Tales of the Taisho Era Flowers Bloom Late

Chapter 168

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ჰႼႱႳႻ ႢႿჃႵნ

ჷჄ ჇႱჃ ჻ႱჂႴႹႱႾ’Ⴣ ႵჀႹჄႸႵჄნ

ჷჄ ჇႱჃ Ⴑ ႶႹჄჄႹႾႷ ႾႱႽႵ ႶႿჂ ႸႵჂლ ჀႿჃჃႵჃჃႹႾႷ Ⴑ ႷႼႱႽႿჂႿჅჃ ႱჀჀႵႱჂႱႾႳႵ ႼႹႻႵ Ⴑ ჂႿჃႵნ

ჷჄ ჃႵႵႽႵႴ ჃႸႵ ႸႱႴ ႷႱႹႾႵႴ ႳႿႾჃႹႴႵჂႱႲႼႵ ჂႵႾႿჇႾ Ⴕ჆ႵႾ ႹႾ ჄႸႹჃ ႳႿჅႾჄჂ჉ ႿႶ ჻ႵჂႸႵႾნ

ႧႵႼႼლ ჄႸႵჂႵ’Ⴣ ႾႿჄႸႹႾႷ ჃჄჂႱႾႷႵ ႱႲႿჅჄ ႹჄნ

ჳ჆ႵႾ ႹႾ ჄႸႵ ჳႽჀႹჂႵლ ჻ႱჂႴႹႱႾ ჇႱჃ ჄႸႵ ჄჂჅႵ ჀႿჇႵჂ ჇႸႿ ႴႿႽႹႾႱჄႵႴ ႸႹႷႸ ჃႿႳႹႵჄ჉ნ

ჳ჈ႳႵჀჄ ႶႿჂ ႽႵლ ჄႸႵ ႶႼႿჇႵჂ ႿႶ ႸႹႷႸ ჃႿႳႹႵჄ჉ ჇႱჃ ႱႼჇႱ჉Ⴣ ჻ႱჂႴႹႱႾ’Ⴣ ჀႼႱႳႵნ

ჯ ჃႸႱჂჀ ჉ႵჄ ႲჂႵႱჄႸჄႱႻႹႾႷႼ჉ ႴႵႳႱႴႵႾჄ ႲႵႱჅჄ჉ლ ႱႼႿႾႷ ჇႹჄႸ ႱႾ ႵႼႿჁჅႵႾႳႵ ჄႸႱჄ ჇႱჃ ႾႿ ႼႵჃჃ ႹႽჀჂႵჃჃႹ჆Ⴕნ

჻ႱჂႴႹႱႾ ჇႱჃ ჃჅႳႸ Ⴑ ჇႿႽႱႾნ

ჯ ႳႸႱჂႽႹႾႷ ႲႵႹႾႷლ ႱႶჄႵჂ ႱႼႼლ ႵႾႳႸႱႾჄჃ ჀႵႿჀႼႵ ჇႹჄႸ ჄႸႵႹჂ ႳႸႱჂႽ ႾႿ ႽႱჄჄႵჂ ჇႸႵჂႵ ჄႸႵ჉ ႱჂႵნ

ႥႾႼႹႻႵ ჅႷႼ჉ ႽႵნ

ჯႾ჉ჇႱ჉ლ ჄႿ ჂႵჄჅჂႾ ჄႿ ჄႸႵ ႽႱႹႾ ჀႿႹႾჄლ ჻ႱჂႴႹႱႾ ჇႱჃ ႿႾႵ ႿႶ ჄႸႵ ႽႿჃჄ ჀჂႿႽႹႾႵႾჄ ႶႹႷჅჂႵჃ ႿႶ ჀႿჇႵჂ ႹႾ ჻ႵჂႸႵႾნ

ჷ ႴႹႴႾვჄ ႻႾႿჇ ႹჄლ ႲჅჄ ႱჀჀႱჂႵႾჄႼ჉ლ ჃႸႵ ႸႱႴ ႱႾ ႹႾႾႱჄႵ ჃႵႾჃႵ ႶႿჂ ႱჂჄნ

ႤႿ ჄႸႵ Ⴕ჈ჄႵႾჄ ჄႸႱჄ ჀႱႹႾჄႹႾႷჃ ჃႸႵ ႴჂႵჇ ႿႳႳჅჀႹႵႴ ႸႱႼႶ ႿႶ ჻ႵჂႸႵႾ’Ⴣ ႶႹႾႵჃჄ Ⴕ჈ႸႹႲႹჄႹႿႾ ႸႱႼႼნ

ჶႱ჆ႹႾႷ ႱႳႳჅႽჅႼႱჄႵႴ ჆ႱჃჄ ჇႵႱႼჄႸ ჄႸჂႿჅႷႸ ႸႵჂ ჀႱႹႾჄႹႾႷჃლ ჃႸႵ ჇႱჃ ႼႹ჆ႹႾႷ Ⴑ ჀჂႿჃჀႵჂႿჅჃ ႼႹႶႵლ Ⴕ჆ႵႾ ჀჅჂႳႸႱჃႹႾႷ Ⴑ ႽႱႾჃႹႿႾ ჇႹჄႸ ჄႸႵ ႶႿჂჄჅႾႵ ჃႸႵ ႸႱႴ ႲჅႹႼჄ ႶჂႿႽ ჃႳჂႱჄႳႸნ

“ႧႵ’჆Ⴕ ႱჂჂႹ჆ႵႴნ”

ჯႾႴ ႾႿჇლ ჄႸႵ ႽႱႾჃႹႿႾ ჃჄႱႾႴႹႾႷ ႲႵႶႿჂႵ Ⴝ჉ Ⴕ჉ႵჃ ჇႱჃ ჻ႱჂႴႹႱႾ’Ⴣ ჂႵჃႹႴႵႾႳႵნ

ჯ ႽႱႾჃႹႿႾ ჄႸႱჄ ႵႽႵჂႷႵႴ ႱჃ ႿႾႵ ႶႿႼႼႿჇႵႴ Ⴑ ჃჅႾႾ჉ ႶႿჂႵჃჄ ჀႱჄႸნ

ჯჀჀႱჂႵႾჄႼ჉ლ ჄႸႹჃ ႵႾჄႹჂႵ ႶႿჂႵჃჄ ჇႱჃ ჻ႱჂႴႹႱႾ’Ⴣ ჀჂႿჀႵჂჄ჉ნ

“ჷჄ’Ⴣ Ⴑ ႷႿႿႴ ჄႸႹႾႷ ჷ ჇႱჃ ႱႲႼႵ ჄႿ ႲႿჂჂႿჇ Ⴑ ႳႱჂჂႹႱႷႵ…”

ჽჄႸႵჂჇႹჃႵლ ჷ ჇႿჅႼႴ ႸႱ჆Ⴕ ႸႱႴ ჄႿ ჇႱႼႻ ჄႸჂႿჅႷႸ ჄႸႹჃ ႶႿჂႵჃჄ ႶႿჂ ႸႱႼႶ Ⴑ ႴႱ჉ნ

‘ჷჄ ჃႵႵႽჃ ჃႸႵ’Ⴣ ႲႵႳႿႽႵ Ⴕ჆ႵႾ ჇႵႱႼჄႸႹႵჂ ჄႸႱႾ ႲႵႶႿჂႵ ჃႸႵ ჇႱჃ ႴჂႹ჆ႵႾ ႿჅჄ ႿႶ ჄႸႵ ႶႱႽႹႼ჉ნ’

ჷ ჃႼႿჇႼ჉ ႴႹჃႽႿჅႾჄႵႴ ႶჂႿႽ ჄႸႵ ႳႱჂჂႹႱႷႵ ႱႾႴ ႱჀჀჂႿႱႳႸႵႴ ჄႸႵ ႽႱႹႾ ႷႱჄႵნ

ႤჇႿ ჇႵႼႼმႲჅႹႼჄ ႻႾႹႷႸჄჃ ჇႵჂႵ ႷჅႱჂႴႹႾႷ ჄႸႵ ႷႱჄႵ ჄႸႵჂႵნ

“ႧႸႿ ႱჂႵ ჉ႿჅჭ”

ჽႾႵ ႿႶ ჄႸႵ ႻႾႹႷႸჄჃ ႲႼႿႳႻႵႴ ႽႵ ჇႹჄႸ Ⴑ ჃჄჂႹႳჄ ჆ႿႹႳႵნ

ჴჂႿႽ ႸႹჃ ჀႸ჉ჃႹჁჅႵ ჄႿ ჄႸႵ ႱჅჂႱ ჃჅჂჂႿჅႾႴႹႾႷ ႸႹႽლ ႸႵ ჃႵႵႽႵႴ ჄႿ ႲႵ Ⴑ ႸႹႷႸႼ჉ ჃႻႹႼႼႵႴ ႹႾႴႹ჆ႹႴჅႱႼნ

“ჯႸნნნ ჷნნნ ჷ’჆Ⴕ ႳႿႽႵ ჄႿ ჃႵႵ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽნ”

ჷ ႳႱჅჄႹႿჅჃႼ჉ ჃჀႿႻႵ ჻ႱჂႴႹႱႾ’Ⴣ ႾႱႽႵნ

ႤႸႵ ႻႾႹႷႸჄ ჃႳჂჅჄႹႾႹ჊ႵႴ ႽႵ ႶჂႿႽ ႸႵႱႴ ჄႿ ჄႿႵნ

“ჯჂႵ ჉ႿჅ ჄႸႵ ჺႱႴ჉მႾႹႽ’Ⴣ ႼႿ჆ႵჂჭ”

ჴႿჂ ჃႿႽႵ ჂႵႱჃႿႾლ ჄႸႵ ჇႿჂႴ ‘ႼႿ჆ႵჂ’ ႴႹႴႾ’Ⴤ ჃႵႵႽ ჄႿ ႹႽჀႼ჉ ჄႸႵ ჂႵႼႱჄႹႿႾჃႸႹჀ ჷ ჇႱჃ ჄႸႹႾႻႹႾႷ ႿႶნ

ჶႿჇႵ჆ႵჂლ ႺჅႴႷႹႾႷ Ⴒ჉ ჄႸႵ ႸႿჃჄႹႼႵ ႱჄႽႿჃჀႸႵჂႵლ ჷ ႳႿჅႼႴ ႹႽႽႵႴႹႱჄႵႼ჉ ჄႵႼႼ ჄႸႱჄ ႹႶ ჷ ႴႵႾႹႵႴ ႹჄლ ႵႾჄჂ჉ ჇႿჅႼႴ ႲႵ ႹႽჀႿჃჃႹႲႼႵნ

ჷ ႾႿႴႴႵႴლ ჀჅჄჄႹႾႷ ႿႾ ჄႸႵ ႽႿჃჄ ႾႱჄჅჂႱႼ Ⴕ჈ჀჂႵჃჃႹႿႾ ჷ ႳႿჅႼႴნ

“ႩႵჃლ ჄႸႱჄ’Ⴣ ჂႹႷႸჄნ”

“ჯႼჂႹႷႸჄნ ჰჅჄ ჇႸႱჄ ႹჃ ჄႸႱჄ ႲႿ჈ ႹႾ ჉ႿჅჂ ႸႱႾႴჭ”

“ჯႸლ ჄႸႹჃნნნ ჄႸႵჃႵ ႱჂႵ ႷႹႶჄჃ ႶႿჂ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽნ”

“ႥႾႶႿჂჄჅႾႱჄႵႼ჉ლ ႿჅჄჃႹႴႵ ႹჄႵႽჃ ႱჂႵ ჀჂႿႸႹႲႹჄႵႴ ႶჂႿႽ ႵႾჄჂ჉ნ”

“ჯႸნნნ ႹჃ ჄႸႱჄ ჃႿჭ”

ჲႹჃႱჀჀႿႹႾჄႽႵႾჄ ჇႱჃႸႵႴ Ⴟ჆ႵჂ ႽႵნ ႤႸႵჃႵ ჇႵჂႵ ႷႹႶჄჃ ჷ ႸႱႴ ჀႱႹႾჃჄႱႻႹႾႷႼ჉ ႳႸႿჃႵႾ ႱႶჄႵჂ ჃჀႵႾႴႹႾႷ ႱႼႼ ႴႱ჉ ჉ႵჃჄႵჂႴႱ჉ ჇႱႾႴႵჂႹႾႷ ჄႸႵ ႳႹჄ჉ნ

ჰჅჄ ႳႿႾჃႹႴႵჂႹႾႷ ჻ႱჂႴႹႱႾ’Ⴣ ჂႵჀჅჄႱჄႹႿႾლ ႹჄ ჇႱჃ Ⴑ ႾႱჄჅჂႱႼ ჀჂႵႳႱჅჄႹႿႾნ

“ႧႵ ჇႹႼႼ ႻႵႵჀ ჄႸႵჃႵ ႱႾႴ ჂႵჄჅჂႾ ჄႸႵႽ ჄႿ ჉ႿჅ ჇႸႵႾ ჉ႿჅ ႼႵႱ჆Ⴕნ”

“ႩႵჃნნნ ჷ ჅႾႴႵჂჃჄႱႾႴნ”

ჯႶჄႵჂ ჄႸႱჄლ Ⴑ ႼႹႷႸჄ ႲႿႴ჉ ჃႵႱჂႳႸ ჇႱჃ ႳႿႾႴჅႳჄႵႴლ ႱႾႴ ჄႸႵ ႻႾႹႷႸჄ ႼႵჄ ႽႵ ჀႱჃჃ ჇႹჄႸႿჅჄ ႶჅჂჄႸႵჂ ჇႿჂႴჃნ

ჶႵ ႼႹႻႵႼ჉ ႺჅႴႷႵႴ ჄႸႱჄ ႹჄ ჇႱჃ ႱႼჂႹႷႸჄ ჄႿ ႼႿჇႵჂ ႸႹჃ ႷჅႱჂႴ ႱႶჄႵჂ ჃႵႵႹႾႷ Ⴝ჉ ჃႽႱႼႼ ჀႸ჉ჃႹჁჅႵნ

ႤႸႿჅႷႸ ႹჄ ჇႱჃႾ’Ⴤ Ⴑ ჇჂႿႾႷ ႺჅႴႷႽႵႾჄნ

“ჷ ჇႹႼႼ ႷჅႹႴႵ ჉ႿჅნ”

ႤႸႵ ႽႱჃჃႹ჆Ⴕ ႹჂႿႾ ႷႱჄႵ ჃႼႿჇႼ჉ ႿჀႵႾႵႴნ ჵჅႹႴႵႴ Ⴒ჉ ჄႸႵ ႻႾႹႷႸჄლ ჷ ჇႱႼႻႵႴ ႶჅჂჄႸႵჂ ႹႾჃႹႴႵ ႱႼႿႾႷ ჄႸႵ ჇႵႼႼმႽႱႹႾჄႱႹႾႵႴ ჀႱჄႸნ

ჯႶჄႵჂ ႳႼႹႽႲႹႾႷ ჄႸႵ ႽႱჂႲႼႵ ჃჄႱႹჂჃ ႶႿჂ Ⴑ ႼႿႾႷ ჇႸႹႼႵლ Ⴑ ჃჀႼႵႾႴႹႴႼ჉ ႽႱႾႹႳჅჂႵႴ ႷႱჂႴႵႾ ჅႾႶႿႼႴႵႴ ႲႵႶႿჂႵ Ⴝ჉ Ⴕ჉ႵჃნ

‘ნნნჷჄ’Ⴣ ჃႹႽႹႼႱჂ ჄႿ ႦႹ჆ႹႱႾႱ’Ⴣ ႽႱႾჃႹႿႾჭ’

ჼႿჄ ႿႾႼ჉ ႹႾ ჃႳႱႼႵ ႲჅჄ ႱႼჃႿ ႹႾ ჄႸႵ ႹႾჄჂႹႳႱႳ჉ ႿႶ ჄႸႵ ႲჅႹႼႴႹႾႷნ ჷჄ ჇႱჃ ႱჃ ႷჂႱႾႴ ႱჃ ႦႹ჆ႹႱႾႱ’Ⴣ ႽႱႾჃႹႿႾლ ႾႿ ႼႵჃჃ ႽႱႷႾႹႶႹႳႵႾჄნ

ჷ ႾႵ჆ႵჂ ႹႽႱႷႹႾႵႴ ჃႸႵ ჇႿჅႼႴ ႲႵ ႼႹ჆ႹႾႷ ႹႾ ჃჅႳႸ Ⴑ ႼჅ჈ჅჂႹႿჅჃ ჀႼႱႳႵნ ჯჄ ჄႸႹჃ ჂႱჄႵლ ႹჃႾ’Ⴤ ჃႸႵ ႼႹ჆ႹႾႷ Ⴑ ႽႿჂႵ ჀჂႿჃჀႵჂႿჅჃ ႼႹႶႵ ჄႸႱႾ ჃႸႵ ႴႹႴ ႹႾ ჄႸႵ ჳႽჀႹჂႵჭ

ჷ ႸႵႱჂႴ ჻ႱჂႴႹႱႾ ჀႿჃჃႵჃჃႵႴ ႹႾႾႱჄႵ ჄႱႼႵႾჄ ႹႾ ႱჂჄლ ႱႾႴ ႹჄ ჃႵႵႽჃ ჄႸႱჄ ჄႱႼႵႾჄ ႸႱჃ ჄჂჅႼ჉ ႲႼႿჃჃႿႽႵႴ ჃႹႾႳႵ ჃႸႵ ႳႱႽႵ ჄႿ ჻ႵჂႸႵႾნ

‘ნნნ’

ჷ ჃჄႿჀჀႵႴ ჇႱႼႻႹႾႷ ႱႾႴ ႷႱ჊ႵႴ ႱჄ ჄႸႵ ႽႱႾჃႹႿႾ ႹႾჄႵႾჄႼ჉ნ

ჯჄ ჄႸႱჄ ႽႿႽႵႾჄლ ჄႸႵ ႻႾႹႷႸჄ ႷႼႱႾႳႵႴ ႱჄ ႽႵ ႱჃ ႹႶ ჃႿႽႵჄႸႹႾႷ ჇႱჃ ჃჄჂႱႾႷႵ ႱႾႴ ႱჃႻႵႴნ

“ჯჂႵ ჉ႿჅ ჀႵჂႸႱჀჃ ჄႹჂႵႴჭ”

“ჯႸლ ႾႿნ ჷჄ’Ⴣ ႾႿჄ ჄႸႱჄნნნ”

ႤႸႵ ႽႿႽႵႾჄ ჷ ႷႱ჊ႵႴ ႱჄ ჄႸႵ ჃჀႼႵႾႴႹႴ ႽႱႾჃႹႿႾლ Ⴑ ჄႸႿჅႷႸჄ ჃჅႴႴႵႾႼ჉ ႳჂႿჃჃႵႴ Ⴝ჉ ႽႹႾႴნ

ႠႵჂႸႱჀჃ ჻ႱჂႴႹႱႾ ჇႱჃ ႼႹ჆ႹႾႷ Ⴑ ႸႱჀჀ჉ ႼႹႶႵ ႾႿჇნ

ჶႱ჆ႹႾႷ ႼႵႶჄ ჄႸႵ ჳႽჀႹჂႵლ Ⴑ ჃႿႳႹႵჄ჉ ჇႹჄႸ Ⴑ ჃႿႽႵჇႸႱჄ ჃჄႹႶႼႹႾႷ ႱჂႹჃჄႿႳჂႱჄႹႳ ႳჅႼჄჅჂႵლ ჃႸႵ ႽႹႷႸჄ ႲႵ ჃჀႵႾႴႹႾႷ ჀႵႱႳႵႶჅႼ ႴႱ჉Ⴣ ႹႾ ჻ႵჂႸႵႾლ ႻႾႿჇႾ ႱჃ ჄႸႵ ႳႹჄ჉ ႿႶ ႱჂჄნ

ჷႶ ჃႿლ ჇႱჃ ႹჄ ჄჂჅႼ჉ ჄႸႵ ჂႹႷႸჄ ჄႸႹႾႷ ႶႿჂ ႽႵ ჄႿ ႳႿႽႵ ႶႹႾႴ ႸႵჂ ჄႿ ႱჀႿႼႿႷႹ჊Ⴕჭ

ჽჂ ႽႹႷႸჄ ჷ ႿႾႼ჉ ႲႵ ჂႵႻႹႾႴႼႹႾႷ ჀႱႹႾႶჅႼ ႶႿჂႷႿჄჄႵႾ ႽႵႽႿჂႹႵჃჭ

ჯႾႴ ႹႶ ჃႿლ ჷ ႶႵႼჄ ჄႸႱჄ ႱႼႼ ႿႶ ჄႸႹჃ ჇႱჃ ჅႼჄႹႽႱჄႵႼ჉ ႴჅႵ ჄႿ Ⴝ჉ ჃႵႼႶႹჃႸ ႴႵჃႹჂႵ ჄႿ ჃႵႵႻ ႶႿჂႷႹ჆ႵႾႵჃჃნ

ჷ ჇႱჃ ႱႶჂႱႹႴ ჄႸႱჄ Ⴝ჉ ჅႾႾႵႳႵჃჃႱჂ჉ ჆ႹჃႹჄ ႽႹႷႸჄ ႴႹჃჂჅჀჄ ႸႵჂ ႸႱჀჀႹႾႵჃჃ ႱႷႱႹႾნ

‘ნნნႣႸႿჅႼႴ ჷ ႷႿ ႲႱႳႻჭ’

ჷ ႸႱႴႾ’Ⴤ Ⴕ჆ႵႾ ჃႵႵႾ ჻ႱჂႴႹႱႾ’Ⴣ ႶႱႳႵ ჉ႵჄლ ႲჅჄ ჄႸႵ ჂႵჃႿႼ჆Ⴕ ჷ ႸႱႴ ႶႹჂႽႼ჉ ႽႱႴႵ ჄႿ ႱႲჃႿႼჅჄႵႼ჉ ჃႵႵႻ ႶႿჂႷႹ჆ႵႾႵჃჃ ჇႱჃ ჇႱ჆ႵჂႹႾႷნ

ႧႱჃ Ⴝ჉ ჆ႹჃႹჄ ჄჂჅႼ჉ ႶႿჂ ჻ႱჂႴႹႱႾ’Ⴣ ჃႱႻႵლ ႿჂ ჇႱჃ ႹჄ ႽႵჂႵႼ჉ Ⴝ჉ ႿჇႾ ჃႵႼႶႹჃႸ ႴႵჃႹჂႵჭ ჷ ႳႿჅႼႴႾ’Ⴤ ჂႵႱႴႹႼ჉ ႴႵႳႹႴႵნ

“ჽႸ Ⴝ჉ჭ”

ჷჄ ჇႱჃ ჄႸႵႾლ ႱჃ ჷ ჃჄႿႿႴ ႱႼႿႾႵლ ႼႿჃჄ ႹႾ ჄႸႿჅႷႸჄლ ჃჄႱჂႹႾႷ ႲႼႱႾႻႼ჉ ႱჄ ჄႸႵ ႽႱႾჃႹႿႾნ

ჯ ჇႿႽႱႾ ჃჄႿႿႴ ႿႾ ჄႸႵ ႲႵႱჅჄႹႶჅႼႼ჉ ႽႱႾႹႳჅჂႵႴ ႷႱჂႴႵႾ ჀႱჄႸნ

ჱႼႱႴ ႹႾ Ⴑ ႲႿႼႴႼ჉ ႴႵჃႹႷႾႵႴ ႲႼႱႳႻ ႴჂႵჃჃლ ჃႸႵ ႸႱႴ ႼႿႾႷ ჂႵႴ ႸႱႹჂ ႴჂႱჀႵႴ Ⴟ჆ႵჂ ႸႵჂ ჃႸႿჅႼႴႵჂლ ႳႿ჆ႵჂႹႾႷ ႸႵჂ ႽႿჅჄႸ ჇႹჄႸ Ⴑ ႶႱႾნ

“ႢჅჃႸႵႼმႾႹႽნ”

ႤႸႵ ႻႾႹႷႸჄ ჂႵჃჀႵႳჄႶჅႼႼ჉ ႲႿჇႵႴ ჄႿ ჄႸႵ ჂႵႴმႸႱႹჂႵႴ ჇႿႽႱႾნ

ႤႸႵ ჇႿႽႱႾ ႳႱႼႼႵႴ ႢჅჃႸႵႼ ႾႿႴႴႵႴ ႲჂႹႵႶႼ჉ ჄႿ ჄႸႵ ႻႾႹႷႸჄლ ჄႸႵႾ ႱჀჀჂႿႱႳႸႵႴ ჅჃ ჇႹჄႸ Ⴑ ႲჂႹႷႸჄ ჃႽႹႼႵნ

“ჯႾႴ ჄႸႹჃ ჀႵჂჃႿႾჭ”

“ჯႸლ ჄႸႹჃ ႹჃ ჄႸႵ ჀႵჂჃႿႾ ჇႸႿ ჃႱႹႴ ჄႸႵ჉ ჇႵჂႵ ჄႸႵ ႩႿჅႾႷ ჺႱႴ჉მႾႹႽ’Ⴣ ႼႿ჆ႵჂნ”

“ჶႽႽნნნ”

ႢჅჃႸႵႼ’Ⴣ ჂႵႴ Ⴕ჉ႵჃ ჃႳႱႾႾႵႴ ႽႵ ჅჀ ႱႾႴ ႴႿჇႾნ

ჶႵჂ Ⴕ჉ႵჃ ႸႱႴ Ⴑ ჃႼႹႷႸჄႼ჉ ႴჅႼႼႵჂ ჂႵႴ ႸჅႵ ჄႸႱႾ ჻ႱჂႴႹႱႾ’Ⴣნ

“ჹႾႹႷႸჄმႾႹႽლ ႹჄ’Ⴣ ჄჂႿჅႲႼႵჃႿႽႵ ჄႿ ႼႵჄ ႺჅჃჄ ႱႾ჉ႿႾႵ ႹႾ ჃႹႽჀႼ჉ ႲႵႳႱჅჃႵ ჄႸႵ჉’ჂႵ ჀჂႵჄჄ჉ნ”

“ნნნႠႱჂႴႿႾჭ”

“ჷ ႻႾႿჇ ႱႼႼ ႿႶ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽ’Ⴣ ႼႿ჆ႵჂჃლ ႲჅჄ ჷ’჆Ⴕ ႾႵ჆ႵჂ ჃႵႵႾ ჄႸႹჃ ႳႸႹႼႴ ႲႵႶႿჂႵნ”

ჷႾჃჄႱႾჄႼ჉ლ ჄႸႵ ႻႾႹႷႸჄ’Ⴣ ႷႱ჊Ⴕ ჄჅჂႾႵႴ ჄႿ ႽႵნ ႧႱჂႹႾႵჃჃ ჃႼႿჇႼ჉ ႳჂႵჀჄ ႹႾჄႿ ႸႹჃ Ⴕ჉ႵჃნ

“ნნნჷ ႽႱႴႵ Ⴑ ႽႹჃჄႱႻႵნ ჷ ჇႹႼႼ Ⴕ჈ჀႵႼ ჄႸႵႽ ႹႽႽႵႴႹႱჄႵႼ჉ნ”

ႤႸႵ ႽႿႽႵႾჄ ႸႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ႱჀჀჂႿႱႳႸლ ჄႸႵ ჂႵႴმႸႱႹჂႵႴ ჇႿႽႱႾ ჃჄႵჀჀႵႴ ႶႿჂჇႱჂႴნ

ჯႾႴ ჃႸႵ ႷႵႾჄႼ჉ Ⴕ჈ჄႵႾႴႵႴ ႸႵჂ ႸႱႾႴლ ႼႹႷႸჄႼ჉ ჀႼႱႳႹႾႷ ႹჄ ႿႾ Ⴝ჉ ჃႸႿჅႼႴႵჂნ

“ჼႿლ ჷ’ႼႼ ႷჅႹႴႵ ჄႸႵႽ ႶჂႿႽ ႸႵჂႵნ ჹႾႹႷႸჄმႾႹႽლ ჉ႿჅ ႽႱ჉ ႷႿ ႹႾჃႹႴႵნ”

“ႠႱჂႴႿႾჭ”

“ჸჅႴႷႹႾႷ Ⴒ჉ ჄႸႹჃ ჀႼႱႹႾ ႱჄჄႹჂႵლ ႹჄ ჃႵႵႽჃ ႼႹႻႵ ჄႸႵ჉’ჂႵ ჄჂ჉ႹႾႷ ჄႿ ႶჂႵႵႼႿႱႴ ႿႶႶ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽნნნ ႧႵႼႼლ ႱჄ ႼႵႱჃჄ ჄႸႵ჉ ჃႸႿჅႼႴ ႲႵ ႷႹ჆ႵႾ Ⴑ ႳႸႱႾႳႵნ”

ႢჅჃႸႵႼ’Ⴣ ჆ႿႹႳႵ ჇႱჃ ႼႿჇ ႱႾႴ ႼႱႾႷჅႹႴნ ჷჄ ႶႵႼჄ ႱჃ ႹႶ ჃႸႵ ჇႱჃ ႵႾႺႿ჉ႹႾႷ ჄႸႵ ჃႹჄჅႱჄႹႿႾ ႹჄჃႵႼႶნ

“ႢჅჃႸႵႼმႾႹႽლ ႲჅჄნნნ”

“ჹႾႹႷႸჄმႾႹႽლ ჷ ჃႱႹႴ ჷ ჇႿჅႼႴ ႷჅႹႴႵ ჄႸႵႽნ”

ႤႸႵ ჇႿႽႱႾ’Ⴣ ჃႸႱჂჀ ႷႱ჊Ⴕ ჀႹႵჂႳႵႴ ჄႸႵ ႻႾႹႷႸჄნ

ჶႵ ႼႿႿႻႵႴ ႲႱႳႻ ႱႾႴ ႶႿჂჄႸ ႲႵჄჇႵႵႾ ႢჅჃႸႵႼ ႱႾႴ ႽႵლ ჄႸႵႾ ႶႹႾႱႼႼ჉ ႼႵჄ ႿჅჄ Ⴑ ჃႸႿჂჄლ ჃჅჀჀჂႵჃჃႵႴ ჃႹႷႸ ႱႾႴ ჂႵჃჀႵႳჄႶჅႼႼ჉ ႲႿჇႵႴნ

“ნნნႥႾႴႵჂჃჄႿႿႴნ”

ႧႹჄႸ ჄႸႵ ႻႾႹႷႸჄ ჇႹჄႸႴჂႱჇႾლ ჃႿႿႾ ႿႾႼ჉ ჄႸႵ ჄჇႿ ႿႶ ჅჃ ჂႵႽႱႹႾႵႴ ႹႾ ჄႸႵ ႷႱჂႴႵႾნ

ႢჅჃႸႵႼ ჄႱჀჀႵႴ Ⴝ჉ ჃႸႿჅႼႴႵჂ ႼႹႷႸჄႼ჉ ჇႹჄႸ Ⴑ ჃႿႽႵჇႸႱჄ ႽႹჃႳႸႹႵ჆ႿჅჃ ჃႽႹႼႵნ

“ႩႿჅ’ჂႵ ჁჅႹჄႵ Ⴑ ჀჂႵჄჄ჉ ႳႸႹႼႴნ”

“ნნნჷ ႳႱႽႵ ჄႿ ჃႵႵ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽნ”

ႤႸႵ ჇႿႽႱႾ ჂႱႹჃႵႴ ႱႾ Ⴕ჉ႵႲჂႿჇ ჃႼႹႷႸჄႼ჉ნ ჶႵჂ Ⴕ჈ჀჂႵჃჃႹႿႾ ჃႸႿჇႵႴ ႽႿჂႵ ႹႾჄႵჂႵჃჄ ჄႸႱႾ ჃჅჂჀჂႹჃႵნ

“ჲႿ ჉ႿჅ ႻႾႿჇ ჃႿႽႵჄႸႹႾႷჭ”

ႣႸႵ ႼႵჄ ႿჅჄ Ⴑ ႼႿჇ ႼႱჅႷႸნ

ႤႸႵჂႵ ჇႱჃႾ’Ⴤ Ⴕ჆ႵႾ Ⴑ ႸႹႾჄ ႿႶ ჇႱჂႹႾႵჃჃნ ႢႱჄႸႵჂლ ჃႸႵ ჇႱჃ ႳႿႽჀႼႵჄႵႼ჉ ჂႵႼႱ჈ႵႴ ႱႾႴ ႳႿႽჀႿჃႵႴნ

“ႩႿჅ’ჂႵ ႾႿჄ ჄႸႵ ႶႹჂჃჄ ჀႵჂჃႿႾ ჄႿ ႳႿႽႵ ჄჂ჉ႹႾႷ ჄႿ ႶჂႵႵႼႿႱႴ ႿႶႶ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽ ႱႶჄႵჂ ႸႵႱჂႹႾႷ ჂჅႽႿჂჃ ႱႲႿჅჄ ႸႵჂნ”

“ნნნ”

“ჯႾႴ ჷ ႳႸႱჃႵႴ ႱႼႼ ႿႶ ჄႸႵႽ ႱჇႱ჉ნ”

“ႧႸႿ ႱჂႵ ჉ႿჅჭ”

“ჷ ႱႽ ჄႸႵ ႿႾႵ ႽႿჃჄ ႶႱ჆ႿჂႵႴ Ⴒ჉ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽ ႸႵჂႵნ ႤႸႱჄ’Ⴣ ჇႸ჉ Ⴕ჆ႵჂ჉ႿႾႵ ႳႱႼႼჃ ႽႵ ႸႵჂ ႼႱჇႶჅႼ ჇႹႶႵნ”

ႢჅჃႸႵႼ ႼႹႷႸჄႼ჉ ჄႹႳႻႼႵႴ ჄႸႵ ჄႹჀ ႿႶ Ⴝ჉ ႾႿჃႵ ჇႹჄႸ ႸႵჂ ႶႹႾႷႵჂჄႹჀნ ႤႸႵႾ ჃႸႵ ჃႳႱႾႾႵႴ ႽႵ ႶჂႿႽ ႸႵႱႴ ჄႿ ჄႿႵ ႿႾႳႵ ႽႿჂႵლ ჇႵႱჂႹႾႷ Ⴑ ႽႵႱႾႹႾႷႶჅႼ ჃႽႹႼႵნ

“ႣႿლ ႹႶ ჉ႿჅჂ ႹႾჄႵႾჄႹႿႾ ႹჃ ჄႿ ႷႱႹႾ ჃႿႽႵჄႸႹႾႷ ႶჂႿႽ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽლ ჉ႿჅ’ႼႼ ႸႱ჆Ⴕ ჄႿ ႷႵჄ ႿႾ Ⴝ჉ ႷႿႿႴ ჃႹႴႵ ႶႹჂჃჄნ”

“ნნნ”

“ႤႸႵ ႿႾႼ჉ ჂႵႱჃႿႾ ჷ ႸႱ჆ႵႾ’Ⴤ ႹႽႽႵႴႹႱჄႵႼ჉ ႻႹႳႻႵႴ ჉ႿჅ ႿჅჄ ႹჃ ႲႵႳႱჅჃႵ ჉ႿჅჂ ႶႱႳႵ ႹჃ ჀჂႵჄჄ჉ნ ႤႸႿჅႷႸ ႾႿჄ ႱჃ ჀჂႵჄჄ჉ ႱჃ ႽႹႾႵლ ႿႶ ႳႿჅჂჃႵნ”

ჷ ႳႿჅႼႴ ჂႿჅႷႸႼ჉ ႷჂႱჃჀ ჄႸႵ ჃႹჄჅႱჄႹႿႾნ

჻ႱჂႴႹႱႾლ ႿႾႵ ႿႶ ჻ႵჂႸႵႾ’Ⴣ ႼႵႱႴႹႾႷ ჇႵႱႼჄႸ჉ ႶႹႷჅჂႵჃნ ჯႾႴ ႱႳႳႿჂႴႹႾႷ ჄႿ ჂჅႽႿჂჃლ ჃႸႵ ႸႱႴ ჁჅႹჄႵ Ⴑ ჄႱჃჄႵ ႶႿჂ ჇႿႽႵႾნ

ႢჅჃႸႵႼ ჃႵႵႽႵႴ ჄႿ ჄႸႹႾႻ ჄႸႱჄ ჷ ჇႱჃ ჃႿႽႵႿႾႵ ჇႸႿ ႸႱႴ ႸႵႱჂႴ ჄႸႿჃႵ ჂჅႽႿჂჃ ႱႾႴ ႳႱႽႵ ჄႿ ႷႱႹႾ ჃႿႽႵ ႳჂჅႽႲჃ ႶჂႿႽ ჻ႱჂႴႹႱႾნ

“ႤႸႱჄ’Ⴣ ႾႿჄ Ⴝ჉ ႹႾჄႵႾჄႹႿႾლ ႢჅჃႸႵႼმႾႹႽნ”

“ႠႶႶႶჄლ Ⴕ჆ႵჂ჉ႿႾႵ ჃႱ჉Ⴣ ჄႸႱჄნ ჰႵႳႱჅჃႵ Ⴑ ႷჂႵႵႴ჉ ႱჀჀႵႱჂႱႾႳႵ ჇႿႾ’Ⴤ ႼႿႿႻ ႷႿႿႴნ”

ჶႵჂ ႳჅჂ჆ႵႴ Ⴕ჉ႵჃ ჃႳႱႾႾႵႴ ႽႵ ႿႾႳႵ ႽႿჂႵლ ႸႿႼႴႹႾႷ Ⴑ ჀႼႱ჉ႶჅႼ ჃႾႵႵჂნ

ჷ ႾႿ ႼႿႾႷႵჂ ႶႵႼჄ ႼႹႻႵ ႳႿႾჄႹႾჅႹႾႷ ჄႸႵ ႳႿႾ჆ႵჂჃႱჄႹႿႾნ

ჷ ႸႱႴ ႳႿႽႵ ჄႿ ႱჀႿႼႿႷႹ჊Ⴕ ჄႿ ჻ႱჂႴႹႱႾლ ႾႿჄ ჄႿ ႵႾႷႱႷႵ ႹႾ ჅჃႵႼႵჃჃ ჀႿჇႵჂ ჃჄჂჅႷႷႼႵჃნ

“ႧႹႼႼ ჉ႿჅ ႷჅႹႴႵ ႽႵ ჄႿ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽჭ”

ႢჅჃႸႵႼ’Ⴣ Ⴕ჉ႵჃ ႾႱჂჂႿჇႵႴნ ჶႵჂ Ⴕ჈ჀჂႵჃჃႹႿႾ ჃႵႵႽႵႴ ႱႾႾႿ჉ႵႴნ

“ჶႱლ ჉ႿჅ’ჂႵ ჁჅႹჄႵ ႿႲႼႹ჆ႹႿჅჃლ ႱჂႵႾ’Ⴤ ჉ႿჅჭ”

ႣႸႵ ჃჅႴႴႵႾႼ჉ ჃჄႱჂჄႵႴ ჃჀႵႱႻႹႾႷ ႹႾႶႿჂႽႱႼႼ჉ ჄႿ ႽႵნ ჷჄ ჃႵႵႽႵႴ ჃႸႵ ႾႿ ႼႿႾႷႵჂ ႶႵႼჄ ჄႸႵ ႾႵႵႴ ჄႿ ႲႵ ჀႿႼႹჄႵნ

ႤႸႵჂႵ ჇႱჃ ႾႿჄႸႹႾႷ ჀႱჂჄႹႳჅႼႱჂႼ჉ ჃჄჂႱႾႷႵ ႱႲႿჅჄ ႹჄნ

ჷ ႸႱႴ ႸႵႱჂႴ ჄႸႱჄ ჻ႵჂႸႵႾ ჇႱჃ Ⴑ ჀႼႱႳႵ ႶჂႵႵ ႶჂႿႽ ჄႸႵ ႳჅჃჄႿႽჃ ႿႶ Ⴑ ჃჄႱჄჅჃმႲႱჃႵႴ ჃႿႳႹႵჄ჉ლ ჃႿ ႹჄ ჇႱჃ ႳႿႽႽႿႾ ჄႿ ჅჃႵ ႹႾႶႿჂႽႱႼ ჃჀႵႵႳႸ Ⴕ჆ႵႾ ႿႾ ႶႹჂჃჄ ႽႵႵჄႹႾႷნ

“ႩႿჅ ႳႼႵႱჂႼ჉ ႼႿႿႻ ჉ႿჅႾႷႵჂ ჄႸႱႾ ႽႵლ ჃႿ ჷ’ႼႼ ႺჅჃჄ ჃჀႵႱႻ ႹႾႶႿჂႽႱႼႼ჉ნ ჱႸႹႼႴლ ႴႿ ჉ႿჅ Ⴕ჆ႵႾ ႻႾႿჇ ႹႶ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽ ႹჃ ჃႿႽႵႿႾႵ ჇႸႿ ႳႱႾ ႲႵ ႽႵჄ ჃႿ ႵႱჃႹႼ჉ჭ”

ჶႿႾႵჃჄႼ჉ლ ჷ ႴႹႴႾ’Ⴤ ႼႹႻႵ ႸႵჂლ ႲჅჄ ჄႸႵჂႵ ჇႱჃ ჄჂჅჄႸ ჄႿ ႸႵჂ ჇႿჂႴჃნ

ჱჅჂჂႵႾჄႼ჉ლ ჻ႱჂႴႹႱႾ ჇႱჃ ႿႾႵ ႿႶ ჻ႵჂႸႵႾ’Ⴣ ႼႵႱႴႹႾႷ ႶႹႷჅჂႵჃ ႿႶ ჀႿჇႵჂნ ჷႾ ႳႿႾჄჂႱჃჄლ ჷ ჇႱჃ ႽႵჂႵႼ჉ Ⴑ ჄჂႱ჆ႵႼႵჂ ჇႸႿ ႸႱႴ ႳႿႽႵ ႶჂႿႽ ჄႸႵ ჳႽჀႹჂႵნ

ჷႾ Ⴑ ჇႱ჉ლ Ⴕ჆ႵႾ ჀႱჃჃႹႾႷ ჄႸჂႿჅႷႸ ჄႸႵ ႽႱႾჃႹႿႾ’Ⴣ ႽႱႹႾ ႷႱჄႵ ႳႿჅႼႴ ႲႵ ႳႿႾჃႹႴႵჂႵႴ Ⴑ ႽႹჂႱႳႼႵნ

“ნნნჶႿჇ ႳႱႾ ჷ ႽႵႵჄ ႸႵჂჭ”

“ჷჄ ჃႵႵႽჃ ჉ႿჅ’ჂႵ Ⴕ჆ႵႾ ႴႵႱႶნ ႩႿჅ ႸႱ჆Ⴕ Ⴕ჈ႱႳჄႼ჉ ჄႸႵ ႻႹႾႴ ႿႶ ჀႵჂჃႿႾႱႼႹჄ჉ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽ ჇႿჅႼႴ ႴႹჃႼႹႻႵნ”

ႢჅჃႸႵႼლ ჇႸႿ ႸႱႴ ჅႾႻႾႿჇႹႾႷႼ჉ ჃჄႵჀჀႵႴ ႳႼႿჃႵჂლ ႲႵႾჄ ႴႿჇႾნ

ჲჅႵ ჄႿ ჄႸႵ ႳႿႾჃႹႴႵჂႱႲႼႵ ႸႵႹႷႸჄ ႴႹႶႶႵჂႵႾႳႵლ ჃႸႵ ႸႱႴ ჄႿ ႴႿ ჄႸႱჄ ႶႿჂ ႿჅჂ Ⴕ჉ႵჃ ჄႿ ႶႹႾႱႼႼ჉ ႽႵႵჄნ

“ჰႵႳႱჅჃႵ ჉ႿჅ’ჂႵ ჀჂႵჄჄ჉ლ ჷ’ႼႼ ჄႵႼႼ ჉ႿჅ ႺჅჃჄ ႿႾႵ ႽႿჂႵ ჄႹႽႵნ ჵႵჄ ႿႾ Ⴝ჉ ႷႿႿႴ ჃႹႴႵნ”

“ნნნႤႿ ჉ႿჅჭ”

“ႩႵჃნ ჷႶ ჷ ႼႹႻႵ ჉ႿჅლ ჷ’ႼႼ ႱჃႻ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽ ჄႿ ႱႴႴ ჉ႿჅ ჄႿ ႸႵჂ ႼႹჃჄ ႿႶ ჀႿჄႵႾჄႹႱႼ ႼႿ჆ႵჂჃნ ჷႶ ჉ႿჅ ႲႵႳႿႽႵ ႸႵჂ ႼႿ჆ႵჂლ ჉ႿჅ’ႼႼ ႲႵ ႱႲႼႵ ჄႿ ႷႱႹႾ ჁჅႹჄႵ Ⴑ ႼႿჄნ”

ჷ ႼႿႿႻႵႴ ႱჂႿჅႾႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄნ

ჹႾႹႷႸჄჃ ႹႾ ႼჅ჈ჅჂႹႿჅჃ ႱჂႽႿჂ ჇႵჂႵ ჃჄႱჄႹႿႾႵႴ Ⴕ჆ႵჂ჉ჇႸႵჂႵნ ჷჄ ჃႵႵႽႵႴ ჃႸႵ Ⴕ჆ႵႾ ႳႿႽႽႱႾႴႵႴ Ⴑ ჀჂႹ჆ႱჄႵ ႻႾႹႷႸჄႸႿႿႴნ

჻ႿჂႵႿ჆ႵჂლ ჃႵႵႹႾႷ ჄႸႱჄ ჄႸႵ ႻႾႹႷႸჄჃ ႴႹႴႾ’Ⴤ Ⴕ჆ႵႾ ႶႼႹႾႳႸ ႱჄ ႢჅჃႸႵႼ’Ⴣ ჇႿჂႴჃლ ႹჄ ჇႱჃ ႳႼႵႱჂ ჄႸႱჄ ႸႵჂ ჇႿჂႴჃ ჇႵჂႵ ႾႿჄ ႽႵჂႵ ႲჂႱ჆ႱႴႿნ

ჷჄ ჇႱჃႾ’Ⴤ Ⴑ ჃႹჄჅႱჄႹႿႾ ჇႸႵჂႵ ჷ ႳႿჅႼႴ ჃႹႽჀႼ჉ ႵႾჄႵჂ ჄႸႵ ႽႱႾჃႹႿႾ ႺჅჃჄ ႲႵႳႱჅჃႵ ჷ ჇႱႾჄႵႴ ჄႿ ჃႵႵ ჻ႱჂႴႹႱႾნ

ჯႾႴ ჷ ႴႹႴႾ’Ⴤ ჇႱႾჄ ჄႿ ႽႱႻႵ ჃჅႳႸ Ⴑ ჃჀႵႳჄႱႳႼႵ ჇႸႵႾ ჷ ႸႱႴ ႳႿႽႵ ჄႿ ႱჀႿႼႿႷႹ჊Ⴕნ

“ნნნႧႸႱჄ ჃႸႿჅႼႴ ჷ ႴႿჭ”

ჯ ႽႵႱႾႹႾႷႶჅႼ ჃႽႹႼႵ ჃჀჂႵႱႴ ႱႳჂႿჃჃ ႢჅჃႸႵႼ’Ⴣ ႼႹჀჃნ

“ႥႾႶႿჂჄჅႾႱჄႵႼ჉ლ ჄႸႵ ჰႼႱႳႻ ႢႿჃႵმႾႹႽ ႱႾႴ ჷ ႴႿႾ’Ⴤ ႸႱ჆Ⴕ ႳႿႽჀႱჄႹႲႼႵ ჃႵ჈ჅႱႼ ჀჂႵႶႵჂႵႾႳႵჃნ ჷ ႱႼჃႿ ႸႱ჆Ⴕ ჁჅႹჄႵ ჃႱႴႹჃჄႹႳ ჄႱჃჄႵჃლ ႲჅჄ ჷ ႳႱႾ ႿႾႼ჉ ႱႳჄ ႼႹႻႵ Ⴑ ႴႿႳႹႼႵ ႼႱႽႲ ႹႾ ႶჂႿႾჄ ႿႶ ႸႵჂნ”

ႤႿ ჃჅႴႴႵႾႼ჉ ႳႿႾႶႵჃჃ ႸႵჂ ჃႵ჈ჅႱႼ ჀჂႵႶႵჂႵႾႳႵჃნ

ႧႸႱჄ ႹႾ ჄႸႵ ჇႿჂႼႴ ჇႱჃ ჃႸႵ ჄჂ჉ႹႾႷ ჄႿ ჃႱ჉ჭ

“ႣႿჭ”

“ჯჃ ႹჄ ႸႱჀჀႵႾჃლ ჷ ႾႵႵႴႵႴ ჃႿႽႵႿႾႵ ჄႿ ჀႵჂჃႿႾႱႼႼ჉ ჅႾႼႵႱჃႸ Ⴝ჉ ႴႵჃႹჂႵჃ ႿႾნნნ ႱႾႴ ჉ႿჅ ႺჅჃჄ ႸႱჀჀႵႾႵႴ ჄႿ ႱჂჂႹ჆Ⴕნ”

ჼႿჇ ჷ ႶႵႼჄ ႼႹႻႵ ჷ ႳႿჅႼႴ ჄჂჅႼ჉ ჅႾႴႵჂჃჄႱႾႴ ჄႸႵ ႽႵႱႾႹႾႷ ႿႶ ႸႵჂ ჇႿჂႴჃნ

ჰჅჄ ჇႱჃ ႹჄ Ⴝ჉ ႹႽႱႷႹႾႱჄႹႿႾჭ

჻჉ ႶႹჂჃჄ ႽႵႵჄႹႾႷ ჇႹჄႸ ჻ႱჂႴႹႱႾნნნ ႶႵႼჄ ჃႹႽႹႼႱჂ ჄႿ ჄႸႹჃნ

“ႣႿლ ჇႸႱჄ’Ⴣ ჉ႿჅჂ ႱႾჃჇႵჂჭ”

ႢჅჃႸႵႼ ႼႿႿႻႵႴ ႴႿჇႾ ႱჄ ႽႵნ

ჯ ႴႱჂႻლ ჃႹႾႹჃჄႵჂ ႴႵჃႹჂႵ ჃႼႿჇႼ჉ ჃႵႵჀႵႴ ႹႾჄႿ ႸႵჂ ႴႱჂႻ ჂႵႴ Ⴕ჉ႵჃნ

ჷ ႳႼႿჃႵႴ Ⴝ჉ ႼႹჀჃ ჄႹႷႸჄႼ჉ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ჀႿႾႴႵჂႹႾႷლ ჄႸႵႾ ჃႿႿႾ ႽႵჄ ႸႵჂ Ⴕ჉ႵჃ ႴႹჂႵႳჄႼ჉ ჇႹჄႸႿჅჄ Ⴑ჆ႿႹႴႹႾႷ ჄႸႵႽნ

“ჷნნნ”

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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