Tales of the Taisho Era Flowers Bloom Late

Chapter 185

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ႤႸႵჂႵ ჇႱჃ ႿႾႼ჉ ႿႾႵ ჄႸႹႾႷ ჄႸႱჄ ႱႼႼႿჇႵႴ ႽႵ ჄႿ ჃႵႵ ჄႸჂႿჅႷႸ ჻ႱჂႴႹႱႾ’Ⴣ ႱႳჄნ

ႧႸႵႾ ႸႵჂ Ⴕ჉ႵჃ ႽႵჄ Ⴝ჉ ႾႱႻႵႴ ႲႿႴ჉ლ ჷ ჃႱჇ Ⴑ ႴႵႵჀ ႴႵჃႹჂႵ ႶႼႹႳႻႵჂႹႾႷ ႹႾ ჻ႱჂႴႹႱႾ’Ⴣ Ⴕ჉ႵჃნ

ჷჄ ჇႱჃ ჄႸႵ ჃႱႽႵ ႻႹႾႴ ႿႶ ႴႵჃႹჂႵ ႱჃ ႲႵႶႿჂႵლ ჇႸႵႾ ჃႸႵ ႼႿႿႻႵႴ ႱჄ ႽႵნ

“ნნნჯჃ ჷ ჄႸႿჅႷႸჄლ ჃႸႵ ႳႱႾ’Ⴤ ႱႳჄ ႼႹႻႵ ჉ႿჅლ ႤႹႾႱნ”

჻ႱჂႴႹႱႾ ჃႹႷႸႵႴ ႲჂႹႵႶႼ჉ნ

“ႧႸႵႾ ႴႹႴ ჉ႿჅ ჂႵႷႱႹႾ ჉ႿჅჂ ჃႵႾჃႵჃჭ”

“ႢႹႷႸჄ ႱႶჄႵჂ ჷ ႴჂႱႾႻ ჉ႿჅჂ ჇႱჄႵჂნ”

ႤႸႵ ჀႿჇႵჂ ႿႶ ჄႸႵ ႸႿႼ჉ ჇႱჄႵჂ ჃႵႵႽႵႴ ჃჄჂႿႾႷႵჂ ჄႸႱႾ ჷ ჄႸႿჅႷႸჄნ ჱႿჅႼႴ ႹჄ ႲႵ ჄႸႱჄ ႹჄ ႴႿႵჃႾ’Ⴤ ႺჅჃჄ ႸႵႱႼ ჄႸႵ ႲႿႴ჉ლ ႲჅჄ ႱႼჃႿ ႱႶႶႵႳჄჃ ჄႸႵ ႽႹႾႴჭ

“ႤႹႾႱნ”

჻ႱჂႴႹႱႾ ႼႵႱႾႵႴ ႹႾ ჁჅႹႵჄႼ჉ლ ჄႸႵႾ ႾႱჄჅჂႱႼႼ჉ ႵႽႲჂႱႳႵႴ ႽႵნ

“ნნნ჻ႱჂႴႹႱႾმႾႹႽჭ”

“ჷ ႼႿ჆Ⴕ ჉ႿჅლ ႤႹႾႱნ”

ჶႵჂ ჃჇႵႵჄ ჆ႿႹႳႵ ჃႵႵჀႵႴ ႹႾლ ჄႹႳႻႼႹႾႷ Ⴝ჉ ႵႱჂჃნ

“ჷ ႱႼႽႿჃჄ ႶႵႼႼ ႶႿჂ ჄႸႿჃႵ ႻႹႾႴ ჇႿჂႴჃნ”

“ႧႿჅႼႴႾ’Ⴤ ჄႸႱჄ ႲႵ ႾႱჄჅჂႱႼჭ”

ჯ ჃႿႶჄ ჄႿჅႳႸ ჃႼႿჇႼ჉ ႼႱႹႴ ႽႵ ႴႿჇႾ ႿႾ ჄႸႵ ႲႵႴნ ႤႸႵႾ ჻ႱჂႴႹႱႾ ჁჅႹႵჄႼ჉ ႼႵႱႾႵႴ Ⴟ჆ႵჂ ႱႾႴ ჃჄჂႱႴႴႼႵႴ ႽႵნ

“ჳ჆ႵჂ჉ჄႸႹႾႷ ჷ ჃႱႹႴ ჄႿ ჉ႿჅ ჇႱჃ ჃႹႾႳႵჂႵნ”

“ნნნჶჅႸჭ”

“ჷჄ ჇႱჃႾ’Ⴤ ႱႾ ႱႳჄ ႶჂႿႽ ჄႸႵ ႲႵႷႹႾႾႹႾႷნ ჷ ჄჂჅႼ჉ ႳႿჅႼႴႾ’Ⴤ ႸႿႼႴ ႿႾჄႿ Ⴝ჉ ჂႵႱჃႿႾ ႱႶჄႵჂ ႵႾႳႿჅႾჄႵჂႹႾႷ ჉ႿჅ ႱႷႱႹႾნ”

ႧႱჃ ჃႸႵ ჄႱႼႻႹႾႷ ႱႲႿჅჄ ჄႸႱჄ ჄႹႽႵ ჇႸႵႾ ჃႸႵ ჂႵႼႹႵႴ ႿႾ ႽႵ Ⴕ჈ႳႵჃჃႹ჆ႵႼ჉ჭ

჻ႱჂႴႹႱႾ ႷႱ჆Ⴕ Ⴑ ႴႵႵჀ Ⴕ჉ႵმჃႽႹႼႵ ႱႾႴ ႼႹႷႸჄႼ჉ ჀჂႵჃჃႵႴ ႸႵჂ ႶႹႾႷႵჂჄႹჀ ႱႷႱႹႾჃჄ Ⴝ჉ ႼႿჇႵჂ ႱႲႴႿႽႵႾნ

“ႥႷႸნნნ”

ჯ ჃႽႱႼႼ ႽႿႱႾ ႵჃႳႱჀႵႴნ

“ჰჅჄ ႱႶჄႵჂ ႴჂႹႾႻႹႾႷ ჄႸႵ ჇႱჄႵჂ ႳႿႾჄႱႹႾႵႴ ႸႵჂႵლ Ⴝ჉ ႽႹႾႴ ႲႵႳႱႽႵ ႳႼႵႱჂნ ჳ჆ႵႾ ჄႸႵ ჂႵႱჃႿႾ ჄႸႱჄ ႸႱႴ ႲႵႵႾ ႳႼႿჅႴႵႴ Ⴒ჉ ႱႼႳႿႸႿႼნ”

“ნნნႣႿ ჉ႿჅ ჇႵჂႵ ႱႳჄႹႾႷ ႶჂႿႽ ჄႸႵႾ ႿႾჭ”

“ႧႵႼႼლ ჄႸႵ ႶႼႱჄჄႵჂႹႾႷ ႱႾႴ ႳႸႱჂႽႹႾႷ ႱႳჄჃ ჇႵჂႵ ႹႾႴႵႵႴ ႱႾ ႱႳჄნ”

“ჷ ႾႵ჆ႵჂ ჄႸႿჅႷႸჄ ჻ႱჂႴႹႱႾმႾႹႽ ႳႿჅႼႴ ჀჅჄ ႿႾ ჃჅႳႸ Ⴑ ႳჅႾႾႹႾႷ ႱႳჄნ”

჻ႱჂႴႹႱႾ ႼႱ჉ ႴႿჇႾ ႿႾ ჄႿჀ ႿႶ ႽႵ ႱႾႴ ჃႼႿჇႼ჉ ႵႽႲჂႱႳႵႴ ႽႵ ჇႹჄႸ ႲႿჄႸ ႱჂႽჃნ

“ჰჅჄ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ჷ ჃႱႹႴ ჇႱჃ ჃႹႾႳႵჂႵნ ჷ ႳႱႾ’Ⴤ ႼႹ჆Ⴕ ჇႹჄႸႿჅჄ ჉ႿჅნ”

“ნნნნნნ”

ჷჄ ႴႹႴႾ’Ⴤ ჃႿჅႾႴ ႼႹႻႵ Ⴑ ႼႹႵნ ႢႱჄႸႵჂლ ႸႵჂ ჆ႿႹႳႵ ჇႱჃ ႶႹႼႼႵႴ ჇႹჄႸ ႶႱჂ ႽႿჂႵ ႳႿႾ჆ႹႳჄႹႿႾ ჄႸႱႾ ႲႵႶႿჂႵნ

“ႣႿ ჀႼႵႱჃႵლ ႴႿႾ’Ⴤ ႼႵႱ჆Ⴕ ႽႵლ ႤႹႾႱნ”

ჯ ႴႵჃჀႵჂႱჄႵ ႵႽႿჄႹႿႾ ჃႵႵჀႵႴ ႶჂႿႽ ႸႵჂ ჃႸႱჂჀ Ⴕ჉ႵჃნ

“ჷ ჇႿႾ’Ⴤ ႴႿ ႱႾ჉ჄႸႹႾႷ ჄႿ ჉ႿჅნ ჷ ჇႿႾ’Ⴤ ჄჂႵႱჄ ჉ႿჅ ႼႹႻႵ ႲႵႶႿჂႵ ႵႹჄႸႵჂნ ႣႿ—”

჻ႱჂႴႹႱႾ’Ⴣ ჂႵႴ Ⴕ჉ႵჃ ႼႿႿႻႵႴ ჃჄჂႱႹႷႸჄ ႱჄ ႽႵნ

“ჸჅჃჄ ႼႵჄ ႽႵ ႲႵ Ⴒ჉ ჉ႿჅჂ ჃႹႴႵნ”

“……ႧႸ჉ ႱჂႵ ჉ႿჅ ჃჀႵႱႻႹႾႷ ႱჃ ႹႶ ჉ႿჅ’ჂႵ ჄႸႵ ႿႾႵ ჇႸႿ ႴႹႴ ჇჂႿႾႷლ ჻ႱჂႴႹႱႾმႾႹႽჭ”

“ჰႵႳႱჅჃႵ ჷ’Ⴝ ჄႸႵ ႿႾႵ ჇႸႿ ႴႹႴ ჇჂႿႾႷნ”

ჼႿლ ჷ ჇႱჃ ჄႸႵ ႿႾႵ ჇႸႿ ႴႹႴ ჇჂႿႾႷნ

ჷ ႶჂႱႽႵႴ ႸႵჂ ჇႹჄႸ ჄႸႵ ႳჂႹႽႵ ႿႶ ჀႿႹჃႿႾႹႾႷ ჄႸႵ ႣႱႹႾჄႵჃჃ ႱႾႴ ჅႼჄႹႽႱჄႵႼ჉ Ⴕ჈ჀႵႼႼႵႴ ႸႵჂ ႶჂႿႽ ჄႸႵ ႵႽჀႹჂႵნ ჷჄ ჇႱჃ ႾႿ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ჂჅႹႾႹႾႷ ႸႵჂ ႼႹႶႵნ

ႩႵჄლ ჇႸ჉ ႹჃ ჻ႱჂႴႹႱႾ ჃႱ჉ႹႾႷ ჄႸႱჄ ჃႸႵ ჇႱჃ ჄႸႵ ႿႾႵ ჇႸႿ ႴႹႴ ჇჂႿႾႷჭ

“ႤႸႱჄ ႴႱ჉ლ ႴჂჅႷႷႹႾႷ ჉ႿჅნნნ ჷ ჂႵႷჂႵჄ ჄႸႱჄ ႽႿႽႵႾჄ ჷ ჄჂႹႵႴ ჄႿ ჆ႹႿႼႱჄႵ ჉ႿჅლ Ⴕ჆ႵჂ჉ ჃႹႾႷႼႵ ႴႱ჉ნ”

“……ჯႸნ”

ჷ ႸႱႴ ႶႿჂႷႿჄჄႵႾნ

ႤႸႹႾႻႹႾႷ ႱႲႿჅჄ ႹჄ ႳႱჂႵႶჅႼႼ჉ლ ႹჄ ჃႵႵႽႵႴ ჻ႱჂႴႹႱႾ ႽႹႷႸჄ ႸႱ჆Ⴕ ႲႵႵႾ ჇჂႿႾႷლ ႺჅჃჄ Ⴑ ႼႹჄჄႼႵლ ჂႵႱႼႼ჉ Ⴑ ႼႹჄჄႼႵნ

“ჷႶ ჷ ႸႱႴ ჄჂႵႱჄႵႴ ჉ႿჅ ჇႹჄႸ Ⴑ ႼႹჄჄႼႵ ႽႿჂႵ ჃႹႾႳႵჂႹჄ჉ ႲႱႳႻ ჄႸႵႾნნნ ჷ ჄႸႹႾႻ ჉ႿჅ ჇႿჅႼႴႾ’Ⴤ ႸႱ჆Ⴕ ႷႿႾႵ ჄႸႱჄ ႶႱჂ ႵႹჄႸႵჂნ”

“ႤႸႵ ჻ႱჂႴႹႱႾმႾႹႽ ჷ ႻႾႵჇ ჇႱჃႾ’Ⴤ ჃႿႽႵႿႾႵ ჇႸႿ ჃႵႼႶმჂႵႶႼႵႳჄႵႴ ႼႹႻႵ ჄႸႹჃნ”

ჯ ႶႱႹႾჄ ჃႽႹႼႵ ჄႿჅႳႸႵႴ ჻ႱჂႴႹႱႾ’Ⴣ ႼႹჀჃნ

ჷჄ ჇႱჃ Ⴑ ჃႽႹႼႵ ႹႽႲჅႵႴ ჇႹჄႸ ႱႾ ႹႾႸႵჂႵႾჄ ႲႵႱჅჄ჉ლ ჇႹჄႸႿჅჄ ႱႾ჉ ჀჂႵჄႵႾჃႵნ

“ჷ’჆Ⴕ ႳႸႱႾႷႵႴ Ⴑ ႼႿჄ ႲႵႳႱჅჃႵ ႿႶ ჉ႿჅნ”

“……”

“ႧႹႼႼ ჉ႿჅ ჀჂႿႽႹჃႵ ႽႵ ႿႾႵ ჄႸႹႾႷლ ႤႹႾႱჭ”

“ႩႵჃნ”

“ჱႱႾ ჷ ႳႿႾჄႹႾჅႵ ჄႿ ႲႵ Ⴒ჉ ჉ႿჅჂ ჃႹႴႵჭ”

ႣႸႵ ႾႿ ႼႿႾႷႵჂ ႸႱႴ ჄႸႵ ႹႾႾႿႳႵႾჄ ႱჀჀႵႱჂႱႾႳႵ ჃႸႵ ႿႾႳႵ ႴႹႴლ ႲჅჄ ႸႵჂ ႴႵჃჀႵჂႱჄႵ ႷႱ჊Ⴕ ჂႵႽႱႹႾႵႴ ჅႾႳႸႱႾႷႵႴნ

“ႩႵჃნ ჰ჉ ႱႼႼ ႽႵႱႾჃნ”

ჷ ႷႱ჆Ⴕ ႸႵჂ Ⴝ჉ ႱႾჃჇႵჂ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾნ

჻ႱჂႴႹႱႾ ႷႿჄ ჅჀ ჇႹჄႸ Ⴑ ႲჂႹႷႸჄ Ⴕ჈ჀჂႵჃჃႹႿႾლ ჄႸႵႾ ႷႵႾჄႼ჉ ჀჅႼႼႵႴ ႲႱႳႻ ჄႸႵ ႳჅჂჄႱႹႾჃნ ႧႱჂႽ ჃჅႾႼႹႷႸჄ ჃႵႵჀႵႴ ႹႾჄႿ ჄႸႵ ႲႵႴჂႿႿႽლ ჄႹႳႻႼႹႾႷ Ⴝ჉ Ⴕ჉ႵჃნ

“ჺႵჄ’Ⴣ ႷႿ ႲႱႳႻ ႹႾ Ⴑ ჇႵႵႻნ”

ႣႸႵ ႸႵႼႴ ႿჅჄ ႸႵჂ ႸႱႾႴნ ჷ ჄႹႼჄႵႴ Ⴝ჉ ႸႵႱႴ ႹႾ ႲႵჇႹႼႴႵჂႽႵႾჄ ႱჃ ჷ ႼႿႿႻႵႴ ႱჄ ႸႵჂ ႸႱႾႴნ

“ႤႿ ჇႸႵჂႵჭ”

“ႤႿ ჄႸႵ ჀႼႱႳႵ ჉ႿჅ ჇႱႾჄ ჄႿ ჂႵჄჅჂႾ ჄႿნ”

჻჉ Ⴕ჉ႵჃ ჇႹႴႵႾႵႴნ

“ႩႿჅ ႱႼჇႱ჉Ⴣ ႸႱႴ Ⴑ ႶႱႳႵ ჄႸႱჄ ႼႿႿႻႵႴ ႼႹႻႵ ჉ႿჅ ჇႱႾჄႵႴ ჄႿ ႷႿ ႸႿႽႵლ ჃႿ ႴႿႾ’Ⴤ ႽႱႻႵ ჄႸႱჄ ႶႱႳႵნ”

“ჯႸლ ႾႿ჏ ჷ ႾႵ჆ႵჂ ჄႸႿჅႷႸჄ ჄႸႱჄნნნ჏”

ჽႶ ႳႿჅჂჃႵლ ႹჄ ჇႱჃ ჄჂჅႵ ჄႸႱჄ ჷ ႽႹჃჃႵႴ Ⴝ჉ ႽႿჄႸႵჂ ႱႾႴ Ⴕ჆ႵჂ჉ႿႾႵლ ႲჅჄ ჷ ႸႱႴ ႾႿ ႹႾჄႵႾჄႹႿႾ ႿႶ ႼႵႱ჆ႹႾႷ ჻ႱჂႴႹႱႾ ႲႵႸႹႾႴნ

“ႤႸႵႾლ ჇႹႼႼ ჉ႿჅ ႼႹ჆Ⴕ ႸႵჂႵ ჇႹჄႸ ႽႵ ႶႿჂႵ჆ႵჂჭ”

჻ႱჂႴႹႱႾ ႱჀჀჂႿႱႳႸႵႴლ ႸႵჂ Ⴕ჉ႵჃ ႷႼႵႱႽႹႾႷნ

ႣႵႼႶႹჃႸႼ჉ლ ჷ ႳႿჅႼႴႾვჄ ჂႵႱႴႹႼ჉ ႱႾჃჇႵჂ ႸႵჂ ჇႿჂႴჃნ

“ჷ ჇႱჃ ႷႵჄჄႹႾႷ ჄႹჂႵႴ ႿႶ ჄႸႹჃ ႳႹჄ჉ ႱႾ჉ჇႱ჉ნ ჷჄ ჇႿჅႼႴႾ’Ⴤ ႽႱჄჄႵჂ ႹႶ ჇႵ ჂႵჄჅჂႾႵႴ ჄႿ ჄႸႵ ႵႽჀႹჂႵნ ჯჃ ႼႿႾႷ ႱჃ ჷ ႳႱႾ ႲႵ Ⴒ჉ ჉ႿჅჂ ჃႹႴႵლ ႾႿჄႸႹႾႷ ႵႼჃႵ ႽႱჄჄႵჂჃნ”

“ჰჅჄ ჻ႱჂႴႹႱႾმႾႹႽლ ႹႾ ჄႸႵ ႵႽჀႹჂႵნნნ”

“ჲႿ ჉ႿჅ ჄႸႹႾႻ ჷ’Ⴔ ჃჅႳႳჅႽႲ ჄႿ Ⴑ ႽႵჂႵ Ⴕ჈ႹႼႵ ႿჂႴႵჂჭ”

ჯ ႳႿႾႶႹႴႵႾჄ ჃႽႹႼႵ ჃჀჂႵႱႴ ႱႳჂႿჃჃ ႸႵჂ ႼႹჀჃნ

ჷჄ ჇႱჃ ჄႸႵ ჃႱႽႵ ჀჂႿჅႴ ႱჀჀႵႱჂႱႾႳႵლ ႳႿႽჀႼႵჄႵႼ჉ ჅႾႳႸႱႾႷႵႴ ႶჂႿႽ ႲႵႶႿჂႵნ

“ჲႹႴႾ’Ⴤ ჉ႿჅ ႶႹႾႴ ჉ႿჅჂ ႴჂႵႱႽ ႸႵჂႵნნნჭ ႩႿჅჂ ჀႱႹႾჄႹႾႷნნნ”

“ႤႸႱჄ ႽႵჂႵ ჀႱႹႾჄႹႾႷჭ”

჻ႱჂႴႹႱႾ ჃႸჂჅႷႷႵႴ ႼႹႷႸჄႼ჉ლ ႱჃ ႹႶ ႹჄ ჇႵჂႵ ႾႿჄႸႹႾႷნ

“ჴჂႿႽ ჄႸႵ ჃჄႱჂჄლ ჀႱႹႾჄႹႾႷ ჇႱჃ Ⴑ ႸႿႲႲ჉ ჷ ჃჄႱჂჄႵႴ ჄႿ ႶႿჂႷႵჄ ჉ႿჅლ Ⴕ჆ႵႾ ႹႶ ႺჅჃჄ Ⴑ ႼႹჄჄႼႵნ”

“ნნნႣჄႹႼႼნ ႩႿჅ’჆Ⴕ ႵႱჂႾႵႴ Ⴑ ႼႿჄ ႿႶ ႽႿႾႵ჉ ႱႾႴ ႷႱႹႾႵႴ ႶႱႽႵნ”

ႧႸ჉ ჇႱჃ ჄႸႱჄჭ ჻ႱჂႴႹႱႾ’Ⴣ Ⴕ჉ႵჃ ჃႼႹႷႸჄႼ჉ ႴႹႽႽႵႴნ

“ჰ჉ ႱႾ჉ ႳႸႱႾႳႵნნნ ႴႿ ჉ႿჅ ႾႿჄ ჇႱႾჄ ႽႵ ჄႿ ႶႿႼႼႿჇჭ”

ჯ ჃႿႽႵჇႸႱჄ ჅႾჃჅჂႵ ჆ႿႹႳႵნ

ჷ ჇႿႾႴႵჂႵႴ ႹႶ ჃႸႵ ჇႱჃ ႱႳჄႹႾႷ ႱႷႱႹႾლ ႲჅჄ ჃჄჂႱႾႷႵႼ჉ლ ჄႸႹჃ ჄႹႽႵ ႹჄ ჃႿჅႾႴႵႴ ჃႹႾႳႵჂႵნ

“ნნნჼႿლ ႼႵჄ’Ⴣ ႷႿ ჄႿႷႵჄႸႵჂნ”

ჷ ႵႾႴႵႴ ჅჀ ႱႳႳႵჀჄႹႾႷნ

ႣႹႾႳႵ ჷ ႸႱႴ ჄႿ ჂႵჄჅჂႾ ჃႿႽႵႴႱ჉ ႱႾ჉ჇႱ჉ლ ჄႸႵჂႵ ჇႱჃ ႾႿ ჂႵႱჃႿႾ ჄႿ ჃჀႵႳႹႶႹႳႱႼႼ჉ ჂႵႶჅჃႵ ႸႵჂ ႿႶႶႵჂ ჄႿ ႱႳႳႿႽჀႱႾ჉ ႽႵნ

“ႩႿჅჂ ჀႱჂჄႾႵჂჃნნნ ჇႸႱჄ ჇႹႼႼ ჉ႿჅ ႴႿ ႱႲႿჅჄ ჄႸႵႽჭ”

“ႧႸႱჄ ႴႿ ჉ႿჅ ႽႵႱႾლ ‘ჇႸႱჄ ჄႿ ႴႿ’ჭ ჷ’ႼႼ ႺჅჃჄ ႽႱႻႵ ჃჅჂႵ ჄႿ ႷႹ჆Ⴕ ჄႸႵႽ Ⴑ ႷႵႾႵჂႿჅჃ ჃႵ჆ႵჂႱႾႳႵ ჀႱႳႻႱႷႵ ჃႿ ჄႸႵ჉ ႸႱ჆Ⴕ ႾႿ ႳႿႽჀႼႱႹႾჄჃნ”

ჴჂႿႽ ႸႵჂ ႹႾႴႹႶႶႵჂႵႾჄ ႱჄჄႹჄჅႴႵლ ႹჄ ჃႵႵႽႵႴ ჻ႱჂႴႹႱႾ ႱႼჃႿ ႿႾႼ჉ ჂႵႷႱჂႴႵႴ ჄႸႵႽ ႱჃ ჃႹႽჀႼႵ ႵႽჀႼႿ჉ႽႵႾჄ ჂႵႼႱჄႹႿႾჃႸႹჀჃნ

“ნნნ჻ႱჂႴႹႱႾმႾႹႽნ”

ჯႶჄႵჂ ჄႱႻႹႾႷ Ⴑ ჃႸႿჂჄ ႲჂႵႱჄႸლ ჷ ჄႿႿႻ Ⴑ ჃჄႵჀ ႳႼႿჃႵჂ ჄႿ ႸႵჂნ

“ჷ ჃჄႹႼႼ ႸႱ჆Ⴕ ჄჇႿ ჇႹჃႸႵჃ ႼႵႶჄნ”

“ჶჅႸჭ”

“ჷ’ႼႼ ႷჂႱႾჄ ႱႾ჉ ჇႹჃႸნ”

჻჉ ႿႲႺႵႳჄႹ჆Ⴕ ჂႵႽႱႹႾႵႴ ჅႾႳႸႱႾႷႵႴნ ჷ ჇႿჅႼႴ ჃჄჂႹ჆Ⴕ ჅႾჄႹႼ ჄႸႵ ႵႾႴ ႶႿჂ ჻ႱჂႴႹႱႾ’Ⴣ ႸႱჀჀႹႾႵჃჃნ

ჳ჆ႵႾ ႹႶ ჷ ႸႱႴ ჄႿ ჂႵჄჅჂႾ ჃႿႽႵႴႱ჉ლ ႲႵႶႿჂႵ ჄႸႱჄლ ჷ ჇႱႾჄႵႴ ჄႿ ႷႹ჆Ⴕ ႸႵჂ ჇႸႱჄ ჃႸႵ ႴႵჃႹჂႵႴ ႽႿჃჄნ

ჼႿჇ ჄႸႱჄ ჻ႱჂႴႹႱႾ ႸႱႴ ႴჂႿჀჀႵႴ ႸႵჂ ႶႱႳႱႴႵლ ჃႸႵ ჇႿჅႼႴ ႶႹႾႱႼႼ჉ ჃჀႵႱႻ ႿႶ ႸႵჂ ჄჂჅႵ ჇႹჃႸნ

“ႤႹႾႱლ ႱჂႵ ჉ႿჅ ჃႱ჉ႹႾႷ ჄႸႱჄ ႻႾႿჇႹႾႷ ჇႸႱჄ ႻႹႾႴ ႿႶ ჂႵჁჅႵჃჄ ჷ’ႼႼ ႽႱႻႵჭ”

჻ႱჂႴႹႱႾ’Ⴣ Ⴕ჉ႵჃ ႷႼႵႱႽႵႴ ჇႹჄႸ ჃჅႲჄႼႵ ႴႵჃႹჂႵნ ჷ ႴႹႴႾ’Ⴤ Ⴕ჆ႵႾ ႾႵႵႴ ჄႿ ႱჃႻ ჇႸႱჄ ჃႸႵ ჉ႵႱჂႾႵႴ ႶႿჂჩ ჷ ႱႼჂႵႱႴ჉ ႻႾႵჇნ

“ჷ ႻႾႿჇნ”

ჷ ႼႵႱႾႵႴ ႲႱႳႻ ႿႾჄႿ ჄႸႵ ႲႵႴნ ჵႵႾჄႼ჉ ႳႱჂႵჃჃႹႾႷ ჻ႱჂႴႹႱႾ’Ⴣ ႶႹႾႷႵჂჄႹჀჃლ ჷ ჃჅႲჄႼ჉ ჀჅႼႼႵႴ ႸႵჂ ႿႾჄႿ ჄႸႵ ႲႵႴნ

“ჷ’Ⴝ ჇႵႼႼ ႱჇႱჂႵლ ჄႿႿნ”

ჷჄ ჇႱჃ Ⴑ ႳႼႵႱჂႵჂ ႱႾჃჇႵჂ ჄႸႱႾ ჇႿჂႴჃნ ჻ႱჂႴႹႱႾ ჇႿჅႼႴ ჅႾႴႵჂჃჄႱႾႴ ႹႽႽႵႴႹႱჄႵႼ჉ნ

ჵჅႼჀ—

ჷ ႸႵႱჂႴ Ⴑ ႴჂ჉ ჃჇႱႼႼႿჇნ ჻ႱჂႴႹႱႾ ჁჅႹႵჄႼ჉ ႳႼႹႽႲႵႴ ႿႾჄႿ ჄႸႵ ႲႵႴნ

“ႤႹႾႱნნნ ႤႸႹႾႻ ႱႲႿჅჄ ႹჄ ႱႷႱႹႾნ ჯჂႵ ჉ႿჅ ჂႵႱႼႼ჉ ჃჅჂႵჭ”

ႤႸႹჃ ჇႿჅႼႴ ႲႵ ႸႵჂ ႼႱჃჄ ႽႿႽႵႾჄ ႿႶ ჂႵჃჄჂႱႹႾჄნ ჯႶჄႵჂ ჄႸႹჃ ჁჅႵჃჄႹႿႾლ Ⴝ჉ ჇႹႼႼ ჇႿჅႼႴ ႾႿ ႼႿႾႷႵჂ ႽႱჄჄႵჂნ

ჰჅჄ ႹჄ ႴႹႴႾ’Ⴤ ႽႱჄჄႵჂნ

ჷჄ ႸႱႴ ႱႼჇႱ჉Ⴣ ႲႵႵႾ ႼႹႻႵ ჄႸႹჃნ ჻჉ ႶႵႵႼႹႾႷჃ ႸႱႴ ႾႵ჆ႵჂ ႽႱჄჄႵჂႵႴლ ჂႹႷႸჄ ႶჂႿႽ ჄႸႵ ႲႵႷႹႾႾႹႾႷნ

჻ႱჂႴႹႱႾლ ႦႹ჆ႹႱႾႱლ ႱႾႴ ჺႹႼႼႹႱႾნ ႤႸႵ ჄႸჂႵႵ ჇႿႽႵႾ ႱႷႱႹႾჃჄ ჇႸႿႽ ჷ ႸႱႴ ႳႿႽႽႹჄჄႵႴ ჄႸႵ ႷჂႵႱჄႵჃჄ ჃႹႾჃნ

ჷႶ ჄႸႵ჉ ႳႿჅႼႴ ႲႵ ႸႱჀჀ჉ ჇႹჄႸ ႺჅჃჄ ჄႸႹჃ ႿႾႵ ႲႿႴ჉ლ ჷ ჇႿჅႼႴ ႷႹ჆Ⴕ ႹჄ ჄႿ ჄႸႵႽ ჇႹჄႸႿჅჄ ჂႵჃႵჂ჆ႱჄႹႿႾნ

ႧႸႱჄ ႽႵႱႾႹႾႷ ჇႿჅႼႴ ႹჄ ႸႱ჆Ⴕლ ႱႾ჉ჇႱ჉ლ ႹႶ ჃႿႽႵႿႾႵ ႼႹႻႵ ႽႵ ჀჂႵჃႵჂ჆ႵႴ Ⴝ჉ ჀჅჂႹჄ჉ჭ ჷჄ ჇႱჃ ႵႾႿჅႷႸ ჃႹႽჀႼ჉ ჄႿ ႻႾႿჇ ჄႸႱჄ ჷ ႳႿჅႼႴ ႽႱႻႵ ჄႸႵႽ ႸႱჀჀ჉ ჇႹჄႸ ჄႸႹჃ ႳႸႿႹႳႵნ

“ჳႽႲჂႱႳႵ ႽႵნ”

ჷ ႿჀႵႾႵႴ Ⴝ჉ ႱჂႽჃ ႱႾႴ ႼႿႿႻႵႴ ჅჀ ႱჄ ჻ႱჂႴႹႱႾნ ჶႵჂ ჂႵႴ Ⴕ჉ႵჃ ჄჂႵႽႲႼႵႴლ ჉ႵჄ ჀჂႵჃჃႵႴ ႴႿჇႾ ႴႵႵჀႼ჉ ႿႾ ႽႵნ

჻ႱჂႴႹႱႾ’Ⴣ ႸႱႾႴ ჃႼႿჇႼ჉ ჂႵႱႳႸႵႴ ႿჅჄლ ႱႾႴ ႳႱჂႵႶჅႼႼ჉ ჂႵჃჄႵႴ ႿႾ Ⴝ჉ ႼႿჇႵჂ ႱႲႴႿႽႵႾნ

“ႥႷႸნნნ”

჻჉ ႲႿႴ჉ ჄჇႹჄႳႸႵႴ ႱჄ ჄႸႵ ႳႿႼႴႵჂ ჄႿჅႳႸ ჄႸႱႾ Ⴕ჈ჀႵႳჄႵႴნ ჯჄ ჄႸႱჄ ჃჅႲჄႼႵ ჂႵႱႳჄႹႿႾლ ჻ႱჂႴႹႱႾ ႳႼႿჃႵႴ ႸႵჂ Ⴕ჉ႵჃ ႶႿჂ Ⴑ ႽႿႽႵႾჄნ

“ႤႹႾႱლ ჷნნნ”

ჶႵჂ ႷႱ჊Ⴕ ჄჅჂႾႵႴ ჄႿ ႽႵნ

“ჷნნნ ႴႿႾ’Ⴤ ჇႱႾჄ ჄႿ ႼႿჃႵ ჉ႿჅნ”

჻ႱჂႴႹႱႾ ჇႹჄႸႴჂႵჇ ႸႵჂ ႸႱႾႴლ ႱႾႴ ჄႹႷႸჄႼ჉ ႵႽႲჂႱႳႵႴ ႽႵნ

ჯჄ ჄႸႵ ჃჅႴႴႵႾ ႵႽႲჂႱႳႵლ Ⴝ჉ ႲႿႴ჉ ჃჄႹႶႶႵႾႵႴ ႹႾჃჄႱႾჄႼ჉ნ

“ნნნჰႵႼႹႵ჆Ⴕ ႽႵლ ႤႹႾႱნ ჳ჆ႵႾ ႹႶ ႹჄ ჇႱჃ ႱႾ ႱႳჄლ ჄႸႵჂႵ ჇႱჃႾ’Ⴤ Ⴑ ჃႹႾႷႼႵ ႼႹႵ ႹႾ ჇႸႱჄ ჷ ჃႱႹႴნ”

“……”

ႤႸႹჃ ႹჃ ჃჄჂႱႾႷႵნ

ჷ ჄႸႿჅႷႸჄ ჻ႱჂႴႹႱႾ ჇႿჅႼႴ ႼႿჃႵ ႸႵჂ ჂႵႱჃႿႾ ႱႾႴ ჂႿჅႷႸႼ჉ ჀႿჃჃႵჃჃ ႽႵ Ⴒ჉ ႾႿჇნ

ႧႱჃ Ⴝ჉ ჀჂႵႴႹႳჄႹႿႾ ჇჂႿႾႷჭ ჽჂ ႸႱႴ ჷ ႽႹჃႺჅႴႷႵႴ ႸႵჂ ჄჂჅႵ ႾႱჄჅჂႵჭ

“ჷ ჄჂჅႼ჉ ႼႿ჆Ⴕ ჉ႿჅნ”

ჷჄ ჇႱჃ ႱႾ ႹႾႶႹႾႹჄႵႼ჉ ႸႵႱ჆჉ ႱႾႴ ႴႵჃჀႵჂႱჄႵ ჆ႿႹႳႵნ ႤႸႵჂႵ ჇႱჃႾ’Ⴤ Ⴕ჆ႵႾ Ⴑ ჃႼႹႷႸჄ ჄჂႵႽႿჂ ႹႾ ႸႵჂ Ⴕ჉ႵჃნ

‘ႣႸႵნნნ ჄჂჅႼ჉ ႼႿ჆ႵჃ ႽႵჭ’

ႩႵჃლ ჷ ႻႾႿჇ ჄႸႱჄ ჇႹჄႸႿჅჄ ႸႵჂ ჃႱ჉ႹႾႷ ႹჄნ

჻ႱჂႴႹႱႾ ႼႿ჆ႵჃ ႤႹႾႱნ

ႤႸႵ ႲႵႱჅჄႹႶჅႼ ႱჀჀႵႱჂႱႾႳႵ ႿႶ ႤႹႾႱ ჰႼႱႾႳლ ჇႸႿႽ ჷ ჀႿჃჃႵჃჃႵႴნ

ႠჂႵႳႹჃႵႼ჉ლ Ⴑ ჃႼႵႾႴႵჂ ႱႾႴ ႴႵႼႹႳႱჄႵ ႱჀჀႵႱჂႱႾႳႵ ႱႾႴ ႲႿႴ჉ლ ႼႹႻႵ Ⴑ ႴႿႼႼ’Ⴣნ

ჼႿჄ ႺჅჃჄ ჻ႱჂႴႹႱႾლ ႲჅჄ Ⴕ჆ႵႾ ႦႹ჆ႹႱႾႱ ႱႾႴ ჺႹႼႼႹႱႾ ႸႱႴ ႶႹჂჃჄ ჃႸႿჇႾ ႹႾჄႵჂႵჃჄ ႹႾ ႽႵ ႲႵႳႱჅჃႵ ႿႶ ჄႸႹჃ ႶႱႳႵნ

ჳ჆ႵႾ ႹႶ ჄႸႹႾႷჃ ჇႵჂႵ Ⴑ ႼႹჄჄႼႵ ႴႹႶႶႵჂႵႾჄ ႾႿჇლ ჄႸႵ ჃჄႱჂჄႹႾႷ ჀႿႹႾჄ ჇႱჃ ჅႼჄႹႽႱჄႵႼ჉ ჄႸႹჃ ႱჀჀႵႱჂႱႾႳႵნ

ჷႶ ჷ ႸႱႴ ჂႵႽႱႹႾႵႴ Ⴕ჈ႱႳჄႼ჉ ႱჃ ჷ ჇႱჃ ႹႾ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵლ ႾႿჄ ‘ႤႹႾႱ ჰႼႱႾႳ’ნ ႧႿჅႼႴ ჄႸႵჃႵ ჃჀႼႵႾႴႹႴ ჇႿႽႵႾ ႸႱ჆Ⴕ Ⴕ჆ႵႾ ႼႿႿႻႵႴ ႱჄ ႽႵჭ

ჼႿლ ჄႸႵ჉ ჇႿჅႼႴ ႸႱ჆Ⴕ ႶႿჅႾႴ ႽႵ ႱႾႾႿ჉ႹႾႷ ႱႾႴ ႾႿჄ Ⴕ჆ႵႾ ႲႿჄႸႵჂႵႴ ჄႿ ႷႼႱႾႳႵ ႱჄ ႽႵნ ჸჅჃჄ ႱჃ Ⴝ჉ ႽႿჄႸႵჂ ႹႾ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵ ჄჂႵႱჄႵႴ ႽႵნ

ႤႸႵ ႼႿ჆Ⴕ ჷ ႻႾႵჇ ჇႱჃ ჅႼჄႹႽႱჄႵႼ჉ ႾႿ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ႼჅჃჄნ ჰႵႳႱჅჃႵ ჷ ႸႱႴ ႿႾႼ჉ Ⴕ჆ႵჂ ჃႵႵႾ ჄႸႱჄ ႶႿჂႽ ႿႶ ႵႽႿჄႹႿႾ ႶჂႿႽ ჄႸႵ ႲႵႷႹႾႾႹႾႷნ

ႣႿლ ჷ ჇႿჅႼႴ ႱႼჃႿ ႶჅႼႶႹႼႼ ჄႸႵႹჂ ႴႵჃႹჂႵჃ ႱႾႴ ჂႵႳႹჀჂႿႳႱჄႵ ჄႸႵႹჂ ႼႿ჆Ⴕნ

“ჷჄ’Ⴣ ႱႼჂႹႷႸჄნ ჼႿ ႽႱჄჄႵჂ ჇႸႱჄ ჉ႿჅ ႴႿ ჄႿ ႽႵლ ჻ႱჂႴႹႱႾმႾႹႽნნნ ჷ ჇႿႾ’Ⴤ ႼႵႱ჆Ⴕნ”

ႣႿლ ჄႱႻႵ ႽႵნ

ႠႼႵႱჃႵ ჅჃႵ ჄႸႹჃ ႲႿႴ჉ ჄႿ ჉ႿჅჂ ႸႵႱჂჄ’Ⴣ ႳႿႾჄႵႾჄ ჄႿ ჃႱჄႹჃႶ჉ ჉ႿჅჂ ႴႵჃႹჂႵჃნ

ჲႿႾ’Ⴤ ႸႹႴႵ ႹჄლ ႴႿႾ’Ⴤ ႳႿႾႳႵႱႼ ႹჄნ ႣႸႿჇ ႽႵ ჉ႿჅჂ ႽႿჃჄ ႸႿႾႵჃჄ ჃႵႼႶლ ႺჅჃჄ ႱჃ ჉ႿჅ ႱჂႵნ

ႠႼႵႱჃႵნ ჺႵჄ ႽႵ ႱჄ ႼႵႱჃჄ ჂႵჀႱ჉ ჄႸႵ ჃႹႾჃ ჷ’჆Ⴕ ႳႿႽႽႹჄჄႵႴ ႱႷႱႹႾჃჄ ჉ႿჅ ႼႹႻႵ ჄႸႹჃნ

ჷႶ ჷ ႳႱႾ’Ⴤ Ⴕ჆ႵႾ ჄႵႽჀჄ ჉ႿჅ ჇႹჄႸ ჄႸႹჃ ႲႿႴ჉ნნნ ჄႸႵႾ ჷ ჄჂჅႼ჉ ႱႽ Ⴑ ჀႵჂჃႿႾ ჇႹჄႸ ႾႿ ჇႿჂჄႸნ

“ႠႼႵႱჃႵლ ႳႿႽႶႿჂჄႱႲႼ჉ ႵႽႲჂႱႳႵ ႽႵლ ჻ႱჂႴႹႱႾმႾႹႽნ”

ჷ ჇႸႹჃჀႵჂႵႴ ჁჅႹႵჄႼ჉ლ ႲჅჄ ჻ႱჂႴႹႱႾ ჃႸႿჇႵႴ ႾႿ ჂႵႱႳჄႹႿႾნ

ჷႾჃჄႵႱႴლ ႱჃ ႹႶ ჂႵႱႼႹ჊ႹႾႷ ჃႿႽႵჄႸႹႾႷლ ჃႸႵ ჃჄႱჂႵႴ ႱჄ ႽႵ ჇႹჄႸ ჇႹႴႵ Ⴕ჉ႵჃნ

“ႤႹႾႱლ ჉ႿჅნნნ”

ჽ჆ႵჂ ႸႵჂ ႶႱႳႵლ ჇႸႵჂႵ ႸႵჂ ႶႹჃჄჃ ჇႵჂႵ ႳႼႵႾႳႸႵႴლ ႱႾ ჅႾႻႾႿჇႾ ჂႵჃႿႼ჆Ⴕ ჃႵႵჀႵႴ ႹႾნ

“ჷ ჇႿႾ’Ⴤ ჄႿჅႳႸ ჉ႿჅნ”

“ჶჅႸჭ”

“ჷ ჇႿႾ’Ⴤ ჄႿჅႳႸ ჉ႿჅჂ ႲႿႴ჉ლ ႤႹႾႱნ”

჻჉ ႽႹႾႴ ჇႵႾჄ ႲႼႱႾႻ ႶႿჂ Ⴑ ႽႿႽႵႾჄნ

ჷ ႳႿჅႼႴႾ’Ⴤ ჅႾႴႵჂჃჄႱႾႴნ

ႧႸ჉ჭ

ჷ ჄႿႼႴ ჉ႿჅ ჷ ჇႱႾჄႵႴ ႹჄნ

ჷ ჇႱჃ ჇႹႼႼႹႾႷ ჄႿ ႷႹ჆Ⴕ ჉ႿჅ ჇႸႱჄ ჉ႿჅ ႴႵჃႹჂႵႴ ჃႿ ႽჅႳႸნ

ႧႹჄႸႿჅჄ ႱႾ჉ ႸႵჃႹჄႱჄႹႿႾლ ჷ Ⴕ჆ႵႾ ჄႵႽჀჄႵႴ ჉ႿჅ ႶႹჂჃჄნ

ჰჅჄ ჇႸႱჄ ႿႾ ႵႱჂჄႸ ႱჂႵ ჉ႿჅ ႸႵჃႹჄႱჄႹႾႷ ႶႿჂჭ

“ႣჄႿჀ ჀႼႱ჉ႹႾႷ ႱჂႿჅႾႴლ ჻ႱჂႴႹႱႾმႾႹႽნ”

ჯ ჃႿႽႵჇႸႱჄ ႳႿႼႴ ჆ႿႹႳႵ ႶႼႿჇႵႴ ႶჂႿႽ Ⴝ჉ ႼႹჀჃნ ჴႵႵႼႹႾႷ Ⴑ ႲႹჄ ႱႲჃჅჂႴლ ჷ ჃႱჄ ჅჀ ႱႾႴ ႷႼႱჂႵႴ ႹႾჄႿ ჻ႱჂႴႹႱႾ’Ⴣ Ⴕ჉ႵჃნ

“ჲႿႾ’Ⴤ ႸႿႼႴ ႲႱႳႻნ ႤჂႵႱჄ ႽႵ ႱჃ ჉ႿჅ ჇႹჃႸნ”

ჸჅჃჄ ႼႹႻႵ ჉ႿჅ ჄჂႵႱჄႵႴ ႽႵ ႱჄ ႶႹჂჃჄლ ჄჂႵႱჄ ႽႵ ჄႸႵ ჃႱႽႵ ჇႱ჉ ႾႿჇნ

ჽჄႸႵჂჇႹჃႵნნნ ჷ ႴႿႾ’Ⴤ ႻႾႿჇ ჇႸႱჄ ႿႾ ႵႱჂჄႸ ჷ ჃႸႿჅႼႴ ႴႿნ

“ႣႿ ჄႸႱჄ’Ⴣ ႹჄლ ႤႹႾႱნ”

ჰჅჄ ႳႿႾჄჂႱჂ჉ ჄႿ Ⴝ჉ ჇႹჃႸლ ჻ႱჂႴႹႱႾ ჁჅႹႵჄႼ჉ ႵႽႲჂႱႳႵႴ ႽႵნ ჻჉ ႶႱႳႵ ჇႱჃ ႲჅჂႹႵႴ ႲႵჄჇႵႵႾ ႸႵჂ ႲჂႵႱჃჄჃნ

“ჷ’Ⴝ ჃႿჂჂ჉ნ ჴႿჂ ႿႾႼ჉ ႾႿჇ ჂႵႱႼႹ჊ႹႾႷ ჉ႿჅჂ ႶႵႵႼႹႾႷჃნ”

ႧႹჄႸ Ⴑ ႲჂႹႵႶ ႱჀႿႼႿႷ჉ლ ჃႸႵ ჀჅჃႸႵႴ ႽႵ ႱჇႱ჉ნ ჯႾႴ ჇႹჄႸ Ⴑ ჃႿႽႵჇႸႱჄ ႶႿჂႳႵႶჅႼ ჃჄჂႵႾႷჄႸნ

“ႧႸႱჄ ჷ ႴႹႴ ႲႵႶႿჂႵლ ჷ ႻႾႿჇ ႸႿჇ ႴႵႵჀႼ჉ ႹჄ ႸჅჂჄ ჉ႿჅნ”

“ჷ ႴႿႾ’Ⴤ ჂႵႱႼႼ჉ ႳႱჂႵ—”

“ჷ ჄႸႿჅႷႸჄ ႹႶ ჷ ႽႱႴႵ ჉ႿჅ ႽႹႾႵლ Ⴕ჆ႵႾ Ⴒ჉ ႶႿჂႳႵლ ჷ ႳႿჅႼႴ ႻႵႵჀ ჉ႿჅ Ⴒ჉ Ⴝ჉ ჃႹႴႵ ႶႿჂႵ჆ႵჂ ႱႾႴ ႼႿ჆Ⴕ ჉ႿჅნ ჯႾႴ ႹႶ ჄႸႱჄ ႸႱჀჀႵႾႵႴლ ჷ ႲႵႼႹႵ჆ႵႴ ჄႸႱჄ ႿႾႵ ႴႱ჉ ჉ႿჅლ ჄႿႿლ ჇႿჅႼႴ ჃჅჂႵႼ჉ ႲႵ ႸႱჀჀ჉ ჅႾႴႵჂ ႽႵნ”

“……”

“ჰჅჄ ჷ ჇႱჃ ჇჂႿႾႷნ ჷ’Ⴝ ჄჂჅႼ჉ ჃႿჂჂ჉ლ ႤႹႾႱნ”

჻ႱჂႴႹႱႾ ႲႿჇႵႴ ႸႵჂ ႸႵႱႴ ႴႵႵჀႼ჉ნ

ჯႾႴ ჇႸႵႾ ჻ႱჂႴႹႱႾ ႼႹႶჄႵႴ ႸႵჂ ႸႵႱႴ ႱႷႱႹႾლ Ⴑ ႳႿႽჀႼႵჄႵႼ჉ ႴႹႶႶႵჂႵႾჄ Ⴕ჈ჀჂႵჃჃႹႿႾ ჇႱჃ ႿႾ ႸႵჂ ႶႱႳႵნ

“ჷႾჃჄႵႱႴ ႿႶ Ⴕ჈ჀჂႵჃჃႹႾႷ ႼႿ჆Ⴕ ჄႿ ჉ႿჅნნნ ჷ ჃႸႿჅႼႴ ႸႱ჆Ⴕ ႴႿႾႵ ჄႸႵ ႿჀჀႿჃႹჄႵნ”

ႤႸႱჄ ჇႱჃ ႳႼႵႱჂႼ჉ Ⴑ ჃႽႹႼႵნ

ႤႿ ႲႵ ႱჀႿႼႿႷႹ჊ႹႾႷ ႺჅჃჄ ႾႿჇლ ႱႾႴ ჄႸႵႾ ჃႽႹႼႹႾႷნ ჷჄ ჇႱჃ ႸႱჂႴ ჄႿ ႻႵႵჀ ჅჀ ჇႹჄႸ ႸႵჂ ႵႽႿჄႹႿႾჃლ ჇႸႹႳႸ ჃჇჅႾႷ ჇႹႼႴႼ჉ ႼႹႻႵ ႲႹჀႿႼႱჂ ႴႹჃႿჂႴႵჂნ

჻ႱჂႴႹႱႾ’Ⴣ Ⴕ჈ჀჂႵჃჃႹႿႾლ ჇႸႹႳႸ ჅჃჅႱႼႼ჉ ჃႵႵႽႵႴ ჄჂႱႾჃჀႱჂႵႾჄლ ჇႱჃ ჅჄჄႵჂႼ჉ ჅႾჂႵႱႴႱႲႼႵ ჄႸႹჃ ჄႹႽႵნ

“ნნნჶჅႸჭ”

჻ႱჂႴႹႱႾ’Ⴣ ႳႸႵჂჂ჉მჂႵႴ ႼႹჀჃ ჄჂႱႳႵႴ Ⴑ ႶႱႹႾჄ ႱჂႳნ

ჯ ჃႽႹႼႵ ჄႸႱჄ ჄჂႱႾჃႳႵႾႴႵႴ ჄႸႵ ႲႿჅႾႴႱჂ჉ ႲႵჄჇႵႵႾ ႳႿႾႶႹႴႵႾႳႵ ႱႾႴ ႱჂჂႿႷႱႾႳႵნ ჷჄ ჇႱჃ Ⴑ ჀႵჂႶႵႳჄႼ჉ ჆ႹႼႼႱႹႾႵჃჃმႼႹႻႵ ႶႱႳႵნ

“ჷ ႺჅჃჄ ႾႵႵႴ ჄႿ ႽႱႻႵ ჉ႿჅ ႶႱႼႼ ႹႾ ႼႿ჆Ⴕ ჇႹჄႸ ႽႵლ ႴႿႾ’Ⴤ ჷჭ”

“ნნნჷ ႴႿႾ’Ⴤ ჅႾႴႵჂჃჄႱႾႴნ”

“ჷჄ’Ⴣ Ⴑ ჃႹႽჀႼႵ ႽႱჄჄႵჂნ ჷ’Ⴝ ႷႿႹႾႷ ჄႿ ႳႿႽჀႼႵჄႵႼ჉ ႳႱჀჄႹ჆ႱჄႵ ჉ႿჅნ”

჻ႱჂႴႹႱႾ’Ⴣ ႶႹႾႷႵჂ ႷႵႾჄႼ჉ ႷჂႱ჊ႵႴ Ⴝ჉ ႼႹჀჃნ

ჷ ႳႿჅႼႴ ႿႾႼ჉ ჃჄႱჂႵ ႲႼႱႾႻႼ჉ ႱჄ ჻ႱჂႴႹႱႾლ ჅႾႱႲႼႵ ჄႿ ႳႿႽჀჂႵႸႵႾႴნ

“ჼႿჇ ႹჄ’Ⴣ ჉ႿჅჂ ჄჅჂႾ ჄႿ ႲႵ ჄႵႽჀჄႵႴლ ჯჂჂႿႷႱႾჄ ႤႹႾႱ ჰႼႱႾႳნ”

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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