Tales of the Taisho Era Flowers Bloom Late

Chapter 181

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᯏ ᮧᮕᮕᮛ ᮠᮑᮣᮣᮕᮔ ᮣᮙᮞᮓᮕ ᮤᮘᮕᮞᮼ

ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮢᮕᮓᮟᮦᮕᮢᮩ ᮧᮑᮣ ᮢᮕᮝᮑᮢᮛᮑᮒᮜᮩ ᮣᮝᮟᮟᮤᮘᮼ ᯛᮟᮢᮕ ᮠᮢᮕᮓᮙᮣᮕᮜᮩᮺ ᮕᮦᮕᮢ ᮣᮙᮞᮓᮕ ᮣᮘᮕ ᮣᮤᮑᮢᮤᮕᮔ ᮔᮢᮙᮞᮛᮙᮞᮗ ᮤᮘᮑᮤ ᮣᮠᮕᮓᮙᮑᮜ ᮧᮑᮤᮕᮢᮼ

“ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮑᮗᮑᮙᮞ ᮤᮟᮔᮑᮩᮼ”

“ᯖᮕᮘᮕᮺ ᮩᮟᮥ’ᮢᮕ ᮧᮕᮜᮓᮟᮝᮕᮼ”

ᯏᮖᮤᮕᮢ ᮣᮘᮕ ᮓᮜᮕᮑᮞᮜᮩ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮤᮘᮕ ᮖᮟᮟᮔ ᯗ ᮠᮢᮕᮠᮑᮢᮕᮔᮺ ᮘᮕᮢ ᮓᮟᮝᮠᮜᮕᮨᮙᮟᮞ ᮧᮑᮣ ᮞᮟᮤᮙᮓᮕᮑᮒᮜᮩ ᮒᮢᮙᮗᮘᮤᮕᮢᮼ ᯖᮕᮢ ᮗᮑᮥᮞᮤ ᮒᮟᮔᮩ ᮣᮜᮟᮧᮜᮩ ᮗᮑᮙᮞᮕᮔ ᮧᮕᮙᮗᮘᮤᮺ ᮑᮞᮔ ᮤᮘᮕ ᮔᮑᮢᮛ ᮓᮙᮢᮓᮜᮕᮣ ᮥᮞᮔᮕᮢ ᮘᮕᮢ ᮕᮩᮕᮣ ᮖᮑᮔᮕᮔᮼ

ᯗ ᮑᮜᮣᮟ ᮣᮟᮥᮗᮘᮤ ᮤᮘᮕ ᮟᮠᮙᮞᮙᮟᮞ ᮟᮖ ᮘᮕᮢ ᮑᮤᮤᮕᮞᮔᮙᮞᮗ ᮠᮘᮩᮣᮙᮓᮙᮑᮞᮼ ᮄᮘᮕᮩ ᮣᮑᮙᮔ ᮘᮕᮢ ᮘᮕᮑᮜᮤᮘ ᮘᮑᮔ ᮙᮝᮠᮢᮟᮦᮕᮔ ᮤᮟ ᮑᮞ ᮙᮞᮓᮟᮝᮠᮑᮢᮑᮒᮜᮕ ᮔᮕᮗᮢᮕᮕᮼ ᯓᮦᮕᮞ ᮤᮘᮕᮩ ᮣᮕᮕᮝᮕᮔ ᮣᮥᮢᮠᮢᮙᮣᮕᮔᮺ ᮢᮕᮝᮑᮢᮛᮙᮞᮗ ᮤᮘᮑᮤ ᮙᮤ ᮧᮑᮣ ᮢᮑᮢᮕ ᮖᮟᮢ ᮑᮞ ᮑᮜᮓᮟᮘᮟᮜ ᮑᮔᮔᮙᮓᮤ ᮤᮟ ᮢᮕᮓᮟᮦᮕᮢ ᮣᮟ ᮡᮥᮙᮓᮛᮜᮩᮼ

ᮄᮘᮕᮢᮕ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮑ ᮠᮑᮩᮟᮖᮖ ᮖᮟᮢ ᮠᮢᮕᮦᮕᮞᮤᮙᮞᮗ ᮘᮕᮢ ᮖᮢᮟᮝ ᮤᮟᮥᮓᮘᮙᮞᮗ ᮑᮜᮓᮟᮘᮟᮜ ᮥᮞᮤᮙᮜ ᮞᮟᮧᮼ ᯗᮞ ᮤᮢᮥᮤᮘᮺ ᮙᮤ ᮧᮑᮣ ᮜᮕᮣᮣ ᮝᮩ ᮔᮟᮙᮞᮗ ᮑᮞᮔ ᮝᮟᮢᮕ ᮤᮘᮕ ᮕᮖᮖᮕᮓᮤ ᮟᮖ ᮤᮘᮕ ᮘᮟᮜᮩ ᮧᮑᮤᮕᮢ ᮣᮘᮕ ᮔᮢᮑᮞᮛ ᮕᮦᮕᮢᮩ ᮔᮑᮩᮼ

“ᮄᮙᮞᮑ…”

ᯛᮑᮢᮔᮙᮑᮞ ᮡᮥᮙᮕᮤᮜᮩ ᮜᮕᮑᮞᮕᮔ ᮙᮞ ᮑᮞᮔ ᮒᮥᮢᮙᮕᮔ ᮘᮕᮢᮣᮕᮜᮖ ᮙᮞ ᮝᮩ ᮕᮝᮒᮢᮑᮓᮕᮼ ᯗ ᮟᮠᮕᮞᮕᮔ ᮝᮩ ᮑᮢᮝᮣ ᮑᮞᮔ ᮘᮕᮜᮔ ᮘᮕᮢᮼ ᮇᮙᮤᮘ ᮟᮞᮕ ᮘᮑᮞᮔᮺ ᯗ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᮘᮕᮢ ᮘᮑᮙᮢᮺ ᮑᮞᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮟᮤᮘᮕᮢᮺ ᯗ ᮓᮑᮜᮝᮜᮩ ᮠᮑᮤᮤᮕᮔ ᮘᮕᮢ ᮒᮑᮓᮛᮼ ᮄᮘᮕᮣᮕ ᮑᮓᮤᮙᮟᮞᮣ ᮘᮑᮔ ᮞᮟᮧ ᮒᮕᮓᮟᮝᮕ ᮞᮑᮤᮥᮢᮑᮜᮼ

ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮒᮟᮔᮩ ᮘᮑᮔ ᮢᮕᮓᮟᮦᮕᮢᮕᮔ ᮤᮟ ᮣᮟᮝᮕ ᮕᮨᮤᮕᮞᮤᮺ ᮒᮥᮤ ᮥᮞᮖᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᮘᮕᮢ ᮝᮕᮞᮤᮑᮜ ᮙᮣᮣᮥᮕᮣ ᮘᮑᮔ ᮞᮟᮤᮼ

ᯝᮞᮓᮕᮺ ᮧᮘᮕᮞ ᯗ ᮒᮢᮙᮕᮖᮜᮩ ᮜᮕᮖᮤᮺ ᮣᮘᮕ ᮕᮦᮕᮞ ᮘᮑᮔ ᮑ ᮣᮕᮙ᮪ᮥᮢᮕᮼ ᮃᮘᮕ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮟᮦᮕᮢᮜᮩ ᮔᮕᮠᮕᮞᮔᮕᮞᮤ ᮟᮞ ᮝᮕᮼ

“ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮺ ᮔᮟ ᮩᮟᮥ ᮘᮑᮦᮕ ᮑᮞᮩ ᮟᮤᮘᮕᮢ ᮧᮙᮣᮘᮕᮣᯍ”

ᯝᮖ ᮤᮘᮕ ᮖᮙᮦᮕ ᮧᮙᮣᮘᮕᮣ ᯗ ᮘᮑᮔ ᮗᮢᮑᮞᮤᮕᮔ ᮘᮕᮢᮺ ᯛᮑᮢᮔᮙᮑᮞ ᮘᮑᮔ ᮑᮜᮢᮕᮑᮔᮩ ᮥᮣᮕᮔ ᮤᮧᮟᮼ

“…ᯗ ᮔᮟᮼ”

“ᮄᮕᮜᮜ ᮝᮕᮼ”

“ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮣᮜᮕᮕᮠ ᮤᮟᮗᮕᮤᮘᮕᮢᮼ”

ᯖᮕᮢ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮣᮝᮑᮜᮜᮼ ᯛᮑᮢᮔᮙᮑᮞ ᮣᮘᮩᮜᮩ ᮑᮦᮟᮙᮔᮕᮔ ᮝᮩ ᮗᮑ᮪ᮕᮼ

ᯏ ᮢᮕᮡᮥᮕᮣᮤ ᮤᮟ ᮣᮜᮕᮕᮠ ᮤᮟᮗᮕᮤᮘᮕᮢᮼ ᯗᮖ ᮙᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮤᮘᮕ ᮟᮜᮔ ᮘᮕᮢᮺ ᯗ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮙᮞᮤᮕᮢᮠᮢᮕᮤᮕᮔ ᮤᮘᮕ ᮝᮕᮑᮞᮙᮞᮗ ᮔᮙᮖᮖᮕᮢᮕᮞᮤᮜᮩᮺ ᮒᮥᮤ ᮞᮟᮤ ᮞᮟᮧᮼ ᮄᮘᮙᮣ ᮧᮑᮣ ᮝᮕᮢᮕᮜᮩ ᮑ ᮠᮥᮢᮕ ᮧᮙᮣᮘᮼ ᯛᮑᮢᮔᮙᮑᮞ ᮧᮑᮣ ᮤᮢᮥᮜᮩ ᮚᮥᮣᮤ ᮑᮣᮛᮙᮞᮗ ᮤᮟ ᮣᮘᮑᮢᮕ ᮑ ᮒᮕᮔᮼ

“ᮉᮕᮣᮺ ᮜᮕᮤ’ᮣ ᮣᮜᮕᮕᮠ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮣᮤᮑᮢᮤᮙᮞᮗ ᮤᮟᮔᮑᮩᮼ”

ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮢᮕᮑᮣᮟᮞ ᮤᮟ ᮢᮕᮖᮥᮣᮕᮼ ᯗᮖ ᯛᮑᮢᮔᮙᮑᮞ ᮧᮙᮣᮘᮕᮔ ᮖᮟᮢ ᮙᮤᮺ ᯗ ᮧᮑᮣ ᮧᮙᮜᮜᮙᮞᮗ ᮤᮟ ᮗᮢᮑᮞᮤ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ

“ᮄᮘᮑᮞᮛ ᮩᮟᮥᮺ ᮄᮙᮞᮑᮼ”

ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮕᮩᮕᮣ ᮒᮢᮙᮗᮘᮤᮕᮞᮕᮔ ᮕᮦᮕᮞ ᮝᮟᮢᮕᮼ ᯘᮥᮣᮤ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮘᮕᮢ ᮙᮝᮠᮢᮟᮦᮕ ᮔᮑᮩ ᮒᮩ ᮔᮑᮩ ᮧᮑᮣ ᮕᮞᮟᮥᮗᮘᮼ

ᯏᮖᮤᮕᮢ ᮤᮘᮑᮤᮺ ᮑᮣ ᮧᮕ ᮤᮑᮜᮛᮕᮔ ᮑᮒᮟᮥᮤ ᮤᮘᮙᮣ ᮑᮞᮔ ᮤᮘᮑᮤᮺ ᮤᮘᮕ ᮞᮙᮗᮘᮤ ᮔᮕᮕᮠᮕᮞᮕᮔ ᮒᮕᮖᮟᮢᮕ ᯗ ᮛᮞᮕᮧ ᮙᮤᮼ

ᯗ ᮣᮑᮤ ᮗᮕᮞᮤᮜᮩ ᮟᮞ ᮤᮘᮕ ᮕᮔᮗᮕ ᮟᮖ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮒᮕᮔᮺ ᮔᮢᮕᮣᮣᮕᮔ ᮙᮞ ᮝᮩ ᮠᮑᮚᮑᮝᮑᮣᮼ ᮃᮘᮕ ᮑᮜᮣᮟ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮙᮞ ᮘᮕᮢ ᮜᮙᮗᮘᮤᮜᮩ ᮖᮜᮟᮧᮙᮞᮗ ᮣᮙᮜᮛ ᮠᮑᮚᮑᮝᮑᮣ ᮑᮞᮔ ᮤᮟᮟᮛ ᮑ ᮣᮠᮟᮤ ᮞᮕᮨᮤ ᮤᮟ ᮝᮕᮼ

ᯜᮑᮤᮥᮢᮑᮜᮜᮩᮺ ᮑᮣ ᮥᮣᮥᮑᮜᮺ ᯗ ᮘᮕᮜᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮑᮞᮔ ᮣᮜᮟᮧᮜᮩ ᮙᮞᮤᮕᮢᮤᮧᮙᮞᮕᮔ ᮟᮥᮢ ᮖᮙᮞᮗᮕᮢᮣᮼ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮒᮟᮔᮩ ᮘᮕᮑᮤ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮤᮢᮑᮞᮣᮖᮕᮢᮢᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮟᮥᮢ ᮓᮜᮑᮣᮠᮕᮔ ᮘᮑᮞᮔᮣᮼ

ᮇᮙᮤᮘ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮣᮺ ᮧᮕ ᮒᮟᮤᮘ ᮣᮜᮙᮠᮠᮕᮔ ᮥᮞᮔᮕᮢ ᮤᮘᮕ ᮓᮟᮦᮕᮢᮣᮼ

“ᯕᮟᮟᮔ ᮞᮙᮗᮘᮤᮺ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮼ”

“…ᮉᮟᮥ ᮤᮟᮟᮼ”

ᯗ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮠᮜᮑᮤᮙᮞᮥᮝᮻᮒᮜᮟᮞᮔᮕ ᮘᮑᮙᮢᮼ

ᮃᮟᮟᮞᮺ ᮘᮕᮢ ᮕᮩᮕᮜᮙᮔᮣ ᮣᮜᮟᮧᮜᮩ ᮜᮟᮧᮕᮢᮕᮔᮺ ᮓᮟᮦᮕᮢᮙᮞᮗ ᮘᮕᮢ ᮢᮕᮔ ᮕᮩᮕᮣᮼ

“ᯕᮟᮟᮔ ᮞᮙᮗᮘᮤᮼ”

ᯏᮖᮤᮕᮢ ᮑᮒᮟᮥᮤ ᮑᮞ ᮘᮟᮥᮢᮺ ᮡᮥᮙᮕᮤᮺ ᮢᮕᮗᮥᮜᮑᮢ ᮒᮢᮕᮑᮤᮘᮙᮞᮗ ᮒᮕᮗᮑᮞ ᮤᮟ ᮣᮟᮥᮞᮔᮼ ᯚᮕᮑᮦᮙᮞᮗ ᯛᮑᮢᮔᮙᮑᮞᮺ ᮧᮘᮟ ᮧᮑᮣ ᮔᮕᮕᮠᮜᮩ ᮑᮣᮜᮕᮕᮠᮺ ᯗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮣᮜᮙᮠᮠᮕᮔ ᮟᮥᮤ ᮟᮖ ᮒᮕᮔᮼ

ᮄᮘᮕ ᮠᮜᮑᮓᮕ ᯗ ᮘᮕᮑᮔᮕᮔ ᮧᮑᮣᮺ ᮟᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝᮼ ᯒᮥᮕ ᮤᮟ ᮝᮩ ᮠᮘᮩᮣᮙᮓᮑᮜ ᮓᮘᮑᮢᮑᮓᮤᮕᮢᮙᮣᮤᮙᮓ ᮟᮖ ᮘᮑᮦᮙᮞᮗ ᮝᮥᮓᮘ ᮝᮟᮢᮕ ᮧᮑᮤᮕᮢ ᮙᮞ ᮝᮩ ᮒᮟᮔᮩ ᮤᮘᮑᮞ ᮟᮢᮔᮙᮞᮑᮢᮩ ᮠᮕᮟᮠᮜᮕᮺ ᮙᮤ ᮧᮑᮣ ᮤᮢᮟᮥᮒᮜᮕᮣᮟᮝᮕ ᮙᮖ ᯗ ᮔᮙᮔᮞ’ᮤ ᮦᮙᮣᮙᮤ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝ ᮒᮕᮖᮟᮢᮕ ᮖᮑᮜᮜᮙᮞᮗ ᮑᮣᮜᮕᮕᮠᮼ

ᯓᮦᮕᮞ ᮙᮖ ᯗ ᮘᮑᮔ ᮗᮟᮞᮕᮺ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮝᮑᮞᮩ ᮤᮙᮝᮕᮣ ᯗ ᮘᮑᮔ ᮤᮟ ᮗᮕᮤ ᮥᮠ ᮟᮞᮓᮕ ᮝᮟᮢᮕ ᮙᮞ ᮤᮘᮕ ᮝᮙᮔᮔᮜᮕ ᮟᮖ ᮤᮘᮕ ᮞᮙᮗᮘᮤᮼ ᯏᮤ ᮖᮙᮢᮣᮤᮺ ᮙᮤ ᮧᮑᮣ ᮑᮞᮞᮟᮩᮙᮞᮗᮺ ᮒᮥᮤ ᮞᮟᮧ ᮙᮤ ᮧᮑᮣ ᮑ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮠᮑᮢᮤ ᮟᮖ ᮝᮩ ᮢᮟᮥᮤᮙᮞᮕᮼ

ᯏᮖᮤᮕᮢ ᮖᮙᮞᮙᮣᮘᮙᮞᮗ ᮝᮩ ᮒᮥᮣᮙᮞᮕᮣᮣ ᮙᮞ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝᮺ ᯗ ᮧᮑᮜᮛᮕᮔ ᮒᮑᮓᮛ ᮤᮘᮕ ᮧᮑᮩ ᯗ ᮓᮑᮝᮕᮼ ᯏᮣ ᯗ ᮠᮑᮣᮣᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮘᮑᮜᮜᮧᮑᮩᮺ ᯗ ᮒᮢᮙᮕᮖᮜᮩ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮢᮟᮥᮞᮔ ᮝᮟᮟᮞ ᮖᮜᮟᮑᮤᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮣᮛᮩ ᮟᮥᮤᮣᮙᮔᮕ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧᮼ

‘…ᯗ ᮝᮙᮣᮣ ᮤᮘᮕᮝᮼ’

ᯛᮩ ᮝᮟᮣᮤ ᮒᮕᮜᮟᮦᮕᮔ ᮝᮟᮤᮘᮕᮢ ᮙᮞ ᮤᮘᮕ ᮧᮟᮢᮜᮔᮺ ᮑᮞᮔ ᮞᮕᮨᮤᮺ ᮝᮩ ᮠᮢᮕᮓᮙᮟᮥᮣ ᯚᮙᮜᮜᮙᮑᮞ ᮑᮞᮔ ᮆᮙᮦᮙᮑᮞᮑᮼ ᯗᮤ ᮘᮑᮔ ᮑᮜᮢᮕᮑᮔᮩ ᮒᮕᮕᮞ ᮑ ᮝᮟᮞᮤᮘ ᮣᮙᮞᮓᮕ ᯗ ᮜᮑᮣᮤ ᮣᮑᮧ ᮤᮘᮕᮝᮼ

ᮇᮕ ᮕᮨᮓᮘᮑᮞᮗᮕᮔ ᮜᮕᮤᮤᮕᮢᮣ ᮟᮓᮓᮑᮣᮙᮟᮞᮑᮜᮜᮩᮼ ᯐᮥᮤ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᯗ ᮧᮢᮟᮤᮕᮺ ᮙᮤ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮓᮟᮝᮠᮑᮢᮕ ᮤᮟ ᮣᮕᮕᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮖᮑᮓᮕᮣ ᮔᮙᮢᮕᮓᮤᮜᮩᮼ

ᮄᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝ ᮝᮙᮗᮘᮤ ᮑᮜᮣᮟ ᮒᮕ ᮧᮑᮙᮤᮙᮞᮗ ᮖᮟᮢ ᮝᮕᮼ ᯗ ᮘᮑᮔ ᮑᮣᮛᮕᮔ ᯚᮙᮜᮜᮙᮑᮞ ᮤᮟ ᮓᮟᮞᮦᮕᮩ ᮝᮩ ᮧᮕᮜᮜᮻᮒᮕᮙᮞᮗᮺ ᮒᮥᮤ ᮕᮦᮕᮞ ᮤᮘᮑᮤᮺ ᯗ ᮔᮙᮔᮞ’ᮤ ᮛᮞᮟᮧ ᮘᮟᮧ ᮜᮟᮞᮗ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑᮜᮜᮟᮧᮕᮔᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᯗ ᮙᮞᮤᮕᮞᮔᮕᮔ ᮤᮟ ᮣᮤᮑᮩ ᮙᮞ ᯛᮑᮢᮓᮘᮕᮞ ᯑᮙᮤᮩ ᮥᮞᮤᮙᮜ ᯛᮑᮢᮔᮙᮑᮞ ᮢᮕᮗᮑᮙᮞᮕᮔ ᮘᮕᮢ ᮘᮑᮠᮠᮙᮞᮕᮣᮣᮼ ᯐᮕᮓᮑᮥᮣᮕ ᯗ ᮘᮑᮔ ᮣᮧᮟᮢᮞ ᮤᮟ ᮝᮩᮣᮕᮜᮖ ᮤᮘᮑᮤ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᮺ ᯗ ᮧᮟᮥᮜᮔ ᮢᮕᮝᮑᮙᮞ ᮥᮞᮤᮙᮜ ᮤᮘᮕ ᮕᮞᮔ ᮖᮟᮢ ᮘᮕᮢ ᮘᮑᮠᮠᮙᮞᮕᮣᮣᮼ

ᮃᮞᮑᮠᮠᮙᮞᮗ ᮟᮥᮤ ᮟᮖ ᮝᮩ ᮤᮘᮟᮥᮗᮘᮤᮣᮺ ᯗ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᯗ ᮘᮑᮔ ᮑᮜᮢᮕᮑᮔᮩ ᮑᮢᮢᮙᮦᮕᮔ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮒᮕᮔᮢᮟᮟᮝᮼ ᯗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢ ᮑᮞᮔ ᮣᮤᮕᮠᮠᮕᮔ ᮙᮞᮣᮙᮔᮕᮼ ᯛᮑᮢᮔᮙᮑᮞ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮙᮞ ᮑ ᮔᮕᮕᮠ ᮣᮜᮕᮕᮠᮼ

ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮜᮑᮩ ᮔᮟᮧᮞ ᮒᮕᮣᮙᮔᮕ ᮘᮕᮢᮼ ᯑᮜᮟᮣᮙᮞᮗ ᮝᮩ ᮕᮩᮕᮣᮺ ᯗ ᮢᮕᮗᮥᮜᮑᮤᮕᮔ ᮝᮩ ᮒᮢᮕᮑᮤᮘᮙᮞᮗ ᮑᮞᮔ ᮧᮑᮙᮤᮕᮔ ᮖᮟᮢ ᮣᮜᮕᮕᮠᮺ ᮑᮞᮔ ᮗᮢᮑᮔᮥᮑᮜᮜᮩᮺ ᮖᮑᮤᮙᮗᮥᮕ ᮒᮕᮗᮑᮞ ᮤᮟ ᮕᮞᮦᮕᮜᮟᮠ ᮝᮩ ᮕᮞᮤᮙᮢᮕ ᮒᮟᮔᮩᮼ

‘…ᯜᮙᮑ ᮝᮥᮣᮤ ᮒᮕ ᮔᮟᮙᮞᮗ ᮧᮕᮜᮜ ᮤᮟᮟᮼ’

ᮂᮕᮓᮑᮜᮜᮙᮞᮗ ᮑ ᮝᮙᮣᮓᮘᮙᮕᮦᮟᮥᮣ ᮗᮙᮢᮜᮼ ᯗ ᮣᮜᮟᮧᮜᮩ ᮜᮕᮤ ᮝᮩ ᮓᮟᮞᮣᮓᮙᮟᮥᮣᮞᮕᮣᮣ ᮣᮙᮞᮛ ᮒᮕᮞᮕᮑᮤᮘ ᮤᮘᮕ ᮣᮥᮢᮖᮑᮓᮕ ᮟᮖ ᮣᮜᮕᮕᮠᮼ

ᮇᮘᮕᮞ ᯗ ᮟᮠᮕᮞᮕᮔ ᮝᮩ ᮕᮩᮕᮣ ᮑᮗᮑᮙᮞᮺ ᮖᮑᮙᮞᮤ ᮝᮟᮢᮞᮙᮞᮗ ᮜᮙᮗᮘᮤ ᮧᮑᮣ ᮣᮕᮕᮠᮙᮞᮗ ᮙᮞᮼ

ᯅ ᯏᯛᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮜᮙᮤᮤᮜᮕ ᮕᮑᮢᮜᮩ ᮤᮟ ᮧᮑᮛᮕ ᮥᮠᮼ

ᯒᮢᮟᮧᮣᮙᮜᮩᮺ ᯗ ᮠᮥᮣᮘᮕᮔ ᮝᮩᮣᮕᮜᮖ ᮥᮠ ᮑᮞᮔ ᮢᮥᮒᮒᮕᮔ ᮝᮩ ᮕᮩᮕᮣᮼ ᯚᮟᮟᮛᮙᮞᮗ ᮒᮕᮣᮙᮔᮕ ᮝᮕᮺ ᯛᮑᮢᮔᮙᮑᮞ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮙᮞ ᮑ ᮔᮕᮕᮠ ᮣᮜᮕᮕᮠᮼ

‘…ᯐᮑᮤᮘᮢᮟᮟᮝᮼ’

ᯏᮣ ᮑᮜᮧᮑᮩᮣᮺ ᯗ ᮖᮕᮜᮤ ᮤᮘᮕ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮣᮙᮗᮞᮑᮜ ᮖᮢᮟᮝ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞᮼ

ᯛᮟᮢᮕᮟᮦᮕᮢᮺ ᮙᮤ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮤᮘᮕ ᮣᮙᮗᮞᮑᮜ ᮓᮑᮝᮕ ᮝᮟᮢᮕ ᮟᮖᮤᮕᮞ ᮤᮘᮑᮞ ᮧᮘᮕᮞ ᯗ ᮧᮑᮣ ᮙᮞ ᮤᮘᮕ ᯓᮝᮠᮙᮢᮕᮼ

ᮇᮘᮕᮞ ᯗ ᮧᮑᮣ ᮑᮤ ᮤᮘᮕ ᮝᮑᮞᮣᮙᮟᮞᮺ ᯛᮟᮤᮘᮕᮢ ᮧᮟᮥᮜᮔ ᮗᮕᮞᮤᮜᮩ ᮠᮢᮕᮣᮣ ᮝᮩ ᮒᮕᮜᮜᮩᮺ ᮧᮘᮙᮓᮘ ᮘᮕᮜᮠᮕᮔ ᮝᮕ ᮢᮕᮜᮙᮕᮦᮕ ᮙᮤ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩᮺ ᮒᮥᮤ ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮔᮟ ᮤᮘᮑᮤ ᮞᮟᮧᮼ

ᮄᮧᮙᮤᮓᮘ—

ᮇᮙᮤᮘ ᮑ ᮣᮝᮑᮜᮜ ᮤᮧᮙᮤᮓᮘᮺ ᮝᮩ ᮘᮙᮠᮣ ᮙᮞᮦᮟᮜᮥᮞᮤᮑᮢᮙᮜᮩ ᮜᮙᮖᮤᮕᮔᮼ ᯛᮩ ᮒᮟᮔᮩ ᮧᮑᮣ ᮥᮢᮗᮙᮞᮗ ᮝᮕ ᮞᮟᮤ ᮤᮟ ᮘᮟᮜᮔ ᮙᮤ ᮑᮞᮩ ᮜᮟᮞᮗᮕᮢ ᮑᮞᮔ ᮤᮟ ᮗᮟ ᮤᮟ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝᮼ

ᯗ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮣᮘᮟᮢᮤ ᮣᮙᮗᮘ ᮑᮞᮔ ᮠᮥᮣᮘᮕᮔ ᮒᮑᮓᮛ ᮤᮘᮕ ᮓᮟᮦᮕᮢᮣᮼ ᯗᮤ ᮧᮑᮣ ᮤᮘᮕ ᮦᮕᮢᮩ ᮝᮟᮝᮕᮞᮤ ᯗ ᮧᮑᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮗᮕᮤ ᮥᮠᮼ

“ᯓᮕᮠᯍᮯ”

ᯏ ᮠᮑᮜᮕ ᮧᮘᮙᮤᮕ ᮘᮑᮞᮔ ᮖᮙᮢᮝᮜᮩ ᮗᮢᮙᮠᮠᮕᮔ ᮝᮩ ᮧᮢᮙᮣᮤᮼ

ᮇᮘᮕᮞ ᮔᮙᮔ ᮣᮘᮕ ᮧᮑᮛᮕ ᮥᮠᯍ ᯛᮑᮢᮔᮙᮑᮞ ᮧᮑᮣ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮡᮥᮙᮕᮤ ᮕᮩᮕᮣᮼ

“ᮇᮘᮕᮢᮕ ᮑᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗᯍ”

“ᯝᮘᮺ ᮑᮢᮕ ᮩᮟᮥ ᮑᮧᮑᮛᮕᯍ”

ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᯗ ᮘᮑᮔ ᮥᮞᮙᮞᮤᮕᮞᮤᮙᮟᮞᮑᮜᮜᮩ ᮧᮟᮛᮕᮞ ᮘᮕᮢᮼ ᮇᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮺ ᯗ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᮘᮕᮢ ᮘᮑᮙᮢᮼ

“ᯗ’ᮜᮜ ᮚᮥᮣᮤ ᮗᮟ ᮤᮟ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝᮺ ᮑᮞᮔ ᮤᮘᮕᮞ ᯗ’ᮜᮜ ᮠᮢᮕᮠᮑᮢᮕ ᮒᮢᮕᮑᮛᮖᮑᮣᮤ ᮖᮟᮢ ᮩᮟᮥᮼ”

“……”

ᯛᮑᮢᮔᮙᮑᮞ ᮚᮥᮣᮤ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮧᮟᮢᮔᮼ ᯖᮕᮢ ᮗᮑ᮪ᮕ ᮧᮑᮣ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮥᮣᮥᮑᮜᮼ ᯗ ᮖᮕᮜᮤ ᮠᮥ᮪᮪ᮜᮕᮔ ᮒᮩ ᮤᮘᮑᮤ ᮜᮟᮟᮛᮼ

“ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᯍ”

“…ᯗ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮛᮞᮟᮧᮼ”

“ᯖᮥᮘᯍ”

“ᯗ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮤᮘᮑᮤ ᮧᮑᮤᮕᮢ ᮩᮟᮥ’ᮢᮕ ᮝᮑᮛᮙᮞᮗ ᮝᮕ ᮔᮢᮙᮞᮛ ᮙᮣᮼ”

“ᯍ”

ᯔᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᯗ ᮒᮜᮙᮞᮛᮕᮔ ᮒᮜᮑᮞᮛᮜᮩᮺ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮘᮕᮢ ᮧᮟᮢᮔᮣᮼ

“ᮉᮟᮥ ᮗᮟ ᮤᮟ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝ ᮤᮟᮟ ᮟᮖᮤᮕᮞᮼ ᮃᮟᮺ ᯗ ᮣᮕᮓᮢᮕᮤᮜᮩ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮩᮟᮥ ᮑ ᮖᮕᮧ ᮤᮙᮝᮕᮣᮼ”

“……ᯖᮥᮘᯍ”

ᯛᮩ ᮝᮙᮞᮔ ᮣᮜᮟᮧᮜᮩ ᮒᮕᮗᮑᮞ ᮤᮟ ᮗᮢᮑᮣᮠ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮼ ᯏᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᮺ ᮝᮩ ᮘᮕᮑᮢᮤ ᮠᮟᮥᮞᮔᮕᮔ ᮧᮙᮜᮔᮜᮩᮺ ᮑᮞᮔ ᮝᮩ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮕᮔ ᮘᮟᮤᮜᮩᮼ

“ᮄᮙᮞᮑᮺ ᮑᮢᮕ ᮩᮟᮥ… ᮠᮕᮢᮘᮑᮠᮣ ᮑᮞ ᮑᮞᮗᮕᮜᯍ”

“ᮇᮘᮻᮇᮘᮑᮤ ᮔᮟ ᮩᮟᮥ ᮝᮕᮑᮞ—”

“ᯗᮖ ᮩᮟᮥ ᮧᮕᮢᮕᮞ’ᮤ ᮑᮞ ᮑᮞᮗᮕᮜᮺ ᮤᮘᮑᮤ ᮧᮑᮤᮕᮢ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮠᮟᮣᮣᮙᮒᮜᮩ ᮤᮑᮣᮤᮕ ᮣᮟ ᮗᮟᮟᮔ…”

ᯏᮤ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮧᮟᮢᮔᮣᮺ ᮝᮩ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮕᮔ ᮘᮟᮤᮜᮩᮼ

ᯗ ᮧᮑᮣ ᮓᮑᮥᮗᮘᮤᮼ ᮄᮘᮕ ᮧᮑᮤᮕᮢ ᯛᮑᮢᮔᮙᮑᮞ ᮔᮢᮑᮞᮛ ᮕᮦᮕᮢᮩ ᮝᮟᮢᮞᮙᮞᮗᮺ ᮞᮟᮟᮞᮺ ᮑᮞᮔ ᮞᮙᮗᮘᮤᮼ ᯗᮤᮣ ᮣᮟᮥᮢᮓᮕ ᮘᮑᮔ ᮒᮕᮕᮞ ᮢᮕᮦᮕᮑᮜᮕᮔᮼ

“ᯛᮻᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ… ᮤᮘᮑᮤᮺ ᮧᮕᮜᮜᮺ ᮩᮟᮥ ᮣᮕᮕ…”

ᯗ ᮤᮢᮙᮕᮔ ᮤᮟ ᮓᮜᮙᮞᮗ ᮤᮟ ᮢᮕᮑᮣᮟᮞᮺ ᮒᮥᮤ ᮝᮩ ᮝᮙᮞᮔ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮒᮜᮑᮞᮛᮼ ᮇᮘᮑᮤ ᮕᮨᮓᮥᮣᮕ ᮓᮟᮥᮜᮔ ᯗ ᮝᮑᮛᮕᯍ ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮘᮑᮢᮔ ᯗ ᮤᮘᮟᮥᮗᮘᮤᮺ ᮞᮟ ᮑᮞᮣᮧᮕᮢ ᮓᮑᮝᮕ ᮤᮟ ᮝᮙᮞᮔᮼ

‘ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮔᮙᮕ…ᮯ’

ᯛᮩ ᮖᮑᮓᮕ ᮧᮑᮣ ᮣᮟ ᮘᮟᮤ ᯗ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮛᮙᮓᮛᮙᮞᮗ ᮟᮠᮕᮞ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧ ᮑᮞᮔ ᮚᮥᮝᮠᮙᮞᮗ ᮟᮥᮤᮼ

ᮄᮘᮕ ᮟᮞᮜᮩ ᮣᮑᮦᮙᮞᮗ ᮗᮢᮑᮓᮕ ᮧᮑᮣ ᮤᮘᮑᮤ ᯛᮑᮢᮔᮙᮑᮞ ᮔᮙᮔᮞ’ᮤ ᮣᮕᮕᮝ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮑᮞᮗᮢᮩᮼ

“ᮉᮟᮥ ᮧᮕᮢᮕ ᮗᮟᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝᮺ ᮧᮕᮢᮕᮞ’ᮤ ᮩᮟᮥᯍ”

ᮃᮘᮕ ᮑᮣᮛᮕᮔ ᮙᮞ ᮑ ᮓᮑᮜᮝ ᮦᮟᮙᮓᮕᮼ ᯖᮕᮢ ᮣᮕᮢᮙᮟᮥᮣ ᮗᮑ᮪ᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮠᮙᮕᮢᮓᮕ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮖᮑᮓᮕᮼ ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮒᮢᮙᮞᮗ ᮝᮩᮣᮕᮜᮖ ᮤᮟ ᮝᮕᮕᮤ ᮘᮕᮢ ᮕᮩᮕᮣ ᮑᮞᮔ ᮒᮥᮢᮙᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮔᮟᮧᮞᮼ

“ᯗᮺ ᯗ’ᮝ ᮣᮟᮢᮢᮩᮼ ᯗ… ᯗ ᮓᮑᮞ ᮕᮨᮠᮜᮑᮙᮞ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗᮼ ᮄᮘᮕ ᮤᮢᮥᮤᮘ ᮙᮣ ᮤᮘᮑᮤ…”

ᯗ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᯗ ᮘᮑᮔ ᮤᮟ ᮤᮕᮜᮜ ᮤᮘᮕ ᮤᮢᮥᮤᮘ ᮞᮟᮧᮼ ᮄᮘᮟᮥᮗᮘ ᮙᮤ ᮧᮑᮣ ᮑᮜᮝᮟᮣᮤ ᮤᮟᮟ ᮜᮑᮤᮕᮼ

“ᯒᮟᮞ’ᮤ ᮗᮟᮼ”

ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮤᮙᮝᮕ ᮤᮟ ᮓᮟᮞᮖᮕᮣᮣ ᮤᮘᮕ ᮤᮢᮥᮤᮘᮼ ᯛᮑᮢᮔᮙᮑᮞ ᮗᮢᮑᮒᮒᮕᮔ ᮝᮩ ᮘᮑᮞᮔ ᮑᮞᮔ ᮠᮥᮜᮜᮕᮔ ᮝᮕ ᮟᮞᮤᮟ ᮤᮘᮕ ᮒᮕᮔ ᮧᮙᮤᮘ ᮖᮟᮢᮓᮕᮼ

“ᮃᮤᮑᮩ ᮒᮩ ᮝᮩ ᮣᮙᮔᮕᮼ”

ᯛᮩ ᮒᮟᮔᮩ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮜᮑᮩ ᮒᮑᮓᮛ ᮔᮟᮧᮞ ᮟᮞ ᮤᮘᮕ ᮒᮕᮔᮼ ᮄᮟᮔᮑᮩᮺ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮗᮑ᮪ᮕ ᮣᮕᮕᮝᮕᮔ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮕᮑᮢᮞᮕᮣᮤᮼ

“ᯗᮺ ᯗ’ᮜᮜ ᮣᮤᮑᮩ ᮒᮩ ᮩᮟᮥᮢ ᮣᮙᮔᮕᮼ ᯗ’ᮝ ᮚᮥᮣᮤ ᮗᮟᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮣᮟ ᮔᮟᮞ’ᮤ ᮧᮟᮢᮢᮩᮼ”

ᮇᮑᮣ ᮙᮤ ᮚᮥᮣᮤ ᮝᮩ ᮙᮝᮑᮗᮙᮞᮑᮤᮙᮟᮞᯍ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮗᮑ᮪ᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮛᮕᮕᮠ ᮗᮢᮑᮦᮙᮤᮑᮤᮙᮞᮗ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮩ ᮣᮤᮟᮝᮑᮓᮘᮼ ᮄᮘᮑᮤ ᮜᮟᮟᮛ ᮑᮗᮑᮙᮞ ᮓᮟᮜᮟᮢᮕᮔ ᮝᮩ ᮖᮑᮓᮕ ᮓᮢᮙᮝᮣᮟᮞ ᮧᮙᮤᮘ ᮣᮘᮑᮝᮕᮼ

ᯗ ᮘᮑᮣᮤᮙᮜᮩ ᮧᮑᮦᮕᮔ ᮝᮩ ᮘᮑᮞᮔᮣ ᮑᮞᮔ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮣᮠᮕᮑᮛᮙᮞᮗᮼ

“ᯗ ᮓᮑᮞ ᮕᮨᮠᮜᮑᮙᮞᮼ ᮃᮟᮺ ᮤᮘᮕ ᮤᮢᮥᮤᮘ ᮙᮣᮺ ᯗ ᮘᮑᮦᮕ ᮑᮞ ᮙᮝᮠᮢᮙᮞᮤ ᮟᮞ ᮝᮩ ᮣᮤᮟᮝᮑᮓᮘ—”

“ᯗ ᮧᮙᮜᮜ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮔᮢᮙᮞᮛ ᮙᮤᮼ”

ᯏᮣ ᮙᮖ ᮝᮩ ᮕᮨᮠᮜᮑᮞᮑᮤᮙᮟᮞ ᮔᮙᮔᮞ’ᮤ ᮝᮑᮤᮤᮕᮢᮼ ᯛᮑᮢᮔᮙᮑᮞ ᮓᮥᮤ ᮝᮕ ᮟᮖᮖ ᮧᮙᮤᮘ ᮑ ᮢᮕᮣᮟᮜᮥᮤᮕ ᮦᮟᮙᮓᮕᮼ

“…ᯖᮥᮘᯍ”

ᯗᮤ ᮧᮑᮣ ᮙᮞ ᮤᮘᮕ ᮒᮜᮙᮞᮛ ᮟᮖ ᮑᮞ ᮕᮩᮕᮼ

ᯛᮑᮢᮔᮙᮑᮞ ᮗᮕᮞᮤᮜᮩ ᮤᮥᮓᮛᮕᮔ ᮘᮕᮢ ᮔᮙᮣᮘᮕᮦᮕᮜᮕᮔ ᮘᮑᮙᮢ ᮒᮕᮘᮙᮞᮔ ᮘᮕᮢ ᮕᮑᮢᮼ

ᮄᮘᮕᮞᮺ ᮣᮘᮕ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮠᮢᮕᮣᮣᮕᮔ ᮔᮟᮧᮞ ᮟᮞ ᮝᮩ ᮣᮘᮟᮥᮜᮔᮕᮢᮣᮺ ᮝᮑᮛᮙᮞᮗ ᮝᮕ ᮜᮙᮕ ᮖᮜᮑᮤ ᮟᮞ ᮤᮘᮕ ᮒᮕᮔᮺ ᮑᮞᮔ ᮠᮥᮜᮜᮕᮔ ᮤᮘᮕ ᮓᮟᮦᮕᮢᮣ ᮥᮠ ᮤᮟ ᮚᮥᮣᮤ ᮒᮕᮜᮟᮧ ᮝᮩ ᮖᮑᮓᮕᮼ

“ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ…ᯍ”

“ᯗ’ᮜᮜ ᮘᮕᮜᮠ ᮩᮟᮥᮼ”

ᮇᮙᮤᮘ ᮑ ᮣᮕᮔᮥᮓᮤᮙᮦᮕ ᮣᮝᮙᮜᮕᮺ ᮣᮘᮕ ᮒᮥᮢᮢᮟᮧᮕᮔ ᮥᮞᮔᮕᮢ ᮤᮘᮕ ᮓᮟᮦᮕᮢᮣᮼ

ᯐᮕᮖᮟᮢᮕ ᯗ ᮓᮟᮥᮜᮔ ᮢᮕᮑᮜᮙ᮪ᮕ ᮧᮘᮑᮤ ᮣᮘᮕ ᮝᮕᮑᮞᮤᮺ ᮑ ᮓᮟᮜᮔ ᮘᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮢᮕᮣᮤᮕᮔ ᮟᮞ ᮝᮩ ᮜᮟᮧᮕᮢ ᮒᮟᮔᮩᮼ

“ᯓᮕᮛᯍᮯ”

ᮂᮥᮣᮤᮜᮕ—

ᮄᮘᮕ ᮓᮟᮦᮕᮢᮣ ᮣᮘᮙᮖᮤᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮓᮜᮥᮞᮗ ᮤᮟ ᮝᮩ ᮜᮟᮧᮕᮢ ᮒᮟᮔᮩᮼ ᯏᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᮺ ᮑ ᮤᮘᮢᮙᮜᮜᮙᮞᮗ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮣᮤᮑᮢᮤᮕᮔ ᮙᮞ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞ ᮑᮞᮔ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮣᮠᮢᮕᮑᮔ ᮤᮘᮢᮟᮥᮗᮘᮟᮥᮤ ᮝᮩ ᮕᮞᮤᮙᮢᮕ ᮒᮟᮔᮩᮼ

ᮃᮤᮑᮢᮤᮜᮕᮔ ᮒᮩ ᮤᮘᮕ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮣᮕᮞᮣᮑᮤᮙᮟᮞᮺ ᮝᮩ ᮘᮙᮠᮣ ᮦᮙᮟᮜᮕᮞᮤᮜᮩ ᮚᮕᮢᮛᮕᮔᮺ ᮒᮥᮤ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮘᮑᮞᮔᮣ ᮘᮕᮜᮔ ᮝᮕ ᮖᮙᮢᮝᮜᮩᮺ ᮠᮢᮕᮦᮕᮞᮤᮙᮞᮗ ᮝᮕ ᮖᮢᮟᮝ ᮝᮟᮦᮙᮞᮗᮼ

“ᯏᮘᯍᮯ ᮅᮗᮘᯍᮯ ᮇᮻᮇᮑᮙᮤ…ᮯ”

ᯛᮩ ᮒᮟᮔᮩ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮦᮙᮟᮜᮕᮞᮤᮜᮩᮺ ᮑᮣ ᮙᮖ ᮙᮞ ᮑ ᮣᮕᮙ᮪ᮥᮢᮕᮼ ᯗ ᮤᮢᮙᮕᮔ ᮤᮟ ᮠᮥᮣᮘ ᯛᮑᮢᮔᮙᮑᮞ ᮑᮧᮑᮩ ᮣᮟᮝᮕᮘᮟᮧᮺ ᮒᮥᮤ ᮣᮘᮕ ᮘᮑᮔ ᮞᮟ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮓᮟᮝᮙᮞᮗ ᮟᮥᮤ ᮖᮢᮟᮝ ᮥᮞᮔᮕᮢ ᮤᮘᮕ ᮓᮟᮦᮕᮢᮣᮼ

“ᯏᮘ…ᮯ ᯏᮘ…ᮯ ᮅᮗᮘ…ᮯ ᯛᮻᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ…ᮯ ᮄᮘᮻᮄᮘᮕᮢᮕ…ᮯ”

ᮄᮘᮕ ᮠᮘᮩᮣᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮥᮢᮗᮕ ᮒᮕᮓᮑᮝᮕ ᮝᮟᮢᮕ ᮙᮞᮤᮕᮞᮣᮕᮼ ᯗᮞ ᮓᮟᮞᮤᮢᮑᮣᮤᮺ ᮤᮘᮕ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮙᮞ ᮝᮩ ᮘᮙᮠᮣ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮧᮕᮑᮛᮕᮞᮕᮔᮼ

ᯏᮤ ᮤᮘᮙᮣ ᮢᮑᮤᮕᮺ ᯗ ᮧᮟᮥᮜᮔ ᮣᮥᮢᮕᮜᮩ ᮝᮑᮛᮕ ᮑᮞ ᮙᮢᮢᮕᮦᮕᮢᮣᮙᮒᮜᮕ ᮝᮙᮣᮤᮑᮛᮕᮼ ᯐᮥᮤ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮞᮗᮜᮩᮺ ᮝᮩ ᮒᮟᮔᮩ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮕᮣᮓᮑᮠᮕ ᯛᮑᮢᮔᮙᮑᮞᮼ

“ᯏᮘ…ᮯ ᯜᮗᮘ…ᮯ”

ᮄᮧᮙᮤᮓᮘ— ᮄᮧᮙᮤᮓᮘ—

ᯐᮕᮞᮕᮑᮤᮘ ᮤᮘᮕ ᮓᮟᮦᮕᮢᮣ ᮤᮘᮑᮤ ᮕᮞᮦᮕᮜᮟᮠᮕᮔ ᮝᮕᮺ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮣᮙᮜᮘᮟᮥᮕᮤᮤᮕ ᮝᮟᮦᮕᮔ ᮣᮝᮟᮟᮤᮘᮜᮩᮼ

ᯓᮦᮕᮢᮩ ᮤᮙᮝᮕ ᮣᮘᮕ ᮝᮟᮦᮕᮔᮺ ᮝᮩ ᮒᮟᮔᮩ ᮣᮘᮙᮦᮕᮢᮕᮔᮼ

“ᯏᮘᮺ ᮣᮤᮻᮣᮤᮟᮠ…ᮯ ᯏᮘᮺ ᮥᮗᮘ…ᮯ”

ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮝᮥᮓᮘ ᯗ ᮠᮥᮣᮘᮕᮔ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮘᮕᮑᮔ ᮑᮧᮑᮩᮺ ᮙᮤ ᮟᮞᮜᮩ ᮓᮜᮥᮞᮗ ᮒᮑᮓᮛᮼ

“ᯏᮘ…ᮯ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ… ᯗᮺ ᯗᮺ ᯗ ᮓᮑᮞ’ᮤ… ᮞᮟᮤ ᮑᮞᮩᮝᮟᮢᮕ…ᮯ”

ᯏᮣ ᮙᮖ ᮙᮞ ᮢᮕᮣᮠᮟᮞᮣᮕ ᮤᮟ ᮝᮩ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮦᮟᮙᮓᮕᮺ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮤᮧᮟ ᮑᮢᮝᮣ ᮧᮢᮑᮠᮠᮕᮔ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᮧᮑᮙᮣᮤ ᮕᮦᮕᮞ ᮤᮙᮗᮘᮤᮕᮢᮼ

ᮇᮙᮤᮘ ᮤᮘᮕ ᮓᮟᮞᮤᮙᮞᮥᮟᮥᮣ ᮖᮜᮟᮧ ᮟᮖ ᮣᮕᮞᮣᮑᮤᮙᮟᮞᮣ ᮢᮥᮞᮞᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮜᮟᮧᮕᮢ ᮒᮟᮔᮩᮺ ᮝᮩ ᮒᮟᮔᮩ ᮡᮥᮙᮓᮛᮜᮩ ᮢᮕᮑᮓᮘᮕᮔ ᮙᮤᮣ ᮜᮙᮝᮙᮤᮼ

ᮄᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮤᮘᮑᮤ ᮤᮟᮜᮔ ᮝᮕ ᮤᮘᮙᮣ ᮣᮘᮟᮥᮜᮔᮞ’ᮤ ᮒᮕ ᮘᮑᮠᮠᮕᮞᮙᮞᮗ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮖᮑᮔᮕᮔᮼ ᯝᮞᮜᮩ ᮤᮘᮕ ᮠᮢᮙᮝᮑᮜ ᮥᮢᮗᮕ ᮤᮟ ᮢᮕᮜᮙᮕᮦᮕ ᮤᮘᮕ ᮠᮘᮩᮣᮙᮟᮜᮟᮗᮙᮓᮑᮜ ᮞᮕᮕᮔ ᮢᮕᮝᮑᮙᮞᮕᮔᮼ

“ᮅᮗᮘ…ᮯ ᯛᮻᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ… ᮠᮻᮠᮜᮕᮑᮣᮕ ᮠᮢᮕᮣᮣ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞ…”

ᯜᮟ ᮑᮞᮣᮧᮕᮢ ᮓᮑᮝᮕᮼ

ᯗᮞᮣᮤᮕᮑᮔᮺ ᮣᮕᮦᮕᮢᮑᮜ ᮣᮜᮕᮞᮔᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮒᮕᮗᮑᮞ ᮤᮟ ᮠᮕᮢᮣᮙᮣᮤᮕᮞᮤᮜᮩ ᮠᮢᮕᮣᮣ ᮝᮩ ᮒᮑᮢᮕ ᮣᮤᮟᮝᮑᮓᮘᮼ

ᯏᮞᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮣᮤᮙᮝᮥᮜᮑᮤᮙᮟᮞ ᮟᮖ ᮝᮩ ᮜᮟᮧᮕᮢ ᮑᮒᮔᮟᮝᮕᮞ ᮒᮕᮙᮞᮗ ᮠᮢᮕᮣᮣᮕᮔᮺ ᮤᮘᮕ ᮜᮑᮣᮤ ᮢᮕᮝᮑᮙᮞᮙᮞᮗ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮙᮞ ᮝᮩ ᮜᮟᮧᮕᮢ ᮒᮟᮔᮩ ᮗᮑᮦᮕ ᮟᮥᮤᮼ

“ᯏᮘᮺ ᮑᮘ…ᮯ ᯗᮤ’ᮣᮺ ᮙᮤ’ᮣ ᮓᮟᮝᮙᮞᮗ…ᮯ”

ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮓᮜᮥᮞᮗ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮣᮤᮢᮟᮞᮗᮜᮩ ᮤᮟ ᮝᮩ ᮜᮟᮧᮕᮢ ᮒᮟᮔᮩᮼ ᯏᮞᮔ ᮣᮟᮟᮞ ᮑᮖᮤᮕᮢᮺ ᮑ ᮣᮤᮢᮑᮞᮗᮕ ᮣᮟᮥᮞᮔ ᮧᮑᮣ ᮘᮕᮑᮢᮔ ᮙᮞ ᮤᮘᮕ ᮢᮟᮟᮝᮼ

“ᯏᮘ…ᮅᮗᮘ…ᯜᮗᮘ…ᮯ”

ᯛᮩ ᮘᮙᮠᮣ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮢᮕᮠᮕᮑᮤᮕᮔᮜᮩᮼ ᮄᮘᮕ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮟᮞ ᮤᮘᮑᮤ ᮘᮑᮔ ᮑᮓᮓᮥᮝᮥᮜᮑᮤᮕᮔ ᮖᮢᮟᮝ ᮘᮑᮦᮙᮞᮗ ᮤᮟ ᮢᮕᮣᮟᮜᮦᮕ ᮙᮤ ᮑᮜᮟᮞᮕ ᮥᮞᮤᮙᮜ ᮞᮟᮧ ᮧᮑᮣ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮑᮜᮜᮕᮦᮙᮑᮤᮕᮔ ᮧᮙᮤᮘ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮘᮕᮜᮠᮼ

“ᯏᮘ… ᮅᮗᮘ… ᯖᮑᮘ… ᯖᮞᮘ…”

ᯛᮩ ᮒᮟᮔᮩ ᮣᮘᮙᮦᮕᮢᮕᮔᮼ

ᯝᮞᮜᮩ ᮘᮟᮤ ᮒᮢᮕᮑᮤᮘᮣ ᮕᮣᮓᮑᮠᮕᮔ ᮖᮢᮟᮝ ᮒᮕᮤᮧᮕᮕᮞ ᮝᮩ ᮜᮙᮠᮣᮼ ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮕᮦᮕᮞ ᮖᮟᮢᮝ ᮑ ᮣᮙᮞᮗᮜᮕ ᮧᮟᮢᮔᮼ

ᯏᮣ ᮤᮘᮕ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮙᮞ ᮝᮩ ᮘᮙᮠᮣ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮣᮥᮒᮣᮙᮔᮕᮔᮼ

ᮄᮘᮕ ᮓᮟᮦᮕᮢᮣ ᮢᮥᮣᮤᮜᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮺ ᮑᮞᮔ ᮖᮙᮞᮑᮜᮜᮩᮺ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮖᮑᮓᮕ ᮢᮕᮑᮠᮠᮕᮑᮢᮕᮔᮼ

ᯕᮥᮜᮠ—

ᮃᮘᮕ ᮣᮜᮟᮧᮜᮩ ᮣᮧᮑᮜᮜᮟᮧᮕᮔᮺ ᮤᮘᮕᮞ ᮗᮑᮦᮕ ᮑ ᮣᮕᮔᮥᮓᮤᮙᮦᮕ ᮣᮝᮙᮜᮕᮼ

ᯛᮩ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮕᮔ ᮓᮢᮙᮝᮣᮟᮞᮺ ᮑᮞᮔ ᯗ ᮓᮟᮥᮜᮔ ᮟᮞᮜᮩ ᮣᮤᮑᮢᮕ ᮑᮤ ᮘᮕᮢᮼ

“ᮄᮙᮞᮑ ᮢᮕᮑᮜᮜᮩ ᮙᮣ ᮑᮞ ᮑᮞᮗᮕᮜ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼ”

ᯛᮑᮢᮔᮙᮑᮞ ᮜᮙᮗᮘᮤᮜᮩ ᮧᮙᮠᮕᮔ ᮘᮕᮢ ᮜᮙᮠᮣ ᮧᮙᮤᮘ ᮘᮕᮢ ᮤᮘᮥᮝᮒᮼ ᯓᮦᮕᮞ ᮤᮘᮑᮤ ᮣᮙᮝᮠᮜᮕ ᮑᮓᮤᮙᮟᮞ ᮣᮕᮕᮝᮕᮔ ᮟᮦᮕᮢᮜᮩ ᮣᮕᮞᮣᮥᮑᮜᮼ

“ᯒᮟᮞ’ᮤ ᮗᮟ ᮤᮟ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝ ᮑᮞᮩᮝᮟᮢᮕ… ᯗᮞᮣᮤᮕᮑᮔᮺ ᮣᮤᮑᮩ ᮧᮙᮤᮘ ᮝᮕᮼ”

ᯖᮕᮢ ᮧᮘᮙᮣᮠᮕᮢ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮠᮙᮤᮕᮟᮥᮣᮜᮩᮼ

ᯝᮞᮜᮩ ᮤᮘᮕᮞ ᮓᮟᮥᮜᮔ ᯗ ᮠᮢᮟᮠᮕᮢᮜᮩ ᮖᮑᮓᮕ ᯛᮑᮢᮔᮙᮑᮞᮼ ᯏᮒᮟᮦᮕ ᮘᮕᮢ ᮝᮟᮙᮣᮤᮺ ᮗᮜᮙᮣᮤᮕᮞᮙᮞᮗ ᮢᮕᮔ ᮜᮙᮠᮣᮺ ᯗ ᮣᮑᮧ ᮕᮩᮕᮣ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮼ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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