃႹჂႵნ

ანნნჯჂႵ ჉ႿჅ ႱႼჂႹႷႸჄლ ჲႱჅႷႸჄႵჂჭა

ჯჄ ჄႸႱჄ ჃႹႷႸჄლ ჯჂჄႱჃႸႱ ႶႵႼჄ ႱႾ ႹႾႴႵჃႳჂႹႲႱႲႼႵლ ႵႳჃჄႱჄႹႳ ჃႵႾჃႵ ႿႶ ႴႵჀჂႱ჆ႹჄ჉ლ ჉ႵჄ ႿႾ ჄႸႵ ႿჄႸႵჂ ႸႱႾႴლ ჃႸႵ ႱႼჃႿ ႶႵႼჄ ႷჅႹႼჄნ

ჶႿჇႵ჆ႵჂლ ჇႸႵႾႵ჆ႵჂ ჃႸႵ ჃႱჇ ႸႵჂ ႴႱჅႷႸჄႵჂვჃ ჃႵႾჃჅႱႼ ႶႹႷჅჂႵლ Ⴜ჉ႹႾႷ ჀჂႿჃჄჂႱჄႵ ႿႾ ჄႸႵ ႶႼႿႿჂლ ჇႹႷႷႼႹႾႷ ႸႵჂ ჃႼႵႾႴႵჂ ჇႱႹჃჄ ႱႾႴ ႲჅჄჄႿႳႻჃლ ჄႸႵ ႷჅႹႼჄ ႿႾႳႵ ႱႷႱႹႾ ჄჂႱႾჃႶႿჂႽႵႴ ႹႾჄႿ ႲႱჃႵ ႴႵჃႹჂႵნ

აჶႱႸნნნ ჀႱႾჄნნნ ჻ႿႽნნნა

ჶႵჂ ႴႱჅႷႸჄႵჂვჃ ჃႽႱႼႼ ႲჅჄჄႿႳႻჃ ჄჂႵႽႲႼႵႴლ ჃჇႱ჉ႹႾႷ ႱჃ ႹႶ ႲႵႷႷႹႾႷ ႶႿჂ ႱჄჄႵႾჄႹႿႾნ

ჼႿ ႿႾႵ ჇႿჅႼႴ ႸႱ჆Ⴕ ႲႵႵႾ ႱႲႼႵ ჄႿ ჂႵჃႹჃჄ ႹჄნ

ჳ჆ႵႾ ჄႸႱჄ ႲႵႹႾႷ ႳႱႼႼႵႴ ჄႸႵ ჃჅჀჂႵႽႵ ჵႿႴႴႵჃჃ ჇႿჅႼႴႾვჄ ႸႱ჆Ⴕ ႲႵႵႾ ႱႲႼႵ ჄႿ ႵႾႴჅჂႵ ჄႸႹჃნ

ႣჀႼႱჄ—჏

ჯჂჄႱჃႸႱ ჃႼႱჀჀႵႴ ႸႵჂ ႴႱჅႷႸჄႵჂვჃ ႲჅჄჄႿႳႻჃ ႸႱჂႴ ჇႹჄႸ ႿႾႵ ႸႱႾႴნ

აჶႽჀႸჭ჏ ႥႷႸჭ჏ა

ႤႸႵ ႷႹჂႼლ ჇႸႿ ႸႱႴ ႲႵႵႾ ႶჂႱႾჄႹႳႱႼႼ჉ ႳႼჅჄႳႸႹႾႷ ჄႸႵ ႳႱჂჀႵჄ ႿႾ ჄႸႵ ႶႼႿႿჂ ჇႹჄႸ ႲႿჄႸ ႸႱႾႴჃლ ႲႵႷႱႾ ჄႿ ჄჂႵႽႲႼႵ ჆ႹႿႼႵႾჄႼ჉ ႱჄ ჄႸႵ ჇႱႹჃჄნ

აჯႸლ ႱႸჭ჏ ႧႸႱლ ჃႿႽႵჄႸႹႾႷვჃ ႳႿႽႹႾႷნნნჭ჏ა

ჶႵჂ ჄჇႿ ႼႵႷჃ ჂႵჀႵႱჄႵႴႼ჉ ႶႿႼႴႵႴ ႱႾႴ ჅႾႶႿႼႴႵႴლ ჅႾႱႲႼႵ ჄႿ ႶႹႾႴ ჄႸႵႹჂ ჀႼႱႳႵნ

ჶႵჂ ჆ႹႿႼႵႾჄႼ჉ ჄჂႵႽႲႼႹႾႷ ႶႹႾႷႵჂჃ ႳჂႱႽჀႵႴ ႱႾႴ ႳჅჂႼႵႴ ႱჃ ႹႶ ႳႿႾ჆ჅႼჃႹႾႷნ

ჴႿჂ Ⴑ ჇႸႹႼႵლ ჄႸႵ ႷႹჂႼვჃ ႲႿႴ჉ ჃႸჅႴႴႵჂႵႴ ႿႾ ჄႸႵ ႶႼႿႿჂლ ႲჅჄ ჃႿႿႾლ ႱჃ ႹႶ ႸႵჂ ჃჄჂႵႾႷჄႸ ႸႱႴ ႴჂႱႹႾႵႴ ႱჇႱ჉ლ ჃႸႵ ႳႿႼႼႱჀჃႵႴ ႿႾჄႿ ჄႸႵ ႶႼႿႿჂ ჇႹჄႸ ႷႼႱ჊ႵႴ Ⴕ჉ႵჃნ

ჯჂჄႱჃႸႱ ჇႱჄႳႸႵႴ ჄႸႵ ჃႹႷႸჄ ႱჃ ႹႶ ႵႾႳႸႱႾჄႵႴნ

ჶႵჂ ႴႱჅႷႸჄႵჂლ ჇႸႿ ႸႱႴ ჂႵႱႳႸႵႴ ჄႸႵ ჀႵႱႻ ႿႶ ჀႼႵႱჃჅჂႵ ႶჂႿႽ ႸႵჂ ჄႿჅႳႸნ

ჯჄ ႸႵჂ ႴႱჅႷႸჄႵჂვჃ ႽႹჃႳႸႹႵ჆ႿჅჃ ႱႾႴ ჄႱႾჄႱႼႹ჊ႹႾႷ ႽႿ჆ႵႽႵႾჄჃლ ჯჂჄႱჃႸႱვჃ ႼႿჇႵჂ ႱႲႴႿႽႵႾ ႲႵႷႱႾ ჄႿ ჄႸჂႿႲნ

ანნნჲႱჅႷႸჄႵჂნა

ჼႿ ႱႾჃჇႵჂ ႳႱႽႵნ

ႤႸႵ ႶႿႳჅჃ ႹႾ ჄႸႵ ႷႹჂႼვჃ Ⴕ჉ႵჃ ႸႱႴ ႱႼჂႵႱႴ჉ ႴႹჃႱჀჀႵႱჂႵႴ ႼႿႾႷ ႱႷႿნ

ანნნნნნჷვႽ ჃႿჂჂ჉ლ ჲႱჅႷႸჄႵჂნა

ჯჂჄႱჃႸႱ ჇႱჃ ႾႿჄ ႶႿႿႼႹჃႸ ႵႾႿჅႷႸ ჄႿ ႶႱႹႼ ჄႿ ჂႵႳႿႷႾႹ჊Ⴕ ႸႵჂ ႴႱჅႷႸჄႵჂვჃ ჃႹႾႳႵჂႵ ႵႶႶႿჂჄჃნ

ႣႸႵ ႻႾႵჇ ჄႸႱჄ ႸႵჂ ႴႱჅႷႸჄႵჂვჃ ჀჂႿ჆ႿႳႱჄႹ჆Ⴕ ႱႳჄႹႿႾჃ ჇႵჂႵ ႵႾჄႹჂႵႼ჉ ႶႿჂ ႸႵჂ ႿჇႾ ჃႱႻႵნ

ა჻჉ ႴႱჅႷႸჄႵჂ ႹჃ ႷႿႹႾႷ ჄႸჂႿჅႷႸ ჃႿ ႽჅႳႸნნნ ჻ႿႽ ჇႹႼႼ ჄჂ჉ ႸႱჂႴႵჂ ჄႿႿნა

ჯჂჄႱჃႸႱ ႷႵႾჄႼ჉ ჃჄჂႿႻႵႴ ჄႸႵ ႶႱႹႾჄႵႴ ႷႹჂႼვჃ ႸႵႱႴ ႱႾႴ ႳႱჂႵႶჅႼႼ჉ ႳႱჂჂႹႵႴ ႸႵჂ ႿႾ ႸႵჂ ႲႱႳႻნ

ჯႶჄႵჂ ႳႱჂႵႶჅႼႼ჉ ႼႱ჉ႹႾႷ ჄႸႵ ႷႹჂႼ ႿႾ ჄႸႵ ჃႿႶႱლ ჃႸႵ ႳႿ჆ႵჂႵႴ ႸႵჂ ႲႿႴ჉ ჇႱჂႽႼ჉ ჇႹჄႸ ႸႵჂ ႿჇႾ ႳႿႱჄნ

ჯჄ ჄႸႵ ჃႹႷႸჄ ႿႶ ჄႸႵ ႷႹჂႼ ჃႼႵႵჀႹႾႷ ႼႹႻႵ Ⴑ ႶႱႹჂ჉ლ Ⴑ ჃႽႹႼႵ ႾႱჄჅჂႱႼႼ჉ ႲႼႿႿႽႵႴ ႿႾ ჯჂჄႱჃႸႱვჃ ႶႱႳႵნ

ა჻ႿႽ ჇႹႼႼნნნ ႺႿႹႾ ჄႸႵႹჂ ႳႿႽჀႵჄႹჄႹႿႾნა

ჴႿჂ Ⴑ ჇႸႹႼႵლ ႱჃ ჯჂჄႱჃႸႱ ჃჄჂႿႻႵႴ ႸႵჂ ႴႱჅႷႸჄႵჂვჃ ႸႵႱႴლ ჄႸႵ ჃႽႹႼႵ ႾႵ჆ႵჂ ႼႵႶჄ ႸႵჂ ႼႹჀჃ ႶႿჂ Ⴕ჆ႵႾ Ⴑ ჃႹႾႷႼႵ ႽႿႽႵႾჄნ

აჷ ჄჂჅႼ჉ ႼႿ჆Ⴕ ჉ႿჅლ ჲႱჅႷႸჄႵჂნა

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Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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