Tales of the Taisho Era Flowers Bloom Late

Chapter 195

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ႦႹ჆ႹႱႾႱ ႲႹჄ ႸႵჂ ႼႹჀნ

ႤႿ ႸႵჂლ ჇႸႿ ჄႸႵ ႿჂႹႷႹႾႱႼ ႿჇႾႵჂ ႿႶ ႤႹႾႱვჃ ႲႿႴ჉ ჇႱჃ ႴႹႴႾვჄ ႽႱჄჄႵჂ ႱჄ ႱႼႼნ

ႤႸႵ ჇႿႽႱႾ ႦႹ჆ႹႱႾႱ ႼႿ჆ႵႴ ჇႱჃ ႿႾႼ჉ ႿႾႵ ჀႵჂჃႿႾნ ჯႾႴ ჃႸႵ ჇႱჃ ႳჅჂჂႵႾჄႼ჉ ჄჂႱჀჀႵႴ ჇႹჄႸႹႾ ჄႸႱჄ ႲႼႱႳႻ ႿჂႲნ

ჽႾႼ჉ ჄႸႱჄ ႶႱႳჄ ႽႱჄჄႵჂႵႴნ

ჶႵჂ ႸႵႱჂჄ ჅჂႷႵႴ ႸႵჂ ჄႿ ჀჅჃႸ ႱჇႱ჉ ჄႸႵ ႷႹჂႼ ႹႾ ႶჂႿႾჄ ႿႶ ႸႵჂნ ჴჂႿႽ ႦႹ჆ႹႱႾႱვჃ ჀႵჂჃჀႵႳჄႹ჆Ⴕლ ჄႸႵ ႷႹჂႼ ႲႵႶႿჂႵ ჄႸႵႽ ჇႱჃ ႾႿ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ Ⴑ ႶႱႻႵნ

ჺႹႼႼႹႱႾ ჃჅჂႵႼ჉ ႶႵႼჄ ჄႸႵ ჃႱႽႵნ

ჼႵ჆ႵჂჄႸႵႼႵჃჃლ ჄႸႵ ჂႵႱჃႿႾ ჄႸႵ჉ ჂႵႽႱႹႾႵႴ ჃႹႼႵႾჄ ჇႱჃ ჃႿႼႵႼ჉ ႲႵႳႱჅჃႵ ႿႶ ჯჂჄႱჃႸႱნ

ჺႿჃႹႾႷ ႸႵჂ ႳჅჂჂႵႾჄ ႴႱჅႷႸჄႵჂლ ჄႸႵႾ ჂႵჅႾႹჄႹႾႷ ჇႹჄႸ Ⴑ ჀႱჃჄ ႴႱჅႷႸჄႵჂ ჃႸႵ ႲႵႼႹႵ჆ႵႴ ႴႵႱႴნ ჯႾႴ ჄႸႵ ႸႵႱჂჄ ႿႶ Ⴑ ႽႿჄႸႵჂ ჇႸႿ ႸႱႴ ჄႿ ႳႸႿႿჃႵ ႿႾႼ჉ ႿႾႵ ႿႶ ჄႸႵႽნ

ႣႹႾႳႵ ႾႿႾႵ ႿႶ ჄႸႵႽ ႴႱჂႵႴ ჄႿ ႶႱჄႸႿႽ ჯჂჄႱჃႸႱვჃ ႸႵႱჂჄლ ჄႸႵ჉ ႳႿჅႼႴႾვჄ ჃჀႵႱႻ ჂႱჃႸႼ჉ნ

“ჰჅჄ… ႹჃႾვჄ ჃႿႽႵჄႸႹႾႷ Ⴑ ႼႹჄჄႼႵ ႴႹႶႶႵჂႵႾჄჭ”

ჺႹႼႼႹႱႾ ႲჂႿႻႵ ჄႸႵ ჃႹႼႵႾႳႵლ ႽჅჄჄႵჂႹႾႷ ჃႿႶჄႼ჉ნ

ႦႹ჆ႹႱႾႱ ႼႿႿႻႵႴ ႱჄ ႸႵჂლ ႸႵჂ Ⴕ჉ႵჃ ႶႹႼႼႵႴ ჇႹჄႸ ႳჅჂႹႿჃႹჄ჉ნ

“ႧႸႱჄ ႱჂႵ ჉ႿჅ ჄႱႼႻႹႾႷ ႱႲႿჅჄჭ”

“ႤႸႱჄ ႷႹჂႼვჃ ႶႱႳႵნ ჷჃႾვჄ ႹჄ ჃჅႲჄႼ჉ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ჄႸႵ ႤႹႾႱ ჇႵ ႻႾႵჇჭ”

ႦႹ჆ႹႱႾႱ ႳႱჂႵႶჅႼႼ჉ Ⴕ჈ႱႽႹႾႵႴ ჄႸႵ ჇႸႹჄႵმႸႱႹჂႵႴ ႷႹჂႼნ

ჷႾႴႵႵႴლ ჺႹႼႼႹႱႾ ჇႱჃ ჂႹႷႸჄნ ჶႵჂ ჀჅჂႵ ჇႸႹჄႵ ႸႱႹჂლ ႲႼჅႵ Ⴕ჉ႵჃლ ႱႾႴ ჀႱႼႵ ჃႻႹႾ ჇႵჂႵ ႹႴႵႾჄႹႳႱႼ ჄႿ ႤႹႾႱვჃლ ჉ႵჄ ჃႿႽႵჄႸႹႾႷ ႶႵႼჄ ჅႾႶႱႽႹႼႹႱჂნ

ႤႿ ႷႱჅႷႵ ჄႸႱჄ ჃჅႲჄႼႵ ႴႹႶႶႵჂႵႾႳႵლ ჃႸႵ ჃႳჂჅჄႹႾႹ჊ႵႴ ჄႸႵ ႷႹჂႼ Ⴕ჆ႵႾ ႽႿჂႵ ႳႼႿჃႵႼ჉ნ

ႤႹႾႱვჃ ႳႸႱჂႱႳჄႵჂႹჃჄႹႳ ႱႴႿჂႱႲႼႵ ႲႱႲ჉ ႶႱჄლ ჄႸႱჄ ჃႽႱႼႼლ ႳჅჄႵ ჄႵ჈ჄჅჂႵ ႿႶ ႸႵჂ ჃႻႹႾ ჄႸႱჄ ႽႱႴႵ ႿႾႵ ჇႱႾჄ ჄႿ ჀႹႾႳႸ ႸႵჂ ႳႸႵႵႻჃლ ჇႱჃ ႾႿჇႸႵჂႵ ჄႿ ႲႵ ჃႵႵႾნ

ჶႵჂ ႳႱჀჄႹ჆ႱჄႹႾႷ ႼႿႾႷ Ⴕ჉ႵႼႱჃႸႵჃლ ჇႸႹႳႸ ႴႵႼႹႳႱჄႵႼ჉ ႶჂႱႽႵႴ ႸႵჂ Ⴕ჉ႵჃლ ႸႱႴ ႱႼჃႿ ႴႹჃႱჀჀႵႱჂႵႴნ

ႤႸႱჄ ჇႱჃႾვჄ ႱႼႼნ ႤႸႵჂႵ ჇႵჂႵ ႽႿჂႵ ჄႸႱႾ ႿႾႵ ႿჂ ჄჇႿ ჄႸႹႾႷჃ ჄႸႱჄ ႳႱჅႷႸჄ ႸႵჂ Ⴕ჉Ⴕნ

“ჷႾႴႵႵႴ… ႹჄ ႹჃ ႴႹႶႶႵჂႵႾჄნ”

ႦႹ჆ႹႱႾႱლ ჄႿႿლ ჇႿჂႵ Ⴑ ჀჅ჊჊ႼႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾნ

ჶႵჂ ႱჀჀႵႱჂႱႾႳႵ ႳႵჂჄႱႹႾႼ჉ ჂႵჃႵႽႲႼႵႴ ႤႹႾႱვჃლ ႲჅჄ ჄႸႵჂႵ ჇႱჃ Ⴑ ႳჂჅႳႹႱႼ ႴႹႶႶႵჂႵႾႳႵნ

ႤႹႾႱ ჀႿჃჃႵჃჃႵႴ Ⴑ ႾႱჄჅჂႱႼႼ჉ ႳႱჀჄႹ჆ႱჄႹႾႷ ႲႵႱჅჄ჉ ႱႾႴ ႱჅჂႱ ჄႸႱჄ ႳႿჅႼႴ ჄႵႽჀჄ ჀႵႿჀႼႵლ ႱႼႽႿჃჄ ႼႹႻႵ Ⴑ ႴႵႽႿႾნ

ჶႿჇႵ჆ႵჂლ ႾႿ ჃჅႳႸ ႱჅჂႱ ႵႽႱႾႱჄႵႴ ႶჂႿႽ ჄႸႱჄ ႷႹჂႼნ

“ჷჃႾ’Ⴤ ჄႸႱჄ ႿႲ჆ႹႿჅჃჭ”

ჷჄ ჇႱჃ ჼႹႱ ჇႸႿ ჂႵჀႼႹႵႴნ

“ႧႹჄႸ Ⴑ ႴႹႶႶႵჂႵႾჄ ჃႿჅႼ ႳႿႾჄႱႹႾႵႴ ჇႹჄႸႹႾლ ႸႿჇ ႳႿჅႼႴ ႹჄ ႲႵ ჀႵჂႶႵႳჄႼ჉ ႹႴႵႾჄႹႳႱႼჭ”

“ჯჂႵ ჉ႿჅ ჃႱ჉ႹႾႷ ჄႸႵ ႲႿႴ჉ ႳႸႱႾႷႵჃ ႱႳႳႿჂႴႹႾႷ ჄႿ ჄႸႵ ჃႿჅႼჭ”

ჺႹႼႼႹႱႾ ႳႱჅჄႹႿჅჃႼ჉ ႱჃႻႵႴ ႱႷႱႹႾლ ႱႾႴ ჼႹႱ ႾႿႴႴႵႴ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾნ

“ႤႸႱჄ’Ⴣ ႳႿႽႽႿႾ ჃႵႾჃႵ჏ ႤႸႵ ႲႿႴ჉ ႹჃ Ⴑ ჆ႵჃჃႵႼ ႶႿჂ ჄႸႵ ჃႿჅႼნ ჷჄ’Ⴣ ႾႱჄჅჂႱႼ ႶႿჂ ႹჄ ჄႿ ႲႵ ႹႾႶႼჅႵႾႳႵႴ Ⴒ჉ ჄႸႵ ჃႿჅႼ ჂႵჃႹႴႹႾႷ ჇႹჄႸႹႾ჏”

ჼႹႱ ႳႿႾႶႹႴႵႾჄႼ჉ ჃჄჂႱႹႷႸჄႵႾႵႴ ႸႵჂ ჃႸႿჅႼႴႵჂჃლ ჄႸႵႾ ჀႿႹႾჄႵႴ ჄႿ ႸႵჂჃႵႼႶნ

“ჺႿႿႻ ႱჄ ႽႵნ ჷႶ ჃჅႳႸ Ⴑ ႲႵႱჅჄႹႶჅႼ ჃႿჅႼ ჇႵჂႵ ჄႿ ႵႾჄႵჂ Ⴑ ႴႹႶႶႵჂႵႾჄ ႲႿႴ჉ლ ჇႿჅႼႴ ჄႸႹჃ ႱჀჀႵႱჂႱႾႳႵ ႳႸႱႾႷႵჭ”

ჷႾႴႵႵႴლ ႱჃ ჼႹႱ ჃႱႹႴლ ႤႹႾႱ’Ⴣ ჀႱჃჄ ႼႹႶႵ’Ⴣ ႶႱႳႵ ჇႱჃ ჅႾႴႵႾႹႱႲႼ჉ ႲႵႱჅჄႹႶჅႼნ

ჴႵႱჄჅჂႵჃ ႳႼႵႱჂႼ჉ ႴႵႶႹႾႵႴ ႲႵჄჇႵႵႾ Ⴕ჉ႵႼႱჃႸႵჃ ჄႸႱჄ ჃჄჂႵჄႳႸႵႴ ႼႿႾႷ ႼႹႻႵ ႲჂჅჃႸჃჄჂႿႻႵჃნ

ႠႱႼႵ ჃႻႹႾ ႳႿႾჄჂႱჃჄႹႾႷ ჇႹჄႸ ႲႼႱႳႻ ႸႱႹჂ ჄႸႱჄ ႶႼႿჇႵႴ ႼႹႻႵ ჄႸႵ ႾႹႷႸჄ ჃႻ჉ნ

ჯႴႴႵႴ ჄႿ ჄႸႱჄლ ႱႴႿჂႱႲႼႵ ႳႸჅႲႲ჉ ႳႸႵႵႻჃ ႱႾႴ ႳႸႵჂჂ჉მႼႹႻႵ ႼႹჀჃ ჄႸႱჄ ႵႾჄႹႳႵႴ ჀႵႿჀႼႵნ

ჽႾ ჄႸႵ ႳႿႾჄჂႱჂ჉ლ ჄႸႵ ႳჅჂჂႵႾჄ ჼႹႱ ႸႱႴ ႽႿჂႵ ჃႹႽႹႼႱჂႹჄႹႵჃ ჄႿ ႤႹႾႱ ჄႸႱႾ ჄႸႵ ႷႹჂႼ ჃჄႱႾႴႹႾႷ ႲႵႶႿჂႵ ჄႸႵႽნ

“ჷ ႴႹႴႾ’Ⴤ ႻႾႿჇ Ⴕ჆ႵႾ ჄႸႵ ႱჀჀႵႱჂႱႾႳႵ ႳႸႱႾႷႵႴ ႱႳႳႿჂႴႹႾႷ ჄႿ ჄႸႵ ჃႿჅႼნ”

ႤႸႵ ႸႵႱჂჄ ჄႸႱჄ ႳႿჅႼႴႾვჄ ႲႵ ႳႱႼႽႵႴ ჇႸႵႾ ႿႾႼ჉ ႼႿႿႻႹႾႷ ႱჄ ႤႹႾႱ ჃႸႿჇႵႴ ႾႿ ჃჄႹჂჂႹႾႷ ႱჄ ႱႼႼ ჄႿჇႱჂႴჃ ჄႸႵ ჇႸႹჄႵმႸႱႹჂႵႴ ႷႹჂႼ ჃჄႱႾႴႹႾႷ ႲႵႶႿჂႵ ჄႸႵႽნ

“჻ႿჄႸႵჂ…჏”

ႤႸႵ ჇႸႹჄႵმႸႱႹჂႵႴ ႷႹჂႼ ႳჂႹႵႴ ႿჅჄ ႴႵჃჀႵჂႱჄႵႼ჉ლ ႼႿႿႻႹႾႷ ႱჄ ჯჂჄႱჃႸႱნ

“ႣჅჂႵႼ჉… ჉ႿჅ’ჂႵ ႾႿჄ ႳႸႿႿჃႹႾႷ ჄႸႱჄ ႳႸႹႼႴ Ⴟ჆ႵჂ ႽႵლ ႱჂႵ ჉ႿჅჭ ჷ’Ⴝ ჉ႿჅჂ ჄჂჅႵ ႴႱჅႷႸჄႵჂ…჏”

ჳ჆ႵჂ჉ ჃႹႾႷႼႵ ჇႿჂႴ ჄႹႷႸჄႵႾႵႴ ჯჂჄႱჃႸႱ’Ⴣ ႳႸႵჃჄნ

ჰჅჄ ჯჂჄႱჃႸႱ ႴႹႴ ႾႿჄ ႶႱႼჄႵჂნ ჷႾჃჄႵႱႴლ ჃႸႵ ႿჀႵႾႵႴ ႸႵჂ Ⴕ჉ႵჃ ႽႿჂႵ ႶႹჂႽႼ჉ ႱႾႴ ႳႼႵႾႳႸႵႴ ႸႵჂ ႶႹჃჄჃ ჄႹႷႸჄႼ჉ნ

ႤႸႹჃ ႷႹჂႼ ჃჄႱႾႴႹႾႷ ႲႵႶႿჂႵ ႸႵჂ ჇႱჃ ႸႵჂ ႴႱჅႷႸჄႵჂნ

ჶႿჇႵ჆ႵჂლ ႤႹႾႱლ ჄჂႱჀჀႵႴ ႱႾႴ ჃჅႶႶႵჂႹႾႷ ჇႹჄႸႹႾ ჄႸႱჄ ႿႽႹႾႿჅჃ ჀႿჇႵჂლ ჇႱჃ ႱႼჃႿ ႸႵჂ ჀჂႵႳႹႿჅჃ ႳႸႹႼႴლ ႽႿჂႵ ჃႿ ჄႸႱႾ ႱႾ჉ჄႸႹႾႷ ႵႼჃႵნ

ჷႶ ჃႸႵ ႸႵჃႹჄႱჄႵႴ ႼႹႻႵ ჄႸႹჃ ႱႾႴ ჅႼჄႹႽႱჄႵႼ჉ ႶႱႹႼႵႴ ჄႿ ჃႱ჆Ⴕ ႤႹႾႱლ ჃႸႵ ჇႿჅႼႴ ႼႹ჆Ⴕ ჄႸႵ ჂႵჃჄ ႿႶ ႸႵჂ ႼႹႶႵ ႹႾ ႹჂჂႵ჆ႵჂჃႹႲႼႵ ჂႵႷჂႵჄნ

ႤႸႵჂႵႶႿჂႵლ ჯჂჄႱჃႸႱ ႽႱႴႵ Ⴑ ႴႵႳႹჃႹႿႾნ

“…ჷ’Ⴝ ჃႿჂჂ჉ლ Ⴝ჉ ႴႱჅႷႸჄႵჂნ”

ჯჂჄႱჃႸႱ ჁჅႹႵჄႼ჉ ჂႵႱႳႸႵႴ ႿჅჄ ႱႾႴ ჀჅჃႸႵႴ ჄႸႵ ႷႹჂႼ ႱჇႱ჉ნ

ჯჄ ჄႸႵ ႳႿႼႴ ჂႵႺႵႳჄႹႿႾლ ჄႸႵ ႷႹჂႼ ႲႼႹႾႻႵႴლ ႸႵჂ ႶႱႳႵ ႲႵჇႹႼႴႵჂႵႴნ

“ႧႸႱჄ…ჭ ჻ႿჄႸႵჂ… ჃჅჂႵႼ჉ ჉ႿჅ’ჂႵ ႾႿჄ ႱႲႱႾႴႿႾႹႾႷ ႽႵ…ჭ”

“ჷ’Ⴝ ႾႿჄ ႱႲႱႾႴႿႾႹႾႷ ჉ႿჅნ ჷ ႺჅჃჄ იႽჅჃჄი ჃႱ჆Ⴕ ჄႸႱჄ ႳႸႹႼႴნ”

“ႤႸႱჄ’Ⴣ ჄႸႵ ჃႱႽႵ ႱჃ ႱႲႱႾႴႿႾႹႾႷ ႽႵ჏ ჷႶ ჉ႿჅ ჃႱ჆Ⴕ იႸႵჂილ ჷ’ႼႼ ႾႵ჆ႵჂ ႵჃႳႱჀႵ ჄႸႹჃ ႸႵႼႼ჏”

“჻ႿჄႸႵჂ ჇႹႼႼ ჃჄႱ჉ ჇႹჄႸ ჉ႿჅნ”

“…ႧႸႱჄჭ”

ჯჂჄႱჃႸႱ’Ⴣ ႷႱ჊Ⴕ ჄჅჂႾႵႴ ჄႿ ჼႹႱნ

“ჱႱႾ Ⴑ ჃႿჅႼლ ႿႾႳႵ ჄჂႱჀჀႵႴ ႹႾ ႸႵႼႼ… ႾႵ჆ႵჂ ႵჃႳႱჀႵლ ႾႿ ႽႱჄჄႵჂ ჇႸႱჄჭ”

“ႢႱჂႵႼ჉ლ ႲჅჄ ႹႶ Ⴑ ჃႿჅႼ ჇႱჃႸႵჃ ႱჇႱ჉ ႹჄჃ ჃႹႾჃ ႹႾ ႸႵႼႼ ႱႾႴ ჂႵႷႱႹႾჃ ႹჄჃ ႿჂႹႷႹႾႱႼ ႳႿႼႿჂლ Ⴑ ჀႱჄႸ ჄႿ ჂႵႹႾႳႱჂႾႱჄႹႿႾ ႿჀႵႾჃნ”

“ႤႸႵႾ ႹჄ’Ⴣ ჃႵჄჄႼႵႴნ”

ჶႵႱჂႹႾႷ ჼႹႱ’Ⴣ ჇႿჂႴჃლ ჯჂჄႱჃႸႱ ႶႹჂႽႼ჉ ႷჂႹჀჀႵႴ ჄႸႵ ႷႹჂႼ’Ⴣ ჃႸႿჅႼႴႵჂჃ ჇႹჄႸ ႲႿჄႸ ႸႱႾႴჃნ

ჶႵჂ ჅႾჇႱ჆ႵჂႹႾႷ ႷႱ჊Ⴕ ႽႵჄ ჄႸႵ ႷႹჂႼ’Ⴣ ႴႹჂႵႳჄႼ჉ნ

“…჻჉ ႴႱჅႷႸჄႵჂნ ႧႵ ႸႱ჆Ⴕ ႳႿႽႽႹჄჄႵႴ ჃჅႳႸ ႷჂႵႱჄ ჃႹႾჃ ႱႷႱႹႾჃჄ ႵႱႳႸ ႿჄႸႵჂნ”

ჯჂჄႱჃႸႱ ႼႿ჆ႵႴ ႸႵჂ ႴႱჅႷႸჄႵჂ ჄႵჂჂႹႲႼ჉ლ ႱႾႴ ႸႵჂ ႴႱჅႷႸჄႵჂ ႸႱჄႵႴ ႸႵჂ ჄႵჂჂႹႲႼ჉ნ

ჶႿჇႵ჆ႵჂლ ႶႱႹႼႹႾႷ ჄႿ ႸႵႱႼ ჄႸႱჄ ჄႵჂჂႹႲႼႵ ႸႱჄჂႵႴ ჇႱჃ ႱႼჃႿ Ⴑ ჃႹႾ ჃႸႵლ ႱჃ Ⴑ ႽႿჄႸႵჂლ ႲႿჂႵნ

“ႤႸმჄႸႱჄ… ჄႸႱჄ ჇႱჃ Ⴝ჉ ႽႹჃჄႱႻႵნ ჷ ჇႿႾ’Ⴤ ႴႿ ႹჄ ႱႷႱႹႾ—”

“ჳ჆ႵႾ ჃႿლ ჄႸႵ ჇႿჅႾႴჃ ჇႵ’჆Ⴕ ႹႾႶႼႹႳჄႵႴ ႿႾ ႵႱႳႸ ႿჄႸႵჂ ჇႿႾ’Ⴤ ႴႹჃႱჀჀႵႱჂნ”

“ႤႸმჄႸႵႾ…ჭ”

“…჻ႿჄႸႵჂ ჇႹႼႼ ႲႵ ჇႹჄႸ ჉ႿჅნ ჷ’ႼႼ ჃჄႱ჉ Ⴒ჉ ჉ႿჅჂ ჃႹႴႵ ჅႾჄႹႼ ჉ႿჅჂ ჃႿჅႼ ႲႵႳႿႽႵჃ ႳႼႵႱჂ ႱႷႱႹႾლ ჅႾჄႹႼ ჉ႿჅ ႳႱႾ ႲႵ ჂႵႲႿჂႾ ႱჃ ჃႿႽႵႿႾႵ ႵႼჃႵ’Ⴣ ႴႱჅႷႸჄႵჂნ”

ႤႸႵჂႵ ჇႵჂႵ ႽႱႾ჉ ჇႸႿ ჇႿჅႼႴ ႼႿ჆Ⴕ ႤႹႾႱნ

ჺႱႴ჉ ႦႹ჆ႹႱႾႱლ ႣႱႹႾჄ ჺႹႼႼႹႱႾლ ႱႾႴ Ⴕ჆ႵႾ ჄႸႵ ჉ႿჅႾႷ ႴႵႽႿႾ ჇႸႿ ႸႱႴ ႳႿႾჄႹႾჅႵႴ ჄႸႵႹჂ ჄႹႵჃ ႶჂႿႽ Ⴑ ჀႱჃჄ ႼႹႶႵნ

ჳ჆ႵႾ ჇႹჄႸႿჅჄ ჯჂჄႱჃႸႱ Ⴒ჉ ႸႵჂ ჃႹႴႵლ ႤႹႾႱ ჇႿჅႼႴ ჂႵႳႵႹ჆Ⴕ ႵႾႿჅႷႸ ႼႿ჆Ⴕნ

ჰჅჄ ჄႸႹჃ ႷႹჂႼ ႸႱႴ ႾႿ ႿႾႵნ

ჼႿ ႿႾႵ ჇႿჅႼႴ ჃჄႱႾႴ Ⴒ჉ ჄႸႹჃ ႷႹჂႼ ჇႸႿ ႸႱႴ ႳႿႽႵ ჄႿ ႸႵႼႼ ႴჅႵ ჄႿ ႸႵჂ ႶႿႿႼႹჃႸ ႺჅႴႷႽႵႾჄნ

ႣႸႵ ჄႿႿ ჇႱჃ ჯჂჄႱჃႸႱ’Ⴣ ႴႱჅႷႸჄႵჂნ ႤႱႻႹႾႷ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉ ჄႿ ჄႸႵ ჆ႵჂ჉ ႵႾႴლ ჄႸႱჄ ჇႱჃ ჯჂჄႱჃႸႱ’Ⴣ ႶႹႾႱႼ ႴჅჄ჉ ႱჃ Ⴑ ႽႿჄႸႵჂნ

ႤႸႵ ႶႱႳჄ ჄႸႱჄ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ႲႵ ჇႹჄႸ ႤႹႾႱ ჇႵႹႷႸႵႴ ႸႵႱ჆ႹႼ჉ ႿႾ ႸႵჂ ႸႵႱჂჄნ

ჶႿჇႵ჆ႵჂლ ჄႸႹჃ ჇႱჃ ჄႸႵ ႲႵჃჄ ႳႿႾႳႼჅჃႹႿႾ ჯჂჄႱჃႸႱ ႳႿჅႼႴ ႽႱႻႵნ

“ႣႿლ ჀႼႵႱჃႵ ႼႵჄ ႽႵ ჃႱ჆Ⴕ ჄႸႱჄ ႳႸႹႼႴნ”

ႣႸႵ ჇႿჅႼႴ ႴႵႶႹႾႹჄႵႼ჉ ჃႱ჆Ⴕ ႤႹႾႱნ

ჰჅჄ ႱჄ ჄႸႵ ჃႱႽႵ ჄႹႽႵლ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ႼႵႱ჆Ⴕ ႸႵჂ ჄჂჅႵ ႴႱჅႷႸჄႵჂ ႱႼႿႾႵ ႹႾ ჄႸႹჃ ႸႵႼႼნ

ჷჄ ႴႹႴႾ’Ⴤ ႽႱჄჄႵჂ ႹႶ ჃႸႵ ႳႱႼႼႵႴ ႸႵჂ Ⴑ ႽჅჂႴႵჂႵჂ ႿჂ ჂႵჃႵႾჄႵႴ ႸႵჂ ჇႹჄႸ Ⴑ ႲჂႿႻႵႾ ႸႵႱჂჄნ ႤႸႵ ႷႹჂႼ ႲႵႶႿჂႵ ႸႵჂ ჇႱჃ ჅႾႴႵႾႹႱႲႼ჉ ႸႵჂ ႴႱჅႷႸჄႵჂნ

ჯჄ ჄႸႵ ჆ႵჂ჉ ႼႵႱჃჄლ ჃႸႵ ႸႱႴ ჄႿ ჀჂႵ჆ႵႾჄ ႸႵჂ ႶჂႿႽ ႲႵႹႾႷ ႼႵႶჄ ႱႼႿႾႵ ႹႾ ჄႸႹჃ ႸႵႼႼნ

ჶႿჇႵ჆ႵჂლ ႴႵჃჀႹჄႵ ჯჂჄႱჃႸႱ’Ⴣ ჂႵჃႿႼ჆Ⴕლ ჄႸႵ ႷႹჂႼ ႴႹႴႾ’Ⴤ ჂႵჄჂႵႱჄ Ⴑ ჃႹႾႷႼႵ ჃჄႵჀ ႶჂႿႽ ჄႸႵ ႲႼႱႳႻ ႿჂႲნ

“ჼႿნ”

ႤႸႵ ႷႹჂႼ ჃႸႿႿႻ ႸႵჂ ႸႵႱႴ ႶႹႵჂႳႵႼ჉ნ

“ჷჄ’Ⴣ ႱႼჂႹႷႸჄლ ჻ႿჄႸႵჂ ჇႹႼႼ ႸႵႼჀ ჉ႿჅ ჂႵႹႾႳႱჂႾႱჄႵნ ႣႿႽႵႴႱ჉ ჉ႿჅ’ႼႼ ႲႵ ႱႲႼႵ ჄႿ ႶႱႳႵ ჄႸႵ ჃჅႾႼႹႷႸჄ ႱႷႱႹႾ—”

“ჷ ჃႱႹႴ ႾႿ჏ ჷ’Ⴝ ჃႹႳႻ ႿႶ ႸႵႼႼ ႾႿჇ჏ ჶႿჇ ႳႱႾ ჉ႿჅ ჄႵႼႼ ჉ႿჅჂ ႴႱჅႷႸჄႵჂ ჄႿ ჃჄႱ჉ ႹႾ ႸႵႼႼჭ჏”

ႤႸႵ ႷႹჂႼ ჃႸჂႹႵႻႵႴნ ჯჄ ჄႸႵ ჃჅႴႴႵႾ ႿჅჄႳჂ჉ლ ჯჂჄႱჃႸႱ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჂႵႳႿႹႼႵႴ Ⴑ ჃჄႵჀნ

ႢႵჃႵႾჄႽႵႾჄ ჃႵჄჄႼႵႴ ႹႾ ჄႸႵ ႷႹჂႼ’Ⴣ ႴႵႵჀႼ჉ ჃႸႱႴႿჇႵႴ Ⴕ჉ႵჃნ ႤႸႱჄ ჂႵჃႵႾჄႽႵႾჄ ჇႱჃ ႴႹჂႵႳჄႵႴ ႱჄ ႾႿႾႵ ႿჄႸႵჂ ჄႸႱႾ ႸႵჂ ႿჇႾ ႽႿჄႸႵჂნ

“ჷ… ჷ’Ⴝ ႷႿႹႾႷ ჄႿ ႷႵჄ ႿჅჄ ႿႶ ႸႵႼႼ჏ ჷႶ ჉ႿჅ ჇႱႾჄ ჄႿ ჃჄႱ჉ ႹႾ ႸႵႼႼ ჃႿ ႲႱႴႼ჉ლ ჻ႿჄႸႵჂლ ჄႸႵႾ ჃჄႱ჉ Ⴒ჉ ჉ႿჅჂჃႵႼႶ჏”

ႤႸႵ ႷႹჂႼ ჀჅႼႼႵႴ ႿჅჄ Ⴑ ჃႸႱჂჀႼ჉ ႸႿႾႵႴ ႲႼႱႳႻ ႻႾႹႶႵ ႶჂႿႽ ႸႵჂ ႵႽႲჂႱႳႵნ

ႣႸႵ ჂႱႹჃႵႴ ჄႸႵ ႻႾႹႶႵ ႸႹႷႸ ჄႿჇႱჂႴჃ ჄႸႵ ႲႼႱႳႻ ႿჂႲნ

“ჷმჷ’ႼႼ ႻႹႼႼ ႸႵჂ ჂႹႷႸჄ ႸႵჂႵ჏ ჷႶ ႿႾႼ჉ ჃႸႵ ႴႹႵჃლ Ⴝ჉ ႲႿႴ჉ ჇႹႼႼ ႲႵ…჏”

“ჼႿ჏”

ჯჂჄႱჃႸႱ ႴႵჃჀႵჂႱჄႵႼ჉ ჂႵႱႳႸႵႴ ႿჅჄლ ႲჅჄ ჄႸႵ ჃႸႱჂჀ ႲႼႱႴႵ ႸႱႴ ႾႿ ႹႾჄႵႾჄႹႿႾ ႿႶ ჃჄႿჀჀႹႾႷნ

ႦႹ჆ႹႱႾႱ ႱႾႴ ჺႹႼႼႹႱႾ ႹႽႽႵႴႹႱჄႵႼ჉ ჂჅჃႸႵႴ ႶႿჂჇႱჂႴლ ႲჅჄ ჄႸႵ ႴႹჃჄႱႾႳႵ ႲႵჄჇႵႵႾ ჄႸႵ ႷႹჂႼ ႱႾႴ ჄႸႵ ႲႼႱႳႻ ႿჂႲ ჇႱჃ ჄႿႿ ႳႼႿჃႵ ჄႿ ႹႾჄႵჂႳႵჀჄნ

ႫႤႸႱჄ ჇႿႾ’Ⴤ ႴႿნႭ

ჼႵ჆ႵჂჄႸႵႼႵჃჃლ ჄႸႵ ႷႹჂႼ’Ⴣ ႲႼႱႴႵ ჅႼჄႹႽႱჄႵႼ჉ ႶႱႹႼႵႴ ჄႿ ჂႵႱႳႸ ჄႸႵ ႲႼႱႳႻ ႿჂႲნ

ჽႽႹႾႿჅჃ ჄႵႾႴჂႹႼჃ ჃႸႿჄ ჅჀ ႶჂႿႽ ჄႸႵ ႷჂႿჅႾႴლ ႹႾჃჄႱႾჄႼ჉ ႳႿႹႼႹႾႷ ႱჂႿჅႾႴ ჄႸႵ ႷႹჂႼ’Ⴣ ႲႿႴ჉ლ ႲႹႾႴႹႾႷ ႸႵჂ ჄႹႷႸჄႼ჉ ႼႹႻႵ Ⴑ ႽჅႽႽ჉ნ

ႫჱႱႾ Ⴑ ႽႵჂႵ ႲႵႹႾႷ ႼႹႻႵ ჉ႿჅ ႹႾჄႵჂႶႵჂႵ ჇႹჄႸ ჄႸႵ ႷႿႴჃ’ ჇႱႷႵჂჭႭ

ჯ ჃჄჂႱႾႷႵ ჆ႿႹႳႵნ

ჯ ჇႿႽႱႾ ჇႹჄႸ ႶႼႿჇႹႾႷ ႲႼႱႳႻ ႸႱႹჂ ႴႵჃႳႵႾႴႵႴ ႿႾჄႿ ჄႸႵ ႷჂႿჅႾႴლ ႶႼႱჀჀႹႾႷ ႸႵჂ ႵႾႿჂႽႿჅჃ ႲႼႱႳႻ ჇႹႾႷჃნ

“ჵმႷႱჃჀ…჏”

ႤႸႵ ႷႹჂႼ ႴႵჃჀႵჂႱჄႵႼ჉ ჃჄჂჅႷႷႼႵႴლ ჄჂ჉ႹႾႷ ჄႿ ჀჅႼႼ ႿႶႶ ჄႸႵ ჄႵႾႴჂႹႼჃლ ႲჅჄ ჄႸႵ ႽႿჂႵ ჃႸႵ ჃჄჂჅႷႷႼႵႴლ ჄႸႵ ჄႹႷႸჄႵჂ ჄႸႵ჉ ႳႿႾჃჄჂႹႳჄႵႴ ႸႵჂნ

ႫႣჄႹႼႼლ ႹჄ ჇႱჃ ႵႾჄႵჂჄႱႹႾႹႾႷნ ჶჅႽႱႾჃ ჄჂჅႼ჉ ႱჂႵ ႹႾჄႵჂႵჃჄႹႾႷ ჄႿ ჇႱჄႳႸნႭ

ႤႸႵ ႲႼႱႳႻ ჄႵႾႴჂႹႼჃ ჃႼႿჇႼ჉ ႲႵႷႱႾ ჄႿ ႴჂႱႷ ჄႸႵ ႷႹჂႼ ႴႿჇႾ ႹႾჄႿ ჄႸႵ ႷჂႿჅႾႴნ

“ჲႱჅႷႸჄႵჂ…჏”

ჯჂჄႱჃႸႱ ႶჂႱႾჄႹႳႱႼႼ჉ ჂႵႱႳႸႵႴ ႿჅჄ ჄႿ ႷჂႱႲ ჄႸႵ ႷႹჂႼლ ႲჅჄ ႲႵႶႿჂႵ ႸႵჂ ႶႹႾႷႵჂჄႹჀჃ ႳႿჅႼႴ ჄႿჅႳႸ ႸႵჂლ ჄႸႵ ႷႹჂႼ ჇႱჃ ႳႿႽჀႼႵჄႵႼ჉ ჃჇႱႼႼႿჇႵႴ Ⴒ჉ ჄႸႵ ႸႵႼႼႹჃႸ ႷჂႿჅႾႴნ

ႫჶჅႸჅლ ჄႿ ႲႵ ჃႿ ႸႱჄႵႴ ჉ႵჄ ჃჄႹႼႼ ႳႸႿႿჃႵ ჄႿ ჃჄႱ჉ ჇႹჄႸ ႸႵჂ ჅႾჄႹႼ ჄႸႵ ႵႾႴნ ႩႿჅ’ჂႵ ႾႿჄ ႾႿჂႽႱႼლ ႱჂႵ ჉ႿჅჭႭ

ႤႸႵ ჯჂႳႸႴႵႽႿႾლ ჇႸႿ ႸႱႴ ႵႽႵჂႷႵႴ ႶჂႿႽ ჄႸႵ ႴႱჂႻႾႵჃჃლ ႼႿႿႻႵႴ ႴႿჇႾ ႱჄ ჯჂჄႱჃႸႱ ჇႹჄႸ Ⴑ Ⴓ჉ႾႹႳႱႼ ჃႽႹႼႵნ

ჯჂჄႱჃႸႱ ႷႼႱჂႵႴ ႱჄ ႸႵჂ ჇႹჄႸ Ⴕ჉ႵჃ ႽႹ჈ႵႴ ჇႹჄႸ ႱႾႷႵჂ ႱႾႴ ჂႵჃႵႾჄႽႵႾჄნ

ჶႿჇႵ჆ႵჂლ ჄႸႵ ჯჂႳႸႴႵႽႿႾ ႽႵჂႵႼ჉ ႴႹჃႽႹჃჃႵႴ ႸႵჂ ႷႱ჊Ⴕ ႼႹႷႸჄႼ჉ლ ჄႸႵႾ ჃႼႿჇႼ჉ ჂႱႹჃႵႴ ႸႵჂ ႸႵႱႴნ

ႫႩႿჅ ჇႿႾ ჄႸႵ ႶႹჂჃჄ ჇႱႷႵჂნႭ

ႧႸႵჂႵ ჄႸႵ ჯჂႳႸႴႵႽႿႾ’Ⴣ ႷႱ჊Ⴕ ჂႵჃჄႵႴლ ჄႸႵ ჵႿႴႴႵჃჃ ჃჄႿႿႴნ

ႣႸႵ ႷႱ჊ႵႴ ႴႿჇႾ ႱჄ ჄႸႵ ႷჂႿჅႾႴ ჇႹჄႸ ჃႵჂႵႾႵლ ႳႱႼႽ Ⴕ჉ႵჃლ ჄႸႵႾ ჃႼႿჇႼ჉ ႴႵჃႳႵႾႴႵႴ ႱႾႴ ჄႿႿႻ ჯჂჄႱჃႸႱ’Ⴣ ႸႱႾႴნ

“ჲႿႾ’Ⴤ ჇႿჂჂ჉ ჄႿႿ ႽჅႳႸნ ჷႾ ႸႵႼႼლ ჉ႿჅ ႳႱႾ’Ⴤ ႴႹႵ Ⴕ჆ႵႾ ႹႶ ჉ႿჅ ჇႱႾჄ ჄႿნ”

ႤႸႵ ჵႿႴႴႵჃჃ’Ⴣ ჇႿჂႴჃ ჇႵჂႵ ႹႾჄႵႾႴႵႴ ႱჃ ႳႿႽႶႿჂჄლ ႲჅჄ ჄႸႵ჉ ႿႾႼ჉ ႹႷႾႹჄႵႴ ჯჂჄႱჃႸႱ’Ⴣ ႱႾႷႵჂნ

“ჯჂႵ ჉ႿჅ ჂႵႱႼႼ჉ ჃႱ჉ႹႾႷ ჄႸႱჄ ႾႿჇ…჏”

ჯჄ ႸႵჂ ႱႷႹჄႱჄႵႴ ჆ႿႹႳႵლ ჄႸႵ ჵႿႴႴႵჃჃ ႳႱႼႽႼ჉ ჃჀႿႻႵ ႱႷႱႹႾნ

“ႤႸႵ ႽႿႽႵႾჄ ჉ႿჅჂ ჄჂჅႵ ႴႱჅႷႸჄႵჂ ჂႵჀႵႾჄჃ ႸႵჂ ჃႹႾჃ ႱႾႴ ႱჄႿႾႵჃ ႶႿჂ Ⴕ჆ႵჂ჉ჄႸႹႾႷლ ჃႸႵ ჇႹႼႼ ႲႵ ႱႲႼႵ ჄႿ ႼႵႱ჆Ⴕ ႸႵႼႼნ”

ჯჂჄႱჃႸႱ ჇႱჃ ႽႿႽႵႾჄႱჂႹႼ჉ ჃჀႵႵႳႸႼႵჃჃ ႱჄ ჄႸႵ ჵႿႴႴႵჃჃ’Ⴣ ႵႱჂႾႵჃჄ ႷႱ჊Ⴕნ

“ႩႿჅ ႸႱ჆Ⴕ ႴႿႾႵ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ჉ႿჅ ႳႿჅႼႴ ႶႿჂ ჄႸႱჄ ႷႹჂႼლ ႱჃ Ⴑ ႽႿჄႸႵჂნ”

“ჼႿლ ჷ…”

“ჼႿჇლ ჉ႿჅ ႽჅჃჄ ჇႱჄႳႸ Ⴟ჆ႵჂ ႸႵჂ ႱჃ ჃႸႵ ႳႸႱႾႷႵჃ ႸႵჂჃႵႼႶნ”

ႤႸႵ ჵႿႴႴႵჃჃ’Ⴣ ჃႹ჈ ჇႹႾႷჃ ႷႵႾჄႼ჉ ႵႾ჆ႵႼႿჀႵႴ ჯჂჄႱჃႸႱნ

ႠჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ႳႿႽჀႼႵჄႵႼ჉ ႵႽႲჂႱႳႵႴ ႸႵჂლ ჃႵႵჀႹႾႷ ႹႾ ჇႱჂႽႼ჉ნ

ჯჂჄႱჃႸႱ ჃჁჅႵႵ჊ႵႴ ႸႵჂ Ⴕ჉ႵჃ ჃႸჅჄ ႱႾႴ ႲႹჄ ႸႵჂ ჄჂႵႽႲႼႹႾႷ ႼႹჀ ႸႱჂႴნ

ႣႸႵ ႱႳႻႾႿჇႼႵႴႷႵႴ ႹႾჇႱჂႴႼ჉ ჄႸႱჄ ჄႸႵ ჵႿႴႴႵჃჃ’Ⴣ ჇႿჂႴჃ ႽႹႷႸჄ ႲႵ ჂႹႷႸჄნ

ႩႵჄლ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ႵႱჃႹႼ჉ ႼႵჄ ႷႿ ႿႶ ႸႵჂ ჇႿჂჂႹႵჃნ

ჯჂჄႱჃႸႱ ႿჀႵႾႵႴ ႸႵჂ Ⴕ჉ႵჃ ႶႹჂႽႼ჉ ႱႷႱႹႾ ႱႾႴ ႷႼႱჂႵႴ ႱჄ ჄႸႵ ჵႿႴႴႵჃჃ ჇႹჄႸ Ⴑ ჂႵჃႿႼჅჄႵ ႷႱ჊Ⴕნ

“…ႠჂႿႽႹჃႵ ႽႵნ ჽႾ ჄႸႵ ႴႱ჉ Ⴝ჉ ႴႱჅႷႸჄႵჂ ჂႵჀႵႾჄჃლ ჀႼႵႱჃႵ ႵႾჃჅჂႵ ჃႸႵ ႳႱႾ ႲႵ ჂႵႲႿჂႾ ჅႾႴႵჂ ႷႿႿႴ ჀႱჂႵႾჄჃნ”

ჷჄ ႴႹႴႾ’Ⴤ ႽႱჄჄႵჂ ႹႶ ႹჄ ჇႱჃႾ’Ⴤ ႸႵჂნ

ჴჂႿႽ ჄႸႵ ჃჄႱჂჄლ ჯჂჄႱჃႸႱ ႱႾႴ ჄႸႵ ႷႹჂႼ ႸႱႴ ႿႾႼ჉ ႲႵႵႾ Ⴑ ჂႵႼႱჄႹႿႾჃႸႹჀ ჄႸႱჄ ႹႾႶႼႹႳჄႵႴ ჇႿჅႾႴჃ ჅჀႿႾ ႵႱႳႸ ႿჄႸႵჂნ

ႤႸႵჂႵႶႿჂႵლ ჄႸႵჂႵ ჇႱჃ ႿႾႼ჉ ႿႾႵ ჄႸႹႾႷ ჃႸႵ ႳႿჅႼႴ ႴႿ ႱჃ Ⴑ ჀႱჂႵႾჄშ ჇႹჃႸ ႶႿჂ ႸႵჂ ႴႱჅႷႸჄႵჂ’Ⴣ ႸႱჀჀႹႾႵჃჃნ

“ჷ ჃჇႵႱჂნ”

“ჯႾႴ… ႹႶ ႹჄ ჃႵႵႽჃ ႼႹႻႵ ჃႸႵ ჇႿႾ’Ⴤ ႲႵ ႱႲႼႵ ჄႿ ჂႵჀႵႾჄლ ჀႼႵႱჃႵლ ჵႿႴႴႵჃჃლ ႸႵႼჀ ႸႵჂნ”

“…ႤႸႿჅႷႸ ႹჄ’Ⴣ ჅႾႶႱႹჂლ ჷ ჄႸႹႾႻ ჷ ႳႱႾ ႴႿ ჄႸႱჄ ႽჅႳႸნ”

ႤႸႵ ჵႿႴႴႵჃჃ ႼႿႿႻႵႴ ႱჄ ჯჂჄႱჃႸႱ ჇႹჄႸ ႴႵႵჀლ ႵႱჂႾႵჃჄ Ⴕ჉ႵჃლ ჄႸႵႾ ჃႼႿჇႼ჉ ႾႿႴႴႵႴნ

ჽႾႼ჉ ჄႸႵႾ ႴႹႴ ჯჂჄႱჃႸႱ ჁჅႹႵჄႼ჉ Ⴕ჈ႸႱႼႵლ ჂႵႷႱႹႾႹႾႷ ႸႵჂ ႳႿႽჀႿჃჅჂႵ ႱႾႴ ჃჄႵႱႴ჉ႹႾႷ ႸႵჂ ჄჅჂႲჅႼႵႾჄ ႸႵႱჂჄნ

ႣႸႵ Ⴕ჈ႸႱႼႵႴ ႲჂႹႵႶႼ჉ ႱႾႴ ႷႼႱჂႵႴ ჂႵჃႿႼჅჄႵႼ჉ ႱჄ ჄႸႵ ჯჂႳႸႴႵႽႿႾნ

“…჻Ⴟ჆Ⴕნ ჰႵႳႱჅჃႵ ჷ’Ⴝ ႷႿႹႾႷ ჄႿ ჃႱ჆Ⴕ Ⴝ჉ ႴႱჅႷႸჄႵჂნ”

ჯ Ⴓ჉ႾႹႳႱႼ ჃႽႹႼႵ ჄႿჅႳႸႵႴ ჄႸႵ ჯჂႳႸႴႵႽႿႾ’Ⴣ ႼႹჀჃნ

ႫႧႵႼႼლ ႶႹႾႵნ ႤႸႹჃ ႽჅႳႸ ჇႱჃ Ⴑ ჀႵჂႶႵႳჄႼ჉ Ⴕ჈ჀႵႳჄႵႴ ႴႵ჆ႵႼႿჀႽႵႾჄნႭ

ႣႸႵ ႼႹႷႸჄႼ჉ ჄႱჀჀႵႴ ႸႵჂ ჄჇႿ ႶႹႾႷႵჂჃ ჄႿႷႵჄႸႵჂნ

ჯჄ ჄႸႱჄ ႽႿႽႵႾჄლ ჄႸႵ ႲႼႱႳႻ ႿჂႲ ႲႵႷႱႾ ჄႿ ჇჂႹჄႸႵ ႱႾႴ ႳႸႱႾႷႵ ႹჄჃ ႶႿჂႽნ

ႤႸႵ ႿჂႲ ჃႼႿჇႼ჉ ჃჄჂႵჄႳႸႵႴ ႹႾჄႿ Ⴑ ႼႹႾႵლ ႶႹႾႱႼႼ჉ ჄႱႻႹႾႷ ႿႾ ჄႸႵ ჃႸႱჀႵ ႿႶ Ⴑ ႴႿႿჂნ

ႫႤႸႱჄ ႳႸႹႼႴ ႹჃ ႹႾჃႹႴႵ ႸႵჂႵნ ჯႼႿႾႷ ჇႹჄႸ ႱႼႼ ႸႵჂ ႽႵႽႿჂႹႵჃნႭ

ჯჂჄႱჃႸႱ ჃჄႱჂႵႴ ႲႼႱႾႻႼ჉ ႱჄ ჄႸႵ ႴႿႿჂნ

ჽႾ ჄႸႵ ႿჄႸႵჂ ჃႹႴႵ ႿႶ ჄႸႵ ႴႿႿჂლ ჄႸႹႳႻ ႴႱჂႻႾႵჃჃლ ჃႿ ႴႵႾჃႵ ႿႾႵ ႳႿჅႼႴႾვჄ ჃႵႵ ႱႾ ႹႾႳႸ ႱႸႵႱႴლ ႸჅႾႷნ

ჷჄ ჇႱჃ ႱႾ Ⴕ჆ႵႾ ႴႵႵჀႵჂ ႱႾႴ ႴႱჂႻႵჂ ႱႲ჉ჃჃ ჄႸႱႾ ჄႸႵ ႸႵႼႼ ჃႸႵ ႳჅჂჂႵႾჄႼ჉ ჃჄႿႿႴ ႹႾნ

ႫჽႾႼ჉ ჉ႿჅ ႳႱႾ ႵႾჄႵჂნ ჷႶ ჉ႿჅ ႳႱႾ ႲჂႹႾႷ ჄႸႱჄ ႳႸႹႼႴ ႿჅჄლ ႹჄ’Ⴣ ჉ႿჅჂ ჆ႹႳჄႿჂ჉ნႭ

ჯჄ ჄႸႵ ჯჂႳႸႴႵႽႿႾ’Ⴣ ჇႿჂႴჃლ ႦႹ჆ႹႱႾႱ ႱႾႴ ჺႹႼႼႹႱႾ ႹႽႽႵႴႹႱჄႵႼ჉ ჃჄႵჀჀႵႴ ႶႿჂჇႱჂႴნ

“ჲႿႾ’Ⴤ ჄႱႼႻ ႾႿႾჃႵႾჃႵ჏ ႧႵ’ႼႼ ჃႱ჆Ⴕ ႤႹႾႱ ჄႿႿ჏”

ჶႿჇႵ჆ႵჂლ ჅႾႵ჈ჀႵႳჄႵႴႼ჉ლ ႹჄ ჇႱჃ ჄႸႵ ჵႿႴႴႵჃჃლ ႾႿჄ ჄႸႵ ჯჂႳႸႴႵႽႿႾლ ჇႸႿ ႲႼႿႳႻႵႴ ჄႸႵႽნ

“…ႩႿჅ ႳႱႾ’Ⴤნ”

ჯჄ ჄႸႵ ჵႿႴႴႵჃჃ’Ⴣ ჃჅႴႴႵႾ ჂႵჃჄჂႱႹႾჄლ ჄႸႵ ჄჇႿ ႲႼႹႾႻႵႴ ႲႼႱႾႻႼ჉ნ

“ႤႸႹჃ ႹჃ Ⴑ ჂႵႼႱჄႹႿႾჃႸႹჀ ჄႸႵ჉ ႽჅჃჄ ႽႵႾႴ ჄႸႵႽჃႵႼ჆ႵჃნ”

“ჯჂႵ ჉ႿჅ ႻႹႴႴႹႾႷ ႽႵჭ჏ ႧႵ ႴႿႾ’Ⴤ ႻႾႿჇ ჇႸႱჄ ႽႹႷႸჄ ႸႱჀჀႵႾ ჄႿ ჻ႿჄႸႵჂ ႹႾ ჄႸႵჂႵ—჏”

“ႤႸႵჂႵ ჇႹႼႼ ႲႵ ႾႿ ႴႱႾႷႵჂნ”

ႤႸႵ ჵႿႴႴႵჃჃ ႼႿႿႻႵႴ ႱჄ ჄႸႵ ჄჇႿ ჇႹჄႸ ႵႱჂႾႵჃჄ Ⴕ჉ႵჃ ႱႾႴ ႴႵႳႼႱჂႵႴ ႶႹჂႽႼ჉ნ

“ჷ ჃჇႵႱჂ ႿႾ ჄႸႵ ჵႿႴႴႵჃჃ’Ⴣ ႾႱႽႵნ”

“ჳ჆ႵႾ ჃႿ…჏”

ႦႹ჆ႹႱႾႱ ჄჂႹႵႴ ჄႿ ჀჂႿჄႵჃჄ ჇႹჄႸ ႲႵჇႹႼႴႵჂႵႴ Ⴕ჉ႵჃლ ႲჅჄ ჯჂჄႱჃႸႱ ჁჅႹႵჄႼ჉ ႷჂႹჀჀႵႴ ႸႵჂ ჃႸႿჅႼႴႵჂნ

“ჷ ჇႹႼႼ ႷႿლ ჺႱႴ჉ნ”

“჻ႿჄႸႵჂ…჏”

“ჷ ჇႹႼႼ ႴႵႶႹႾႹჄႵႼ჉ ႲჂႹႾႷ ႸႵჂ ႲႱႳႻნ ႠႼႵႱჃႵ ჄჂჅჃჄ ႽႵნ”

ჶႵჂ ႲႼჅႵ Ⴕ჉ႵჃ ჇႵჂႵ ႶႹჂႽლ ჇႹჄႸႿჅჄ Ⴑ ႶႼႹႳႻႵჂ ႿႶ ႸႵჃႹჄႱჄႹႿႾნ ჯჄ ჄႸႱჄ ჃჄჂႿႾႷ ႷႱ჊Ⴕლ ႦႹ჆ႹႱႾႱ ႼႿჃჄ ႸႵჂ ჇႿჂႴჃნ

“ჷჃႾ’Ⴤ ႹჄ ႱႼჃႿ Ⴑ ႴႱჅႷႸჄႵჂმႹႾმႼႱჇ’Ⴣ ჂႿႼႵ ჄႿ ჄჂჅჃჄ ႸႵჂ ႽႿჄႸႵჂმႹႾმႼႱჇჭ”

ჯჂჄႱჃႸႱ ჀႱჄჄႵႴ ႸႵჂ ჃႸႿჅႼႴႵჂ ႷႵႾჄႼ჉ ჇႹჄႸ Ⴑ ႶႱႹႾჄ ჃႽႹႼႵნ

ႦႹ჆ႹႱႾႱლ ჇႸႿ ႴႹႴႾ’Ⴤ ႹႽႽႵႴႹႱჄႵႼ჉ ჅႾႴႵჂჃჄႱႾႴ ჄႸႵ ႽႵႱႾႹႾႷლ ႲႼႹႾႻႵႴ ႲႼႱႾႻႼ჉ლ ჄႸႵႾ ჃჅႴႴႵႾႼ჉ ჂႵႱႼႹ჊ႵႴ ჄႸႵ ႹႽჀႼႹႳႱჄႹႿႾ ႱႾႴ ჃႸႿჇႵႴ Ⴑ ႷჂႵႱჄႼ჉ ჃჅჂჀჂႹჃႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾნ

“ჳ჆ႵჂ჉ႿႾႵ ႵႼჃႵლ ჀႼႵႱჃႵ ჄჂჅჃჄ ႽႵ ჄႿႿნ”

ჯჂჄႱჃႸႱ’Ⴣ ႷႱ჊Ⴕ ჄჅჂႾႵႴ ჄႿ ჺႹႼႼႹႱႾ ႱႾႴ ჼႹႱნ

“…ჷ ჄჂჅჃჄ ჉ႿჅნ”

ჺႹႼႼႹႱႾ ႼႿႿႻႵႴ ႹႾჄႿ ჯჂჄႱჃႸႱ’Ⴣ Ⴕ჉ႵჃ ႱႾႴ ჁჅႹႵჄႼ჉ ႾႿႴႴႵႴნ

ჶႿႾႵჃჄႼ჉ლ ჃႵႾႴႹႾႷ ႸႵჂ ႱႼႿႾႵ ჇႱჃ ჅႾჃႵჄჄႼႹႾႷნ

ჰႵႳႱჅჃႵ ჃႸႵ ჇႱჃ ჄႸႵ ჇႵႱႻႵჃჄ ႱႽႿႾႷ ჄႸႿჃႵ ჀჂႵჃႵႾჄნ

ჶႿჇႵ჆ႵჂლ ჃႹႾႳႵ ჄႸႵ ჵႿႴႴႵჃჃ ႸႱႴ ႴႵႳႼႱჂႵႴ ႹჄ ჃႱႶႵლ ႱჄ ႼႵႱჃჄ ႾႿ ႸႱჂႽ ჇႿჅႼႴ ႳႿႽႵ ჄႿ ჯჂჄႱჃႸႱნ

“ჷ’ႼႼ ჇႱႹჄ ႸႵჂႵლ ჻ႿჄႸႵჂნ”

ჺႹႼႼႹႱႾ ႻႾႵჇნ ჷႶ ჃႸႵ ႶႿႼႼႿჇႵႴლ ჃႸႵ ჇႿჅႼႴ ႿႾႼ჉ ႲႵ Ⴑ ႸႹႾႴჂႱႾႳႵნ

ჯჂჄႱჃႸႱ ႱႾႴ ႤႹႾႱნ ჰႵჄჇႵႵႾ ჄႸႿჃႵ ჄჇႿლ ჄႸႵჂႵ ჇႱჃ ႱႾ Ⴕ჈ჄჂႵႽႵႼ჉ ႸႹႷႸ ჇႱႼႼ ჄႸႱჄ ႾႿႾႵ ႿႶ ჄႸႵႽ ႳႿჅႼႴ ႳჂႿჃჃნ

“…ႤႸႱႾႻ ჉ႿჅნ”

ჯჂჄႱჃႸႱლ ႶႹႾႴႹႾႷ ႳႿႽႶႿჂჄ ႶჂႿႽ ჄႸႵ ჄჇႿ ჉ႿჅႾႷ ჇႿႽႵႾლ ჁჅႹႵჄႼ჉ ჃႽႹႼႵႴ ႱႾႴ ჄჅჂႾႵႴ ႸႵჂ ႸႵႱႴნ

ႫჵႿ ႿႾლ ႷႹ჆Ⴕ ႹჄ Ⴑ ჄჂ჉ნႭ

ჰჂჅჃႸႹႾႷ ჀႱჃჄ ჄႸႵ ჯჂႳႸႴႵႽႿႾ’Ⴣ ჃႾႵႵჂႹႾႷ ჃႽႹႼႵლ ჯჂჄႱჃႸႱ ჃჄႵჀჀႵႴ ႹႾჄႿ ჄႸႵ ႴႿႿჂ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾნ

ჴႹჂႽႼ჉ ჆ႿჇႹႾႷ ჄႸႱჄ ႾႿ ႽႱჄჄႵჂ ჇႸႱჄლ ჃႸႵ ჇႿჅႼႴ ჃႱ჆Ⴕ ႸႵჂ ႴႱჅႷႸჄႵჂნ

ႣႸႵ ႵႽႲჂႱႳႵႴ ჄႸႵ ჄႸႹႳႻ ႴႱჂႻႾႵჃჃ ჄႸႱჄ ჀჂႵჃჃႵႴ ႹႾ ႶჂႿႽ ႱႼႼ ჃႹႴႵჃნ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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