Tales of the Taisho Era Flowers Bloom Late

Chapter 194

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᯗᮞ ᮤᮘᮕ ᮕᮞᮔᮜᮕᮣᮣᮜᮩ ᮣᮠᮢᮑᮧᮜᮙᮞᮗ ᯏᮒᮩᮣᮣᮺ ᮜᮙᮗᮘᮤ ᮑᮞᮔ ᮔᮑᮢᮛᮞᮕᮣᮣ ᮓᮜᮑᮣᮘᮕᮔ ᮧᮙᮤᮘᮟᮥᮤ ᮓᮕᮑᮣᮕᮼ

ᮄᮘᮕ ᯕᮟᮔᮔᮕᮣᮣ᮵ᮣ ᮒᮕᮑᮝ ᮟᮖ ᮜᮙᮗᮘᮤ ᮕᮞᮦᮕᮜᮟᮠᮕᮔ ᮤᮘᮕ ᮔᮕᮝᮟᮞᮼ ᮄᮘᮕ ᮔᮕᮝᮟᮞ ᮣᮓᮟᮧᮜᮕᮔ ᮑᮣ ᮙᮤᮣ ᮖᮜᮕᮣᮘ ᮒᮥᮢᮞᮕᮔᮺ ᮒᮥᮤ ᮣᮟᮟᮞ ᮣᮠᮢᮕᮑᮔ ᮙᮤᮣ ᮧᮙᮞᮗᮣ ᮑᮞᮔ ᮒᮢᮟᮛᮕ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮜᮙᮗᮘᮤᮺ ᮕᮣᮓᮑᮠᮙᮞᮗᮼ

᮰ᮀᮕᮢᮣᮙᮣᮤᮕᮞᮤ ᮖᮟᮢ ᮑ ᮔᮕᮝᮟᮞᮺ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥᯍ᮰

ᮋᯖᮝᮠᮘᮺ ᮑᮢᮕᮞ᮵ᮤ ᮸ᮩᮟᮥ᮸ ᮟᮦᮕᮢᮜᮩ ᮟᮒᮣᮕᮣᮣᮙᮦᮕ ᮖᮟᮢ ᮞᮟ ᮢᮕᮑᮣᮟᮞᯍᮍ

ᮄᮘᮕ ᯕᮟᮔᮔᮕᮣᮣ ᮗᮜᮑᮞᮓᮕᮔ ᮔᮟᮧᮞ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

ᯏ ᮣᮝᮙᮜᮕ ᮣᮠᮢᮕᮑᮔ ᮑᮤ ᮤᮘᮕ ᮣᮠᮙᮢᮙᮤ ᮟᮖ ᮤᮘᮕ ᮧᮟᮝᮕᮞ ᮓᮘᮑᮢᮗᮙᮞᮗ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮒᮜᮑᮓᮛ ᮟᮢᮒᮺ ᮔᮕᮖᮕᮑᮤᮙᮞᮗ ᮔᮕᮝᮟᮞᮣᮼ

᮵ᮄᮘᮕᮩ ᮑᮢᮕ ᮔᮟᮙᮞᮗ ᮧᮕᮜᮜᮼ᮵

ᮃᮘᮕ ᮒᮕᮜᮙᮕᮦᮕᮔ ᮤᮘᮑᮤ ᮙᮖ ᮤᮘᮕᮩ ᮓᮟᮥᮜᮔ ᮚᮥᮣᮤ ᮔᮢᮑᮧ ᮤᮘᮕ ᯏᮢᮓᮘᮔᮕᮝᮟᮞ᮵ᮣ ᮑᮤᮤᮕᮞᮤᮙᮟᮞᮺ ᮤᮘᮕ ᮢᮕᮣᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮘᮑᮞᮔᮜᮕᮔ ᮒᮩ ᮤᮘᮕᮝᯉ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔ ᮣᮥᮢᮕᮜᮩ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮢᮕᮤᮢᮙᮕᮦᮕ ᮄᮙᮞᮑ ᮖᮢᮟᮝ ᮤᮘᮑᮤ ᮒᮑᮢᮢᮙᮕᮢᮼ

ᮋᮇᮕᮜᮜᮺ ᯗ ᮤᮘᮙᮞᮛ ᮔᮙᮖᮖᮕᮢᮕᮞᮤᮜᮩᮼᮍ

ᮄᮘᮕ ᯕᮟᮔᮔᮕᮣᮣ ᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮒᮑᮓᮛᮼ

ᯒᮕᮣᮠᮙᮤᮕ ᮒᮕᮙᮞᮗ ᮙᮞ ᮑ ᮔᮙᮣᮑᮔᮦᮑᮞᮤᮑᮗᮕᮟᮥᮣ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮺ ᮤᮘᮕ ᮔᮕᮝᮟᮞ ᮧᮟᮢᮕ ᮑ ᮣᮙᮞᮙᮣᮤᮕᮢ ᮣᮝᮙᮜᮕᮼ

᮰ᮼᮼᮼᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮥᮠ ᮤᮟᯍ᮰

ᮄᮘᮕ ᯏᮢᮓᮘᮔᮕᮝᮟᮞ᮵ᮣ ᮥᮞᮥᮣᮥᮑᮜᮜᮩ ᮢᮕᮜᮑᮨᮕᮔ ᮔᮕᮝᮕᮑᮞᮟᮢ ᮧᮑᮣ ᮥᮞᮣᮕᮤᮤᮜᮙᮞᮗᮼ

ᯏᮖᮤᮕᮢ ᮓᮜᮑᮣᮘᮙᮞᮗ ᮑ ᮖᮕᮧ ᮤᮙᮝᮕᮣᮺ ᮣᮘᮕ ᮘᮑᮔ ᮑ ᮣᮕᮞᮣᮕ ᮟᮖ ᮙᮤᮼ ᮄᮘᮟᮥᮗᮘ ᮤᮘᮕᮩ ᮑᮠᮠᮕᮑᮢᮕᮔ ᮕᮦᮕᮞᮜᮩ ᮝᮑᮤᮓᮘᮕᮔᮺ ᮧᮙᮤᮘ ᮑ ᮜᮙᮤᮤᮜᮕ ᮝᮟᮢᮕ ᮤᮙᮝᮕᮺ ᮤᮘᮕ ᯏᮢᮓᮘᮔᮕᮝᮟᮞ ᮧᮟᮥᮜᮔ ᮒᮕ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮟ ᮢᮕᮑᮓᮘ ᮙᮤᮣ ᮜᮙᮝᮙᮤᮼ

ᮋᯏᮞᮗᮕᮜᮺ ᮣᮘᮑᮜᮜ ᮧᮕ ᮝᮑᮛᮕ ᮑ ᮒᮕᮤᯍᮍ

ᮄᮘᮕ ᮔᮕᮝᮟᮞ ᮣᮜᮟᮧᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮑ ᮣᮜᮕᮞᮔᮕᮢ ᮖᮙᮞᮗᮕᮢᮼ

᮰ᮼᮼᮼᯏ ᮒᮕᮤᯍ᮰

ᮋᮉᮕᮣᮺ ᮑ ᮦᮕᮢᮩ ᮣᮙᮝᮠᮜᮕ ᮒᮕᮤᮼ ᯗᮖ ᮩᮟᮥ ᮧᮙᮞᮺ ᯗ ᮧᮙᮜᮜ ᮗᮙᮦᮕ ᮥᮠ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮑᮞᮔ ᮞᮟᮤ ᮝᮟᮦᮕ ᮑ ᮣᮙᮞᮗᮜᮕ ᮙᮞᮓᮘ ᮙᮞ ᮤᮘᮙᮣ ᮘᮕᮜᮜᮼᮍ

᮰ᯓᮦᮕᮞ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮒᮕᮤᮺ ᯗ ᮙᮞᮤᮕᮞᮔ ᮤᮟ ᮣᮕᮑᮜ ᮩᮟᮥ ᮘᮕᮢᮕᮼ᮰

ᮋᯏᮘᮑᮘᮑᮯ ᯐᮥᮤ ᯏᮞᮗᮕᮜᮺ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥ ᮓᮥᮢᮙᮟᮥᮣ ᮑᮒᮟᮥᮤ ᮤᮘᮕᮙᮢ ᮓᮘᮟᮙᮓᮕ ᮤᮟᮟᯍᮍ

ᮄᮘᮕ ᮔᮕᮝᮟᮞ᮵ᮣ ᮗᮑ᮪ᮕ ᮔᮢᮟᮠᮠᮕᮔ ᮔᮟᮧᮞᮧᮑᮢᮔᮣᮼ

ᯔᮟᮜᮜᮟᮧᮙᮞᮗ ᮤᮘᮕ ᮔᮕᮝᮟᮞ᮵ᮣ ᮗᮑ᮪ᮕᮺ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣ᮵ᮣ ᮕᮩᮕᮣ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮤᮥᮢᮞᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮧᮘᮕᮢᮕ ᮤᮘᮕ ᮧᮟᮝᮕᮞ ᮧᮕᮢᮕᮼ

ᮄᮘᮕᮢᮕᮺ ᮑ ᮗᮙᮢᮜ ᮧᮑᮣ ᮒᮜᮟᮓᮛᮙᮞᮗ ᮤᮘᮕ ᮧᮟᮝᮕᮞ᮵ᮣ ᮠᮑᮤᮘᮼ

ᮋᮇᮙᮤᮘ ᮤᮘᮙᮣᮺ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮙᮣ ᮗᮑᮤᮘᮕᮢᮕᮔᮼᮍ

᮰ᮼᮼᮼᮉᮟᮥᮼ᮰

ᮄᮘᮑᮤ ᮗᮙᮢᮜ ᮜᮟᮟᮛᮕᮔ ᮕᮨᮑᮓᮤᮜᮩ ᮜᮙᮛᮕ ᮘᮕᮢ ᮒᮕᮜᮟᮦᮕᮔ ᮔᮕᮦᮟᮤᮕᮕᮼ

ᮋᮉᮟᮥ ᮛᮞᮟᮧ ᮤᮟᮟᮺ ᮔᮟᮞ᮵ᮤ ᮩᮟᮥᯍ ᮇᮘᮟ ᯏᮢᮤᮑᮣᮘᮑ᮵ᮣ ᮤᮢᮥᮕ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮙᮣᮺ ᮑᮞᮔ ᮧᮘᮟ ᮤᮘᮕ ᮤᮢᮥᮕ ᮝᮟᮤᮘᮕᮢ ᮟᮖ ᮤᮘᮕ ᮠᮥᮢᮕ ᮣᮟᮥᮜ ᮙᮣᮼᮍ

᮰ᮼᮼᮼᮼᮼᮼ᮰

ᮋᯗᮣᮞ᮵ᮤ ᮙᮤ ᮑ ᮠᮙᮤᮩ ᮤᮘᮑᮤ ᮤᮘᮕ ᮤᮧᮟ ᮗᮟᮤ ᮤᮑᮞᮗᮜᮕᮔᯍ ᯗ ᮝᮕᮢᮕᮜᮩ ᮧᮙᮣᮘ ᮤᮟ ᮣᮕᮤ ᮤᮘᮙᮞᮗᮣ ᮣᮤᮢᮑᮙᮗᮘᮤᮼᮍ

ᮄᮘᮕ ᯕᮟᮔᮔᮕᮣᮣ ᮛᮞᮕᮧ ᮑᮣ ᮧᮕᮜᮜᮼ

ᯏᮢᮤᮑᮣᮘᮑ ᮑᮞᮔ ᮄᮙᮞᮑ᮵ᮣ ᮓᮟᮞᮞᮕᮓᮤᮙᮟᮞ ᮧᮑᮣ ᮖᮑᮢ ᮢᮕᮝᮟᮦᮕᮔ ᮖᮢᮟᮝ ᮓᮑᮥᮣᮑᮜᮙᮤᮩᮼ

ᮉᮕᮤᮺ ᮠᮢᮕᮓᮙᮣᮕᮜᮩ ᮖᮟᮢ ᮤᮘᮑᮤ ᮢᮕᮑᮣᮟᮞᮺ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣ ᮦᮙᮕᮧᮕᮔ ᮤᮘᮕᮙᮢ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠ ᮑᮣ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮼ

ᯏ ᮒᮟᮞᮔ ᮖᮟᮢᮝᮕᮔ ᮒᮩ ᮔᮕᮖᮩᮙᮞᮗ ᮓᮑᮥᮣᮑᮜᮙᮤᮩᮼ ᮄᮘᮕ ᮝᮕᮕᮤᮙᮞᮗ ᮟᮖ ᮤᮧᮟ ᮣᮟᮥᮜᮣ ᮧᮘᮟ ᮓᮟᮥᮜᮔ ᮣᮟᮟᮤᮘᮕ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ᮵ᮣ ᮔᮕᮕᮠ ᮧᮟᮥᮞᮔᮣᮼ

ᮇᮑᮣ ᮙᮤ ᮞᮟᮤ ᮜᮙᮛᮕ ᮖᮑᮤᮕᯍ ᮀᮕᮢᮘᮑᮠᮣ ᮤᮘᮕᮣᮕ ᮤᮧᮟ ᮓᮟᮞᮞᮕᮓᮤᮙᮟᮞᮣ ᮘᮑᮔ ᮟᮞᮜᮩ ᮞᮟᮧ ᮤᮢᮥᮜᮩ ᮖᮟᮥᮞᮔ ᮤᮘᮕᮙᮢ ᮠᮜᮑᮓᮕᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮑᮤ ᮔᮙᮔ ᮞᮟᮤ ᮝᮕᮑᮞ ᮤᮘᮕ ᯏᮢᮓᮘᮔᮕᮝᮟᮞ᮵ᮣ ᮧᮟᮢᮔᮣ ᮧᮕᮢᮕ ᮧᮢᮟᮞᮗᮼ

ᮅᮜᮤᮙᮝᮑᮤᮕᮜᮩᮺ ᮒᮟᮤᮘ ᮧᮟᮝᮕᮞ ᮘᮑᮔ ᮤᮘᮕᮙᮢ ᮟᮧᮞ ᮖᮑᮝᮙᮜᮙᮕᮣᮼ

ᯗᮤ ᮧᮑᮣ ᮞᮟᮤ ᮘᮕᮢ ᮠᮜᮑᮓᮕ ᮤᮟ ᮣᮙᮝᮠᮜᮩ ᮑᮣᮣᮥᮝᮕ ᮤᮘᮕ ᮓᮥᮢᮢᮕᮞᮤ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠ ᮧᮑᮣ ᮢᮙᮗᮘᮤ ᮚᮥᮣᮤ ᮒᮕᮓᮑᮥᮣᮕ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮠᮜᮕᮑᮣᮑᮞᮤᮼ

᮰ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮣᮑᮩᯍ᮰

ᮋᮄᮘᮕ ᮠᮥᮢᮕ ᮣᮟᮥᮜ ᮙᮣ ᮓᮥᮢᮢᮕᮞᮤᮜᮩ ᮧᮙᮤᮘ ᮘᮕᮢ ᮟᮢᮙᮗᮙᮞᮑᮜ ᮝᮟᮤᮘᮕᮢᮼᮍ

ᮄᮘᮕ ᯏᮢᮓᮘᮔᮕᮝᮟᮞ ᮧᮘᮙᮣᮠᮕᮢᮕᮔ ᮣᮜᮟᮧᮜᮩᮼ

ᮋᮀᮕᮢᮘᮑᮠᮣᮺ ᮒᮩ ᮞᮟᮧᮺ ᮤᮘᮕᮩ ᮑᮢᮕ ᮣᮠᮕᮞᮔᮙᮞᮗ ᮤᮙᮝᮕ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮙᮞ ᮤᮘᮕ ᮣᮠᮑᮓᮕ ᮟᮖ ᮝᮕᮝᮟᮢᮙᮕᮣᮼᮍ

ᮄᮘᮕ ᯏᮢᮓᮘᮔᮕᮝᮟᮞ᮵ᮣ ᮖᮙᮞᮗᮕᮢ ᮠᮟᮙᮞᮤᮕᮔ ᮑᮤ ᮤᮘᮕ ᮒᮜᮑᮓᮛ ᮟᮢᮒᮼ

ᯗᮞᮣᮙᮔᮕ ᮙᮤᮺ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮘᮢᮟᮒᮒᮕᮔ ᮑᮞᮔ ᮦᮙᮒᮢᮑᮤᮕᮔ ᮑᮣ ᮙᮖ ᮒᮕᮑᮤᮙᮞᮗᮼ

ᮋᯚᮕᮤ᮵ᮣ ᮧᮑᮤᮓᮘ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮖᮢᮟᮝ ᮘᮕᮢᮕᮼᮍ

ᮃᮘᮕ ᮧᮘᮙᮣᮠᮕᮢᮕᮔ ᮜᮟᮧᮜᮩᮼ

ᮋᮇᮘᮑᮤ ᮓᮘᮟᮙᮓᮕ ᮧᮙᮜᮜ ᮤᮘᮕ ᮤᮧᮟ ᮕᮣᮤᮢᮑᮞᮗᮕᮔ ᮖᮑᮝᮙᮜᮙᮕᮣ ᮤᮢᮥᮜᮩ ᮝᮑᮛᮕᯍᮍ

᮰ᮼᮼᮼᮇᮑᮣ ᮤᮘᮙᮣ ᮤᮘᮕ ᮒᮕᮤ ᮩᮟᮥ ᮣᮠᮟᮛᮕ ᮟᮖᯍ᮰

ᮋᮀᮢᮕᮓᮙᮣᮕᮜᮩᮼ ᯗᮖ ᮕᮦᮕᮞ ᮟᮞᮕ ᮟᮖ ᮤᮘᮕᮝ ᮓᮘᮟᮟᮣᮕᮣ ᮤᮘᮕᮙᮢ ᮟᮢᮙᮗᮙᮞᮑᮜ ᮖᮑᮝᮙᮜᮩᮺ ᮙᮤ᮵ᮣ ᮝᮩ ᮦᮙᮓᮤᮟᮢᮩᮼᮍ

ᯏ ᮣᮜᮕᮞᮔᮕᮢ ᮖᮙᮞᮗᮕᮢᮤᮙᮠ ᮠᮟᮙᮞᮤᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣᮼ

ᮋᯑᮟᮞᮦᮕᮢᮣᮕᮜᮩᮺ ᮙᮖ ᮒᮟᮤᮘ ᮧᮟᮝᮕᮞ ᮑᮒᮑᮞᮔᮟᮞ ᮤᮘᮕᮙᮢ ᮠᮑᮣᮤᮣ ᮑᮞᮔ ᮓᮘᮟᮟᮣᮕ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢᮺ ᮙᮤ᮵ᮣ ᮩᮟᮥᮢ ᮦᮙᮓᮤᮟᮢᮩᮼᮍ

᮰ᮼᮼᮼᮼᮼᮼ᮰

ᮋᮃᮥᮢᮕᮜᮩ ᮑ ᮒᮕᮙᮞᮗ ᮜᮙᮛᮕ ᮑ ᯕᮟᮔᮔᮕᮣᮣ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮤᮢᮩ ᮤᮟ ᮔᮙᮓᮤᮑᮤᮕ ᮤᮘᮕ ᮖᮑᮤᮕ ᮟᮖ ᮕᮑᮢᮤᮘᮜᮩ ᮜᮙᮖᮕ ᮑᮓᮓᮟᮢᮔᮙᮞᮗ ᮤᮟ ᮘᮕᮢ ᮧᮙᮜᮜᮺ ᮧᮟᮥᮜᮔ ᮣᮘᮕᯍᮍ

ᯗᮤ ᮧᮑᮣ ᮑ ᮢᮕᮑᮣᮟᮞᮑᮒᮜᮕ ᮠᮢᮟᮠᮟᮣᮑᮜᮼ

ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮟᮝᮞᮙᮠᮟᮤᮕᮞᮤ ᮑ ᮗᮟᮔᮺ ᮤᮘᮕᮩ ᮣᮘᮟᮥᮜᮔ ᮞᮟᮤ ᮑᮢᮒᮙᮤᮢᮑᮢᮙᮜᮩ ᮙᮞᮤᮕᮢᮖᮕᮢᮕ ᮧᮙᮤᮘ ᮕᮑᮢᮤᮘᮜᮩ ᮝᮑᮤᮤᮕᮢᮣᮼ

ᯗᮖ ᮤᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᮺ ᮕᮑᮢᮤᮘᮜᮩ ᮒᮕᮙᮞᮗᮣ ᮧᮟᮥᮜᮔ ᮞᮟᮤ ᮒᮕ ᮣᮕᮜᮖᮻᮓᮘᮟᮟᮣᮙᮞᮗ ᮕᮞᮤᮙᮤᮙᮕᮣᮺ ᮒᮥᮤ ᮧᮟᮥᮜᮔ ᮝᮕᮢᮕᮜᮩ ᮜᮙᮦᮕ ᮔᮕᮠᮕᮞᮔᮕᮞᮤ ᮜᮙᮦᮕᮣᮺ ᮝᮟᮦᮙᮞᮗ ᮑᮓᮓᮟᮢᮔᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮧᮙᮜᮜ ᮟᮖ ᮑ ᮗᮟᮔᮼ

ᯏᮜᮜ ᮜᮙᮖᮕ ᮖᮟᮢᮝᮣ ᮧᮕᮢᮕ ᮠᮢᮕᮓᮙᮟᮥᮣ ᮒᮕᮙᮞᮗᮣ ᮧᮘᮟ ᮑᮔᮦᮑᮞᮓᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕᮙᮢ ᮟᮧᮞ ᮓᮘᮟᮙᮓᮕᮣᮼ ᮂᮕᮣᮠᮕᮓᮤᮙᮞᮗ ᮑᮞᮔ ᮟᮒᮣᮕᮢᮦᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮔᮕᮓᮙᮣᮙᮟᮞᮣ ᮧᮑᮣ ᮘᮕᮢ ᮢᮟᮜᮕ ᮑᮣ ᮤᮘᮕ ᮇᮑᮤᮓᮘᮕᮢᮼ

ᯏᮜᮤᮘᮟᮥᮗᮘ ᮣᮘᮕ ᮘᮑᮔ ᮟᮞᮓᮕ ᮣᮥᮓᮓᮥᮝᮒᮕᮔ ᮤᮟ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮙᮞᮗ ᮔᮕᮣᮙᮢᮕᮣ ᮑᮞᮔ ᮓᮟᮝᮝᮙᮤᮤᮕᮔ ᮑ ᮤᮑᮒᮟᮟᮺ ᮤᮘᮑᮤ ᮔᮙᮔ ᮞᮟᮤ ᮕᮢᮑᮣᮕ ᮘᮕᮢ ᮔᮥᮤᮩ ᮑᮣ ᮤᮘᮕ ᮇᮑᮤᮓᮘᮕᮢᮼ

ᯏᮣ ᮤᮘᮕ ᯏᮢᮓᮘᮔᮕᮝᮟᮞ ᮣᮑᮙᮔᮺ ᮤᮘᮕᮙᮢ ᮣᮤᮟᮢᮩ ᮧᮑᮣ ᮑ ᮔᮕᮣᮤᮙᮞᮩ ᮤᮘᮕᮩ ᮘᮑᮔ ᮤᮟ ᮖᮥᮜᮖᮙᮜᮜ ᮤᮘᮕᮝᮣᮕᮜᮦᮕᮣᮼ

ᮃᮘᮕ ᮓᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮠᮥᮞᮙᮣᮘᮕᮔ ᮤᮘᮑᮤ ᮔᮕᮝᮟᮞ ᮘᮕᮢᮕ ᮑᮞᮔ ᮖᮟᮢᮓᮙᮒᮜᮩ ᮤᮧᮙᮣᮤᮕᮔ ᮤᮘᮕ ᮕᮣᮤᮢᮑᮞᮗᮕᮔ ᮝᮟᮤᮘᮕᮢᮻᮔᮑᮥᮗᮘᮤᮕᮢ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠ ᮤᮟ ᮘᮕᮢ ᮧᮙᮜᮜᮼ ᯐᮥᮤ ᮤᮘᮑᮤᮺ ᮝᮟᮢᮕ ᮤᮘᮑᮞ ᮑᮞᮩᮤᮘᮙᮞᮗᮺ ᮧᮟᮥᮜᮔ ᮒᮕ ᮔᮕᮞᮩᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮖᮢᮕᮕᮔᮟᮝᮼ

᮰ᮆᮕᮢᮩ ᮧᮕᮜᮜᮼ᮰

ᮄᮘᮥᮣᮺ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮤᮢᮥᮣᮤᮼ ᮄᮟ ᮤᮢᮥᮣᮤ ᮤᮘᮕ ᮙᮝᮑᮗᮕ ᮟᮖ ᮤᮘᮕ ᮤᮧᮟ ᮝᮟᮤᮘᮕᮢᮻᮔᮑᮥᮗᮘᮤᮕᮢ ᮠᮑᮙᮢᮣ ᮣᮘᮕ ᮘᮑᮔ ᮧᮙᮤᮞᮕᮣᮣᮕᮔᮼ

ᮄᮘᮕᮙᮢ ᮜᮟᮦᮕᮺ ᮧᮘᮙᮓᮘᮺ ᮤᮘᮟᮥᮗᮘ ᮠᮕᮢᮘᮑᮠᮣ ᮑᮞ ᮙᮜᮜᮥᮣᮙᮟᮞᮺ ᮓᮟᮥᮜᮔ ᮤᮢᮑᮞᮣᮓᮕᮞᮔ ᮤᮢᮥᮤᮘᮼ

ᮋᮉᮟᮥ ᮣᮘᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮣᮟ ᮓᮟᮞᮖᮙᮔᮕᮞᮤᮼᮍ

ᮄᮘᮕ ᯏᮢᮓᮘᮔᮕᮝᮟᮞ ᮣᮞᮟᮢᮤᮕᮔᮺ ᮑᮣ ᮙᮖ ᮝᮟᮓᮛᮙᮞᮗ ᮤᮘᮕ ᯕᮟᮔᮔᮕᮣᮣ᮵ᮣ ᮒᮕᮜᮙᮕᮖᮼ

ᮋᯖᮥᮝᮑᮞᮣ ᮑᮢᮕ ᮝᮟᮢᮕ ᮕᮑᮣᮙᮜᮩ ᮤᮑᮝᮕᮔ ᮒᮩ ᮖᮕᮑᮢᮼᮍ

᮰ᯔᮕᮑᮢᯍ᮰

ᮄᮘᮕ ᯕᮟᮔᮔᮕᮣᮣ ᮢᮕᮤᮢᮑᮓᮤᮕᮔ ᮘᮕᮢ ᮜᮙᮗᮘᮤ ᮑᮞᮔ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮤᮘᮕ ᮔᮕᮝᮟᮞ ᮧᮙᮤᮘ ᮑ ᮣᮕᮢᮙᮟᮥᮣ ᮗᮑ᮪ᮕᮼ

᮰ᯚᮟᮧᮜᮩ ᮔᮕᮝᮟᮞᮺ ᮩᮟᮥ ᮥᮞᮔᮕᮢᮕᮣᮤᮙᮝᮑᮤᮕ ᮤᮘᮕ ᮠᮟᮧᮕᮢ ᮟᮖ ᮜᮟᮦᮕ ᮤᮟᮟ ᮝᮥᮓᮘᮼ᮰

ᮋᯖᮝᮠᮘᮺ ᮜᮟᮦᮕᯍ ᮸ᮉᮟᮥ᮸ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧ ᮤᮘᮑᮤ ᮓᮘᮙᮜᮔ ᮑᮤ ᮑᮜᮜᮺ ᮔᮟ ᮩᮟᮥᯍᮍ

ᯗᮞᮣᮤᮕᮑᮔᮺ ᮤᮘᮕ ᯏᮢᮓᮘᮔᮕᮝᮟᮞ ᮜᮕᮙᮣᮥᮢᮕᮜᮩ ᮓᮢᮟᮣᮣᮕᮔ ᮘᮕᮢ ᮑᮢᮝᮣ ᮑᮞᮔ ᮣᮘᮢᮥᮗᮗᮕᮔᮼ

ᮋᮃᮘᮕ ᮔᮟᮕᮣᮞ᮵ᮤ ᮛᮞᮟᮧ ᮜᮟᮦᮕᮼᮍ

ᯏ ᮦᮟᮙᮓᮕ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮓᮕᮢᮤᮑᮙᮞᮤᮩᮼ

ᯏ ᮦᮙᮓᮤᮟᮢᮙᮟᮥᮣ ᮣᮝᮙᮜᮕ ᮠᮜᮑᮩᮕᮔ ᮟᮞ ᮘᮕᮢ ᮜᮙᮠᮣᮼ

ᮋᮃᮘᮕ ᮘᮑᮣᮞ᮵ᮤ ᮛᮞᮟᮧᮞ ᮙᮤ ᮥᮞᮤᮙᮜ ᮞᮟᮧᮺ ᮑᮞᮔ ᮣᮘᮕ ᮧᮙᮜᮜ ᮞᮕᮦᮕᮢ ᮛᮞᮟᮧ ᮙᮤᮼᮍ

᮰ᮼᮼᮼᯗᮣ ᮤᮘᮑᮤᮺ ᮤᮘᮕ ᮟᮢᮙᮗᮙᮞᮑᮜ ᮄᮙᮞᮑᯍ᮰

ᮆᮙᮦᮙᮑᮞᮑ ᮝᮥᮝᮒᮜᮕᮔ ᮒᮜᮑᮞᮛᮜᮩᮺ ᮣᮤᮑᮢᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮠᮥᮢᮕᮻᮧᮘᮙᮤᮕ ᮗᮙᮢᮜᮼ

ᯓᮦᮕᮢᮩᮟᮞᮕ ᮠᮢᮕᮣᮕᮞᮤ ᮘᮕᮢᮕ ᮛᮞᮕᮧᮼ

ᮄᮘᮑᮤ ᮄᮙᮞᮑ ᮘᮑᮔᮺ ᮑᮤ ᮣᮟᮝᮕ ᮠᮟᮙᮞᮤᮺ ᮒᮕᮓᮟᮝᮕ ᮑ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮒᮕᮙᮞᮗᮼ ᯏᮞᮔ ᮕᮦᮕᮞ ᮤᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮤᮘᮕ ᮟᮧᮞᮕᮢ ᮟᮖ ᮤᮘᮑᮤ ᮟᮢᮙᮗᮙᮞᮑᮜ ᮒᮟᮔᮩ ᮘᮑᮔ ᮝᮑᮔᮕ ᮑ ᮓᮟᮞᮤᮢᮑᮓᮤ ᮑᮞᮔ ᮗᮟᮞᮕ ᮤᮟ ᮘᮕᮜᮜᮼ

᮰ᮼᮼᮼᯗᮤ ᮣᮕᮕᮝᮣ ᮣᮟᮼ᮰

ᯚᮙᮜᮜᮙᮑᮞ᮵ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮑᮜᮣᮟ ᮣᮕᮕᮝᮕᮔ ᮑᮣ ᮓᮟᮝᮠᮜᮕᮨ ᮑᮣ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣᮼ

ᮃᮘᮕ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮠᮥᮣᮘ ᮤᮘᮑᮤ ᮗᮙᮢᮜ ᮑᮣᮙᮔᮕ ᮑᮞᮔ ᮣᮑᮦᮕ ᮄᮙᮞᮑ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ

ᮉᮕᮤᮺ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮝᮟᮦᮕ ᮢᮑᮣᮘᮜᮩᮼ ᯖᮟᮧ ᮓᮟᮥᮜᮔ ᮣᮘᮕ ᮝᮟᮦᮕ ᮕᮑᮣᮙᮜᮩᮺ ᮕᮦᮕᮞ ᮑᮖᮤᮕᮢ ᮣᮕᮕᮙᮞᮗ ᯏᮢᮤᮑᮣᮘᮑ᮵ᮣ ᮦᮙᮟᮜᮕᮞᮤᮜᮩ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮕᮩᮕᮣᯍ

᮰ᯛᮟᮤᮘᮕᮢᮼᮼᮼ᮰

ᮄᮘᮕ ᮧᮘᮙᮤᮕᮻᮘᮑᮙᮢᮕᮔ ᮗᮙᮢᮜ ᮒᮥᮢᮢᮟᮧᮕᮔ ᮙᮞᮤᮟ ᯏᮢᮤᮑᮣᮘᮑ᮵ᮣ ᮕᮝᮒᮢᮑᮓᮕᮼ

ᮄᮧᮟ ᮣᮜᮕᮞᮔᮕᮢ ᮑᮢᮝᮣ ᮤᮙᮗᮘᮤᮜᮩ ᮕᮞᮓᮙᮢᮓᮜᮕᮔ ᮘᮕᮢ ᮝᮟᮤᮘᮕᮢ᮵ᮣ ᮧᮑᮙᮣᮤᮼ

ᯏᮣ ᮙᮖ ᮣᮘᮕ ᮘᮑᮔ ᮞᮟ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮜᮕᮤᮤᮙᮞᮗ ᮗᮟᮺ ᮤᮘᮕ ᮗᮙᮢᮜ ᮓᮜᮥᮞᮗ ᮤᮙᮗᮘᮤᮜᮩ ᮑᮞᮔ ᮔᮙᮔᮞ᮵ᮤ ᮣᮤᮙᮢᮼ

᮰ᮼᮼᮼᯒᮑᮥᮗᮘᮤᮕᮢᮼ᮰

ᯏᮢᮤᮑᮣᮘᮑ ᮓᮑᮜᮜᮕᮔ ᮤᮘᮕ ᮗᮙᮢᮜ ᮤᮘᮑᮤᮼ

ᯏᮤ ᮤᮘᮟᮣᮕ ᮧᮟᮢᮔᮣᮺ ᮤᮘᮕ ᮗᮙᮢᮜ᮵ᮣ ᮒᮜᮥᮕ ᮕᮩᮕᮣ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮢᮑᮠᮤᮥᮢᮕᮼ

ᯏ ᮒᮢᮙᮗᮘᮤ ᮣᮝᮙᮜᮕ ᮣᮠᮢᮕᮑᮔ ᮑᮓᮢᮟᮣᮣ ᮘᮕᮢ ᮜᮙᮠᮣᮺ ᮑᮞᮔ ᮣᮘᮕ ᮞᮟᮔᮔᮕᮔ ᮦᮙᮗᮟᮢᮟᮥᮣᮜᮩᮼ

᮰ᮄᮘᮑᮤ᮵ᮣ ᮢᮙᮗᮘᮤᮼ ᯗ᮵ᮝ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ ᮄᮘᮕ ᮔᮑᮥᮗᮘᮤᮕᮢ ᯛᮟᮤᮘᮕᮢ ᮘᮕᮢᮣᮕᮜᮖ ᮗᮑᮦᮕ ᮒᮙᮢᮤᮘ ᮤᮟᮼ᮰

ᯏᮢᮤᮑᮣᮘᮑ ᮒᮙᮤ ᮘᮕᮢ ᮜᮙᮠᮼ

ᮄᮘᮕ ᮟᮤᮘᮕᮢ ᮧᮟᮝᮕᮞ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮖᮢᮟᮝ ᮒᮕᮘᮙᮞᮔ ᮑᮜᮣᮟ ᮜᮟᮟᮛᮕᮔ ᮓᮟᮞᮣᮙᮔᮕᮢᮑᮒᮜᮩ ᮖᮜᮥᮣᮤᮕᮢᮕᮔᮼ

᮰ᯗᮼᮼᮼ ᯗ ᮢᮕᮑᮜᮜᮩ ᮝᮙᮣᮣᮕᮔ ᮩᮟᮥ ᮣᮟ ᮝᮥᮓᮘᮺ ᯛᮟᮤᮘᮕᮢᮼ᮰

ᮄᮘᮕ ᮗᮙᮢᮜ ᮣᮑᮙᮔ ᮙᮞ ᮑ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮦᮟᮙᮓᮕᮺ ᮜᮟᮧᮕᮢᮙᮞᮗ ᮘᮕᮢ ᮘᮕᮑᮔᮼ

᮰ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮛᮞᮟᮧ ᮤᮘᮕ ᮝᮑᮞ ᮓᮑᮜᮜᮕᮔ ᯔᮑᮤᮘᮕᮢ ᮧᮟᮥᮜᮔ ᮒᮕ ᮣᮥᮓᮘ ᮑ ᮣᮓᮟᮥᮞᮔᮢᮕᮜᮼ ᯗᮖ ᯗ ᮘᮑᮔ ᮛᮞᮟᮧᮞᮺ ᯗ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮣᮤᮟᮟᮔ ᮒᮩ ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮣᮙᮔᮕ ᮥᮞᮤᮙᮜ ᮤᮘᮕ ᮦᮕᮢᮩ ᮕᮞᮔᮼᮼᮼ᮰

ᮄᮘᮕ ᮗᮙᮢᮜ᮵ᮣ ᮜᮙᮠᮣ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

᮰ᮼᮼᮼᮼᮼᮼ᮰

᮰ᮇᮘᮙᮜᮕ ᯗ ᮧᮑᮣ ᮘᮕᮢᮕᮺ ᯗ ᮢᮕᮠᮕᮞᮤᮕᮔ ᮕᮦᮕᮢᮩ ᮔᮑᮩᮼ ᯗ ᮧᮙᮣᮘᮕᮔ ᯗ ᮓᮟᮥᮜᮔ ᮝᮕᮕᮤ ᯛᮟᮤᮘᮕᮢ ᮑᮗᮑᮙᮞ ᮚᮥᮣᮤ ᮟᮞᮓᮕᮺ ᮧᮙᮣᮘᮕᮔ ᯗ ᮓᮟᮥᮜᮔ ᮗᮟ ᮒᮑᮓᮛ ᮤᮟ ᮤᮘᮑᮤ ᮤᮙᮝᮕᮼ᮰

ᯒᮕᮕᮠ ᮢᮕᮗᮢᮕᮤ ᮧᮑᮣ ᮓᮟᮞᮤᮑᮙᮞᮕᮔ ᮙᮞ ᮤᮘᮕ ᮗᮙᮢᮜ᮵ᮣ ᮦᮟᮙᮓᮕᮺ ᮑᮣ ᮙᮖ ᮣᮘᮕ ᮧᮕᮢᮕ ᮢᮕᮖᮜᮕᮓᮤᮙᮞᮗ ᮟᮞ ᮠᮑᮣᮤ ᮝᮙᮣᮤᮑᮛᮕᮣᮼ

ᯏᮞᮔ ᮕᮦᮕᮢᮩ ᮣᮙᮞᮗᮜᮕ ᮧᮟᮢᮔ ᮧᮕᮙᮗᮘᮕᮔ ᮘᮕᮑᮦᮙᮜᮩ ᮟᮞ ᯏᮢᮤᮑᮣᮘᮑ᮵ᮣ ᮘᮕᮑᮢᮤᮼ

᮰ᯖᮑᮺ ᮘᮟᮧ ᮜᮑᮥᮗᮘᮑᮒᮜᮕᮼ᮰

ᯜᮙᮑ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮓᮩᮞᮙᮓᮑᮜ ᮜᮑᮥᮗᮘᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᯏᮢᮤᮑᮣᮘᮑᮼ

᮰ᯒᮟᮞ᮵ᮤ ᮜᮙᮣᮤᮕᮞ ᮤᮟ ᮘᮕᮢᮼ ᮃᮘᮕ᮵ᮣ ᮤᮘᮕ ᮓᮘᮙᮜᮔ ᮧᮘᮟ ᮧᮙᮜᮜᮙᮞᮗᮜᮩ ᮣᮤᮕᮠᮠᮕᮔ ᮙᮞᮤᮟ ᮘᮕᮜᮜ ᮑᮤ ᮤᮘᮕ ᮓᮟᮣᮤ ᮟᮖ ᮩᮟᮥᮢ ᮜᮙᮖᮕᮼ᮰

᮰ᮉᮟᮥᮼᮼᮼ᮰

ᮄᮘᮕ ᮗᮙᮢᮜ ᮓᮑᮣᮤ ᮑ ᮣᮘᮑᮢᮠ ᮗᮜᮑᮞᮓᮕ ᮑᮤ ᮤᮘᮕ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮖᮑᮓᮕᮼ

ᯒᮕᮝᮟᮞ ᮑᮞᮔ ᮓᮟᮞᮤᮢᮑᮓᮤᮟᮢᮼ ᮄᮘᮑᮤ ᮧᮑᮣ ᮤᮘᮕ ᮒᮟᮞᮔ ᮓᮟᮞᮞᮕᮓᮤᮙᮞᮗ ᯜᮙᮑ ᮑᮞᮔ ᮤᮘᮕ ᮗᮙᮢᮜᮼ

᮰ᯗᮤ᮵ᮣ ᮑ ᮗᮟᮟᮔ ᮤᮘᮙᮞᮗ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮑ ᮜᮟᮟᮠᮘᮟᮜᮕ ᮙᮞ ᮤᮘᮕ ᮓᮟᮞᮤᮢᮑᮓᮤᮼ ᯗᮖ ᮣᮘᮕ ᮘᮑᮔ ᮒᮕᮕᮞ ᮚᮥᮣᮤ ᮑ ᮜᮙᮤᮤᮜᮕ ᮝᮟᮢᮕ ᮤᮘᮟᮢᮟᮥᮗᮘᮺ ᯗ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮘᮑᮔ ᮤᮟ ᮛᮙᮜᮜ ᮩᮟᮥᮼ᮰

᮰ᯒᮟᮞ᮵ᮤ ᮒᮕ ᮢᮙᮔᮙᮓᮥᮜᮟᮥᮣᮯ᮰

ᮄᮘᮕ ᮗᮙᮢᮜ ᮒᮙᮤ ᮘᮕᮢ ᮜᮙᮠ ᮘᮑᮢᮔ ᮑᮞᮔ ᮓᮢᮙᮕᮔ ᮟᮥᮤᮼ

᮰ᮉᮟᮥ ᮝᮑᮔᮕ ᮝᮕ ᮧᮙᮣᮘ ᮖᮟᮢ ᮤᮘᮑᮤᮯ ᯗᮖ ᮙᮤ ᮧᮕᮢᮕᮞ᮵ᮤ ᮖᮟᮢ ᮩᮟᮥᮺ ᯗ ᮧᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮘᮑᮦᮕ ᮝᮑᮔᮕ ᮣᮥᮓᮘ ᮑ ᮧᮙᮣᮘᮯ᮰

᮰ᯖᮥᮘᯍ᮰

ᯜᮙᮑ᮵ᮣ ᮖᮑᮓᮕ ᮓᮟᮞᮤᮟᮢᮤᮕᮔᮼ

᮰ᮃᮤᮟᮠ ᮤᮑᮜᮛᮙᮞᮗ ᮞᮟᮞᮣᮕᮞᮣᮕᮼ ᯗ ᮝᮕᮢᮕᮜᮩ ᮢᮕᮑᮔ ᮤᮘᮕ ᮔᮕᮣᮙᮢᮕᮣ ᮘᮙᮔᮔᮕᮞ ᮔᮕᮕᮠ ᮧᮙᮤᮘᮙᮞ ᮩᮟᮥᮢ ᮘᮕᮑᮢᮤᮼ ᯒᮟ ᮩᮟᮥ ᮤᮘᮙᮞᮛ ᯗ ᮥᮣᮕᮔ ᮣᮟᮝᮕ ᮣᮟᮢᮤ ᮟᮖ ᮙᮜᮜᮥᮣᮙᮟᮞ ᮝᮑᮗᮙᮓᯍ᮰

᮰ᮉᮟᮥ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮔᮙᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮙᮝᮙᮜᮑᮢᮯ ᮉᮟᮥ᮵ᮢᮕ ᮑ ᮔᮕᮝᮟᮞᮯ᮰

᮰ᮄᮘᮙᮣ ᮣᮘᮑᮝᮕᮜᮕᮣᮣ ᮒᮙᮤᮓᮘᮼᮼᮼ᮰

ᯜᮙᮑ ᮗᮢᮟᮥᮞᮔ ᮘᮕᮢ ᮤᮕᮕᮤᮘᮼ

ᯐᮜᮑᮓᮛ ᮤᮘᮟᮢᮞᮣ ᮙᮝᮒᮥᮕᮔ ᮧᮙᮤᮘ ᮛᮙᮜᮜᮙᮞᮗ ᮙᮞᮤᮕᮞᮤ ᮣᮘᮟᮤ ᮥᮠ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢᮼ

᮰ᯒᮟᮞ᮵ᮤ ᮒᮕᮜᮙᮕᮦᮕ ᮤᮘᮑᮤ ᮔᮕᮝᮟᮞ᮵ᮣ ᮧᮟᮢᮔᮣᮺ ᯛᮟᮤᮘᮕᮢᮼ᮰

ᮄᮘᮕ ᮗᮙᮢᮜ ᮙᮗᮞᮟᮢᮕᮔ ᯜᮙᮑ᮵ᮣ ᮤᮘᮢᮕᮑᮤ ᮑᮞᮔ ᮒᮥᮢᮢᮟᮧᮕᮔ ᮔᮕᮕᮠᮕᮢ ᮙᮞᮤᮟ ᯏᮢᮤᮑᮣᮘᮑ᮵ᮣ ᮕᮝᮒᮢᮑᮓᮕᮼ

᮰ᯗᮤ ᮧᮑᮣ ᯛᮟᮤᮘᮕᮢ ᮧᮘᮟ ᮤᮢᮥᮜᮩ ᮜᮟᮦᮕᮔ ᮝᮕᮼ ᯐᮥᮤ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮛᮞᮟᮧ ᮒᮑᮓᮛ ᮤᮘᮕᮞᮼ ᯗ ᮧᮑᮣ ᮤᮟᮟ ᮩᮟᮥᮞᮗᮼᮼᮼ ᯗ ᮟᮞᮜᮩ ᮒᮕᮜᮙᮕᮦᮕᮔ ᯔᮑᮤᮘᮕᮢ᮵ᮣ ᮧᮟᮢᮔᮣᮼ᮰

ᮄᮘᮕ ᮗᮙᮢᮜ ᮤᮙᮗᮘᮤᮜᮩ ᮗᮢᮑᮣᮠᮕᮔ ᯏᮢᮤᮑᮣᮘᮑ᮵ᮣ ᮘᮑᮞᮔ ᮧᮙᮤᮘ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮘᮑᮞᮔᮣᮼ

᮰ᯗᮼᮼᮼ ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮜᮙᮦᮕ ᮘᮑᮠᮠᮙᮜᮩ ᮧᮙᮤᮘ ᯛᮟᮤᮘᮕᮢ ᮑᮗᮑᮙᮞᮼᮼᮼ ᮠᮜᮕᮑᮣᮕᯍ᮰

ᯏᮢᮤᮑᮣᮘᮑ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮗᮙᮢᮜᮼ

ᮃᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮘᮕᮢ ᮔᮑᮥᮗᮘᮤᮕᮢᮺ ᮧᮘᮟᮝ ᮣᮘᮕ ᮘᮑᮔ ᮟᮞᮓᮕ ᮜᮟᮦᮕᮔ ᮣᮟ ᮔᮕᮑᮢᮜᮩᮺ ᮑᮞᮔ ᮧᮘᮟᮝ ᮣᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮣᮕᮕ ᮑᮗᮑᮙᮞᮼ

᮰ᮼᮼᮼᮼᮼᮼᮉᮕᮣᮼ ᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ᮰

ᯏᮢᮤᮑᮣᮘᮑ ᮒᮢᮟᮛᮕ ᮤᮘᮕ ᮜᮟᮞᮗᮺ ᮔᮕᮕᮠ ᮣᮙᮜᮕᮞᮓᮕ ᮑᮞᮔ ᮡᮥᮙᮕᮤᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮼ

᮰ᯛᮟᮤᮘᮕᮢᮼᮼᮼᮯ᮰

᮰ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮕᮢᮕ ᮙᮣ ᮑ ᮓᮘᮙᮜᮔ ᮧᮕ ᮝᮥᮣᮤ ᮣᮑᮦᮕ ᮖᮙᮢᮣᮤ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ ᯚᮕᮤ᮵ᮣ ᮤᮑᮜᮛ ᮑᮒᮟᮥᮤ ᮟᮥᮢ ᮣᮤᮟᮢᮩ ᮑᮖᮤᮕᮢ ᮤᮘᮑᮤᮼ᮰

ᯏᮢᮤᮑᮣᮘᮑ ᮖᮟᮢᮓᮕᮔ ᮑ ᮣᮝᮙᮜᮕ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮠᮥᮣᮘᮕᮔ ᮤᮘᮕ ᮗᮙᮢᮜ ᮑᮣᮙᮔᮕᮼ

ᯐᮥᮤ ᮤᮘᮕ ᮗᮙᮢᮜ ᮣᮓᮟᮧᮜᮕᮔ ᮑᮞᮔ ᮢᮕᮣᮟᮜᮥᮤᮕᮜᮩ ᮒᮜᮟᮓᮛᮕᮔ ᮘᮕᮢ ᮠᮑᮤᮘᮼ

ᯏᮣ ᯏᮢᮤᮑᮣᮘᮑ ᮤᮢᮙᮕᮔ ᮤᮟ ᮑᮠᮠᮢᮟᮑᮓᮘ ᮤᮘᮕ ᮒᮜᮑᮓᮛ ᮟᮢᮒᮺ ᮤᮘᮕ ᮗᮙᮢᮜ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ ᮣᮠᮢᮕᮑᮔ ᮘᮕᮢ ᮑᮢᮝᮣ ᮧᮙᮔᮕᮺ ᮒᮜᮟᮓᮛᮙᮞᮗ ᮤᮘᮕ ᮧᮑᮩᮼ

᮰ᯜᮟᮯᮯ᮰

ᮄᮘᮕ ᮗᮙᮢᮜ᮵ᮣ ᮦᮟᮙᮓᮕ ᮢᮑᮞᮗ ᮟᮥᮤ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩᮼ

᮰ᯗᮖ ᮣᮘᮕ ᮢᮕᮤᮥᮢᮞᮣ ᮤᮟ ᮝᮩ ᮒᮟᮔᮩᮼᮼᮼ ᯗ᮵ᮜᮜ ᮘᮑᮦᮕ ᮤᮟ ᮜᮙᮦᮕ ᮙᮞ ᮘᮕᮜᮜ ᮖᮟᮢᮕᮦᮕᮢᮯ᮰

ᯏᮢᮤᮑᮣᮘᮑ᮵ᮣ ᮘᮑᮞᮔᮣ ᮤᮢᮕᮝᮒᮜᮕᮔᮼ

᮰ᯑᮘᮟᮟᮣᮕ ᮝᮕᮼᮼᮼ ᮓᮘᮟᮟᮣᮕ ᮝᮕᮺ ᯛᮟᮤᮘᮕᮢᮼᮼᮼ ᮠᮜᮕᮑᮣᮕᮼᮼᮼᯍ᮰

ᮄᮘᮕ ᮗᮙᮢᮜ ᮠᮜᮕᮑᮔᮕᮔ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩᮼ

ᯏᮣᮛᮙᮞᮗ ᮤᮟ ᮒᮕ ᮓᮘᮟᮣᮕᮞᮼ ᯏᮣᮛᮙᮞᮗ ᮤᮟ ᮒᮕ ᮤᮑᮛᮕᮞ ᮟᮥᮤ ᮟᮖ ᮤᮘᮙᮣ ᮘᮕᮜᮜᮼ

᮰ᯛᮟᮤᮘᮕᮢ᮵ᮣ ᮟᮧᮞ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮙᮣᮼᮼᮼ ᮝᮕᮺ ᮙᮣᮞ᮵ᮤ ᮙᮤᮼᮼᮼᯍ᮰

ᯏᮢᮤᮑᮣᮘᮑ ᮓᮜᮕᮞᮓᮘᮕᮔ ᮘᮕᮢ ᮖᮙᮣᮤᮼ

ᮃᮟ ᮤᮙᮗᮘᮤᮜᮩ ᮤᮘᮑᮤ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮞᮑᮙᮜᮣ ᮔᮥᮗ ᮙᮞᮤᮟ ᮘᮕᮢ ᮖᮜᮕᮣᮘᮺ ᮔᮢᮑᮧᮙᮞᮗ ᮒᮜᮟᮟᮔᮼ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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