Tales of the Taisho Era Flowers Bloom Late

Chapter 184

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᯏᮖᮤᮕᮢ ᮝᮥᮓᮘ ᮣᮤᮢᮥᮗᮗᮜᮕᮺ ᮧᮕ ᮧᮕᮢᮕ ᮖᮙᮞᮑᮜᮜᮩ ᮑᮒᮜᮕ ᮤᮟ ᮔᮕᮤᮑᮓᮘ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝ᮵ᮣ ᮠᮙᮜᮜᮑᮢᮼ

ᮋᮼᮼᮼᯗ ᮘᮟᮠᮕ ᮤᮟ ᮘᮕᮑᮢ ᮩᮟᮥᮢ ᮦᮟᮙᮓᮕ ᮤᮟᮝᮟᮢᮢᮟᮧᮼᮍ

ᮇᮙᮤᮘ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝ᮵ᮣ ᮜᮑᮣᮤ ᮧᮟᮢᮔᮣ ᮕᮓᮘᮟᮙᮞᮗ ᮣᮟᮖᮤᮜᮩᮺ ᮘᮕᮢ ᮖᮟᮢᮝ ᮣᮜᮟᮧᮜᮩ ᮖᮑᮔᮕᮔᮺ ᮕᮦᮕᮞᮤᮥᮑᮜᮜᮩ ᮦᮑᮞᮙᮣᮘᮙᮞᮗ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩᮼ

ᯑᮟᮜᮟᮢᮣ ᮣᮜᮟᮧᮜᮩ ᮒᮕᮗᮑᮞ ᮤᮟ ᮣᮕᮕᮠ ᮙᮞᮤᮟ ᮤᮘᮕ ᮑᮣᮘᮻᮗᮢᮑᮩ ᮧᮟᮢᮜᮔᮺ ᮑᮞᮔ ᮤᮘᮕ ᮣᮤᮟᮠᮠᮕᮔ ᮣᮘᮑᮔᮟᮧᮣ ᮣᮤᮑᮢᮤᮕᮔ ᮤᮟ ᮗᮢᮟᮧ ᮑᮗᮑᮙᮞᮼ

“ᮼᮼᮼᮄᮙᮞᮑᯍ”

ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮦᮟᮙᮓᮕ ᮢᮕᮑᮓᮘᮕᮔ ᮝᮕᮼ ᮃᮘᮕ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮠᮥ᮪᮪ᮜᮕᮔ ᮜᮟᮟᮛ ᮙᮞ ᮘᮕᮢ ᮕᮩᮕᮣᮼ

“ᮃᮟᮝᮕᮤᮘᮙᮞᮗ’ᮣ ᮟᮞ ᮩᮟᮥᮢ ᮜᮙᮠᮣᮼ”

ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮖᮙᮞᮗᮕᮢᮤᮙᮠ ᮗᮕᮞᮤᮜᮩ ᮒᮢᮥᮣᮘᮕᮔ ᮝᮩ ᮜᮙᮠᮣᮼ ᯏ ᮧᮘᮙᮤᮙᮣᮘ ᮜᮙᮡᮥᮙᮔ ᮧᮑᮣ ᮟᮞ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮼ

ᯗ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮑᮦᮟᮙᮔᮕᮔ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮑᮞᮔ ᮝᮥᮝᮒᮜᮕᮔᮼ

“ᯏᮘᮺ ᮤᮘᮻᮤᮘᮑᮞᮛ ᮩᮟᮥᮺ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮼ”

“ᯛᮘᮝᮺ ᮞᮟ ᮠᮢᮟᮒᮜᮕᮝᮼ”

ᮃᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮖᮑᮓᮕ ᮤᮘᮑᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮛᮞᮟᮧ ᮞᮟᮤᮘᮙᮞᮗᮼ ᯏ ᮠᮥᮢᮕ ᮣᮝᮙᮜᮕᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮘᮙᮞᮤ ᮟᮖ ᮣᮥᮣᮠᮙᮓᮙᮟᮞᮺ ᮧᮑᮣ ᮟᮞ ᮘᮕᮢ ᮜᮙᮠᮣᮼ

ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮧᮑᮤᮓᮘᮕᮔ ᮘᮕᮢᮼ

ᮋᯗᮤ᮵ᮣ ᮞᮟᮤ ᮗᮟᮟᮔ ᮖᮟᮢ ᮘᮕᮢ ᮤᮟ ᮒᮕ ᮔᮕᮓᮕᮙᮦᮕᮔᮼᮍ

ᮄᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝ’ᮣ ᮜᮑᮣᮤ ᮑᮔᮦᮙᮓᮕ ᮒᮕᮖᮟᮢᮕ ᮣᮘᮕ ᮜᮕᮖᮤ ᮜᮙᮞᮗᮕᮢᮕᮔ ᮙᮞ ᮝᮩ ᮝᮙᮞᮔᮼ ᯗᮤ ᮧᮑᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᯗ ᮘᮑᮔ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮕᮨᮠᮕᮓᮤᮕᮔᮺ ᮒᮥᮤ ᮤᮘᮑᮤ ᮟᮞᮕ ᮢᮕᮝᮑᮢᮛ ᮗᮑᮦᮕ ᮝᮕ ᮝᮟᮢᮕ ᮓᮕᮢᮤᮑᮙᮞᮤᮩᮼ

“ᮇᮑᮞᮤ ᮤᮟ ᮠᮢᮑᮩᯍ”

ᯛᮑᮢᮔᮙᮑᮞ ᮑᮣᮛᮕᮔ ᮡᮥᮙᮕᮤᮜᮩᮼ

“ᯜᮟᮺ ᯗ ᮤᮘᮙᮞᮛ ᯗ’ᮜᮜ ᮒᮕ ᮖᮙᮞᮕᮼ”

ᮃᮘᮕ ᮒᮜᮙᮞᮛᮕᮔᮼ

“ᯖᮥᮘᯍ ᯒᮙᮔᮞ’ᮤ ᮩᮟᮥ ᮧᮑᮞᮤ ᮤᮟ ᮠᮢᮑᮩᯍ”

ᯛᮑᮢᮔᮙᮑᮞ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮛᮞᮟᮧᮼ ᮄᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᯗ ᮘᮑᮔ ᮚᮥᮣᮤ ᮒᮕᮕᮞ ᮤᮑᮜᮛᮙᮞᮗ ᮖᮑᮓᮕᮻᮤᮟᮻᮖᮑᮓᮕ ᮧᮙᮤᮘ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼ

ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮣᮤᮑᮤᮥᮕ ᮟᮖ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮼ ᯗ ᮓᮜᮑᮣᮠᮕᮔ ᮝᮩ ᮘᮑᮞᮔᮣᮺ ᮓᮜᮟᮣᮕᮔ ᮝᮩ ᮕᮩᮕᮣᮺ ᮑᮞᮔ ᮟᮖᮖᮕᮢᮕᮔ ᮑ ᮣᮘᮟᮢᮤ ᮒᮥᮤ ᮣᮙᮞᮓᮕᮢᮕ ᮠᮢᮑᮩᮕᮢᮼ

ᮋᯗ ᮧᮙᮜᮜ ᮠᮢᮑᮩ ᮕᮦᮕᮢᮩ ᮔᮑᮩ ᮖᮢᮟᮝ ᮞᮟᮧ ᮟᮞᮼ ᮄᮘᮑᮞᮛ ᮩᮟᮥᮺ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝᮼᮍ

ᯜᮟ ᮑᮞᮣᮧᮕᮢ ᮓᮑᮝᮕᮺ ᮒᮥᮤ ᯗ ᮒᮕᮜᮙᮕᮦᮕᮔ ᮝᮩ ᮘᮕᮑᮢᮤ ᮘᮑᮔ ᮣᮥᮢᮕᮜᮩ ᮢᮕᮑᮓᮘᮕᮔ ᮘᮕᮢᮼ

“ᯚᮕᮤ’ᮣ ᮗᮟ ᮞᮟᮧᮼ”

ᮇᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮺ ᯗ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮝᮩ ᮘᮑᮞᮔ ᮤᮟ ᯛᮑᮢᮔᮙᮑᮞᮼ ᮃᮘᮕ ᮤᮙᮜᮤᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮒᮥᮤ ᮤᮟᮟᮛ ᮝᮩ ᮘᮑᮞᮔ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮼ

ᮋᯗᮤ’ᮣ ᮞᮟᮤ ᮗᮟᮟᮔ ᮖᮟᮢ ᮘᮕᮢ ᮙᮖ ᮩᮟᮥ ᮜᮕᮤ ᮩᮟᮥᮢᮣᮕᮜᮖ ᮒᮕ ᮔᮕᮓᮕᮙᮦᮕᮔ ᮕᮙᮤᮘᮕᮢᮼᮍ

ᮄᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮻᮞᮙᮝ’ᮣ ᮜᮑᮣᮤ ᮧᮟᮢᮔᮣ ᮓᮑᮝᮕ ᮤᮟ ᮝᮙᮞᮔ ᮑᮗᮑᮙᮞᮼ

ᯖᮟᮜᮔᮙᮞᮗ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮘᮑᮞᮔᮺ ᯗ ᮖᮕᮜᮜ ᮙᮞᮤᮟ ᮔᮕᮕᮠ ᮤᮘᮟᮥᮗᮘᮤ ᮖᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮼ

᮸᮸᮸

ᯗᮤ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮕᮦᮕᮞᮙᮞᮗ ᮧᮘᮕᮞ ᮧᮕ ᮑᮢᮢᮙᮦᮕᮔ ᮑᮤ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮝᮑᮞᮣᮙᮟᮞᮼ

ᮄᮙᮝᮕ ᮘᮑᮔ ᮖᮜᮟᮧᮞ ᮒᮩ ᮑᮣ ᮧᮕ ᮘᮕᮜᮔ ᮘᮑᮞᮔᮣ ᮑᮞᮔ ᮕᮨᮠᮜᮟᮢᮕᮔ ᮦᮑᮢᮙᮟᮥᮣ ᮠᮑᮢᮤᮣ ᮟᮖ ᮤᮘᮕ ᮓᮙᮤᮩᮼ ᯐᮥᮤ ᮣᮕᮕᮙᮞᮗ ᯛᮑᮢᮔᮙᮑᮞ ᮕᮞᮚᮟᮩ ᮘᮕᮢᮣᮕᮜᮖ ᮤᮟ ᮘᮕᮢ ᮘᮕᮑᮢᮤ’ᮣ ᮓᮟᮞᮤᮕᮞᮤ ᮧᮑᮣ ᮣᮑᮤᮙᮣᮖᮑᮓᮤᮙᮟᮞ ᮕᮞᮟᮥᮗᮘᮼ

“ᯚᮕᮤ’ᮣ ᮘᮑᮦᮕ ᮔᮙᮞᮞᮕᮢ ᮤᮟᮗᮕᮤᮘᮕᮢᮺ ᮄᮙᮞᮑᮼ”

ᯛᮑᮢᮔᮙᮑᮞ ᮣᮑᮙᮔᮺ ᮜᮙᮗᮘᮤᮜᮩ ᮠᮥᮜᮜᮙᮞᮗ ᮝᮩ ᮘᮑᮞᮔᮼ

“ᯝᮖ ᮓᮟᮥᮢᮣᮕᮼ ᯗ’ᮜᮜ ᮠᮢᮕᮠᮑᮢᮕ ᮙᮤᮼ”

“ᯜᮟᮺ ᮜᮕᮑᮦᮕ ᮙᮤ ᮤᮟ ᮝᮩ ᮓᮘᮕᮖᮣ ᮤᮟᮔᮑᮩᮼ ᮉᮟᮥ ᮗᮕᮤ ᮣᮟᮝᮕ ᮗᮟᮟᮔ ᮢᮕᮣᮤᮼ”

“ᯖᮝᮝᮼᮼᮼ ᮣᮘᮟᮥᮜᮔ ᯗᯍ”

ᯑᮟᮟᮛᮙᮞᮗ ᮧᮑᮣ ᮑ ᮠᮜᮕᮑᮣᮥᮢᮕ ᮖᮟᮢ ᮝᮕᮺ ᮣᮟ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮢᮕᮑᮣᮟᮞ ᮤᮟ ᮢᮕᮖᮥᮣᮕᮺ ᮒᮥᮤ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮙᮤ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮒᮕ ᮒᮑᮔ ᮤᮟ ᮟᮓᮓᮑᮣᮙᮟᮞᮑᮜᮜᮩ ᮕᮞᮚᮟᮩ ᮑ ᮝᮕᮑᮜ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮒᮩ ᮣᮟᮝᮕᮟᮞᮕ ᮕᮜᮣᮕᮼ

“ᯝᮛᮑᮩᮼ”

ᯏ ᮠᮥᮢᮕ ᮣᮝᮙᮜᮕ ᮣᮠᮢᮕᮑᮔ ᮑᮓᮢᮟᮣᮣ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮖᮑᮓᮕᮼ ᯗᮤ ᮧᮑᮣ ᮑᮞ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮑᮞᮩᮟᮞᮕ ᮧᮟᮥᮜᮔ ᮖᮙᮞᮔ ᮕᮞᮔᮕᮑᮢᮙᮞᮗᮼ ᯏ ᮗᮕᮞᮤᮜᮕ ᮙᮝᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮤᮢᮑᮓᮕ ᮟᮖ ᮣᮥᮣᮠᮙᮓᮙᮟᮞᮼ

ᮅᮞᮜᮕᮣᮣ ᮩᮟᮥ ᮜᮟᮟᮛᮕᮔ ᮓᮜᮟᮣᮕᮜᮩᮺ ᮤᮘᮑᮤ ᮙᮣᮼ

‘ᮼᮼᮼᯚᮕᮤ᮵ᮣ ᮓᮟᮞᮖᮙᮢᮝ ᮙᮤ ᮝᮩᮣᮕᮜᮖᮼ’

ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮗᮑᮙᮞ ᮓᮕᮢᮤᮑᮙᮞᮤᮩ ᮧᮙᮤᮘ ᮝᮩ ᮟᮧᮞ ᮕᮩᮕᮣᮼ ᯗ ᮘᮑᮔ ᮑᮜᮢᮕᮑᮔᮩ ᮔᮕᮓᮙᮔᮕᮔ ᮘᮟᮧ ᮤᮟ ᮔᮟ ᮙᮤ ᮟᮞ ᮤᮘᮕ ᮧᮑᮩ ᮒᮑᮓᮛᮼ

ᯗ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮜᮙᮞᮛᮕᮔ ᮑᮢᮝᮣ ᮧᮙᮤᮘ ᮤᮘᮕ ᮣᮧᮕᮕᮤᮜᮩ ᮣᮝᮙᮜᮙᮞᮗ ᯛᮑᮢᮔᮙᮑᮞᮼ ᯖᮕᮢ ᮒᮟᮔᮩ ᮧᮑᮢᮝᮤᮘ ᮤᮢᮑᮞᮣᮖᮕᮢᮢᮕᮔ ᮤᮟ ᮝᮩ ᮘᮕᮑᮔᮺ ᮧᮘᮙᮓᮘ ᮜᮕᮑᮞᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮑᮗᮑᮙᮞᮣᮤ ᮘᮕᮢᮼ

“ᮄᮘᮕᮞᮼᮼᮼ ᮣᮘᮑᮜᮜ ᮧᮕ ᮧᮑᮣᮘ ᮥᮠ ᮒᮕᮖᮟᮢᮕ ᮔᮙᮞᮞᮕᮢ ᮙᮣ ᮢᮕᮑᮔᮩᯍ”

“ᯛᮘᮝᮼ ᮄᮙᮞᮑᮺ ᮩᮟᮥ ᮧᮑᮣᮘ ᮖᮙᮢᮣᮤᮼ”

ᯛᮑᮢᮔᮙᮑᮞ ᮑᮦᮕᮢᮤᮕᮔ ᮘᮕᮢ ᮗᮑ᮪ᮕᮺ ᮣᮕᮕᮝᮙᮞᮗᮜᮩ ᮑᮧᮛᮧᮑᮢᮔᮼ ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮘᮕᮢᮼ

“ᮃᮘᮑᮜᮜ ᮧᮕᮼᮼᮼ ᮒᮑᮤᮘᮕ ᮤᮟᮗᮕᮤᮘᮕᮢᯍ”

ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮢᮕᮔ ᮕᮩᮕᮣ ᮧᮑᮦᮕᮢᮕᮔᮼ ᯏᮣ ᮙᮖ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮖᮥᮜᮜᮩ ᮓᮟᮝᮠᮢᮕᮘᮕᮞᮔ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢᮺ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮝᮕᮞᮤ ᮣᮜᮟᮧᮜᮩ ᮣᮠᮢᮕᮑᮔ ᮑᮓᮢᮟᮣᮣ ᮘᮕᮢ ᮠᮑᮜᮕ ᮖᮑᮓᮕᮼ

“ᮄᮟᮺ ᮤᮟᮗᮕᮤᮘᮕᮢᯍ”

ᯖᮕᮢ ᮦᮟᮙᮓᮕ ᮑᮜᮣᮟ ᮧᮑᮦᮕᮢᮕᮔᮼ

“ᮉᮕᮣᮼ ᮇᮕ’ᮢᮕ ᮚᮥᮣᮤ ᮗᮙᮢᮜᮣᮺ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼ”

ᮇᮙᮤᮘ ᮑ ᮣᮟᮖᮤ ᮧᮘᮙᮣᮠᮕᮢᮺ ᯗ ᮢᮥᮒᮒᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮗᮕᮞᮤᮜᮩ ᮑᮗᮑᮙᮞᮣᮤ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮞᮕᮓᮛᮼ ᯔᮢᮟᮝ ᮑ ᮓᮜᮟᮣᮕ ᮔᮙᮣᮤᮑᮞᮓᮕᮺ ᮙᮞ ᮑ ᮜᮟᮧ ᮦᮟᮙᮓᮕᮺ ᯗ ᮔᮢᮕᮧ ᮘᮕᮢ ᮗᮑ᮪ᮕᮼ

“ᯗᮖ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ ᮙᮣ ᮟᮛᮑᮩ ᮧᮙᮤᮘ ᮙᮤᮼᮼᮼ ᯗ’ᮔ ᮜᮙᮛᮕ ᮤᮟ ᮧᮑᮣᮘ ᮩᮟᮥᮼ”

“ᮅᮘᮺ ᮥᮻᮥᮘᮝᮺ ᮩᮕᮣᮼᮼᮼ”

ᯖᮕᮢ ᮜᮙᮠᮣ ᮣᮥᮒᮤᮜᮩ ᮠᮑᮢᮤᮕᮔᮼ ᯏᮖᮤᮕᮢ ᮘᮕᮣᮙᮤᮑᮤᮙᮞᮗ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮺ ᮑᮣ ᮙᮖ ᮘᮕᮢ ᮝᮙᮞᮔ ᮧᮑᮣ ᮓᮟᮝᮠᮜᮕᮨᮺ ᮣᮘᮕ ᮖᮙᮞᮑᮜᮜᮩ ᮞᮟᮔᮔᮕᮔ ᮓᮑᮢᮕᮖᮥᮜᮜᮩᮼ

“ᯚᮕᮤ’ᮣᮼᮼᮼ ᮒᮑᮤᮘᮕ ᮤᮟᮗᮕᮤᮘᮕᮢᮺ ᮤᮘᮕᮞᮼ”

“ᯕᮢᮕᮑᮤᮯ”

ᮅᮞᮑᮒᮜᮕ ᮤᮟ ᮘᮙᮔᮕ ᮝᮩ ᮚᮟᮩᮺ ᯗ ᮜᮙᮗᮘᮤᮜᮩ ᮠᮢᮕᮣᮣᮕᮔ ᮝᮩ ᮜᮙᮠᮣ ᮤᮟ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮞᮕᮓᮛᮼ

ᯖᮕᮢ ᮒᮟᮔᮩ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᯐᮥᮤ ᮣᮘᮕ ᮔᮙᮔᮞ’ᮤ ᮠᮥᮣᮘ ᮝᮕ ᮑᮧᮑᮩᮼ

ᯏᮖᮤᮕᮢ ᮕᮞᮤᮢᮥᮣᮤᮙᮞᮗ ᮤᮘᮕ ᮔᮙᮞᮞᮕᮢ ᮠᮢᮕᮠᮑᮢᮑᮤᮙᮟᮞᮣ ᮤᮟ ᮤᮘᮕ ᮓᮘᮕᮖᮺ ᯗ ᮕᮞᮤᮕᮢᮕᮔ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝ ᮧᮙᮤᮘ ᯛᮑᮢᮔᮙᮑᮞᮼ

ᮁᮥᮙᮕᮤᮜᮩᮺ ᯗ ᮢᮕᮑᮓᮘᮕᮔ ᮟᮥᮤ ᮑᮞᮔ ᮢᮕᮝᮟᮦᮕᮔ ᮘᮕᮢ ᮓᮜᮟᮤᮘᮕᮣ ᮟᮞᮕ ᮒᮩ ᮟᮞᮕᮼ

ᯓᮑᮓᮘ ᮤᮙᮝᮕ ᮤᮘᮕ ᮣᮟᮖᮤ ᮖᮑᮒᮢᮙᮓ ᮣᮜᮙᮠᮠᮕᮔ ᮔᮟᮧᮞ ᮘᮕᮢ ᮣᮘᮟᮥᮜᮔᮕᮢᮣᮺ ᮘᮕᮢ ᮕᮜᮕᮗᮑᮞᮤ ᮓᮥᮢᮦᮕᮣᮺ ᮞᮟᮧ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮖᮥᮜᮜᮕᮢ ᮤᮘᮑᮞ ᮒᮕᮖᮟᮢᮕᮺ ᮒᮕᮓᮑᮝᮕ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮠᮢᮟᮝᮙᮞᮕᮞᮤᮼ

ᮇᮘᮙᮜᮕ ᮤᮘᮕ ᮘᮟᮤ ᮧᮑᮤᮕᮢ ᮖᮙᮜᮜᮕᮔ ᮤᮘᮕ ᮤᮥᮒᮺ ᯗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮧᮑᮣᮘᮕᮔ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮒᮟᮔᮩᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮒᮩ ᮓᮘᮑᮞᮓᮕᮺ ᮑ ᮣᮕᮢᮙᮕᮣ ᮟᮖ ᮣᮝᮑᮜᮜ ᮝᮙᮣᮘᮑᮠᮣ ᮖᮟᮜᮜᮟᮧᮕᮔᮼ

ᯔᮟᮢ ᮙᮞᮣᮤᮑᮞᮓᮕᮺ ᯗ ᮝᮙᮣᮣᮕᮔ ᮝᮩ ᮖᮟᮟᮤᮙᮞᮗ ᮑᮞᮔ ᮕᮞᮔᮕᮔ ᮥᮠ ᮖᮑᮜᮜᮙᮞᮗ ᮙᮞᮤᮟ ᮘᮕᮢ ᮕᮝᮒᮢᮑᮓᮕᮼ ᯏᮞᮔ ᮤᮘᮑᮤᮺ ᮧᮙᮤᮘ ᮞᮕᮙᮤᮘᮕᮢ ᮟᮖ ᮥᮣ ᮧᮕᮑᮢᮙᮞᮗ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ

ᮋᯏᮘᮼᮼᮼᮯᮍ

ᯝᮢ ᮣᮟᮝᮕᮘᮟᮧᮺ ᮑᮓᮓᮙᮔᮕᮞᮤᮑᮜᮜᮩᮺ ᮝᮩ ᮓᮘᮕᮣᮤ ᮢᮥᮒᮒᮕᮔ ᮑᮗᮑᮙᮞᮣᮤ ᮘᮕᮢᮣᮺ ᮓᮑᮥᮣᮙᮞᮗ ᮑ ᮘᮙᮗᮘᮻᮠᮙᮤᮓᮘᮕᮔ ᮣᮟᮥᮞᮔ ᮤᮟ ᮕᮣᮓᮑᮠᮕ ᮝᮩ ᮜᮙᮠᮣᮼ

ᯏᮞᮟᮤᮘᮕᮢ ᮤᮙᮝᮕᮺ ᮤᮘᮕ ᮧᮑᮤᮕᮢ ᮧᮑᮣ ᮣᮟ ᮘᮟᮤ ᮤᮘᮑᮤ ᯗ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣᮜᮩ ᮘᮥᮗᮗᮕᮔ ᯛᮑᮢᮔᮙᮑᮞ ᮤᮙᮗᮘᮤᮜᮩᮼ

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮑᮤ ᮤᮘᮑᮤ ᮤᮙᮝᮕᮺ ᮧᮕ ᮧᮕᮢᮕ ᮞᮑᮛᮕᮔ ᮑᮣ ᮧᮕᮜᮜᮼ

ᮋᯗᮻᯗ᮵ᮝ ᮣᮟᮢᮢᮩᮺ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮼᮼᮼ ᯗ᮵ᮝ ᮣᮟ ᮓᮜᮥᮝᮣᮩ ᮤᮟᮔᮑᮩᮼᮍ

ᯗ ᮑᮠᮟᮜᮟᮗᮙ᮪ᮕᮔ ᮙᮞ ᮑ ᮣᮝᮑᮜᮜ ᮦᮟᮙᮓᮕᮺ ᮒᮥᮤ ᮣᮘᮕ ᮔᮙᮔᮞ’ᮤ ᮑᮞᮣᮧᮕᮢᮼ

ᮄᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮧᮑᮣ ᮞᮟ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮧᮘᮕᮞ ᮧᮕ ᮣᮟᮑᮛᮕᮔ ᮙᮞ ᮤᮘᮕ ᮒᮑᮤᮘᮤᮥᮒᮼ

ᮋᯖᮑᮑᮼᮼᮼ ᮥᮗᮘᮼᮼᮼ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮼᮼᮼᮍ

ᯝᮢᮺ ᮒᮕᮓᮑᮥᮣᮕ ᮤᮘᮕ ᮧᮑᮤᮕᮢ ᮧᮑᮣ ᮘᮟᮤᮤᮕᮢ ᮤᮘᮑᮞ ᮕᮨᮠᮕᮓᮤᮕᮔᮺ ᯗ ᮘᮑᮔ ᮞᮟ ᮓᮘᮟᮙᮓᮕ ᮒᮥᮤ ᮤᮟ ᮗᮑᮣᮠ ᮑᮞᮔ ᮜᮟᮟᮛ ᮑᮤ ᯛᮑᮢᮔᮙᮑᮞ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

ᯏᮖᮤᮕᮢ ᮑ ᮣᮤᮢᮙᮞᮗ ᮟᮖ ᮟᮤᮘᮕᮢ ᮝᮙᮞᮟᮢ ᮙᮞᮓᮙᮔᮕᮞᮤᮣᮺ ᮧᮕ ᮖᮙᮞᮑᮜᮜᮩ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮒᮑᮤᮘᮙᮞᮗ ᮑᮞᮔ ᮜᮕᮖᮤ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝᮼ

ᮅᮞᮜᮙᮛᮕ ᮝᮕᮺ ᮧᮘᮟ ᮖᮕᮜᮤ ᮢᮕᮖᮢᮕᮣᮘᮕᮔᮺ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮧᮑᮣ ᮡᮥᮙᮤᮕ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮒᮕᮖᮟᮢᮕᮼ

ᯔᮑᮙᮞᮤ ᮣᮘᮑᮔᮟᮧᮣ ᮜᮙᮞᮗᮕᮢᮕᮔ ᮒᮕᮞᮕᮑᮤᮘ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮑᮞᮔ ᮑᮞ ᮥᮞᮛᮞᮟᮧᮞ ᮙᮞᮔᮙᮗᮟ ᮘᮥᮕ ᮧᮑᮣ ᮠᮢᮕᮣᮕᮞᮤ ᮙᮞ ᮘᮕᮢ ᮢᮕᮔ ᮠᮥᮠᮙᮜᮣᮼ ᯗᮤ ᮧᮑᮣ ᮓᮑᮜᮝᮺ ᮩᮕᮤ ᮣᮟᮝᮕᮘᮟᮧ ᮥᮞᮣᮕᮤᮤᮜᮙᮞᮗᮼ

ᯗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮤᮟᮟᮛ ᮘᮕᮢ ᮘᮑᮞᮔ ᮑᮞᮔ ᮑᮠᮟᮜᮟᮗᮙ᮪ᮕᮔ ᮟᮞᮓᮕ ᮝᮟᮢᮕ ᮙᮞ ᮑᮞ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮑᮤᮕ ᮦᮟᮙᮓᮕᮼ

“ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮼᮼᮼ ᯗ’ᮝ ᮣᮟᮢᮢᮩᮼ ᯗ ᮧᮑᮣ ᮣᮟ ᮓᮜᮥᮝᮣᮩᮼᮼᮼ”

“ᯝᮘᮺ ᮞᮟᮼ ᯗᮤ’ᮣ ᮖᮙᮞᮕᮺ ᮄᮙᮞᮑᮼ”

ᯛᮑᮢᮔᮙᮑᮞ ᮣᮝᮙᮜᮕᮔ ᮒᮢᮙᮗᮘᮤᮜᮩ ᮑᮞᮔ ᮣᮘᮟᮟᮛ ᮘᮕᮢ ᮘᮕᮑᮔᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮒᮩ ᮣᮘᮕᮕᮢ ᮓᮟᮙᮞᮓᮙᮔᮕᮞᮓᮕᮺ ᮤᮘᮕ ᮤᮟᮧᮕᮜ ᮓᮟᮦᮕᮢᮙᮞᮗ ᮝᮩ ᮒᮟᮔᮩ ᮣᮜᮙᮠᮠᮕᮔ ᮤᮟ ᮟᮞᮕ ᮣᮙᮔᮕᮼ

ᯛᮩ ᮞᮑᮛᮕᮔ ᮒᮟᮔᮩ ᮧᮑᮣ ᮖᮥᮜᮜᮩ ᮢᮕᮖᮜᮕᮓᮤᮕᮔ ᮙᮞ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮤᮧᮟ ᮕᮩᮕᮣᮼ

ᮼᮼᮼᮼᮼ

ᯖᮕᮢ ᮗᮑ᮪ᮕᮺ ᮔᮕᮦᮟᮙᮔ ᮟᮖ ᮑ ᮣᮝᮙᮜᮕᮺ ᮣᮜᮟᮧᮜᮩ ᮔᮢᮙᮖᮤᮕᮔ ᮔᮟᮧᮞᮧᮑᮢᮔᮣᮼ

ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮟᮒᮣᮕᮢᮦᮕᮔ ᮤᮘᮕ ᮕᮝᮟᮤᮙᮟᮞᮣ ᮖᮜᮙᮓᮛᮕᮢᮙᮞᮗ ᮙᮞ ᮘᮕᮢ ᮢᮕᮔ ᮕᮩᮕᮣᮼ

‘ᮼᮼᮼᯘᮥᮣᮤ ᮑᮣ ᯗ ᮤᮘᮟᮥᮗᮘᮤᮼ’

ᯗᮤ ᮧᮑᮣ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮝᮩ ᮣᮥᮣᮠᮙᮓᮙᮟᮞ ᮤᮥᮢᮞᮕᮔ ᮙᮞᮤᮟ ᮓᮕᮢᮤᮑᮙᮞᮤᮩᮼ

ᯗ ᮡᮥᮙᮓᮛᮜᮩ ᮧᮢᮑᮠᮠᮕᮔ ᮤᮘᮕ ᮤᮟᮧᮕᮜ ᮒᮑᮓᮛ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᮒᮟᮔᮩ ᮑᮞᮔ ᮗᮑᮦᮕ ᮑᮞ ᮑᮧᮛᮧᮑᮢᮔ ᮣᮝᮙᮜᮕᮼ

“ᯗ’ᮝ ᮣᮟᮢᮢᮩᮺ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮼ”

ᮼᮼᮼᮼᮼᮼ

ᯛᮑᮢᮔᮙᮑᮞ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑᮞ ᮑᮧᮛᮧᮑᮢᮔ ᮣᮝᮙᮜᮕ ᮟᮞ ᮘᮕᮢ ᮖᮑᮓᮕᮼ

“ᯐᮥᮤ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮺ ᮤᮘᮕᮢᮕ’ᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᯗ’ᮝ ᮓᮥᮢᮙᮟᮥᮣ ᮑᮒᮟᮥᮤᮼᮼᮼ ᯛᮑᮩ ᯗ ᮑᮣᮛᯍ”

“ᮇᮘᮑᮤ ᮙᮣ ᮙᮤᯍ”

ᯛᮑᮢᮔᮙᮑᮞ ᮧᮑᮣ ᮑᮜᮣᮟ ᮧᮕᮑᮢᮙᮞᮗ ᮟᮞᮜᮩ ᮑ ᮤᮟᮧᮕᮜ ᮟᮦᮕᮢ ᮘᮕᮢ ᮒᮑᮢᮕ ᮒᮟᮔᮩᮺ ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᮝᮕᮼ

ᯗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮘᮕᮢ ᮑᮞᮔ ᮛᮞᮕᮜᮤ ᮔᮟᮧᮞᮼ

ᮄᮘᮕᮞᮺ ᯗ ᮣᮥᮒᮤᮜᮩ ᮝᮟᮦᮕᮔ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮑᮞᮔ ᮤᮙᮓᮛᮜᮕᮔ ᮘᮕᮢ ᮤᮘᮙᮗᮘᮼ

ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮒᮟᮔᮩ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮗᮢᮕᮑᮤᮜᮩᮼ

ᮄᮘᮕ ᮑᮧᮛᮧᮑᮢᮔ ᮣᮝᮙᮜᮕ ᮟᮞ ᮘᮕᮢ ᮜᮙᮠᮣ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮖᮑᮔᮕᮔᮺ ᮑᮞᮔ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮝᮕᮞᮤ ᮓᮜᮟᮥᮔᮕᮔ ᮟᮦᮕᮢ ᮙᮤᮼ

“ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᮺ ᮔᮟ ᮩᮟᮥ ᮕᮨᮕᮢᮓᮙᮣᮕ ᮣᮕᮠᮑᮢᮑᮤᮕᮜᮩᯍ”

“ᯏᮘᮼᮼᮼ ᮞᮟᮼᮼᮼ”

ᯏ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮦᮟᮙᮓᮕᮼ

ᮀᮢᮕᮤᮕᮞᮔᮙᮞᮗ ᮤᮟ ᮛᮞᮟᮧ ᮞᮟᮤᮘᮙᮞᮗᮺ ᯗ ᮣᮜᮟᮧᮜᮩ ᮝᮟᮦᮕᮔ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮣ ᮜᮙᮛᮕ ᮖᮕᮑᮤᮘᮕᮢᮣ ᮑᮜᮟᮞᮗ ᮘᮕᮢ ᮒᮑᮢᮕ ᮜᮕᮗᮼ

“ᮇᮟᮧᮼᮼᮼ ᯐᮥᮤ ᮘᮟᮧ ᮓᮑᮞ ᮩᮟᮥ ᮗᮕᮤ ᮣᮥᮓᮘ ᮑ ᮧᮕᮜᮜᮻᮠᮢᮟᮠᮟᮢᮤᮙᮟᮞᮕᮔ ᮒᮟᮔᮩᯍ”

ᯛᮩ ᮖᮙᮞᮗᮕᮢᮣ ᮜᮙᮗᮘᮤᮜᮩ ᮒᮢᮥᮣᮘᮕᮔ ᮥᮠ ᮑᮞᮔ ᮔᮟᮧᮞ ᮘᮕᮢ ᮜᮕᮗᮼ

ᯓᮑᮓᮘ ᮤᮙᮝᮕ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮢᮕᮑᮓᮘᮕᮔ ᮑ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮘᮙᮗᮘᮕᮢ ᮣᮠᮟᮤᮺ ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮒᮢᮕᮑᮤᮘᮙᮞᮗ ᮒᮕᮓᮑᮝᮕ ᮢᮟᮥᮗᮘᮕᮢᮺ ᮑᮞᮔ ᮘᮕᮢ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮕᮔᮼ

“ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮘᮑᮦᮕ ᮑ ᮗᮟᮟᮔ ᮒᮟᮔᮩ ᮜᮙᮛᮕ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ ᮤᮟᮟᮼ”

ᮄᮘᮕ ᮙᮞᮞᮕᮢ ᮤᮘᮙᮗᮘᮼ

ᯏᮤ ᮑ ᮠᮟᮙᮞᮤ ᮧᮘᮕᮢᮕ ᮗᮟᮙᮞᮗ ᮑᮞᮩ ᮘᮙᮗᮘᮕᮢ ᮧᮟᮥᮜᮔ ᮒᮕ ᮔᮑᮞᮗᮕᮢᮟᮥᮣᮺ ᯗ ᮗᮕᮞᮤᮜᮩ ᮤᮙᮓᮛᮜᮕᮔ ᮘᮕᮢ ᮒᮑᮢᮕ ᮣᮛᮙᮞᮼ

“ᮼᮼᮼᮉᮟᮥ’ᮢᮕ ᮑᮤᮤᮢᮑᮓᮤᮙᮦᮕ ᮕᮞᮟᮥᮗᮘᮺ ᮄᮙᮞᮑᮼ”

“ᯗᮣ ᮤᮘᮑᮤ ᮣᮟᮼᮼᮼᯍ ᯗ ᮤᮘᮙᮞᮛ ᯗ’ᮝ ᮤᮟᮟ ᮣᮛᮙᮞᮞᮩᮼ”

“ᯏᮘᮼᮼᮼ ᮞᮟᮼ”

ᯛᮑᮢᮔᮙᮑᮞ’ᮣ ᮒᮟᮔᮩ ᮖᮜᮙᮞᮓᮘᮕᮔᮼ

ᯗ ᮞᮑᮢᮢᮟᮧᮕᮔ ᮝᮩ ᮕᮩᮕᮣ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮘᮕᮢᮼ ᯛᮩ ᮜᮙᮠᮣ ᮣᮥᮒᮤᮜᮩ ᮠᮑᮢᮤᮕᮔᮼ

“ᯗᮖ ᯗᮼᮼᮼ ᮕᮨᮕᮢᮓᮙᮣᮕ ᮧᮙᮤᮘ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ ᮑᮜᮜ ᮞᮙᮗᮘᮤᮺ ᮓᮟᮥᮜᮔ ᯗ ᮒᮕᮓᮟᮝᮕ ᮜᮙᮛᮕ ᮤᮘᮙᮣ ᮤᮟᮟᯍ”

ᯒᮙᮔ ᯛᮑᮢᮔᮙᮑᮞ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮣᮘᮕ ᮧᮑᮣ ᮝᮑᮛᮙᮞᮗ ᮢᮙᮗᮘᮤ ᮞᮟᮧᯍ

ᯖᮑᮦᮙᮞᮗ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮣᮥᮣᮠᮙᮓᮙᮟᮞ ᮙᮞᮤᮟ ᮓᮕᮢᮤᮑᮙᮞᮤᮩᮺ ᯗ ᮜᮙᮗᮘᮤᮜᮩ ᮢᮟᮣᮕ ᮒᮕᮖᮟᮢᮕ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮑᮞᮣᮧᮕᮢ ᮑᮞᮩᮤᮘᮙᮞᮗᮺ ᮑᮞᮔ ᮗᮑᮦᮕ ᮑ ᮒᮢᮙᮗᮘᮤ ᮣᮝᮙᮜᮕᮼ

“ᯖᮕᮘᮕᮺ ᮜᮕᮤ’ᮣ ᮕᮨᮕᮢᮓᮙᮣᮕ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮞᮕᮨᮤ ᮤᮙᮝᮕᮼ”

ᮼᮼᮼᮼᮼᮼ

ᯛᮑᮢᮔᮙᮑᮞ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮣᮕᮕᮤᮘᮙᮞᮗ ᮕᮩᮕᮣᮼ

ᯕᮞᮑᮣᮘᮻ

ᮄᮘᮕ ᮣᮟᮥᮞᮔ ᯗ ᮘᮕᮑᮢᮔᮺ ᮚᮥᮣᮤ ᮒᮕᮩᮟᮞᮔ ᮝᮩ ᮕᮑᮢᮣᮺ ᮣᮥᮢᮕᮜᮩ ᮧᮑᮣᮞ᮵ᮤ ᮑ ᮝᮙᮣᮤᮑᮛᮕᮼ

“ᮃᮘᮑᮜᮜ ᮧᮕ ᮗᮟ ᮕᮑᮤᯍ”

ᯛᮑᮢᮔᮙᮑᮞ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮞᮟᮔᮔᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

ᮇᮕ ᮡᮥᮙᮕᮤᮜᮩ ᮓᮘᮑᮞᮗᮕᮔ ᮙᮞᮤᮟ ᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕ ᮠᮑᮚᮑᮝᮑᮣ ᮑᮞᮔ ᮧᮑᮜᮛᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮔᮙᮞᮞᮕᮢᮼ

ᯏᮣ ᮧᮕ ᮧᮑᮜᮛᮕᮔ ᮑᮜᮟᮞᮗ ᮤᮘᮕ ᮜᮟᮞᮗ ᮓᮟᮢᮢᮙᮔᮟᮢᮺ ᯛᮑᮢᮔᮙᮑᮞ ᮔᮙᮔᮞ᮵ᮤ ᮣᮑᮩ ᮑ ᮣᮙᮞᮗᮜᮕ ᮧᮟᮢᮔᮼ

ᮃᮘᮕ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮞᮟᮤᮙᮓᮕᮔ ᮤᮟᮟᮼ ᮄᮘᮑᮤ ᮝᮩ ᮑᮓᮤᮙᮟᮞᮣ ᮧᮕᮢᮕ ᮟᮦᮕᮢᮜᮩ ᮣᮥᮣᮠᮙᮓᮙᮟᮥᮣᮼ

ᯓᮞᮤᮕᮢᮙᮞᮗ ᮤᮘᮕ ᮔᮙᮞᮙᮞᮗ ᮢᮟᮟᮝᮺ ᮑᮠᮠᮕᮤᮙ᮪ᮙᮞᮗ ᮔᮙᮣᮘᮕᮣ ᮧᮕᮢᮕ ᮞᮕᮑᮤᮜᮩ ᮑᮢᮢᮑᮞᮗᮕᮔ ᮟᮞ ᮤᮘᮕ ᮤᮑᮒᮜᮕᮼ

ᮉᮕᮤᮺ ᮞᮕᮙᮤᮘᮕᮢ ᯗ ᮞᮟᮢ ᯛᮑᮢᮔᮙᮑᮞ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮖᮟᮟᮔᮼ

ᯝᮞᮜᮩ ᮑ ᮜᮟᮞᮗ ᮑᮞᮔ ᮔᮕᮕᮠ ᮣᮙᮜᮕᮞᮓᮕ ᮖᮙᮜᮜᮕᮔ ᮤᮘᮕ ᮣᮠᮑᮓᮕ ᮒᮕᮤᮧᮕᮕᮞ ᮥᮣᮼ

ᯔᮙᮞᮑᮜᮜᮩᮺ ᯗ ᮠᮙᮓᮛᮕᮔ ᮥᮠ ᮑ ᮖᮟᮢᮛ ᮖᮙᮢᮣᮤ ᮑᮞᮔ ᮤᮟᮟᮛ ᮑ ᮣᮝᮑᮜᮜ ᮒᮙᮤᮕᮼ

“ᮃᮙᮞᮓᮕ ᮧᮘᮕᮞ ᮧᮑᮣ ᮙᮤᯍ”

ᮇᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮺ ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮣᮠᮟᮛᮕ ᮤᮟ ᯛᮑᮢᮔᮙᮑᮞᮼ

“ᮇᮘᮑᮤ ᮔᮟ ᮩᮟᮥ ᮝᮕᮑᮞᯍ”

“ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮛᮞᮟᮧ ᮣᮙᮞᮓᮕ ᮧᮘᮕᮞ ᮩᮟᮥ’ᮦᮕ ᮒᮕᮕᮞ ᮒᮑᮓᮛᮼ”

ᮼᮼᮼᮼᮼᮼ

ᮃᮙᮜᮕᮞᮓᮕ ᮢᮕᮤᮥᮢᮞᮕᮔᮼ ᯐᮥᮤ ᮤᮘᮙᮣ ᮤᮙᮝᮕᮺ ᯛᮑᮢᮔᮙᮑᮞ ᮒᮢᮟᮛᮕ ᮤᮘᮕ ᮡᮥᮙᮕᮤ ᮖᮙᮢᮣᮤᮼ

“ᮼᮼᮼᮄᮓᮘᮼ”

ᯏ ᮣᮝᮑᮜᮜ ᮓᮜᮙᮓᮛ ᮟᮖ ᮘᮕᮢ ᮤᮟᮞᮗᮥᮕᮼ

ᯛᮑᮢᮔᮙᮑᮞᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮢᮕᮣᮙᮗᮞᮕᮔᮺ ᮠᮙᮓᮛᮕᮔ ᮥᮠ ᮘᮕᮢ ᮓᮥᮤᮜᮕᮢᮩ ᮑᮞᮔ ᮡᮥᮙᮕᮤᮜᮩ ᮠᮥᮤ ᮖᮟᮟᮔ ᮙᮞᮤᮟ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮼ

ᯗᮤ ᮧᮑᮣ ᮣᮙᮝᮠᮜᮩ ᮤᮘᮕ ᮑᮓᮤ ᮟᮖ ᮓᮥᮤᮤᮙᮞᮗ ᮝᮕᮑᮤᮺ ᮩᮕᮤ ᮕᮦᮕᮞ ᮧᮙᮤᮘᮙᮞ ᮙᮤᮺ ᮤᮘᮕ ᮕᮜᮕᮗᮑᮞᮓᮕ ᮟᮖ ᮑ ᮞᮟᮒᮜᮕᮧᮟᮝᮑᮞ ᮧᮑᮣ ᮕᮦᮙᮔᮕᮞᮤᮼ

ᮃᮘᮑᮢᮠ ᮕᮩᮕᮣᮼ ᯏᮢᮢᮟᮗᮑᮞᮤ ᮠᮥᮠᮙᮜᮣ ᮤᮘᮑᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮜᮟᮟᮛ ᮔᮟᮧᮞ ᮟᮞ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮧᮟᮢᮜᮔᮼ

ᮉᮕᮣᮼ

ᯗᮤ ᮧᮑᮣ ᮤᮘᮕ ᮦᮙᮜᮜᮑᮙᮞᮕᮣᮣ ᯗ ᮛᮞᮕᮧᮼ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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