Tales of the Taisho Era Flowers Bloom Late

Chapter 48

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᯏᮣ ᯗ ᮢᮑᮙᮣᮕᮔ ᮝᮩ ᮘᮑᮞᮔᮺ ᮤᮘᮕ ᮡᮥᮙᮕᮤ ᮣᮟᮥᮞᮔ ᮟᮖ ᮧᮑᮤᮕᮢ ᮣᮠᮢᮕᮑᮔ ᮤᮘᮢᮟᮥᮗᮘᮟᮥᮤ ᮤᮘᮕ ᮒᮑᮤᮘᮢᮟᮟᮝᮼ

ᯖᮝ ᮘᮝᮝᮮ

ᯏ ᮘᮥᮝ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮕᮣᮓᮑᮠᮕᮔ ᮝᮩ ᮜᮙᮠᮣ ᮙᮞ ᮤᮘᮕ ᮧᮑᮢᮝ ᮧᮑᮤᮕᮢᮼ ᯗ ᮓᮥᮠᮠᮕᮔ ᮝᮩ ᮘᮑᮞᮔᮣᮺ ᮗᮕᮞᮤᮜᮩ ᮜᮙᮖᮤᮕᮔ ᮤᮘᮕ ᮖᮜᮟᮧᮕᮢ ᮠᮕᮤᮑᮜᮣ ᮖᮜᮟᮑᮤᮙᮞᮗ ᮟᮞ ᮤᮘᮕ ᮒᮑᮤᮘᮤᮥᮒᮺ ᮑᮞᮔ ᮙᮞᮘᮑᮜᮕᮔ ᮤᮘᮕᮙᮢ ᮣᮓᮕᮞᮤᮼ ᮄᮘᮕ ᮣᮧᮕᮕᮤ ᮑᮞᮔ ᮕᮞᮓᮘᮑᮞᮤᮙᮞᮗ ᮑᮢᮟᮝᮑ ᮓᮑᮜᮝᮕᮔ ᮝᮩ ᮝᮙᮞᮔᮼ

ᮃᮜᮟᮧᮜᮩᮺ ᯗ ᮣᮤᮕᮠᮠᮕᮔ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮒᮑᮤᮘᮤᮥᮒ ᮑᮞᮔ ᮧᮢᮑᮠᮠᮕᮔ ᮑ ᮤᮟᮧᮕᮜ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᮒᮟᮔᮩᮼ ᮇᮑᮤᮕᮢ ᮔᮢᮟᮠᮜᮕᮤᮣ ᮔᮢᮙᮠᮠᮕᮔ ᮖᮢᮟᮝ ᮝᮩ ᮣᮤᮙᮜᮜᮻᮔᮑᮝᮠ ᮘᮑᮙᮢᮺ ᮒᮥᮤ ᯗ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢ ᮧᮙᮤᮘ ᮑ ᮝᮙᮣᮓᮘᮙᮕᮦᮟᮥᮣ ᮣᮝᮙᮜᮕᮼ

“ᯗᮢᮙᮣᮺ ᯗ’ᮝ ᮑᮜᮜ ᮔᮟᮞᮕ ᮒᮑᮤᮘᮙᮞᮗᮼ”

ᯗᮢᮙᮣᮺ ᮧᮘᮟ ᮧᮑᮣ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮟᮥᮤᮣᮙᮔᮕ ᮤᮘᮕ ᮔᮟᮟᮢᮺ ᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮤ ᮝᮩ ᮓᮑᮜᮜᮼ ᯖᮕᮢ ᮒᮜᮑᮓᮛ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔ ᮙᮞ ᮣᮥᮢᮠᮢᮙᮣᮕᮺ ᮤᮘᮕᮞ ᮣᮘᮕ ᮡᮥᮙᮓᮛᮜᮩ ᮑᮦᮕᮢᮤᮕᮔ ᮘᮕᮢ ᮗᮑ᮪ᮕᮼ ᯏ ᮜᮙᮗᮘᮤ ᮒᮜᮥᮣᮘ ᮣᮠᮢᮕᮑᮔ ᮑᮓᮢᮟᮣᮣ ᮘᮕᮢ ᮖᮑᮓᮕᮼ

“ᯓᮕᮛᮼᮼᮼᮯ”

ᯗᮢᮙᮣ’ᮣ ᮦᮟᮙᮓᮕᮺ ᮧᮘᮙᮓᮘ ᯗ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮘᮕᮑᮢᮔ ᮣᮙᮞᮓᮕ ᮟᮥᮢ ᮖᮙᮢᮣᮤ ᮝᮕᮕᮤᮙᮞᮗᮺ ᮕᮣᮓᮑᮠᮕᮔ ᮘᮕᮢ ᮜᮙᮠᮣᮼ ᯗ ᮘᮑᮔ ᮖᮕᮜᮤ ᮙᮤ ᮤᮘᮕᮞᮺ ᮒᮥᮤ ᯗᮢᮙᮣ’ᮣ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮑᮣ ᮓᮑᮜᮝ ᮑᮞᮔ ᮓᮟᮟᮜ ᮑᮣ ᮘᮕᮢ ᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕᮼ

“ᯖᮕᮘᮕᮺ ᯗ ᮚᮥᮣᮤ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮠᮜᮑᮩ ᮑ ᮠᮢᮑᮞᮛᮼ”

ᯗᮢᮙᮣ ᮗᮜᮑᮢᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮣᮘᮑᮢᮠ ᮗᮑ᮪ᮕᮼ

ᮇᮕᮜᮜᮺ ᯗ ᮘᮑᮔ ᮣᮘᮟᮧᮞ ᮝᮩ ᮒᮑᮢᮕ ᮒᮟᮔᮩᮺ ᮒᮥᮤ ᯗ ᮔᮙᮔᮞ’ᮤ ᮖᮕᮕᮜ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮥᮞᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕᮼ ᯗ ᮛᮞᮕᮧ ᮤᮘᮑᮤ ᮣᮟᮝᮕᮟᮞᮕ ᮑᮣ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮑᮣ ᮝᮕᮺ ᮠᮟᮣᮣᮕᮣᮣᮙᮞᮗ ᮑ ᮣᮜᮕᮞᮔᮕᮢ ᮑᮞᮔ ᮠᮑᮜᮕ ᮒᮟᮔᮩᮺ ᮓᮟᮥᮜᮔ ᮟᮞᮜᮩ ᮑᮠᮠᮕᮑᮢ ᮓᮑᮠᮤᮙᮦᮑᮤᮙᮞᮗ ᮖᮢᮟᮝ ᮑᮞ ᮑᮕᮣᮤᮘᮕᮤᮙᮓ ᮠᮟᮙᮞᮤ ᮟᮖ ᮦᮙᮕᮧᮼ

ᯗᮤ ᮧᮑᮣ ᮑ ᮠᮢᮑᮞᮛ ᯗ ᮧᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮘᮑᮦᮕ ᮠᮥᮜᮜᮕᮔ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮑ ᮠᮕᮢᮦᮕᮢᮤ ᮜᮙᮛᮕ ᯛᮑᮢᮔᮙᮑᮞᮺ ᮒᮥᮤ ᮧᮙᮤᮘ ᮑ ᮒᮜᮥᮞᮤ ᮠᮕᮢᮣᮟᮞ ᮜᮙᮛᮕ ᯗᮢᮙᮣ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮝᮕᮺ ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮢᮕᮣᮙᮣᮤ ᮤᮘᮕ ᮥᮢᮗᮕ ᮤᮟ ᮤᮕᮑᮣᮕ ᮘᮕᮢᮼ

ᯛᮩ ᮒᮑᮢᮕ ᮒᮟᮔᮩ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮧᮕᮑᮢ ᮟᮥᮤ ᮚᮥᮣᮤ ᮖᮢᮟᮝ ᮒᮕᮙᮞᮗ ᮣᮕᮕᮞ ᮑᮞᮩᮧᮑᮩᮼᮼᮼ ᯏᮞᮔ ᮙᮖ ᮙᮤ ᮧᮑᮣ ᯗᮢᮙᮣᮼᮼᮼ

“ᯗᮤ’ᮣ ᮖᮙᮞᮕᮼᮼᮼ ᯗᮖ ᮙᮤ’ᮣ ᯗᮢᮙᮣᮺ ᮙᮤ’ᮣ ᮖᮙᮞᮕᮼ”

“ᮼᮼᮼᮯ”

ᯏᮤ ᮝᮩ ᮣᮟᮖᮤ ᮦᮟᮙᮓᮕᮺ ᯗᮢᮙᮣ’ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔ ᮟᮞᮓᮕ ᮝᮟᮢᮕᮼ ᮄᮟ ᮣᮕᮕ ᮘᮕᮢᮺ ᮧᮘᮟ ᮥᮣᮥᮑᮜᮜᮩ ᮔᮙᮔᮞ’ᮤ ᮕᮦᮕᮞ ᮖᮜᮙᮞᮓᮘ ᮑᮤ ᮧᮟᮢᮔᮣᮺ ᮣᮘᮟᮧ ᮑᮗᮙᮤᮑᮤᮙᮟᮞ ᮤᮧᮙᮓᮕ ᮤᮟᮔᮑᮩᮺ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮡᮥᮙᮤᮕ ᮑ ᮣᮙᮗᮞᮙᮖᮙᮓᮑᮞᮤ ᮔᮑᮩᮼ

“ᯘᮥᮣᮤ ᮛᮙᮔᮔᮙᮞᮗᮼ ᮇᮕᮢᮕ ᮩᮟᮥ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮤᮢᮑᮞᮗᮕᯍ”

ᯗᮢᮙᮣ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮣᮙᮜᮕᮞᮤᮺ ᮑᮞᮔ ᯗ ᮓᮘᮥᮓᮛᮜᮕᮔ ᮝᮙᮣᮓᮘᮙᮕᮦᮟᮥᮣᮜᮩᮺ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮘᮕᮢᮼ

“ᮃᮥᮢᮕᮜᮩᮺ ᯗ ᮤᮢᮥᮣᮤ ᯗᮢᮙᮣ ᮙᮣᮞ’ᮤ ᮸ᮤᮘᮑᮤ᮸ ᮛᮙᮞᮔ ᮟᮖ ᮠᮕᮢᮦᮕᮢᮤᮼ ᮇᮕ’ᮢᮕ ᮒᮟᮤᮘ ᮧᮟᮝᮕᮞᮺ ᮣᮟ ᮩᮟᮥ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮗᮕᮤ ᮕᮨᮓᮙᮤᮕᮔᮺ ᮢᮙᮗᮘᮤᯍ”

ᯚᮕᮑᮦᮙᮞᮗ ᯗᮢᮙᮣ ᮣᮤᮑᮢᮙᮞᮗ ᮒᮜᮑᮞᮛᮜᮩ ᮑᮤ ᮝᮕᮺ ᯗ ᮓᮜᮟᮣᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢᮼ ᮃᮥᮠᮠᮢᮕᮣᮣᮙᮞᮗ ᮑᮞ ᮥᮞᮓᮟᮞᮤᮢᮟᮜᮜᮑᮒᮜᮕ ᮜᮑᮥᮗᮘᮺ ᯗ ᮔᮢᮙᮕᮔ ᮝᮩ ᮘᮑᮙᮢ ᮧᮙᮤᮘ ᮑ ᮤᮟᮧᮕᮜᮼ

‘ᮃᮘᮟᮥᮜᮔ ᯗ ᮑᮣᮛ ᮖᮟᮢ ᯗᮢᮙᮣ ᮤᮟ ᮒᮕ ᮝᮩ ᮠᮕᮢᮣᮟᮞᮑᮜ ᮝᮑᮙᮔ ᮧᮘᮕᮞ ᮧᮕ ᮢᮕᮤᮥᮢᮞ ᮤᮟ ᮤᮘᮕ ᮝᮑᮞᮣᮙᮟᮞᯍ’

ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮑᮣᮞ’ᮤ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮑᮤᮤᮑᮓᮘᮕᮔ ᮤᮟ ᮠᮕᮟᮠᮜᮕᮺ ᮣᮟ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮧᮟᮢᮤᮘ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮠᮕᮢᮣᮥᮑᮔᮕ ᮘᮕᮢᮼ ᯗᮖ ᮣᮘᮕ ᮑᮜᮜᮟᮧᮕᮔ ᮙᮤᮺ ᯗ’ᮔ ᮤᮑᮛᮕ ᮘᮕᮢ ᮤᮟ ᮤᮘᮕ ᮝᮑᮞᮣᮙᮟᮞ ᮑᮞᮔ ᮛᮕᮕᮠ ᮘᮕᮢ ᮒᮩ ᮝᮩ ᮣᮙᮔᮕ ᮤᮟ ᮤᮕᮑᮣᮕ ᮘᮕᮢ ᮕᮞᮔᮜᮕᮣᮣᮜᮩᮼ

ᯗ ᮗᮙᮗᮗᮜᮕᮔᮼ

ᮇᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮑᮝᮥᮣᮕᮝᮕᮞᮤ ᮣᮘᮟᮥᮜᮔ ᯗ ᮤᮢᮩ ᮞᮕᮨᮤᯍ

ᯏᮖᮤᮕᮢ ᮘᮑᮠᮠᮙᮜᮩ ᮖᮙᮞᮙᮣᮘᮙᮞᮗ ᮝᮩ ᮒᮑᮤᮘᮺ ᯗ ᮣᮠᮕᮞᮤ ᮤᮙᮝᮕ ᮢᮕᮑᮔᮙᮞᮗ ᮑ ᮒᮟᮟᮛ ᮟᮞ ᮤᮘᮕ ᮒᮕᮔ ᮥᮞᮤᮙᮜ ᮕᮦᮕᮞᮙᮞᮗ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔᮼ

ᮇᮘᮕᮞ ᯗ ᮢᮑᮞᮗ ᮤᮘᮕ ᮒᮕᮜᮜ ᮤᮧᮙᮓᮕ ᮖᮟᮢ ᮔᮙᮞᮞᮕᮢᮺ ᮤᮘᮕ ᮔᮟᮟᮢ ᮟᮠᮕᮞᮕᮔᮺ ᮑᮞᮔ ᮑ ᮒᮜᮟᮞᮔᮕ ᮝᮑᮙᮔ ᮕᮞᮤᮕᮢᮕᮔᮼ

“ᯖᮝᮝᮼᮼᮼ ᮃᮟ ᮃᮙᮢᮕᮜ ᮙᮣ ᮟᮞ ᮔᮙᮞᮞᮕᮢ ᮔᮥᮤᮩ ᮤᮟᮞᮙᮗᮘᮤᮺ ᮘᮥᮘᯍ”

ᯏᮤ ᮝᮩ ᮦᮟᮙᮓᮕᮺ ᮘᮕᮢ ᮖᮑᮓᮕ ᮓᮟᮞᮤᮟᮢᮤᮕᮔᮼ ᯖᮕᮢ ᮑᮤᮤᮙᮤᮥᮔᮕᮺ ᮟᮠᮕᮞᮜᮩ ᮔᮙᮣᮠᮜᮑᮩᮙᮞᮗ ᮘᮕᮢ ᮔᮙᮣᮜᮙᮛᮕ ᮖᮟᮢ ᮝᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮓᮟᮞᮓᮕᮑᮜᮝᮕᮞᮤᮺ ᮝᮑᮔᮕ ᮝᮕ ᮠᮟᮞᮔᮕᮢ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

ᯗ ᮔᮙᮔᮞ’ᮤ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮧᮑᮞᮤ ᮤᮟ ᮕᮑᮤ ᮔᮙᮞᮞᮕᮢ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮒᮩ ᮃᮙᮢᮕᮜᮺ ᮧᮘᮟ ᮔᮙᮣᮜᮙᮛᮕᮔ ᮝᮕᮼ ᯗᮞ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮠᮜᮑᮓᮕᮺ ᯗ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮢᮕᮡᮥᮕᮣᮤᮕᮔ ᮑ ᮝᮕᮑᮜ ᮟᮞ ᮤᮘᮕ ᮔᮑᮩᮣ ᮣᮘᮕ ᮧᮑᮣ ᮟᮞ ᮔᮥᮤᮩᮼ ᮃᮘᮕ ᮝᮙᮗᮘᮤ ᮕᮦᮕᮞ ᮣᮠᮙᮤ ᮙᮞ ᮝᮩ ᮖᮟᮟᮔᮼ

ᯗ ᮧᮑᮣᮞ’ᮤ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮓᮥᮢᮙᮟᮥᮣ ᮑᮒᮟᮥᮤ ᮧᮘᮩ ᮃᮙᮢᮕᮜ ᮔᮙᮣᮜᮙᮛᮕᮔ ᮝᮕᮺ ᮒᮥᮤ ᯗ ᮓᮟᮥᮜᮔ ᮢᮟᮥᮗᮘᮜᮩ ᮗᮥᮕᮣᮣᮼ

‘ᯗᮤ ᮝᮥᮣᮤ ᮒᮕ ᮚᮕᮑᮜᮟᮥᮣᮩᮼ’

ᮃᮙᮢᮕᮜ ᮧᮑᮣ ᮞᮟᮤ ᮟᮖ ᮓᮟᮝᮝᮟᮞᮕᮢ ᮟᮢᮙᮗᮙᮞᮼ ᮇᮙᮤᮘ ᮧᮕᮜᮜᮻᮝᮑᮙᮞᮤᮑᮙᮞᮕᮔ ᮣᮛᮙᮞ ᮑᮞᮔ ᮖᮙᮞᮕ ᮓᮟᮝᮠᮜᮕᮨᮙᮟᮞᮺ ᮣᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮝᮟᮢᮕ ᮜᮙᮛᮕ ᮑ ᮜᮑᮔᮩᮻᮙᮞᮻᮧᮑᮙᮤᮙᮞᮗ ᮤᮘᮑᮞ ᮑ ᮧᮟᮢᮛᮙᮞᮗ ᮝᮑᮙᮔᮼ

ᯘᮥᮔᮗᮙᮞᮗ ᮒᮩ ᮘᮕᮢ ᮣᮥᮒᮤᮜᮕ ᮞᮟᮒᮜᮕ ᮗᮕᮣᮤᮥᮢᮕᮣᮺ ᮣᮘᮕ ᮧᮑᮣ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮑ ᮓᮑᮣᮕ ᮟᮖ ᮣᮟᮝᮕᮟᮞᮕ ᮖᮢᮟᮝ ᮑ ᮓᮕᮢᮤᮑᮙᮞ ᮖᮑᮝᮙᮜᮩ ᮧᮘᮟ ᮕᮞᮤᮕᮢᮕᮔ ᮤᮘᮕ ᮔᮥᮓᮑᮜ ᮘᮟᮥᮣᮕᮘᮟᮜᮔ ᮑᮣ ᮑ ᮜᮑᮔᮩᮻᮙᮞᮻᮧᮑᮙᮤᮙᮞᮗᮼ ᯗ ᮓᮟᮥᮜᮔ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮘᮕᮢ ᮔᮙᮣᮠᮜᮕᮑᮣᮥᮢᮕ ᮑᮤ ᮘᮑᮦᮙᮞᮗ ᮤᮟ ᮣᮕᮢᮦᮕ ᮤᮘᮕ ᮩᮟᮥᮞᮗ ᮜᮑᮔᮩ ᮟᮖ ᮑ ᮔᮕᮓᮜᮙᮞᮙᮞᮗ ᮒᮑᮢᮟᮞᮙᮑᮜ ᮖᮑᮝᮙᮜᮩᮼ

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮤᮘᮑᮤ’ᮣ ᮞᮟᮞᮕ ᮟᮖ ᮝᮩ ᮒᮥᮣᮙᮞᮕᮣᮣᮼ

“ᮀᮕᮟᮠᮜᮕ ᮣᮘᮟᮥᮜᮔ ᮜᮙᮦᮕ ᮙᮞ ᮤᮘᮕᮙᮢ ᮠᮢᮟᮠᮕᮢ ᮠᮜᮑᮓᮕᮼ”

ᯗ ᮣᮝᮙᮜᮕᮔ ᮑᮤ ᮃᮙᮢᮕᮜ ᮑᮞᮔ ᮢᮑᮞᮗ ᮤᮘᮕ ᮒᮕᮜᮜ ᮑᮗᮑᮙᮞᮼ ᯏᮣ ᮤᮘᮕ ᮒᮕᮜᮜ ᮢᮑᮞᮗᮺ ᮑᮞᮟᮤᮘᮕᮢ ᮧᮢᮙᮞᮛᮜᮕ ᮑᮠᮠᮕᮑᮢᮕᮔ ᮟᮞ ᮃᮙᮢᮕᮜ’ᮣ ᮖᮟᮢᮕᮘᮕᮑᮔᮼ

“ᮇᮟᮥᮜᮔ ᮩᮟᮥ ᮠᮢᮕᮠᮑᮢᮕ ᮔᮙᮞᮞᮕᮢ ᮖᮟᮢ ᮝᮕᮺ ᮃᮙᮢᮕᮜᯍ”

ᯒᮟᮞ’ᮤ ᮖᮕᮕᮜ ᮤᮟᮟ ᮧᮢᮟᮞᮗᮕᮔᮺ ᮃᮙᮢᮕᮜᮼ

ᯖᮟᮞᮕᮣᮤᮜᮩᮺ ᮙᮣᮞ’ᮤ ᮩᮟᮥᮢ ᮖᮕᮕᮜᮙᮞᮗ ᮒᮕᮤᮤᮕᮢ ᮤᮘᮑᮞ ᮝᮙᮞᮕᮺ ᮒᮕᮙᮞᮗ ᮙᮗᮞᮟᮢᮕᮔ ᮒᮩ ᮑ ᮗᮑᮝᮕ ᮓᮘᮑᮢᮑᮓᮤᮕᮢ ᮜᮙᮛᮕ ᮩᮟᮥᮺ ᮧᮘᮟ’ᮣ ᮑᮜᮝᮟᮣᮤ ᮤᮟᮟ ᮙᮞᮣᮙᮗᮞᮙᮖᮙᮓᮑᮞᮤ ᮤᮟ ᮕᮦᮕᮞ ᮒᮕ ᮓᮑᮜᮜᮕᮔ ᮑᮞ ᮕᮨᮤᮢᮑᯍ

ᮉᮟᮥ’ᮢᮕ ᮚᮥᮣᮤ ᮑ ᮓᮟᮝᮝᮟᮞ ᮝᮑᮙᮔᮺ ᮒᮥᮤ ᯗ’ᮝ ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮓᮘᮕᮢᮙᮣᮘᮕᮔ ᮠᮕᮤᮼ

“ᮀᮜᮕᮑᮣᮕ ᮝᮑᮛᮕ ᮙᮤ ᮔᮕᮜᮙᮓᮙᮟᮥᮣᮼ ᯗ’ᮜᮜ ᮒᮕ ᮜᮟᮟᮛᮙᮞᮗ ᮖᮟᮢᮧᮑᮢᮔ ᮤᮟ ᮙᮤᮺ ᮟᮛᮑᮩᯍ”

ᮃᮙᮢᮕᮜ’ᮣ ᮜᮙᮠᮣ ᮤᮢᮕᮝᮒᮜᮕᮔᮼ ᮇᮙᮤᮘ ᮑ ᮖᮑᮓᮕ ᮢᮕᮔ ᮧᮙᮤᮘ ᮖᮥᮢᮩ ᮑᮞᮔ ᮕᮩᮕᮣ ᮒᮥᮢᮞᮙᮞᮗ ᮖᮙᮕᮢᮓᮕᮜᮩᮺ ᮣᮘᮕ ᮗᮜᮑᮢᮕᮔ ᮑᮤ ᮝᮕ ᮑᮞᮔ ᮟᮠᮕᮞᮕᮔ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮼ

“ᮉᮟᮥᮼᮼᮼ ᮩᮟᮥ ᮘᮑᮢᮜᮟᮤ ᮧᮘᮟ ᮢᮟᮜᮜᮕᮔ ᮟᮥᮤ ᮟᮖ ᮑ ᮒᮢᮟᮤᮘᮕᮜᮼᮼᮼᮯ”

“ᯝᮘᮺ ᮩᮟᮥ ᮣᮠᮟᮛᮕᯍ”

“ᮼᮼᮼᮯ”

ᮃᮙᮢᮕᮜ’ᮣ ᮒᮟᮔᮩ ᮖᮜᮙᮞᮓᮘᮕᮔᮼ ᯏᮤ ᮘᮕᮢ ᮓᮜᮕᮑᮢ ᮢᮕᮑᮓᮤᮙᮟᮞᮺ ᯗ ᮣᮝᮙᮜᮕᮔ ᮧᮙᮤᮘ ᮣᮑᮤᮙᮣᮖᮑᮓᮤᮙᮟᮞ ᮟᮞᮓᮕ ᮝᮟᮢᮕᮼ

“ᮃᮥᮢᮕᮜᮩ ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑ ᮤᮟᮜᮔ ᮩᮟᮥ ᮞᮟᮤ ᮤᮟ ᮣᮑᮩ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮤᮟ ᮝᮕᮼᮼᮼ”

ᯗ ᮣᮜᮟᮧᮜᮩ ᮢᮟᮣᮕ ᮖᮢᮟᮝ ᮤᮘᮕ ᮒᮕᮔ ᮑᮞᮔ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮃᮙᮢᮕᮜᮼ ᮄᮟ ᮘᮑᮦᮕ ᮣᮥᮓᮘ ᮑ ᮞᮑᮣᮤᮩ ᮔᮙᮣᮠᮟᮣᮙᮤᮙᮟᮞ ᮑᮞᮔ ᮒᮕ ᮣᮟ ᮘᮟᮤᮻᮤᮕᮝᮠᮕᮢᮕᮔᮺ ᯗ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮣᮘᮕ ᮧᮑᮣ ᮤᮢᮥᮜᮩ ᮙᮞᮣᮙᮗᮞᮙᮖᮙᮓᮑᮞᮤᮼ

“ᯒᮙᮔ ᮩᮟᮥ ᮚᮥᮣᮤ ᮔᮕᮖᮩ ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮟᮢᮔᮕᮢᯍ ᮇᮟᮧᮼᮼᮼ ᯗ ᮗᮥᮕᮣᮣ ᮤᮘᮑᮤ’ᮣ ᮠᮟᮣᮣᮙᮒᮜᮕ ᮖᮟᮢ ᮑ ᮜᮑᮔᮩᮻᮙᮞᮻᮧᮑᮙᮤᮙᮞᮗ ᮟᮖ ᮤᮘᮕ ᯒᮥᮓᮑᮜ ᯖᮟᮥᮣᮕ ᮟᮖ ᯛᮕᮢᮔᮕᮜᮙᮑᮼ”

“ᮼᮼᮼ”

“ᯖᮕᮘᮕᮺ ᮩᮟᮥ’ᮦᮕ ᮤᮥᮢᮞᮕᮔ ᮝᮥᮤᮕ ᮑᮗᮑᮙᮞᮼ ᯗᮤ ᮝᮥᮣᮤ ᮒᮕ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮞᮗᮼ”

ᮃᮙᮢᮕᮜ ᮓᮜᮕᮞᮓᮘᮕᮔ ᮘᮕᮢ ᮖᮙᮣᮤᮣ ᮑᮞᮔ ᮗᮢᮟᮥᮞᮔ ᮘᮕᮢ ᮤᮕᮕᮤᮘᮼ ᯘᮥᮔᮗᮙᮞᮗ ᮒᮩ ᮘᮕᮢ ᮗᮑ᮪ᮕᮺ ᮣᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮢᮕᮑᮔᮩ ᮤᮟ ᮣᮜᮑᮠ ᮝᮩ ᮓᮘᮕᮕᮛ ᮢᮙᮗᮘᮤ ᮤᮘᮕᮞᮼ ᯗᮖ ᮣᮘᮕ ᮘᮑᮔ ᮣᮜᮑᮠᮠᮕᮔ ᮝᮕᮺ ᯗ ᮘᮑᮔ ᮠᮜᮑᮞᮞᮕᮔ ᮤᮟ ᮠᮕᮢᮣᮥᮑᮔᮕ ᮆᮙᮦᮙᮑᮞᮑ ᮤᮟ ᮛᮙᮓᮛ ᮘᮕᮢ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮔᮥᮓᮑᮜ ᮝᮑᮞᮟᮢᮺ ᮒᮥᮤ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗᮜᮩᮺ ᮣᮘᮕ ᮣᮘᮟᮧᮕᮔ ᮞᮟ ᮑᮓᮤᮙᮟᮞᮼ

ᮅᮣᮥᮑᮜᮜᮩ ᮙᮞ ᮣᮥᮓᮘ ᮓᮜᮙᮓᮘéᮣᮺ ᮤᮘᮕᮩ’ᮔ ᮣᮤᮢᮙᮛᮕᮺ ᮒᮥᮤ ᯗ ᮧᮟᮞᮔᮕᮢ ᮙᮖ ᮣᮘᮕ ᮘᮑᮣ ᮣᮟᮝᮕ ᮞᮟᮒᮜᮕ ᮠᮢᮙᮔᮕᮺ ᮒᮕᮙᮞᮗ ᮑ ᮞᮟᮒᮜᮕ ᮘᮕᮢᮣᮕᮜᮖᯍ

ᮋᮄᮙᮞᮑᮺ ᯗ’ᮝ ᮓᮟᮝᮙᮞᮗ ᮙᮞᮼᮍ

ᮇᮘᮙᮜᮕ ᯗ ᮧᮑᮣ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮃᮙᮢᮕᮜ ᮧᮙᮤᮘ ᮑ ᮠᮥ᮪᮪ᮜᮕᮔ ᮝᮙᮞᮔᮺ ᮑᮞ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮦᮟᮙᮓᮕ ᮓᮑᮝᮕ ᮖᮢᮟᮝ ᮟᮥᮤᮣᮙᮔᮕ ᮤᮘᮕ ᮔᮟᮟᮢᮼ ᯚᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮓᮜᮟᮓᮛᮺ ᮙᮤ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮤᮙᮝᮕ ᮖᮟᮢ ᮆᮙᮦᮙᮑᮞᮑ ᮤᮟ ᮢᮕᮤᮥᮢᮞ ᮑᮖᮤᮕᮢ ᮖᮙᮞᮙᮣᮘᮙᮞᮗ ᮘᮕᮢ ᮧᮟᮢᮛᮼ

ᮇᮘᮑᮤ ᮑ ᮣᮘᮑᮝᮕᮼ ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮠᮢᮟᮦᮟᮛᮕ ᮃᮙᮢᮕᮜ ᮑ ᮜᮙᮤᮤᮜᮕ ᮝᮟᮢᮕᮼ

ᮃᮟᮟᮞᮺ ᮤᮘᮕ ᮔᮟᮟᮢ ᮟᮠᮕᮞᮕᮔᮺ ᮑᮞᮔ ᮆᮙᮦᮙᮑᮞᮑᮺ ᮕᮨᮥᮔᮙᮞᮗ ᮕᮨᮤᮢᮑᮟᮢᮔᮙᮞᮑᮢᮩ ᮞᮟᮒᮙᮜᮙᮤᮩᮺ ᮑᮠᮠᮕᮑᮢᮕᮔᮼ ᮃᮙᮢᮕᮜ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮒᮟᮧᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮺ ᮑᮞᮔ ᯗᮺ ᮧᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮺ ᮢᮥᮣᮘᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮆᮙᮦᮙᮑᮞᮑᮼ

“ᯝᮘᮼᮼᮼ ᮉᮟᮥ’ᮢᮕ ᮒᮑᮓᮛᮺ ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑᮼ ᮉᮟᮥ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮧᮟᮢᮛᮕᮔ ᮘᮑᮢᮔ ᮤᮟᮔᮑᮩᮼᮼᮼᮯ”

ᮆᮙᮦᮙᮑᮞᮑ ᮕᮝᮒᮢᮑᮓᮕᮔ ᮝᮕ ᮑᮣ ᯗ ᮢᮑᮞ ᮤᮟ ᮘᮕᮢ ᮓᮜᮥᮝᮣᮙᮜᮩ ᮑᮞᮔ ᮜᮙᮖᮤᮕᮔ ᮝᮕ ᮙᮞ ᮑ ᮠᮢᮙᮞᮓᮕᮣᮣ ᮓᮑᮢᮢᮩᮼ ᯜᮟᮧ ᮑᮓᮓᮥᮣᮤᮟᮝᮕᮔ ᮤᮟ ᮤᮘᮕ ᮠᮟᮣᮙᮤᮙᮟᮞᮺ ᯗ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮧᮢᮑᮠᮠᮕᮔ ᮝᮩ ᮘᮑᮞᮔᮣ ᮑᮢᮟᮥᮞᮔ ᮤᮘᮕ ᮒᮑᮓᮛ ᮟᮖ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮞᮕᮓᮛ ᮑᮞᮔ ᮜᮕᮑᮞᮕᮔ ᮙᮞᮤᮟ ᮘᮕᮢᮼ

“ᮄᮙᮞᮑᮺ ᮧᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᯍ”

ᯖᮑᮔ ᮣᮘᮕ ᮣᮕᮞᮣᮕᮔ ᮤᮘᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕ ᮒᮕᮤᮧᮕᮕᮞ ᮃᮙᮢᮕᮜ ᮑᮞᮔ ᮝᮕᯍ ᮆᮙᮦᮙᮑᮞᮑ ᮜᮟᮟᮛᮕᮔ ᮒᮕᮤᮧᮕᮕᮞ ᮃᮙᮢᮕᮜ ᮑᮞᮔ ᮝᮕᮺ ᮑᮣᮛᮙᮞᮗ ᮧᮙᮤᮘ ᮑ ᮠᮥ᮪᮪ᮜᮕᮔ ᮦᮟᮙᮓᮕᮼ

ᮃᮙᮢᮕᮜ’ᮣ ᮕᮩᮕᮣ ᮤᮧᮙᮤᮓᮘᮕᮔ ᮖᮑᮙᮞᮤᮜᮩᮼ ᯖᮕᮢ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞ ᮧᮙᮤᮘ ᮝᮕ ᮝᮕᮑᮞᮤ ᮔᮕᮖᮩᮙᮞᮗ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮟᮢᮔᮕᮢᮺ ᮣᮟ ᮙᮤ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮒᮟᮤᮘᮕᮢᮕᮔ ᮘᮕᮢᮼ

ᯏᮣ ᮕᮨᮠᮕᮓᮤᮕᮔᮺ ᮤᮘᮙᮢᮔᮻᮢᮑᮤᮕ ᮦᮙᮜᮜᮑᮙᮞᮣ ᮑᮜᮧᮑᮩᮣ ᮤᮥᮓᮛ ᮤᮘᮕᮙᮢ ᮤᮑᮙᮜᮣ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼ ᯗ ᮣᮧᮑᮜᮜᮟᮧᮕᮔ ᮑ ᮣᮞᮕᮕᮢ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮜᮕᮑᮞᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮟᮞ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮣᮘᮟᮥᮜᮔᮕᮢᮼ

“ᯜᮟᮤᮘᮙᮞᮗ ᮣᮠᮕᮓᮙᮑᮜ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ ᯗ ᮚᮥᮣᮤ ᮢᮑᮞᮗ ᮤᮘᮕ ᮒᮕᮜᮜ ᮤᮟ ᮕᮑᮤ ᮔᮙᮞᮞᮕᮢᮺ ᮑᮞᮔ ᮤᮘᮕᮞ ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑ ᮑᮢᮢᮙᮦᮕᮔᮼ”

“ᮉᮟᮥ ᮘᮑᮦᮕᮞ’ᮤ ᮕᮑᮤᮕᮞ ᮩᮕᮤᯍ ᮉᮟᮥ ᮝᮥᮣᮤ ᮒᮕ ᮘᮥᮞᮗᮢᮩᮼ”

“ᯗ ᮧᮑᮣ ᮘᮥᮞᮗᮢᮩᮺ ᮒᮥᮤᮼᮼᮼ ᯗ’ᮝ ᮖᮙᮞᮕ ᮞᮟᮧᮼ”

ᮆᮙᮦᮙᮑᮞᮑ ᮡᮥᮙᮕᮤᮜᮩ ᮞᮟᮔᮔᮕᮔ ᮑᮞᮔ ᮣᮙᮗᮞᮑᮜᮕᮔ ᮃᮙᮢᮕᮜ ᮤᮟ ᮢᮕᮤᮢᮕᮑᮤᮼ ᮃᮙᮢᮕᮜ ᮒᮟᮧᮕᮔ ᮔᮕᮕᮠᮜᮩ ᮤᮟ ᮘᮕᮢ ᮝᮙᮣᮤᮢᮕᮣᮣ ᮟᮞᮕ ᮜᮑᮣᮤ ᮤᮙᮝᮕᮺ ᮤᮘᮕᮞ ᮕᮨᮙᮤᮕᮔ ᮤᮘᮕ ᮢᮟᮟᮝ ᮧᮙᮤᮘ ᮘᮕᮣᮙᮤᮑᮞᮤ ᮣᮤᮕᮠᮣᮼ

ᯐᮕᮖᮟᮢᮕ ᮓᮜᮟᮣᮙᮞᮗ ᮤᮘᮕ ᮔᮟᮟᮢᮺ ᮃᮙᮢᮕᮜ ᮤᮥᮢᮞᮕᮔ ᮟᮞᮓᮕ ᮤᮟ ᮜᮟᮟᮛ ᮑᮤ ᮝᮕᮼ ᯗ ᮣᮝᮙᮜᮕᮔ ᮑᮞᮔ ᮜᮙᮗᮘᮤᮜᮩ ᮧᮑᮦᮕᮔ ᮝᮩ ᮘᮑᮞᮔᮺ ᮑᮞᮔ ᮣᮘᮕ ᮓᮜᮟᮣᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢ ᮧᮙᮤᮘ ᮑ ᮢᮕᮣᮕᮞᮤᮖᮥᮜ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

ᯜᮟᮧ ᮟᮞᮜᮩ ᮆᮙᮦᮙᮑᮞᮑ ᮑᮞᮔ ᯗ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮙᮞ ᮤᮘᮕ ᮢᮟᮟᮝᮼ ᯏᮣ ᮑᮞ ᮑᮧᮛᮧᮑᮢᮔ ᮣᮙᮜᮕᮞᮓᮕ ᮘᮥᮞᮗ ᮙᮞ ᮤᮘᮕ ᮑᮙᮢᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮑᮣ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮟ ᮣᮠᮕᮑᮛᮼ

“ᯗ ᮝᮙᮣᮣᮕᮔ ᮩᮟᮥᮺ ᮄᮙᮞᮑᮼ”

ᯖᮕᮢ ᮣᮤᮢᮑᮙᮗᮘᮤᮖᮟᮢᮧᮑᮢᮔ ᮓᮟᮞᮖᮕᮣᮣᮙᮟᮞ ᮣᮥᮢᮠᮢᮙᮣᮕᮔ ᮝᮕ ᮑ ᮜᮙᮤᮤᮜᮕᮼ ᯗᮤ ᮧᮑᮣ ᮢᮑᮢᮕ ᮖᮟᮢ ᮆᮙᮦᮙᮑᮞᮑ ᮤᮟ ᮕᮨᮠᮢᮕᮣᮣ ᮘᮕᮢ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮣᮟ ᮘᮟᮞᮕᮣᮤᮜᮩᯉ ᮠᮕᮢᮘᮑᮠᮣ ᮣᮘᮕ ᮧᮑᮣ ᮤᮙᮢᮕᮔ ᮖᮢᮟᮝ ᮧᮟᮢᮛ ᮤᮟᮔᮑᮩᯍ ᯜᮟᮧ ᮤᮘᮑᮤ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮑᮒᮟᮥᮤ ᮙᮤᮺ ᮘᮕᮢ ᮖᮑᮓᮕ ᮔᮙᮔ ᮜᮟᮟᮛ ᮑ ᮒᮙᮤ ᮧᮕᮑᮢᮩᮼᮼᮼ

“ᮇᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᯍ”

ᯗ ᮑᮣᮛᮕᮔ ᮓᮑᮥᮤᮙᮟᮥᮣᮜᮩᮼ

“ᯖᮝᯍ”

“ᮉᮟᮥ ᮜᮟᮟᮛ ᮤᮙᮢᮕᮔᮼ ᮃᮘᮟᮥᮜᮔ ᯗ ᮗᮙᮦᮕ ᮩᮟᮥ ᮑ ᮝᮑᮣᮣᮑᮗᮕᯍ”

ᮄᮘᮕᮢᮕ’ᮣ ᮞᮟ ᮒᮕᮤᮤᮕᮢ ᮟᮠᮠᮟᮢᮤᮥᮞᮙᮤᮩ ᮤᮟ ᮢᮑᮙᮣᮕ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᮜᮕᮦᮕᮜᮣ ᮤᮘᮑᮞ ᮧᮘᮕᮞ ᮣᮟᮝᮕᮟᮞᮕ ᮙᮣ ᮝᮕᮞᮤᮑᮜᮜᮩ ᮕᮨᮘᮑᮥᮣᮤᮕᮔᮼ ᮀᮕᮢᮘᮑᮠᮣ ᯗ ᮓᮟᮥᮜᮔ ᮒᮟᮟᮣᮤ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᮕᮦᮕᮞ ᮖᮥᮢᮤᮘᮕᮢ ᮤᮟᮔᮑᮩᮼ

‘ᮄᮘᮙᮣ ᮙᮣ ᮗᮟᮟᮔ ᮖᮟᮢ ᮝᮕᮼ’

ᯗᮖ ᮆᮙᮦᮙᮑᮞᮑ ᮖᮕᮜᮜ ᮔᮕᮕᮠᮕᮢ ᮖᮟᮢ ᮝᮕᮺ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮝᮑᮞᮩ ᮤᮘᮙᮞᮗᮣ ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮑᮣᮛ ᮘᮕᮢ ᮖᮟᮢᮼ ᯔᮟᮢ ᮕᮨᮑᮝᮠᮜᮕᮺ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮙᮤ ᮒᮕ ᮠᮟᮣᮣᮙᮒᮜᮕ ᮤᮟ ᮝᮑᮛᮕ ᯗᮢᮙᮣ ᮝᮩ ᮠᮕᮢᮣᮟᮞᮑᮜ ᮑᮤᮤᮕᮞᮔᮑᮞᮤ ᮑᮞᮔ ᮛᮙᮓᮛ ᮃᮙᮢᮕᮜ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮝᮑᮞᮣᮙᮟᮞᯍ

“ᯗᮤ’ᮣ ᮖᮙᮞᮕᮺ ᯗ ᮔᮟᮞ’ᮤ ᮤᮘᮙᮞᮛ ᯗ ᮞᮕᮕᮔ ᮑ ᮝᮑᮣᮣᮑᮗᮕᮼ”

ᮆᮙᮦᮙᮑᮞᮑ ᮤᮟᮟᮛ ᮟᮖᮖ ᮘᮕᮢ ᮤᮘᮙᮓᮛ ᮓᮟᮑᮤ ᮑᮞᮔ ᮥᮞᮒᮥᮤᮤᮟᮞᮕᮔ ᮘᮕᮢ ᮣᮘᮙᮢᮤᮼ ᮄᮘᮕᮞ ᮣᮘᮕ ᮜᮑᮩ ᮔᮟᮧᮞ ᮟᮞ ᮤᮘᮕ ᮒᮕᮔᮺ ᮗᮢᮑᮒᮒᮕᮔ ᮝᮩ ᮑᮢᮝᮺ ᮑᮞᮔ ᮠᮥᮜᮜᮕᮔ ᮝᮕ ᮟᮞᮤᮟ ᮤᮘᮕ ᮒᮕᮔᮼ

ᮄᮘᮕ ᮣᮟᮖᮤ ᮒᮕᮔ ᮣᮥᮠᮠᮟᮢᮤᮕᮔ ᮝᮕᮺ ᮑᮞᮔ ᮆᮙᮦᮙᮑᮞᮑ ᮠᮥᮜᮜᮕᮔ ᮝᮕ ᮙᮞᮤᮟ ᮘᮕᮢ ᮕᮝᮒᮢᮑᮓᮕᮼ ᯚᮙᮛᮕ ᮑ ᮒᮑᮓᮛ ᮘᮥᮗᮺ ᯗ ᮧᮑᮣ ᮝᮟᮝᮕᮞᮤᮑᮢᮙᮜᮩ ᮒᮕᮧᮙᮜᮔᮕᮢᮕᮔᮺ ᮞᮕᮣᮤᮜᮕᮔ ᮙᮞ ᮘᮕᮢ ᮑᮢᮝᮣᮼ

ᯗ ᮒᮜᮙᮞᮛᮕᮔ ᮒᮜᮑᮞᮛᮜᮩᮺ ᮖᮕᮕᮜᮙᮞᮗ ᮑᮣ ᮙᮖ ᯗ ᮘᮑᮔ ᮒᮕᮓᮟᮝᮕ ᮑ ᮒᮑᮝᮒᮟᮟ ᮠᮙᮜᮜᮟᮧᮼ

ᮼᮼᮼᯖᮥᮘᯍ

ᮇᮘᮑᮤ ᮙᮣ ᮤᮘᮙᮣᯍ

ᮄᮟᮔᮑᮩᮺ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮑᮓᮤᮙᮟᮞᮣ ᮧᮕᮢᮕ ᮣᮟᮝᮕᮘᮟᮧ ᮣᮤᮢᮑᮞᮗᮕᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮝᮟᮢᮕ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮑᮤᮕ ᮖᮕᮕᮜᮙᮞᮗ ᮤᮘᮑᮞ ᮥᮣᮥᮑᮜᮺ ᮠᮕᮢᮘᮑᮠᮣᮼ ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮧᮕ ᮘᮑᮔ ᮘᮥᮗᮗᮕᮔ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮒᮕᮖᮟᮢᮕᮺ ᮑᮞᮔ ᮤᮘᮕᮢᮕ ᮘᮑᮔ ᮒᮕᮕᮞ ᮝᮑᮞᮩ ᮙᮞᮤᮙᮝᮑᮤᮕ ᮝᮟᮝᮕᮞᮤᮣᮺ ᮒᮥᮤ ᮣᮘᮕ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮗᮙᮦᮕᮞ ᮝᮕ ᮑ ᮒᮑᮓᮛ ᮘᮥᮗ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼ ᯗ ᮘᮑᮔ ᮢᮕᮓᮕᮙᮦᮕᮔ ᮤᮘᮕᮝ ᮖᮢᮟᮝ ᮟᮤᮘᮕᮢᮣᮺ ᮒᮥᮤ ᯗ ᮞᮕᮦᮕᮢ ᮤᮘᮟᮥᮗᮘᮤ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮟᮥᮜᮔ ᮔᮟ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼ

ᯏᮣ ᮦᮑᮢᮙᮟᮥᮣ ᮤᮘᮟᮥᮗᮘᮤᮣ ᮓᮢᮟᮣᮣᮕᮔ ᮝᮩ ᮝᮙᮞᮔᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮒᮢᮟᮥᮗᮘᮤ ᮘᮕᮢ ᮜᮙᮠᮣ ᮓᮜᮟᮣᮕ ᮤᮟ ᮝᮩ ᮕᮑᮢ ᮑᮞᮔ ᮧᮘᮙᮣᮠᮕᮢᮕᮔᮼ

“ᮄᮙᮞᮑᮼ”

“ᯕᮑᮣᮠᯍ”

ᯏᮣ ᮘᮕᮢ ᮖᮑᮙᮞᮤ ᮒᮢᮕᮑᮤᮘ ᮤᮙᮓᮛᮜᮕᮔ ᮝᮩ ᮕᮑᮢᮺ ᮝᮩ ᮕᮞᮤᮙᮢᮕ ᮒᮟᮔᮩ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩᮼ ᯗᮞ ᮝᮩ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮝᮕᮞᮤᮺ ᯗ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮒᮟᮔᮩ ᮤᮟ ᮜᮟᮟᮛ ᮑᮤ ᮆᮙᮦᮙᮑᮞᮑᮼ ᯖᮕᮢ ᮥᮣᮥᮑᮜᮜᮩ ᮓᮑᮜᮝ ᮠᮥᮢᮠᮜᮕ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮒᮜᮑ᮪ᮙᮞᮗ ᮑᮣ ᮤᮘᮕᮩ ᮗᮑ᮪ᮕᮔ ᮑᮤ ᮝᮕᮼ

“ᮄᮙᮞᮑᮺ ᮓᮟᮥᮜᮔ ᮩᮟᮥ ᮗᮢᮑᮞᮤ ᮝᮕ ᮟᮞᮕ ᮖᮑᮦᮟᮢᯍ”

“ᯖᮥᮘᯍ ᮉᮕᮣᮼᮼᮼ ᯗᮖ ᮙᮤ’ᮣ ᯚᮑᮔᮩ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮖᮑᮦᮟᮢᮼᮼᮼ”

ᮄᮘᮟᮥᮗᮘ ᮣᮤᮑᮢᮤᮜᮕᮔ ᮒᮩ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮢᮕᮡᮥᮕᮣᮤᮺ ᯗ ᮞᮟᮔᮔᮕᮔ ᮑᮞᮔ ᮑᮗᮢᮕᮕᮔ ᮖᮟᮢ ᮞᮟᮧᮼ ᮆᮙᮦᮙᮑᮞᮑ ᮗᮑ᮪ᮕᮔ ᮑᮤ ᮝᮕ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮺ ᮤᮘᮕᮞ ᮣᮝᮙᮜᮕᮔ ᮖᮑᮙᮞᮤᮜᮩ ᮑᮞᮔ ᮧᮘᮙᮣᮠᮕᮢᮕᮔ ᮙᮞᮤᮟ ᮝᮩ ᮕᮑᮢ ᮑᮗᮑᮙᮞᮼ

“ᯛᮑᮩ ᯗ ᮤᮟᮥᮓᮘ ᮩᮟᮥᮢ ᮒᮥᮤᮤᯍ”

“ᮼᮼᮼ”

“ᯖᮥᮘᯍ”

ᯐᮥᮤᮤᮼᮼᮼᯍ

ᯔᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᯗ ᮔᮟᮥᮒᮤᮕᮔ ᮙᮖ ᯗ ᮘᮑᮔ ᮝᮙᮣᮘᮕᮑᮢᮔᮼ

ᮇᮘᮑᮤ ᮔᮙᮔ ᮣᮘᮕ ᮚᮥᮣᮤ ᮣᮑᮩᯍ

ᯛᮩ ᮒᮥᮤᮤᮼᮼᮼ ᮙᮖ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮤᮟᮥᮓᮘ ᮙᮤᯍ

“ᯛᮩ ᮒᮥᮤᮤᮼᮼᮼᯍ”

“ᮉᮕᮣᮼ”

ᮼᮼᮼᮃᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᮧᮘᮑᮤ ᮙᮣ ᮤᮘᮙᮣᯍ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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