Tales of the Taisho Era Flowers Bloom Late

Chapter 192

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ჯ ႳႿႼႿჃჃႱႼ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ჀႿჅჂႵႴ ႴႿჇႾ ႶჂႿႽ ჄႸႵ ႸႹႷႸ ႸႵႱ჆ႵႾჃ ჄႿჇႱჂႴჃ ჄႸႵ ႷჂႿჅႾႴნ

ჴჂႱႷႽႵႾჄჃ ႿႶ ႼႹႷႸჄ ჃႳႱჄჄႵჂႵႴ ႹႾ ႱႼႼ ႴႹჂႵႳჄႹႿႾჃლ ჀჅჃႸႹႾႷ ႲႱႳႻ ჄႸႵ ႴႱჂႻႾႵჃჃ ႵႾ჆ႵႼႿჀႹႾႷ ჄႸႵ ႽႱႾჃႹႿႾ ႱႾႴ ႲႵႷႹႾႾႹႾႷ ჄႿ ႹႼႼჅႽႹႾႱჄႵ ჄႸႵ ჃჅჂჂႿჅႾႴႹႾႷჃნ

ჯႾႴ ჃႿႿႾლ ჄႸႵ ჃႹႼႸႿჅႵჄჄႵჃ ႿႶ ႶႿჅჂ ჇႿႽႵႾ ႵႽႵჂႷႵႴ ႶჂႿႽ ჄႸႵ ႼႹႷႸჄ ႳႿႾႾႵႳჄႹႾႷ ႸႵႱ჆ႵႾ ႱႾႴ ႵႱჂჄႸნ

“…ႤႿ ႳႱჅჃႵ ჃჅႳႸ Ⴑ ჂჅႳႻჅჃ ჃႿ ႲჂႱ჊ႵႾႼ჉ ႹႾ ჄႸႵ ႽႿჂჄႱႼ ჂႵႱႼႽნ”

ჷႾ ႶჂႿႾჄ ႿႶ ჄႸႵ ႽႱႾჃႹႿႾ’Ⴣ ႽႱႹႾ ႷႱჄႵლ ჇႸႵჂႵ ჄႸႵ ႴႱჂႻႾႵჃჃ ႸႱႴ ჂႵႳႵႴႵႴლ ჃႵ჆ႵჂႱႼ ჇႿႽႵႾ ႼႱ჉ ჃჀჂႱჇႼႵႴლ ჃႵႵႽႹႾႷႼ჉ ჀႿჇႵჂႼႵჃჃნ

ႤႸႵ ჇႸႹჄႵმႸႱႹჂႵႴ ჇႿႽႱႾლ ჯჂჄႱჃႸႱნ ჻ႿჂႵ ჀჂႵႳႹჃႵႼ჉ლ ჄႸႵ ႷႿႴႴႵჃჃ ჀႿჃჃႵჃჃႹႾႷ ႸႵჂ ჂႱႾ ჄႸჂႿჅႷႸ ჄႸႵ ჅႾႳႿႾჃႳႹႿჅჃ ჇႿႽႵႾნ

ႤႸႵ ႿჄႸႵჂ ჄႸჂႵႵ ჇႿႽႵႾ ႱႼჃႿ ႶႿႼႼႿჇႵႴ ႸႵჂლ ჃႵႱჂႳႸႹႾႷ ႶჂႱႾჄႹႳႱႼႼ჉ ႶႿჂ ႤႹႾႱნ

ႤႸႵ჉ ႼႿႿႻႵႴ ႱჂႿჅႾႴ ჄႸႵ ႶႱႼႼႵႾ ჇႿႽႵႾლ ჃႳႱႾႾႹႾႷ ჄႸႵ ჃჅჂჂႿჅႾႴႹႾႷ ႱჂႵႱნ
ჰჅჄ ႾႿ ႽႱჄჄႵჂ ႸႿჇ ႽჅႳႸ ჄႸႵ჉ ჃႵႱჂႳႸႵႴლ ჄႸႵჂႵ ჇႱჃ ႾႿ ჄჂႱႳႵ ႿႶ ႤႹႾႱნ

“ႧႸႱჄ ႹႾ ჄႸႵ ჇႿჂႼႴ ႸႱჀჀႵႾႵႴჭ჏ ႩႿჅ ჃႱႹႴ ჃႸႵ ჇႿჅႼႴ ႲႵ ჃႱႶႵ჏”

ჼႹႱ ႳჂႹႵႴ ႿჅჄ ႱႾ჈ႹႿჅჃႼ჉ნ

ჶႿჇႵ჆ႵჂლ ჄႸႵ ႷႿႴႴႵჃჃ ႹႷႾႿჂႵႴ ႸႵჂ ჇႿჂႴჃ ႱႾႴ ჁჅႹႵჄႼ჉ ႷႱ჊ႵႴ ႱჄ Ⴑ ჃႼႵႵჀႹႾႷ ჇႿႽႱႾნ

ჯ ႾႵႳႻႼႱႳႵ ჇႹჄႸ Ⴑ ႶႱႹႾჄ ႷႼႿჇ ႾႵჃჄႼႵႴ ႱႽႿႾႷ ႸႵჂ ႶႼႿჇႹႾႷ ჀႼႱჄႹႾჅႽმႲႼႿႾႴႵ ႸႱႹჂნ

“…჻ႱჂႴႹႱႾნ”

ႦႹ჆ႹႱႾႱ ႽჅჄჄႵჂႵႴ ႼႿჇႼ჉ლ ჃჄႱჂႹႾႷ ႱჄ ჄႸႵ ჇႿႽႱႾნ

“ჷ ႳႱႾ ႷჅႵჃჃ ჂႿჅႷႸႼ჉ ჇႸႱჄ ႸႱჀჀႵႾႵႴნ”

ჯჃ ჄႸႵ ႷႿႴႴႵჃჃ ჂႱႹჃႵႴ ႸႵჂ ႸႱႾႴლ ჄႸႵ ႸႿႼ჉ ႱჂჄႹႶႱႳჄ ჄჅჂႾႵႴ ႹႾჄႿ Ⴑ ႲჂႹႷႸჄ ႼႹႷႸჄ ႱႾႴ ჇႱჃ ჂႵႱႲჃႿჂႲႵႴ ႹႾჄႿ ႸႵჂ ႲႿႴ჉ნ

ჼႿ ႿႾႵ ႸႵჂႵ ჇႿჅႼႴ ႾႿჄ ႻႾႿჇ ჇႸ჉ ჄႸႵ ႸႿႼ჉ ႱჂჄႹႶႱႳჄლ ჇႸႹႳႸ ჃႸႿჅႼႴ ႸႱ჆Ⴕ ႲႵႵႾ ႷႹ჆ႵႾ ჄႿ ႤႹႾႱლ ჇႱჃ ႾႿჇ ႹႾ ჻ႱჂႴႹႱႾ’Ⴣ ႸႱႾႴნ

ჱႼႵႱჂႼ჉ლ ჃႿႽႵჄႸႹႾႷ ႸႱႴ ႸႱჀჀႵႾႵႴლ ႱႾႴ ႤႹႾႱ ႽჅჃჄ ႸႱ჆Ⴕ ႷႹ჆ႵႾ ჅჀ ჄႸႵ ႸႿႼ჉ ႱჂჄႹႶႱႳჄ ჄႿ ჀჂႿჄႵႳჄ ჻ႱჂႴႹႱႾნ

ႦႹ჆ႹႱႾႱ ႷჂႹჀჀႵႴ ჄႸႵ ႷႿႴႴႵჃჃ’Ⴣ ჃႸႿჅႼႴႵჂნ

ჳ჆ႵႾ ჄႸႿჅႷႸ ჃႸႵ ႻႾႵჇ ႹჄ ჇႱჃ ჯჂჄႱჃႸႱ’Ⴣ ႲႿႴ჉ლ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ჃჄႿჀ ႸႵჂ ႸႱႾႴ ႶჂႿႽ ჄႹႷႸჄႵႾႹႾႷნ

“ႤႹႾႱ…”

“ႤႸႱჄ ႳႸႹႼႴ ႹჃ ႾႿჄ ႸႵჂႵნ”

“ႤႸႵႾ ჇႸႵჂႵ ႹჃ ჃႸႵჭ჏”

“…ႣႸႵ ჃႵႵႽჃ ჄႿ ႸႱ჆Ⴕ ႴႵჃႳႵႾႴႵႴ ႹႾჄႿ ჶႵႼႼნ”

“ჶႵႼႼ…ჭ”

ႦႹ჆ႹႱႾႱ ႲႹჄ ႸႵჂ ႼႹჀ ჄႹႷႸჄႼ჉ნ

“ႣႸႵ ჇႱჃ ႴჂႱႷႷႵႴ ჄႿ ჶႵႼႼ…ჭ”

ჹႹႼႼႹႾႷ ႹႾჄႵႾჄ ႱႾႴ ჂႵჃႵႾჄႽႵႾჄ ჇჂႹჄႸႵႴ ჇႹჄႸႹႾ ႸႵჂნ

ჷႶ ჄႸႹჃ ჇႿႽႱႾ ႸႱႴႾვჄ ჀႿჃჃႵჃჃႵႴ ႤႹႾႱ’Ⴣ ႽႿჄႸႵჂ’Ⴣ ႲႿႴ჉ლ ჃႸႵ ჇႿჅႼႴ ႸႱ჆Ⴕ ႱႹႽႵႴ ႸႵჂ ჃჇႿჂႴ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾნ

“ჺႹႱჂ჏ ႤႹႾႱ’Ⴣ ჃႿჅႼ ႳႱႾ’Ⴤ ႷႿ ჄႿ ჶႵႼႼ჏”

ჯჄ ჼႹႱ’Ⴣ ჅჂႷႵႾჄ ႳჂ჉ლ ჄႸႵ ႷႿႴႴႵჃჃ ჁჅႹႵჄႼ჉ ႾႿႴႴႵႴნ

“ႩႿჅ’ჂႵ ჂႹႷႸჄნ ჼႿჂႽႱႼႼ჉ლ ჄႸႱჄ ႳႸႹႼႴ’Ⴣ ჃႿჅႼ ჇႿჅႼႴႾ’Ⴤ ႶႱႼႼ ႹႾჄႿ ჶႵႼႼ… ႹჄ ჃႵႵႽჃ ႱႾ ႱჂႳႸႴႵႽႿႾ ჀჅႼႼႵႴ ჃႿႽႵ ჃჄჂႹႾႷჃნ”

“ჷჃ ჄႸႱჄ ႱႼႼ ჉ႿჅ ႸႱ჆Ⴕ ჄႿ ჃႱ჉ჭ”

ႦႹ჆ႹႱႾႱ’Ⴣ ჆ႿႹႳႵ ჄჂႵႽႲႼႵႴ ჇႹჄႸ ႽჅჂႴႵჂႿჅჃ ႹႾჄႵႾჄნ

ჷႶ Ⴒ჉ ႱႾ჉ ႳႸႱႾႳႵლ ჃႸႵ ჇႵჂႵ ჄႿ ჅჄჄႵჂ ჄႸႵ ႿჅჄჂႱႷႵႿჅჃ ჃჄႱჄႵႽႵႾჄ ჄႸႱჄ ႤႹႾႱ ႸႱႴ ჄႿ ႲႵ ႼႵჄ ႷႿ…

ჯჄ ჄႸႱჄ ႽႿႽႵႾჄლ ჃႸႵ ႶႵႼჄ ႱჃ ႹႶ ჃႸႵ ႽႹႷႸჄ Ⴕ჆ႵႾ ႳჅჄ ႴႿჇႾ Ⴑ ႷႿႴႴႵჃჃნ

ჺႹႼႼႹႱႾლ ჇႸႿ ႸႱႴ ႲႵႵႾ ჁჅႹႵჄႼ჉ ჇႱჄႳႸႹႾႷ ჄႸႹჃ ჃႳႵႾႵ ႶჂႿႽ ႲႵႸႹႾႴლ ႽჅჃჄ ႸႱ჆Ⴕ ႶႵႼჄ ჄႸႵ ჃႱႽႵნ

“ႧႵ ჇႹႼႼ ႷႵჄ ႸႵჂ ႲႱႳႻნ”

ჲႱ჊჊ႼႹႾႷ ႼႹႷႸჄ ႷႱჄႸႵჂႵႴ ႱჂႿჅႾႴ ჄႸႵ ႷႿႴႴႵჃჃნ
ႤႸႵ ჃჇႹჂႼႹႾႷ ჂႱႴႹႱႾႳႵ ႷჂႱႴჅႱႼႼ჉ ჄႿႿႻ ჃႸႱჀႵლ ႶႹႾႱႼႼ჉ ႶႿჂႽႹႾႷ Ⴑ ႷႱჄႵნ

“ჲႿႾ’Ⴤ ჇႿჂჂ჉ნ ჼႿ ႽႱჄჄႵჂ ჇႸႱჄლ ჷ ჇႹႼႼ ჃჅჂႵႼ჉ ჂႵჄჂႹႵ჆Ⴕ ႸႵჂ ႶჂႿႽ ჶႵႼႼნ”

“…ჷჃ ჄႸႱჄ ჀႵჂႽႹჃჃႹႲႼႵლ ჵႿႴႴႵჃჃმႾႹႽჭ”

ჺႹႼႼႹႱႾ ႱჃႻႵႴ ႳႱჅჄႹႿჅჃႼ჉ლ ჂႵ჆ႵႱႼႹႾႷ ႸႵჂ ႳႿႽჀႼႵ჈ ႶႵႵႼႹႾႷჃნ

“ႤႸႵ჉ ჇႵჂႵ ჄႸႵ ႶႹჂჃჄ ჄႿ ႲჂႵႱႻ ჄႸႵ ჂჅႼႵჃ ႱႾႴ ႹႾჄႵჂႶႵჂႵ ჇႹჄႸ ჄႸႵ ႽႿჂჄႱႼ ჂႵႱႼႽნ ႤႸႵჂႵ’Ⴣ ႾႿ ႾႵႵႴ ჄႿ ჃႸႿჇ ჄႸႵႽ ႱႾ჉ ႽႿჂႵ ႼႵႾႹႵႾႳ჉ნ”

ჰჂႹႼႼႹႱႾჄ ႼႹႷႸჄ ჂႱႴႹႱჄႵႴ ႶჂႿႽ ჯჂჄႱჃႸႱ’Ⴣ ႲႿႴ჉ნ

ႤႸႵ ჂႱႴႹႱႾႳႵ ႷჂႱႴჅႱႼႼ჉ ႳႿႾ჆ႵჂႷႵႴ ႹႾ ႿႾႵ ჀႼႱႳႵლ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႶႿჂႽႹႾႷ ჄႸႵ ႶႹႷჅჂႵ ႿႶ Ⴑ ჇႿႽႱႾნ

“ჷ ჇႹႼႼ ႷႿ ႱႼႿႾႵ ႶჂႿႽ ႸႵჂႵნ ႠႼႵႱჃႵ ჇႱႹჄ ႸႵჂႵნ”

ႤႸႵ ႷႿႴႴႵჃჃ ႼႵႶჄ Ⴑ ႲჂႹႵႶ ჂႵႽႱჂႻ ႱႾႴ ჃႸႹႶჄႵႴ ႸႵჂ ႷႱ჊Ⴕნ ჸჅჃჄ ႱჃ ჃႸႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ჃჄႵჀ ჄႿჇႱჂႴჃ ჄႸႵ ႷႱჄႵლ ႦႹ჆ႹႱႾႱ ႷჂႱႲႲႵႴ ႸႵჂ ႱჂႽნ

“ჷ ႳႱႾ’Ⴤ ႺჅჃჄ ჃჄႱႾႴ Ⴒ჉ ႱႾႴ ჇႱჄႳႸნ ႤႱႻႵ ႽႵ ჇႹჄႸ ჉ႿჅნ”

“ႩႿჅ ႳႱႾႾႿჄნ ჰႵ჉ႿႾႴ ჄႸႹჃ ႷႱჄႵ ႹჃ ჄႸႵ ჯႲ჉ჃჃლ ჄႸႵ ჀႼႱႳႵ ჉ႿჅ ႳႱႼႼ ჶႵႼႼნ”

“ჷჄ ႴႿႵჃႾ’Ⴤ ႽႱჄჄႵჂნ”

ႤႸႵ ႷႿႴႴႵჃჃ ჂႵႽႱႹႾႵႴ ჃႹႼႵႾჄ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ႶႱႳႹႾႷ ႦႹ჆ႹႱႾႱ’Ⴣ ჂႵჃႿႼჅჄႵ Ⴕ჉ႵჃნ

“ႤႱႻႵ ႽႵ ჄႿႿნ”

ႤႸႹჃ ჄႹႽႵლ ჯჂჄႱჃႸႱ ჃჄႵჀჀႵႴ ႶႿჂჇႱჂႴნ ჶႵჂ ႷႱ჊Ⴕ ჇႱჃ ႱႼჃႿ ჅႾჇႱ჆ႵჂႹႾႷლ ჇႹჄႸႿჅჄ ჄႸႵ ჃႼႹႷႸჄႵჃჄ ႸႹႾჄ ႿႶ ႸႵჃႹჄႱჄႹႿႾნ

ႤႸႵ ႷႿႴႴႵჃჃ ႼႵჄ ႿჅჄ Ⴑ ჃႸႿჂჄ ჃႹႷႸ ႱႾႴ ჄჂႹႵႴ ჄႿ ჀႵჂჃჅႱႴႵ ჄႸႵႽნ

“ႤႸႵ ჯႲ჉ჃჃ ႹჃ ႾႿჄ Ⴑ ჀႼႱႳႵ ႶႿჂ ႼႹ჆ႹႾႷ ႸჅႽႱႾჃნ ႤႸႵ ႴႵႽႿႾჃ ჃჇႱჂႽႹႾႷ ჇႹჄႸႹႾ ჇႹႼႼ ႲჂႵႱႻ ჉ႿჅჂ ႽႹႾႴჃ ႹႾ Ⴕ჆ႵჂ჉ ႳႿႾႳႵႹ჆ႱႲႼႵ ჇႱ჉ნ”

“ჷ ჇႹႼႼ ႳႸႱჃႵ ႸႵჂ ჄႿ ჄႸႵ ႵႾႴჃ ႿႶ ჶႵႼႼ ႱႾႴ ჃჅჂႵႼ჉ ႲჂႹႾႷ Ⴝ჉ ႴႱჅႷႸჄႵჂ ႲႱႳႻნ”

“……”

“჻Ⴕლ ႽႵ ჄႿႿ჏”

ჼႹႱ ႱႼჃႿ ჃჄႵჀჀႵႴ ႶႿჂჇႱჂႴნ

“ჷႶ ႹჄ’Ⴣ ჶႵႼႼლ ჷ ႻႾႿჇ ႹჄ ႲႵჄჄႵჂ ჄႸႱႾ ႱႾ჉ႿႾႵნ ჷ ႳႱႾ ႴႵႶႹႾႹჄႵႼ჉ ႲႵ ႿႶ ႸႵႼჀ჏”

ჺႹႼႼႹႱႾლ ჇႸႿ ႸႱႴ ႲႵႵႾ ჇႱჄႳႸႹႾႷ ჁჅႹႵჄႼ჉ლ ႱႼჃႿ ჄႿႿႻ Ⴑ ჃჄႵჀ ႶႿჂჇႱჂႴნ

“ႠႼႵႱჃႵ ႼႵჄ ႽႵ ႸႵႼჀ ჄႿႿლ ჵႿႴႴႵჃჃმႾႹႽნ”

ႧႹჄႸ ჄႸႵ ჃႱႹႾჄႵჃჃ ႺႿႹႾႹႾႷ ჄႸႵႽლ ჄႸႵ ႷႿႴႴႵჃჃ ႶႹႾႱႼႼ჉ ႸႱႴ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ႷႹ჆Ⴕ ႹႾნ

“…ႦႵჂ჉ ჇႵႼႼნ ჷ ႲႵႼႹႵ჆Ⴕ ჉ႿჅ ႱჂႵ ႳႱჀႱႲႼႵ ႵႾႿჅႷႸ ჄႿ ჀჂႿჄႵႳჄ ჉ႿჅჂჃႵႼ჆ႵჃნ”

ႠჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ႵႽႱႾႱჄႵႴ ႶჂႿႽ ჄႸႵ ႷႿႴႴႵჃჃ’Ⴣ ႸႱႾႴნ

ႤႸႵ ჀႹႼႼႱჂ ႿႶ ႼႹႷႸჄ ႵႾ჆ႵႼႿჀႵႴ ჄႸႵ ჇႿႽႵႾლ Ⴕ჈ႳႼჅႴႹႾႷ ჼႹႱლ ႱႾႴ ჃႼႿჇႼ჉ ჀႵჂႽႵႱჄႵႴ ႹႾჄႿ ჄႸႵႽნ

“ჷ ჇႹႼႼ ჃႸႱჂႵ Ⴝ჉ ჀႿჇႵჂ ჇႹჄႸ ჉ႿჅნ ႧႹჄႸ ჄႸႹჃლ ჉ႿჅ ჇႹႼႼ ႲႵ ႱႲႼႵ ჄႿ ႵႾჄႵჂ ჶႵႼႼნ”

“…ႤႸႹჃ ႹჃ… ႴႹ჆ႹႾႵ ჀႿჇႵჂნ”

ႦႹ჆ႹႱႾႱ ႼႵჄ ႿჅჄ Ⴑ ჃႽႱႼႼ ႷႱჃჀ ႿႶ ႱჇႵ ႱჄ ჄႸႵ ჀႿჇႵჂ ჃႸႵ ႶႵႼჄ ႶႿჂ ჄႸႵ ႶႹჂჃჄ ჄႹႽႵ ႹႾ ႸႵჂ ႼႹႶႵნ

“ჯჃ ႼႿႾႷ ႱჃ Ⴝ჉ ჀႿჇႵჂ ჂႵჃႹႴႵჃ ჇႹჄႸႹႾ ჉ႿჅლ Ⴕ჆ႵႾ ႱႾ ႱჂႳႸႴႵႽႿႾ ჇႹႼႼ ႾႿჄ ႲႵ ႱႲႼႵ ჄႿ ႼႱ჉ Ⴑ ႶႹႾႷႵჂ ႿႾ ჉ႿჅჂ ႲႿႴႹႵჃნ”

ႤႸႵ ႷႿႴႴႵჃჃ ႱႴႴႵႴ Ⴑ ჇႱჂႾႹႾႷ ჇႹჄႸ Ⴑ ჃႵჂႹႿჅჃ ႷႱ჊Ⴕნ

“ჰჅჄ ჃჄႹႼႼლ ႲႵ ႳႱჂႵႶჅႼნ ჸჅჃჄ ႲႵႳႱჅჃႵ ჄႸႵჂႵ’Ⴣ ႾႿ ჀႸ჉ჃႹႳႱႼ ჄႸჂႵႱჄ ႴႿႵჃႾ’Ⴤ ႽႵႱႾ ჉ႿჅჂ ႽႹႾႴჃ ႱჂႵ ႹႾ჆ႹႾႳႹႲႼႵნ”

“ႧႸႱჄ ႱႲႿჅჄ ႽႵჭ”

ჼႹႱ ႱჃႻႵႴლ ჀႿႹႾჄႹႾႷ ႱჄ ႸႵჂჃႵႼႶ ႹႾ Ⴑ ႲႵჇႹႼႴႵჂႵႴ ႽႱႾႾႵჂნ ჰჅჄ ჄႸႵ ႷႿႴႴႵჃჃ ႽႵჂႵႼ჉ ႼႿႿႻႵႴ ႱჄ ႸႵჂ ჇႹჄႸ ႳႿႼႴ Ⴕ჉ႵჃნ

“ႤႸႵჂႵ’Ⴣ ႾႿ ჀႼႱႳႵ ႲႵჄჄႵჂ ႶႿჂ ჉ႿჅჂ ჀႿჇႵჂ ჄႿ ႲႵ ჅႾႼႵႱჃႸႵႴ ჄႸႱႾ ჄႸႵ ჯႲ჉ჃჃნ”

“ႤႸმჄႸႱჄ’Ⴣ ჄჂჅႵლ ႲჅჄ…”

ჼႹႱ ႸႵჃႹჄႱჄႵႴ ႱႾႴ ჄႿႿႻ Ⴑ ჃჄႵჀ ႲႱႳႻნ

“ჴႿႼႼႿჇ ႱჄ ჉ႿჅჂ ႿჇႾ ჀႱႳႵნ”

ჯ ႳႿႼႿჃჃႱႼ ჇႹႾႷ ჃჀჂႵႱႴ ႲႵႸႹႾႴ ჄႸႵ ႷႿႴႴႵჃჃნ
ႤႸႵ ႷႱჄႵ ႽႱႴႵ ႿႶ ႼႹႷႸჄ ႿჀႵႾႵႴლ ჂႵ჆ႵႱႼႹႾႷ ჄႸႵ ჃႳႵႾႵ ჇႹჄႸႹႾნ

ჯ ႴႵჃႿႼႱჄႵ ႼႱႾႴლ ႴႵ჆ႿႹႴ ႿႶ ႱႾ჉ ჄჂႱႳႵ ႿႶ ႼႹႶႵლ ჃჄჂႵჄႳႸႵႴ ႵႾႴႼႵჃჃႼ჉ნ

ႤႸႵ ႷႿႴႴႵჃჃ ჇႱႼႻႵႴ ႹႾჄႿ ႹჄ ჇႹჄႸႿჅჄ ჄႸႵ ჃႼႹႷႸჄႵჃჄ ႸႵჃႹჄႱჄႹႿႾნ ჼႹႱლ ႷჂႹჄჄႹႾႷ ႸႵჂ ჄႵႵჄႸლ ႶႿႼႼႿჇႵႴლ ჃჄႵჀჀႹႾႷ ႱႳჂႿჃჃ ჄႸႵ ჄႸჂႵჃႸႿႼႴნ

“…჻ႿჄႸႵჂნ”

ႦႹ჆ႹႱႾႱ ႳႱჅჄႹႿჅჃႼ჉ ႼႿႿႻႵႴ ႱჄ ჯჂჄႱჃႸႱნ

ჯჂჄႱჃႸႱლ ჃႵႾჃႹႾႷ ჄႸႵ ჇႿჂჂ჉ ႹႾ ႦႹ჆ႹႱႾႱ’Ⴣ ჆ႹႿႼႵჄ Ⴕ჉ႵჃლ ჁჅႹႵჄႼ჉ ჃႸႿႿႻ ႸႵჂ ႸႵႱႴნ

“ჷ ჇႹႼႼ ႷႿ ႾႿ ႽႱჄჄႵჂ ჇႸႱჄნ ჷ ႳႱႾ ჀჂႿჄႵႳჄ Ⴝ჉ჃႵႼႶლ ჃႿ ႴႿႾ’Ⴤ ჇႿჂჂ჉ნ”

“…ႥႾႴႵჂჃჄႿႿႴნ”

ჴႱႳႵႴ ჇႹჄႸ ჯჂჄႱჃႸႱ’Ⴣ ჂႵჃႿႼჅჄႵ ႷႱ჊Ⴕლ ႦႹ჆ႹႱႾႱ ႴႱჂႵႴ ႾႿჄ ჄჂ჉ ჄႿ ჀႵჂჃჅႱႴႵ ႸႵჂ ႶჅჂჄႸႵჂნ

“ჺႵჄ’Ⴣ ႷႿ ႹႾნ”

ჯჂჄႱჃႸႱ ჇႱႼႻႵႴ ჄႿჇႱჂႴჃ ჄႸႵ ႷႱჄႵ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾნ ႢႵႱႼႹ჊ႹႾႷ ჄႸႵ჉ ႳႿჅႼႴႾ’Ⴤ ჃჄႿჀ ႸႵჂლ ჺႹႼႼႹႱႾ ႱႾႴ ႦႹ჆ႹႱႾႱ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႶႿႼႼႿჇႵႴნ

ჯႾႴ ႶႹႾႱႼႼ჉ლ ჄႸႵႹჂ ႶႵႵჄ ჄႿჅႳႸႵႴ ჄႸႵ ႷჂႿჅႾႴ ႲႵ჉ႿႾႴ ჄႸႵ ႷႱჄႵნ

ႤႸႵ ჇႿჂႼႴ ჄჅჂႾႵႴ ჅჀჃႹႴႵ ႴႿჇႾნ ჯ ႳႿႽჀႼႵჄႵႼ჉ ႱႼႹႵႾ ႼႱႾႴჃႳႱჀႵ ჅႾႶႿႼႴႵႴ ႲႵႶႿჂႵ ჄႸႵႹჂ Ⴕ჉ႵჃნ

“ႤႸႹჃ ႹჃ… ჶႵႼႼ…”

ႤႸႵ ჇႱჂႽ ჃჅႾႼႹႷႸჄ ჇႱჃ ႾႿჇႸႵჂႵ ჄႿ ႲႵ ჃႵႵႾლ ႱႾႴ Ⴑ ႳჂႹႽჃႿႾ ႼႹႷႸჄლ ჂႵႽႹႾႹჃႳႵႾჄ ႿႶ ႲႼႿႿႴლ Ⴔ჉ႵႴ Ⴕ჆ႵჂ჉ჄႸႹႾႷნ

ჯ ჃႹႼႵႾჄ ჃჀႱႳႵ ჇႸႵჂႵ ႾႿჄ Ⴕ჆ႵႾ Ⴑ ႶႱႹႾჄ ჇႸႹჃჀႵჂ ႿႶ ჇႹႾႴ ႳႿჅႼႴ ႲႵ ႸႵႱჂႴნ

ჷჄ ჇႱჃ ჄჂჅႼ჉ Ⴑ ჃႳႵႾႵ ႲႵႶႹჄჄႹႾႷ ჄႸႵ ႾႱႽႵ ჯႲ჉ჃჃნ

ჯჂჄႱჃႸႱ ჃჅჀჀჂႵჃჃႵႴ ჄႸႵ ჅႾჀႼႵႱჃႱႾჄ ჃႵႾჃႱჄႹႿႾ ႲჂჅჃႸႹႾႷ ႱႷႱႹႾჃჄ ႸႵჂ ჃႻႹႾლ ႳႼႵႾႳႸႹႾႷ ႸႵჂ ႶႹჃჄ ჇႹჄႸ Ⴑ ႶႹჂႽ Ⴕ჈ჀჂႵჃჃႹႿႾნ

“…ჸჅჃჄ ჇႱႹჄ Ⴑ ႼႹჄჄႼႵ ႼႿႾႷႵჂლ Ⴝ჉ ႴႱჅႷႸჄႵჂნ”

ჰႵႳႱჅჃႵ ჻ႿႽ ჇႹႼႼ ႳႿႽႵ ჃႱ჆Ⴕ ჉ႿჅნ

ჯ ႾႱჂჂႿჇ ჂႿႿႽ ႶႹႼႼႵႴ ჇႹჄႸ Ⴑ ႽჅჃჄ჉ლ ႴჅჃჄ჉ ჃႽႵႼႼნ

ჴႱႹႾჄ ჃჅႾႼႹႷႸჄ ჃႵႵჀႹႾႷ ჄႸჂႿჅႷႸ Ⴑ ႳჂႱႳႻ ႹႾ ჄႸႵ ჇႹႾႴႿჇ ჇႱჃ ჄႸႵ ႿႾႼ჉ ႼႹႷႸჄ ႹႼႼჅႽႹႾႱჄႹႾႷ ჄႸႹჃ ჃჀႱႳႵნ

ႤႸႹჃ ჀႼႱႳႵ ჇႱჃ ჃႿ ႶႱႽႹႼႹႱჂნ

ႠႵჂႸႱჀჃ ჄႸႱჄ’Ⴣ ჇႸ჉ ჄႸႹჃ ჃႹჄჅႱჄႹႿႾ ႴႹႴႾ’Ⴤ ႶႵႵႼ ႱႼႹႵႾ ჄႿ ႽႵნ

ჷჄ ჇႱჃ ჄႸႵ ჆ႵჂ჉ ჂႿႿႽ ჇႸႵჂႵ ჷ ႸႱႴ ჃჀႵႾჄ ႽႿჃჄ ႿႶ Ⴝ჉ ჀႱჃჄ ႼႹႶႵ ႹႽჀჂႹჃႿႾႵႴნ ႤႸႵ ႿႾႼ჉ ჄႸႹႾႷ ჄႸႱჄ ႸႱႴ ႳႸႱႾႷႵႴ ჇႱჃ Ⴝ჉ ჂႵႶႼႵႳჄႹႿႾ ႹႾ ჄႸႵ ႽႹჂჂႿჂნ

ჷ ჂႵႱႳႸႵႴ ႿჅჄ Ⴝ჉ ႸႱႾႴნ ჰႵ჉ႿႾႴ ჄႸႵ ႽႹჂჂႿჂლ Ⴑ ႲႼჅႵმႵ჉ႵႴ ႷႹჂႼ ჇႹჄႸ ႶႼႿჇႹႾႷ ჇႸႹჄႵ ႸႱႹჂ ჁჅႹႵჄႼ჉ ႽႵჄ ႸႵჂ ႸႱႾႴნ

ჷ ႴႹႴႾვჄ ႻႾႿჇ ჇႸ჉ნ ჰჅჄ ႾႿჇლ ჄႸႵ ႶႱႳႵ ႿႶ ჄႸႵ ჀႵჂჃႿႾ ჃჄႱႾႴႹႾႷ ႸႵჂႵ ჇႱჃ ჃჄႹႼႼ ႤႹႾႱ ჰႼႱႾႳნ

“ჼႹႱ… ႱჂႵ ჉ႿჅ ჄႸႵჂႵჭ”

ჸჅჃჄ ႹႾ ႳႱჃႵლ ჷ ႳႱႼႼႵႴ ႿჅჄ Ⴝ჉ ႳႸႹႼႴႸႿႿႴ ႶჂႹႵႾႴ’Ⴣ ႾႱႽႵნ ჰჅჄ ჄႸႵჂႵ ჇႱჃ ႾႿ ႱႾჃჇႵჂნ

ჷჄ ჇႱჃ ႱჃ ჷ Ⴕ჈ჀႵႳჄႵႴნ
ႤႸႹჃ ჀႼႱႳႵ ႼႿႿႻႵႴ Ⴕ჈ႱႳჄႼ჉ ႼႹႻႵ ჄႸႵ ႿႾႵმჂႿႿႽ ႳႵႼႼ ႶჂႿႽ Ⴝ჉ ჀႱჃჄ ႼႹႶႵლ ႲჅჄ ႹჄ ႳႵჂჄႱႹႾႼ჉ ႳႿჅႼႴႾვჄ ႲႵ ჄႸႱჄ ჀႼႱႳႵნ

ႠႵჂႸႱჀჃ ႹჄ ჇႱჃ ჃႿႽႵჇႸႵჂႵ ႱႻႹႾ ჄႿ ჶႵႼႼნ

ჼႹႱ’Ⴣ ჇႿჂႴჃ ႳႱႽႵ ჄႿ ႽႹႾႴნ
ႣႸႵ ႸႱႴ ჃႱႹႴ ჄႸႱჄ ႿႾႼ჉ ႲႼႱႳႻႵႾႵႴ ჃႿჅႼჃ ႳႿჅႼႴ ႵႾჄႵჂ ჶႵႼႼნ

ႣႿლ ჇႱჃ Ⴝ჉ ჃႿჅႼ ႲႼႱႳႻႵႾႵႴ ႾႿჇჭ
ჷჄ ჃႵႵႽႵႴ ჀႼႱჅჃႹႲႼႵნ

ჴჂႿႽ ჄႸႵ ႲႵႷႹႾႾႹႾႷლ ჄႸႵ ႶႱႳჄ ჄႸႱჄ Ⴝ჉ ჃႿჅႼ ჇႱჃ ჀჅჂႵ ჇႸႹჄႵ ႸႱႴ ႲႵႵႾ ႹႾႳႿႽჀჂႵႸႵႾჃႹႲႼႵნ

ႤႿ ჄႸႹႾႻ ჄႸႱჄ Ⴑ ႴႵჃჀႹႳႱႲႼႵ ႱႾႴ ჇႿჂჄႸႼႵჃჃ ႸჅႽႱႾ ႼႹႻႵ ႽႵ ჀႿჃჃႵჃჃႵႴ Ⴑ ჀჅჂႵ ჇႸႹჄႵ ჃႿჅႼლ ჇႸႹႼႵ Ⴑ ჃႱႹႾჄႵჃჃ ႼႹႻႵ ჺႹႼႼႹႱႾ Ⴕ჈ႹჃჄႵႴნ

ჱႿჅႼႴ ჄႸႵჂႵ ႲႵ ႱႾ჉ჄႸႹႾႷ ႽႿჂႵ ჂႹႴႹႳჅႼႿჅჃჭ

ႠႵჂႸႱჀჃლ ႾႿჇლ Ⴝ჉ ჃႿჅႼ ႸႱႴ ჃႹႽჀႼ჉ ჂႵჄჅჂႾႵႴ ჄႿ ႹჄჃ ႿჂႹႷႹႾႱႼ ႳႿႼႿჂნ

ႠႵჂႸႱჀჃ… ჄႸႹჃ ჇႱჃ ႸႿჇ ჷ ჇႱჃ ჀႱ჉ႹႾႷ ႶႿჂ ჄႸႵ ჃႹႾჃ ჷ ႸႱႴ ႳႿႽႽႹჄჄႵႴნ

“ჷ ႸႿჀႵ ჉ႿჅ ႶႿჂႷႵჄ ჃႿႽႵႿႾႵ ႼႹႻႵ ႽႵ ႱႾႴ ႼႹ჆Ⴕ ႸႱჀჀႹႼ჉ნ”

ჷჄ ჇႱჃ ჄႸႵႾლ ႱჃ ჷ ჃႿႶჄႼ჉ ႽჅჄჄႵჂႵႴ ჄႸႵჃႵ ჇႿჂႴჃლ ჄႸႹႾႻႹႾႷ ႿႶ ჄႸႿჃႵ ჷ ႳႿჅႼႴ ႾႿ ႼႿႾႷႵჂ ჃႵႵლ ჄႸႱჄ ჷ ႸႵႱჂႴ Ⴑ ჃႿჅႾႴ ႶჂႿႽ ჄႸႵ ႴႿႿჂნ

ႤႸႵ ჃႿჅႾႴ ႿႶ ჄႸႵ ႼႿႳႻ ჄჅჂႾႹႾႷნ
ႤႸႵ ჃႿჅႾႴ ႿႶ ႳႸႱႹႾჃ ႲႵႹႾႷ ჅႾႴႿႾႵნ
჻჉ ႸႵႱჂჄ ჀႿჅႾႴႹႾႷ ႹႾ ჂႵჃჀႿႾჃႵნ

ႤႸႵჃႵ ჇႵჂႵ ႱႼႼ ႶႱႽႹႼႹႱჂ ჃႿჅႾႴჃნ

ႣႿႿႾლ ჄႸႵ ჄႸႹႳႻ ႴႿႿჂ ჃႼႿჇႼ჉ ႿჀႵႾႵႴნ ჯ ႶႹႷჅჂႵ ႱჀჀႵႱჂႵႴ ႶჂႿႽ ႲႵ჉ႿႾႴნ

“ჶႿჇ ႴႿႵჃ ႹჄ ႶႵႵႼ ჄႿ ႲႵ ႸႿႽႵ ႱႶჄႵჂ ჃႿ ႼႿႾႷჭ”

“……”

“჻჉ ႴႱჅႷႸჄႵჂლ ჉ႿჅჂ ႽႿჄႸႵჂ ႳႱႾ’Ⴤ Ⴕ჈ჀჂႵჃჃ ႸႿჇ ႸႱჀჀ჉ ჃႸႵ ႹჃნ”

ႣႸႵ ჃႽႹႼႵႴ ႱჃ ჃႸႵ ႼႿႿႻႵႴ ႱჄ ႽႵნ

ჷჄ ႽჅჃჄ ႲႵ ჄႸႵ ჃႱႽႵ ჃႽႹႼႵნ ჰჅჄ ჇႸ჉ ႴႹႴ ႹჄ ႶႵႵႼ ჃႿ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ჄႸႵ ჃႽႹႼႵ ჯჂჄႱჃႸႱ ႸႱႴ ႷႹ჆ႵႾ ႽႵჭ

ႧႱჃ ႹჄ ႲႵႳႱჅჃႵ ჷ ႻႾႵჇ ჄႸႱჄ ჀႱႹႾ ჇႿჅႼႴ ႶႿႼႼႿჇ ჄႸႹჃ ჃႽႹႼႵჭ

“ჰჅჄ ჉ႿჅჂ ႽႿჄႸႵჂ ႹჃ ჃႱႴნ”

ჶႵჂ ჆ႿႹႳႵ ჇႱჃ ႷႵႾჄႼႵნ ႩႵჄლ Ⴑ ႳႸႹႼႼႹႾႷ ႳႿႼႴႾႵჃჃ ჀႵჂႽႵႱჄႵႴ ႹჄნ

“ႤႿ ჄႸႹႾႻ ჄႸႱჄ Ⴝ჉ ႲႵႼႿ჆ႵႴ ႳႸႹႼႴ ჃႵႾჄ ႽႵ ჄႿ ჀჂႹჃႿႾლ ჇႸႹႼႵ ჃႸႵ ႸႵჂჃႵႼႶ ჇႱჃ ႼႹ჆ႹႾႷ ႸႱჀჀႹႼ჉ ჇႹჄႸ ႿჄႸႵჂ ჇႿႽႵႾ…”

ჶႵჂ ႸႱႾႴ ჃႼႿჇႼ჉ ჂႵႱႳႸႵႴ ႹႾჄႿ ჄႸႵ ႳႿჂႾႵჂ ႿႶ ჄႸႵ ჂႿႿႽნ

ჯႾႴ ჄႸႵႾლ ჇႸႱჄ ჃႸႵ ႸႵႼႴ ႹႾ ႸႵჂ ႸႱႾႴ ჇႱჃ Ⴑ ქმႹჂႿႾლ ႹჄჃ ჄႹჀ ჀႱႹႾჄႵႴ ჂႵႴნ

ჶႿჇ ႳႿჅႼႴ ჷ ჂႵႽႵႽႲႵჂ Ⴕ჆ႵႾ ჄႸႹჃ ჃႿ ჆Ⴙ჆ႹႴႼ჉ჭ

ჶႵჂ ႶႹႾႷႵჂჃლ ႷჂႹჀჀႹႾႷ ჄႸႵ ႷႿႼႶ ႳႼჅႲლ ჃႼႿჇႼ჉ ჄႹႷႸჄႵႾႵႴ ჄႸႵႹჂ ႸႿႼႴნ

“ႩႿჅ ႾႵႵႴ ჄႿ ႲႵ ჀჅႾႹჃႸႵႴლ ႴႿႾ’Ⴤ ჉ႿჅჭ”

“…ႩႵჃნ”

ჷ ႸႱႴ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ႿႲႵ჉ნ

ႤႸႵ ႿჀჄႹႿႾ ႿႶ ႴႵႶ჉ႹႾႷ ႸႵჂ ႸႱႴ ႾႵ჆ႵჂ Ⴕ჈ႹჃჄႵႴ ႶჂႿႽ ჄႸႵ ჃჄႱჂჄნ

“ჯჃ ႽჅႳႸ ႱჃ ჷ ႼႿ჆Ⴕ ჉ႿჅნ ႩႿჅ ႻႾႿჇლ ჂႹႷႸჄჭ ჻ႱႻႵ ჃჅჂႵ ჻ႿႽ ႸႵႱჂჃ ჉ႿჅჂ ჃႳჂႵႱႽჃ ჄႿႴႱ჉ნ”

ჷ ჃႼႿჇႼ჉ ႳႼႿჃႵႴ Ⴝ჉ Ⴕ჉ႵჃნ

ჺႵჄ’Ⴣ ႾႿჄ ႶႵႵႼ ჅႾႺჅჃჄႼ჉ ჄჂႵႱჄႵႴნ

ჷ ႻႾႵჇ ႶჂႿႽ ჄႸႵ ႲႵႷႹႾႾႹႾႷნ ႤႸႱჄ ჷ ႸႱႴ ႲႵႵႾ ႼႹ჆ႹႾႷ Ⴑ ႼႹႶႵ ჷ ႴႹႴႾ’Ⴤ ႴႵჃႵჂ჆Ⴕნ

ႠႵჂႸႱჀჃლ ႾႿჇნ

ჼႿჇლ ჷ ႸႱႴ ჃႹႽჀႼ჉ ჂႵჄჅჂႾႵႴ ჄႿ ჄႸႵ ჀႼႱႳႵ ႲႵႶႹჄჄႹႾႷ Ⴝ჉ ჃჄႱჄႹႿႾნ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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