Tales of the Taisho Era Flowers Bloom Late

Chapter 187

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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᮰ᮼᮼᮼᮇᮟᮧᮼ᮰

ᯗ ᮓᮟᮥᮜᮔ ᮟᮞᮜᮩ ᮣᮤᮑᮞᮔ ᮤᮘᮕᮢᮕᮺ ᮣᮤᮑᮢᮙᮞᮗ ᮒᮜᮑᮞᮛᮜᮩᮼ ᮄᮘᮕ ᮣᮙᮗᮘᮤ ᮒᮕᮖᮟᮢᮕ ᮝᮩ ᮕᮩᮕᮣ ᮜᮕᮖᮤ ᮝᮕ ᮣᮠᮕᮕᮓᮘᮜᮕᮣᮣᮼ

ᮄᮘᮕ ᮤᮟᮧᮕᮢᮙᮞᮗ ᮒᮥᮙᮜᮔᮙᮞᮗ ᮒᮕᮖᮟᮢᮕ ᮝᮩ ᮕᮩᮕᮣ ᮒᮟᮑᮣᮤᮕᮔ ᮑ ᮗᮢᮑᮞᮔᮕᮥᮢ ᮓᮟᮝᮠᮑᮢᮑᮒᮜᮕ ᮤᮟ ᮤᮘᮑᮤ ᮟᮖ ᮤᮘᮕ ᮙᮝᮠᮕᮢᮙᮑᮜ ᮠᮑᮜᮑᮓᮕᮼ

ᮄᮘᮕᮩ ᮣᮑᮙᮔ ᮙᮤ ᮧᮑᮣ ᮤᮘᮕ ᮜᮑᮢᮗᮕᮣᮤ ᮑᮡᮥᮑᮢᮙᮥᮝ ᮟᮞ ᮤᮘᮕ ᮓᮟᮞᮤᮙᮞᮕᮞᮤᮺ ᮑᮞᮔ ᮙᮞᮔᮕᮕᮔᮺ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮘᮑᮤ ᮧᮑᮣ ᮞᮟ ᮕᮨᮑᮗᮗᮕᮢᮑᮤᮙᮟᮞᮼ

᮰ᯗᮤ᮵ᮣ ᮡᮥᮙᮤᮕ ᮒᮙᮗᮺ ᮙᮣᮞ᮵ᮤ ᮙᮤᯍ᮰

᮰ᯑᮑᮜᮜᮙᮞᮗ ᮤᮘᮙᮣ ᮵ᮒᮙᮗ᮵ ᮖᮕᮕᮜᮣ ᮜᮙᮛᮕ ᮑᮞ ᮥᮞᮔᮕᮢᮣᮤᮑᮤᮕᮝᮕᮞᮤᮼ᮰

᮰ᯗᮤ᮵ᮣ ᮤᮟᮟ ᮕᮑᮢᮜᮩ ᮤᮟ ᮒᮕ ᮣᮥᮢᮠᮢᮙᮣᮕᮔ ᮒᮩ ᮤᮘᮙᮣᮼ ᮄᮘᮕ ᮥᮞᮔᮕᮢᮗᮢᮟᮥᮞᮔ ᮣᮕᮓᮤᮙᮟᮞ ᮙᮣ ᮕᮦᮕᮞ ᮜᮑᮢᮗᮕᮢᮼ᮰

ᮄᮟ ᮤᮘᮙᮞᮛ ᮤᮘᮕᮢᮕ᮵ᮣ ᮕᮦᮕᮞ ᮑᮞ ᮥᮞᮔᮕᮢᮗᮢᮟᮥᮞᮔ ᮣᮕᮓᮤᮙᮟᮞᮼ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮒᮕᮗᮙᮞ ᮤᮟ ᮗᮥᮕᮣᮣ ᮘᮟᮧ ᮝᮥᮓᮘ ᮓᮑᮠᮙᮤᮑᮜ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮗᮟᮞᮕ ᮙᮞᮤᮟ ᮤᮘᮙᮣᮼ

᮰ᯏᮜᮢᮙᮗᮘᮤᮺ ᮜᮕᮤ᮵ᮣ ᮗᮟ ᮙᮞᮼ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔᮼ

ᮄᮘᮕ ᮟᮜᮔ ᯛᮑᮢᮔᮙᮑᮞ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮣᮙᮝᮠᮜᮩ ᮗᮢᮑᮒᮒᮕᮔ ᮝᮩ ᮘᮑᮞᮔ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮧᮟᮢᮔᮺ ᮒᮥᮤ ᮜᮑᮤᮕᮜᮩᮺ ᮣᮘᮕ ᮘᮑᮔ ᮒᮕᮕᮞ ᮑᮣᮛᮙᮞᮗ ᮖᮟᮢ ᮝᮩ ᮠᮕᮢᮝᮙᮣᮣᮙᮟᮞ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼ

ᯗᮤ ᮖᮕᮜᮤ ᮑ ᮒᮙᮤ ᮑᮧᮛᮧᮑᮢᮔᮺ ᮒᮥᮤ ᯗ ᮤᮟᮟᮛ ᯛᮑᮢᮔᮙᮑᮞ᮵ᮣ ᮘᮑᮞᮔᮼ ᮃᮘᮕ ᮣᮝᮙᮜᮕᮔ ᮖᮑᮙᮞᮤᮜᮩ ᮑᮞᮔ ᮝᮑᮤᮓᮘᮕᮔ ᮘᮕᮢ ᮣᮤᮕᮠᮣ ᮤᮟ ᮝᮙᮞᮕᮼ

᮰ᮇᮕᮜᮓᮟᮝᮕᮺ ᯐᮜᮑᮓᮛ ᮂᮟᮣᮕᮻᮞᮙᮝᮼ᮰

ᯏ ᮝᮑᮞᮺ ᮧᮘᮟ ᮑᮠᮠᮕᮑᮢᮕᮔ ᮤᮟ ᮒᮕ ᮑ ᮗᮥᮑᮢᮔᮺ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮑᮞᮔ ᮒᮟᮧᮕᮔ ᮢᮕᮣᮠᮕᮓᮤᮖᮥᮜᮜᮩ ᮤᮟ ᯛᮑᮢᮔᮙᮑᮞᮼ

ᯛᮑᮢᮔᮙᮑᮞ ᮘᮑᮞᮔᮕᮔ ᮘᮙᮝ ᮤᮧᮟ ᮙᮞᮦᮙᮤᮑᮤᮙᮟᮞ ᮓᮑᮢᮔᮣᮼ

᮰ᯑᮟᮞᮖᮙᮢᮝᮕᮔᮼ ᮃᮘᮑᮜᮜ ᯗ ᮑᮣᮣᮙᮗᮞ ᮑ ᮗᮥᮙᮔᮕ ᮤᮟ ᮩᮟᮥᯍ᮰

᮰ᯗᮤ᮵ᮣ ᮑᮜᮢᮙᮗᮘᮤᮼ ᮇᮕ᮵ᮜᮜ ᮜᮟᮟᮛ ᮑᮢᮟᮥᮞᮔ ᮟᮥᮢᮣᮕᮜᮦᮕᮣᮼ᮰

᮰ᮅᮞᮔᮕᮢᮣᮤᮟᮟᮔᮼ ᯓᮞᮚᮟᮩ ᮩᮟᮥᮢ ᮦᮙᮣᮙᮤᮼ᮰

ᯚᮕᮑᮦᮙᮞᮗ ᮤᮘᮕ ᮢᮕᮣᮠᮕᮓᮤᮖᮥᮜ ᮗᮥᮑᮢᮔ ᮒᮕᮘᮙᮞᮔᮺ ᮧᮕ ᮠᮑᮣᮣᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮝᮑᮙᮞ ᮕᮞᮤᮢᮑᮞᮓᮕᮼ

ᮅᮠᮟᮞ ᮕᮞᮤᮕᮢᮙᮞᮗ ᮤᮘᮕ ᮒᮥᮙᮜᮔᮙᮞᮗᮺ ᮑᮞᮟᮤᮘᮕᮢ ᮙᮢᮟᮞ ᮗᮑᮤᮕ ᮑᮠᮠᮕᮑᮢᮕᮔᮼ ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮣᮕᮦᮕᮢᮑᮜ ᮣᮕᮓᮥᮢᮙᮤᮩ ᮠᮢᮟᮓᮕᮔᮥᮢᮕᮣ ᮧᮕᮢᮕ ᮢᮕᮡᮥᮙᮢᮕᮔᮼ

ᯝᮞᮜᮩ ᮑᮖᮤᮕᮢ ᮠᮑᮣᮣᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮓᮟᮥᮞᮤᮜᮕᮣᮣ ᮔᮟᮟᮢᮣᮺ ᮖᮟᮜᮜᮟᮧᮙᮞᮗ ᯛᮑᮢᮔᮙᮑᮞᮺ ᮓᮟᮥᮜᮔ ᮧᮕ ᮖᮙᮞᮑᮜᮜᮩ ᮕᮞᮤᮕᮢ ᮔᮕᮕᮠ ᮙᮞᮣᮙᮔᮕ ᮤᮘᮕ ᮒᮥᮙᮜᮔᮙᮞᮗᮼ

ᯐᮕᮖᮟᮢᮕ ᮟᮥᮢ ᮕᮩᮕᮣᮺ ᮑ ᮜᮟᮞᮗᮺ ᮕᮞᮔᮜᮕᮣᮣ ᮓᮟᮢᮢᮙᮔᮟᮢ ᮣᮤᮢᮕᮤᮓᮘᮕᮔ ᮟᮥᮤᮼ

᮰ᯗᮖ ᮩᮟᮥ ᮞᮕᮕᮔ ᮑ ᮢᮕᮣᮤᮢᮟᮟᮝ ᮧᮘᮙᮜᮕ ᮧᮕ᮵ᮢᮕ ᮤᮟᮥᮢᮙᮞᮗᮺ ᮚᮥᮣᮤ ᮣᮑᮩ ᮤᮘᮕ ᮧᮟᮢᮔᮼ ᯗ᮵ᮜᮜ ᮤᮑᮛᮕ ᮓᮑᮢᮕ ᮟᮖ ᮙᮤ ᮖᮟᮢ ᮩᮟᮥᮺ ᮑᮞᮩᮤᮙᮝᮕᮼ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮧᮘᮙᮣᮠᮕᮢᮕᮔ ᮧᮙᮤᮘ ᮑ ᮠᮜᮑᮩᮖᮥᮜ ᮜᮑᮥᮗᮘᮼ

ᯛᮩ ᮖᮑᮓᮕ ᮖᮕᮜᮤ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮧᮑᮢᮝ ᮖᮢᮟᮝ ᮘᮕᮢ ᮤᮕᮑᮣᮙᮞᮗ ᮚᮟᮛᮕᮼ

᮰ᯗ ᮘᮑᮦᮕ ᮞᮟ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮜᮕᮑᮦᮙᮞᮗ ᮙᮤ ᮤᮟ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ ᮑᮞᮩᮝᮟᮢᮕᮼ᮰

ᯗ ᮘᮕᮣᮙᮤᮑᮤᮕᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮤᮘᮕᮞ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᯛᮑᮢᮔᮙᮑᮞ ᮑᮞᮔ ᮜᮙᮞᮛᮕᮔ ᮟᮥᮢ ᮘᮑᮞᮔᮣᮺ ᮑᮔᮔᮙᮞᮗ ᮑ ᮜᮙᮗᮘᮤᮺ ᮑᮜᮜᮥᮢᮙᮞᮗ ᮣᮝᮙᮜᮕᮼ

᮰ᮼᮼᮼᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮙᮖ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ ᮧᮙᮣᮘᮕᮣ ᮙᮤᮺ ᮤᮘᮑᮤ᮵ᮣ ᮑ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮣᮤᮟᮢᮩᮼ᮰

᮰ᯜᮑᮤᮥᮢᮑᮜᮜᮩᮺ ᯗ ᮧᮑᮞᮤ ᮑᮜᮜ ᮟᮖ ᮄᮙᮞᮑᮼ᮰

ᮇᮑᮤᮓᮘᮙᮞᮗ ᮘᮕᮢ ᮓᮑᮣᮥᮑᮜᮜᮩ ᮢᮕᮤᮟᮢᮤᮺ ᯗ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮖᮟᮥᮞᮔ ᮝᮩᮣᮕᮜᮖ ᮖᮢᮟᮧᮞᮙᮞᮗᮼ

ᮇᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮓᮘᮑᮞᮗᮕ ᮟᮖ ᮘᮕᮑᮢᮤ ᮓᮟᮥᮜᮔ ᮝᮑᮛᮕ ᮑ ᮠᮕᮢᮣᮟᮞ ᮤᮢᮑᮞᮣᮖᮟᮢᮝ ᮣᮟ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩᯍ

᮰ᯗᮤ᮵ᮣ ᮞᮟ ᮥᮣᮕᮼ ᯛᮩ ᮔᮕᮣᮙᮢᮕ ᮤᮟ ᮓᮑᮠᮤᮥᮢᮕ ᮩᮟᮥ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮙᮣ ᮣᮕᮦᮕᮢᮑᮜ ᮤᮙᮝᮕᮣ ᮗᮢᮕᮑᮤᮕᮢ ᮤᮘᮑᮞ ᮝᮩ ᮔᮕᮣᮙᮢᮕ ᮤᮟ ᮣᮑᮤᮙᮣᮖᮩ ᮝᮩ ᮟᮧᮞ ᮞᮕᮕᮔᮣᮼ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮤᮙᮓᮛᮜᮕᮔ ᮝᮩ ᮞᮟᮣᮕ ᮧᮙᮤᮘ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮠᮜᮑᮩᮖᮥᮜᮺ ᮩᮕᮤ ᮣᮟᮝᮕᮘᮟᮧ ᮓᮥᮞᮞᮙᮞᮗ ᮗᮕᮣᮤᮥᮢᮕᮼ

᮰ᯓᮦᮕᮞ ᮙᮖ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮔᮟ ᮤᮘᮑᮤᮺ ᯗ᮵ᮜᮜ ᮣᮤᮙᮜᮜ ᮒᮕ ᮒᮩ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝ᮵ᮣ ᮣᮙᮔᮕᮼ᮰

᮰ᮄᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮞᮕᮕᮔ ᮖᮟᮢ ᮤᮘᮑᮤᮼ ᯗᮤ᮵ᮣ ᮧᮘᮑᮤ ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮔᮟᮼ᮰

ᮃᮘᮕ ᮧᮑᮣ ᮜᮙᮛᮕ ᮑ ᮣᮜᮩ ᮟᮜᮔ ᮖᮟᮨᮼ

ᮃᮘᮕ ᮧᮑᮣ ᮓᮕᮢᮤᮑᮙᮞᮜᮩ ᮞᮟᮤ ᮑᮞ ᮕᮑᮣᮩ ᮟᮠᮠᮟᮞᮕᮞᮤᮼ

ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮣᮘᮕ ᮧᮑᮣ ᮟᮞᮓᮕ ᮑ ᮧᮟᮝᮑᮞ ᮧᮘᮟ ᮘᮕᮜᮔ ᮤᮘᮕ ᮣᮟᮓᮙᮑᮜ ᮣᮓᮕᮞᮕ ᮙᮞ ᮤᮘᮕ ᮠᮑᮜᮝ ᮟᮖ ᮘᮕᮢ ᮘᮑᮞᮔᮼ

ᯗᮞ ᮤᮕᮢᮝᮣ ᮟᮖ ᮠᮥᮢᮕ ᮣᮤᮢᮑᮤᮕᮗᮩᮺ ᮕᮦᮕᮞ ᯚᮙᮜᮜᮙᮑᮞ ᮟᮢ ᮆᮙᮦᮙᮑᮞᮑ ᮝᮙᮗᮘᮤ ᮒᮕ ᮑ ᮣᮤᮕᮠ ᮒᮕᮜᮟᮧ ᮘᮕᮢᮼ

᮰ᯏᮜᮢᮙᮗᮘᮤᮺ ᮧᮕ᮵ᮦᮕ ᮑᮢᮢᮙᮦᮕᮔᮼ᮰

ᯐᮕᮩᮟᮞᮔ ᮤᮘᮕ ᮙᮢᮟᮞ ᮗᮑᮤᮕᮺ ᮤᮘᮕ ᮓᮟᮢᮢᮙᮔᮟᮢ ᮓᮥᮢᮦᮕᮔ ᮑᮞᮔ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮤᮟ ᮤᮘᮕ ᮢᮙᮗᮘᮤᮼ

ᯏᮞᮔ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮧᮕ ᮤᮥᮢᮞᮕᮔ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢᮺ ᮑ ᮣᮙᮗᮘᮤ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮘᮑᮦᮕ ᮙᮝᮑᮗᮙᮞᮕᮔ ᮥᮞᮖᮟᮜᮔᮕᮔ ᮒᮕᮖᮟᮢᮕ ᮝᮩ ᮕᮩᮕᮣᮼ

᮰ᮇᮻᮧᮟᮧᮼᮼᮼ᮰

ᯏᮞ ᮥᮞᮓᮟᮞᮤᮢᮟᮜᮜᮑᮒᮜᮕ ᮗᮑᮣᮠ ᮟᮖ ᮑᮔᮝᮙᮢᮑᮤᮙᮟᮞ ᮕᮣᮓᮑᮠᮕᮔ ᮝᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮣᮥᮓᮘ ᮑᮞ ᮥᮞᮢᮕᮑᮜᮙᮣᮤᮙᮓ ᮣᮙᮗᮘᮤᮼ

ᯏᮘᮕᮑᮔ ᮧᮑᮣ ᮑᮞᮟᮤᮘᮕᮢ ᮜᮟᮞᮗ ᮓᮟᮢᮢᮙᮔᮟᮢᮼ ᯐᮥᮤ ᮤᮘᮙᮣ ᮟᮞᮕ ᮧᮑᮣ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮤᮘᮕ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮟᮞᮕᮼ

ᯏᮜᮜ ᮣᮙᮔᮕᮣ ᮧᮕᮢᮕ ᮤᮢᮑᮞᮣᮠᮑᮢᮕᮞᮤᮼ

ᯏᮞᮔ ᮤᮘᮕ ᮣᮓᮕᮞᮕᮢᮩ ᮦᮙᮣᮙᮒᮜᮕ ᮒᮕᮩᮟᮞᮔ ᮧᮑᮣᮞ᮵ᮤ ᮤᮘᮕ ᮗᮢᮟᮥᮞᮔ ᮒᮑᮤᮘᮕᮔ ᮙᮞ ᮧᮑᮢᮝ ᮣᮥᮞᮜᮙᮗᮘᮤᮼ

ᯏᮞ ᮕᮞᮔᮜᮕᮣᮣᮜᮩ ᮣᮤᮢᮕᮤᮓᮘᮙᮞᮗ ᮒᮜᮥᮕ ᮑᮒᮩᮣᮣᮼ

ᯑᮟᮥᮞᮤᮜᮕᮣᮣ ᮝᮑᮢᮙᮞᮕ ᮣᮠᮕᮓᮙᮕᮣ ᮣᮧᮑᮝ ᮧᮙᮤᮘᮙᮞ ᮙᮤᮼ ᯗᮤ ᮖᮕᮜᮤ ᮑᮣ ᮙᮖ ᯗ ᮧᮑᮣ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮝᮙᮔᮔᮜᮕ ᮟᮖ ᮤᮘᮕ ᮟᮓᮕᮑᮞᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮟᮥᮤᮼ

᮰ᯖᮟᮧ ᮙᮣ ᮙᮤᯍ ᯔᮙᮤᮤᮙᮞᮗ ᮖᮟᮢ ᮑ ᮓᮙᮤᮩ ᮟᮖ ᮑᮢᮤᮺ ᮙᮣᮞ᮵ᮤ ᮙᮤᯍ᮰

ᯛᮑᮢᮔᮙᮑᮞ᮵ᮣ ᮧᮟᮢᮔᮣ ᮒᮢᮥᮣᮘᮕᮔ ᮠᮑᮣᮤ ᮝᮩ ᮕᮑᮢᮣᮼ ᯗ ᮒᮜᮑᮞᮛᮜᮩ ᮗᮑ᮪ᮕᮔ ᮑᮤ ᮤᮘᮕ ᮟᮓᮕᮑᮞ ᮒᮕᮖᮟᮢᮕ ᮝᮕ ᮑᮞᮔ ᮠᮜᮑᮓᮕᮔ ᮝᮩ ᮘᮑᮞᮔ ᮟᮞ ᮤᮘᮕ ᮧᮑᮜᮜᮼ

ᯏ ᮓᮟᮜᮔ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮤᮟᮥᮓᮘᮕᮔ ᮝᮕᮼ

ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮑᮣ ᮤᮢᮑᮞᮣᮠᮑᮢᮕᮞᮤ ᮑᮣ ᮗᮜᮑᮣᮣᮺ ᮩᮕᮤ ᮖᮑᮢ ᮝᮟᮢᮕ ᮣᮟᮜᮙᮔᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮠᮙᮤᮩ ᯗ ᮜᮑᮓᮛᮕᮔ ᮛᮞᮟᮧᮜᮕᮔᮗᮕ ᮙᮞ ᮑᮢᮓᮘᮙᮤᮕᮓᮤᮥᮢᮕ ᮤᮟ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮧᮘᮑᮤ ᮙᮤ ᮧᮑᮣᮼ

᮰ᯗᮤ᮵ᮣ ᮣᮑᮖᮕᮺ ᮣᮟ ᮔᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩᮺ ᮄᮙᮞᮑᮼ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮧᮑᮜᮛᮕᮔ ᮑᮘᮕᮑᮔᮺ ᮠᮑᮣᮣᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮕᮞᮔᮜᮕᮣᮣ ᮤᮢᮑᮞᮣᮠᮑᮢᮕᮞᮤ ᮓᮟᮢᮢᮙᮔᮟᮢᮼ

ᯗ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮘᮕᮢᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮙᮞ ᮑᮜᮜ ᮔᮙᮢᮕᮓᮤᮙᮟᮞᮣᮼ

ᯔᮙᮣᮘ ᮟᮖ ᮦᮑᮢᮙᮟᮥᮣ ᮓᮟᮜᮟᮢᮣ ᮗᮢᮑᮓᮕᮖᮥᮜᮜᮩ ᮣᮧᮑᮝᮼ ᮃᮕᮑᮧᮕᮕᮔ ᮗᮢᮕᮧ ᮟᮞ ᮤᮘᮕ ᮢᮟᮓᮛᮣ ᮣᮓᮑᮤᮤᮕᮢᮕᮔ ᮘᮕᮢᮕ ᮑᮞᮔ ᮤᮘᮕᮢᮕᮺ ᮑᮞᮔ ᮥᮞᮛᮞᮟᮧᮞ ᮣᮝᮑᮜᮜ ᮓᮢᮕᮑᮤᮥᮢᮕᮣ ᮓᮜᮥᮞᮗ ᮤᮟ ᮤᮘᮕᮙᮢ ᮓᮢᮕᮦᮙᮓᮕᮣᮼ

᮰ᮃᮕᮑᮼᮼᮼ ᮣᮕᮑᮼᮼᮼ᮰

ᯗ ᮠᮜᮑᮓᮕᮔ ᮝᮩ ᮘᮑᮞᮔ ᮟᮞ ᮤᮘᮕ ᮧᮑᮜᮜ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮙᮞ ᮟᮞᮕ ᮔᮙᮢᮕᮓᮤᮙᮟᮞᮼ

ᮄᮘᮕᮢᮕᮺ ᮑ ᮓᮢᮕᮑᮤᮥᮢᮕ ᮣᮤᮟᮟᮔ ᮥᮠᮢᮙᮗᮘᮤᮺ ᮥᮞᮜᮙᮛᮕ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮖᮙᮣᮘᮺ ᮑᮞᮔ ᮧᮑᮣᮞ᮵ᮤ ᮝᮟᮦᮙᮞᮗᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮓᮢᮕᮑᮤᮥᮢᮕ ᯗ ᮘᮑᮔ ᮟᮞᮜᮩ ᮕᮦᮕᮢ ᮣᮕᮕᮞ ᮟᮞ ᮄᮆ ᮣᮓᮢᮕᮕᮞᮣᮺ ᮙᮞ ᮤᮘᮙᮣ ᮜᮙᮖᮕ ᮑᮞᮔ ᮙᮞ ᮝᮩ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮟᮞᮕᮼ

᮰ᮼᮼᮼᯗᮤ᮵ᮣ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮼ᮰

᮰ᯗᮞᮔᮕᮕᮔᮼ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮡᮥᮙᮕᮤᮜᮩ ᮑᮗᮢᮕᮕᮔ ᮒᮕᮣᮙᮔᮕ ᮝᮕᮼ

ᯖᮕᮢ ᮣᮕᮢᮙᮟᮥᮣ ᮑᮓᮓᮕᮠᮤᮑᮞᮓᮕ ᮟᮖ ᮝᮩ ᮧᮟᮢᮔᮣ ᮝᮑᮔᮕ ᮝᮕ ᮖᮕᮕᮜ ᮑ ᮒᮙᮤ ᮑᮧᮛᮧᮑᮢᮔᮼ

᮰ᮼᮼᮼᯚᮕᮤ᮵ᮣ ᮗᮟᮼ᮰

ᮄᮘᮙᮣ ᮤᮙᮝᮕᮺ ᯗ ᮤᮟᮟᮛ ᮤᮘᮕ ᮜᮕᮑᮔᮼ ᯛᮑᮢᮔᮙᮑᮞ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮒᮕᮘᮙᮞᮔ ᮝᮕᮼ

ᮅᮠᮟᮞ ᮢᮕᮑᮓᮘᮙᮞᮗ ᮤᮘᮕ ᮕᮞᮔ ᮟᮖ ᮤᮘᮕ ᮜᮟᮞᮗ ᮓᮟᮢᮢᮙᮔᮟᮢᮺ ᮑ ᮦᮑᮣᮤ ᮣᮠᮑᮓᮕ ᮧᮙᮤᮘ ᮑᮞ ᮟᮠᮕᮞ ᮦᮙᮕᮧ ᮑᮠᮠᮕᮑᮢᮕᮔᮼ

ᯝᮞᮕ ᮧᮑᮜᮜ ᮧᮑᮣ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮧᮙᮤᮘ ᮟᮢᮔᮙᮞᮑᮢᮩ ᮙᮞᮤᮕᮢᮙᮟᮢ ᮔᮕᮣᮙᮗᮞᮺ ᮒᮥᮤ ᮟᮞ ᮤᮘᮕ ᮟᮠᮠᮟᮣᮙᮤᮕ ᮣᮙᮔᮕᮺ ᮑ ᮣᮝᮑᮜᮜ ᮟᮓᮕᮑᮞ ᮣᮤᮢᮕᮤᮓᮘᮕᮔ ᮟᮥᮤᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮥᮞᮜᮙᮛᮕ ᮤᮘᮕ ᮞᮥᮝᮕᮢᮟᮥᮣ ᮖᮙᮣᮘ ᮧᮕ ᮘᮑᮔ ᮣᮕᮕᮞ ᮙᮞ ᮤᮘᮕ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮓᮟᮢᮢᮙᮔᮟᮢᮺ ᮟᮞᮜᮩ ᮑ ᮣᮙᮞᮗᮜᮕ ᮣᮠᮕᮓᮙᮕᮣ ᮣᮧᮑᮝ ᮙᮞ ᮤᮘᮙᮣ ᮟᮓᮕᮑᮞᮼ

ᯏ ᮣᮘᮑᮢᮠᮺ ᮤᮢᮙᮑᮞᮗᮥᮜᮑᮢ ᮖᮙᮞ ᮧᮑᮣ ᮑᮤᮤᮑᮓᮘᮕᮔ ᮤᮟ ᮤᮘᮕ ᮒᮑᮓᮛ ᮟᮖ ᮤᮘᮕ ᮖᮙᮣᮘ ᮧᮙᮤᮘ ᮘᮙᮔᮕᮟᮥᮣ ᮤᮕᮕᮤᮘᮼ

ᯏᮣ ᯗ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮣᮘᮑᮢᮛᮺ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮙᮤ ᮣᮘᮑᮢᮕᮔ ᮡᮥᮙᮤᮕ ᮑ ᮢᮕᮣᮕᮝᮒᮜᮑᮞᮓᮕ ᮤᮟ ᮆᮙᮦᮙᮑᮞᮑᮼ

᮰ᮄᮙᮞᮑᮺ ᮤᮘᮕᮢᮕ᮵ᮣ ᮑ ᮖᮢᮙᮕᮞᮔ ᮘᮕᮢᮕ ᮤᮘᮑᮤ ᮢᮕᮣᮕᮝᮒᮜᮕᮣ ᮩᮟᮥᮼ᮰

ᯏᮤ ᯛᮑᮢᮔᮙᮑᮞ᮵ᮣ ᮧᮟᮢᮔᮣᮺ ᯗ ᮝᮟᮦᮕᮔ ᮝᮩ ᮣᮤᮕᮠᮣ ᮑᮞᮔ ᮕᮞᮤᮕᮢᮕᮔ ᮑ ᮞᮕᮧ ᮣᮠᮑᮓᮕᮼ

ᯗᮞ ᮤᮘᮕ ᮧᮑᮤᮕᮢ ᮤᮘᮕᮢᮕᮺ ᮚᮕᮜᮜᮩᮖᮙᮣᮘ ᮟᮖ ᮦᮑᮢᮙᮟᮥᮣ ᮓᮟᮜᮟᮢᮣ ᮖᮜᮟᮑᮤᮕᮔ ᮗᮢᮑᮓᮕᮖᮥᮜᮜᮩᮼ

᮰ᮼᮼᮼᮉᮟᮥ᮵ᮢᮕ ᮚᮟᮛᮙᮞᮗᮺ ᮢᮙᮗᮘᮤᯍ᮰

ᮄᮘᮕ ᮢᮕᮝᮑᮢᮛ ᮑᮒᮟᮥᮤ ᮢᮕᮣᮕᮝᮒᮜᮙᮞᮗ ᮑ ᮚᮕᮜᮜᮩᮖᮙᮣᮘ ᮓᮕᮢᮤᮑᮙᮞᮜᮩ ᮔᮙᮔᮞ᮵ᮤ ᮣᮟᮥᮞᮔ ᮜᮙᮛᮕ ᮑ ᮓᮟᮝᮠᮜᮙᮝᮕᮞᮤᮼ

᮰ᯗ ᮝᮕᮑᮞᮤ ᮩᮟᮥᮢ ᮕᮩᮕ ᮓᮟᮜᮟᮢ ᮙᮣ ᮣᮙᮝᮙᮜᮑᮢᮼ᮰

ᮄᮘᮕ ᮚᮕᮜᮜᮩᮖᮙᮣᮘ ᯛᮑᮢᮔᮙᮑᮞ ᮠᮟᮙᮞᮤᮕᮔ ᮤᮟ ᮤᮢᮥᮜᮩ ᮘᮕᮜᮔ ᮑ ᮔᮕᮕᮠᮺ ᮓᮜᮕᮑᮢ ᮒᮜᮥᮕ ᮓᮟᮜᮟᮢᮺ ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᮝᮩ ᮕᮩᮕᮣᮼ

᮰ᮼᮼᮼᯗᮤ ᮔᮟᮕᮣᮼ᮰

᮰ᯒᮙᮔ ᯗ ᮥᮠᮣᮕᮤ ᮩᮟᮥ ᮒᮩ ᮤᮕᮑᮣᮙᮞᮗᯍ᮰

᮰ᯜᮟᮺ ᮞᮟᮤ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩᮼ᮰

ᯏᮖᮤᮕᮢ ᮤᮘᮑᮤᮺ ᯗ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮧᮑᮜᮛᮙᮞᮗ ᮧᮙᮤᮘ ᯛᮑᮢᮔᮙᮑᮞᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮑᮤ ᮦᮑᮢᮙᮟᮥᮣ ᮝᮑᮢᮙᮞᮕ ᮓᮢᮕᮑᮤᮥᮢᮕᮣᮼ

ᯝᮓᮤᮟᮠᮥᮣᮕᮣ ᮜᮑᮢᮗᮕᮢ ᮤᮘᮑᮞ ᮝᮩ ᮟᮧᮞ ᮒᮟᮔᮩᮼ ᯓᮦᮕᮞ ᮕᮕᮜᮣ ᮧᮢᮙᮗᮗᮜᮙᮞᮗ ᮑᮞᮔ ᮣᮧᮙᮝᮝᮙᮞᮗ ᮖᮜᮕᮨᮙᮒᮜᮩ ᮜᮙᮛᮕ ᮣᮞᮑᮛᮕᮣ ᮙᮞ ᮤᮘᮕ ᮧᮑᮤᮕᮢᮼ

ᯔᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮺ ᯗ ᮕᮞᮚᮟᮩᮕᮔ ᮤᮘᮕ ᮕᮨᮘᮙᮒᮙᮤᮙᮟᮞᮺ ᮣᮤᮑᮢᮙᮞᮗ ᮣᮠᮕᮜᮜᮒᮟᮥᮞᮔ ᮑᮤ ᮤᮘᮕ ᮓᮢᮕᮑᮤᮥᮢᮕᮣ ᮟᮖ ᮤᮘᮕ ᮣᮕᮑᮼ

ᯏᮣ ᮝᮩ ᮜᮕᮗᮣ ᮒᮕᮗᮑᮞ ᮤᮟ ᮑᮓᮘᮕᮺ ᯛᮑᮢᮔᮙᮑᮞ ᮑᮞᮔ ᯗ ᮣᮑᮤ ᮟᮞ ᮑ ᮒᮕᮞᮓᮘ ᮤᮟ ᮓᮑᮤᮓᮘ ᮟᮥᮢ ᮒᮢᮕᮑᮤᮘ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

᮰ᯖᮝᮝᮼᮼᮼ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮥᮞᮖᮟᮜᮔᮕᮔ ᮤᮘᮕ ᮑᮡᮥᮑᮢᮙᮥᮝ ᮝᮑᮠ ᮣᮘᮕ ᮘᮑᮔ ᮢᮕᮓᮕᮙᮦᮕᮔ ᮑᮤ ᮤᮘᮕ ᮝᮑᮙᮞ ᮕᮞᮤᮢᮑᮞᮓᮕ ᮑᮞᮔ ᮠᮕᮕᮢᮕᮔ ᮑᮤ ᮙᮤ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮼ

᮰ᮄᮙᮞᮑᮺ ᮙᮣ ᮙᮤ ᮟᮛᮑᮩ ᮙᮖ ᮩᮟᮥ ᮗᮕᮤ ᮧᮕᮤᯍ᮰

᮰ᯖᮥᮘᯍ᮰

ᯏᮤ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮢᮕᮝᮑᮢᮛᮺ ᯗ ᮒᮜᮙᮞᮛᮕᮔ ᮒᮜᮑᮞᮛᮜᮩᮼ ᯛᮑᮢᮔᮙᮑᮞ ᮠᮟᮙᮞᮤᮕᮔ ᮤᮟ ᮑ ᮣᮠᮟᮤ ᮟᮞ ᮤᮘᮕ ᮝᮑᮠ ᮑᮞᮔ ᮣᮘᮢᮥᮗᮗᮕᮔᮼ

᮰ᯒᮟᮞ᮵ᮤ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ ᮄᮘᮕᮩ ᮣᮑᮩ ᮤᮘᮕᮩ ᮒᮢᮕᮕᮔ ᮧᮘᮑᮜᮕᮣ ᮘᮕᮢᮕᮼ ᯐᮥᮤ ᮤᮘᮕᮢᮕ᮵ᮣ ᮑ ᮧᮑᮢᮞᮙᮞᮗ ᮤᮘᮑᮤ ᮩᮟᮥ ᮓᮑᮞ ᮗᮕᮤ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮣᮟᮑᮛᮕᮔᮺ ᮣᮟ ᯗ ᮑᮣᮛᮕᮔᮼ᮰

᮰ᯝᮘᮺ ᯗ᮵ᮦᮕ ᮞᮕᮦᮕᮢ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮟᮟᮔ ᮑᮞᮩᮤᮘᮙᮞᮗᯍᮯ᮰

ᮇᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ ᮧᮑᮣ ᮣᮘᮕ ᮤᮑᮜᮛᮙᮞᮗ ᮑᮒᮟᮥᮤᯍ

ᯗ ᮧᮑᮣ ᮚᮥᮣᮤ ᮖᮜᮥᮣᮤᮕᮢᮕᮔ ᮒᮩ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮡᮥᮕᮣᮤᮙᮟᮞᯉ ᯗ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮧᮑᮣᮞ᮵ᮤ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮣᮤᮢᮑᮞᮗᮕᮼ

᮰ᯏᮜᮢᮙᮗᮘᮤᮼ ᮃᮘᮑᮜᮜ ᮧᮕ ᮗᮟ ᮤᮘᮕᮞᯍ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮧᮙᮤᮘ ᮑ ᮠᮜᮑᮩᮖᮥᮜ ᮣᮝᮙᮜᮕᮼ

ᯗ ᮖᮕᮜᮤ ᮑ ᮒᮙᮤ ᮙᮞᮔᮙᮗᮞᮑᮞᮤᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣᮞ᮵ᮤ ᮢᮕᮑᮜᮜᮩ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮟ ᮗᮕᮤ ᮑᮞᮗᮢᮩ ᮑᮒᮟᮥᮤᮼ

ᯏᮣ ᯗ ᮤᮟᮟᮛ ᮘᮕᮢ ᮘᮑᮞᮔ ᮑᮞᮔ ᮖᮟᮜᮜᮟᮧᮕᮔᮺ ᮑᮞᮟᮤᮘᮕᮢ ᮠᮜᮑ᮪ᮑ ᮥᮞᮖᮟᮜᮔᮕᮔ ᮒᮕᮖᮟᮢᮕ ᮝᮩ ᮕᮩᮕᮣᮼ

ᯗᮞ ᮤᮘᮕ ᮓᮕᮞᮤᮕᮢ ᮟᮖ ᮤᮘᮕ ᮠᮜᮑ᮪ᮑ ᮧᮑᮣ ᮑ ᮓᮟᮜᮟᮣᮣᮑᮜ ᮤᮑᮞᮛᮺ ᮑᮞᮔ ᮙᮞ ᮤᮘᮕ ᮔᮕᮕᮠ ᮣᮠᮑᮓᮕ ᮒᮕᮜᮟᮧ ᮙᮤᮺ ᮑᮞ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮙᮞᮗᮜᮩ ᮜᮑᮢᮗᮕ ᮟᮢᮓᮑ ᮣᮧᮑᮝ ᮗᮢᮑᮓᮕᮖᮥᮜᮜᮩᮼ

᮰ᯏᮜᮢᮙᮗᮘᮤᮺ ᮜᮕᮤ᮵ᮣ ᮣᮙᮤ ᮘᮕᮢᮕᮼ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮣᮑᮤ ᮟᮞ ᮟᮞᮕ ᮟᮖ ᮤᮘᮕ ᮓᮘᮑᮙᮢᮣ ᮙᮞ ᮤᮘᮕ ᮠᮜᮑ᮪ᮑ ᮑᮞᮔ ᮠᮑᮤᮤᮕᮔ ᮤᮘᮕ ᮣᮕᮑᮤ ᮞᮕᮨᮤ ᮤᮟ ᮘᮕᮢᮼ

ᯚᮟᮟᮛᮙᮞᮗ ᮑᮢᮟᮥᮞᮔᮺ ᮟᮤᮘᮕᮢ ᮦᮙᮣᮙᮤᮟᮢᮣ ᮧᮕᮢᮕ ᮑᮜᮣᮟ ᮣᮕᮑᮤᮕᮔᮼ ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮒᮕ ᮑ ᮖᮟᮢᮝᮑᮤ ᮧᮘᮕᮢᮕ ᮩᮟᮥ ᮧᮑᮤᮓᮘᮕᮔ ᮧᮘᮙᮜᮕ ᮣᮕᮑᮤᮕᮔᮼ

᮵ᮼᮼᮼᯛᮟᮢᮕ ᮤᮘᮑᮞ ᮤᮘᮑᮤᮺ ᮙᮤ᮵ᮣ ᮑ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮣᮤᮢᮥᮓᮤᮥᮢᮕᮼ᮵

ᯗᮤ ᮜᮟᮟᮛᮕᮔ ᮣᮙᮝᮙᮜᮑᮢ ᮤᮟ ᮣᮕᮦᮕᮢᮑᮜ ᮑᮡᮥᮑᮢᮙᮥᮝᮣ ᯗ ᮘᮑᮔ ᮣᮕᮕᮞ ᮟᮞ ᮤᮕᮜᮕᮦᮙᮣᮙᮟᮞ ᮙᮞ ᮝᮩ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮜᮙᮖᮕᮼ

᮰ᮄᮑᮛᮕ ᮤᮘᮙᮣᮺ ᮄᮙᮞᮑᮼ᮰

ᮅᮞᮕᮨᮠᮕᮓᮤᮕᮔᮜᮩᮺ ᯛᮑᮢᮔᮙᮑᮞ ᮘᮕᮜᮔ ᮟᮥᮤ ᮑᮞ ᮥᮝᮒᮢᮕᮜᮜᮑᮼ

᮰ᮇᮘᮩ ᮤᮘᮙᮣᯍ᮰

ᯗᮞᮣᮤᮕᮑᮔ ᮟᮖ ᮑᮞᮣᮧᮕᮢᮙᮞᮗᮺ ᮣᮘᮕ ᮥᮞᮖᮟᮜᮔᮕᮔ ᮘᮕᮢ ᮟᮧᮞ ᮥᮝᮒᮢᮕᮜᮜᮑ ᮧᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮼ

ᮇᮙᮤᮘ ᮤᮘᮕ ᮥᮝᮒᮢᮕᮜᮜᮑ ᮘᮕᮜᮔ ᮔᮙᮑᮗᮟᮞᮑᮜᮜᮩᮺ ᮑ ᮠᮜᮑᮩᮖᮥᮜ ᮗᮜᮕᮑᮝ ᮜᮙᮞᮗᮕᮢᮕᮔ ᮟᮞ ᯛᮑᮢᮔᮙᮑᮞ᮵ᮣ ᮖᮑᮓᮕᮼ

᮰ᮉᮟᮥ ᮣᮑᮙᮔ ᮙᮤ ᮧᮑᮣ ᮟᮛᮑᮩ ᮤᮟ ᮗᮕᮤ ᮧᮕᮤᮺ ᮔᮙᮔᮞ᮵ᮤ ᮩᮟᮥᯍ᮰

ᯐᮕᮖᮟᮢᮕ ᯗ ᮓᮟᮥᮜᮔ ᮖᮥᮜᮜᮩ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮧᮘᮑᮤ ᮣᮘᮕ ᮝᮕᮑᮞᮤᮼ

ᯏ ᮣᮥᮔᮔᮕᮞ ᮧᮑᮦᮕ ᮣᮥᮢᮗᮕᮔ ᮟᮦᮕᮢ ᮝᮕᮼ

᮰ᯕᮑᮘᮯ᮰

ᯛᮩ ᮕᮞᮤᮙᮢᮕ ᮒᮟᮔᮩ ᮧᮑᮣ ᮣᮤᮑᮢᮤᮜᮕᮔ ᮒᮩ ᮤᮘᮕ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮓᮟᮜᮔ ᮧᮑᮤᮕᮢᮼ

ᮇᮙᮤᮘ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮕᮩᮕᮣᮺ ᯗ ᮜᮟᮟᮛᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮓᮕᮞᮤᮕᮢᮼ

ᮄᮘᮕ ᮧᮘᮑᮜᮕᮣ ᮧᮕᮢᮕ ᮖᮙᮕᮢᮓᮕᮜᮩ ᮤᮘᮢᮑᮣᮘᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮤᮑᮙᮜᮣ ᮙᮞ ᮤᮘᮕ ᮧᮑᮤᮕᮢᮺ ᮣᮠᮢᮑᮩᮙᮞᮗ ᮧᮑᮤᮕᮢ ᮕᮦᮕᮢᮩᮧᮘᮕᮢᮕᮼ

ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮟᮤᮘᮕᮢ ᮣᮠᮕᮓᮤᮑᮤᮟᮢᮣ ᮧᮕᮢᮕ ᮑᮜᮣᮟ ᮒᮜᮟᮓᮛᮙᮞᮗ ᮤᮘᮕ ᮣᮠᮜᮑᮣᮘᮙᮞᮗ ᮧᮑᮤᮕᮢᮺ ᮘᮑᮦᮙᮞᮗ ᮑᮜᮢᮕᮑᮔᮩ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕᮙᮢ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮥᮝᮒᮢᮕᮜᮜᮑᮣᮼ

ᮃᮟᮝᮕ ᮘᮑᮔ ᮕᮦᮕᮞ ᮤᮟᮣᮣᮕᮔ ᮤᮘᮕᮙᮢ ᮥᮝᮒᮢᮕᮜᮜᮑᮣ ᮑᮣᮙᮔᮕ ᮑᮞᮔ ᮧᮕᮢᮕ ᮜᮑᮥᮗᮘᮙᮞᮗ ᮑᮣ ᮤᮘᮕᮩ ᮤᮟᮟᮛ ᮤᮘᮕ ᮧᮑᮤᮕᮢ ᮒᮑᮢᮕᮻᮒᮟᮔᮙᮕᮔᮼ

ᮃᮟ ᮸ᮤᮘᮙᮣ᮸ ᮙᮣ ᮧᮘᮑᮤ ᮤᮘᮕᮩ ᮝᮕᮑᮞᮤ ᮒᮩ ᮵ᮩᮟᮥ ᮝᮙᮗᮘᮤ ᮗᮕᮤ ᮧᮕᮤ᮵ᮼ

᮰ᮀᮖᮖᮤᮼ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮜᮟᮧᮕᮢᮕᮔ ᮘᮕᮢ ᮥᮝᮒᮢᮕᮜᮜᮑ ᮑᮞᮔ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮓᮘᮥᮓᮛᮜᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮓᮜᮕᮑᮢᮜᮩ ᮑ ᮝᮟᮓᮛᮙᮞᮗ ᮜᮑᮥᮗᮘᮼ

ᯐᮥᮤ ᮤᮘᮑᮤ ᮟᮞᮜᮩ ᮜᮑᮣᮤᮕᮔ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᯛᮑᮢᮔᮙᮑᮞ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮧᮙᮔᮕ ᮕᮩᮕᮣᮺ ᮤᮘᮕᮞ ᮘᮕᮢ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮕᮔᮼ

᮰ᮼᮼᮼᮇᮘᮟ ᮓᮟᮝᮕᮣ ᮤᮟ ᮑᮞ ᮑᮡᮥᮑᮢᮙᮥᮝ ᮔᮢᮕᮣᮣᮕᮔ ᮣᮟ ᮜᮙᮗᮘᮤᮜᮩᯍ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮝᮥᮝᮒᮜᮕᮔ ᮙᮞ ᮑ ᮦᮟᮙᮓᮕ ᮝᮙᮨᮕᮔ ᮧᮙᮤᮘ ᮑ ᮣᮙᮗᮘᮼ

ᮇᮙᮤᮘᮟᮥᮤ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮺ ᮣᮘᮕ ᮤᮟᮟᮛ ᮟᮖᮖ ᮘᮕᮢ ᮓᮟᮑᮤ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮔᮢᮑᮠᮕᮔ ᮙᮤ ᮟᮦᮕᮢ ᮝᮩ ᮣᮘᮟᮥᮜᮔᮕᮢᮣᮼ

ᮄᮘᮕ ᮜᮙᮞᮗᮕᮢᮙᮞᮗ ᮧᮑᮢᮝᮤᮘ ᮟᮖ ᮘᮕᮢ ᮒᮟᮔᮩ ᮣᮤᮙᮜᮜ ᮙᮞ ᮤᮘᮕ ᮓᮟᮑᮤ ᮕᮞᮦᮕᮜᮟᮠᮕᮔ ᮝᮕ ᮧᮑᮢᮝᮜᮩᮼ

ᯗ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣᮜᮩ ᮗᮢᮙᮠᮠᮕᮔ ᮤᮘᮕ ᮘᮕᮝ ᮟᮖ ᮤᮘᮕ ᮓᮟᮑᮤ ᮧᮙᮤᮘ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣᮼ ᯏᮞᮔ ᯗ ᮜᮟᮧᮕᮢᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮤᮟ ᮘᮙᮔᮕ ᮝᮩ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮖᮜᮥᮣᮘᮕᮔ ᮓᮘᮕᮕᮛᮣᮼ

᮰ᮼᮼᮼᯛᮑᮢᮔᮙᮑᮞ ᮅᮞᮞᮙᮕᮼ᮰

᮰ᯖᮥᮘᯍ᮰

ᯏᮤ ᮤᮘᮕ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮤᮙᮤᮜᮕᮺ ᯛᮑᮢᮔᮙᮑᮞ ᮒᮜᮙᮞᮛᮕᮔ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕᮺ ᮖᮜᮥᮣᮤᮕᮢᮕᮔᮼ

ᮇᮙᮤᮘ ᮝᮩ ᮖᮑᮓᮕ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮖᮜᮥᮣᮘᮕᮔᮺ ᯗ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮘᮕᮢᮼ

᮰ᮼᮼᮼᮅᮞᮞᮙᮕᮺ ᯗ ᮘᮑᮦᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮟ ᮣᮑᮩᮼ᮰

᮰ᮼᮼᮼᮇᮘᮑᮤ ᮙᮣ ᮙᮤᯍ᮰

᮰ᮅᮞᮞᮙᮕᮼᮼᮼ ᮩᮟᮥ ᮛᮞᮟᮧᮼᮼᮼ᮰

ᯛᮑᮢᮔᮙᮑᮞ᮵ᮣ ᮕᮩᮕᮣ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮣᮥᮒᮤᮜᮩᮼ

ᯗ ᮗᮜᮑᮞᮓᮕᮔ ᮣᮥᮒᮤᮜᮩ ᮤᮟ ᮤᮘᮕ ᮣᮙᮔᮕᮺ ᮤᮘᮕᮞ ᮣᮜᮟᮧᮜᮩ ᮣᮝᮙᮜᮕᮔ ᮑᮞᮔ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮝᮩ ᮥᮝᮒᮢᮕᮜᮜᮑᮺ ᮢᮑᮙᮣᮙᮞᮗ ᮙᮤᮼ

᮰ᮉᮟᮥ ᮔᮟᮞ᮵ᮤ ᮝᮙᮞᮔ ᮗᮕᮤᮤᮙᮞᮗ ᮧᮕᮤᮺ ᮔᮟ ᮩᮟᮥᯍ᮰

ᯛᮑᮢᮔᮙᮑᮞ᮵ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔᮼ ᮃᮘᮕ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮓᮑᮥᮗᮘᮤ ᮟᮞ ᮑᮞᮔ ᮤᮢᮙᮕᮔ ᮤᮟ ᮟᮠᮕᮞ ᮘᮕᮢ ᮥᮝᮒᮢᮕᮜᮜᮑᮺ ᮒᮥᮤᮼ

ᯗᮤ ᮧᮑᮣ ᮤᮟᮟ ᮜᮑᮤᮕᮼ

ᯏ ᮣᮤᮢᮟᮞᮗ ᮗᮥᮣᮘ ᮟᮖ ᮧᮑᮤᮕᮢ ᮣᮥᮢᮗᮕᮔ ᮢᮙᮗᮘᮤ ᮥᮠ ᮤᮟ ᮘᮕᮢ ᮖᮑᮓᮕᮼ

ᮃᮠᮜᮑᮤᮯ

ᯏ ᮝᮑᮣᮣᮙᮦᮕ ᮤᮟᮢᮢᮕᮞᮤ ᮟᮖ ᮧᮑᮤᮕᮢ ᮠᮟᮥᮢᮕᮔ ᮟᮦᮕᮢ ᮘᮕᮢ ᮖᮑᮓᮕᮼ

ᯖᮕᮢ ᮠᮜᮑᮤᮙᮞᮥᮝ ᮘᮑᮙᮢ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮗᮟᮤ ᮣᮟᮑᮛᮕᮔᮺ ᮣᮤᮙᮓᮛᮙᮞᮗ ᮤᮟ ᮘᮕᮢ ᮓᮘᮕᮕᮛᮣᮼ

᮰ᮼᮼᮼᮼᮼᮼ᮰

ᯛᮑᮢᮔᮙᮑᮞ ᮣᮜᮟᮧᮜᮩ ᮒᮜᮙᮞᮛᮕᮔ ᮘᮕᮢ ᮧᮑᮤᮕᮢᮻᮣᮟᮑᮛᮕᮔ ᮕᮩᮕᮜᮑᮣᮘᮕᮣᮼ ᯖᮕᮢ ᮕᮩᮕᮣᮺ ᮞᮑᮢᮢᮟᮧᮕᮔ ᮑᮞᮔ ᮣᮥᮞᮛᮕᮞᮼ ᯖᮕᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮣᮕᮕᮝᮕᮔ ᮡᮥᮙᮤᮕ ᮔᮙᮣᮠᮜᮕᮑᮣᮕᮔᮼ

ᯖᮕᮢ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮣᮥᮜᮛᮩ ᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕᮼ

᮰ᮀᮖᮖᮤᮺ ᮠᮖᮖᮤᮯ᮰

ᯗᮞ ᮤᮘᮕ ᮕᮞᮔᮺ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮟᮜᮔ ᮒᮑᮓᮛ ᮑᮞᮔ ᮒᮥᮢᮣᮤ ᮟᮥᮤ ᮜᮑᮥᮗᮘᮙᮞᮗᮼ

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Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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