Tales of the Taisho Era Flowers Bloom Late

Chapter 52

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᮃᮤᮙᮜᮜ ᮜᮩᮙᮞᮗ ᮣᮙᮔᮕᮻᮒᮩᮻᮣᮙᮔᮕᮺ ᮖᮑᮓᮙᮞᮗ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮧᮙᮤᮘ ᮆᮙᮦᮙᮑᮞᮑᮺ ᮑᮞ ᮣᮥᮖᮖᮟᮓᮑᮤᮙᮞᮗᮜᮩ ᮑᮧᮛᮧᮑᮢᮔ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕ ᮘᮥᮞᮗ ᮟᮦᮕᮢ ᮤᮘᮕ ᮒᮕᮔᮼ

ᯏᮖᮤᮕᮢ ᯗ ᮤᮟᮜᮔ ᮘᮕᮢ ᮤᮟ ᮤᮟᮥᮓᮘ ᮝᮩ ᮒᮥᮤᮤᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮝᮕ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮣᮑᮩᮙᮞᮗ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ ᯏᮣ ᮤᮘᮕ ᮣᮙᮜᮕᮞᮓᮕ ᮔᮕᮕᮠᮕᮞᮕᮔᮺ ᮤᮘᮕ ᮑᮙᮢ ᮒᮕᮤᮧᮕᮕᮞ ᮥᮣ ᮗᮢᮕᮧ ᮘᮕᮑᮦᮙᮕᮢᮼ

ᯓᮦᮕᮞᮤᮥᮑᮜᮜᮩᮺ ᮙᮤ ᮧᮑᮣ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮘᮟ ᮒᮢᮟᮛᮕ ᮤᮘᮕ ᮣᮙᮜᮕᮞᮓᮕ ᮖᮙᮢᮣᮤᮼ

᮰ᮼᮼᮼᮉᮟᮥ ᮢᮕᮑᮜᮜᮩ ᮝᮕᮑᮞ ᯗ ᮓᮑᮞ ᮤᮟᮥᮓᮘᯍ᮰

᮰ᮇᮻᮇᮕᮜᮜᮺ ᮟᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮙᮖ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ ᮔᮟᮕᮣᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟᮼᮼᮼ᮰

᮰ᯜᮟᮺ ᯗ᮵ᮝ ᮗᮟᮙᮞᮗ ᮤᮟ ᮤᮟᮥᮓᮘᮼ᮰

ᯏ ᮖᮙᮢᮝ ᮑᮞᮣᮧᮕᮢ ᮓᮑᮝᮕ ᮒᮑᮓᮛ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮼ

ᯝᮦᮕᮢᮧᮘᮕᮜᮝᮕᮔ ᮒᮩ ᮣᮥᮔᮔᮕᮞ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮝᮕᮞᮤᮺ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮤᮟ ᮔᮟ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤ ᮑᮞᮔ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮒᮟᮔᮩ ᮤᮟ ᮜᮟᮟᮛ ᮟᮥᮤ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧᮼ ᯗ ᮖᮕᮜᮤ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮣᮘᮑᮢᮠ ᮗᮑ᮪ᮕ ᮟᮞ ᮝᮩ ᮒᮑᮓᮛᮺ ᮑᮣ ᮙᮖ ᮙᮤ ᮧᮕᮢᮕ ᮠᮙᮕᮢᮓᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮕᮼ

ᯏᮣ ᮤᮘᮑᮤ ᮑᮧᮛᮧᮑᮢᮔ ᮑᮞᮔ ᮥᮞᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕ ᮜᮙᮞᮗᮕᮢᮕᮔᮺ ᮑ ᮓᮟᮜᮔ ᮤᮟᮥᮓᮘ ᮢᮕᮣᮤᮕᮔ ᮟᮞ ᮝᮩ ᮣᮘᮟᮥᮜᮔᮕᮢᮼ

᮰ᯏᮘᮼᮼᮼ᮰

ᯛᮩ ᮒᮟᮔᮩ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮖᮜᮙᮞᮓᮘᮕᮔ ᮑᮤ ᮤᮘᮕ ᮓᮟᮜᮔᮕᮢᮻᮤᮘᮑᮞᮻᮕᮨᮠᮕᮓᮤᮕᮔ ᮣᮕᮞᮣᮑᮤᮙᮟᮞᮼ ᮃᮤᮑᮢᮤᮙᮞᮗ ᮖᮢᮟᮝ ᮝᮩ ᮣᮘᮟᮥᮜᮔᮕᮢᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮔᮙᮔᮞ᮵ᮤ ᮘᮕᮣᮙᮤᮑᮤᮕ ᮤᮟ ᮤᮟᮥᮓᮘ ᮝᮩ ᮒᮟᮔᮩᮼ

ᮃᮜᮟᮧᮜᮩᮺ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩᮼ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮘᮑᮞᮔ ᮝᮟᮦᮕᮔ ᮟᮦᮕᮢ ᮝᮩ ᮣᮘᮟᮥᮜᮔᮕᮢᮺ ᮖᮜᮟᮧᮙᮞᮗ ᮔᮟᮧᮞ ᮑᮜᮟᮞᮗ ᮝᮩ ᮣᮛᮙᮞᮼ ᯗᮤ ᮧᮑᮣ ᮜᮙᮛᮕ ᮑ ᮝᮑᮣᮣᮑᮗᮕᮺ ᮑᮞᮔ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗᮜᮩᮺ ᮤᮘᮕ ᮠᮜᮕᮑᮣᮑᮞᮤ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮢᮕᮜᮑᮨᮕᮔ ᮝᮩ ᮤᮕᮞᮣᮕ ᮒᮟᮔᮩᮼ

ᯐᮥᮤ ᮤᮘᮕ ᮠᮜᮕᮑᮣᮑᮞᮤ ᮝᮑᮣᮣᮑᮗᮕ ᮧᮑᮣ ᮟᮞᮜᮩ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᯖᮕᮢ ᮘᮑᮞᮔ ᮠᮑᮣᮣᮕᮔ ᮟᮦᮕᮢ ᮝᮩ ᮣᮘᮟᮥᮜᮔᮕᮢᮺ ᮣᮧᮕᮠᮤ ᮔᮟᮧᮞ ᮝᮩ ᮒᮑᮓᮛᮺ ᮤᮘᮕᮞ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮤᮢᮑᮦᮕᮜᮕᮔ ᮔᮟᮧᮞ ᮤᮟ ᮝᮩ ᮧᮑᮙᮣᮤ ᮑᮞᮔ ᮖᮙᮢᮝᮜᮩ ᮗᮢᮙᮠᮠᮕᮔ ᮝᮩ ᮒᮥᮤᮤᮟᮓᮛᮣᮼ

᮰ᯓᮥᮗᮘᮼᮼᮼᮯ᮰

ᯏᮞ ᮥᮞᮙᮞᮤᮕᮞᮔᮕᮔ ᮣᮟᮥᮞᮔ ᮒᮥᮢᮣᮤ ᮟᮥᮤᮼ ᯖᮕᮢ ᮤᮟᮥᮓᮘᮺ ᮖᮕᮜᮤ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮤᮘᮙᮞ ᮠᮑᮚᮑᮝᮑᮣᮺ ᮧᮑᮣ ᮦᮙᮦᮙᮔᮜᮩ ᮓᮟᮞᮦᮕᮩᮕᮔᮼ

᮰ᮄᮙᮞᮑᮼ᮰

ᮆᮙᮦᮙᮑᮞᮑ ᮣᮟᮖᮤᮜᮩ ᮓᮑᮜᮜᮕᮔ ᮝᮩ ᮞᮑᮝᮕ ᮑᮞᮔ ᮝᮟᮦᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔᮼ

ᯖᮕᮢ ᮘᮑᮞᮔ ᮝᮟᮦᮕᮝᮕᮞᮤᮣ ᮧᮕᮢᮕᮼᮼᮼ ᮣᮥᮗᮗᮕᮣᮤᮙᮦᮕᮼ

ᯓᮦᮕᮞ ᮧᮘᮙᮜᮕ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮙᮞᮗᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮗᮢᮙᮠ ᮘᮑᮢᮔᮺ ᮑᮣ ᮙᮖ ᮣᮡᮥᮕᮕ᮪ᮙᮞᮗ ᮖᮜᮕᮣᮘᮺ ᮜᮙᮛᮕ ᮑ ᮓᮘᮙᮜᮔ ᮖᮥᮜᮜ ᮟᮖ ᮓᮥᮢᮙᮟᮣᮙᮤᮩ ᮕᮨᮠᮜᮟᮢᮙᮞᮗ ᮑ ᮞᮕᮧ ᮤᮟᮩᮼ

᮰ᯏᮘᮻᮟᮟᮘᮼᮼᮼ᮰

ᯛᮩ ᮒᮟᮔᮩ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮑᮗᮑᮙᮞ ᮑᮤ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮤᮟᮥᮓᮘᮼ

ᮄᮟ ᮒᮕ ᮘᮟᮞᮕᮣᮤᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑ ᮜᮙᮕ ᮤᮟ ᮣᮑᮩ ᮤᮘᮙᮣ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮧᮑᮣᮞ᮵ᮤ ᮥᮞᮠᮜᮕᮑᮣᮑᮞᮤᮼ ᯖᮟᮧᮕᮦᮕᮢᮺ ᮙᮤ ᮧᮑᮣ ᮝᮥᮓᮘ ᮝᮟᮢᮕ ᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕ ᮧᮙᮤᮘ ᮆᮙᮦᮙᮑᮞᮑ ᮤᮟᮥᮓᮘᮙᮞᮗ ᮝᮕ ᮤᮘᮑᮞ ᮧᮙᮤᮘ ᮑ ᮠᮕᮢᮦᮕᮢᮤᮕᮔ ᮜᮕᮣᮒᮙᮑᮞ ᮜᮙᮛᮕ ᯛᮑᮢᮔᮙᮑᮞᮼ

ᯏᮞᮔ ᮙᮖ ᯗ ᮓᮟᮥᮜᮔ ᮓᮑᮠᮤᮥᮢᮕ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮘᮕᮑᮢᮤ ᮧᮙᮤᮘ ᮚᮥᮣᮤ ᮤᮘᮙᮣ ᮝᮥᮓᮘ ᮣᮑᮓᮢᮙᮖᮙᮓᮕᮺ ᮙᮤ ᮧᮑᮣ ᮧᮕᮜᮜ ᮧᮟᮢᮤᮘ ᮙᮤᮼ

ᯗᮝᮑᮗᮙᮞᮙᮞᮗ ᮤᮘᮕ ᮖᮥᮤᮥᮢᮕᮺ ᯗ ᮘᮟᮠᮕᮔ ᮖᮟᮢ ᮤᮘᮕ ᮔᮑᮩ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮟᮥᮜᮔ ᮖᮑᮜᮜ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮖᮟᮢ ᮝᮕ ᮑᮞᮔ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮜᮙᮦᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮝᮕᮼ ᯗᮖ ᮤᮘᮑᮤ ᮔᮑᮩ ᮓᮑᮝᮕᮺ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮤᮘᮕᮢᮕ ᮒᮕ ᮑ ᮓᮘᮑᮞᮓᮕ ᮤᮘᮑᮤ ᮣᮠᮑᮢᮛᮜᮙᮞᮗ ᮚᮕᮧᮕᮜᮣᮺ ᮜᮑᮦᮙᮣᮘ ᮔᮢᮕᮣᮣᮕᮣᮺ ᮑᮞᮔ ᮑᮜᮜ ᮤᮘᮕ ᯒᮥᮓᮘᮩ᮵ᮣ ᮧᮕᮑᮜᮤᮘ ᮧᮟᮥᮜᮔ ᮒᮕ ᮝᮙᮞᮕᯍ

ᯘᮥᮣᮤ ᮙᮝᮑᮗᮙᮞᮙᮞᮗ ᮙᮤ ᮝᮑᮛᮕᮣ ᮝᮩ ᮝᮟᮥᮤᮘ ᮧᮑᮤᮕᮢᮼ

ᮃᮟᮺ ᮤᮘᮙᮣ ᮝᮥᮓᮘ ᮙᮣ ᮞᮟᮤᮘᮙᮞᮗᮼ

ᯓᮞᮔᮥᮢᮙᮞᮗ ᮣᮙᮜᮕᮞᮤᮜᮩᮺ ᯗ ᮓᮜᮟᮣᮕᮔ ᮝᮩ ᮕᮩᮕᮣ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮼ ᯖᮟᮧᮕᮦᮕᮢᮺ ᮘᮕᮢ ᮤᮟᮥᮓᮘᮺ ᮧᮘᮙᮓᮘ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮧᮟᮥᮜᮔ ᮕᮞᮔ ᮑᮖᮤᮕᮢ ᮤᮧᮟ ᮟᮢ ᮤᮘᮢᮕᮕ ᮤᮙᮝᮕᮣᮺ ᮣᮘᮟᮧᮕᮔ ᮞᮟ ᮣᮙᮗᮞᮣ ᮟᮖ ᮣᮤᮟᮠᮠᮙᮞᮗᮼ

ᯏᮣ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮘᮑᮞᮔ ᮕᮨᮠᮜᮟᮢᮕᮔ ᮝᮩ ᮣᮛᮙᮞ ᮔᮕᮕᮠᮕᮢ ᮑᮞᮔ ᮣᮜᮟᮧᮕᮢᮺ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮖᮕᮕᮜ ᮑ ᮣᮥᮢᮗᮕ ᮟᮖ ᮤᮕᮞᮣᮙᮟᮞᮼ

ᯏ ᮚᮟᮜᮤ—

ᮆᮙᮦᮙᮑᮞᮑ ᮧᮑᮣᮞ᮵ᮤ ᮣᮑᮤᮙᮣᮖᮙᮕᮔ ᮧᮙᮤᮘ ᮚᮥᮣᮤ ᮜᮙᮗᮘᮤ ᮤᮟᮥᮓᮘᮕᮣᮼ ᮃᮘᮕ ᮒᮟᮜᮔᮜᮩ ᮗᮢᮙᮠᮠᮕᮔ ᮝᮩ ᮒᮥᮤᮤᮟᮓᮛᮣ ᮖᮙᮢᮝᮜᮩᮺ ᮤᮘᮕᮞ ᮗᮕᮞᮤᮜᮩ ᮢᮕᮜᮕᮑᮣᮕᮔ ᮤᮘᮕᮝᮺ ᮢᮕᮠᮕᮑᮤᮙᮞᮗ ᮤᮘᮕ ᮑᮓᮤᮙᮟᮞᮼ

ᯏᮣ ᮘᮕᮢ ᮤᮟᮥᮓᮘ ᮗᮢᮕᮧ ᮒᮟᮜᮔᮕᮢᮺ ᯗ ᮙᮞᮦᮟᮜᮥᮞᮤᮑᮢᮙᮜᮩ ᮖᮜᮙᮞᮓᮘᮕᮔ ᮑᮞᮔ ᮢᮕᮑᮓᮤᮕᮔᮼ

᮰ᯖᮻᮘᮝᮝᮼᮼᮼ᮰

ᯓᮑᮓᮘ ᮤᮙᮝᮕ ᮘᮕᮢ ᮘᮑᮞᮔ ᮙᮞᮔᮥᮜᮗᮕᮔ ᮙᮞ ᮝᮕᮺ ᮑ ᮣᮝᮑᮜᮜ ᮝᮟᮑᮞ ᮙᮞᮦᮟᮜᮥᮞᮤᮑᮢᮙᮜᮩ ᮕᮣᮓᮑᮠᮕᮔ ᮝᮩ ᮜᮙᮠᮣᮼ ᯏᮣ ᮙᮖ ᮕᮞᮚᮟᮩᮙᮞᮗ ᮝᮩ ᮢᮕᮑᮓᮤᮙᮟᮞᮺ ᮆᮙᮦᮙᮑᮞᮑᮺ ᮧᮙᮤᮘ ᮕᮩᮕᮣ ᮖᮥᮜᮜ ᮟᮖ ᮑᮝᮥᮣᮕᮝᮕᮞᮤᮺ ᮒᮢᮟᮥᮗᮘᮤ ᮘᮕᮢ ᮜᮙᮠᮣ ᮓᮜᮟᮣᮕ ᮤᮟ ᮝᮩ ᮕᮑᮢᮼ

᮰ᮄᮙᮞᮑᮺ ᮤᮘᮙᮣ ᮖᮕᮕᮜᮣ ᮢᮕᮑᮜᮜᮩ ᮗᮟᮟᮔᮼ ᮉᮟᮥ ᮣᮘᮟᮥᮜᮔ ᮤᮢᮩ ᮤᮟᮥᮓᮘᮙᮞᮗ ᮤᮘᮙᮣ ᮤᮟᮟᮺ᮰

᮰ᮄᮘᮻᮥᮘᮺ ᯖᮻᮘᮝᮝᮺ ᮤᮘᮻᮤᮘᮑᮞᮛ ᮩᮟᮥᮼᮼᮼᯍ᮰

ᯗ ᮧᮟᮞᮔᮕᮢᮕᮔ ᮙᮖ ᯗ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮗᮢᮑᮤᮕᮖᮥᮜ ᮖᮟᮢ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮺ ᮒᮥᮤ ᮖᮟᮢ ᮞᮟᮧᮺ ᯗ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮘᮥᮝᮟᮢ ᮆᮙᮦᮙᮑᮞᮑᮼ

ᯐᮥᮤ ᮤᮘᮕᮞᮼᮼᮼ

ᯖᮝᮝᮼᮼᮼ

᮵ᮇᮘᮕᮞ ᮧᮙᮜᮜ ᮤᮘᮙᮣ ᮕᮞᮔᮼᮼᮼᯍ᮵

ᮆᮙᮦᮙᮑᮞᮑᮺ ᮙᮞ ᮘᮕᮢ ᮙᮞᮤᮟᮨᮙᮓᮑᮤᮕᮔ ᮝᮟᮟᮔᮺ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮘᮑᮦᮕ ᮞᮟ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮣᮤᮟᮠᮠᮙᮞᮗ ᮑᮞᮩᮤᮙᮝᮕ ᮣᮟᮟᮞᮼ ᯏᮣ ᯗ ᮣᮜᮟᮧᮜᮩ ᮗᮢᮕᮧ ᮤᮙᮢᮕᮔ ᮟᮖ ᮤᮘᮕ ᮢᮕᮠᮕᮑᮤᮕᮔ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮜᮙᮖᮤᮕᮔ ᮝᮩ ᮠᮑᮚᮑᮝᮑᮣ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

᮰ᯕᮑᮣᮠᯍᮯ᮰

ᯖᮕᮢ ᮘᮑᮞᮔ ᮢᮕᮣᮤᮕᮔ ᮟᮞ ᮝᮩ ᮥᮞᮔᮕᮢᮧᮕᮑᮢ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᯏᮣ ᮘᮕᮢ ᮓᮟᮜᮔ ᮠᮑᮜᮝ ᮒᮕᮓᮑᮝᮕ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮔᮙᮣᮤᮙᮞᮓᮤᮜᮩ ᮖᮕᮜᮤᮺ ᮝᮩ ᮒᮟᮔᮩ ᮗᮑᮦᮕ ᮑ ᮗᮢᮕᮑᮤ ᮜᮥᮢᮓᮘᮼ

ᯐᮥᮤ ᮆᮙᮦᮙᮑᮞᮑ ᮔᮙᮔᮞ᮵ᮤ ᮣᮤᮟᮠ ᮑᮤ ᮝᮩ ᮥᮞᮔᮕᮢᮧᮕᮑᮢᮼ ᯝᮞᮕ ᮖᮙᮞᮗᮕᮢ ᮤᮢᮑᮓᮕᮔ ᮤᮘᮕ ᮕᮔᮗᮕ ᮟᮖ ᮝᮩ ᮥᮞᮔᮕᮢᮧᮕᮑᮢᮺ ᮤᮘᮕᮞ ᮒᮥᮢᮢᮟᮧᮕᮔ ᮙᮞᮣᮙᮔᮕᮼ

᮰ᯏ ᮣᮘᮑᮢᮠ ᮗᮑᮣᮠ ᮕᮣᮓᮑᮠᮕᮔ ᮝᮕᯍᮯ᮰

ᮄᮘᮕ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮟᮖ ᮘᮕᮢ ᮘᮑᮞᮔ ᮤᮟᮥᮓᮘᮙᮞᮗ ᮝᮩ ᮒᮑᮢᮕ ᮣᮛᮙᮞ ᮣᮕᮞᮤ ᮣᮘᮙᮦᮕᮢᮣ ᮔᮟᮧᮞ ᮝᮩ ᮕᮞᮤᮙᮢᮕ ᮒᮟᮔᮩᮼ

ᯔᮙᮞᮑᮜᮜᮩᮺ ᮧᮙᮤᮘ ᮢᮕᮠᮥᮜᮣᮙᮟᮞ ᮢᮙᮣᮙᮞᮗ ᮤᮟ ᮝᮩ ᮘᮕᮑᮔᮺ ᯗ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮠᮥᮣᮘᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ ᮑᮧᮑᮩᮼ

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮦᮙᮟᮜᮕᮤ ᮕᮩᮕᮣᮺ ᮣᮥᮢᮠᮢᮙᮣᮕᮔ ᮒᮩ ᮝᮩ ᮣᮥᮔᮔᮕᮞ ᮑᮓᮤᮙᮟᮞᮺ ᮧᮑᮦᮕᮢᮕᮔ ᮗᮢᮕᮑᮤᮜᮩᮼ ᯔᮕᮑᮢᮙᮞᮗ ᯗ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮘᮥᮢᮤ ᮘᮕᮢᮺ ᯗ ᮡᮥᮙᮓᮛᮜᮩ ᮗᮢᮑᮒᮒᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔᮼ

ᯗ ᮘᮑᮔ ᮠᮥᮤ ᮣᮟ ᮝᮥᮓᮘ ᮕᮖᮖᮟᮢᮤ ᮙᮞᮤᮟ ᮧᮙᮞᮞᮙᮞᮗ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮘᮕᮑᮢᮤ ᮥᮞᮤᮙᮜ ᮞᮟᮧᯉ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮠᮟᮣᮣᮙᮒᮜᮩ ᮔᮕᮣᮤᮢᮟᮩ ᮤᮘᮕ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᯗ ᮘᮑᮔ ᮒᮥᮙᮜᮤ ᮥᮠ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼ

ᯑᮑᮜᮝᮙᮞᮗ ᮝᮩ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮘᮕᮑᮢᮤᮺ ᯗ ᮓᮑᮥᮤᮙᮟᮥᮣᮜᮩ ᮣᮠᮟᮛᮕ ᮤᮟ ᮆᮙᮦᮙᮑᮞᮑᮺ ᮧᮘᮟ ᮧᮑᮣ ᮡᮥᮙᮕᮤᮜᮩ ᮗᮑ᮪ᮙᮞᮗ ᮑᮤ ᮝᮕᮼ

᮰ᮄᮻᮄᮟᮥᮓᮘᮙᮞᮗ ᮒᮑᮢᮕ ᮣᮛᮙᮞ ᮙᮣ ᮑ ᮒᮙᮤᮼᮼᮼ᮰

᮰ᮼᮼᮼ᮰

ᮆᮙᮦᮙᮑᮞᮑ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮣᮙᮜᮕᮞᮤᮜᮩᮺ ᮑᮞᮔ ᮑᮞ ᮥᮞᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕ ᮣᮙᮜᮕᮞᮓᮕ ᮖᮕᮜᮜ ᮒᮕᮤᮧᮕᮕᮞ ᮥᮣ ᮟᮞᮓᮕ ᮝᮟᮢᮕᮼ ᯗ ᮧᮑᮣ ᮧᮟᮢᮢᮙᮕᮔ ᮘᮕᮢ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮝᮙᮗᮘᮤ ᮒᮕ ᮘᮥᮢᮤᮺ ᮒᮥᮤ ᮖᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᮤᮘᮕ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᮙᮞ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮕᮩᮕᮣ ᮣᮤᮙᮜᮜ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮒᮕ ᮤᮘᮕᮢᮕᮼ

᮰ᯗ᮵ᮝ ᮣᮟᮢᮢᮩᮺ ᮄᮙᮞᮑᮼ ᮄᮘᮕ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮧᮑᮣ ᮣᮟ ᮑᮔᮔᮙᮓᮤᮙᮦᮕ ᮤᮘᮑᮤ ᯗ ᮔᮙᮔ ᮙᮤ ᮧᮙᮤᮘᮟᮥᮤ ᮤᮘᮙᮞᮛᮙᮞᮗᮼ᮰

ᮆᮙᮦᮙᮑᮞᮑ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮣᮘᮟᮢᮤ ᮣᮙᮗᮘ ᮑᮞᮔ ᮒᮢᮥᮣᮘᮕᮔ ᮘᮕᮢ ᮘᮑᮙᮢ ᮒᮑᮓᮛᮼ ᯗ ᮣᮤᮑᮢᮕᮔ ᮒᮜᮑᮞᮛᮜᮩ ᮑᮤ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮖᮟᮢᮕᮘᮕᮑᮔᮻᮢᮕᮦᮕᮑᮜᮙᮞᮗ ᮖᮑᮓᮕ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

ᯏᮣ ᮙᮖ ᮤᮟ ᮓᮟᮞᮖᮙᮢᮝ ᮣᮘᮕ ᮧᮑᮣ ᮤᮘᮕ ᮠᮢᮟᮤᮑᮗᮟᮞᮙᮣᮤᮼ ᯖᮕᮢ ᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕ ᮧᮑᮣ ᮟᮤᮘᮕᮢᮧᮟᮢᮜᮔᮜᮩᮼ

ᯖᮟᮧ ᮓᮟᮥᮜᮔ ᮟᮞᮕ ᮖᮑᮓᮕ ᮒᮕ ᮒᮟᮤᮘ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮑᮞᮔ ᮘᮑᮞᮔᮣᮟᮝᮕ ᮑᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᯍ

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯗ᮵ᮝ ᮠᮢᮕᮤᮤᮩ ᮤᮟᮟᮼᮼᮼ ᮒᮥᮤ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕᮺ ᯗ ᮣᮥᮠᮠᮟᮣᮕᮺ ᮗᮙᮦᮕᮣ ᮟᮖᮖ ᮤᮘᮑᮤ ᮕᮨᮑᮓᮤ ᮵ᮤᮘᮙᮣ ᮙᮣ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮤᮘᮕ ᮠᮢᮟᮤᮑᮗᮟᮞᮙᮣᮤ᮵ ᮦᮙᮒᮕᮼ

ᮀᮕᮢᮘᮑᮠᮣ ᮙᮤ ᮧᮑᮣ ᮒᮕᮓᮑᮥᮣᮕ ᯗ ᮣᮤᮑᮢᮕᮔ ᮤᮟᮟ ᮒᮜᮑᮞᮛᮜᮩᮼ ᮆᮙᮦᮙᮑᮞᮑ ᮣᮤᮢᮟᮛᮕᮔ ᮝᮩ ᮘᮑᮙᮢ ᮧᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮼ

᮰ᮄᮘᮑᮞᮛᮣ ᮤᮟ ᮩᮟᮥᮺ ᮑᮜᮜ ᮝᮩ ᮣᮤᮢᮕᮣᮣ ᮖᮢᮟᮝ ᮤᮘᮙᮣ ᮧᮕᮕᮛ ᮙᮣ ᮗᮟᮞᮕᮼ ᯗᮣ ᮤᮘᮕᮢᮕ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮩᮟᮥ ᮧᮑᮞᮤᯍ᮰

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮣᮟᮖᮤ ᮦᮟᮙᮓᮕ ᮧᮟᮛᮕ ᮝᮕ ᮖᮢᮟᮝ ᮝᮩ ᮤᮘᮟᮥᮗᮘᮤᮣᮼ

᮰ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᯗ ᮧᮑᮞᮤᯍ᮰

᮰ᮉᮕᮣᮺ ᯗ ᮣᮑᮙᮔ ᯗ᮵ᮔ ᮗᮙᮦᮕ ᮩᮟᮥ ᮑ ᮢᮕᮧᮑᮢᮔ ᮙᮖ ᯗ ᮧᮑᮣ ᮣᮑᮤᮙᮣᮖᮙᮕᮔᮼ᮰

ᯏ ᮓᮜᮑᮥᮣᮕ ᮙᮞ ᮤᮘᮕ ᮓᮟᮞᮤᮢᮑᮓᮤᮺ ᮣᮤᮑᮤᮙᮞᮗ ᮑ ᮢᮕᮧᮑᮢᮔ ᮧᮟᮥᮜᮔ ᮒᮕ ᮗᮙᮦᮕᮞ ᮙᮖ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮑᮣ ᮣᮑᮤᮙᮣᮖᮙᮕᮔᮺ ᮓᮑᮝᮕ ᮤᮟ ᮝᮙᮞᮔᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮣᮥᮔᮔᮕᮞ ᮟᮠᮠᮟᮢᮤᮥᮞᮙᮤᮩᮺ ᮒᮥᮤ ᯗ ᮘᮑᮔ ᮞᮟ ᮢᮕᮑᮣᮟᮞ ᮤᮟ ᮢᮕᮖᮥᮣᮕᮺ ᮣᮟ ᯗ ᮠᮢᮟᮠᮠᮕᮔ ᮝᮩ ᮓᮘᮙᮞ ᮑᮞᮔ ᮠᮟᮞᮔᮕᮢᮕᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

ᯖᮝᮝᮺ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᯗ ᮧᮑᮞᮤᮼᮼᮼ

ᯒᮑ᮪᮪ᮜᮙᮞᮗᮺ ᮣᮠᮜᮕᮞᮔᮙᮔ ᮚᮕᮧᮕᮜᮣᮺ ᮟᮢ ᮠᮕᮢᮘᮑᮠᮣ ᮕᮦᮕᮞ ᮓᮑᮣᮘ ᮧᮟᮥᮜᮔ ᮒᮕ ᮗᮟᮟᮔᮼᮼᮼ ᮟᮢ ᮑᮤ ᮤᮘᮕ ᮦᮕᮢᮩ ᮜᮕᮑᮣᮤᮺ ᮤᮘᮕ ᮑᮢᮤᮧᮟᮢᮛ ᮘᮑᮞᮗᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮘᮑᮜᮜᮧᮑᮩ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮒᮑᮔ ᮕᮙᮤᮘᮕᮢᮼ

ᯐᮥᮤ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮑᮩ ᮤᮘᮑᮤ ᮟᮥᮤᮢᮙᮗᮘᮤᮺ ᮓᮟᮥᮜᮔ ᯗᯍ ᯗᮖ ᯗ ᮜᮟᮟᮛᮕᮔ ᮤᮟᮟ ᮝᮑᮤᮕᮢᮙᮑᮜᮙᮣᮤᮙᮓᮺ ᯗ ᮝᮙᮗᮘᮤ ᮢᮥᮙᮞ ᮤᮘᮕ ᮢᮑᮠᮠᮟᮢᮤ ᯗ ᮘᮑᮔ ᮠᮑᮙᮞᮣᮤᮑᮛᮙᮞᮗᮜᮩ ᮒᮥᮙᮜᮤ ᮥᮠᮼ

ᮆᮙᮦᮙᮑᮞᮑ ᮑᮞᮔ ᯗ ᮧᮕᮢᮕ ᮣᮤᮙᮜᮜ ᮙᮞ ᮤᮘᮕ ᮗᮕᮤᮤᮙᮞᮗᮻᮤᮟᮻᮛᮞᮟᮧᮻᮕᮑᮓᮘᮻᮟᮤᮘᮕᮢ ᮠᮘᮑᮣᮕᯉ ᮙᮤ ᮧᮑᮣ ᮤᮟᮟ ᮕᮑᮢᮜᮩ ᮤᮟ ᮕᮨᮤᮟᮢᮤ ᮝᮑᮤᮕᮢᮙᮑᮜ ᮤᮘᮙᮞᮗᮣ ᮜᮙᮛᮕ ᯗ ᮧᮟᮥᮜᮔ ᮖᮢᮟᮝ ᮟᮤᮘᮕᮢ ᮞᮟᮒᮜᮕᮧᮟᮝᮕᮞᮼ ᮀᮕᮢᮘᮑᮠᮣ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮒᮕᮤᮤᮕᮢ ᮤᮟ ᮥᮣᮕ ᮤᮘᮙᮣ ᮟᮠᮠᮟᮢᮤᮥᮞᮙᮤᮩ ᮤᮟ ᮔᮕᮕᮠᮕᮞ ᮝᮩ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠ ᮧᮙᮤᮘ ᮆᮙᮦᮙᮑᮞᮑ ᮙᮞᮣᮤᮕᮑᮔᮼ

ᯗ ᮜᮟᮧᮕᮢᮕᮔ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢᮣ ᮟᮖ ᮝᮩ ᮕᮩᮕᮣ ᮣᮜᮙᮗᮘᮤᮜᮩᮺ ᮠᮥᮤᮤᮙᮞᮗ ᮟᮞ ᮑ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮔᮟᮧᮞᮓᮑᮣᮤ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ ᯛᮩ ᮜᮙᮠᮣ ᮤᮧᮙᮤᮓᮘᮕᮔ ᮣᮘᮩᮜᮩ ᮑᮣ ᯗ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮙᮤᮘ ᮣᮠᮑᮢᮛᮜᮙᮞᮗ ᮕᮩᮕᮣᮼ

᮰ᮄᮘᮕᮞᮼᮼᮼ ᮓᮟᮥᮜᮔ ᮩᮟᮥ ᮠᮕᮢᮘᮑᮠᮣ ᮦᮙᮣᮙᮤ ᮝᮕ ᮝᮟᮢᮕ ᮟᮖᮤᮕᮞᯍ᮰

᮰ᮼᮼᮼᮇᮘᮑᮤᯍ᮰

᮰ᯐᮕᮣᮙᮔᮕᮣ ᮑᮖᮤᮕᮢ ᮔᮙᮞᮞᮕᮢᮼᮼᮼ ᯗ ᮚᮥᮣᮤ ᮧᮑᮞᮤ ᮤᮟ ᮣᮕᮕ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ ᮝᮟᮢᮕᮼᮼᮼ᮰

᮰ᮼᮼᮼ᮰

ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮦᮙᮟᮜᮕᮤ ᮕᮩᮕᮣ ᮒᮕᮗᮑᮞ ᮤᮟ ᮧᮑᮦᮕᮢ ᮧᮙᮤᮘᮟᮥᮤ ᮓᮟᮞᮤᮕᮨᮤᮼ ᯗ ᮣᮤᮢᮥᮗᮗᮜᮕᮔ ᮤᮟ ᮣᮥᮠᮠᮢᮕᮣᮣ ᮝᮩ ᮜᮑᮥᮗᮘᮤᮕᮢ ᮑᮤ ᮘᮕᮢ ᮓᮜᮕᮑᮢ ᮢᮕᮑᮓᮤᮙᮟᮞᮼ

ᯖᮟᮧ ᮑᮒᮟᮥᮤ ᮤᮘᮑᮤᮺ ᮆᮙᮦᮙᮑᮞᮑᯍ

ᯑᮑᮞ ᮩᮟᮥ ᮢᮕᮝᮑᮙᮞ ᮓᮟᮝᮠᮟᮣᮕᮔ ᮑᮖᮤᮕᮢ ᮣᮕᮕᮙᮞᮗ ᮑᮞ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮜᮙᮛᮕ ᮤᮘᮙᮣᯍ

ᯖᮟᮧ ᮝᮑᮞᮩ ᮞᮟᮒᮜᮕᮧᮟᮝᮕᮞ ᮘᮑᮦᮕ ᯗ ᮓᮘᮑᮢᮝᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮙᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᯍ ᯗᮤ ᮧᮙᮜᮜ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮧᮟᮢᮛ ᮟᮞ ᮆᮙᮦᮙᮑᮞᮑ ᮤᮟᮟᮼ ᮃᮘᮕ ᮧᮟᮞ᮵ᮤ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮢᮕᮣᮙᮣᮤ ᮘᮕᮢ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᮖᮢᮟᮝ ᮗᮢᮟᮧᮙᮞᮗ ᮕᮦᮕᮞ ᮣᮤᮢᮟᮞᮗᮕᮢ—

ᮄᮘᮧᮑᮓᮛ—ᮯ

᮰ᮉᮕᮜᮠᯍᮯ᮰

ᮄᮕᮑᮢᮣ ᮧᮕᮜᮜᮕᮔ ᮥᮠ ᮙᮞ ᮝᮩ ᮕᮩᮕᮣ ᮖᮢᮟᮝ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮣᮤᮙᮞᮗᮙᮞᮗ ᮠᮑᮙᮞ ᮟᮞ ᮝᮩ ᮖᮟᮢᮕᮘᮕᮑᮔᮼ ᯏ ᮘᮙᮗᮘᮻᮠᮙᮤᮓᮘᮕᮔ ᮣᮟᮥᮞᮔ ᮙᮞᮦᮟᮜᮥᮞᮤᮑᮢᮙᮜᮩ ᮒᮥᮢᮣᮤ ᮟᮥᮤ ᮟᮖ ᮝᮕᮼ

ᯔᮕᮕᮜᮙᮞᮗ ᮖᮜᮥᮣᮤᮕᮢᮕᮔᮺ ᯗ ᮘᮕᮜᮔ ᮝᮩ ᮖᮟᮢᮕᮘᮕᮑᮔ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮥᮠᮺ ᮝᮕᮕᮤᮙᮞᮗ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮓᮑᮜᮝᮺ ᮣᮕᮤᮤᮜᮕᮔ ᮗᮑ᮪ᮕᮼ

᮰ᮃᮤᮟᮠ ᮒᮕᮙᮞᮗ ᮖᮑᮛᮕ ᮑᮞᮔ ᮤᮕᮜᮜ ᮝᮕ ᮧᮘᮑᮤ ᮩᮟᮥ ᮢᮕᮑᮜᮜᮩ ᮧᮑᮞᮤᮼ᮰

᮰ᮅᮗᮘᮼᮼᮼ᮰

ᮼᮼᮼᯖᮟᮧ ᮔᮟᮕᮣ ᮣᮘᮕ ᮣᮕᮕ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮕ ᮣᮟ ᮧᮕᮜᮜᯍ

ᯗ ᮘᮑᮔ ᮤᮢᮙᮕᮔ ᮤᮟ ᮝᮙᮨ ᮙᮞ ᮣᮟᮝᮕ ᮤᮙᮝᮙᮔᮞᮕᮣᮣ ᮤᮘᮑᮤ ᮣᮘᮕ ᮝᮙᮗᮘᮤ ᮜᮙᮛᮕᮺ ᮒᮥᮤ ᮆᮙᮦᮙᮑᮞᮑ ᮣᮑᮧ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮠᮢᮕᮤᮕᮞᮣᮕ ᮙᮞ ᮑᮞ ᮙᮞᮣᮤᮑᮞᮤᮼ ᯝᮤᮘᮕᮢ ᮞᮟᮒᮜᮕᮧᮟᮝᮕᮞ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮒᮕᮕᮞ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮝᮕᮜᮤᮙᮞᮗ ᮕᮩᮕᮣᮺ ᮒᮥᮤ ᮖᮟᮢ ᮣᮟᮝᮕ ᮢᮕᮑᮣᮟᮞᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮧᮑᮣ ᮑᮞ ᮕᮨᮓᮕᮠᮤᮙᮟᮞᮼ

ᯑᮟᮥᮜᮔ ᮙᮤ ᮒᮕ ᮤᮘᮑᮤ ᮣᮘᮕ ᮘᮑᮣ ᮑ ᮣᮤᮑᮞᮔᮑᮢᮔ ᮖᮟᮢ ᮕᮦᮕᮞ ᮣᮕᮕᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮠᮢᮕᮤᮕᮞᮣᮕᯍ

᮰ᯜᮟᮧ ᮤᮘᮑᮤ ᯗ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤ ᮙᮤᮺ ᮩᮟᮥ ᮣᮕᮕᮝᮕᮔ ᮡᮥᮙᮤᮕ ᮙᮞᮤᮕᮢᮕᮣᮤᮕᮔ ᮙᮞ ᮤᮘᮕ ᮠᮑᮙᮞᮤᮙᮞᮗᮣ ᮙᮞ ᮤᮘᮕ ᮝᮑᮞᮣᮙᮟᮞᮼ ᮃᮘᮟᮥᮜᮔ ᯗ ᮤᮑᮛᮕ ᮟᮞᮕ ᮔᮟᮧᮞ ᮑᮞᮔ ᮒᮢᮙᮞᮗ ᮙᮤ ᮤᮟ ᮩᮟᮥᯍ᮰

᮰ᯖᮥᮘᯍ᮰

ᯏᮤ ᮤᮘᮕ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮟᮖᮖᮕᮢᮺ ᯗ ᮚᮥᮣᮤ ᮒᮜᮙᮞᮛᮕᮔ ᮒᮜᮑᮞᮛᮜᮩ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤ ᮒᮕᮖᮟᮢᮕ ᮣᮞᮑᮠᮠᮙᮞᮗ ᮒᮑᮓᮛ ᮤᮟ ᮑᮤᮤᮕᮞᮤᮙᮟᮞᮼ

ᮄᮘᮙᮣ ᮧᮑᮣ ᮑᮞ ᮟᮠᮠᮟᮢᮤᮥᮞᮙᮤᮩ ᯗ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮟᮤᮓᮘᮼ

ᯗᮖ ᯗ ᮑᮣᮛᮕᮔ ᮖᮟᮢ ᮝᮑᮤᮕᮢᮙᮑᮜ ᮧᮕᮑᮜᮤᮘ ᮖᮙᮢᮣᮤᮺ ᯗ᮵ᮔ ᮜᮟᮟᮛ ᮝᮑᮤᮕᮢᮙᮑᮜᮙᮣᮤᮙᮓᮺ ᮒᮥᮤ ᮙᮖ ᮆᮙᮦᮙᮑᮞᮑ ᮟᮖᮖᮕᮢᮕᮔᮺ ᮙᮤ ᮧᮑᮣ ᮑ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮣᮤᮟᮢᮩᮼ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮖᮟᮟᮜᮙᮣᮘᮜᮩ ᮝᮙᮣᮣ ᮤᮘᮙᮣ ᮗᮟᮜᮔᮕᮞ ᮟᮠᮠᮟᮢᮤᮥᮞᮙᮤᮩᮼ

᮰ᯗᮻᯗᮖ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝ ᮙᮣ ᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕ ᮧᮙᮤᮘ ᮤᮘᮑᮤᮼᮼᮼ ᮤᮘᮕᮞᮺ ᯗ᮵ᮝ ᮖᮙᮞᮕ ᮧᮙᮤᮘ ᮙᮤᮼᮼᮼᮯ᮰

ᯗ ᮝᮑᮔᮕ ᮑᮞ ᮑᮝᮒᮙᮗᮥᮟᮥᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᮑᮣ ᮙᮖ ᯗ ᮧᮑᮣ ᮢᮕᮜᮥᮓᮤᮑᮞᮤᮜᮩ ᮑᮓᮓᮕᮠᮤᮙᮞᮗᮺ ᮞᮕᮙᮤᮘᮕᮢ ᮘᮑᮠᮠᮩ ᮞᮟᮢ ᮣᮑᮔᮺ ᮑᮞᮔ ᮢᮕᮠᮜᮙᮕᮔ ᮓᮑᮥᮤᮙᮟᮥᮣᮜᮩᮼ

᮰ᯝᮛᮑᮩᮼ ᯗ᮵ᮜᮜ ᮣᮕᮞᮔ ᮙᮤ ᮤᮟ ᮩᮟᮥᮢ ᮝᮑᮞᮣᮙᮟᮞᮼ᮰

ᯛᮩ ᮘᮕᮑᮢᮤ ᮠᮟᮥᮞᮔᮕᮔ ᮑᮤ ᮤᮘᮕ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮗᮑᮙᮞᮼ ᯗ ᮘᮑᮔ ᮤᮘᮟᮥᮗᮘᮤ ᮑᮒᮟᮥᮤ ᮤᮑᮛᮙᮞᮗ ᮟᮞᮕ ᮣᮟᮝᮕᮔᮑᮩᮺ ᮒᮥᮤ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮕᮨᮠᮕᮓᮤ ᮤᮟ ᮗᮕᮤ ᮙᮤ ᮣᮟ ᮕᮑᮣᮙᮜᮩᮼ

ᯛᮟᮢᮕᮟᮦᮕᮢᮺ ᮕᮦᮕᮢᮩ ᮠᮑᮙᮞᮤᮙᮞᮗ ᯗ ᮘᮑᮔ ᮣᮕᮕᮞ ᮧᮑᮣ ᮕᮨᮤᮢᮑᮟᮢᮔᮙᮞᮑᮢᮩᮼ ᯏᮞᮔ ᮣᮙᮞᮓᮕ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮑᮢᮤᮧᮟᮢᮛᮣ ᮤᮘᮑᮤ ᮣᮟᮜᮔ ᮧᮕᮜᮜᮺ ᮙᮖ ᯗ ᮣᮟᮜᮔ ᮤᮘᮕᮝᮺ ᯗ ᮓᮟᮥᮜᮔ ᮗᮕᮤ ᮑ ᮠᮢᮕᮤᮤᮩ ᮔᮕᮓᮕᮞᮤ ᮣᮥᮝ ᮟᮖ ᮝᮟᮞᮕᮩᮼ

ᮉᮕᮣᮺ ᮙᮞᮔᮕᮕᮔᮼ

ᮆᮙᮦᮙᮑᮞᮑ ᮧᮑᮣ ᮑ ᮠᮥᮣᮘᮟᮦᮕᮢᮼ

᮰ᯗᮞᮣᮤᮕᮑᮔᮺ ᮄᮙᮞᮑᮺ ᮓᮑᮞ ᯗ ᮛᮕᮕᮠ ᮤᮟᮥᮓᮘᮙᮞᮗ ᮩᮟᮥᮢ ᮒᮥᮤᮤ ᮖᮢᮟᮝ ᮞᮟᮧ ᮟᮞᯍ᮰

᮰ᮉᮻᮉᮕᮣᮺ ᮟᮖ ᮓᮟᮥᮢᮣᮕᮯ᮰

ᯏ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮓᮑᮢᮕᮜᮕᮣᮣᮞᮕᮣᮣ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮣᮤᮢᮥᮓᮛ ᮝᮕ ᮑᮤ ᮤᮘᮕ ᮙᮞᮑᮔᮦᮕᮢᮤᮕᮞᮤᮜᮩ ᮓᮘᮕᮕᮢᮖᮥᮜ ᮦᮟᮙᮓᮕᮼ ᯗ ᮘᮑᮔ ᮒᮕᮕᮞ ᮙᮞᮧᮑᮢᮔᮜᮩ ᮕᮨᮓᮙᮤᮕᮔ ᮑᮒᮟᮥᮤ ᮢᮕᮓᮕᮙᮦᮙᮞᮗ ᮑᮞ ᮕᮨᮠᮕᮞᮣᮙᮦᮕ ᮑᮢᮤᮧᮟᮢᮛ ᮑᮞᮔ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮑᮗᮢᮕᮕᮔᮼ

ᯗ ᮧᮑᮣ ᮧᮟᮢᮢᮙᮕᮔ ᯗ ᮝᮙᮗᮘᮤ ᮣᮕᮕᮝ ᮜᮙᮛᮕ ᮑ ᮓᮘᮕᮑᮠ ᮧᮟᮝᮑᮞᮺ ᮒᮥᮤ ᮖᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮔᮙᮔᮞ᮵ᮤ ᮣᮕᮕᮝ ᮤᮟ ᮤᮘᮙᮞᮛ ᮝᮥᮓᮘ ᮟᮖ ᮙᮤᮼ

ᯗᮤ ᮖᮕᮕᮜᮣ ᮑ ᮒᮙᮤ ᮜᮙᮛᮕ ᮣᮕᮜᮜᮙᮞᮗ ᮝᮩᮣᮕᮜᮖ ᮖᮟᮢ ᮝᮟᮞᮕᮩᮼᮼᮼ ᮒᮥᮤ ᮣᮟ ᮧᮘᮑᮤᯍ ᯗ ᮗᮟᮤ ᮕᮨᮠᮕᮞᮣᮙᮦᮕ ᮧᮕᮑᮜᮤᮘᮺ ᮑᮞᮔ ᯗ ᮢᮑᮙᮣᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ᮵ᮣ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᮜᮕᮦᮕᮜᮺ ᮣᮟ ᮙᮣᮞ᮵ᮤ ᮤᮘᮑᮤ ᮛᮙᮜᮜᮙᮞᮗ ᮤᮧᮟ ᮒᮙᮢᮔᮣ ᮧᮙᮤᮘ ᮟᮞᮕ ᮣᮤᮟᮞᮕᯍ

ᮀᮢᮕᮤᮤᮩ ᮙᮣ ᮤᮘᮕ ᮒᮕᮣᮤᮺ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼ

ᯏ ᮓᮘᮥᮓᮛᮜᮕ—

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Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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