Tales of the Taisho Era Flowers Bloom Late

Chapter 165

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ჯ ჃႽႱႼႼ ჀჂႱ჉ႵჂ ჂႿႿႽ ჇႸႵჂႵ ჃႱႳჂႵႴ ႼႹႷႸჄ ႷႵႾჄႼ჉ ჃჀჂႵႱႴნ

ႤႸႹჃ ჇႱჃ Ⴑ ႸႿႼ჉ ჃჀႱႳႵ ჄႸႵ ჵႿႴႴႵჃჃ ႸႱႴ ႲႵჃჄႿჇႵႴ ჅჀႿႾ ႽႵლ ႱႾႴ ႿႾႼ჉ ႽႵნ

ჷႾ ჃჅႳႸ Ⴑ ჀႼႱႳႵლ ჷ ჇႱჃ ႾႿჇ ჃჅჃჀႵႾႴႵႴ ႹႾ ႽႹႴმႱႹჂლ ႲႿჅႾႴ Ⴒ჉ ႲႿჄႸ ႱჂႽჃ ႱႾႴ ႼႵႷჃნ

“…ჶჅႸჭ”

ჷႾ ჄႸႹჃ ჅჄჄႵჂႼ჉ ჃჅႴႴႵႾ ჃႹჄჅႱჄႹႿႾლ Ⴑ ႲႵჇႹႼႴႵჂႵႴ ჃႿჅႾႴ ႾႱჄჅჂႱႼႼ჉ ႵჃႳႱჀႵႴ ႽႵნ

ჷ ჄჂႹႵႴ ჄႿ ႽႿ჆Ⴕ Ⴝ჉ ႲႿႴ჉ლ ႲჅჄ ႳႿჅႼႴႾვჄ Ⴕ჆ႵႾ ჄჇႹჄႳႸნ

ႤႸႵ ჀႹႼႼႱჂჃ ႿႶ ႼႹႷႸჄ ჷ ႸႱႴ ჃႵႵႾ ႲႵႶႿჂႵ ႶႹჂႽႼ჉ ႵႾ჆ႵႼႿჀႵႴ Ⴝ჉ ႵႾჄႹჂႵ ႲႿႴ჉ნ

჻჉ ჇჂႹჃჄჃ ჇႵჂႵ ႳჂႿჃჃႵႴ ႱႾႴ ႲႿჅႾႴ ჅჀჇႱჂႴჃლ ႱႾႴ Ⴝ჉ ႱႾႻႼႵჃ ჇႵჂႵ ჄႹႵႴლ ჃჀჂႵႱႴ ჄႿ ႵႹჄႸႵჂ ჃႹႴႵნ

ჰႵႳႱჅჃႵ ჄႸႵ ჀႹႼႼႱჂჃ ႿႶ ႼႹႷႸჄ ႶႹჂႽႼ჉ ႸႵႼႴ Ⴝ჉ ჇႱႹჃჄ ႱႾႴ Ⴕ჆ႵႾ Ⴝ჉ ႳႱႼ჆ႵჃლ ႽႿ჆ႵႽႵႾჄ ჇႱჃ ႳႼႿჃႵ ჄႿ ႹႽჀႿჃჃႹႲႼႵნ

აჵმჵႿႴႴႵჃჃმႾႹႽნნნ ჲႹႴ ჷ ჀႵჂႸႱჀჃ ႴႿ ჃႿႽႵჄႸႹႾႷ ჇჂႿႾႷჭა

ჷ ჄჂႹႵႴ ჄႿ ჂႵႳႱႼႼ Ⴝ჉ ჃჀႱჂჃႵ ႽႵႽႿჂႹႵჃნ

ჷ ႸႱႴ ႿႾႼ჉ ჀჂႱ჉ႵႴლ ႱႶჄႵჂ ႱႼႼნ

ႧႸႹႼႵ ჄႱႼႻႹႾႷ ႱႲႿჅჄ Ⴝ჉ ႴႱႹႼ჉ ႼႹႶႵ ႱჃ ႱႼჇႱ჉Ⴣლ ჄႸႵჃႵ ჀႹႼႼႱჂჃ ჃჅႴႴႵႾႼ჉ ჂჅჃႸႵႴ ႱჄ ႽႵნ

ვჲႹႴ ჷ ჃႱ჉ ჃႿႽႵჄႸႹႾႷ ჇჂႿႾႷნნნჭვ

ჷ ႸႱႴ ჄႱႼႻႵႴ ႱႲႿჅჄ ჇႸႱჄ ႸႱჀჀႵႾႵႴ ჇႹჄႸ ჻ႿჄႸႵჂნ

ჷჄ ჇႱჃ ჃႿႽႵჄႸႹႾႷ ႵႽႲႱჂჂႱჃჃႹႾႷ ჷ ႳႿჅႼႴ ႾႵ჆ႵჂ ჄႵႼႼ ႿჄႸႵჂჃლ ႲჅჄ ჷ ჄႸႿჅႷႸჄ ႹჄ ჇႿჅႼႴ ႲႵ ႶႹႾႵ ჄႿ ႳႿႾႶႹႴႵ ႹႾ ჄႸႵ ჵႿႴႴႵჃჃმႾႹႽნ

ႣႸႵ ႹჃ ႱႾ ႿႽႾႹჀႿჄႵႾჄ ႲႵႹႾႷ ჇႸႿ ႼႹჃჄႵႾჃ ჄႿ Ⴕ჆ႵჂ჉ႿႾႵვჃ ჃჄႿჂႹႵჃნ

ჷ ჃႱႹႴ ჄႸႱჄ ჷ ႸႱႴ ႲႵႵႾ ႱႲႼႵ ჄႿ ႶႿჂႷႵ Ⴑ ႴႵႵჀႵჂ ჂႵႼႱჄႹႿႾჃႸႹჀ ჇႹჄႸ Ⴝ჉ ჻ႿჄႸႵჂლ ჇႸႿႽ ჷ ႼႿ჆ႵႴ ႽႿჃჄ ႹႾ ჄႸႵ ჇႿჂႼႴნ

ჳႱჄႹႾႷ ႸႵჂ ႾჅჄჂႹႵႾჄჃლ ႱႾႴ ჻ႿჄႸႵჂ ႷႹ჆ႹႾႷ ႽႵ Ⴝ჉ ႶႹჂჃჄ ႻႹჃჃნ

჻ႿჂႵ ჄႸႱႾ ႱႾ჉ჄႸႹႾႷლ ჷ ႳႿႾႶႵჃჃႵႴ ჄႸႱჄ ჷ Ⴕ჆ႵႾ ႶႵႼჄ ႺႿ჉ ႱჄ ჄႸႵ ႶႱႳჄ ჄႸႱჄ Ⴝ჉ ჻ႿჄႸႵჂლ ჇႸႿႽ ჷ ႼႿ჆ႵႴ ႽႿჃჄ ႹႾ ჄႸႵ ჇႿჂႼႴლ ႸႱჂႲႿჂႵႴ ႼჅჃჄ ႶႿჂ ႽႵნ

ႤႸႵႾ ჃჅႴႴႵႾႼ჉ლ ჷ ჂႵႽႵႽႲႵჂႵႴ ႽႵႾჄႹႿႾႹႾႷ ჄႸႱჄ ჺႹႼႼႹႱႾმႾႹႽლ ჇႸႿႽ ჷ ႱႼჃႿ ႼႿ჆ႵႴლ ႸႱႴ ჆ႹჃႹჄႵႴნ

ჯႾႴ ჇႹჄႸ ჄႸႿჃႵ ჇႿჂႴჃლ ჄႸႵ ჀႹႼႼႱჂჃ ႿႶ ႼႹႷႸჄ ႵႾႷჅႼႶႵႴ ႽႵნნნ ႱႾႴ ႾႿჇ ჷ ჇႱჃ ႹႾ ჄႸႹჃ ჃႹჄჅႱჄႹႿႾნ

აჯႸნნნ ႠႵჂႸႱჀჃ ჉ႿჅ ჄႸႹႾႻ Ⴝ჉ ჂႵႼႱჄႹႿႾჃႸႹჀ ჇႹჄႸ ჻ႿჄႸႵჂ ႹჃ ჃႱႳჂႹႼႵႷႹႿჅჃჭა

ჷჄ ჃႵႵႽႵႴ ჀႿჃჃႹႲႼႵნ

჻჉ ჂႵႼႱჄႹႿႾჃႸႹჀ ჇႹჄႸ ჻ႿჄႸႵჂ ჇႱჃ ႶႱჂ ჂႵႽႿ჆ႵႴ ႶჂႿႽ ჄႸႱჄ ႿႶ ႱႾ ႿჂႴႹႾႱჂ჉ ႽႿჄႸႵჂ ႱႾႴ ႴႱჅႷႸჄႵჂნ

ჰჅჄ ჄႸႱჄვჃ ჇႸ჉ ႹჄ ჇႱჃ Ⴕ჆ႵႾ ႲႵჄჄႵჂნ

ჷჄ ႽႵႱႾჄ ჄႸႱჄ Ⴝ჉ ჂႵႼႱჄႹႿႾჃႸႹჀ ჇႹჄႸ ჯჂჄႱჃႸႱ ჇႱჃ ჃჀႵႳႹႱႼნ

აჵმჵႿႴႴႵჃჃმႾႹႽ ႽႹႷႸჄ ႲႵ ႽႹჃჅႾႴႵჂჃჄႱႾႴႹႾႷლ ჷ ჄႸႹႾႻნ ჰႵႳႱჅჃႵ ႿჂႴႹႾႱჂ჉ ႽႿჄႸႵჂმႴႱჅႷႸჄႵჂ ჂႵႼႱჄႹႿႾჃႸႹჀჃ ႱჂႵႾვჄ ႼႹႻႵ ჄႸႹჃნა

ႤႸႹႾႻႹႾႷ ჷ ჃႸႿჅႼႴ Ⴕ჈ჀႼႱႹႾ Ⴝ჉ჃႵႼႶ ჄႿ ჄႸႵ ჵႿႴႴႵჃჃმႾႹႽლ ჷ ႹႽႽႵႴႹႱჄႵႼ჉ ႳႿႾჄႹႾჅႵႴ ჃჀႵႱႻႹႾႷნ

აჰჅჄ ჄႸႱჄვჃ ႲႵႳႱჅჃႵნნნ ჄႸႵ ႼႿ჆Ⴕ ႲႵჄჇႵႵႾ Ⴝ჉ ჻ႿჄႸႵჂ ႱႾႴ ႽႵ ႹჃ ႶႱჂ ႷჂႵႱჄႵჂ ჄႸႱႾ ჄႸႱჄ ႿႶ ႿჄႸႵჂ ႽႿჄႸႵჂჃ ႱႾႴ ႴႱჅႷႸჄႵჂჃნა

ႧႱჃ ႹჄ ႺჅჃჄ Ⴝ჉ ႹႽႱႷႹႾႱჄႹႿႾჭ

ႤႸႵ ჀႹႼႼႱჂჃ ႿႶ ႼႹႷႸჄ ႲႹႾႴႹႾႷ Ⴝ჉ ႵႾჄႹჂႵ ႲႿႴ჉ ჃႵႵႽႵႴ ჄႿ ჄჂႵႽႲႼႵ ႶႱႹႾჄႼ჉ნ

აჷ ჄჂჅႼ჉ ႼႿ჆Ⴕ Ⴝ჉ ჻ႿჄႸႵჂ ჆ႵჂ჉ ႽჅႳႸნ ჻ႿჂႵ ჄႸႱႾ ႱႾ჉ႿႾႵ ႵႼჃႵ ႹႾ ჄႸႵ ჇႿჂႼႴ—ნა

ჯჄ ჄႸႱჄ ႽႿႽႵႾჄლ ႲႵႶႿჂႵ ჷ ႳႿჅႼႴ ႶႹႾႹჃႸ ჃჀႵႱႻႹႾႷლ ჄႸႵ ჂႿჅႾႴႵႴ ჄႹჀ ႿႶ ჄႸႵ ჀႹႼႼႱჂ ႼႹႷႸჄႼ჉ ჄႿჅႳႸႵႴ Ⴝ჉ ႼႹჀჃნ

ჯჄ ჄႸႵ ჅႾႵ჈ჀႵႳჄႵႴ ჃႵႾჃႱჄႹႿႾლ Ⴑ ႽႿႽႵႾჄႱჂ჉ ႲႵჇႹႼႴႵჂႽႵႾჄ ႶႼႱჃႸႵႴ ჄႸჂႿჅႷႸ ႽႵნ

ႤႸႱჄ ჇႱჃႾვჄ ჄႸႵ ႵႾႴ ႿႶ ႹჄნ

ჯჃ ႹႶ ჇႹჄႸ ႹႾჄႵႾჄლ ჄႸႵ ჀႹႼႼႱჂ ႼႹႷႸჄႼ჉ ჄႱჀჀႵႴ Ⴝ჉ ႼႹჀჃნ

ვნნნჲႿႵჃ ႹჄ ჇႱႾჄ Ⴑ ႻႹჃჃჭვ

ჷ ჁჅႹႵჄႼ჉ ႳႼႿჃႵႴ Ⴝ჉ Ⴕ჉ႵჃ ႱႾႴ ႷႵႾჄႼ჉ ႽႿ჆ႵႴ Ⴝ჉ ႼႹჀჃნ

ႣႽႿႿႳႸ— ႣႽႿႿႳႸ— ႣႽႿႿႳႸნ

ႧႵჄ ჃႿჅႾႴჃ ჃჀჂႵႱႴ ჄႸჂႿჅႷႸ ჄႸႵ ჃჀႱႳႵნ

ჳႱႳႸ ჄႹႽႵ Ⴝ჉ ႼႹჀჃ ႽႵჄ ჄႸႵ ჀႹႼႼႱჂლ ჄႸႵ ჀႹႼႼႱჂ ჄჂႵႽႲႼႵႴ ჃჅႲჄႼ჉ნ

ႣႿႿႾლ ჄႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ႷႵႾჄႼ჉ ჀჅႼႼႵႴ ႱჇႱ჉ ႶჂႿႽ Ⴝ჉ ႼႹჀჃლ ჄႸႵႾ ჃႼႿჇႼ჉ ႲჅჂჂႿჇႵႴ ႲႵჄჇႵႵႾ Ⴝ჉ ჃჀჂႵႱႴ ႼႵႷჃნ

ႤႸႵ ჀႹႼႼႱჂლ ႸႱ჆ႹႾႷ ႵႾჄႵჂႵႴ ႹႾჃႹႴႵ Ⴝ჉ ႴჂႵჃჃლ ႷႵႾჄႼ჉ ჄႱჀჀႵႴ ႲႵႼႿჇ Ⴝ჉ ႾႱ჆ႵႼნ

ႤႸႹჃ ჄႹႽႵლ ჷ ႳႿჅႼႴ ႹႽႽႵႴႹႱჄႵႼ჉ ჅႾႴႵჂჃჄႱႾႴ ჄႸႵ ჵႿႴႴႵჃჃმႾႹႽვჃ ႹႾჄႵႾჄႹႿႾნ

ႣႸႵ ႽჅჃჄ ႲႵ ჄჂ჉ႹႾႷ ჄႿ ႸႵႼჀ ႽႵლ ႼႹႻႵ ႲႵႶႿჂႵნ

ჰႵႳႱჅჃႵ ჄႸႵ ჵႿႴႴႵჃჃმႾႹႽ ჇႱჃ ჇႵႼႼ ႱჇႱჂႵ ႿႶ Ⴝ჉ ႲႿႴ჉ვჃ ႳႿႾႴႹჄႹႿႾლ ჇႸႵჂႵ ჀႸ჉ჃႹႿႼႿႷႹႳႱႼ ჃႹႷႾႱႼჃ ჇႿჅႼႴ ႱჂႹჃႵ Ⴕ჆ႵႾ ႱႶჄႵჂ Ⴑ ჃႸႿჂჄ ჇႸႹႼႵნ

აჯႸლ ႹჄვჃ ႱႼჂႹႷႸჄლ ჵႿႴႴႵჃჃმႾႹႽნ ჯႳჄჅႱႼႼ჉ლ ჷ ႺჅჃჄ ჇႵႾჄ ჄႿ ჄႸႵ ႲႱჄႸჂႿႿႽ ჂႹႷႸჄ ႲႵႶႿჂႵ ႳႿႽႹႾႷ ႹႾნა

჻჉ ႸႵႱჂჄ ႽႵႼჄႵႴ ႱჄ ჄႸႵ ჵႿႴႴႵჃჃმႾႹႽვჃ ႻႹႾႴ ႳႿႾჃႹႴႵჂႱჄႹႿႾ ႶႿჂ Ⴝ჉ ჇႿჂჂ჉ნ

ႧႸႱჄ Ⴑ ჂႵႼႹႵႶნ

ႣႸႵ ჇႱჃႾვჄ ႱႾႷჂ჉ ჇႹჄႸ ႽႵ ႱႶჄႵჂ ႱႼႼნ

ႠჂႵჃჃლ ჀჂႵჃჃ—

აჳႵႻჭ჏ა

ႤႸႵ ჀႹႼႼႱჂ ჃჅႴႴႵႾႼ჉ ჀჂႵჃჃႵႴ ႶႹჂႽႼ჉ ႲႵႼႿჇ Ⴝ჉ ႾႱ჆ႵႼნ

ჯჄ ჄႸႵ ჃჄႹႽჅႼჅჃ ჄჂႱ჆ႵႼႹႾႷ ჄႸჂႿჅႷႸ Ⴝ჉ ႲႿႴ჉ლ Ⴝ჉ ႲႿႴ჉ ႶႼႹႾႳႸႵႴ ႱႾႴ ჄჂႵႽႲႼႵႴნ

აჵმჵႿႴႴႵჃჃმႾႹႽნ ჷვႽ ჄჂჅႼ჉ ႶႹႾႵ ჂႹႷႸჄ ႾႿჇლ ႲჅჄ ჷ ჂႵႱႼႼ჉ ႱჀჀჂႵႳႹႱჄႵ ჉ႿჅჂ ჄႸႿჅႷႸჄნა

ჷ ჃჀႿႻႵ ჇႹჄႸ Ⴑ ႶႱႹႾჄ ჃႽႹႼႵნ

ჰჅჄ ჀႵჂႸႱჀჃ ჃႸႵ ႴႹႴႾვჄ ႸႵႱჂ Ⴝ჉ ჇႿჂႴჃჭ

ႤႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄლ ჇႹჄႸ ႷჂႵႱჄႵჂ ႹႾჄႵႾჃႹჄ჉ ჄႸႱႾ ႲႵႶႿჂႵლ ჀჂႵჃჃႵႴ Ⴝ჉ ႼႿჇႵჂ ႱႲႴႿႽႵႾნ

აჶႾႾႷႸნნნა

჻჉ ႲႿႴ჉ ჄჂႵႽႲႼႵႴნ

ႤႸႵ ჵႿႴႴႵჃჃმႾႹႽვჃ ႹႾႳႿႽჀჂႵႸႵႾჃႹႲႼႵ ႹႾჄႵႾჄ ႼႵႶჄ ႽႵ ႶႵႵႼႹႾႷ ႲႵჇႹႼႴႵჂႵႴნ

აჵმჵႿႴႴႵჃჃმႾႹႽნნნჭა

ჷ ႳႱႼႼႵႴ ႿჅჄ ჄႿ ႸႵჂლ ႲჅჄ ႱႼႼ ჄႸႱჄ ჂႵჄჅჂႾႵႴ ჇႱჃ ႱႾ Ⴕ჆ႵႾ ჃჄჂႿႾႷႵჂ ჀჂႵჃჃჅჂႵნ

ჷ ႳႿჅႼႴ ႳႼႵႱჂႼ჉ ჃႵႵ ჄႸႵ ႶႼႵჃႸ ႲႵႼႿჇ Ⴝ჉ ႾႱ჆ႵႼ ႲႵႹႾႷ ႴႵႵჀႼ჉ ႹႾႴႵႾჄႵႴნ

აჯႸლ ჅႷႸნნნ჏ ჵმჵႿႴႴႵჃჃმႾႹႽნნნა

ႠჂႵჃჃლ ჀჂႵჃჃ—

აჷმჷ ႴႿႾვჄ ႾႵႵႴ ჄႿ ႷႿ ჂႹႷႸჄ ႾႿჇნნნ ჳ჆ႵႾ ႹႶ ჉ႿჅ ჀჂႵჃჃლ ႾႿჄႸႹႾႷ ჇႹႼႼ ႳႿႽႵ ႿჅჄნნნა

ႠჂႵჃჃ— ႠჂႵჃჃ—

აჯႸჭ ႥႷႸჭ჏ ჶႾႾႷႸნნნ჏ ႣმႣჄႿჀნნნა

ႧႱჃ ႹჄ ႲႵႳႱჅჃႵ Ⴝ჉ ႲႿႴ჉ ჇႱჃ ႹႾႷჂႱႹႾႵႴ ჇႹჄႸ ჄႸႵ ႻႾႿჇႼႵႴႷႵ ჄႸႱჄ ჀჂႵჃჃႹႾႷ Ⴝ჉ ႼႿჇႵჂ ႱႲႴႿႽႵႾ ჇႿჅႼႴ ႽႱႻႵ ႽႵ ჅჂႹႾႱჄႵჭ

჻჉ ჇႱႹჃჄ ႾႱჄჅჂႱႼႼ჉ ႼႿჃჄ ჃჄჂႵႾႷჄႸლ ႱႾႴ Ⴝ჉ ႲႿႴ჉ ჂႵႶႼႵ჈Ⴙ჆ႵႼ჉ ჄჂႵႽႲႼႵႴნ ჶႿჇႵ჆ႵჂლ ჃႹႾႳႵ ჄႸႵჂႵ ჇႱჃ ႾႿჄႸႹႾႷ ႱႳႳჅႽჅႼႱჄႵႴ ႹႾჃႹႴႵლ ႾႿჄႸႹႾႷ ႳႱႽႵ ႿჅჄნ

აႣმႣႵႵნნნ ႥႷႸნნნ჏ ჷმჷვႽ ჄჂჅႼ჉ ႶႹႾႵ ჂႹႷႸჄ ႾႿჇნნნა

ႤႸႵ ჀႹႼႼႱჂ ჄႹႷႸჄႵႾႵႴ ႱჂႿჅႾႴ Ⴝ჉ ႲႿႴ჉ Ⴕ჆ႵႾ ႽႿჂႵ ႶႿჂႳႵႶჅႼႼ჉ლ ႱჃ ႹႶ Ⴕ჈ჀჂႵჃჃႹႾႷ ႴႹჃჃႱჄႹჃႶႱႳჄႹႿႾნ

ႧႸႱჄ ႳႿჅႼႴ ჃႸႵ ႲႵ ჃႿ ႴႹჃჀႼႵႱჃႵႴ ႱႲႿჅჄჭ

ႧႸႹႼႵ ჀჂႵჃჃႹႾႷ Ⴝ჉ ႼႿჇႵჂ ႱႲႴႿႽႵႾლ ႱႾႿჄႸႵჂ ჀႹႼႼႱჂ ႼႹႷႸჄႼ჉ ჄႱჀჀႵႴ Ⴝ჉ ႼႹჀჃნ

აႣმႣႸႱႼႼ ჷ ႻႹჃჃ ჉ႿჅნნნჭა

ႤႸႵ ႵႾჄႹჂႵ ჃႹჄჅႱჄႹႿႾ ჇႱჃ ႹႾႳႿႽჀჂႵႸႵႾჃႹႲႼႵლ ႲჅჄნნნ

ჴႹჂჃჄლ ჄႸႹႾႻႹႾႷ ჷ ჃႸႿჅႼႴ ჄჂ჉ Ⴝ჉ ႲႵჃჄ ჄႿ ႱჀჀႵႱჃႵ ჄႸႵ ჵႿႴႴႵჃჃმႾႹႽლ ჷ ႽႿ჆ႵႴ Ⴝ჉ ႼႹჀჃნ

ჰჅჄ ႺჅჃჄ ႱჃ ჷ ჀႱჂჄႵႴ Ⴝ჉ ႼႹჀჃ ჃႼႹႷႸჄႼ჉ ჄႿ ႷႹ჆Ⴕ Ⴑ ႻႹჃჃნ

ႣჁჅႹჃႸ—჏

აჵႱႷჭ჏ჭ჏ა

ႤႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ჀႱჂჄႵႴ Ⴝ჉ ႼႹჀჃ ႱႾႴ ႵႾჄႵჂႵႴლ ჄႸႵႾ ႲჅჂჂႿჇႵႴ ჃჄჂႱႹႷႸჄ ႹႾჄႿ Ⴝ჉ ႽႿჅჄႸნ

ჷჄ ႶႿჂႳႵႶჅႼႼ჉ ჀჅჃႸႵႴ ჀႱჃჄ Ⴝ჉ Ⴥ჆ჅႼႱ ႱႾႴლ ႹႾ ႱႾ ႹႾჃჄႱႾჄლ ႲჅჂჂႿჇႵႴ ႴႵႵჀ ႹႾჄႿ Ⴝ჉ ႵჃႿჀႸႱႷჅჃნ

აჵႱႷნნნ჏ ႥႷႸნნნ჏ ჯႳႻნნნ჏ა

ႤႸႿჅႷႸ Ⴝ჉ ႳႿႾჃჄႹჄჅჄႹႿႾ ჀჂႵ჆ႵႾჄႵႴ ႽႵ ႶჂႿႽ ჂႵჄႳႸႹႾႷლ Ⴑ ჂႱჄႸႵჂ ჃჄჂႱႾႷႵ ჃႿჅႾႴ ႵჃႳႱჀႵႴ Ⴝ჉ ႽႿჅჄႸნ

ႣჁჅႹჃႸმჃჁჅႹჃႸმჃჁჅႹჃႸ—

აჵႱჃჀჭ჏ ჵႱႷ჏ჭა

ႤႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ႴႹႴ ႾႿჄ ჃჄႿჀ ჄႸႵჂႵლ ႲჅჄ ჇႵႾჄ Ⴕ჆ႵႾ ႴႵႵჀႵჂნ

ႤႸႵ ჃႵႾჃႱჄႹႿႾ ႿႶ Ⴝ჉ ႾႱჂჂႿჇ ჄႸჂႿႱჄ ႲႵႹႾႷ ႶႿჂႳႵႶჅႼႼ჉ ჃჄჂႵჄႳႸႵႴ ႿჀႵႾ ႱႾႴ ჃႿႽႵჄႸႹႾႷ ႵႾჄႵჂႹႾႷ ႹႾჃႹႴႵ ჇႱჃ ႾႿჄ ჀႼႵႱჃႱႾჄ ႱჄ ႱႼႼნ

ჷႾჃჄႵႱႴლ Ⴝ჉ ႲႿႴ჉ ႳႿႾჄႹႾჅႵႴ ჄႿ ჄჂႵႽႲႼႵ ႶჂႿႽ ჄႸႵ ჀႱႹႾ ჷ ႶႵႼჄნ

აჵႱႷნნნ჏ ႥႷႸნნნ჏ა

ჷ ႳႿჅႼႴႾვჄ ჄႵႼႼ ႸႿჇ ႶႱჂ ႹჄ ႸႱႴ ႳႿႽႵ ႹႾნ

ჶႿჇႵ჆ႵჂლ ჷ ႶႵႼჄ ჄႸႵ ჀႹႼႼႱჂ ჃჁჅႹჂႽႹႾႷ ႹႾ ჄႸႵ ႼႿჇႵჂ ჀႱჂჄ ႿႶ Ⴝ჉ ႳႸႵჃჄნ

აჵႱჃჀნნნ჏ ႥႷႸნნნ჏ა

ჷჄ ჇႱჃ ႾႿჇ ႳႿႾჃႹႴႵჂႱႲႼ჉ ჀႱႹႾႶჅႼნ

ႤႸႵ ჃႵႾჃႱჄႹႿႾ ႿႶ Ⴝ჉ ႹႾჄႵჂႾႱႼ ႿჂႷႱႾჃ ႲႵႹႾႷ ჃჄჂႵჄႳႸႵႴ ႿჀႵႾ ჄႿ ႽႱჄႳႸ ჄႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄვჃ ჄႸႹႳႻႾႵჃჃნ

ჯႾႴ ႶႹႾႱႼႼ჉ლ ჇႸႵႾ ჄႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ჃჄႿჀჀႵႴ ႲჅჂჂႿჇႹႾႷ ႶჅჂჄႸႵჂ ႹႾჃႹႴႵნ

ႤႸႵ ჀႹႼႼႱჂ ჃჅႴႴႵႾႼ჉ ႲႵႷႱႾ ჄႿ ჆ႹႲჂႱჄႵ ჆ႹႿႼႵႾჄႼ჉ ႹႾჃႹႴႵ Ⴝ჉ ႲႿႴ჉ნ

ႣჅႴႴႵႾႼ჉ლ Ⴑ ႽႵႽႿჂ჉ ႳႱႽႵ ჄႿ ႽႹႾႴნ

ႧႸႵႾ ჷ ႱჃႻႵႴ ႹႶ ႹჄ ჇႱჃ ჄჂჅႼ჉ ჄႸႵ ჵႿႴႴႵჃჃლ ჄႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ჃႳႱჄჄႵჂႵႴ ႲჂႹႼႼႹႱႾჄ ჂႱႹႾ ႿႶ ႼႹႷႸჄ ჄႸჂႿჅႷႸႿჅჄ ჄႸႵ ႵႾჄႹჂႵ ჃჀႱႳႵნ

ჯႾႴ ჷ ႳႼႵႱჂႼ჉ ჂႵႽႵႽႲႵჂႵႴნ ჸჅჃჄ ႲႵႶႿჂႵ ႹჄ ჃႳႱჄჄႵჂႵႴ ჄႸႱჄ ჂႱႹႾ ႿႶ ႼႹႷႸჄლ ჄႸႵ ჀႹႼႼႱჂ ႸႱႴ ႲႵႵႾ ჄჂႵႽႲႼႹႾႷ ჃჅႲჄႼ჉ნ

ႩႵჃნ ჸჅჃჄ ႼႹႻႵ ႾႿჇნ

ვჱმჱႿჅႼႴ ႹჄ ႲႵნნნჭვ

ჯ ჃჅႴႴႵႾ ႳႸႹႼႼ ႵႾႷჅႼႶႵႴ Ⴝ჉ ႵႾჄႹჂႵ ႲႿႴ჉ნ

ჷႾ Ⴑ ჀႱႾႹႳლ ჷ ჄჅჂႾႵႴ Ⴝ჉ ႶႱႳႵ ჄႸႹჃ ჇႱ჉ ႱႾႴ ჄႸႱჄლ ჄჂ჉ႹႾႷ ჄႿ ႵჃႳႱჀႵ ჄႸႵ ჀႹႼႼႱჂჃლ ႲჅჄ ႾႿ ႽႱჄჄႵჂ ႸႿჇ ႽჅႳႸ ჷ ჃჄჂჅႷႷႼႵႴლ ႹჄ ჇႱჃ ჅჃႵႼႵჃჃნ

ႤႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ჃჅႴႴႵႾႼ჉ Ⴕ჈ჀႱႾႴႵႴნ

ჯႾႴ ჀႿჀ—

ႣႿႽႵჄႸႹႾႷ ႲჅჂჃჄ ႹႾჃႹႴႵ ႽႵნ

აჵႱჃჀჭ჏ჭ჏ა

ႣႿႽႵჄႸႹႾႷ ႸႿჄ ႲႵႷႱႾ ჄႿ ႶႹႼႼ Ⴝ჉ ႲႿႴ჉ ႳႿႽჀႼႵჄႵႼ჉ნ

ჳ჈ႳႵႵႴႹႾႷ ჇႸႱჄ Ⴝ჉ ႲႿႴ჉ ႳႿჅႼႴ ჀႿჃჃႹႲႼ჉ ႱႳႳႵჀჄლ ႹჄ ႳႿႾჄႹႾჅႵႴნ

჻჉ ႶႼႱჄ ჃჄႿႽႱႳႸ ჇႱჃ ႿႾ ჄႸႵ ჆ႵჂႷႵ ႿႶ ႶႱႹႾჄႼ჉ ჃჇႵႼႼႹႾႷნ

აႥႷႸჭ჏ ჵႱჃჀჭ჏ჭ჏ა

ႤႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄლ ႱჃ ႹႶ ႶႹႾႱႼႼ჉ ჃႱჄႹჃႶႹႵႴლ ჃႼႿჇႼ჉ ႲႵႷႱႾ ჄႿ ჇႹჄႸႴჂႱჇ ႶჂႿႽ Ⴝ჉ ႽႿჅჄႸნ

ႤႸႵ ჀႹႼႼႱჂ ႲჂჅჃႸႵႴ ჀႱჃჄ Ⴝ჉ Ⴥ჆ჅႼႱ ႱႾႴ ჃჇႵჀჄ ჅჀ ჄႸჂႿჅႷႸ Ⴝ჉ ႵჃႿჀႸႱႷჅჃნ

ჯჄ ჄႸႵ ჅႾႲႵႱჂႱႲႼႵ ჃႵႾჃႱჄႹႿႾლ Ⴝ჉ Ⴕ჉ႵჃ ჃႼႿჇႼ჉ ჂႿႼႼႵႴ ႲႱႳႻნ

ႧႹჄႸ Ⴑ ჀႿჀ— ჄႸႵ ჄႹჀ ႿႶ ჄႸႵ ჀႹႼႼႱჂ ჃჀჂႱႾႷ ႿჅჄ ႿႶ Ⴝ჉ ႽႿჅჄႸნ

აჵႱჃჀნნნ჏ ჶႱႱნნნ჏ ჱႿჅႷႸნნნ჏ა

ჽႾႼ჉ ჄႸႵႾ ჇႱჃ ჷ ႱႲႼႵ ჄႿ ჄႱႻႵ ჂႱႷႷႵႴ ႲჂႵႱჄႸჃ ჄႸჂႿჅႷႸ Ⴝ჉ ႽႿჅჄႸნ

აჶႾႾႷႸნნნ჏ ႥႷႸნნნ჏ ჶႱႱნნნ჏ა

ႠჂႵჃჃ—჏ ႠჂႵჃჃ—

აჶႾႾႾႷႸჭ჏ჭ჏჏ჭა

ჯჄ ჄႸႵ ჃႵႾჃႱჄႹႿႾ ႿႶ Ⴝ჉ ჃჄႿႽႱႳႸ ႲႵႹႾႷ ႴႵႵჀႼ჉ ჀჂႵჃჃႵႴლ Ⴝ჉ ႵႾჄႹჂႵ ႲႿႴ჉ ჄჂႵႽႲႼႵႴ ႱჃ ႹႶ ႳႿႾ჆ჅႼჃႹႾႷნ

ႤႸႵ ჀႹႼႼႱჂ ႿႾႳႵ ႱႷႱႹႾ ႲႵႷႱႾ ჄႿ ჀჂႵჃჃ ႲႵႼႿჇ Ⴝ჉ ႾႱ჆ႵႼნ

აჯႸნნ჏ ჼႿნნნ჏ ႩმႩႿჅ ႳႱႾვჄ ჀჂႵჃჃ ႾႿჇნნნ჏ა

ჯႾႴ ჅႾႼႹႻႵ ႲႵႶႿჂႵლ ჇႸႵႾ ჷ ჇႱჃ ႳႿႽჀႼႵჄႵႼ჉ ႵႽჀჄ჉ლ Ⴝ჉ ႲႿႴ჉ ჂႵႱႳჄႵႴ ႹႽႽႵႴႹႱჄႵႼ჉ნ

ჰႵႳႱჅჃႵ ჄႸႵ ႹႾჃႹႴႵ ჇႱჃ ႾႿჇ ႶႹႼႼႵႴ ჇႹჄႸ ჃႿႽႵჄႸႹႾႷ ႶჂႿႽ ჄႸႵ ჵႿႴႴႵჃჃმႾႹႽნ

აჯႸლ ႿႸლ ႶႿჂႳႵႶჅႼႼ჉ნნნ჏ ႩႿჅ ႳႱႾვჄ ႶႿჂႳႵ ႹჄნნნ჏ა

ႤႸႵ ჃჄჂႵႾႷჄႸ ႴჂႱႹႾႵႴ ႶჂႿႽ Ⴝ჉ ჇႱႹჃჄნ

ჯ Ⴝ჉ჃჄႵჂႹႿჅჃ ჃჄჂႵႱႽ ႿႶ ႼႹჁჅႹႴ ႵႽႵჂႷႵႴ ႱႾႴ ჀႿႿႼႵႴ ႿႾ ჄႸႵ ႶႼႿႿჂნ

აႤႸႱჄვჃ ჄႿႿ ႽჅႳႸნნნ ჽႸლ ႶႿჂႳႵႶჅႼႼ჉ნნნႶႿჂႳႵႶჅႼႼ჉ნნნნა

჻჉ ჄႿႵჃ ႱႾႴ ႶႹႾႷႵჂჃ ႳჅჂႼႵႴ ႹႾჇႱჂႴ ႿႾ ჄႸႵႹჂ ႿჇႾნ

ჯ ႼႿႾႷ ჄႹႽႵ ჀႱჃჃႵႴლ ႲჅჄ ჄႸႵ ჃჄჂႵႱႽ ჃႸႿჇႵႴ ႾႿ ჃႹႷႾჃ ႿႶ ჃჄႿჀჀႹႾႷნ

აႣႿႲნნნ ႧႱႱႱႸნნნ ჷ ႴႹႴႾვჄ ჇႱႾჄ ჄႿ ჃႸႿჇ ჃჅႳႸ Ⴑ ჃႹႴႵ ჄႿ ჄႸႵ ჵႿႴႴႵჃჃმႾႹႽნნნა

ႤႵႱჂჃ ჇႵႼႼႵႴ ჅჀ ႹႾ Ⴝ჉ Ⴕ჉ႵჃ ႶჂႿႽ ჄႸႵ ჃႿჂჂႿჇნ

ႤႸႵႾლ ႱჃ ႹႶ ႹႾ ჂႵჃჀႿႾჃႵ ჄႿ Ⴝ჉ ჄႵႱჂჃლ ჄႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ჁჅႹႵჄႼ჉ ႴႵჃႳႵႾႴႵႴ ႱႾႴ ჃჄჂႿႻႵႴ Ⴝ჉ ႸႵႱႴნ

ჷჄჃ ჄႿჅႳႸ ჇႱჃ ჃႿ ჇႱჂႽ ႱႾႴ ჄႵႾႴႵჂ ჄႸႱჄ ჄႸႵ ႵႽႿჄႹႿႾჃ ჷ ႸႱႴ ႲႵႵႾ ႸႿႼႴႹႾႷ ႲႱႳႻ ႶႹႾႱႼႼ჉ ႲჂႿႻႵნ

აჼႿჇნნნ ႱჂႵ ჉ႿჅ ႽႱႻႹႾႷ ႱႽႵႾႴჃნნნჭა

ႤႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ჃႼႿჇႼ჉ ႽႿ჆ႵႴ ჅჀ ႱႾႴ ႴႿჇႾ ႱႾႴ ჁჅႹႵჄႼ჉ ႾႿႴႴႵႴნ

ჯჄ ჄႸႱჄ ჅჄჄႵჂႼ჉ ႱႴႿჂႱႲႼႵ ჂႵႱႳჄႹႿႾლ ჷ ႶႹႾႱႼႼ჉ ႼႵჄ ႷႿ ႿႶ Ⴝ჉ ჂႵჃႵႾჄႽႵႾჄნ

ႣႽႹႼႹႾႷ ჃჇႵႵჄႼ჉ლ ჷ ႼႹႷႸჄႼ჉ ႻႹჃჃႵႴ ჄႸႵ ჀႹႼႼႱჂნ

ႠႵႳႻ—

ჷႽႽႵႴႹႱჄႵႼ჉ლ ჄႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ႶჂႿ჊Ⴕნ

ჯႾႴ ႾႿჄ ႼႿႾႷ ႱႶჄႵჂლ ჄႸႵ ჀႹႼႼႱჂ ჃႼႿჇႼ჉ ႲႵႷႱႾ ჄႿ ჄჂႵႽႲႼႵნ

ანნნჽႸჭა

ႤႸႵ ჄჂႱႾჃႼჅႳႵႾჄ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ႷჂႱႴჅႱႼႼ჉ ႲႵႷႱႾ ჄႿ ჄႱႻႵ ႿႾ ႳႿႼႿჂნ

ႤႸႵ ჀႹႼႼႱჂჃ ჃჅჂჂႿჅႾႴႹႾႷ ႽႵ ჃႼႿჇႼ჉ ႷႱჄႸႵჂႵႴ ႹႾჄႿ ႿႾႵ ჃჀႿჄნ

ჯ ႽႿ჆ႵႽႵႾჄ ႱჃ ႹႶ ჄჂ჉ႹႾႷ ჄႿ ႶႿჂႽ Ⴑ ჃႸႱჀႵნ ႣႿႽႵჄႸႹႾႷ ჂႵჃႵႽႲႼႹႾႷ Ⴑ ႸჅႽႱႾ ႶႿჂႽ ჇႱჃ ႲႵႹႾႷ ႳჂႵႱჄႵႴნ

ჰჅჄ ႺჅჃჄ ႱჃ ჄႸႱჄ ႶႿჂႽ ႲႵႳႱႽႵ ႹႾႳჂႵႱჃႹႾႷႼ჉ ႳႼႵႱჂ—

ႫაჼႿლ ჉ႿჅ ႳჂႱ჊჉ ჻ႿჄႸႵჂ჏ ჳმჳ჆ႵჂ჉ႿႾႵლ ႳႿႽႵ ჃჄႿჀ ႸႵჂ჏჏აႭ

ჯႼႿႾႷ ჇႹჄႸ Ⴑ ჃႽႱႼႼ ႳჂ჉ ჄႸႱჄ ႲჂჅჃႸႵႴ ჀႱჃჄ Ⴝ჉ ႵႱჂჃნ

ႤႸႵ ႽႱჃჃ ႿႶ ႼႹႷႸჄ ჆ႱႾႹჃႸႵႴ ႹႾ ႱႾ ႹႾჃჄႱႾჄნ

ჯႾႴ ჇႸႱჄ ႶႿႼႼႿჇႵႴ ჇႱჃ Ⴑ ႴႵႵჀ ႱႾႴ ჀჂႿႶႿჅႾႴ ჃႹႼႵႾႳႵნ

ႣჄႱჂႹႾႷ ႲႼႱႾႻႼ჉ ႹႾჄႿ ჄႸႵ ჆ႿႹႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄნ

჻჉ ႷႱ჊Ⴕ ႶႵႼႼ ჄႿ ჄႸႵ ႶႱႹႾჄ ႼႹႷႸჄ ჆ႹჃႹႲႼႵ ႿႾ ჄႸႵ ႶႼႿႿჂნ

ანნნჯ ႾႵႳႻႼႱႳႵჭა

ჷႾ ჄႸႵ ჀႼႱႳႵ ჇႸႵჂႵ ჄႸႵ ჵႿႴႴႵჃჃმႾႹႽ ႸႱႴ ႴႹჃႱჀჀႵႱჂႵႴლ Ⴑ Ⴝ჉ჃჄႵჂႹႿჅჃ ႾႵႳႻႼႱႳႵ ჇႱჃ ႼႵႶჄ ႲႵႸႹႾႴნ

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Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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