Tales of the Taisho Era Flowers Bloom Late

Chapter 198

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ႤႹႾႱ ჃჄႱჂႵႴ ႲႼႱႾႻႼ჉ ႱჄ ჄႸႵ ჃႳႵႾႵ ႲႵႶႿჂႵ ႸႵჂნ

ჶႵჂ ႽႿჄႸႵჂლ ჇႹჄႸႿჅჄ ႽႵჂႳ჉ლ ႷჂႹჀჀႵႴ ჄႸႵ ႷႿႼႶ ႳႼჅႲ ႱႾႴ ჃჇჅႾႷ ႹჄ ჇႹႼႴႼ჉ ႱჄ ჯჂჄႱჃႸႱნ

ჶႿჇႵ჆ႵჂლ ჯჂჄႱჃႸႱ ႾႵ჆ႵჂ ႱႼႼႿჇႵႴ ჄႸႵ ႱჄჄႱႳႻ ჄႿ ႼႱႾႴნ ႣႸႵ ႼႹႷႸჄႼ჉ ჄჇႹჃჄႵႴ ႸႵჂ ႲႿႴ჉ ჄႿ Ⴕ჆ႱႴႵ ჄႸႵ ႹႾႳႿႽႹႾႷ ႷႿႼႶ ႳႼჅႲლ ჄႸႵႾ ႼႱႾႴႵႴ ჄჇႿ ჀჅႾႳႸႵჃნ

ႤႸჅႴ—ႤႸჅႴ—

ႧႹჄႸ ႴჅႼႼ ჄႸჅႴჃლ ჄႸႵ ႲႼႱႳႻმႸႱႹჂႵႴ ჇႿႽႱႾ ႶႵႼႼ ႲႱႳႻჇႱჂႴნ

“ჯჂႷႸ჏”

ႤႸႵ ჇႿႽႱႾ ႳႼჅჄႳႸႵႴ ႸႵჂ ႶႱႳႵლ ႼႵჄჄႹႾႷ ႿჅჄ Ⴑ ჀႱႹႾႵႴ ႷჂႿႱႾლ ႱႾႴ ႷႼႱჂႵႴ ႱჄ ჯჂჄႱჃႸႱ ჇႹჄႸ ႽჅჂႴႵჂႿჅჃ Ⴕ჉ႵჃნ

“ႩႿჅლ ႲმႲႹჄႳႸნნნ჏”

ჱႼႵႾႳႸႹႾႷ ႸႵჂ ႼႹჀჃ ႱႾႴ ჄჂႵႽႲႼႹႾႷ ჇႹჄႸ ჂႱႷႵლ ჃႸႵ ჂႱႾ ႿჅჄ ჄႸႵ ႴႿႿჂლ ჄႸႵႾ ჂႵჄჅჂႾႵႴ ჇႹჄႸ Ⴑ ჃႽႱႼႼ ႻႹჄႳႸႵႾ ႻႾႹႶႵ ႹႾ ႸႵჂ ႸႱႾႴნ

“ჲႹႵ჏”

ႤႸႵ ჇႿႽႱႾ ႳႸႱჂႷႵႴ ႱჄ ჯჂჄႱჃႸႱლ ႸႿႼႴႹႾႷ ჄႸႵ ႻႾႹႶႵნ

ჰჅჄ ႾႿჄႸႹႾႷ ႳႸႱႾႷႵႴნ

ჼႿჂႽႱႼႼ჉ლ ႱႾ ႿჀჀႿႾႵႾჄ ჇႿჅႼႴ ႶႼႹႾႳႸ ႹႶ Ⴑ ႻႾႹႶႵ ჇႱჃ ႸႵႼႴ ႹႾ Ⴑ ႸႱႾႴლ ႲჅჄ ჯჂჄႱჃႸႱ ႹႾჃჄႵႱႴ ႴႱჂჄႵႴ ႹႾჄႿ ႸႵჂ ႵႽႲჂႱႳႵნ

ჽႾႳႵ ႿႾ ჄႸႵ ჇჂႹჃჄლ ႱႾႴ ႿႾႳႵ ႿႾ ჄႸႵ ჃႿႼႱჂ ჀႼႵ჈ჅჃნ ჯჂჄႱჃႸႱ’Ⴣ ႻႾჅႳႻႼႵჃ ჃჄჂჅႳႻ ჄႸႵ ჇႿႽႱႾ ჀჂႵႳႹჃႵႼ჉ნ

“ჵႱჃჀნნნ჏”

ႤႸႵ ჇႿႽႱႾ ჃჄჅႽႲႼႵႴ ჇႹჄႸ Ⴑ ჀႱႹႾႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾლ ჄႸႵႾ ႳႿႼႼႱჀჃႵႴ ჇႵႱႻႼ჉ ჄႿ ჄႸႵ ႶႼႿႿჂნ

ႤႸႵ ႻႹჄႳႸႵႾ ႻႾႹႶႵ ჃႸႵ ჇႱჃ ႸႿႼႴႹႾႷ ჃႼႹჀჀႵႴ ႶჂႿႽ ႸႵჂ ႸႱႾႴ ႱႾႴ ႳႼႱჄჄႵჂႵႴ ჄႿ ჄႸႵ ႶႼႿႿჂნ

ჷჄ ჇႱჃ Ⴑ ႳႼႵႱႾლ ႶႼჅႹႴ ႽႿჄႹႿႾნ ჳ჆ႵႾ ႤႹႾႱლ Ⴑ ჃჄჂႱႾႷႵჂ ჄႿ ႶႹႷႸჄႹႾႷლ ႳႿჅႼႴႾვჄ ႸႵႼჀ ႲჅჄ ႱႴႽႹჂႵ ჄႸႵ ჀႵჂႶႵႳჄ ႽႿ჆ႵႽႵႾჄჃნ

“჻მ჻ႿჄႸႵჂნნნ”

ႧႱჃ ჄႸႵ ႿႾႵ ႤႹႾႱ ႳႱႼႼႵႴ ႿჅჄ ჄႿ ჯჂჄႱჃႸႱლ ႿჂ ჄႸႵ ჇႿႽႱႾ ჃჀჂႱჇႼႵႴ ႿႾ ჄႸႵ ႶႼႿႿჂჭ

ჶႿჇႵ჆ႵჂლ ႹჄ ჇႱჃ ჯჂჄႱჃႸႱ ჇႸႿ ჂႵჃჀႿႾႴႵႴნ

“ჯ ႶႱႼႼႵႾ ႶႱႽႹႼ჉ ႳႱႾႾႿჄ ႲႵ ჀჂႿჄႵႳჄႵႴ Ⴒ჉ ႹႾჄႵႼႼႵႳჄ ႱႼႿႾႵნ”

ჯჂჄႱჃႸႱ ႼႹႷႸჄႼ჉ ჂႿჄႱჄႵႴ ႸႵჂ ჇჂႹჃჄ ႱႾႴ ႼႿႿႻႵႴ ႱჄ ႤႹႾႱნ

“ႠႵჂႸႱჀჃნნნ ჷვ჆Ⴕ ႲႵႳႿႽႵ Ⴑ ჇႿႾႴႵჂႶჅႼ ႽႿჄႸႵჂ ჄႿ Ⴝ჉ ႴႱჅႷႸჄႵჂჭ”

ჴႿჂ Ⴑ ჇႸႹႼႵლ ႤႹႾႱ ႳႿჅႼႴ ႿႾႼ჉ ჃჄႱჂႵ ႲႼႱႾႻႼ჉ ႱჄ ჯჂჄႱჃႸႱვჃ ჃႽႹႼႵნ

ჯჂჄႱჃႸႱ ႷႵႾჄႼ჉ Ⴕ჈ჄႵႾႴႵႴ ႸႵჂ ႸႱႾႴნ ჯჃ ႹႶ ႵႾႳႸႱႾჄႵႴლ ႤႹႾႱ ჇႱჃ ႺჅჃჄ ႱႲႿჅჄ ჄႿ ჄႱႻႵ ႹჄნ

“ჲႱႽႾ ႹჄ჏”

ჯჄ ჄႸႵ ႴႹჃჄႿჂჄႵႴ ჇႿႽႱႾ’Ⴣ ჃႸႱჂჀ ႳჂ჉ლ ႤႹႾႱ’Ⴣ ႲႿႴ჉ ႶႼႹႾႳႸႵႴ ႱႷႱႹႾნ

ႤႸႵ ჇႿႽႱႾ ႷႼႱჂႵႴ ႱჄ ႤႹႾႱ ჇႹჄႸ ႽჅჂႴႵჂႿჅჃ Ⴕ჉ႵჃნ ჼႿ ႽႱჄჄႵჂ ႸႿჇ ႿႾႵ ႼႿႿႻႵႴ ႱჄ ႹჄლ ჄႸႱჄ ႷႱ჊Ⴕ ႳႿჅႼႴ ႾႿჄ ႲႵ ႳႿႾჃႹႴႵჂႵႴ ႿႾႵ ႴႹჂႵႳჄႵႴ ႱჄ Ⴑ ႴႱჅႷႸჄႵჂნ

“ႩႿჅ’ჂႵ ႳჂႱ჊჉ნნნ ჱႿႽႵ ჄႿ ႽႵ ჂႹႷႸჄ ႾႿჇ჏”

ჯჄ ჄႸႵ ჇႿႽႱႾ’Ⴣ ჇႿჂႴჃლ ႤႹႾႱ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჃჄჂႱႹႷႸჄႵႾႵႴ ႸႵჂ ႲႿႴ჉ნ

ႣႸႵ ჃႼႿჇႼ჉ ႽႿ჆ႵႴ ჄႿჇႱჂႴ ჄႸႵ ჇႿႽႱႾლ ႱჃ ႹႶ ႲჂႱႹႾჇႱჃႸႵႴნ

ჯ ჃႹႾႷႼႵ ჄႵႱჂ ჃჄჂႵႱႽႵႴ ჇႵႱႻႼ჉ ႴႿჇႾ ႤႹႾႱ’Ⴣ ႳႸႵႵႻნ

ႠႵჂႸႱჀჃ ჃႸႵ ჇႱჃ ႾႿჇ ჂႵჀჂႿႱႳႸႹႾႷ ႸႵჂჃႵႼႶლ ჄႸႹႾႻႹႾႷ ႿႶ ႸႵჂჃႵႼႶ ႱჃ Ⴑ ჀႱჄႸႵჄႹႳ ႱႾႴ ჃჅႶႶႿႳႱჄႹႾႷ ჀႵჂჃႿႾნ

ჰჅჄ ႤႹႾႱ ႳႿჅႼႴႾვჄ ႴႵႶ჉ ႸႵჂ ႽႿჄႸႵჂვჃ ႳႿႽႽႱႾႴნ

ႤႸႵ ႳჂႱႽჀႵႴ ჃႹႾႷႼႵ ჂႿႿႽ ჇႱჃ ႤႹႾႱ’Ⴣ ჇႿჂႼႴლ ႱႾႴ ჄႸႱჄ ჇႿႽႱႾ ჇႱჃ ႤႹႾႱ’Ⴣ ႱႲჃႿႼჅჄႵ ႴႵႹჄ჉ნ

“ჲႱჅႷႸჄႵჂნ”

ჯჂჄႱჃႸႱ ႷჂႱჃჀႵႴ ႤႹႾႱ’Ⴣ ჇჂႹჃჄნ

“ჺႿႿႻ ႹႾჄႿ Ⴝ჉ Ⴕ჉ႵჃნ”

ჯჂჄႱჃႸႱ Ⴕ჈ჄႵႾႴႵႴ ႸႵჂ ႿჄႸႵჂ ႸႱႾႴ ჄႿ ႤႹႾႱნ

“ჲႱႽႾ ႹჄლ ႱჂႵႾ’Ⴤ ჉ႿჅ ႳႿႽႹႾႷ ႸႵჂႵ ჂႹႷႸჄ ႾႿჇჭ჏”

ჯჄ ჄႸႵ ჇႿႽႱႾ’Ⴣ ჅჂႷႹႾႷლ ႤႹႾႱ’Ⴣ ႲႿႴ჉ ჄჂႵႽႲႼႵႴ Ⴕ჆ႵႾ ႽႿჂႵ ჆ႹႿႼႵႾჄႼ჉ნ

ႩႵჄლ ႤႹႾႱ ႴႹႴႾვჄ ႽႿ჆Ⴕ Ⴑ ჃႹႾႷႼႵ ჃჄႵჀნ ႣႸႵ ჃႹႽჀႼ჉ ჃჄႿႿႴ ჃჄႹႼႼლ ႱႼჄႵჂႾႱჄႹႾႷ ႸႵჂ ႷႱ჊Ⴕ ႲႵჄჇႵႵႾ ჯჂჄႱჃႸႱვჃ ႸႱႾႴ ႱႾႴ ჄႸႵ ჇႿႽႱႾნ

“ႩႿჅ ႴႿႾ’Ⴤ ႾႵႵႴ ჄႿ ႲႵ ႱႶჂႱႹႴნ”

ჯჂჄႱჃႸႱ ჁჅႹႵჄႼ჉ ႿႶႶႵჂႵႴ ႳႿჅჂႱႷႵ ჄႿ ჄႸႵ ႸႵჃႹჄႱႾჄ ႤႹႾႱნ

“ჺႵჄ’Ⴣ ႷႿ ჄႿ ჄႸႵ ჀႵႿჀႼႵ ჇႸႿ ჄჂჅႼ჉ ႼႿ჆Ⴕ ჉ႿჅნ”

ჺႿ჆Ⴕნ

ჯჄ ჄႸႱჄ ႿႾႵ ჇႿჂႴლ ႤႹႾႱ’Ⴣ Ⴕ჉ႵჃ ჇႹႴႵႾႵႴნ

“ჺႿ჆Ⴕჭ ჶႱლ ჉ႿჅ ႲႵႼႹႵ჆Ⴕ ჃჅႳႸ ႾႿႾჃႵႾჃႵჭ”

ႤႸႵ ჇႿႽႱႾ ჂႵႱႳჄႵႴ ჆ႹႿႼႵႾჄႼ჉ ჄႿ ჄႸႵ ჇႿჂႴ ႼႿ჆Ⴕნ

ႣႸႵ ႴႹႴႾვჄ ႺჅჃჄ ႴႵႾ჉ ႹჄჩ ჃႸႵ ჄჇႹჃჄႵႴ ႸႵჂ ႶႱႳႵ ႱჃ ႹႶ ჃႸႵ ႴႵჄႵჃჄႵႴ ႹჄნ

“ჷ ჄႿႼႴ ჉ႿჅ჏ ჺႿ჆Ⴕ ႹჃ ႾႿჄႸႹႾႷ ႽႿჂႵ ჄႸႱႾ ႽႿႽႵႾჄႱჂ჉ ႼჅჃჄ჏ ჸჅჃჄ ႱჃ ჉ႿჅჂ ႶႱჄႸႵჂ ႱႲႱႾႴႿႾႵႴ ჅჃლ ჉ႿჅ ჄႿႿ ჇႹႼႼ ႲႵ ႴႹჃႳႱჂႴႵႴ ႼႹႻႵ Ⴑ ჇႿჂႾმႿჅჄ ჃႸႿႵ ႱႶჄႵჂ ჉ႿჅ ჃႼႵႵჀ ჇႹჄႸ ჃႿႽႵႿႾႵ჏”

ႤႸႵ ჇႿႽႱႾლ ჇႸႿ ႸႱႴ Ⴕ჈ჀႵჂႹႵႾႳႵႴ ჄႸႵ ჄჂႱႷႹႳ ႵႾႴ ႿႶ ႼႿ჆Ⴕ ჇႹჄႸ ႸႵჂ ႵႾჄႹჂႵ ႲႵႹႾႷლ ႳჂႹႵႴ ႿჅჄ ႱჃ ႹႶ ჃႳჂႵႱႽႹႾႷნ

ႤႸႵႾლ ჇႹჄႸ Ⴑ ႽႿႳႻႹႾႷლ ჇჂႵჄႳႸႵႴ ჃႽႹႼႵლ ჃႸႵ ႷႼႱჂႵႴ ჃႸႱჂჀႼ჉ ႱჄ ჯჂჄႱჃႸႱნ

“ჷ’Ⴝ ჃႿჂჂ჉ლ ႲჅჄ Ⴝ჉ ႳႸႹႼႴ ႴႿႵჃႾ’Ⴤ ႲႵႼႹႵ჆Ⴕ ႹႾ ႼႿ჆Ⴕნ ჲႿႾ’Ⴤ ჇႸႹჃჀႵჂ ჃჅႳႸ ჃႵႼႶႹჃႸ ႶႵႵႼႹႾႷჃნ”

ჯჂჄႱჃႸႱ ႴႹႴ ႾႿჄ ჂႵႱႳჄ ჄႿ ႸႵჂ ჇႿჂႴჃ ႱჄ ႱႼႼნ

ႣႸႵ ჃႹႽჀႼ჉ ႷႱ჊ႵႴ ႱჄ ႤႹႾႱლ ჁჅႹႵჄႼ჉ Ⴕ჈ჄႵႾႴႹႾႷ ႸႵჂ ႸႱႾႴ ႱႾႴ ჇႱႹჄႹႾႷნ

“ჲႿ ჉ႿჅ ჄჂჅႼ჉ ႾႿჄ ႻႾႿჇ ჇႸႱჄ ႼႿ჆Ⴕ ႹჃჭ”

ႧႸႵႾ ႴႹႴ ႹჄ ႲႵႷႹႾჭ

ႤႹႾႱ’Ⴣ ႷႱ჊Ⴕ ႾႿ ႼႿႾႷႵჂ ჇႱ჆ႵჂႵႴჩ ႹჄ ჇႱჃ ႶႹ჈ႵႴ ჃႿႼႵႼ჉ ႿႾ ჯჂჄႱჃႸႱნ

“ჷნნნ”

ჯჃ ჄႸႵ ჇႿႽႱႾ ჃႱႹႴლ ႤႹႾႱ ႴႹႴႾ’Ⴤ ႲႵႼႹႵ჆Ⴕ ႹႾ ႼႿ჆Ⴕნ

ႣႸႵ ႳႿႾჃႹႴႵჂႵႴ ႹჄ Ⴑ ႶႵႵႼႹႾႷ ႱჂႹჃႹႾႷ ႽႵჂႵႼ჉ ႶჂႿႽ ჄႸႵ ჃႹႽჀႼႵ ႴႵჃႹჂႵ ჄႿ ႲႵ ႹႾჄႹႽႱჄႵ ჇႹჄႸ ჃႿႽႵႿႾႵნ

ႣႿლ ჃႸႵ ჄႿႿႻ ႼႿ჆Ⴕ ႼႹႷႸჄႼ჉ლ ႱႾႴ Ⴕ჆ႵႾ ჇႸႵႾ ჂႵჀႱ჉ႹႾႷ ჻ႱჂႴႹႱႾ ႶႿჂ ႸႵჂ ჃႹႾჃლ ჃႸႵ ჄႸႿჅႷႸჄ ႱႼႼ ჃႸႵ ႸႱႴ ჄႿ ႴႿ ჇႱჃ ႿႶႶႵჂ ႸႵჂ ႲႿႴ჉ნ

ჯႶჄႵჂ ႱႼႼლ ჃႸႵ ႲႵႼႹႵ჆ႵႴ ჄႸႱჄ ჇႸႱჄ ჻ႱჂႴႹႱႾ ჅႼჄႹႽႱჄႵႼ჉ ჇႱႾჄႵႴ ჇႱჃ ႸႵჂ ႲႿႴ჉ნ

ჰჅჄლ ႹჄ ჇႱჃႾ’Ⴤნ

჻ႱჂႴႹႱႾ ჄႸჂႵჇ ႸႵჂ ႲႿႴ჉ ႿႾ ჄႸႵ ႼႹႾႵ ႶႿჂ ႤႹႾႱნ

ႧႹჄႸ ჄႸႱჄ ჀႱჃჃႹႿႾႱჄႵ ႷႱ჊Ⴕლ ჃႸႵ ჂႹჃႻႵႴ ႸႵჂ ႼႹႶႵ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾნ

჻ႱჂႴႹႱႾ ႸႱႴ ႳႼႵႱჂႼ჉ ჃႸႿჇႾ ႤႹႾႱ ჇႸႱჄ ჄჂჅႵ ႼႿ჆Ⴕ ჇႱჃნ

“ჷნნნ ჷ ႻႾႿჇნ”

ႤႸႱჄ’Ⴣ ჇႸ჉ ႤႹႾႱ ჄႿႿႻ ჯჂჄႱჃႸႱ’Ⴣ ႸႱႾႴნ

ჰႵႳႱჅჃႵ ჃႸႵ ႾႿ ႼႿႾႷႵჂ ჇႱႾჄႵႴ ჄႿ ႹႷႾႿჂႵ ჄႸႵ ჃႹႾႳႵჂႹჄ჉ ႿႶ ჻ႱჂႴႹႱႾლ ჇႸႿ ႸႱႴ ჄႱჅႷႸჄ ႸႵჂ ჇႸႱჄ ႼႿ჆Ⴕ ჇႱჃნ

ႦႹ჆ႹႱႾႱლ ჺႹႼႼႹႱႾლ ႱႾႴ ჼႹႱნ

ႣႸႵ ჄႿႿႻ Ⴑ ჃჄႵჀ ႶႿჂჇႱჂႴ ჄႿ ႾႿ ႼႿႾႷႵჂ ႴႵႾ჉ ჄႸႱჄ ჄႸႵ ႶႵႵႼႹႾႷჃ ჄႸႵ჉ ႳႿႾ჆Ⴕ჉ႵႴ ჇႵჂႵ ႾႿჄ ႽႵჂႵ ႼჅჃჄნ

ჯႾႴ ႽႿჃჄ ႿႶ ႱႼႼნ

ჰႵႳႱჅჃႵ ჃႸႵ ჇႱႾჄႵႴ ჄႿ ႲႵ ႸႱჀჀ჉ ჇႹჄႸ ჯჂჄႱჃႸႱლ ჇႸႿ ႸႱႴ ჂჅჃႸႵႴ ႹႾჄႿ ჄႸႹჃ ႸႵႼႼ ჄႿ ჃႱ჆Ⴕ ႸႵჂნ

ჯ ჃႽႱႼႼლ ႴႵႼႹႳႱჄႵ ႸႱႾႴ ႳႱჂႵႶჅႼႼ჉ ႱႾႴ ႵႱჂႾႵჃჄႼ჉ ႷჂႹჀჀႵႴ ჯჂჄႱჃႸႱ’Ⴣ ႸႱႾႴნ

ႤႹႾႱ’Ⴣ ႼႹჀჃ ჀႱჂჄႵႴნ

ჯႶჄႵჂ ႽჅႳႸ ႵႶႶႿჂჄლ ႤႹႾႱ ჇႱჃ ႱႲႼႵ ჄႿ ჅჄჄႵჂ ჄႸႵ ჇႿჂႴჃ ჄႸႱჄ ႻႵჀჄ ႳႱჄႳႸႹႾႷ ႹႾ ႸႵჂ ჄႸჂႿႱჄ ჄႿ ჯჂჄႱჃႸႱნ

“ჷნნნ ჷ ႼႿ჆Ⴕ ჉ႿჅლ ჻ႿႽნნნ”

ჯ ჃႽႱႼႼლ ჄჂႵႽႲႼႹႾႷ ႳႿႾႶႵჃჃႹႿႾნ

ჰჅჄ ჄႸႿჃႵ ჇႿჂႴჃ ႳႼႵႱჂႼ჉ ჂႵႱႳႸႵႴ ჯჂჄႱჃႸႱ’Ⴣ ႵႱჂჃნ

ჴႿჂ Ⴑ ႽႿႽႵႾჄლ ჯჂჄႱჃႸႱ’Ⴣ Ⴕ჉ႵჃ ჇႹႴႵႾႵႴნ ႤႸႵ ჃჅჂჀჂႹჃႵ ჁჅႹႳႻႼ჉ ჄჅჂႾႵႴ ႹႾჄႿ Ⴑ ჃႽႹႼႵლ ႱႾႴ ჃႸႵ ႵႽႲჂႱႳႵႴ ႤႹႾႱ ႴႵႵჀႼ჉ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾნ

“ჺႵჄ’Ⴣ ႷႿ ႸႿႽႵლ Ⴝ჉ ႴႱჅႷႸჄႵჂნ”

ჲႱჅႷႸჄႵჂ ႱႾႴ ႽႿჄႸႵჂნ

ჯႼჄႸႿჅႷႸ ჄႸႵ჉ ჇႵჂႵႾვჄ ჂႵႼႱჄႵႴ Ⴒ჉ ႲႼႿႿႴლ ႾႿ ႿႾႵ ჇႿჅႼႴ ႾႿჇ ႴႿჅႲჄ ႿჂ ႴႵႾ჉ ჄႸႵႹჂ ჂႵႼႱჄႹႿႾჃႸႹჀნ

ႤႸႵ ႽႿႽႵႾჄ ჄႸႵႹჂ ႸႱႾႴჃ ႹႾჄႵჂჄჇႹႾႵႴლ Ⴑ ჀჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ႲႼႿႿႽႵႴ ႲႵჄჇႵႵႾ ჄႸႵႽნ

ႤႸႵ ႼႹႷႸჄ ჃჀჂႵႱႴ ჁჅႹႵჄႼ჉ ႲჅჄ ჅႾჂႵჃჄჂႱႹႾႵႴႼ჉ლ ႵႾႴႼႵჃჃႼ჉ Ⴔ჉ႵႹႾႷ ჄႸႵ ჃჀႱႳႵლ ჇႸႹႳႸ ႸႱႴ ႿႾႼ჉ ႲႵႵႾ ႴႱჂႻႾႵჃჃლ ჇႹჄႸ ჇႱჂႽჄႸ ႱႾႴ ႲჂႹႼႼႹႱႾႳႵნ

ႢჅႽႲႼႵ—

ႤႸႵ ႷჂႿჅႾႴ ჄჂႵႽႲႼႵႴლ ႱႾႴ ჄႸႵ ႳႵႹႼႹႾႷ ႳჂႱႳႻႵႴნ

ჴჂႱႷႽႵႾჄჃ ႿႶ ႴႱჂႻႾႵჃჃ ჃႸႱჄჄႵჂႵႴ ႹႾჄႿ ჀႹႵႳႵჃ Ⴒ჉ ჄႸႵ ႼႹႷႸჄ ႱႾႴ ႳჂჅႽႲႼႵႴ ႴႿჇႾნ

ႧႹჄႸႹႾ ჄႸႵ ႳႿႼႼႱჀჃႹႾႷ ჃჀႱႳႵლ ჯჂჄႱჃႸႱ ႾႵ჆ႵჂ ႼႵჄ ႷႿ ႿႶ ႤႹႾႱ’Ⴣ ႸႱႾႴნ

ႤႹႾႱ ႱႼჃႿ ႸႵႼႴ ႸႵჂ ႸႱႾႴ ჄႹႷႸჄႼ჉ლ ႴႵჃჀႵჂႱჄႵႼ჉ ႳႼႹႾႷႹႾႷ ႿႾნ

ႤႸႵ ჀჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ႶႹႼႼႹႾႷ ჄႸႵ ჃჅჂჂႿჅႾႴႹႾႷჃ ႵႾ჆ႵႼႿჀႵႴ ჄႸႵ ჄჇႿ ჇႿႽႵႾნ

ႤႸႱჄ ႼႹႷႸჄ ႶჅႼႼ჉ ჀჂႿჄႵႳჄႵႴ ჄႸႵ ႽႿჄႸႵჂ ႱႾႴ ႴႱჅႷႸჄႵჂ ႶჂႿႽ ჄႸႵ ႳႿႼႼႱჀჃႹႾႷ ႴႱჂႻႾႵჃჃნ

ჯჂჄႱჃႸႱ ჁჅႹႵჄႼ჉ ჄჅჂႾႵႴ ႸႵჂ ႷႱ჊Ⴕ Ⴟ჆ႵჂ ႤႹႾႱ’Ⴣ ჃႸႿჅႼႴႵჂნ

ႤႸႵჂႵლ ჄႸႵ ႲႼႱႳႻმႸႱႹჂႵႴ ჇႿႽႱႾ ჇႱჃ ჃႹჄჄႹႾႷლ ႼႿႿႻႹႾႷ ႱჄ ႤႹႾႱნ

ჰჅჄ ႹჄ ჇႱჃ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ႲႵႶႿჂႵნ

ჼႵႹჄႸႵჂ ჄႸႵ ჃႱႽႵ ႱႾႷႵჂ ႾႿჂ ႸႱჄჂႵႴ ႱჃ ႲႵႶႿჂႵ ჇႱჃ ႵჄႳႸႵႴ ႿႾ ႸႵჂ ႶႱႳႵნ

ႢႱჄႸႵჂლ ჃႸႵ ჇႱჃ ჃႽႹႼႹႾႷნ

ჯႾႴ ჄႸႱჄ ჃႽႹႼႵ ჇႱჃნ

ႤႸႵ ჃႱႽႵ ႷႵႾჄႼႵლ ႽႿჄႸႵჂႼ჉ ჃႽႹႼႵ ႱჃ ჯჂჄႱჃႸႱ’Ⴣნ

ႤႸႱჄ ჅႾႴႵႾႹႱႲႼ჉ ႲႵႱჅჄႹႶჅႼ ჃႽႹႼႵნ

ႤႸႵ ႼႿ჆ႹႾႷ ჃႽႹႼႵ ႤႹႾႱ ႸႱႴ ჃႿ ႴႵჃჀႵჂႱჄႵႼ჉ ჇႱႾჄႵႴ ჄႿ ჃႵႵნ

ჯჂჄႱჃႸႱ ჃჄႱჂႵႴ ႱჄ ႸႵჂლ ႸႵჂ Ⴕ჉ႵჃ ჇႹႴႵ ႱႾႴ ႲႼႱႾႻნ

ႤႸႵ ჇႿႽႱႾ’Ⴣ ႼႹჀჃ ႽႿ჆ႵႴ ჃႹႼႵႾჄႼ჉ნ

ႫႠႼႵႱჃႵ ჄႱႻႵ ႷႿႿႴ ႳႱჂႵ ႿႶ Ⴝ჉ ႳႸႹႼႴნႭ

ჼႿ ჆ႿႹႳႵ ჇႱჃ ႸႵႱჂႴლ ႲჅჄ ႸႵჂ ႷႱ჊Ⴕ ჃჀႿႻႵ ჆ႿႼჅႽႵჃნ

“ნნნႩႵჃნ”

ჯჂჄႱჃႸႱ ჁჅႹႵჄႼ჉ ჂႵჀႼႹႵႴნ

ჵႱ჊ႹႾႷ ႱჄ ႸႵჂ ჃႹႾႳႵჂႵႼ჉ლ ჃႸႵ ჃႼႿჇႼ჉ ႾႿႴႴႵႴ ႸႵჂ ႸႵႱႴნ

ႤႸႵ ჀჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ႵႾ჆ႵႼႿჀႵႴ ჄႸႵ ჇႿႽႱႾნ ჷႾ Ⴑ ႲჂႹႵႶ ჃႹႼႵႾႳႵლ ႸႵჂ ჀႸ჉ჃႹႳႱႼ ႶႿჂႽ ႷჂႱႴჅႱႼႼ჉ ႶႱႴႵႴ ႱჇႱ჉ნ

ႤჅჂႾႹႾႷ ႹႾჄႿ ႼႹႷႸჄნ

ႣႸႹႾႹႾႷ ႽႿჂႵ ႲႵႱჅჄႹႶჅႼႼ჉ ჄႸႱႾ ႱႾ჉ႿႾႵ ႵႼჃႵნ

ႤႸჅჃლ ჃႸႵ ႴႹჃႱჀჀႵႱჂႵႴ ႹႾჄႿ ჄჂჅႵ ჀႵႱႳႵნ

ჶႵႼႼნ

ჯႾ ႹႾႶႹႾႹჄႵႼ჉ ჆ႱჃჄლ ႴႵჃႿႼႱჄႵ ႼႱႾႴნ

ႤႸႵჂႵლ Ⴕ჆ႵჂ჉ႿႾႵ ႸႵႼႴ ჄႸႵႹჂ ႲჂႵႱჄႸლ ჇႱႹჄႹႾႷ ჁჅႹႵჄႼ჉ნ

ႣႿႿႾლ ჅႾႴႵჂ Ⴕ჆ႵჂ჉ႿႾႵვჃ ႱႾ჈ႹႿჅჃ ႷႱ჊ႵჃლ Ⴑ ႳႸႱႾႷႵ ႶႹႾႱႼႼ჉ ႲႵႷႱႾ ႹႾ ჄႸႵ ႲႼႱႳႻ ჃჀႸႵჂႵნ

ႤႸႵ ჃჀႸႵჂႵ ႿႶ ႴႱჂႻႾႵჃჃ ჃႼႿჇႼ჉ ႽႵႼჄႵႴ ႱჇႱ჉ლ ჂႵ჆ႵႱႼႹႾႷ ჄႸႵ ႶႹႷჅჂႵჃ ႿႶ ჄჇႿ ჇႿႽႵႾ ჄႸჂႿჅႷႸ ႹჄჃ ႳჂႱႳႻჃნ

ႤႸႵ჉ ჇႵჂႵ ႸႿႼႴႹႾႷ ႵႱႳႸ ႿჄႸႵჂვჃ ႸႱႾႴჃ ჄႵႾႴႵჂႼ჉ნ

“ႤႹႾႱ჏჏”

ႤႸႵ ႣႱႹႾჄႵჃჃლ ჄႸႵ ჯჂႳႸႴჅႳႸႵჃჃლ ႱႾႴ ჄႸႵ ჲႵႽႿႾნ

ႤႸႵ ჄႸჂႵႵ ჇႿႽႵႾ ჇႸႿ ႸႱႴ ႲႵႵႾ ႱႾ჈ႹႿჅჃႼ჉ ჇႱႹჄႹႾႷ ႶႿჂ ႸႵჂ ჂჅჃႸႵႴ Ⴟ჆ႵჂლ Ⴑ ჃႽႹႼႵ ႿႶ ჂႵႼႹႵႶ ႿႾ ჄႸႵႹჂ ႼႹჀჃნ

ႤႸႵ ჯჂႳႸႴႵႽႿႾლ ႼႿႿႻႹႾႷ ႴႿჇႾ ႱჄ ჄႸႵႽლ ႷႾႱჇႵႴ ႱჄ ႸႵჂ ႼႹჀჃ ჇႹჄႸ Ⴑ ႷჂႹႽ ႶႱႳႵლ ჇႸႹႼႵ ჄႸႵ ჵႿႴႴႵჃჃ ႷႱ჊ႵႴ ႱჄ ჄႸႵ ჯჂႳႸႴႵႽႿႾ ჇႹჄႸ ჃႵჂႵႾႵ Ⴕ჉ႵჃნ

“ჷჄ ႴႹႴႾ’Ⴤ ႷႿ ჉ႿჅჂ ჇႱ჉ლ ႴႹႴ ႹჄჭ”

ჯ ႶႱႹႾჄ ჃႽႹႼႵ ႲႼႿჃჃႿႽႵႴ ႿႾ ჄႸႵ ჵႿႴႴႵჃჃ’Ⴣ ႼႹჀჃნ

ჲႱ჊჊ႼႹႾႷ ႼႹႷႸჄ ႲჅჂჃჄ ႶႿჂჄႸ ႱჂႿჅႾႴ ႸႵჂ ჇႹႾႷჃ ႱႾႴ ჀႼჅႾႷႵႴ ႴႿჇႾ ჄႿჇႱჂႴჃ ჄႸႵ ჯჂႳႸႴႵႽႿႾნ

“ჷჄ’Ⴣ ჄႹႽႵ ჄႿ ჀႱ჉ ႶႿჂ ჉ႿჅჂ ჃႹႾჃნ”

ႤႸႵ ჯჂႳႸႴႵႽႿႾ ჄჂႹႵႴ ჄႿ ႶႼႵႵ ႹႽႽႵႴႹႱჄႵႼ჉ლ ႲჅჄ ჄႸႵ ჀჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄ ႾႵ჆ႵჂ ႼႵჄ ႸႵჂ ႷႿნ

ႫჯႱႱႱჂႷႸ჏჏Ⴍ

ჳႾ჆ႵႼႿჀႵႴ ႹႾ ჄႸႵ ჀჅჂႵ ჇႸႹჄႵ ႼႹႷႸჄლ ჄႸႵ ჯჂႳႸႴႵႽႿႾ ႼႵჄ ႿჅჄ Ⴑ ႽႿႾჃჄჂႿჅჃ ჃႳჂႵႱႽნ

ჰჅჄ ჄႸႵ ჵႿႴႴႵჃჃ ჃႹႽჀႼ჉ ႹႷႾႿჂႵႴ ႹჄლ ႼႿჇႵჂႹႾႷ ႸႵჂ ႷႱ჊Ⴕ ႴႿჇႾჇႱჂႴჃ ႱႷႱႹႾნ

ႣႸႵ ႼႿႿႻႵႴ ႱჄ ႸႵჂ ႲႵႼႿ჆ႵႴ ႱႾႴ ႱႴႽႹჂႱႲႼႵ ႴႵ჆ႿჄႵႵნ

ჶႿჇႵ჆ႵჂლ ႱჄ ჄႸႵ ჃႿႽႵჇႸႱჄ ჅႾႶႱႽႹႼႹႱჂ ႱჀჀႵႱჂႱႾႳႵ ႿႶ ႸႵჂ ႴႵ჆ႿჄႵႵლ ჄႸႵ ჵႿႴႴႵჃჃ’Ⴣ Ⴕ჉ႵႲჂႿჇჃ ჃჅႲჄႼ჉ ႽႿ჆ႵႴნ

“ნნნჶႽჭ”

ႣႿႽႵჄႸႹႾႷ ჇႱჃ ჃჄჂႱႾႷႵნ

ႠႵჂႸႱჀჃ ႹჄ ჇႱჃ Ⴑ ႴႹႶႶႵჂႵႾჄ ႱჀჀႵႱჂႱႾႳႵ ჄႸႱႾ ჅჃჅႱႼნ

ႤႹႾႱ’Ⴣ ႶႱႳႵ ჇႱჃ ႾႿჄႹႳႵႱႲႼ჉ ჂႵႴლ ႱႾႴ ჃႸႵ ႳႿჅႼႴႾვჄ ႻႵႵჀ ჃჄႹႼႼლ ႶႹႴႷႵჄႹႾႷ ႱႾႴ ჀႱჂჄႹႾႷ ႸႵჂ ႼႹჀჃ ႾႵჂ჆ႿჅჃႼ჉ნ

ჷჄ ჇႱჃႾვჄ ႺჅჃჄ ჄႸႵ ჵႿႴႴႵჃჃნ

ჺႹႼႼႹႱႾლ ႦႹ჆ႹႱႾႱლ ჼႹႱლ ႱႾႴ ჯჂჄႱჃႸႱნ

ჳ჆ႵჂ჉ႿႾႵ Ⴕ჈ႳႸႱႾႷႵႴ ჇႿჂჂႹႵႴ ႷႼႱႾႳႵჃ ႱჃ ჄႸႵ჉ ჃႱჇ ႤႹႾႱ’Ⴣ ႶႼჅჃႸႵႴ ჂႵႴ ႶႱႳႵნ

ჯႶჄႵჂ ჄჇႹჃჄႹႾႷ ႸႵჂ ႼႵႷჃ ႶႿჂ Ⴑ ႼႿႾႷ ჄႹႽႵ ႱႾႴ ႶႹႴႷႵჄႹႾႷ ჂႵჃჄႼႵჃჃႼ჉ლ ႤႹႾႱ ႶႹႾႱႼႼ჉ ႲႿჇႵႴ ႸႵჂ ႸႵႱႴ ႴႵႵჀႼ჉ნ

ႣႸႵ ႳႱჂႵႶჅႼႼ჉ ႱႾႴ ჃჅႲჄႼ჉ ჀჅႼႼႵႴ ႸႵჂ ႸႱႾႴ ႱჇႱ჉ ႶჂႿႽ ჯჂჄႱჃႸႱვჃნ

“ნნნႩႿჅ’ჂႵ ჄႿႿ ႶႱჃჄნ”

ჯ ჃႽႱႼႼ ჆ႿႹႳႵ ႼႵႱႻႵႴ ႶჂႿႽ ႸႵჂ ႼႹჀჃნ

ႧႸႵႾ ჯჂჄႱჃႸႱ ჄჂႹႵႴ ჄႿ ჄႱႻႵ ႸႵჂ ႸႱႾႴ ႱႷႱႹႾლ ႤႹႾႱ ჁჅႹႳႻႼ჉ ႴႿႴႷႵႴლ ႸႹႴႹႾႷ ႸႵჂ ႸႱႾႴ ႲႵႸႹႾႴ ႸႵჂ ႲႱႳႻნ

“ნნნჲႱჅႷႸჄႵჂჭ”

“ႥႸლ ჻ႿჄႸႵჂნნნ Ⴕ჆ႵႾ ႹႶ ჇႵ ႱჂႵ ႽႿჄႸႵჂ ႱႾႴ ႴႱჅႷႸჄႵჂნნნ”

ႤႹႾႱ’Ⴣ ႵႱჂჃ ჇႵჂႵ ႶႼჅჃႸႵႴ ჂႵႴლ ႱႾႴ ႱჃ ჃႸႵ ჃჄႱႽႽႵჂႵႴ ჄႵႱჂႶჅႼႼ჉ლ Ⴕ჆ႵჂ჉ႿႾႵ’Ⴣ Ⴕ჈ჀჂႵჃჃႹႿႾჃ ჃჅႲჄႼ჉ ႳႸႱႾႷႵႴნ

“ჼႿლ ႾႿ ႹႾჄႹႽႱჄႵ ჄႸႹႾႷჃნნნ”

“ჶჅႸჭ”

ჯჄ ჄႸႵ ჅႾႵ჈ჀႵႳჄႵႴ ჇႿჂႴჃლ ჯჂჄႱჃႸႱ ႲႼႹႾႻႵႴ ႹႾ ႲႵჇႹႼႴႵჂႽႵႾჄნ

“ჶმႸႿႼႴႹႾႷ ႸႱႾႴჃნნნ”

“ႧႸႱჄ’Ⴣ ჇჂႿႾႷ ჇႹჄႸ ႸႿႼႴႹႾႷ ႸႱႾႴჃჭ”

“ႤმჄႸႹჃ ႻႹႾႴ ႿႶ ჄႸႹႾႷნნნ Ⴑ ႼႹჄჄႼႵნნნ ჃႼႿჇႼ჉ნნნ”

“ნნნჭ”

ჴႿჂ ႤႹႾႱლ ჇႸႿ ႸႱႴ ႿႾႼ჉ ႺჅჃჄ ႾႿჇ ჅႾႴႵჂჃჄႿႿႴ ჄႸႵ ႵႽႿჄႹႿႾ ႿႶ ႼႿ჆Ⴕნ

ჳ჆ႵႾ Ⴑ ჃႹႽჀႼႵ ႸႱႾႴმႸႿႼႴႹႾႷ ႸႱႴ ႲႵႳႿႽႵ ჃჅႳႸ Ⴑ ႲႿႼႴ ჀႸ჉ჃႹႳႱႼ ႳႿႾჄႱႳჄ ჄႸႱჄ ႹჄ ჃჄჂႱႹႾႵႴ ႸႵჂ ႸႵႱჂჄნ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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