Tales of the Taisho Era Flowers Bloom Late

Chapter 174

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᯏᮖᮤᮕᮢ ᮓᮟᮞᮖᮙᮢᮝᮙᮞᮗ ᮤᮘᮕ ᮒᮜᮕᮕᮔᮙᮞᮗ ᮘᮑᮔ ᮣᮤᮟᮠᮠᮕᮔ ᮖᮢᮟᮝ ᮝᮩ ᮘᮑᮞᮔ ᮑᮞᮔ ᮤᮘᮕ ᮛᮞᮙᮖᮕ ᮘᮑᮔᮞ᮵ᮤ ᮔᮕᮕᮠᮜᮩ ᮠᮙᮕᮢᮓᮕᮔᮺ ᮃᮘᮙᮢᮜᮕᮩ ᮑᮞᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮧᮟᮝᮕᮞ ᮖᮙᮞᮑᮜᮜᮩ ᮒᮢᮕᮑᮤᮘᮕᮔ ᮑ ᮣᮙᮗᮘ ᮟᮖ ᮢᮕᮜᮙᮕᮖᮼ

᮰ᮼᮼᮼᯏᮢᮕ ᮩᮟᮥᮼᮼᮼ ᮟᮛᮑᮩᮺ ᮩᮟᮥᮞᮗᮕᮣᮤᯍ᮰

ᮃᮕᮕᮙᮞᮗ ᮕᮦᮕᮞ ᯓᮢᮙᮞᮑ ᮓᮟᮝᮖᮟᮢᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮣᮩᮝᮠᮑᮤᮘᮕᮤᮙᮓ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮣᮘᮕ ᮒᮕᮜᮙᮕᮦᮕᮔ ᮝᮩ ᮧᮟᮢᮔᮣ ᮤᮘᮙᮣ ᮤᮙᮝᮕᮼ

ᮄᮘᮕ ᮟᮤᮘᮕᮢ ᮧᮟᮝᮕᮞ ᮞᮕᮑᮢᮒᮩ ᮑᮜᮣᮟ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮗᮥᮙᮜᮤ ᮙᮞ ᮤᮘᮕᮙᮢ ᮕᮩᮕᮣᮼ

᮰ᮅᮝᮺ ᮕᮨᮓᮥᮣᮕ ᮝᮕᮼᮼᮼ ᯓᮢᮙᮞᮑ ᮃᮕᮞᮙᮟᮢᮻᮞᮙᮝᮼ᮰

ᯗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮤᮟᮟᮛ ᮘᮕᮢ ᮘᮑᮞᮔᮼ

᮰ᯖᮝᯍ ᮇᮘᮩᯍ ᯒᮟ ᮩᮟᮥ ᮞᮕᮕᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᯍ᮰

᮰ᮇᮕᮜᮜᮼᮼᮼ ᮓᮟᮥᮜᮔ ᮩᮟᮥ ᮠᮜᮕᮑᮣᮕ ᮛᮕᮕᮠ ᮤᮘᮙᮣ ᮑ ᮣᮕᮓᮢᮕᮤ ᮖᮢᮟᮝ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝᯍ᮰

ᯓᮢᮙᮞᮑ᮵ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔᮼ

᮰ᮇᮘᮑᮤᯍ ᮉᮟᮥᮞᮗᮕᮣᮤᮺ ᮔᮟ ᮩᮟᮥ ᮞᮟᮤ ᮛᮞᮟᮧ ᮘᮟᮧ ᮥᮞᮖᮑᮙᮢᮜᮩ ᮩᮟᮥ᮵ᮦᮕ ᮒᮕᮕᮞ ᮤᮢᮕᮑᮤᮕᮔᯍ᮰

ᮀᮕᮢᮘᮑᮠᮣ ᮤᮘᮕ ᮠᮕᮢᮣᮟᮞ ᮧᮘᮟ ᮧᮙᮣᮘᮕᮔ ᮖᮟᮢ ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮔᮟᮧᮞᮖᮑᮜᮜ ᮤᮘᮕ ᮝᮟᮣᮤ ᮧᮑᮣ ᯓᮢᮙᮞᮑᮼ

ᮅᮞᮖᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᮘᮟᮧᮕᮦᮕᮢᮺ ᯗ ᮘᮑᮔ ᮞᮟ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮠᮥᮣᮘᮙᮞᮗ ᮂᮥᮣᮘᮕᮜ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮙᮞᮤᮟ ᮢᮥᮙᮞᮼ

᮰ᯗᮼᮼᮼ ᯗ ᮢᮕᮑᮜᮜᮩ ᮜᮙᮛᮕ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝᮼ ᯗ ᮔᮟᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮒᮢᮙᮞᮗ ᮘᮕᮢ ᮒᮑᮔ ᮞᮕᮧᮣᮼ᮰

᮰ᮉᮟᮥ ᮣᮘᮟᮥᮜᮔ ᮘᮙᮔᮕ ᮧᮘᮑᮤ ᮩᮟᮥ ᮓᮑᮞ ᮘᮙᮔᮕᮼ ᮄᮘᮑᮤ ᮂᮥᮣᮘᮕᮜ ᮞᮕᮕᮔᮣ ᮤᮟ ᮒᮕ ᮠᮢᮟᮠᮕᮢᮜᮩ ᮤᮑᮥᮗᮘᮤ ᮑ ᮜᮕᮣᮣᮟᮞᮼ᮰

ᯗ ᮜᮑᮥᮗᮘᮕᮔ ᮑᮧᮛᮧᮑᮢᮔᮜᮩ ᮑᮤ ᯓᮢᮙᮞᮑ᮵ᮣ ᮢᮟᮥᮗᮘ ᮧᮑᮩ ᮟᮖ ᮣᮠᮕᮑᮛᮙᮞᮗᮼ

᮰ᯛᮟᮢᮕ ᮤᮘᮑᮞ ᮑᮞᮩᮤᮘᮙᮞᮗᮼᮼᮼ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝ ᮝᮙᮗᮘᮤ ᮒᮕ ᮔᮙᮣᮑᮠᮠᮟᮙᮞᮤᮕᮔ ᮙᮞ ᮥᮣ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮤᮘᮙᮣᮼ᮰

ᯜᮟ ᮟᮞᮕ ᮘᮕᮢᮕ ᮧᮟᮥᮜᮔ ᮧᮑᮞᮤ ᮤᮟ ᮔᮙᮣᮠᮜᮕᮑᮣᮕ ᯛᮑᮢᮔᮙᮑᮞᮼ

ᯗᮖ ᮤᮘᮕᮩ ᮥᮠᮣᮕᮤ ᮘᮕᮢ ᮧᮙᮤᮘ ᮥᮞᮞᮕᮓᮕᮣᮣᮑᮢᮩ ᮓᮟᮝᮝᮟᮤᮙᮟᮞᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮞᮟ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮤᮘᮑᮞ ᮤᮘᮕ ᮗᮟᮜᮔ ᮓᮟᮙᮞᮣ ᮤᮘᮕᮩ ᮢᮕᮓᮕᮙᮦᮕᮔ ᮔᮕᮓᮢᮕᮑᮣᮙᮞᮗᮼ

᮰ᯖᮝᮝᮼᮼᮼ ᮤᮘᮑᮤ᮵ᮣ ᮤᮢᮥᮕᮼᮼᮼ᮰

ᯏᮣ ᮙᮖ ᯓᮢᮙᮞᮑ ᮑᮜᮣᮟ ᮛᮞᮕᮧ ᮤᮘᮑᮤ ᮖᮑᮓᮤᮺ ᮣᮘᮕ ᮖᮕᮜᮜ ᮙᮞᮤᮟ ᮕᮦᮕᮞ ᮔᮕᮕᮠᮕᮢ ᮤᮘᮟᮥᮗᮘᮤ ᮑᮖᮤᮕᮢ ᮘᮕᮑᮢᮙᮞᮗ ᮝᮩ ᮧᮟᮢᮔᮣᮼ

᮰ᯏᮞᮔᮼᮼᮼ ᮙᮤ᮵ᮣ ᮞᮟᮤ ᮚᮥᮣᮤ ᮂᮥᮣᮘᮕᮜ ᮃᮕᮞᮙᮟᮢᮻᮞᮙᮝᮺ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮟᮤᮘᮕᮢᮣ ᮧᮘᮟ ᮘᮑᮢᮑᮣᮣᮕᮔ ᮝᮕ ᮤᮟᮟᮼᮼᮼ᮰

ᮄᮘᮕ ᮕᮩᮕᮣ ᮟᮖ ᯓᮢᮙᮞᮑ ᮑᮞᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮧᮟᮝᮕᮞ ᮖᮜᮙᮓᮛᮕᮢᮕᮔᮼ ᯏ ᮣᮕᮞᮣᮕ ᮟᮖ ᮒᮕᮧᮙᮜᮔᮕᮢᮝᮕᮞᮤ ᮣᮕᮤᮤᮜᮕᮔ ᮙᮞ ᮤᮘᮕᮙᮢ ᮗᮑ᮪ᮕᮣ ᮑᮣ ᮤᮘᮕᮩ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕᮼ

ᮄᮘᮕᮩ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮖᮕᮕᮜ ᮠᮢᮙᮓᮛᮕᮔᮼ

ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᯓᮢᮙᮞᮑ ᮧᮑᮣ ᮟᮞᮕ ᮟᮖ ᮤᮘᮕ ᮠᮕᮟᮠᮜᮕ ᮧᮘᮟ ᮘᮑᮔ ᮤᮢᮕᮑᮤᮕᮔ ᮝᮕ ᮝᮟᮣᮤ ᮥᮞᮖᮑᮙᮢᮜᮩ ᮘᮕᮢᮕᮼ

ᮀᮕᮢᮘᮑᮠᮣᮺ ᮙᮤ ᮧᮑᮣ ᮞᮟ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮑᮞ ᮟᮠᮕᮞ ᮤᮘᮢᮕᮑᮤᮼ

ᯏ ᮤᮘᮢᮕᮑᮤ ᮤᮘᮑᮤ ᮕᮦᮕᮞ ᮣᮟᮝᮕᮟᮞᮕ ᮑᮣ ᮔᮥᮜᮜ ᮑᮣ ᯓᮢᮙᮞᮑ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮞᮟᮤᮙᮓᮕᮼ

ᮄᮘᮕ ᮤᮢᮥᮣᮤ ᮒᮥᮙᮜᮤ ᮣᮟ ᮖᮑᮢ ᮧᮟᮥᮜᮔ ᮓᮢᮥᮝᮒᮜᮕᮺ ᮒᮥᮤ ᮙᮤ ᮔᮙᮔᮞ᮵ᮤ ᮢᮕᮑᮜᮜᮩ ᮝᮑᮤᮤᮕᮢᮼ

ᯗ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮘᮕᮢᮕ ᮤᮟᮝᮟᮢᮢᮟᮧ ᮑᮞᮩᮧᮑᮩᮼ

ᯗ ᮗᮑᮦᮕ ᮘᮕᮢ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮺ ᮤᮘᮕᮞ ᮧᮘᮙᮣᮠᮕᮢᮕᮔ ᮡᮥᮙᮕᮤᮜᮩ ᮙᮞ ᮑ ᮜᮟᮧ ᮦᮟᮙᮓᮕᮼ

᮰ᮄᮘᮙᮣ ᮝᮑᮤᮤᮕᮢᮼᮼᮼ ᮠᮜᮕᮑᮣᮕ ᮛᮕᮕᮠ ᮙᮤ ᮑ ᮣᮕᮓᮢᮕᮤ ᮖᮢᮟᮝ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝᮼ᮰

ᮄᮘᮕ ᮙᮞᮓᮙᮔᮕᮞᮤ ᮧᮑᮣ ᮡᮥᮙᮓᮛᮜᮩ ᮒᮥᮢᮙᮕᮔᮼ

ᮂᮥᮣᮘᮕᮜ ᮢᮕᮝᮑᮙᮞᮕᮔᮺ ᮝᮑᮛᮙᮞᮗ ᮤᮘᮕ ᮕᮨᮓᮥᮣᮕ ᮤᮘᮑᮤ ᮣᮘᮕ ᮘᮑᮔ ᮖᮑᮜᮜᮕᮞ ᮙᮜᮜ ᮑᮖᮤᮕᮢ ᮕᮑᮤᮙᮞᮗ ᮧᮙᮤᮘ ᮝᮕᮺ ᮑᮞᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮧᮟᮝᮕᮞ ᮜᮕᮖᮤ ᮤᮟ ᮕᮞᮤᮕᮢᮤᮑᮙᮞ ᯛᮑᮢᮔᮙᮑᮞᮼ

ᯓᮢᮙᮞᮑ ᮑᮜᮣᮟ ᮘᮥᮢᮢᮙᮕᮔᮜᮩ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮠᮢᮕᮠᮑᮢᮙᮞᮗ ᮑᮞᮔ ᮜᮕᮖᮤᮺ ᮣᮑᮩᮙᮞᮗ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮝᮙᮣᮣ ᮤᮘᮕ ᮓᮘᮑᮞᮓᮕ ᮤᮟ ᮗᮕᮤ ᮑᮘᮕᮑᮔ ᮟᮖ ᮂᮥᮣᮘᮕᮜᮼ

ᯛᮩ ᮣᮝᮑᮜᮜ ᮓᮟᮝᮝᮟᮤᮙᮟᮞ ᮠᮑᮣᮣᮕᮔ ᮙᮞ ᮑᮞ ᮙᮞᮣᮤᮑᮞᮤᮺ ᮑᮣ ᮙᮖ ᮙᮤ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ

ᯏᮣ ᮤᮙᮝᮕ ᮠᮑᮣᮣᮕᮔᮺ ᮙᮤ ᮧᮑᮣ ᮔᮑᮧᮞᮺ ᮑ ᮤᮙᮝᮕ ᮧᮘᮕᮞ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮧᮟᮥᮜᮔ ᮜᮙᮛᮕᮜᮩ ᮒᮕ ᮙᮞ ᮑ ᮔᮕᮕᮠ ᮣᮜᮕᮕᮠᮼ

ᯗ ᮣᮤᮟᮟᮔ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮢᮟᮟᮝᮺ ᮑ ᮠᮜᮑᮓᮕ ᯗ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮣᮕᮤ ᮖᮟᮟᮤ ᮙᮞᮼ

ᮀᮕᮢᮘᮑᮠᮣ ᮙᮤ ᮧᮑᮣ ᮖᮟᮢ ᮑ ᮢᮕᮑᮣᮟᮞ ᮣᮘᮕ ᮧᮑᮣ ᮓᮟᮞᮣᮙᮔᮕᮢᮕᮔ ᮤᮘᮕ ᮝᮑᮙᮞ ᮓᮟᮞᮣᮟᮢᮤᮼ ᯖᮕᮢ ᮢᮟᮟᮝ ᮧᮑᮣ ᮕᮨᮓᮕᮠᮤᮙᮟᮞᮑᮜᮜᮩ ᮗᮢᮑᮞᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᮕᮞᮤᮢᮑᮞᮓᮕ ᮑᮜᮟᮞᮕᮼ

ᮄᮘᮕ ᮔᮟᮟᮢ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮜᮕᮑᮣᮤ ᮤᮧᮙᮓᮕ ᮑᮣ ᮧᮙᮔᮕ ᮑᮣ ᮝᮩ ᮢᮟᮟᮝ᮵ᮣᮼ ᮄᮘᮕ ᮙᮞᮤᮕᮢᮙᮟᮢ ᮧᮟᮥᮜᮔ ᮜᮙᮛᮕᮜᮩ ᮣᮘᮟᮧ ᮑᮞ ᮕᮦᮕᮞ ᮗᮢᮕᮑᮤᮕᮢ ᮔᮙᮖᮖᮕᮢᮕᮞᮓᮕᮼ

ᯗ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢ ᮧᮙᮤᮘᮟᮥᮤ ᮛᮞᮟᮓᮛᮙᮞᮗᮼ

ᮇᮘᮑᮤ ᮥᮞᮖᮟᮜᮔᮕᮔ ᮒᮕᮖᮟᮢᮕ ᮝᮩ ᮕᮩᮕᮣ ᮧᮑᮣ ᮤᮘᮕ ᮙᮞᮤᮕᮢᮙᮟᮢ ᮟᮖ ᮑ ᮜᮑᮦᮙᮣᮘᮜᮩ ᮔᮕᮓᮟᮢᮑᮤᮕᮔ ᮢᮟᮟᮝᮼ

ᯏᮞᮔ ᮂᮥᮣᮘᮕᮜᮺ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮟᮞ ᮤᮘᮕ ᮒᮕᮔᮼ

᮰ᯖᮕᮜᮜᮟᮺ ᮃᮕᮞᮙᮟᮢᮻᮞᮙᮝᮼ᮰

᮰ᮉᮟᮥᮺ ᮩᮟᮥᮼᮼᮼᮯ᮰

ᮂᮥᮣᮘᮕᮜ ᮓᮟᮞᮤᮟᮢᮤᮕᮔ ᮘᮕᮢ ᮖᮑᮓᮕ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮑᮢᮟᮥᮞᮔᮼ

ᮄᮘᮕᮞ ᮣᮘᮕ ᮗᮢᮑᮒᮒᮕᮔ ᮑ ᮖᮜᮟᮧᮕᮢᮠᮟᮤ ᮖᮢᮟᮝ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧᮣᮙᮜᮜ ᮑᮞᮔ ᮝᮑᮔᮕ ᮑ ᮗᮕᮣᮤᮥᮢᮕ ᮑᮣ ᮙᮖ ᮤᮟ ᮤᮘᮢᮟᮧ ᮙᮤ ᮑᮤ ᮝᮕᮼ

ᯗ ᮣᮙᮝᮠᮜᮩ ᮣᮝᮙᮜᮕᮔᮼ

ᮃᮕᮕᮙᮞᮗ ᮝᮕ ᮞᮟᮤ ᮝᮟᮦᮕ ᮑᮞ ᮙᮞᮓᮘᮺ ᮂᮥᮣᮘᮕᮜ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮠᮥᮤ ᮔᮟᮧᮞ ᮤᮘᮕ ᮖᮜᮟᮧᮕᮢᮠᮟᮤ ᮧᮙᮤᮘ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣᮼ

᮰ᯖᮟᮧ ᮔᮑᮢᮕ ᮩᮟᮥ ᮖᮢᮑᮝᮕ ᮝᮕᮺ ᮩᮟᮥ ᮒᮙᮤᮓᮘᯍᮯ᮰

᮰ᯔᮢᮑᮝᮕ ᮝᮕᯍ ᯗᮖ ᮣᮟᮝᮕᮟᮞᮕ ᮘᮕᮑᮢᮔ ᮩᮟᮥᮺ ᮤᮘᮕᮩ᮵ᮔ ᮤᮘᮙᮞᮛ ᮩᮟᮥ ᮘᮑᮔᮞ᮵ᮤ ᮘᮑᮢᮑᮣᮣᮕᮔ ᮝᮕᮼᮼᮼ᮰

ᮄᮘᮕ ᮧᮑᮢᮔᮢᮟᮒᮕᮼ ᮅᮞᮔᮕᮢ ᮤᮘᮕ ᮒᮕᮔᮼ ᯐᮕᮘᮙᮞᮔ ᮤᮘᮕ ᮔᮟᮟᮢᮼ

ᯏᮖᮤᮕᮢ ᮓᮘᮕᮓᮛᮙᮞᮗ ᮕᮦᮕᮢᮩ ᮠᮜᮑᮓᮕ ᮧᮘᮕᮢᮕ ᮑ ᮠᮕᮢᮣᮟᮞ ᮝᮙᮗᮘᮤ ᮒᮕ ᮘᮙᮔᮙᮞᮗᮺ ᯗ ᮣᮜᮟᮧᮜᮩ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮘᮕᮢᮼ

ᮄᮘᮕᮞ ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮣᮑᮤ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮂᮥᮣᮘᮕᮜ ᮑᮞᮔ ᮣᮠᮟᮛᮕ ᮙᮞ ᮑ ᮜᮟᮧᮺ ᮧᮘᮙᮣᮠᮕᮢᮙᮞᮗ ᮦᮟᮙᮓᮕᮼ

᮰ᮂᮥᮣᮘᮕᮜ ᮃᮕᮞᮙᮟᮢᮻᮞᮙᮝᮼ ᮉᮟᮥ᮵ᮢᮕ ᮣᮝᮑᮢᮤᮺ ᮣᮟ ᯗ᮵ᮜᮜ ᮗᮕᮤ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮤᮟ ᮤᮘᮕ ᮠᮟᮙᮞᮤᮼ᮰

᮰ᮉᮟᮥᮺ ᮩᮟᮥᮼᮼᮼ ᯒᮑᮝᮞ ᮙᮤᮺ ᮧᮘᮑᮤ᮵ᮣ ᮩᮟᮥᮢ ᮙᮔᮕᮞᮤᮙᮤᮩ—ᮼ᮰

᮰ᮉᮟᮥᮢ ᮖᮑᮝᮙᮜᮩ ᮓᮟᮞᮣᮙᮣᮤᮣ ᮟᮖ ᮒᮟᮤᮘ ᮒᮙᮢᮤᮘ ᮠᮑᮢᮕᮞᮤᮣ ᮑᮞᮔ ᮑ ᮩᮟᮥᮞᮗᮕᮢ ᮒᮢᮟᮤᮘᮕᮢᮼ ᮉᮟᮥᮢ ᮝᮑᮙᮞ ᮖᮑᮝᮙᮜᮩ ᮢᮕᮣᮙᮔᮕᮞᮓᮕ ᮙᮣ ᮙᮞ ᮤᮘᮕ ᮇᮕᮣᮤᮕᮢᮞ ᯛᮟᮞᮔᮙᮞᮑ ᮦᮙᮜᮜᮑᮗᮕ ᮑᮢᮕᮑᮺ ᮑᮞᮔ ᮩᮟᮥᮢ ᮩᮟᮥᮞᮗᮕᮢ ᮒᮢᮟᮤᮘᮕᮢ ᮙᮣ ᮓᮥᮢᮢᮕᮞᮤᮜᮩ ᮑᮤᮤᮕᮞᮔᮙᮞᮗ ᯛᮕᮢᮘᮕᮞ ᯕᮢᮑᮔᮥᮑᮤᮕ ᮃᮓᮘᮟᮟᮜᮼᮼᮼ ᯗᮣ ᮤᮘᮑᮤ ᮢᮙᮗᮘᮤᯍ᮰

ᮂᮥᮣᮘᮕᮜᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮜᮙᮣᮤᮕᮞᮙᮞᮗ ᮤᮟ ᮝᮕ ᮒᮜᮑᮞᮛᮜᮩᮺ ᮘᮑᮔ ᮘᮕᮢ ᮕᮩᮕᮣ ᮤᮧᮙᮤᮓᮘᮼ

ᯗᮤ ᮧᮑᮣ ᮑᮞ ᮕᮝᮟᮤᮙᮟᮞ ᮣᮟᮝᮕᮧᮘᮕᮢᮕ ᮒᮕᮤᮧᮕᮕᮞ ᮒᮕᮧᮙᮜᮔᮕᮢᮝᮕᮞᮤ ᮑᮞᮔ ᮤᮕᮢᮢᮟᮢᮼ

᮰ᯗ ᮘᮑᮦᮕ ᮣᮟᮝᮕ ᮓᮟᮞᮞᮕᮓᮤᮙᮟᮞᮣ ᮧᮙᮤᮘ ᮙᮝᮠᮟᮢᮤᮑᮞᮤ ᮠᮕᮟᮠᮜᮕᮼ᮰

᮰ᮉᮟᮥᮺ ᮩᮟᮥᮼᮼᮼ ᮝᮩᮺ ᮝᮩ ᮙᮔᮕᮞᮤᮙᮤᮩ—ᮼ᮰

᮰ᮃᮕᮞᮙᮟᮢᮻᮞᮙᮝᮼ ᯗ᮵ᮝ ᮣᮠᮕᮑᮛᮙᮞᮗ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ᮰

ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮜᮙᮠᮣ ᮠᮢᮕᮣᮣᮕᮔ ᮣᮘᮥᮤᮼ ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮣᮘᮕ ᮧᮑᮣ ᮖᮙᮞᮑᮜᮜᮩ ᮧᮙᮜᮜᮙᮞᮗ ᮤᮟ ᮜᮙᮣᮤᮕᮞ ᮤᮟ ᮝᮕᮼ

᮰ᯗ᮵ᮜᮜ ᮗᮙᮦᮕ ᮩᮟᮥ ᮩᮟᮥᮢ ᮔᮑᮙᮜᮩ ᮜᮙᮖᮕ ᮒᮑᮓᮛᮼ ᯗᮞ ᮢᮕᮤᮥᮢᮞᮺ ᮤᮘᮕᮢᮕ᮵ᮣ ᮟᮞᮜᮩ ᮟᮞᮕ ᮤᮘᮙᮞᮗ ᯗ ᮧᮑᮞᮤᮼ᮰

᮰ᮼᮼᮼᮇᮘᮑᮤ ᮙᮣ ᮙᮤᯍ᮰

ᯏᮣ ᮕᮨᮠᮕᮓᮤᮕᮔᮺ ᮣᮘᮕ ᮧᮑᮣ ᮡᮥᮙᮓᮛᮻᮧᮙᮤᮤᮕᮔᮼ

ᯓᮦᮕᮞ ᮧᮙᮤᮘᮟᮥᮤ ᮔᮕᮤᮑᮙᮜᮕᮔ ᮕᮨᮠᮜᮑᮞᮑᮤᮙᮟᮞᮺ ᮤᮘᮕ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞ ᮖᮜᮟᮧᮕᮔ ᮣᮝᮟᮟᮤᮘᮜᮩᮺ ᮑᮞᮔ ᯗ ᮖᮕᮜᮤ ᮣᮤᮢᮑᮞᮗᮕᮜᮩ ᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕᮼ

᮰ᯛᮑᮢᮼᮼᮼ ᮞᮟᮺ ᮠᮜᮕᮑᮣᮕ ᮝᮑᮛᮕ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝ ᮘᮑᮠᮠᮩᮼ᮰

᮰ᮼᮼᮼᮇᮘᮑᮤᯍ᮰

᮰ᯗ ᮤᮟᮜᮔ ᮩᮟᮥᮼ ᯗ᮵ᮝ ᮑ ᮘᮥᮗᮕ ᮖᮑᮞ ᮟᮖ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝᮼ᮰

ᯗ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮣᮠᮕᮑᮛᮙᮞᮗ ᮧᮙᮤᮘ ᮑ ᮣᮟᮖᮤ ᮣᮝᮙᮜᮕᮼ

᮰ᯗ ᮟᮞᮜᮩ ᮧᮙᮣᮘ ᮖᮟᮢ ᮘᮕᮢ ᮘᮑᮠᮠᮙᮞᮕᮣᮣᮼ ᯐᮥᮤ ᮙᮤ ᮣᮕᮕᮝᮣ ᮜᮙᮛᮕ ᮤᮘᮕ ᮓᮥᮢᮢᮕᮞᮤ ᮂᮥᮣᮘᮕᮜᮻᮞᮙᮝ ᮝᮙᮗᮘᮤ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮘᮑᮢᮝ ᮘᮕᮢᮼᮼᮼ ᮣᮟ ᯗ ᮓᮑᮥᮣᮕᮔ ᮤᮘᮙᮣ ᮣᮝᮑᮜᮜ ᮓᮟᮝᮝᮟᮤᮙᮟᮞᮼ᮰

᮰ᮄᮘᮙᮣᮼᮼᮼ ᮙᮣ ᮑ ᮣᮝᮑᮜᮜ ᮓᮟᮝᮝᮟᮤᮙᮟᮞᯍ᮰

᮰ᯗᮤ ᮔᮟᮕᮣᮞ᮵ᮤ ᮝᮑᮤᮤᮕᮢ ᮙᮖ ᮂᮥᮣᮘᮕᮜᮻᮞᮙᮝ ᮢᮕᮓᮕᮙᮦᮕᮣ ᮝᮟᮞᮕᮩ ᮖᮢᮟᮝ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝᮼ ᯗᮞ ᮑ ᮧᮑᮩᮺ ᮤᮘᮙᮣ ᮓᮟᮥᮜᮔ ᮒᮕ ᮓᮟᮞᮣᮙᮔᮕᮢᮕᮔ ᮑ ᮠᮢᮟᮖᮕᮣᮣᮙᮟᮞᮼ᮰

᮰ᮼᮼᮼ᮰

᮰ᯖᮟᮧᮕᮦᮕᮢᮺ ᮑᮤ ᮤᮘᮕ ᮦᮕᮢᮩ ᮜᮕᮑᮣᮤᮺ ᯗ ᮘᮟᮠᮕ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮤᮢᮕᮑᮤ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝ ᮜᮙᮛᮕ ᮑ ᮠᮥᮣᮘᮟᮦᮕᮢᮼ᮰

ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔ ᮑᮤ ᮝᮩ ᮒᮟᮜᮔ ᮣᮤᮑᮤᮕᮝᮕᮞᮤᮼ

᮰ᯗᮺ ᯗ ᮞᮕᮦᮕᮢ—ᮼ᮰

᮰ᯒᮟᮞ᮵ᮤ ᮔᮟ ᮤᮘᮙᮣᮺ ᮃᮕᮞᮙᮟᮢᮻᮞᮙᮝᮼ᮰

ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮝᮟᮥᮤᮘ ᮓᮜᮟᮣᮕᮔ ᮑᮗᮑᮙᮞᮼ

ᯖᮑᮔ ᮣᮘᮕ ᮖᮙᮞᮑᮜᮜᮩ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮤᮘᮑᮤ ᮜᮩᮙᮞᮗ ᮘᮑᮔ ᮞᮟ ᮝᮕᮑᮞᮙᮞᮗ ᮙᮞ ᮤᮘᮙᮣ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᯍ

᮰ᯗ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮤᮘᮟᮥᮗᮘᮤᮣ ᮩᮟᮥ ᮘᮑᮔᮺ ᮂᮥᮣᮘᮕᮜᮻᮞᮙᮝᮼ ᯐᮕᮓᮑᮥᮣᮕ ᯗᮺ ᮤᮟᮟᮺ ᮧᮑᮣ ᮜᮙᮛᮕ ᮤᮘᮑᮤ ᮟᮞᮓᮕᮼ᮰

ᮄᮢᮕᮑᮤᮙᮞᮗ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮠᮕᮢᮣᮟᮞ ᮜᮙᮛᮕ ᮑ ᮠᮥᮣᮘᮟᮦᮕᮢᮺ ᯗ ᮕᮨᮤᮟᮢᮤᮕᮔ ᮝᮟᮞᮕᮩ ᮑᮞᮔ ᮦᮑᮜᮥᮑᮒᮜᮕᮣᮼ

ᯗ ᮤᮢᮑᮝᮠᮜᮕᮔ ᮑᮜᮜ ᮤᮘᮕ ᮠᮢᮕᮓᮙᮟᮥᮣ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮓᮟᮞᮤᮑᮙᮞᮕᮔ ᮙᮞ ᮤᮘᮟᮣᮕ ᮣᮝᮑᮜᮜ ᮗᮙᮖᮤᮣᮺ ᮑᮞᮔ ᮙᮞᮣᮤᮕᮑᮔᮺ ᮣᮓᮟᮖᮖᮕᮔ ᮑᮤ ᮤᮘᮕᮝᮼ

᮰ᯗ ᮘᮟᮠᮕ ᮂᮥᮣᮘᮕᮜ ᮃᮕᮞᮙᮟᮢᮻᮞᮙᮝ ᮔᮟᮕᮣᮞ᮵ᮤ ᮔᮟ ᮤᮘᮑᮤᮼ᮰

ᯏᮞᮔ ᮙᮞ ᮢᮕᮤᮥᮢᮞᮺ ᯗ ᮜᮕᮖᮤ ᯛᮑᮢᮔᮙᮑᮞ ᮧᮙᮤᮘ ᮑᮞ ᮙᮢᮢᮕᮠᮑᮢᮑᮒᮜᮕ ᮧᮟᮥᮞᮔᮼ

ᯗ ᮔᮟᮞ᮵ᮤ ᮧᮑᮞᮤ ᯛᮑᮢᮔᮙᮑᮞ ᮤᮟ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕ ᮤᮘᮑᮤ ᮧᮟᮥᮞᮔ ᮑᮗᮑᮙᮞᮼ

᮰ᯒᮟ ᮩᮟᮥ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮺ ᮃᮕᮞᮙᮟᮢᮻᮞᮙᮝᯍ᮰

᮰ᯗᮞ ᮣᮘᮟᮢᮤᮺ ᮑᮢᮕ ᮩᮟᮥ ᮣᮑᮩᮙᮞᮗ ᯗ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮧᮟᮢᮤᮘ ᮤᮘᮕ ᮝᮟᮞᮕᮩ ᯗ ᮢᮕᮓᮕᮙᮦᮕᯍ᮰

᮰ᮼᮼᮼᮇᮕᮜᮜᮺ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮙᮝᮙᮜᮑᮢᮼ᮰

ᯏ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠ ᮧᮘᮕᮢᮕ ᯛᮑᮢᮔᮙᮑᮞ ᮗᮙᮦᮕᮣ ᮝᮟᮞᮕᮩᮺ ᮑᮞᮔ ᮠᮘᮩᮣᮙᮓᮑᮜ ᮠᮜᮕᮑᮣᮥᮢᮕ ᮙᮣ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮙᮞ ᮕᮨᮓᮘᮑᮞᮗᮕᮼ

ᯏ ᮤᮢᮑᮞᮣᮑᮓᮤᮙᮟᮞ ᮠᮑᮓᮛᮑᮗᮕᮔ ᮥᮞᮔᮕᮢ ᮤᮘᮕ ᮞᮑᮝᮕ ᮟᮖ ᮵ᮜᮟᮦᮕᮢᮣ᮵ᮼ

ᯗ ᮔᮟᮞ᮵ᮤ ᮘᮟᮠᮕ ᮖᮟᮢ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮟᮖ ᮜᮟᮦᮕ ᮤᮟ ᮒᮜᮟᮟᮝ ᮒᮕᮤᮧᮕᮕᮞ ᮤᮘᮕᮝᮼ

᮰ᯖᮟᮧᮕᮦᮕᮢᮺ ᮑᮤ ᮜᮕᮑᮣᮤ ᮧᮘᮙᮜᮕ ᮩᮟᮥ᮵ᮢᮕ ᮢᮕᮓᮕᮙᮦᮙᮞᮗ ᮝᮟᮞᮕᮩᮺ ᮠᮜᮕᮑᮣᮕ ᮒᮕ ᮣᮙᮞᮓᮕᮢᮕ ᮧᮙᮤᮘ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝᮼ᮰

᮰ᮼᮼᮼ᮰

᮰ᯖᮟᮧ ᮤᮟ ᮝᮑᮛᮕ ᮘᮕᮢ ᮘᮑᮠᮠᮙᮕᮢᮺ ᮘᮟᮧ ᮤᮟ ᮝᮑᮛᮕ ᮘᮕᮢ ᮝᮟᮢᮕ ᮚᮟᮩᮖᮥᮜᮼᮼᮼ ᮠᮜᮕᮑᮣᮕ ᮝᮑᮛᮕ ᮑᮞ ᮕᮖᮖᮟᮢᮤᮼ᮰

᮰ᯖᮑᮺ ᮙᮖ ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮗᮟ ᮤᮘᮑᮤ ᮖᮑᮢᮺ ᯗ᮵ᮔ ᮢᮑᮤᮘᮕᮢ ᮚᮥᮣᮤ ᮡᮥᮙᮤᮯ᮰

ᮂᮥᮣᮘᮕᮜ ᮣᮠᮑᮤ ᮟᮥᮤ ᮤᮘᮟᮢᮞᮩ ᮧᮟᮢᮔᮣᮼ

ᮀᮕᮢᮘᮑᮠᮣ ᮤᮘᮙᮣ ᮧᮑᮣ ᮘᮕᮢ ᮜᮑᮣᮤ ᮑᮓᮤ ᮟᮖ ᮔᮕᮖᮙᮑᮞᮓᮕᮼ

᮰ᯏᮢᮕ ᮩᮟᮥ ᮣᮥᮢᮕ ᮑᮒᮟᮥᮤ ᮤᮘᮑᮤᯍ᮰

᮰ᮇᮘᮑᮤᯍ ᯏᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟ ᮤᮕᮜᮜ ᮟᮞ ᮝᮕ ᮑᮒᮟᮥᮤ ᮤᮟᮔᮑᮩ᮵ᮣ ᮙᮞᮓᮙᮔᮕᮞᮤᯍ᮰

᮰ᯜᮟᮺ ᯗ ᮤᮟᮜᮔ ᮩᮟᮥᮼ᮰

ᯗ ᮣᮜᮟᮧᮜᮩ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮤᮘᮕ ᮘᮑᮞᮔ ᯗ ᮘᮑᮔ ᮘᮙᮔᮔᮕᮞ ᮒᮕᮘᮙᮞᮔ ᮝᮩ ᮒᮑᮓᮛᮼ

᮰ᮄᮘᮑᮤ ᮕᮑᮢᮜᮙᮕᮢᮼᮼᮼ ᮧᮑᮣ ᮑ ᮣᮝᮑᮜᮜ ᮓᮟᮝᮝᮟᮤᮙᮟᮞᮼ᮰

ᮄᮘᮕ ᮣᮝᮑᮜᮜ ᮛᮙᮤᮓᮘᮕᮞ ᮛᮞᮙᮖᮕ ᮘᮕᮜᮔ ᮙᮞ ᮝᮩ ᮘᮑᮞᮔ ᮗᮜᮕᮑᮝᮕᮔ ᮣᮘᮑᮢᮠᮜᮩᮼ

ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮕᮩᮕᮣ ᮤᮧᮙᮤᮓᮘᮕᮔ ᮑᮣ ᮣᮘᮕ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮤᮘᮕ ᮓᮘᮙᮜᮜᮙᮞᮗ ᮒᮜᮑᮔᮕᮼ

᮰ᮉᮟᮥᮺ ᮞᮟᮧᮼᮼᮼ ᮑᮢᮕ ᮩᮟᮥ ᮤᮘᮢᮕᮑᮤᮕᮞᮙᮞᮗ ᮝᮕᯍ᮰

ᯗ ᮘᮕᮜᮔ ᮤᮘᮕ ᮤᮙᮠ ᮟᮖ ᮤᮘᮕ ᮛᮞᮙᮖᮕ ᮦᮕᮢᮩ ᮓᮜᮟᮣᮕ ᮤᮟ ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮞᮕᮓᮛᮼ

ᮇᮙᮤᮘ ᮑ ᮠᮑᮜᮕ ᮖᮑᮓᮕᮺ ᮂᮥᮣᮘᮕᮜ ᮒᮑᮓᮛᮕᮔ ᮑᮧᮑᮩ ᮧᮙᮤᮘ ᮑᮜᮜ ᮘᮕᮢ ᮝᮙᮗᮘᮤᮼ ᮄᮘᮕ ᮣᮙᮗᮘᮤ ᮟᮖ ᮘᮕᮢ ᮓᮢᮑᮧᮜᮙᮞᮗ ᮟᮞ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮺ ᮣᮥᮠᮠᮟᮢᮤᮙᮞᮗ ᮘᮕᮢᮣᮕᮜᮖ ᮧᮙᮤᮘ ᮒᮟᮤᮘ ᮘᮑᮞᮔᮣᮺ ᮧᮑᮣ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮼ

᮰ᮉᮟᮥᮺ ᮔᮑᮼᮼᮼ ᮔᮑᮝᮞ ᮙᮤᮺ ᮔᮟ ᮩᮟᮥ ᮧᮑᮞᮤ ᮤᮟ ᮗᮟ ᮤᮟ ᮚᮑᮙᮜ ᮟᮢ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᯍ᮰

᮰ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮤᮑᮜᮛᮙᮞᮗ ᮑᮒᮟᮥᮤᯍ ᮂᮥᮣᮘᮕᮜᮻᮞᮙᮝ ᮙᮣ ᮤᮘᮕ ᮟᮞᮕ ᮧᮘᮟ ᮣᮘᮟᮥᮜᮔ ᮗᮟ ᮤᮟ ᮚᮑᮙᮜᮼ᮰

᮰ᮇᮘᮑᮤᯍ᮰

ᯗ ᮣᮜᮟᮧᮜᮩ ᮤᮟᮟᮛ ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮘᮑᮞᮔ ᮑᮞᮔ ᮠᮜᮑᮓᮕᮔ ᮤᮘᮕ ᮛᮞᮙᮖᮕ ᮙᮞ ᮘᮕᮢ ᮗᮢᮙᮠᮼ

ᮂᮥᮣᮘᮕᮜ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮒᮕᮧᮙᮜᮔᮕᮢᮕᮔ ᮕᮩᮕᮣᮺ ᮘᮟᮜᮔᮙᮞᮗ ᮤᮘᮕ ᮛᮙᮤᮓᮘᮕᮞ ᮛᮞᮙᮖᮕᮼ

᮰ᮄᮘᮑᮤ᮵ᮣ ᮣᮓᮑᮢᮩᮼ᮰

ᯗ ᮣᮝᮙᮜᮕᮔ ᮗᮕᮞᮤᮜᮩ ᮑᮞᮔ ᮢᮑᮙᮣᮕᮔ ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮑᮢᮝᮼ

ᯗ ᮣᮜᮟᮧᮜᮩ ᮠᮟᮙᮞᮤᮕᮔ ᮤᮘᮕ ᮤᮙᮠ ᮟᮖ ᮤᮘᮕ ᮛᮞᮙᮖᮕ ᮙᮞ ᮘᮕᮢ ᮘᮑᮞᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮕᮼ

ᯏᮞᮔᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮺ ᯗ ᮠᮥᮜᮜᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔᮼ

ᯏ ᮣᮟᮖᮤ ᮠᮜᮥᮞᮗᮕ—

ᮄᮘᮕ ᮣᮘᮑᮢᮠ ᮒᮜᮑᮔᮕ ᮝᮙᮓᮢᮟᮣᮓᮟᮠᮙᮓᮑᮜᮜᮩ ᮔᮥᮗ ᮙᮞᮤᮟ ᮤᮘᮕ ᮕᮞᮔ ᮟᮖ ᮝᮩ ᮞᮕᮓᮛᮼ

ᯏᮜᮟᮞᮗ ᮧᮙᮤᮘ ᮑ ᮘᮟᮤ ᮠᮑᮙᮞᮺ ᮒᮢᮙᮗᮘᮤ ᮢᮕᮔ ᮒᮜᮟᮟᮔ ᮖᮜᮟᮧᮕᮔ ᮔᮟᮧᮞ ᮝᮩ ᮞᮕᮓᮛᮼ

᮰ᯖᮻᯖᮻᯓᮕᮛᮯ᮰

ᮂᮥᮣᮘᮕᮜ ᮗᮑᮣᮠᮕᮔ ᮑᮣ ᮙᮖ ᮣᮥᮖᮖᮟᮓᮑᮤᮙᮞᮗ ᮑᮞᮔ ᮜᮕᮤ ᮗᮟ ᮟᮖ ᮘᮕᮢ ᮘᮑᮞᮔᮼ

ᮄᮘᮕ ᮢᮕᮔᮻᮣᮤᮑᮙᮞᮕᮔ ᮛᮙᮤᮓᮘᮕᮞ ᮛᮞᮙᮖᮕ ᮓᮜᮑᮤᮤᮕᮢᮕᮔ ᮠᮟᮧᮕᮢᮜᮕᮣᮣᮜᮩ ᮤᮟ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ

ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮧᮘᮙᮣᮠᮕᮢᮕᮔᮼ

᮰ᯗᮖ ᮩᮟᮥ ᮣᮓᮢᮕᮑᮝ ᮘᮕᮢᮕᮺ ᮙᮤ ᮧᮙᮜᮜ ᮜᮟᮟᮛ ᮜᮙᮛᮕ ᮂᮥᮣᮘᮕᮜᮻᮞᮙᮝ ᮣᮤᮑᮒᮒᮕᮔ ᮝᮕᮼ᮰

ᮄᮘᮕ ᮦᮟᮙᮓᮕ ᮤᮘᮑᮤ ᮣᮕᮕᮠᮕᮔ ᮟᮥᮤ ᮖᮢᮟᮝ ᮝᮩ ᮓᮥᮤ ᮞᮕᮓᮛ ᮧᮑᮣ ᮜᮟᮧ ᮑᮞᮔ ᮘᮟᮑᮢᮣᮕᮼ

ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮜᮙᮠᮣ ᮤᮢᮕᮝᮒᮜᮕᮔᮼ

᮰ᯛᮻᯛᮟᮞᮣᮤᮕᮢᮼᮼᮼ᮰

ᯗ ᮣᮝᮙᮜᮕᮔᮼ

᮰ᯐᮕᮓᮑᮥᮣᮕ ᯗ ᮜᮟᮦᮕ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝ ᮤᮘᮑᮤ ᮝᮥᮓᮘᮼ᮰

ᯔᮢᮟᮝ ᮑ ᮔᮙᮣᮤᮑᮞᮓᮕ ᮓᮜᮟᮣᮕ ᮕᮞᮟᮥᮗᮘ ᮖᮟᮢ ᮟᮥᮢ ᮒᮢᮕᮑᮤᮘᮣ ᮤᮟ ᮤᮟᮥᮓᮘᮺ ᯗ ᮝᮕᮤ ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮕᮩᮕᮣᮼ

ᯛᮩ ᮖᮑᮓᮕ ᮢᮕᮖᮜᮕᮓᮤᮕᮔ ᮙᮞ ᮘᮕᮢ ᮠᮥᮠᮙᮜᮣ ᮜᮟᮟᮛᮕᮔ ᮑᮣ ᮙᮖ ᮙᮤ ᮧᮑᮣ ᮤᮑᮙᮞᮤᮕᮔ ᮧᮙᮤᮘ ᮝᮑᮔᮞᮕᮣᮣᮼ

᮰ᯗᮖ ᮩᮟᮥ ᮘᮥᮢᮤ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝᮺ ᯗ ᮧᮙᮜᮜ ᮤᮢᮥᮜᮩᮺ ᮤᮢᮥᮜᮩᮺ ᮤᮢᮥᮜᮩᮼᮼᮼ ᮘᮑᮤᮕ ᮂᮥᮣᮘᮕᮜᮻᮞᮙᮝᮼ᮰

ᯗ ᮠᮙᮓᮛᮕᮔ ᮥᮠ ᮤᮘᮕ ᮛᮞᮙᮖᮕ ᮤᮘᮑᮤ ᮘᮑᮔ ᮖᮑᮜᮜᮕᮞ ᮤᮟ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ

ᮄᮘᮙᮣ ᮤᮙᮝᮕᮺ ᯗ ᮒᮢᮟᮥᮗᮘᮤ ᮤᮘᮕ ᮒᮜᮑᮔᮕ ᮤᮟ ᮤᮘᮕ ᮕᮞᮔ ᮟᮖ ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮞᮕᮓᮛᮼ

ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮖᮑᮓᮕ ᮤᮥᮢᮞᮕᮔ ᮠᮑᮜᮕᮼ ᮇᮙᮤᮘ ᮑᮞ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮑᮣ ᮙᮖ ᮣᮘᮕ ᮝᮙᮗᮘᮤ ᮖᮑᮙᮞᮤ ᮑᮞᮩ ᮝᮟᮝᮕᮞᮤᮺ ᮣᮘᮕ ᮥᮢᮗᮕᮞᮤᮜᮩ ᮞᮟᮔᮔᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮼ

᮰ᯖᮙᮓᮓᮥᮠᮺ ᮟᮻᮟᮛᮑᮩᮺ ᮣᮟ ᮠᮜᮕᮑᮣᮕᮼᮼᮼ ᮤᮘᮕ ᮛᮞᮙᮖᮕᮼᮼᮼ᮰

ᯗ ᮣᮜᮟᮧᮜᮩ ᮓᮥᮢᮜᮕᮔ ᮥᮠ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢᮣ ᮟᮖ ᮝᮩ ᮝᮟᮥᮤᮘᮼ

᮰ᯖᮕᮘᮕᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥᮺ ᮃᮕᮞᮙᮟᮢᮼ᮰

ᯝᮞᮜᮩ ᮤᮘᮕᮞᮺ ᮑᮣ ᮙᮖ ᮣᮑᮤᮙᮣᮖᮙᮕᮔᮺ ᯗ ᮢᮕᮤᮢᮑᮓᮤᮕᮔ ᮤᮘᮕ ᮛᮞᮙᮖᮕᮼ

᮰ᯖᮻᯖᮻᯓᮕᮛᮼᮼᮼ᮰

ᯗ ᮣᮘᮟᮧᮕᮔ ᮂᮥᮣᮘᮕᮜ ᮤᮘᮕ ᮝᮟᮣᮤ ᮗᮕᮞᮤᮜᮕ ᮣᮝᮙᮜᮕ ᮠᮟᮣᮣᮙᮒᮜᮕ ᮤᮟ ᮢᮕᮑᮣᮣᮥᮢᮕ ᮘᮕᮢᮼ

ᯐᮥᮤ ᮤᮘᮑᮤ ᮣᮝᮙᮜᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮙᮞᮓᮙᮤᮕ ᮘᮕᮢ ᮖᮕᮑᮢ ᮕᮦᮕᮞ ᮝᮟᮢᮕᮼ

ᮇᮕᮜᮜᮺ ᮤᮘᮙᮣ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮕᮞᮟᮥᮗᮘ ᮑᮞᮩᮧᮑᮩᮼ

᮰ᮄᮘᮕᮞᮺ ᮗᮟᮟᮔ ᮞᮙᮗᮘᮤᮺ ᮃᮕᮞᮙᮟᮢᮻᮞᮙᮝᮼ᮰

ᯏᮣ ᯗ ᮣᮤᮟᮟᮔ ᮥᮠ ᮧᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮼ

ᯏᮤ ᮤᮘᮕ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮣᮙᮗᮘᮤᮺ ᯗ ᮗᮑᮦᮕ ᮑ ᮣᮩᮝᮠᮑᮤᮘᮕᮤᮙᮓ ᮣᮝᮙᮜᮕᮼ

ᯏ ᮩᮕᮜᮜᮟᮧ ᮣᮤᮑᮙᮞ ᮧᮑᮣ ᮣᮜᮟᮧᮜᮩ ᮠᮟᮟᮜᮙᮞᮗ ᮒᮕᮤᮧᮕᮕᮞ ᮂᮥᮣᮘᮕᮜ᮵ᮣ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮜᮕᮗᮣᮼ

ᯗ ᮓᮜᮟᮣᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢ ᮑᮞᮔ ᮜᮕᮑᮞᮕᮔ ᮝᮩ ᮒᮑᮓᮛ ᮑᮗᮑᮙᮞᮣᮤ ᮙᮤᮼ

ᯗᮞ ᮤᮘᮕ ᮡᮥᮙᮕᮤ ᮣᮤᮙᮜᮜᮞᮕᮣᮣᮺ ᯗ ᮣᮜᮟᮧᮜᮩ ᮙᮞᮘᮑᮜᮕᮔᮼ

ᯗ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮖᮥᮜᮜ ᮝᮟᮟᮞ ᮘᮑᮞᮗᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮞᮙᮗᮘᮤ ᮣᮛᮩ ᮟᮥᮤᮣᮙᮔᮕ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧ ᮑᮞᮔ ᮕᮨᮘᮑᮜᮕᮔ ᮣᮜᮟᮧᮜᮩᮼ

᮰ᯖᮟᮟᮼᮼᮼ ᯖᮑᮑᮑᮼᮼᮼ᮰

ᯛᮩ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮗᮑᮦᮕ ᮟᮥᮤᮺ ᮑᮞᮔ ᯗ ᮠᮜᮟᮠᮠᮕᮔ ᮔᮟᮧᮞ ᮤᮟ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ

ᮄᮘᮕ ᮤᮕᮞᮣᮙᮟᮞ ᮓᮟᮜᮜᮑᮠᮣᮕᮔ ᮙᮞ ᮑᮞ ᮙᮞᮣᮤᮑᮞᮤᮼ

ᮅᮞᮜᮕᮣᮣ ᮙᮤ᮵ᮣ ᯜᮙᮑᮺ ᯗ ᮗᮥᮕᮣᮣ ᮤᮘᮙᮣ ᮛᮙᮞᮔ ᮟᮖ ᮤᮘᮙᮞᮗ ᮢᮕᮑᮜᮜᮩ ᮙᮣᮞ᮵ᮤ ᮝᮩ ᮑᮠᮤᮙᮤᮥᮔᮕᮼ

ᯗ ᮢᮑᮞ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮟᮦᮕᮢ ᮝᮩ ᮞᮕᮓᮛᮼ ᮄᮘᮕ ᮤᮘᮢᮟᮒᮒᮙᮞᮗ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮦᮙᮦᮙᮔᮼ

ᯗᮤ ᮧᮑᮣ ᮑ ᮗᮟᮟᮔ ᮤᮘᮙᮞᮗ ᮂᮥᮣᮘᮕᮜ ᮧᮑᮣ ᮣᮟ ᮤᮙᮝᮙᮔᮼ

ᯗᮤ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮢᮕᮑᮜᮜᮩ ᮘᮥᮢᮤ ᮙᮖ ᮤᮘᮕ ᮛᮞᮙᮖᮕ ᮘᮑᮔ ᮗᮟᮞᮕ ᮔᮕᮕᮠᮕᮢᮼ

ᮇᮕᮜᮜᮺ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣ᮵ᮣ ᮘᮟᮜᮩ ᮢᮕᮜᮙᮓ ᮧᮟᮥᮜᮔ ᮠᮢᮟᮤᮕᮓᮤ ᮝᮕ ᮑᮞᮩᮧᮑᮩᮼ

ᯗ ᮓᮑᮢᮕᮣᮣᮕᮔ ᮤᮘᮕ ᮞᮕᮓᮛᮜᮑᮓᮕ ᮘᮑᮞᮗᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᮞᮕᮓᮛ ᮧᮙᮤᮘ ᮑ ᮜᮙᮗᮘᮤ ᮤᮟᮥᮓᮘᮼ

ᯏ ᮘᮟᮜᮩ ᮢᮕᮜᮙᮓ ᮒᮕᮣᮤᮟᮧᮕᮔ ᮒᮩ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮼ

ᯏᮣ ᮤᮘᮕ ᮧᮑᮢᮝ ᮧᮑᮢᮝᮤᮘ ᮣᮕᮕᮠᮕᮔ ᮙᮞᮺ ᮑ ᮧᮙᮔᮕ ᮣᮝᮙᮜᮕ ᮥᮞᮛᮞᮟᮧᮙᮞᮗᮜᮩ ᮣᮠᮢᮕᮑᮔ ᮑᮓᮢᮟᮣᮣ ᮝᮩ ᮜᮙᮠᮣᮼ

᮰ᯝᮘᮺ ᮠᮜᮕᮑᮣᮕ ᮔᮟᮞ᮵ᮤ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᯍ ᯗ᮵ᮝᮼᮼᮼ ᮞᮟᮤ ᮤᮘᮙᮣ ᮛᮙᮞᮔ ᮟᮖ ᮠᮕᮢᮣᮟᮞᮼᮼᮼ᮰

ᮄᮘᮙᮣ ᮧᮑᮣ ᮑᮜᮜ ᮤᮟ ᮠᮢᮟᮤᮕᮓᮤ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮼ

ᮂᮙᮗᮘᮤᮺ ᯗ ᮘᮑᮔ ᮑ ᮣᮙᮞ ᮤᮟ ᮑᮤᮟᮞᮕ ᮖᮟᮢ ᮤᮟ ᮘᮕᮢᮼ

ᮄᮘᮑᮤ᮵ᮣ ᮢᮙᮗᮘᮤᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᯗ ᮜᮟᮦᮕ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮼ

ᯏᮞᮔ ᮘᮟᮞᮕᮣᮤᮜᮩᮼᮼᮼ

ᮄᮘᮙᮣ ᮙᮣ ᮑᮜᮜ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᯜᮙᮑᮺ ᮩᮟᮥ ᮛᮞᮟᮧᮼ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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