Tales of the Taisho Era Flowers Bloom Late

Chapter 18

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᯄ ᯏᯛ᮷ ᮇᮘᮩ ᮆᮙᮦᮙᮑᮞᮑ ᮙᮣ ᮑ ᮤᮕᮢᮢᮙᮒᮜᮕ ᮓᮘᮑᮢᮑᮓᮤᮕᮢ

ᯏᮥᮤᮘᮟᮢᯈ ᯏᮞᮟᮞᮩᮝᮟᮥᮣ ᮶ᯁᯃᮿᮼᯂᯂᮿ᮷

ᯚᮟᮞᮗ ᮠᮟᮣᮤ ᮧᮑᮢᮞᮙᮞᮗᮼ

ᯗ᮵ᮦᮕ ᮣᮕᮕᮞ ᮤᮘᮕ ᮕᮞᮔᮙᮞᮗ ᮟᮖ ᮤᮘᮙᮣ ᮀᮢᮙᮞᮓᮕᮣᮣ ᮂᮕᮑᮢᮙᮞᮗ ᮃᮙᮝᮥᮜᮑᮤᮙᮟᮞ ᮗᮑᮝᮕ ᯃᮾ ᮤᮙᮝᮕᮣ ᮑᮜᮟᮞᮕᮼ
ᯗ ᮓᮟᮞᮣᮙᮔᮕᮢ ᮝᮩᮣᮕᮜᮖ ᮑ ᮦᮕᮤᮕᮢᮑᮞ ᮠᮜᮑᮩᮕᮢᮺ ᮩᮕᮑᮘᮼ
ᯗ᮵ᮦᮕ ᮣᮕᮕᮞ ᮕᮞᮔᮙᮞᮗᮣ ᮖᮟᮢ ᮒᮟᮤᮘ ᮆᮙᮦᮙᮑᮞᮑ ᮑᮞᮔ ᯚᮙᮜᮜᮙᮑᮞᮺ ᮣᮠᮜᮙᮤ ᮕᮦᮕᮞᮜᮩᮼ
ᯔᮢᮟᮝ ᮝᮩ ᮠᮕᮢᮣᮠᮕᮓᮤᮙᮦᮕᮺ ᯚᮙᮜᮜᮙᮑᮞ ᮙᮣ ᮑ ᮘᮥᮞᮔᮢᮕᮔ ᮤᮙᮝᮕᮣ ᮒᮕᮤᮤᮕᮢ ᮤᮘᮑᮞ ᮆᮙᮦᮙᮑᮞᮑᮼ

ᯗ᮵ᮜᮜ ᮕᮨᮠᮜᮑᮙᮞ ᮧᮘᮩᮼ

ᯛᮟᮣᮤ ᮟᮖ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮕᮞᮔᮙᮞᮗᮣ ᮑᮢᮕ ᮒᮑᮔ ᮕᮞᮔᮙᮞᮗᮣᮼ
ᮃᮘᮕ ᮤᮥᮢᮞᮣ ᮔᮑᮢᮛ ᮕᮦᮕᮞ ᮙᮖ ᮣᮘᮕ ᮛᮙᮜᮜᮣ ᮤᮟᮟ ᮝᮑᮞᮩ ᮕᮞᮕᮝᮙᮕᮣ ᮙᮞ ᮧᮑᮢᮼ
ᮃᮘᮕ ᮤᮥᮢᮞᮣ ᮔᮑᮢᮛ ᮙᮖ ᮤᮘᮢᮕᮕ ᮟᮢ ᮝᮟᮢᮕ ᮟᮖ ᮘᮕᮢ ᮓᮟᮝᮠᮑᮞᮙᮟᮞᮣ ᮔᮙᮕᮼ
ᮃᮘᮕ ᮤᮥᮢᮞᮣ ᮔᮑᮢᮛ ᮕᮦᮕᮞ ᮑᮖᮤᮕᮢ ᮒᮢᮙᮞᮗᮙᮞᮗ ᮠᮕᮑᮓᮕ ᮤᮟ ᮤᮘᮕ ᯓᮝᮠᮙᮢᮕᮺ ᮖᮕᮕᮜᮙᮞᮗ ᮕᮝᮠᮤᮩᮼ
ᮃᮘᮕ ᮚᮥᮣᮤ ᮖᮑᮜᮜᮣ ᮙᮞᮤᮟ ᮓᮟᮢᮢᮥᮠᮤᮙᮟᮞ ᮑᮣ ᮓᮑᮣᮥᮑᮜᮜᮩ ᮑᮣ ᮑᮞ ᮟᮓᮕᮑᮞ ᮣᮥᮞᮖᮙᮣᮘ ᮔᮙᮕᮣᮼ

ᯗᮺ ᮤᮟᮟᮺ ᮧᮑᮣ ᮔᮢᮑᮧᮞ ᮤᮟ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮑᮒᮣᮥᮢᮔᮜᮩ ᮟᮦᮕᮢᮠᮟᮧᮕᮢᮕᮔ ᮣᮠᮕᮓᮣ ᮑᮞᮔ ᮟᮞᮜᮩ ᮠᮜᮑᮩᮕᮔ ᮘᮕᮢ ᮑᮤ ᮤᮘᮕ ᮒᮕᮗᮙᮞᮞᮙᮞᮗᮺ ᮒᮕᮓᮟᮝᮙᮞᮗ ᮑᮞ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮓᮟᮜᮜᮕᮓᮤᮟᮢ ᮟᮖ ᮒᮑᮔ ᮕᮞᮔᮙᮞᮗᮣᮼ

ᮆᮙᮦᮙᮑᮞᮑ ᮘᮑᮣ ᮑ ᮓᮟᮢᮢᮥᮠᮤᮙᮟᮞ ᮗᮑᮥᮗᮕ ᮑᮣ ᮑᮞ ᮙᮞᮤᮕᮢᮞᮑᮜ ᮗᮑᮝᮕ ᮝᮕᮤᮢᮙᮓᮼ ᮄᮘᮙᮣ ᮙᮣ ᮑ ᮖᮑᮓᮤ ᮟᮖᮖᮙᮓᮙᮑᮜᮜᮩ ᮢᮕᮦᮕᮑᮜᮕᮔ ᮒᮩ ᮤᮘᮕ ᮓᮟᮝᮠᮑᮞᮩᮼ ᯗᮤ᮵ᮣ ᮑ ᮘᮙᮔᮔᮕᮞ ᮗᮑᮥᮗᮕᮺ ᮒᮥᮤ ᮙᮖ ᮩᮟᮥ ᮚᮥᮣᮤ ᮤᮘᮟᮥᮗᮘᮤᮜᮕᮣᮣᮜᮩ ᮖᮟᮓᮥᮣ ᮟᮞ ᮜᮕᮦᮕᮜᮙᮞᮗ ᮥᮠ ᮟᮢ ᮕᮑᮢᮞᮙᮞᮗ ᮝᮟᮞᮕᮩᮺ ᮤᮘᮕ ᮓᮟᮢᮢᮥᮠᮤᮙᮟᮞ ᮗᮑᮥᮗᮕ ᮧᮙᮜᮜ ᮢᮙᮣᮕᮺ ᮜᮕᮑᮔᮙᮞᮗ ᮤᮟ ᮑ ᮒᮑᮔ ᮕᮞᮔᮙᮞᮗᮼ

ᯝᮞᮜᮩ ᮥᮣᮕᮢᮣ ᮧᮘᮟ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮕᮨᮑᮝᮙᮞᮕᮔ ᮤᮘᮕ ᮗᮑᮝᮕ᮵ᮣ ᮣᮕᮤᮤᮙᮞᮗᮣ ᮧᮟᮥᮜᮔ ᮛᮞᮟᮧᮺ ᮒᮥᮤ ᮆᮙᮦᮙᮑᮞᮑᮺ ᮧᮘᮟ ᮖᮙᮞᮔᮣ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮤᮢᮟᮥᮒᮜᮕᮣᮟᮝᮕᮺ ᮘᮑᮣ ᮟᮞᮕ ᮘᮟᮒᮒᮩᮼ

ᮃᮘᮕ ᮜᮙᮛᮕᮣ ᮠᮜᮑᮩᮙᮞᮗ ᮤᮘᮕ ᮠᮙᮑᮞᮟᮼ
ᯗ ᮖᮙᮢᮣᮤ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ ᮓᮟᮥᮜᮔ ᮣᮝᮙᮜᮕ ᮧᮘᮙᮜᮕ ᮣᮘᮕ ᮧᮑᮣ ᮠᮜᮑᮩᮙᮞᮗ ᮤᮘᮕ ᮠᮙᮑᮞᮟᮼ

ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮕᮨᮠᮕᮓᮤ ᮑ ᮓᮘᮑᮢᮑᮓᮤᮕᮢ ᮧᮘᮟ ᮕᮨᮤᮢᮕᮝᮕᮜᮩ ᮔᮙᮣᮜᮙᮛᮕᮣ ᮧᮑᮣᮤᮙᮞᮗ ᮤᮙᮝᮕ ᮤᮟ ᮘᮑᮦᮕ ᮑ ᮘᮟᮒᮒᮩᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣ ᮝᮕᮞᮤᮙᮟᮞᮕᮔ ᮙᮞ ᮑ ᮘᮙᮔᮔᮕᮞ ᮕᮦᮕᮞᮤ ᮤᮘᮑᮤ ᮑᮠᮠᮕᮑᮢᮣ ᮙᮞ ᮤᮘᮕ ᮝᮑᮞᮣᮙᮟᮞ᮵ᮣ ᮜᮙᮒᮢᮑᮢᮩᮼ

ᯗᮖ ᮩᮟᮥ ᮓᮟᮞᮣᮙᮣᮤᮕᮞᮤᮜᮩ ᮠᮜᮑᮩ ᮤᮘᮕ ᮠᮙᮑᮞᮟᮺ ᮩᮟᮥ ᮓᮑᮞ ᮜᮟᮧᮕᮢ ᮤᮘᮕ ᮓᮟᮢᮢᮥᮠᮤᮙᮟᮞ ᮗᮑᮥᮗᮕᮼ

ᮃᮟᮺ ᮙᮣᮞ᮵ᮤ ᮤᮘᮕᮢᮕ ᮞᮟ ᮠᮢᮟᮒᮜᮕᮝᯍ
ᯝᮖ ᮓᮟᮥᮢᮣᮕ ᮤᮘᮕᮢᮕ ᮙᮣᮼ

ᯔᮢᮟᮝ ᮑ ᮦᮕᮤᮕᮢᮑᮞ ᮠᮜᮑᮩᮕᮢ᮵ᮣ ᮠᮕᮢᮣᮠᮕᮓᮤᮙᮦᮕᮺ ᮤᮘᮕᮢᮕ᮵ᮣ ᮑ ᮣᮕᮤ ᮢᮟᮥᮤᮕᮺ ᮒᮥᮤ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮤᮘᮙᮣ ᮔᮑᮝᮞ ᮓᮟᮢᮢᮥᮠᮤᮙᮟᮞ ᮗᮑᮥᮗᮕᮺ ᮩᮟᮥ ᮓᮑᮞ᮵ᮤ ᮕᮖᮖᮙᮓᮙᮕᮞᮤᮜᮩ ᮗᮢᮟᮧ ᮤᮘᮕ ᮓᮘᮑᮢᮑᮓᮤᮕᮢᮼ ᮉᮟᮥ ᮘᮑᮦᮕ ᮤᮟ ᮠᮜᮑᮩ ᮤᮘᮕ ᮠᮙᮑᮞᮟ ᮕᮦᮕᮢᮩ ᮝᮟᮢᮞᮙᮞᮗᮺ ᮕᮦᮕᮢᮩ ᮑᮖᮤᮕᮢᮞᮟᮟᮞᮺ ᮑᮞᮔ ᮕᮦᮕᮞ ᮕᮦᮕᮢᮩ ᮕᮦᮕᮞᮙᮞᮗᮺ ᮔᮑᮝᮞ ᮙᮤ ᮜᮟᮜᮼ

ᯏᮞᮔ ᮠᮕᮢᮘᮑᮠᮣ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮘᮕᮢ ᮢᮕᮓᮜᮥᮣᮙᮦᮕ ᮠᮕᮢᮣᮟᮞᮑᮜᮙᮤᮩᮺ ᮤᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮟᮠᮤᮙᮟᮞ ᮤᮟ ᮠᮜᮑᮩ ᮤᮘᮕ ᮠᮙᮑᮞᮟ ᮧᮘᮕᮞ ᮠᮕᮟᮠᮜᮕ ᮑᮢᮕ ᮑᮢᮟᮥᮞᮔᮼ ᮉᮟᮥ ᮓᮑᮞ ᮟᮞᮜᮩ ᮠᮜᮑᮩ ᮙᮤ ᮧᮘᮕᮞ ᮩᮟᮥ᮵ᮢᮕ ᮑᮜᮟᮞᮕᮼ

ᮉᮟᮥ ᮓᮑᮞ ᮣᮛᮙᮠ ᮤᮘᮕ ᮠᮙᮑᮞᮟ ᮖᮟᮢ ᮑᮒᮟᮥᮤ ᮑ ᮔᮑᮩᮺ ᮒᮥᮤ ᮙᮖ ᮩᮟᮥ ᮜᮕᮤ ᮩᮟᮥᮢ ᮗᮥᮑᮢᮔ ᮔᮟᮧᮞ ᮕᮦᮕᮞ ᮑ ᮜᮙᮤᮤᮜᮕᮺ ᮙᮤ᮵ᮣ ᮑ ᮔᮙᮢᮕᮓᮤ ᮠᮑᮤᮘ ᮤᮟ ᮑ ᮓᮟᮢᮢᮥᮠᮤᮙᮟᮞ ᮕᮞᮔᮙᮞᮗᮼ

ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮜᮙᮛᮕ ᮣᮘᮕ ᮘᮑᮣ ᮑ ᮔᮙᮣᮕᮑᮣᮕ ᮧᮘᮕᮢᮕ ᮣᮘᮕ ᮔᮙᮕᮣ ᮙᮖ ᮣᮘᮕ ᮓᮑᮞ᮵ᮤ ᮠᮜᮑᮩ ᮤᮘᮕ ᮠᮙᮑᮞᮟᮺ ᮑᮞᮔ ᮖᮢᮟᮝ ᮑ ᮦᮕᮤᮕᮢᮑᮞ ᮠᮜᮑᮩᮕᮢ᮵ᮣ ᮠᮕᮢᮣᮠᮕᮓᮤᮙᮦᮕᮺ ᮙᮤ᮵ᮣ ᮢᮕᮑᮜᮜᮩ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮞᮗ ᮤᮟ ᮔᮕᮑᮤᮘᮼ

ᯗᮤ᮵ᮣ ᮑᮜᮣᮟ ᮖᮥᮞᮞᮩ ᮤᮘᮑᮤ ᮆᮙᮦᮙᮑᮞᮑ ᮙᮣ ᮑ ᮣᮟᮓᮙᮟᮠᮑᮤᮘ ᮓᮟᮞᮓᮕᮠᮤ ᮒᮥᮤ ᮗᮑᮙᮞᮣ ᮑ ᮵ᮘᮕᮑᮜᮙᮞᮗ ᮗᮑᮥᮗᮕ᮵ ᮖᮢᮟᮝ ᮤᮘᮙᮞᮗᮣ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼ

ᮄᮘᮕ ᮗᮑᮝᮕ ᮓᮟᮝᮠᮑᮞᮩ ᮣᮑᮩᮣ ᮤᮘᮕᮢᮕ᮵ᮣ ᮑ ᮢᮟᮥᮤᮕ ᮤᮟ ᮢᮕᮣᮟᮜᮦᮕ ᮤᮘᮕ ᮓᮟᮢᮢᮥᮠᮤᮙᮟᮞ ᮗᮑᮥᮗᮕ ᮔᮑᮙᮜᮩ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮑᮦᮙᮞᮗ ᮤᮟ ᮔᮟ ᮤᮘᮙᮣᮺ ᮒᮥᮤ ᯗ᮵ᮦᮕ ᮞᮕᮦᮕᮢ ᮣᮕᮕᮞ ᮣᮥᮓᮘ ᮑ ᮤᮘᮙᮞᮗ ᮙᮞ ᯃᮾ ᮕᮞᮔᮙᮞᮗᮣᮼ

ᯗᮤ ᮝᮙᮗᮘᮤ ᮒᮕ ᮑ ᮒᮜᮥᮖᮖᮼ

ᯏᮞᮩᮧᮑᮩᮺ ᮥᮞᮜᮕᮣᮣ ᮩᮟᮥ᮵ᮦᮕ ᮣᮕᮕᮞ ᮔᮟ᮪ᮕᮞᮣ ᮟᮖ ᮕᮞᮔᮙᮞᮗᮣ ᮜᮙᮛᮕ ᮝᮕᮺ ᯗ ᮢᮕᮓᮟᮝᮝᮕᮞᮔ ᮤᮘᮕ ᮠᮢᮟᮤᮑᮗᮟᮞᮙᮣᮤ ᯚᮙᮜᮜᮙᮑᮞᮼ

ᯗᮖ ᮩᮟᮥ ᮓᮘᮟᮟᮣᮕ ᯚᮙᮜᮜᮙᮑᮞ ᮑᮞᮔ ᮕᮞᮔᮥᮢᮕ ᮤᮘᮕ ᮕᮑᮢᮜᮩ ᮗᮑᮝᮕ ᮥᮞᮤᮙᮜ ᮘᮕᮢ ᮃᮑᮙᮞᮤᮕᮣᮣ ᮑᮧᮑᮛᮕᮞᮙᮞᮗᮺ ᮙᮤ᮵ᮣ ᮑᮜᮜ ᮘᮕᮑᮜᮙᮞᮗ ᮖᮢᮟᮝ ᮤᮘᮕᮢᮕᮼ ᯒᮟᮞ᮵ᮤ ᮚᮥᮣᮤ ᮗᮟ ᮖᮟᮢ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮝᮑᮣᮣᮙᮦᮕ ᮘᮕᮨᮑᮗᮟᮞᮑᮜ ᮣᮤᮑᮤᮣ ᮟᮞᮜᮩ ᮤᮟ ᮕᮞᮔ ᮥᮠ ᮧᮙᮤᮘ ᯆ ᮓᮟᮞᮣᮕᮓᮥᮤᮙᮦᮕ ᮒᮑᮔ ᮕᮞᮔᮙᮞᮗᮣ ᮜᮙᮛᮕ ᮝᮕᯉ ᮠᮜᮑᮩ ᯚᮙᮜᮜᮙᮑᮞᮼ

ᯐᮥᮤ ᮔᮑᮝᮞᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮙᮣ ᮝᮟᮢᮕ ᮝᮩ ᮤᮩᮠᮕᮺ ᮣᮟ ᯗ᮵ᮝ ᮗᮟᮙᮞᮗ ᮤᮟ ᮠᮜᮑᮩ ᮆᮙᮦᮙᮑᮞᮑ ᮜᮟᮜᮼ

ᯚᮙᮛᮕᮣ ᮶ᮿᯃ᮷ ᯒᮙᮣᮜᮙᮛᮕᮣ ᮶ᮿ᮷

ᯑᮟᮝᮝᮕᮞᮤᮣ ᮋᮿᯃᮍ

ᮻ ᯖᮟᮞᮕᮣᮤᮜᮩᮺ ᮙᮖ ᮆᮙᮦᮙᮑᮞᮑ ᮙᮣ ᮝᮟᮢᮕ ᮑᮠᮠᮕᮑᮜᮙᮞᮗᮺ ᮤᮘᮕᮞ ᮥᮠᮦᮟᮤᮕ ㅋㅋ
ᮻ ᯏᮗᮢᮕᮕᮔᮺ ᮑᮒᮑᮞᮔᮟᮞ ᮤᮘᮕ ᮓᮟᮟᮜ ᮒᮕᮑᮥᮤᮩ ᮟᮜᮔᮕᮢ ᮣᮙᮣᮤᮕᮢᯍ
ᮻ ᯚᮙᮜᮜᮙᮑᮞ ᮙᮣ ᮤᮟᮟ ᮞᮑᮙᮦᮕᮺ ᮣᮟ ᮣᮘᮕ᮵ᮣ ᮒᮟᮢᮙᮞᮗᮼ
ᮻ ᯗ ᮜᮙᮛᮕᮔ ᮤᮘᮕ ᮓᮟᮢᮢᮥᮠᮤᮙᮟᮞ ᮢᮟᮥᮤᮕᮼ ᯓᮣᮠᮕᮓᮙᮑᮜᮜᮩ ᮧᮘᮕᮞ ᯗ ᮛᮙᮜᮜᮕᮔ ᯚᮙᮜᮜᮙᮑᮞ ᮧᮙᮤᮘ ᮝᮩ ᮟᮧᮞ ᮘᮑᮞᮔᮣᮺ ᮙᮤ ᮖᮕᮜᮤ ᮑᮧᮕᮣᮟᮝᮕᮼ
ᮻ ᯕᮕᮤ ᮟᮥᮤᮼ

ᮻ ᯐᮥᮤ ᮙᮣ ᮤᮘᮑᮤ ᮘᮙᮔᮔᮕᮞ ᮢᮟᮥᮤᮕ ᮢᮕᮑᮜᯍ
ᮻ ᮇᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮟᮝᮕᮟᮞᮕ ᮖᮙᮗᮥᮢᮕ ᮙᮤ ᮟᮥᮤᯍ
ᮻ ᯗᮣ ᮙᮤ ᮩᮟᮥᯍ


ᮋᯜᮕᮧ ᮢᮕᮠᮜᮩ ᮠᮟᮣᮤᮕᮔᮯᮍ

ᮆᮙᮦᮙᮑᮞᮑᮼ
ᮃᮟ ᮩᮟᮥ ᮘᮑᮔ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮖᮟᮢ ᮝᮕ ᮤᮟᮟᯍ

“ᯛᮑᮩ ᯗ ᮓᮑᮜᮜ ᮩᮟᮥ ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑᯍ”

“ᮇᮘᮑᮤ ᮔᮙᮔ ᮩᮟᮥ ᮣᮑᮩᯍ”

ᯝᮢᮙᮗᮙᮞᮑᮜᮜᮩᮺ ᯗ ᮘᮑᮔᮞ᮵ᮤ ᮤᮘᮟᮥᮗᮘᮤ ᮑᮒᮟᮥᮤ ᮒᮕᮓᮟᮝᮙᮞᮗ ᮓᮜᮟᮣᮕ ᮧᮙᮤᮘ ᮆᮙᮦᮙᮑᮞᮑᮼ ᯗᮖ ᮣᮘᮕ ᮧᮕᮢᮕ ᮤᮟ ᮧᮑᮜᮛ ᮤᮘᮕ ᮠᮑᮤᮘ ᮟᮖ ᮢᮥᮙᮞᮺ ᮘᮕᮢ ᮓᮜᮟᮣᮕ ᮑᮣᮣᮟᮓᮙᮑᮤᮕᮣ ᮧᮟᮥᮜᮔ ᮒᮕ ᮤᮘᮕ ᮝᮟᮣᮤ ᮕᮞᮔᮑᮞᮗᮕᮢᮕᮔᮺ ᮣᮟ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢ ᮢᮕᮑᮣᮟᮞ ᮤᮟ ᮗᮕᮤ ᮓᮜᮟᮣᮕ ᮤᮟ ᮘᮕᮢᮼ

ᯐᮥᮤ ᮞᮟᮧᮺ ᯗ ᮧᮟᮞᮔᮕᮢᮕᮔ ᮙᮖ ᮤᮘᮑᮤ ᮕᮦᮕᮞ ᮝᮑᮤᮤᮕᮢᮕᮔᮼ ᯏᮒᮟᮦᮕ ᮑᮜᮜᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮑᮣ ᮤᮘᮕ ᮣᮟᮜᮕ ᮘᮕᮙᮢ ᮟᮖ ᮟᮞᮕ ᮟᮖ ᮟᮞᮜᮩ ᮖᮟᮥᮢ ᮔᮥᮓᮑᮜ ᮖᮑᮝᮙᮜᮙᮕᮣ ᮙᮞ ᮤᮘᮕ ᯓᮝᮠᮙᮢᮕᮼ ᯗᮖ ᯗ ᮗᮑᮙᮞᮕᮔ ᮘᮕᮢ ᮖᮑᮦᮟᮢᮺ ᮙᮝᮝᮕᮞᮣᮕ ᮒᮕᮞᮕᮖᮙᮤᮣ ᮑᮞᮔ ᮢᮕᮧᮑᮢᮔᮣ ᮧᮟᮥᮜᮔ ᮣᮥᮢᮕᮜᮩ ᮖᮟᮜᮜᮟᮧᮼ

‘ᮇᮘᮑᮤ ᮣᮘᮟᮥᮜᮔ ᯗ ᮔᮟᯍ’

ᮃᮘᮟᮥᮜᮔ ᯗ ᮤᮢᮩ ᮤᮟ ᮓᮘᮑᮢᮝ ᮘᮕᮢᯍ

ᯒᮟᮞ᮵ᮤ ᮤᮘᮕᮩ ᮣᮑᮩᮺ ᮰ᯙᮞᮟᮧ ᮩᮟᮥᮢᮣᮕᮜᮖᮺ ᮛᮞᮟᮧ ᮩᮟᮥᮢ ᮕᮞᮕᮝᮩᮺ ᮑᮞᮔ ᮩᮟᮥ ᮧᮙᮜᮜ ᮧᮙᮞ ᮑ ᮘᮥᮞᮔᮢᮕᮔ ᮒᮑᮤᮤᮜᮕᮣ᮰ ᮋᮑ ᮠᮢᮟᮦᮕᮢᮒ ᮕᮝᮠᮘᮑᮣᮙ᮪ᮙᮞᮗ ᮤᮘᮕ ᮙᮝᮠᮟᮢᮤᮑᮞᮓᮕ ᮟᮖ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ ᮟᮞᮕ᮵ᮣ ᮟᮧᮞ ᮣᮤᮢᮕᮞᮗᮤᮘᮣ ᮑᮞᮔ ᮧᮕᮑᮛᮞᮕᮣᮣᮕᮣᮺ ᮑᮣ ᮧᮕᮜᮜ ᮑᮣ ᮤᮘᮟᮣᮕ ᮟᮖ ᮟᮞᮕ᮵ᮣ ᮟᮠᮠᮟᮞᮕᮞᮤᮣᮍᯍ ᮆᮙᮦᮙᮑᮞᮑ ᮙᮣ ᮟᮞᮕ ᮟᮖ ᮤᮘᮕ ᮠᮕᮟᮠᮜᮕ ᯗ ᮛᮞᮟᮧ ᮒᮕᮣᮤ ᮙᮞ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔᮼ ᯗ ᮝᮑᮞᮑᮗᮕᮔ ᮤᮟ ᮓᮘᮑᮢᮝ ᮤᮘᮕ ᮦᮙᮜᮜᮑᮙᮞᮕᮣᮣ ᯛᮑᮢᮔᮙᮑᮞ ᮧᮙᮤᮘ ᮚᮥᮣᮤ ᮟᮞᮕ ᮠᮙᮕᮓᮕ ᮟᮖ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞᮺ ᮣᮟ ᮧᮘᮑᮤ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᯗ ᮔᮟ ᮧᮙᮤᮘ ᮆᮙᮦᮙᮑᮞᮑᯍ

ᮂᮙᮗᮘᮤᮼ

ᯕᮟᮟᮔᮼ

ᯚᮕᮤ᮵ᮣ ᮒᮢᮙᮞᮗ ᮆᮙᮦᮙᮑᮞᮑ ᮤᮟ ᮝᮩ ᮣᮙᮔᮕᮼ
ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᯗ ᮧᮟᮥᮜᮔ ᮞᮕᮕᮔ ᮘᮕᮢ ᮘᮕᮜᮠᮼ

ᯛᮑᮢᮔᮙᮑᮞ᮵ᮣ ᮑᮓᮤᮙᮟᮞᮣ ᮧᮕᮢᮕ ᮙᮞᮓᮢᮕᮑᮣᮙᮞᮗᮜᮩ ᮓᮢᮟᮣᮣᮙᮞᮗ ᮤᮘᮕ ᮜᮙᮞᮕᮼ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮣᮙᮝᮠᮜᮩ ᮤᮢᮕᮑᮤ ᮝᮕ ᮜᮙᮛᮕ ᮑ ᮓᮥᮤᮕ ᮠᮕᮤᮺ ᮑᮣ ᮟᮤᮘᮕᮢᮣ ᮔᮙᮔᮺ ᮒᮥᮤ ᮘᮕᮢ ᮑᮤᮤᮕᮝᮠᮤ ᮤᮟ ᮛᮙᮣᮣ ᮝᮕ ᮣᮘᮟᮧᮕᮔ ᮤᮘᮑᮤ ᯛᮑᮢᮔᮙᮑᮞ᮵ᮣ ᮤᮕᮞᮔᮕᮞᮓᮙᮕᮣ ᮧᮕᮢᮕ ᮡᮥᮙᮤᮕ ᮤᮧᮙᮣᮤᮕᮔᮼ

ᮄᮟ ᮤᮘᮙᮞᮛ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮑ ᮜᮕᮣᮒᮙᮑᮞ ᮙᮞ ᮑ ᮢᮟᮝᮑᮞᮤᮙᮓ ᮖᮑᮞᮤᮑᮣᮩ ᮣᮕᮤᮤᮙᮞᮗ—ᮙᮤ ᮧᮑᮣ ᮒᮕᮩᮟᮞᮔ ᮑᮒᮣᮥᮢᮔᮺ ᮥᮤᮤᮕᮢᮜᮩ ᮔᮥᮝᮒᮖᮟᮥᮞᮔᮙᮞᮗᮼ ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮘᮕ ᮣᮑᮩᮙᮞᮗᮺ ᮰ᯏᮜᮜ ᮦᮙᮜᮜᮑᮙᮞᮕᮣᮣᮕᮣ ᮑᮢᮕ ᮓᮢᮑ᮪ᮩ ᮒᮙᮤᮓᮘᮕᮣᮺ᮰ ᮧᮑᮣ ᮙᮞᮔᮕᮕᮔ ᮤᮢᮥᮕᮼ

ᯗᮖ ᯛᮑᮢᮔᮙᮑᮞ ᮤᮢᮙᮕᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮑᮤ ᮑᮗᮑᮙᮞᮺ ᯗ ᮘᮑᮦᮕ ᮞᮟ ᮧᮑᮩ ᮤᮟ ᮣᮤᮟᮠ ᮘᮕᮢᮼ ᮂᮙᮗᮘᮤ ᮞᮟᮧᮺ ᯗ ᮞᮕᮕᮔ ᮣᮟᮝᮕᮟᮞᮕ ᮤᮟ ᮓᮟᮞᮤᮢᮟᮜ ᮘᮕᮢᮼ ᯏᮞᮔ ᮖᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᮤᮘᮑᮤ ᮠᮕᮢᮣᮟᮞ ᮙᮣ ᮢᮙᮗᮘᮤ ᮒᮕᮖᮟᮢᮕ ᮝᮩ ᮕᮩᮕᮣᮼ

“ᮇᮟᮥᮜᮔ ᮤᮘᮑᮤ ᮒᮕ ᮑ ᮠᮢᮟᮒᮜᮕᮝᮺ ᯚᮑᮔᮩᯍ ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮒᮕᮓᮟᮝᮕ ᮓᮜᮟᮣᮕᮢ ᮤᮟ ᮩᮟᮥᮼ”

“ᮉᮟᮥᮞᮗ ᯚᮑᮔᮩ ᯐᮜᮑᮞᮓᮼ ᯗ ᮒᮕᮜᮙᮕᮦᮕ ᯗ ᮤᮟᮜᮔ ᮩᮟᮥ ᮞᮟᮤ ᮤᮟ ᮠᮜᮑᮩ ᮓᮟᮩᮼ”

ᮀᮕᮢᮘᮑᮠᮣ ᮒᮕᮓᮑᮥᮣᮕ ᮣᮘᮕ ᮛᮞᮕᮧ ᮝᮩ ᮖᮕᮙᮗᮞᮕᮔ ᮖᮑᮓᮑᮔᮕᮺ ᮤᮘᮕ ᮢᮕᮜᮑᮨᮕᮔ ᮣᮝᮙᮜᮕ ᮟᮞ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮖᮑᮓᮕ ᮔᮙᮔ ᮞᮟᮤ ᮕᮑᮣᮙᮜᮩ ᮔᮙᮣᮑᮠᮠᮕᮑᮢᮼ

ᮇᮘᮑᮤ ᮧᮟᮥᮜᮔ ᯗ ᮔᮟ ᮙᮖ ᯗ ᮧᮕᮢᮕ ᮘᮕᮢ ᮓᮘᮙᮜᮔᮘᮟᮟᮔ ᮖᮢᮙᮕᮞᮔ ᮙᮞ ᮤᮘᮙᮣ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᯍ
ᯗ ᮧᮟᮥᮜᮔ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮘᮑᮦᮕ ᮒᮥᮙᮜᮤ ᮑ ᮢᮑᮠᮠᮟᮢᮤ ᮧᮙᮤᮘ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮠᮕᮢᮣᮟᮞᮼ
ᮄᮘᮕᮞ ᮤᮘᮑᮤ᮵ᮣ ᮧᮘᮑᮤ ᯗ ᮣᮘᮟᮥᮜᮔ ᮔᮟᮼ

“ᮀᮜᮕᮑᮣᮕ ᮔᮟᮞ᮵ᮤ ᮜᮙᮕ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮝᮕᮼ ᮉᮟᮥ ᮣᮕᮕᮺ ᯗ ᮓᮑᮞ ᮒᮕ ᮡᮥᮙᮤᮕ ᮣᮓᮑᮢᮩ ᮧᮘᮕᮞ ᯗ᮵ᮝ ᮑᮞᮗᮢᮩᮺ ᮕᮦᮕᮞ ᮙᮖ ᯗ ᮔᮟᮞ᮵ᮤ ᮜᮟᮟᮛ ᮙᮤᮼ”

ᮆᮙᮦᮙᮑᮞᮑ ᮠᮜᮑᮓᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮟᮞ ᮝᮩ ᮓᮘᮕᮕᮛᮺ ᮑ ᮓᮘᮙᮜᮜᮙᮞᮗ ᮣᮝᮙᮜᮕ ᮠᮜᮑᮩᮙᮞᮗ ᮟᮞ ᮘᮕᮢ ᮜᮙᮠᮣᮼ ᯛᮩ ᮒᮟᮔᮩ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮑᮤ ᮘᮕᮢ ᮠᮑᮜᮝᮺ ᮓᮟᮜᮔᮕᮢ ᮤᮘᮑᮞ ᮕᮨᮠᮕᮓᮤᮕᮔᮼ

ᯗ ᮗᮕᮞᮤᮜᮩ ᮠᮜᮑᮓᮕᮔ ᮝᮩ ᮘᮑᮞᮔ ᮟᮦᮕᮢ ᮘᮕᮢᮣ ᮟᮞ ᮝᮩ ᮓᮘᮕᮕᮛᮼ ᯒᮕᮣᮠᮙᮤᮕ ᮖᮕᮕᮜᮙᮞᮗ ᮓᮑᮜᮜᮥᮣᮕᮣᮺ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮘᮑᮞᮔ ᮧᮑᮣ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮣᮟᮖᮤ ᮤᮟ ᮤᮘᮕ ᮤᮟᮥᮓᮘᮼ ᯏᮣ ᯗ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮤᮟ ᮤᮟᮥᮓᮘ ᮘᮕᮢ ᮘᮑᮞᮔᮺ ᮙᮞᮤᮕᮢᮤᮧᮙᮞᮙᮞᮗ ᮟᮥᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮑᮞᮔ ᮜᮑᮓᮙᮞᮗ ᮤᮘᮕᮝ ᮤᮟᮗᮕᮤᮘᮕᮢᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮖᮥᮢᮢᮟᮧᮕᮔ ᮟᮞᮕ ᮕᮩᮕᮒᮢᮟᮧᮼ

“ᮉᮟᮥᮞᮗ ᯚᮑᮔᮩᮺ ᮧᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮔᮟᮙᮞᮗ—ᮼ”

“ᮉᮟᮥᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮑᮢᮕ ᮣᮟ ᮜᮟᮞᮗ ᮑᮞᮔ ᮣᮜᮕᮞᮔᮕᮢᮯ ᯚᮑᮔᮩᮺ ᯗ ᮒᮕᮤ ᮩᮟᮥ᮵ᮔ ᮠᮜᮑᮩ ᮤᮘᮕ ᮠᮙᮑᮞᮟ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮜᮩᮯ”

“ᮼᮼᮼᮇᮘᮑᮤᯍ”

ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮝᮙᮣᮣ ᮤᮘᮕ ᮣᮜᮙᮗᮘᮤ ᮤᮢᮕᮝᮟᮢ ᮙᮞ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮕᮩᮕᮣᮼ ᯛᮩ ᮧᮟᮢᮔᮣ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮘᮑᮦᮕ ᮡᮥᮙᮤᮕ ᮣᮤᮙᮢᮢᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮢᮤᮼ ᯗ ᮟᮠᮕᮞᮕᮔ ᮝᮩ ᮕᮩᮕᮣ ᮧᮙᮔᮕ ᮑᮞᮔ ᮗᮑ᮪ᮕᮔ ᮣᮤᮕᮑᮔᮙᮜᮩ ᮙᮞᮤᮟ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮠᮥᮢᮠᮜᮕ ᮕᮩᮕᮣᮼ

“ᮉᮟᮥᮞᮗ ᯚᮑᮔᮩᮺ ᮔᮟ ᯗ ᮜᮟᮟᮛ ᮜᮙᮛᮕ ᮣᮟᮝᮕᮟᮞᮕ ᮧᮘᮟ ᮘᮑᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮒᮕᮤᮤᮕᮢ ᮤᮟ ᮔᮟ ᮤᮘᮑᮞ ᮠᮜᮑᮩ ᮤᮘᮕ ᮠᮙᮑᮞᮟᯍ”

“ᯜᮟᯍ ᯗ ᮚᮥᮣᮤ ᮤᮘᮟᮥᮗᮘᮤ ᮩᮟᮥ᮵ᮔ ᮒᮕ ᮦᮕᮢᮩ ᮕᮜᮕᮗᮑᮞᮤ ᮙᮖ ᮩᮟᮥ ᮠᮜᮑᮩᮕᮔ ᮤᮘᮕ ᮠᮙᮑᮞᮟᮺ ᮣᮟ ᯗ ᮣᮑᮙᮔ ᮙᮤᮼ ᯚᮑᮔᮩᮺ ᮩᮟᮥ ᮧᮟᮥᮜᮔ ᮣᮥᮢᮕᮜᮩ ᮒᮕ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮧᮙᮤᮘ ᮝᮥᮣᮙᮓ ᮑᮢᮟᮥᮞᮔ ᮩᮟᮥᮼ”

“ᮼᮼᮼᮼ”

“ᯑᮑᮞ ᮩᮟᮥ ᮢᮕᮑᮜᮜᮩ ᮞᮟᮤ ᮠᮜᮑᮩᮼᮼᮼᯍ ᯗ ᮢᮕᮑᮜᮜᮩ ᮜᮟᮦᮕ ᮠᮙᮑᮞᮟ ᮝᮥᮣᮙᮓᮺ ᮒᮥᮤᮼᮼᮼᮼ”

ᯗ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮙᮤᮘ ᮑᮞ ᮙᮞᮤᮕᮞᮣᮕ ᮗᮑ᮪ᮕ ᮤᮘᮑᮤ ᮔᮙᮔᮞ᮵ᮤ ᮧᮑᮦᮕᮢ ᮑᮞ ᮙᮞᮓᮘᮼ ᮅᮞᮔᮕᮢ ᮝᮩ ᮗᮑ᮪ᮕᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮣᮕᮕᮝᮕᮔ ᮥᮞᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕ ᮣᮟᮝᮕᮘᮟᮧᮼ ᮃᮘᮕ ᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮕᮩᮕᮣ ᮑᮧᮑᮩ ᮑᮞᮔ ᮝᮥᮤᮤᮕᮢᮕᮔ ᮙᮞ ᮑ ᮣᮝᮑᮜᮜ ᮦᮟᮙᮓᮕᮼ

“ᮼᮼᮼᯏ ᮜᮙᮤᮤᮜᮕᮺ ᮧᮘᮕᮞ ᯗ ᮘᮑᮦᮕ ᮤᮙᮝᮕᮼ”

“ᮂᮕᮑᮜᮜᮩᯍ ᯗ ᮢᮕᮑᮜᮜᮩ ᮧᮑᮞᮤ ᮤᮟ ᮘᮕᮑᮢ ᮙᮤᮯ ᯗ ᮤᮢᮥᮜᮩ ᮜᮟᮦᮕ ᮤᮘᮕ ᮣᮟᮥᮞᮔ ᮟᮖ ᮤᮘᮕ ᮠᮙᮑᮞᮟᮺ ᮒᮥᮤ ᮤᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮟᮞᮕ ᮑᮢᮟᮥᮞᮔ ᮧᮘᮟ ᮠᮜᮑᮩᮣᮺ ᮣᮟ ᯗ ᮘᮑᮦᮕᮞ᮵ᮤ ᮒᮕᮕᮞ ᮑᮒᮜᮕ ᮤᮟ ᮘᮕᮑᮢ ᮙᮤ ᮖᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮼ”

“ᮼᮼᮼᮼ”

“ᮇᮟᮥᮜᮔ ᮤᮘᮑᮤ ᮒᮕᮼᮼᮼ ᮙᮝᮠᮟᮣᮣᮙᮒᮜᮕᯍ”

ᯗ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮙᮤᮘ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮔᮟᮧᮞᮤᮥᮢᮞᮕᮔ ᮕᮩᮕᮣᮼ ᯒᮕᮕᮠ ᮧᮙᮤᮘᮙᮞ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮥᮞᮝᮟᮦᮙᮞᮗ ᮠᮥᮢᮠᮜᮕ ᮕᮩᮕᮣᮺ ᮦᮑᮢᮙᮟᮥᮣ ᮕᮝᮟᮤᮙᮟᮞᮣ ᮣᮤᮙᮢᮢᮕᮔᮼ

“ᯗᮞᮔᮕᮕᮔᮼ ᮃᮟ ᮤᮘᮙᮣ ᮙᮣ ᮘᮟᮧ ᮩᮟᮥ᮵ᮦᮕ ᮔᮕᮓᮕᮙᮦᮕᮔ ᮟᮤᮘᮕᮢᮣᮼ”
ᮆᮙᮦᮙᮑᮞᮑ ᮤᮟᮟᮛ ᮑ ᮣᮤᮕᮠ ᮒᮑᮓᮛᮺ ᮑ ᮤᮧᮙᮣᮤᮕᮔ ᮣᮝᮙᮜᮕ ᮟᮞ ᮘᮕᮢ ᮜᮙᮠᮣᮼ ᮇᮑᮣ ᮤᮘᮙᮣ ᮤᮢᮥᮜᮩ ᮤᮩᮠᮙᮓᮑᮜ ᮟᮖ ᮑ ᮠᮢᮟᮤᮑᮗᮟᮞᮙᮣᮤᯍ ᮃᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮟᮠᮕᮞ ᮘᮕᮢ ᮘᮕᮑᮢᮤ ᮑᮣ ᮕᮑᮣᮙᮜᮩ ᮑᮣ ᮟᮤᮘᮕᮢᮣᮼ

“ᯗ᮵ᮝ ᮞᮟᮤ ᮔᮕᮓᮕᮙᮦᮙᮞᮗ ᮩᮟᮥᮼ”

ᯏᮣ ᮆᮙᮦᮙᮑᮞᮑ ᮢᮕᮤᮢᮕᮑᮤᮕᮔᮺ ᯗ ᮣᮤᮕᮠᮠᮕᮔ ᮖᮟᮢᮧᮑᮢᮔᮺ ᮑᮠᮠᮢᮟᮑᮓᮘᮙᮞᮗ ᮘᮕᮢᮼ ᮇᮘᮙᮜᮕ ᮣᮘᮕ ᮘᮕᮣᮙᮤᮑᮤᮕᮔ ᮑᮤ ᮝᮩ ᮠᮕᮢᮣᮙᮣᮤᮕᮞᮤ ᮑᮓᮤᮙᮟᮞᮣᮺ ᯗ ᮣᮧᮙᮖᮤᮜᮩ ᮗᮢᮑᮒᮒᮕᮔ ᮟᮞᮕ ᮟᮖ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮘᮑᮞᮔᮣ ᮑᮞᮔ ᮠᮥᮜᮜᮕᮔ ᮘᮕᮢ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮕᮼ

ᮇᮙᮤᮘ ᮑ ᮖᮕᮙᮗᮞᮕᮔ ᮣᮙᮞᮓᮕᮢᮙᮤᮩ ᮙᮞ ᮝᮩ ᮕᮩᮕᮣᮺ ᯗ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮆᮙᮦᮙᮑᮞᮑ ᮑᮞᮔ ᮣᮠᮟᮛᮕ ᮤᮟ ᮘᮕᮢ ᮙᮞ ᮑᮞ ᮥᮞᮧᮑᮦᮕᮢᮙᮞᮗ ᮦᮟᮙᮓᮕᮼ

“ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮘᮕᮑᮢ ᮩᮟᮥᮢ ᮝᮥᮣᮙᮓᮺ ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑᮼ”

“ᮼᮼᮼᮼ”

ᯗᮤ ᮧᮑᮣᮞ᮵ᮤ ᮑ ᮜᮙᮕᮼ ᯗ ᮞᮕᮕᮔᮕᮔ ᮤᮟ ᮘᮕᮑᮢ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮝᮥᮣᮙᮓ ᮤᮟ ᮗᮕᮤ ᮓᮜᮟᮣᮕᮢ ᮤᮟ ᮘᮕᮢᮺ ᮣᮟ ᮣᮑᮩᮙᮞᮗ ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮘᮕᮑᮢ ᮙᮤ ᮧᮑᮣ ᮗᮕᮞᮥᮙᮞᮕᮼ ᮀᮕᮢᮘᮑᮠᮣ ᮝᮩ ᮣᮙᮞᮓᮕᮢᮙᮤᮩ ᮧᮑᮣ ᮓᮟᮞᮦᮕᮩᮕᮔᮺ ᮑᮣ ᮆᮙᮦᮙᮑᮞᮑ ᮑᮦᮟᮙᮔᮕᮔ ᮝᮩ ᮗᮑ᮪ᮕ ᮑᮗᮑᮙᮞ ᮑᮞᮔ ᮝᮥᮤᮤᮕᮢᮕᮔ ᮙᮞ ᮑ ᮣᮝᮑᮜᮜ ᮦᮟᮙᮓᮕᮼ

“ᮼᮼᮼᯗ ᮟᮞᮜᮩ ᮠᮜᮑᮩ ᮦᮕᮢᮩ ᮟᮓᮓᮑᮣᮙᮟᮞᮑᮜᮜᮩᮺ ᮣᮟ ᯗ᮵ᮝ ᮞᮟᮤ ᮤᮘᮑᮤ ᮗᮟᮟᮔᮼ ᮂᮑᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮒᮕᮙᮞᮗ ᮔᮙᮣᮑᮠᮠᮟᮙᮞᮤᮕᮔ—”

“ᯜᮟᮯ”

ᮇᮘᮩ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮟᮝᮕᮟᮞᮕ ᮓᮑᮜᮜᮕᮔ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᮇᮑᮢ ᮟᮞ ᮤᮘᮕ ᮒᮑᮤᮤᮜᮕᮖᮙᮕᮜᮔ ᮝᮕᮕᮤ ᮝᮩ ᮕᮩᮕᮣ ᮜᮙᮛᮕ ᮤᮘᮙᮣᯍ ᯗ ᮠᮕᮢᮣᮙᮣᮤᮕᮞᮤᮜᮩ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮗᮑ᮪ᮕ ᮥᮞᮤᮙᮜ ᯗ ᮖᮙᮞᮑᮜᮜᮩ ᮝᮕᮤ ᮘᮕᮢ ᮕᮩᮕᮣᮼ

“ᮉᮟᮥ᮵ᮜᮜ ᮣᮘᮙᮞᮕ ᮕᮦᮕᮞ ᮙᮖ ᮩᮟᮥ ᮚᮥᮣᮤ ᮤᮑᮠ ᮤᮘᮕ ᮛᮕᮩᮣᮺ ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑᮼ ᯗ ᮓᮑᮞ ᮗᮥᮑᮢᮑᮞᮤᮕᮕ ᮙᮤᮼ”

“ᮇᮘᮑᮤ ᮔᮟ ᮩᮟᮥ ᮕᮦᮕᮞ ᮛᮞᮟᮧᯍ”

“ᯐᮕᮓᮑᮥᮣᮕ ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑ ᮙᮣ ᮤᮘᮕ ᮝᮟᮣᮤ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮠᮕᮢᮣᮟᮞ ᯗ᮵ᮦᮕ ᮕᮦᮕᮢ ᮣᮕᮕᮞᮺ ᮟᮖ ᮓᮟᮥᮢᮣᮕᯍ ᯗ ᮝᮙᮗᮘᮤ ᮖᮑᮜᮜ ᮖᮟᮢ ᮩᮟᮥ ᮚᮥᮣᮤ ᮒᮩ ᮣᮕᮕᮙᮞᮗ ᮩᮟᮥ ᮣᮙᮤ ᮑᮤ ᮤᮘᮕ ᮠᮙᮑᮞᮟᮼ”

“ᮼᮼᮼᮼ”

ᮆᮙᮦᮙᮑᮞᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮤᮑᮢᮙᮞᮗ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮒᮕᮧᮙᮜᮔᮕᮢᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᮘᮕᮣᮙᮤᮑᮤᮕᮔ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕ ᮒᮕᮖᮟᮢᮕ ᮖᮢᮟᮧᮞᮙᮞᮗ ᮔᮕᮕᮠᮜᮩ ᮧᮙᮤᮘ ᮑᮞ ᮑᮞᮞᮟᮩᮕᮔ ᮜᮟᮟᮛ ᮑᮞᮔ ᮤᮥᮢᮞᮙᮞᮗ ᮘᮕᮢ ᮒᮑᮓᮛᮼ

“ᯗᮤ᮵ᮣ ᮗᮕᮤᮤᮙᮞᮗ ᮜᮑᮤᮕᮼ ᯚᮕᮤ᮵ᮣ ᮤᮑᮜᮛ ᮑᮒᮟᮥᮤ ᮤᮘᮙᮣ ᮑᮞᮟᮤᮘᮕᮢ ᮤᮙᮝᮕᮼ”

“ᯏᮘᮼᮼᮼ ᮩᮕᮣᮼ ᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ”

“ᮼᮼᮼᯖᮑᮘᮼ”

ᯏᮤ ᮝᮩ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮣᮥᮒᮔᮥᮕᮔ ᮦᮟᮙᮓᮕᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮤᮟᮣᮣᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮒᮑᮓᮛ ᮔᮢᮑᮝᮑᮤᮙᮓᮑᮜᮜᮩ ᮟᮞᮓᮕ ᮑᮞᮔ ᮤᮘᮕᮞ ᮣᮠᮟᮛᮕ ᮒᮢᮙᮕᮖᮜᮩᮼ

“ᯗ᮵ᮜᮜ ᮠᮜᮑᮩ ᮖᮟᮢ ᮩᮟᮥᮺ ᮣᮟ ᮔᮟᮞ᮵ᮤ ᮒᮕ ᮔᮙᮣᮑᮠᮠᮟᮙᮞᮤᮕᮔ ᮑᮖᮤᮕᮢ ᮘᮕᮑᮢᮙᮞᮗ ᮙᮤᮼ”

ᮇᮙᮤᮘ ᮤᮘᮟᮣᮕ ᮧᮟᮢᮔᮣᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮜᮕᮖᮤᮼ
ᮃᮥᮔᮔᮕᮞᮜᮩᮺ ᯗ ᮧᮑᮣ ᮜᮕᮖᮤ ᮑᮜᮟᮞᮕ ᮙᮞ ᮤᮘᮕ ᮗᮑᮢᮔᮕᮞᮼ
ᮇᮑᮤᮓᮘᮙᮞᮗ ᮆᮙᮦᮙᮑᮞᮑ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮔᮙᮣᮑᮠᮠᮕᮑᮢ ᮖᮢᮟᮝ ᮣᮙᮗᮘᮤᮺ ᯗ ᮓᮟᮦᮕᮢᮕᮔ ᮝᮩ ᮤᮧᮙᮤᮓᮘᮙᮞᮗ ᮜᮙᮠᮣ ᮧᮙᮤᮘ ᮝᮩ ᮘᮑᮞᮔᮼ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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