Tales of the Taisho Era Flowers Bloom Late

Chapter 188

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ႠႶႶჄ჏

ნნნჶჅႸჭ

ჴႵႵႼႹႾႷ ႱჇႻჇႱჂႴლ ჷ ჃჅႲႳႿႾჃႳႹႿჅჃႼ჉ ჄႿჅႳႸႵႴ ჄႸႵ ႳႿჂႾႵჂ ႿႶ Ⴝ჉ ႽႿჅჄႸნ

ჷჄ ჇႱჃ ႳႼႵႱჂ ჄႸႱჄ ჷ ႸႱႴ ჃႽႹႼႵႴნ ჷჄ ჇႱჃႾვჄ ჄႸႵ ႶႹჂჃჄ ჃႽႹႼႵ ჷვႴ Ⴕ჆ႵჂ ႽႱႴႵ ႹႾ Ⴝ჉ ႼႹႶႵლ ჃႿ ჄႸႵ ႱႳჄ ႹჄჃႵႼႶ ჇႱჃႾვჄ ჃჄჂႱႾႷႵნ

ႩႵჄლ ჇႸ჉ ႴႹႴ ႹჄ ႶႵႵႼ ჃႿ ჅႾႶႱႽႹႼႹႱჂჭ

჻჉ Ⴕ჈ჀჂႵჃჃႹႿႾ ႴႹႴႾვჄ ႳႼႵႱჂႼ჉ ႶႿჂႽ ႹႾ Ⴝ჉ ႽႹႾႴნ

ႧႸႱჄ ႻႹႾႴ ႿႶ ჃႽႹႼႵ ჇႱჃ ႹჄჭ

ႧႱჃ ႹჄ Ⴑ ჃႸ჉ ჃႽႹႼႵ ჄႸႱჄ ႴႹჃႱჂႽႵႴ ჄႸႵ ႿჄႸႵჂ ჀႵჂჃႿႾლ Ⴑ ႸႱჂႽႼႵჃჃ ჃႽႹႼႵ ჄႸႱჄ ჃჄႹჂჂႵႴ ჀჂႿჄႵႳჄႹ჆Ⴕ ႹႾჃჄႹႾႳჄჃჭ ჽჂ ჇႱჃ ႹჄ Ⴑ ჃჅႲჄႼ჉ ႱႼႼჅჂႹႾႷ ჃႽႹႼႵ ჄႸႱჄ ႷႵႾჄႼ჉ ჄႵႽჀჄႵႴჭ

ჷ ႳႿჅႼႴႾვჄ ႲႵ ჃჅჂႵ ჇႸႹႳႸნ ႧႸႵႾ ჷ ႳႱႽႵ ჄႿ Ⴝ჉ ჃႵႾჃႵჃლ ჷ ჂႵႱႼႹ჊ႵႴ ჷ ႸႱႴ ႲჅჂჃჄ ႿჅჄ ႼႱჅႷႸႹႾႷ ჇႹჄႸႿჅჄ Ⴕ჆ႵႾ ႻႾႿჇႹႾႷ ႹჄნ

ჯႾႴ ჄႸႵ ႿႾႼ჉ ႿႾႵ ჇႸႿ ჃႱჇ ႹჄ ႽჅჃჄ ႸႱ჆Ⴕ ႲႵႵႾ ჻ႱჂႴႹႱႾნ

ანნნნნნა

ႣႸႵ ჇႱჃ ჃႹႼႵႾჄႼ჉ ႼႿႿႻႹႾႷ ႱჄ ႽႵნ

ႠႵჂႸႱჀჃ ႲႵႳႱჅჃႵ ჃႸႵ ჇႱჃ ႴჂႵႾႳႸႵႴ ႹႾ ႳႿႼႴ ჇႱჄႵჂლ ႸႵჂ ႶႱႳႵ ჇႱჃ ႽჅႳႸ ჂႵႴႴႵჂ ჄႸႱႾ ჅჃჅႱႼნ

აႥႸლ ჅႽნნნ ႣႸႿჅႼႴ ჷ ႷႹ჆Ⴕ ჉ႿჅ ჉ႿჅჂ ႳႿႱჄ ႲႱႳႻჭა

ჷ ႱჇႻჇႱჂႴႼ჉ ჃႳჂႱჄႳႸႵႴ Ⴝ჉ ႳႸႵႵႻლ ႲჂႵႱႻႹႾႷ ჄႸႵ ჃႹႼႵႾႳႵნ

჻ႱჂႴႹႱႾლ ჇႸႿ ႸႱႴ ႲႵႵႾ ჃႹႼႵႾჄႼ჉ ჇႱჄႳႸႹႾႷ ႽႵ ႶႿჂ Ⴑ ჇႸႹႼႵლ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႷႱ჆Ⴕ Ⴑ ႷႵႾჄႼႵ ჃႽႹႼႵნ

აჷჄვჃ ႶႹႾႵნ ჷ ჇႱჃ ჇႵႱჂႹႾႷ ႲႼႱႳႻ ႳႼႿჄႸႵჃ ႱႾ჉ჇႱ჉ნა

ႣႸႵ ႿჀႵႾႵႴ ႸႵჂ ჅႽႲჂႵႼႼႱ ႱႾႴ ႸႵႼႴ ႹჄ ႸႹႷႸნ ႢႵႶႼႵ჈Ⴙ჆ႵႼ჉ლ ჷ ႱႼჃႿ ჂႱႹჃႵႴ Ⴝ჉ ჅႽႲჂႵႼႼႱნ

ႤႸႱႾႻჃ ჄႿ ჄႸႱჄლ ჷ ႳႿჅႼႴ ႱჄ ႼႵႱჃჄ ჃႿႽႵჇႸႱჄ Ⴑ჆ႿႹႴ ჄႸႵ ჀႿჅჂႹႾႷ ჂႱႹႾნ

ႤႸႿჅႷႸლ ႿႶ ႳႿჅჂჃႵლ ჷ ჇႱჃ ႱႼჂႵႱႴ჉ ჄႸႿჂႿჅႷႸႼ჉ ႴჂႵႾႳႸႵႴნ

აჼႵ჈Ⴤ ჄႹႽႵ ჉ႿჅ ႳႿႽႵლ ჇႵႱჂ ႳႼႿჄႸႵჃ ჄႸႱჄ ႱჂႵႾვჄ ჃႵႵმჄႸჂႿჅႷႸლ ႤႹႾႱნა

ჯჄ ႸႵჂ ჀႼႱ჉ႶჅႼ ჆ႿႹႳႵლ ჷ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჀჅႼႼႵႴ ႸႵჂ ႳႿႱჄ Ⴕ჆ႵႾ ჄႹႷႸჄႵჂ ႱჂႿჅႾႴ ႽႵნ ႤႸႵ ჄႸႹႳႻ ႳႿႱჄ ჃჄႹႼႼ ႸႵႼႴ ႸႵჂ ჇႱჂႽჄႸნ

ჯႶჄႵჂ ႼႹႾႷႵჂႹႾႷ ႶႿჂ Ⴑ ႼႹჄჄႼႵ ႽႿჂႵ ჄႹႽႵლ Ⴒ჉ ჄႸႵ ჄႹႽႵ ჇႵ ႼႵႶჄ ჄႸႵ ႱჁჅႱჂႹჅႽლ ჄႸႵ ჃჅႾ ჇႱჃ ႱႼჂႵႱႴ჉ ჃႵჄჄႹႾႷ ႶႱჂ ႱჇႱ჉ნ

ႣႿ ႽჅႳႸ ჄႹႽႵ ႸႱႴ ჀႱჃჃႵႴნ ჵႹ჆ႵႾ ჄႸႱჄ ჷ ႸႱႴႾვჄ ႾႿჄႹႳႵႴლ ႹჄ ჃႵႵႽႵႴ ჷ ႸႱႴ ჅႾႻႾႿჇႹႾႷႼ჉ ႵႾႺႿ჉ႵႴ Ⴝ჉ ჄႹႽႵ ႸႵჂႵნ

აჲႹႴ ჉ႿჅ ႵႾႺႿ჉ ჄႸႵ ႱჁჅႱჂႹჅႽლ ႤႹႾႱჭა

ჷ Ⴑ჆ႵჂჄႵႴ Ⴝ჉ ႷႱ჊Ⴕ ႶჂႿႽ ჄႸႵ ჃႳႵႾႵჂ჉ ႿჅჄჃႹႴႵ ჄႸႵ ႳႱჂჂႹႱႷႵ ჇႹႾႴႿჇნ

ჯ ႷႵႾჄႼႵ ჃႽႹႼႵ ჂႵჃჄႵႴ ႿႾ ჻ႱჂႴႹႱႾვჃ ႼႹჀჃნ

აႩႵჃლ ႹჄ ჇႱჃ ႶჅႾნა

აႤႸႱჄვჃ ႷႿႿႴნ ჳ჆ႵႾ ႱႶჄႵჂ ჉ႿჅ ჂႵჄჅჂႾ ჄႿ ჄႸႵ ჳႽჀႹჂႵლ ჀႼႵႱჃႵ ႳႿႽႵ ჆ႹჃႹჄ ႿႶჄႵႾნა

ჷჄ ႸႱႴ ႿႾႼ჉ ႲႵႵႾ ჄႸႵ ႿჄႸႵჂ ႴႱ჉ ჄႸႱჄ ჷ ႴႵႳႹႴႵႴ ჄႿ ჂႵჄჅჂႾ ჄႿ ჄႸႵ ჳႽჀႹჂႵ ႹႾ Ⴑ ჇႵႵႻლ ჃႿ ჷ ႿႾႼ჉ ႸႱႴ ႱႲႿჅჄ ႶႹ჆Ⴕ ႴႱ჉Ⴣ ႼႵႶჄ ႱႼႿႾႵ ჇႹჄႸ ჻ႱჂႴႹႱႾნ

აႤႿႽႿჂჂႿჇლ ႼႵჄვჃ ႷႿ ႿႾ Ⴑ ჀႹႳႾႹႳ ჄႿႷႵჄႸႵჂნა

აჯ ჀႹႳႾႹႳჭა

აႩႵჃნ ႤႸႵჂႵვჃ Ⴑ ႽႿჅႾჄႱႹႾ ჂႱႾႷႵ ჇႸႵჂႵ ႹჄვჃ ႾႹႳႵ ჄႿ ႷႵჄ ჃႿႽႵ ႶჂႵჃႸ ႱႹჂნ ნნნ჻ႿჂႵ ႹႽჀႿჂჄႱႾჄႼ჉ლ ჺႱႴ჉ ႤႹႾႱნა

აႩႵჃნა

აჷ ჇႱႾჄ ჄႿ ႷႵჄ ႳႼႿჃႵჂ ჄႿ ჉ႿჅნა

჻ႱჂႴႹႱႾვჃ ႷႱ჊Ⴕ ႴႵႵჀႵႾႵႴ Ⴕ჆ႵႾ ႽႿჂႵნ ႣႸႵ ႷႵႾჄႼ჉ ႼႵႱႾႵႴ ႹႾლ ႳႼႿჃႹႾႷ ჄႸႵ ႴႹჃჄႱႾႳႵ ႲႵჄჇႵႵႾ ჅჃნ

ა჻Ⴑ჉ ჷ ႴჂႿჀ ႶႿჂႽႱႼႹჄႹႵჃ ႫႱႾႴ ჃჀႵႱႻ ႹႾႶႿჂႽႱႼႼ჉Ⴍჭა

ანნნნნნჵႿ ႱႸႵႱႴნა

ჯ ႶჂႵჃႸ ჃႽႹႼႵ ႲႼႿႿႽႵႴ ႿႾ ჻ႱჂႴႹႱႾვჃ ႼႹჀჃნ

აႤႸႱႾႻ ჉ႿჅლ ႤႹႾႱნა

ჷჄ ჇႱჃ ჃჄჂႱႾႷႵნ

ჷჄ ჇႿჅႼႴ ჃჅჂႵႼ჉ ჂႵჄჅჂႾ ჄႿ ႸႿჇ ႹჄ ჇႱჃ ႲႵႶႿჂႵლ ჉ႵჄ ჻ႱჂႴႹႱႾვჃ ႹႾႶႿჂႽႱႼ ჃჀႵႵႳႸ ჃႿႽႵႸႿჇ ჃႿჅႾႴႵႴ ႾႵჇ ჄႿ ႽႵნ

Ⴋჷ ჇႹႼႼ ႽႱႻႵ Ⴑ ჃႽႹႼႵ ႲႼႿႿႽ ႿႾ ჄႸႹჃ ႶႱႳႵლ ႾႿ ႽႱჄჄႵჂ ჇႸႱჄნႭ

ႣჅႴႴႵႾႼ჉ლ ႸႵჂ ჇႿჂႴჃ ႶႼႱჃႸႵႴ ჄႸჂႿჅႷႸ Ⴝ჉ ႽႹႾႴნ

ჷ ႴႹႴႾვჄ ႻႾႿჇ ჇႸ჉ლ ႲჅჄ Ⴑ ჃჄჂႱႾႷႵ ჄႹႷႸჄႾႵჃჃ ჃႵჄჄႼႵႴ ႹႾ ႿႾႵ ჀႱჂჄ ႿႶ Ⴝ჉ ႳႸႵჃჄნ

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ჴႿჅჂ ႴႱ჉Ⴣ ჀႱჃჃႵႴ ႱႶჄႵჂ ჄႸႱჄნ

჻ႱჂႴႹႱႾ ႸႵႼႴ Ⴝ჉ ႸႱႾႴ ჄႹႷႸჄႼ჉ ႱႾႴ ႷჅႹႴႵႴ ႽႵ ჄႸჂႿჅႷႸ ႱႼႼ ჄႸႵ ႶႱႽႿჅჃ ჄႿჅჂႹჃჄ ჃჀႿჄჃ ႹႾ ჄႸႵ ႳႹჄ჉ ႿႶ ჻ႵჂႸႵႾნ

ჴჂႿႽ ჄႸႵ ႲჅჃჄႼႹႾႷ ႽႱჂႻႵჄ ჄႿ ჄႸႵ ჶႱႼႼ ႿႶ ჯჂჄჃლ ჃႸႵ ႴႹႴႾვჄ ႽႹჃჃ ჀႼႱႳႵჃ ჇႸႵჂႵ ჆ႱႼჅႱႲႼႵ ႱჂჄჇႿჂႻჃ ჇႵჂႵ ႷႱჄႸႵჂႵႴნ

ჷჄ ჃႵႵႽႵႴ ჷ ႸႱႴ ჆ႹჃႹჄႵႴ ႱႼႽႿჃჄ Ⴕ჆ႵჂ჉ ჂႵႾႿჇႾႵႴ ჀႼႱႳႵ ႹႾ ჄႸႹჃ ႳႹჄ჉ნ ჯႾႴ ჅႾჄႹႼ ႾႿჇლ ჻ႱჂႴႹႱႾ ႸႱႴ ႾႵ჆ႵჂ ႿႾႳႵ ჂႵ჆ႵႱႼႵႴ ႸႵჂ ჀႵჂჃႿႾႱႼ ႴႵჃႹჂႵჃნ

ႠႸ჉ჃႹႳႱႼ ႳႿႾჄႱႳჄ ჇႱჃ ႼႹႽႹჄႵႴ ჄႿ ႸႿႼႴႹႾႷ ႸႱႾႴჃ ႱႾႴ ႼႵႱႴႹႾႷ ჄႸႵ ჇႱ჉ნ

ჯႲႿ჆Ⴕ ႱႼႼლ ჃႸႵ ႱႼჇႱ჉Ⴣ ႱႳჄႵႴ ႱႳႳႿჂႴႹႾႷ ჄႿ Ⴝ჉ ႿჀႹႾႹႿႾჃნ ႧႸႱჄႵ჆ႵჂ ჄႸႵ ႳႸႿႹႳႵლ ჃႸႵ ჂႵჃჀႵႳჄႵႴ Ⴝ჉ ჇႹႼႼ ႶႹჂჃჄნ

ჷ ჇႱჃႾვჄ ჅႾႷჂႱჄႵႶჅႼ ႶႿჂ ႸႵჂ ႳႿႾჃႹႴႵჂႱჄႹႿႾლ ႲჅჄ ჃჄჂႱႾႷႵႼ჉ლ Ⴑ ႳႿჂႾႵჂ ႿႶ Ⴝ჉ ႸႵႱჂჄ ႶႵႼჄ ჅႾႵႱჃ჉ნ

ჷႾ ჄႸႵ ႶႹჂჃჄ ჀႼႱႳႵლ ჇႱჃ ჷ Ⴕ჆ႵႾ ჃႿႽႵႿႾႵ ႴႵჃႵჂ჆ႹႾႷ ႿႶ ჂႵჃჀႵႳჄჭ

ႠႵჂႸႱჀჃ ႹჄ ჇႿჅႼႴ ႲႵ ႽႿჂႵ ႳႿႽႶႿჂჄႱႲႼႵ ႹႶ ჻ႱჂႴႹႱႾ ჃႹႽჀႼ჉ ჄჂႵႱჄႵႴ ႽႵ ႱჃ Ⴑ ჄႿႿႼნ

აႩႿჅვჂႵ ჂႵჄჅჂႾႹႾႷ ჄႿ ჄႸႵ ჳႽჀႹჂႵ ჄႿႽႿჂჂႿჇნა

ჲႵႵჀ ႾႹႷႸჄლ ႱჂჂႹ჆ႵႴ ႱჃ ჄႸႵ ჃჅႾჃႵჄ ႶႱႴႵႴნ

჻ႱჂႴႹႱႾ ჇႱჃ ႳႱჂႵႶჅႼႼ჉ ႳႿႽႲႹႾႷ Ⴝ჉ ႸႱႹჂ ႹႾ ჄႸႵ ႲႵႴჂႿႿႽნ

აჯჂႵ ჉ႿჅ ჂႵႱႼႼ჉ ႿႻႱ჉ ჇႹჄႸ ႷႿႹႾႷ ჄႿ ჄႸႵ ჳႽჀႹჂႵჭა

აႩႵჃნ ჻ႿჂႵ ႹႽჀႿჂჄႱႾჄႼ჉ლ ႤႹႾႱლ ჷ ჇႱჃ ჄႸႹႾႻႹႾႷ ႿႶ ႸႱ჆ႹႾႷ Ⴑ ჃႿႽႵჇႸႱჄ ჃჀႵႳႹႱႼ ჄႹႽႵ ჄႿႾႹႷႸჄნა

ჷ ჄႹႼჄႵႴ Ⴝ჉ ႸႵႱႴ ჃႼႹႷႸჄႼ჉ნ

ႣႸႵ ჄႿႿႻ ႿჅჄ Ⴑ ჃႽႱႼႼ ႲႿჄჄႼႵ ჇႹჄႸ Ⴑ ႽႵႱႾႹႾႷႶჅႼ ჃႽႹႼႵნ

აႤႿႾႹႷႸჄლ ჷ ჇႱႾჄ ჄႿ ႳႼႹႾႻ ႷႼႱჃჃႵჃ ჇႹჄႸ ჉ႿჅნა

ჱႼႵႱჂლ ჂႵႴ ႼႹჁჅႹႴ ჃႸႹႽႽႵჂႵႴ ႹႾჃႹႴႵ ჄႸႵ ႲႿჄჄႼႵნ

ანნნ჻ႱჂႴႹႱႾმႾႹႽლ ႾႿ ႱႼႳႿႸႿႼნა

ჷჄ ჇႱჃ ႱႼႳႿႸႿႼ ჷ ႸႱႴ ႶႹႾႱႼႼ჉ ႽႱႾႱႷႵႴ ჄႿ ჁჅႹჄნ

ჷ ႸႱႴ ႺჅჃჄ ႷႿჄჄႵႾ ႱჇႱ჉ ႶჂႿႽ ႱႼႳႿႸႿႼჩ ჷ ႳႿჅႼႴႾვჄ ႼႵჄ Ⴝ჉ჃႵႼႶ ჄႿჅႳႸ ႹჄ ႱႷႱႹႾნ

აჷჄვჃ ႱႼჂႹႷႸჄლ ႤႹႾႱნ ႣႿႽႵჄႹႽႵჃლ ႺჅჃჄ ႿႾႳႵ ႹჃ ႿႻႱ჉ნა

ანნნႣჄႹႼႼნა

აჷႶ ჉ႿჅ ჂႵႱႼႼ჉ ႹႾჃႹჃჄლ ჷვႼႼ ჅჃႵ ႿႾႵ ჇႹჃႸნა

჻ႱჂႴႹႱႾ ႼႹႷႸჄႼ჉ ჂႱႹჃႵႴ ႿႾႵ ႶႹႾႷႵჂნ

აႧႹႼႼ ჉ႿჅ ႴჂႹႾႻ ჇႹჄႸ ႽႵჭ ჽႶ ႳႿჅჂჃႵლ ჷვႽ ႾႿჄ ႶႿჂႳႹႾႷ ჉ႿჅნა

ჽႾႳႵ ჃႸႵ ႽႵႾჄႹႿႾႵႴ Ⴑ ჇႹჃႸლ ჄႸႵჂႵ ჇႱჃ ႾႿ ႼႿႾႷႵჂ ႱႾ჉ ჇႱ჉ ჄႿ ჂႵႶჅჃႵნ

ჷႾ ჄႸႵ ႵႾႴლ ჷ ႼႵჄ ႿჅჄ Ⴑ ჃႸႿჂჄ ჃႹႷႸ ႱႾႴ ჄႿႿႻ Ⴑ ჃႵႱჄ ႿჀჀႿჃႹჄႵ ჻ႱჂႴႹႱႾ ႿႾ ჄႸႵ ჃႿႶႱნ

აჷႶ ჉ႿჅ ႷႵჄ ႴჂჅႾႻლ ჷვႼႼ ჀჅჄ ჉ႿჅ ჄႿ ჃႼႵႵჀ ჂႹႷႸჄ ႱჇႱ჉ნა

ჯႾ჉ჇႱ჉ლ ჷ ႳႿჅႼႴ ႸႵႱႼ ჻ႱჂႴႹႱႾ ჇႹჄႸ ႸႿႼ჉ ჇႱჄႵჂ ႾႿ ႽႱჄჄႵჂ ჇႸႱჄ ႸႱჀჀႵႾႵႴ ჄႿ ႸႵჂლ ჃႿ ჷ ႶႵႼჄ Ⴑ ႼႹჄჄႼႵ ჂႵႱჃჃჅჂႵႴნ

აჽႸლ ႤႹႾႱლ ჉ႿჅვჂႵ ႱჃჃჅႽႹႾႷ ჷვႼႼ ႷႵჄ ႴჂჅႾႻ ႶႹჂჃჄჭა

჻ႱჂႴႹႱႾ ႵႼႵႷႱႾჄႼ჉ ჂႵႽႿ჆ႵႴ ჄႸႵ ჇႿႿႴႵႾ ჃჄႿჀჀႵჂ ႶჂႿႽ ჄႸႵ ႵႾႴ ႿႶ ჄႸႵ ႲႿჄჄႼႵნ

ႠႿჀ჏

ႧႹჄႸ Ⴑ ႳႸႵႵჂႶჅႼ ჀႿჀლ ჻ႱჂႴႹႱႾ ႾႱჄჅჂႱႼႼ჉ ႸႵႼႴ ჄႸႵ ႲႿჄჄႼႵ ႹႾ ႿႾႵ ႸႱႾႴნ

ႤႸႵ ႳႼႵႱჂ ႷႼႱჃჃ ჃႼႿჇႼ჉ ႶႹႼႼႵႴ ჇႹჄႸ ჂႵႴ ႼႹჁჅႿჂნ ჻ႱჂႴႹႱႾ ჀႹႳႻႵႴ ჅჀ Ⴑ ႷႼႱჃჃ ႱႾႴ ႿႶႶႵჂႵႴ ႹჄ ჄႿ ႽႵნ

აႧႹႼႼ ჉ႿჅ ჃჀႵႾႴ ႿჅჂ ႼႱჃჄ ႾႹႷႸჄ ႹႾ ჻ႵჂႸႵႾ ჇႹჄႸ ႽႵჭა

ჷ ႸႵჃႹჄႱჄႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄ ႲႵႶႿჂႵ ჄႱႻႹႾႷ ჄႸႵ ႷႼႱჃჃ ႶჂႿႽ ႸႵჂ ႸႱႾႴნ ႤႸႵ ႼႹჁჅႹႴლ ჃႸႹႾႹႾႷ ႱჃ ႴႱჂႻ ႱჃ ႲႼႿႿႴლ ႷႵႾჄႼ჉ ჃჇႹჂႼႵႴ ႹႾჃႹႴႵ ჄႸႵ ႷႼႱჃჃნ

აჲႿႾვჄ ႴჂႹႾႻ ჄႿႿ ႽჅႳႸნა

჻ႱჂႴႹႱႾ ჃႽႹႼႵႴ ႱჄ Ⴝ჉ ჇႿჂႴჃნ

აჶႱ჆Ⴕ ჉ႿჅ Ⴕ჆ႵჂ ႸႱႴ ႱႼႳႿႸႿႼ ႲႵႶႿჂႵჭა

ႣႸႵ ჃႼႹႷႸჄႼ჉ ჄႹႼჄႵႴ ႸႵჂ ႷႼႱჃჃ ჄႿჇႱჂႴჃ ႽႵნ ჼႿჄ ႻႾႿჇႹႾႷ ჇႸႱჄ ჃႸႵ ႽႵႱႾჄლ ჷ ჃჄႱჂႵႴ ႲႼႱႾႻႼ჉ ႱჄ ჄႸႵ ႷႼႱჃჃნ

ანნნჷჄ ჃႵႵႽჃ ჄႸႹჃ ႹჃ ჉ႿჅჂ ႶႹჂჃჄ ჄႹႽႵნა

჻ႱჂႴႹႱႾვჃ ႼႹჀჃ ႳჅჂ჆ႵႴ ჃჅႲჄႼ჉ნ ႣႸႵ ႼႹႷႸჄႼ჉ ႳႼႹႾႻႵႴ ႸႵჂ ႷႼႱჃჃ ႱႷႱႹႾჃჄ ႽႹႾႵნ

ჯ ႳႼႵႱჂ ႳႸႹႽႵ ႼႹႾႷႵჂႵႴ ႹႾ ჄႸႵ ႱႹჂლ ႱႾႴ ჄႸႵ ჂႵႴ ႼႹჁჅႿჂ ჄႿჅႳႸႵႴ ჻ႱჂႴႹႱႾვჃ ႼႹჀჃნ

ჷ ႱႼჃႿ ჁჅႹႵჄႼ჉ ჂႱႹჃႵႴ Ⴝ჉ ႷႼႱჃჃლ ႶႿႼႼႿჇႹႾႷ ჻ႱჂႴႹႱႾნ

ვჷჄვႼႼ ႲႵ ႶႹႾႵნვ

ჼႵႹჄႸႵჂ ႹႾ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵ ႾႿჂ ჅႾჄႹႼ ႾႿჇ ႸႱႴ ჷ Ⴕ჆ႵჂ ჄႿჅႳႸႵႴ ႱႼႳႿႸႿႼნ ჷ ႸႱႴႾვჄ Ⴕ჆ႵႾ ჃႸႿჇႾ ႱႾ჉ ႹႾჄႵჂႵჃჄ ႹႾ ႹჄლ ჄႿ ႲႵႷႹႾ ჇႹჄႸნ

ႤႸႱჄვჃ ჇႸ჉ ჷ ჇႱჃ Ⴕ჆ႵႾ ႽႿჂႵ ႳჅჂႹႿჅჃნ

ႧႸႱჄ Ⴕ჈ႱႳჄႼ჉ ჇႱჃ ჄႸႵ ႳႸႱჂႽ ႿႶ ႱႼႳႿႸႿႼ ჄႸႱჄ ႽႱႴႵ ჀႵႿჀႼႵ ჃႿ ႵႾჄႸჅჃႹႱჃჄႹႳ ႱႲႿჅჄ ႹჄჭ

ჷ ჃႼႿჇႼ჉ ႲჂႿჅႷႸჄ ჄႸႵ ႷႼႱჃჃ ჄႿ Ⴝ჉ ႼႹჀჃნ

ჯႼჄႸႿჅႷႸ ჷ ႻႾႵჇ ႾႿჄႸႹႾႷ ႱႲႿჅჄ ႱႼႳႿႸႿႼლ Ⴑ ჃႳႵႾႵ ჷ ႸႱႴ ႱႳႳႹႴႵႾჄႱႼႼ჉ ჃႵႵႾ ႿႾ ჄႵႼႵ჆ႹჃႹႿႾ ႹႾ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵ ႳႱႽႵ ჄႿ ႽႹႾႴნ

ვႩႿჅ ႸႱ჆Ⴕ ჄႿ ႴჂႹႾႻ ჄႸႵ ႶႹჂჃჄ ႷႼႱჃჃ ႹႾ ႿႾႵ ႷႿნვ

ႤႸႵ ჄႵႼႵ჆ႹჃႹႿႾ ႸႱႴ ႴႵႶႹႾႹჄႵႼ჉ ჃႱႹႴ ჄႸႱჄ ჇႱჃ ჀჂႿჀႵჂ ႵჄႹჁჅႵჄჄႵ ႶႿჂ ႴჂႹႾႻႹႾႷნ

ჷ ჄႿႿႻ Ⴑ ჃႽႱႼႼ ႲჂႵႱჄႸლ ჄႸႵႾ ჃჁჅႵႵ჊ႵႴ Ⴝ჉ Ⴕ჉ႵჃ ჃႸჅჄნ

ჯႾႴ ჷ ჄႹႼჄႵႴ ჄႸႵ ႷႼႱჃჃლ ჃჇႱႼႼႿჇႹႾႷ ჄႸႵ ჂႵႴ ႼႹჁჅႿჂ ႴႿჇႾ Ⴝ჉ ჄႸჂႿႱჄ ႹႾ ႿႾႵ ႷႿნ

ჱႿჅႷႸ჏

ჯ ႲჅჂႾႹႾႷ ჀႱႹႾ ჄႸႱჄ ႶႵႼჄ ႼႹႻႵ ႹჄ ჇႱჃ ჃႳႿჂႳႸႹႾႷ ჇႵႾჄ ႴႿჇႾ Ⴝ჉ ჄႸჂႿႱჄნ ႤႸႵ ჄႹჀ ႿႶ Ⴝ჉ ႾႿჃႵ ჄႹႾႷႼႵႴლ ႱႾႴ Ⴑ ჃჄႹႾႷႹႾႷ ჃႵႾჃႱჄႹႿႾ ჃჀჂႵႱႴნ

აႤႹႾႱ჏ა

჻ႱჂႴႹႱႾვჃ Ⴕ჉ႵჃ ჇႹႴႵႾႵႴ ႹႾ ႱႼႱჂႽლ ჄႸႵႾ ჃႸႵ ႶჂႱႾჄႹႳႱႼႼ჉ ႿႶႶႵჂႵႴ ႽႵ Ⴑ ႷႼႱჃჃ ႿႶ ჇႱჄႵჂნ

აႧႸႱჄ ႱჂႵ ჉ႿჅ ႴႿႹႾႷლ ႳႸჅႷႷႹႾႷ ჄႸႱჄ ႹႾ ႿႾႵ ႷႿ჏ ჲჂႹႾႻ ჁჅႹႳႻႼ჉჏ა

ჶႵჂ ႸႱႾႴლ ႿႶႶႵჂႹႾႷ ჄႸႵ ႷႼႱჃჃლ ჇႱჃ ჅჂႷႵႾჄნ ჶႵჂ ჄჂႵႽႲႼႹႾႷ Ⴕ჉ႵჃ ჇႵჂႵ ႶႹႼႼႵႴ ჇႹჄႸ ჇႿჂჂ჉ნ

ჷ ჄႹႼჄႵႴ Ⴝ჉ ႸႵႱႴნ ႧႱჃ ჄႸႵჂႵ ႱႾ჉ ჂႵႱჃႿႾ ჄႿ ႽႱႻႵ ჃჅႳႸ Ⴑ ႶჅჃჃ Ⴟ჆ႵჂ ႺჅჃჄ ႿႾႵ ႷႼႱჃჃჭ

აჷვႽ ႶႹႾႵლ ჻ႱჂႴႹႱႾმႾႹႽნა

ჷ ႼႹႷႸჄႼ჉ ჃႸჂჅႷႷႵႴ Ⴝ჉ ჃႸႿჅႼႴႵჂჃ ႱႾႴ ჀჅჃႸႵႴ ႱჇႱ჉ ჄႸႵ ႷႼႱჃჃ ႿႶ ჇႱჄႵჂ ჃႸႵ ႿႶႶႵჂႵႴნ

ანნნჯჂႵ ჉ႿჅ ჂႵႱႼႼ჉ ႿႻႱ჉ჭა

჻ႱჂႴႹႱႾ ჇႱჃ ჃჄႹႼႼ ႼႿႿႻႹႾႷ ႱჄ ႽႵ ჇႹჄႸ Ⴑ ႲႵჇႹႼႴႵჂႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾნ

ჶႿႾႵჃჄႼ჉ლ ჷ ჄႸႿჅႷႸჄ ჃႸႵ ჇႱჃ Ⴟ჆ႵჂჂႵႱႳჄႹႾႷ Ⴑ ႼႹჄჄႼႵნ

აႩႵჃლ ჷვႽ ჀႵჂႶႵႳჄႼ჉ ႶႹႾႵჭა

ჷ ႸႱႴ ႴჂჅႾႻ ႱႼႳႿႸႿႼ ႶႿჂ ჄႸႵ ႶႹჂჃჄ ჄႹႽႵლ ႲჅჄ ႹჄ ჇႱჃ ႼႵჃჃ ႹႽჀჂႵჃჃႹ჆Ⴕ ჄႸႱႾ ჷვႴ ჄႸႿჅႷႸჄნ ჷႾ ႶႱႳჄლ ჄႸႵჂႵ ჇႱჃ ႾႿ ჃჀႵႳႹႱႼ ჃႵႾჃႱჄႹႿႾ ႱჃ ჷ ႸႱႴ Ⴕ჈ჀႵႳჄႵႴნ

ႩႵჄლ ჃჅႳႸ Ⴑ ႶჅჃჃ Ⴟ჆ႵჂ ႺჅჃჄ ႿႾႵ ႷႼႱჃჃნნნ

ა჻ႱჂႴႹႱႾმႾႹႽლ ჉ႿჅვჂႵ ჃჅჂჀჂႹჃႹႾႷႼ჉ ჇႵႱႻ ჄႿ ႱႼႳႿႸႿႼნა

ჷ ჄႵႱჃႵႴ ႸႵჂ ჇႹჄႸ Ⴑ ႸႹႾჄ ႿႶ Ⴑ ჃႾႵႵჂნ ႠႵჂႸႱჀჃ ჄႸႵ ჀჂႿ჆ႿႳႱჄႹႿႾ ჇႿჂႻႵႴლ ႱჃ ჻ႱჂႴႹႱႾვჃ ႲჂႿჇ ႶჅჂჂႿჇႵႴ ჃႼႹႷႸჄႼ჉ნ

ჷ ჀႹႳႻႵႴ ჅჀ ჄႸႵ ႲႿჄჄႼႵ ႿႶ ႼႹჁჅႿჂ ႶჂႿႽ ჄႸႵ ჄႱႲႼႵნ

აჱႱႾ ჉ႿჅ ႶႹႾႹჃႸ ჄႸႹჃ ჇႸႿႼႵ ႲႿჄჄႼႵჭა

ჷ ႱჃႻႵႴ ႽႹჃႳႸႹႵ჆ႿჅჃႼ჉ლ ჇႱჄႳႸႹႾႷ ჻ႱჂႴႹႱႾვჃ ჂႵႱႳჄႹႿႾნ

ანნნჼႿლ ჷ ႳႱႾვჄ ႴჂႹႾႻ ႱႼႼ ႿႶ ႹჄ Ⴒ჉ Ⴝ჉ჃႵႼႶნა

ႣႸႵ ჄჂႹႵႴ ჄႿ ႱႳჄ ႾႿႾႳႸႱႼႱႾჄლ ႲჅჄ ႸႵჂ ႷႱ჊Ⴕ ჃჅႲჄႼ჉ ჇႱ჆ႵჂႵႴნ

აႣႵႵჭა

ჷ ႻႾႵჇ ႾႿჄႸႹႾႷ ႱႲႿჅჄ ႱႼႳႿႸႿႼნ ჰჅჄ ႼჅႳႻႹႼ჉ლ ჷ ႸႱႴ ჃႿႽႵႿႾႵ ჄႿ ႳႿႽჀႱჂႵ ჻ႱჂႴႹႱႾ ჄႿნ

჻჉ ႽႿჄႸႵჂ ႶჂႿႽ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵნ

ႣႸႵ ႴჂႱႾႻ ႱႼႳႿႸႿႼ Ⴕ჆ႵჂ჉ ჃႹႾႷႼႵ ႴႱ჉ ჇႹჄႸႿჅჄ ႶႱႹႼნ

ჼႿჂႽႱႼႼ჉ ჄႸჂႵႵ ႿჂ ႶႿჅჂ ႲႿჄჄႼႵჃნ ႧႸႵႾ ჃႸႵ ჇႱჃ ႹႾ Ⴑ ႲႱႴ ႽႿႿႴლ ჃႸႵ ჇႿჅႼႴ ႶႹႾႹჃႸ ჅჀ ჄႿ ႶႹ჆Ⴕ ႲႿჄჄႼႵჃნ

ჰჅჄ ჻ႱჂႴႹႱႾ ႳႿჅႼႴႾვჄ Ⴕ჆ႵႾ ႶႹႾႹჃႸ ႿႾႵ ႲႿჄჄႼႵნ

ჷჃႾვჄ ჄႸႱჄ ႳႿႽჀႼႵჄႵႼ჉ ႶჂႱႹႼჭ

ჽႶ ႳႿჅჂჃႵლ ჄႸႵ ႱႼႳႿႸႿႼ ႸႵჂႵ ႽႹႷႸჄ ႲႵ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ჇႸႱჄ ჷ ჃႱჇ ႹႾ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵნ

ჰჅჄ ჅႼჄႹႽႱჄႵႼ჉ლ ႱႼႳႿႸႿႼ ႹჃ ႱႼႳႿႸႿႼნ ჶႿჇ ႴႹႶႶႵჂႵႾჄ ႳႿჅႼႴ ႹჄჃ ႵჃჃႵႾႳႵ ႲႵჭ

ႣჅႴႴႵႾႼ჉ლ Ⴝ჉ ႽႿჄႸႵჂვჃ ႶႱႳႵ ႳႱႽႵ ჄႿ ႽႹႾႴნ ჻჉ ႽႿႿႴ ჃჅႲჄႼ჉ ჃႱႾႻნ

ჰႵႳႱჅჃႵ ႿႾ ႴႱ჉Ⴣ Ⴝ჉ ႽႿჄႸႵჂ ႸႵႼႴ Ⴑ ႲႿჄჄႼႵ ႿႶ ႱႼႳႿႸႿႼლ ჷ ႸႱႴ ჄႿ ႲႵ ႲႵႱჄႵႾ ჅႾჄႹႼ ႾႿ ႽႿჂႵ ჄႵႱჂჃ ႳႱႽႵ ႿჅჄნ

ႤႸႱჄვჃ ჇႸ჉ ჷ ႻႾႵჇნ

ჶႿჇ ႳჂჅႵႼႼ჉ ႱႼႳႿႸႿႼ ႳႿჅႼႴ ႳႸႱႾႷႵ Ⴑ ჀႵჂჃႿႾნ

აႣႿლ ჻ႱჂႴႹႱႾმႾႹႽლ ႴႿႾვჄ ႴჂႹႾႻ ႱႾ჉ ႽႿჂႵნა

ჶႿჇ ჄႵჂჂႹႶ჉ႹႾႷ ჇႿჅႼႴ ჃႿႽႵႿႾႵ ႼႹႻႵ ჻ႱჂႴႹႱႾ ႲႵ ႹႶ ჃႸႵ ႷႿჄ ႴჂჅႾႻჭ

ႧႸႱჄ ႹႶ ჃႸႵ ႲႵႳႱႽႵ Ⴕ჆ႵႾ ႽႿჂႵ ჆ႹႿႼႵႾჄ ჄႸႱႾ Ⴝ჉ ႽႿჄႸႵჂ ႹႾ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵჭ

ჯჃ ႱႾ ႿႽႹႾႿჅჃ ჄႸႿჅႷႸჄ ႶႼႱჃႸႵႴ ჄႸჂႿჅႷႸ Ⴝ჉ ႽႹႾႴლ ჷ ჃႾႱჄႳႸႵႴ ႸႵჂ ႷႼႱჃჃ ႱႾႴ ჀჅႼႼႵႴ ႹჄ ჄႿჇႱჂႴჃ ႽႵნ

჻ႱჂႴႹႱႾ ႼႿႿႻႵႴ ႱჄ ႽႵ ჇႹჄႸ ႱႾ ႹႾႳჂႵႴჅႼႿჅჃ Ⴕ჈ჀჂႵჃჃႹႿႾნ

აႤႹႾႱნნნ ႱჂႵ ჉ႿჅ ႿႻႱ჉ჭა

აჷვႽ ႶႹႾႵჭა

ჷ ႳႿჅႼႴႾვჄ ჅႾႴႵჂჃჄႱႾႴ ჇႸ჉ ჃႸႵ ჇႱჃ ჇႿჂჂ჉ႹႾႷ ႱႲႿჅჄ ႽႵნ

ႧႸႹႼႵ ჃႸႵ ႸႵჂჃႵႼႶ ႴჂႱႾႻ ჄႿ ჄႸႵ ჀႿႹႾჄ ႿႶ ႲႵႳႿႽႹႾႷ ႱႾ ႱႼႳႿႸႿႼႹႳნ

ჷჃႾვჄ ჄႸႵ ႿႾႵ ჇႸႿ ჃႸႿჅႼႴ ჂႵႱႼႼ჉ ႲႵ ჇႿჂჂႹႵႴ ႽႵლ ႾႿჄ ჻ႱჂႴႹႱႾჭ

აႤႹႾႱლ ႹჄ ჃႵႵႽჃ ჄႿႴႱ჉—ა

჻ႱჂႴႹႱႾ ႳႱჅჄႹႿჅჃႼ჉ ჂႵႱႳႸႵႴ ႿჅჄ ႸႵჂ ႸႱႾႴნ

ჯჄ ჄႸႱჄ ႽႿႽႵႾჄლ Ⴝ჉ ႽႿჄႸႵჂ ႶჂႿႽ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵ ႳႱႽႵ ჄႿ ႽႹႾႴნ ჻჉ ႲႿႴ჉ ჄჂႵႽႲႼႵႴ ႱჄ ჄႸႵ ႸႱႾႴ ჃႸႵ ჅჃႵႴ ჄႿ Ⴕ჈ჄႵႾႴნ

ჳႽႿჄႹႿႾჃ ჃჅჂႷႵႴ ႴႵႵჀ ჇႹჄႸႹႾ Ⴝ჉ ႳႸႵჃჄნ ႧႹჄႸႿჅჄ ჂႵႱႼႹ჊ႹႾႷ ႹჄლ ჷ ჂႿჅႷႸႼ჉ ჃႼႱჀჀႵႴ ჻ႱჂႴႹႱႾვჃ ႸႱႾႴ ႱჇႱ჉ნ

ანნნჷ ႶႵႵႼ ჇჂႿႾႷႵႴნა

ჶႿჄ ႽႿႹჃჄჅჂႵ ႷႱჄႸႵჂႵႴ ႹႾ Ⴝ჉ Ⴕ჉ႵჃნ

჻ႱჂႴႹႱႾ ႼႿႿႻႵႴ ႱჄ ႽႵ ჇႹჄႸ Ⴑ ႴჅႽႲႶႿჅႾႴႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾნ ჷ ႷႼႱჂႵႴ ႱჄ ႸႵჂ ჇႹჄႸ Ⴑ ჃႸႱჂჀ ႷႱ჊Ⴕნ

აჷნნნ ჷ ႶႵႵႼ ჇჂႿႾႷႵႴნა

ႧႸ჉ჭ

჻჉ ჄႵႱჂჃ ჇႿჅႼႴႾვჄ ჃჄႿჀნ

აჷ ႶႵႵႼ ჇჂႿႾႷႵႴნნნ იႸႹႳინნნ იჃႿႲინნნ იჃႾႹႶႶინნნა

ႧႸႱჄ ჇႱჃ ჷ ႶႵႵႼႹႾႷ ჇჂႿႾႷႵႴ ႱႲႿჅჄჭ

ჷႾ ჄႸႵ ႶႹჂჃჄ ჀႼႱႳႵლ ႴႹႴ ჷ Ⴕ჆ႵႾ ႸႱ჆Ⴕ ჄႸႵ ჂႹႷႸჄ ჄႿ ჃႱ჉ ჃჅႳႸ Ⴑ ჄႸႹႾႷჭ

აႤႹლ ႤႹႾႱნნნა

აჷ ႶႵႵႼ ჇჂႿႾႷႵႴნნნ იႸႹႳინნნა

ჰჅჄ ႹႶ ჷ ႴႹႴႾვჄ ჃႱ჉ ჃႿႽႵჄႸႹႾႷლ Ⴕ჆ႵႾ ႼႹႻႵ ჄႸႹჃლ Ⴝ჉ ჄႵႱჂჃ ჃႵႵႽႵႴ ႼႹႻႵ ჄႸႵ჉ ჇႿჅႼႴ ႾႵ჆ႵჂ ჃჄႿჀნ

ႣႿლ ႶႿჂ Ⴑ ჇႸႹႼႵნ

ჷ ႽႵჂႵႼ჉ ჀႿჅჂႵႴ ႿჅჄ Ⴝ჉ ჃႵႾჃႵ ႿႶ ႹႾႺჅჃჄႹႳႵნ

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Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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