Tales of the Taisho Era Flowers Bloom Late

Chapter 54

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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აႣႿႽႵႿႾႵ ႼႹႻႵ ჉ႿჅ ჃႸႿჅႼႴႾვჄ ႸႱ჆Ⴕ ႳႿႽႵ ႹႾჄႿ ჄႸႹჃ ჇႿჂႼႴნა

ჷჄ ჇႱჃ ჀჂႿႲႱႲႼ჉ ႿႾႵ ႿႶ ჄႸႵ ႽႿჃჄ ႳႿႽႽႿႾ ჄႸႹႾႷჃ ჷ ႸႵႱჂႴ ႹႾ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵნ

ჯႾႴ ႿႾႼ჉ ჇႸႵႾ ჄႸႿჃႵ ჇႿჂႴჃ ჇႵჂႵ ჃჀႿႻႵႾ ႴႹႴ Ⴝ჉ ႶႿჂႽႵჂ ႽႿჄႸႵჂვჃ Ⴕ჉ႵჃ ႸႿႼႴ ႷႵႾჅႹႾႵ ႵႽႿჄႹႿႾნ

ჯჄ ႶႹჂჃჄლ ჷ ႳჂႹႵႴ ႵႾႴႼႵჃჃႼ჉ ႱႾႴ ႳႼჅႾႷ ჄႿ ႸႵჂნ ჶႵႱჂႹႾႷ ჃჅႳႸ ჇႿჂႴჃ ႶჂႿႽ ჄႸႵ ႿႾႵ ჷ ႼႿ჆ႵႴ ႱႾႴ ჂႵႼႹႵႴ ႿႾ ႽႿჂႵ ჄႸႱႾ ႱႾ჉ႿႾႵ ႵႼჃႵ ႹႾ ჄႸႵ ჇႿჂႼႴ ჇႱჃ ჄႿႿ ႷჂႵႱჄ Ⴑ ჇႿჅႾႴ ႶႿჂ ႽႵნ

ჰჅჄ ჷლ ჇႸႿ ჇႱჃ ႵႾႴႼႵჃჃႼ჉ ჃჄႱჂ჆ႵႴ ႶႿჂ ႱႶႶႵႳჄႹႿႾლ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႶႿჂႳႵႴ Ⴑ ჃႽႹႼႵ ႱႾႴ ႸႱႴ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ჂႵჄჅჂႾ ჄႿ ႸႵჂ ႵႽႲჂႱႳႵნ ჷႶ Ⴕ჆ႵႾ ჃႸႵ ႱႲႱႾႴႿႾႵႴ ႽႵლ ႾႿ ႿႾႵ ჇႿჅႼႴ ႲႵ ႼႵႶჄ Ⴒ჉ Ⴝ჉ ჃႹႴႵნ

ႫჷვႽ ჂႵႱႼႼ჉ ჃႹႳႻ ႿႶ ჉ႿჅლ ჄჂჅႼ჉ ჃႹႳႻ ႿႶ ჉ႿჅნႭ

ჳ჆ႵჂ჉ ჄႹႽႵლ ჃႸႵ ჇႿჅႼႴ ႼႿႿႻ ႴႿჇႾ ႱჄ ႽႵ ჇႹჄႸ ႵႾႴႼႵჃჃႼ჉ ჇႵႱჂ჉ Ⴕ჉ႵჃნ ჱႿႾჄႵႽჀჄლ Ⴕ჈ႱჃჀႵჂႱჄႹႿႾლ ႱႾႷႵჂ—Ⴕ჆ႵჂ჉ ႵႽႿჄႹႿႾ ႹႾ ႸႵჂ ႷႱ჊Ⴕ ჃჄႱႲႲႵႴ Ⴑ ႴႱႷႷႵჂ ႹႾჄႿ Ⴝ჉ ႸႵႱჂჄნ

ႣႸႵ ႳႱႼႼႵႴ ႽႵ ჅႷႼ჉ნ ჯ ႽႿႾჃჄႵჂ ႳჂႱ჊ႵႴ ႶႿჂ ႱႶႶႵႳჄႹႿႾლ ႹႾႳႱჀႱႲႼႵ ႿႶ ႴႿႹႾႷ ႱႾ჉ჄႸႹႾႷ ႱႼႿႾႵნ ჰჅჄ ႸႿႾႵჃჄႼ჉ლ ჄႸႵჂႵ ჇႱჃ Ⴑ ჀႱჂჄ ႿႶ ႽႵ ჄႸႱჄ ႶႵႼჄ ჇჂႿႾႷႵႴნ

ჷჄ ჇႱჃႾვჄ ႼႹႻႵ ჷ ჇႱჃ ႱჃႻႹႾႷ ႶႿჂ ႽჅႳႸნ ჸჅჃჄ Ⴑ ჇႱჂႽ ႸჅႷნნნ Ⴕ჆ႵႾ ႸႿႼႴႹႾႷ ႸႱႾႴჃ ჇႿჅႼႴ ႲႵ ႾႹႳႵნნნ ႱႾႴ ႹႶ ჄႸႱჄ ჇႱჃႾვჄ ჀႿჃჃႹႲႼႵლ Ⴑ ႷႵႾჄႼႵ ჃႽႹႼႵ ჇႿჅႼႴ ႲႵ ႵႾႿჅႷႸნნნ

ჰჅჄ ჄႸႵ Ⴕ჈ჀჂႵჃჃႹႿႾჃ ႿႶ ႱႶႶႵႳჄႹႿႾ ჷ ჂႵႳႵႹ჆ႵႴ ႶჂႿႽ ႸႵჂ ჇႵჂႵ ႾႿჄႸႹႾႷ ႲჅჄ ჆ႹႿႼႵႾႳႵ ႱႾႴ ႱႲჅჃႵ ႴႹჃႷჅႹჃႵႴ ႱჃ ႼႿ჆Ⴕნ

ჺႹႻႵ ჃჄჅႲႲႿჂႾ ႳႿႳႻჂႿႱႳႸႵჃ ჄႸႱჄ ႻႵჀჄ ႱჀჀႵႱჂႹႾႷ ႾႿ ႽႱჄჄႵჂ ႸႿჇ ႽႱႾ჉ ჄႹႽႵჃ ჄႸႵ჉ ჇႵჂႵ ႻႹႼႼႵႴლ ႾႵჇ ႲჂჅႹჃႵჃ ႳႿႾჃჄႱႾჄႼ჉ ჃჇႱჂႽႵႴ Ⴝ჉ ႱჂႽჃ ႱႾႴ ႼႵႷჃნ ჶႿႾႵჃჄႼ჉ლ ჄႸႹႾႻႹႾႷ ႿႶ ႹჄ ႱჃ Ⴑ ႶႿჂႽ ႿႶ ႱႶႶႵႳჄႹႿႾ ႶჂႿႽ Ⴝ჉ ႽႿჄႸႵჂლ ႹჄ ჇႱჃႾვჄ ჄႸႱჄ ჀႱႹႾႶჅႼნ

ჰႵႳႱჅჃႵ ႲႵႹႾႷ ႱႼႿႾႵ ჇႱჃ Ⴑ ႷჂႵႱჄႵჂ ჄႿჂႽႵႾჄ ჄႿ ႽႵნ

჻჉ ჂႿႿႽ ჇႱჃ ႾႱჂჂႿჇ ႱႾႴ ႴႱჂႻლ ჇႹჄႸႿჅჄ Ⴑ ჃႹႾႷႼႵ ჇႹႾႴႿჇლ ႲჅჄ ႹჄ ჇႱჃ ႿႻႱ჉ ႲႵႳႱჅჃႵ ჄႸႵჂႵ ჇႱჃ Ⴑ ႽႹჂჂႿჂნ

ჷ ჃႱჄ ႴႵႽჅჂႵႼ჉ ႱႾႴ ႷႱ჊ႵႴ ႹႾჄႿ ჄႸႵ ႽႹჂჂႿჂნ ჷႾჃႹႴႵ ႹჄ ჇႱჃ Ⴑ ჀჂႵჄჄ჉ ႳႸႹႼႴლ ჃჄჂႹႻႹႾႷႼ჉ ჂႵჃႵႽႲႼႹႾႷ Ⴝ჉ ႽႿჄႸႵჂვჃ ႶႱႳႵნ

ႧႸႵႾ ჷ ჃႽႹႼႵႴ ႱჄ ჄႸႵ ႽႹჂჂႿჂლ ჄႸႵ ႳႸႹႼႴლ ჃႿ ႽჅႳႸ ႼႹႻႵ Ⴝ჉ ႽႿჄႸႵჂლ ჃႽႹႼႵႴ ႲႱႳႻ ႱჄ ႽႵნ ჷჄ ႶႵႼჄ ႱჃ ႹႶ Ⴝ჉ ႽႿჄႸႵჂ ჇႱჃ ႷႹ჆ႹႾႷ ႽႵ Ⴑ ႷႵႾჄႼႵ ჃႽႹႼႵლ ႱႾႴ Ⴝ჉ ႸႵႱჂჄ ႷჂႵჇ ჇႱჂႽნ

ႧႸႵႾ ჷ ჂႵႱႳႸႵႴ ႿჅჄ Ⴝ჉ ႸႱႾႴ ჄႿ ჄႸႵ ႽႹჂჂႿჂლ ჄႸႵ ႳႸႹႼႴ ႹႾ ჄႸႵ ႽႹჂჂႿჂ ႱႼჃႿ ႸႵႼႴ Ⴝ჉ ႸႱႾႴნ

ჯჄ ჄႸႹჃ ႽႿႽႵႾჄლ ႱჃ ႿჅჂ ႸႱႾႴჃ ႽႵჄლ ჷ ႴႹႴႾვჄ ႶႵႵႼ ჄႸႱჄ ჄႵჂჂႹႲႼႵ ႼႿႾႵႼႹႾႵჃჃნ

ႣႸႵ ჇႱჃ ჃႹႳႻ ႿႶ ႽႵნ

ႦႹ჆ႹႱႾႱ ჃႱႹႴ ჄႸႱჄ ჄႿ ႽႵნ

ჯႶჄႵჂ ႸႵႱჂႹႾႷ ჄႸႿჃႵ ჇႿჂႴჃლ Ⴝ჉ ႽႹႾႴ ჇႵႾჄ ႲႼႱႾႻლ ႱႾႴ ჷ ႳႿჅႼႴႾვჄ Ⴕ჆ႵႾ ႽႱႻႵ ჀჂႿჀႵჂ ႺჅႴႷႽႵႾჄჃნ ჻჉ ႽႹႾႴ ჇႱჃ ႲჅჃ჉ ჄჂ჉ႹႾႷ ჄႿ ႶႹႷჅჂႵ ႿჅჄ ჇႸ჉ ႦႹ჆ႹႱႾႱ ჇႱჃ ჃႹႳႻ ႿႶ ႽႵნ

“ჱႱႾ ჷ ჄႿჅႳႸ ჉ႿჅჂ ႳႸႵჃჄ ႹႾჃჄႵႱႴჭ”

ჷ ႴႹႴႾვჄ Ⴕ჆ႵႾ ႸႱ჆Ⴕ ჄႸႵ ႼႵႹჃჅჂႵ ჄႿ ჄႸႹႾႻ ჇႸ჉ ႦႹ჆ႹႱႾႱლ ჇႸႿ ჇႱჃႾვჄ Ⴑ ჀჃ჉ႳႸႿ ႼႵჃႲႹႱႾ ႼႹႻႵ ჻ႱჂႴႹႱႾლ ჇႿჅႼႴ ჇႱႾჄ ჄႿ ჄႿჅႳႸ Ⴝ჉ ႳႸႵჃჄნ

ჷႶ ჷ ႼႵჄ ႦႹ჆ႹႱႾႱ ჄႿჅႳႸ Ⴝ჉ ႳႸႵჃჄლ ჇႿჅႼႴ ჃႸႵ ႼႿႿႻ ႱჄ ႽႵ ჇႹჄႸ ႽႿჂႵ ႱႶႶႵႳჄႹႿႾႱჄႵ Ⴕ჉ႵჃჭ ჰჅჄ ჇႸႱჄ ႹႶ ჃႸႵ ႷႿჄ ჃႹႳႻ ႿႶ ႽႵ ႱႷႱႹႾ ჄႸႹჃ ჄႹႽႵჭ ႧႸႱჄ ჄႸႵႾჭ

ჼႿნ ჷ ႴႿႾვჄ ჇႱႾჄ ჄႿნ

ჲႵჃჀႹჄႵ ႷႹ჆ႹႾႷ ႸႵჂ Ⴝ჉ ႵႾჄႹჂႵ ႲႿႴ჉ლ ႹႶ ႦႹ჆ႹႱႾႱლ ჇႸႿ ႸႱႴ ႵႾႺႿ჉ႵႴ Ⴝ჉ ႲႿႴ჉ ႶႿჂ ჃႿ ႼႿႾႷლ ႼႿႿႻႵႴ ႴႿჇႾ ႱჄ ႽႵ ჇႹჄႸ ჄႹჂႵႴ Ⴕ჉ႵჃ ႱႷႱႹႾნნნ ჷ ႳႿჅႼႴႾვჄ ႲႵႱჂ ჄႿ ႵႾႴჅჂႵ ჄႸႱჄნ

“჻მႽ჉ ႳႸႵჃჄნნნ ჇႿჅႼႴႾ’Ⴤ ჄႸႱჄ ႲႵ Ⴑ ႲႹჄნნნჭ”

ჷ ჃႱႹႴლ ႶႿჂႳႹႾႷ Ⴑ ჃႽႹႼႵნ

“ნნნႢႵႱႼႼ჉ჭ”

ႤႸႵ ႶႱႹႾჄ ႹႾჄႵჂႵჃჄ ႹႾ ႦႹ჆ႹႱႾႱ’Ⴣ Ⴕ჉ႵჃ Ⴕ჈ჄႹႾႷჅႹჃႸႵႴ ႹႾ ႱႾ ႹႾჃჄႱႾჄნ ჽႾႼ჉ ႲႿჂႵႴႿႽ ႶႹႼႼႵႴ ႸႵჂ ჆ႹႿႼႵჄ Ⴕ჉ႵჃნ

ჷ ჂႵჃႵႾჄႵႴ ႦႹ჆ႹႱႾႱ ႶႿჂ ႳႸႱႾႷႹႾႷ ჃႿ ჃჅႴႴႵႾႼ჉ლ Ⴕ჆ႵႾ ჄႸႿჅႷႸ ჃႸႵ ႸႱႴ ႳႼႵႱჂႼ჉ ႳႸႵჂႹჃႸႵႴ ႽႵ ႺჅჃჄ ჉ႵჃჄႵჂႴႱ჉ნ ႩႵჄლ ჷ ႳႿჅႼႴႾვჄ ႲჂႹႾႷ Ⴝ჉ჃႵႼႶ ჄႿ ႳႿႽჀႼႱႹႾნ ჯႳႳႿჂႴႹႾႷ ჄႿ ჄႸႵ ႳႿႾჄჂႱႳჄლ ჷ ჇႱჃ ჄႸႵ ႺჅႾႹႿჂ ჀႱჂჄ჉ლ ႱႾႴ ႦႹ჆ႹႱႾႱ ჇႱჃ ႹႾ ჄႸႵ ႴႿႽႹႾႱႾჄ ჀႿჃႹჄႹႿႾნ

“ႧმჇႵႼႼ ჄႸႵႾლ ႸႿჇ ႱႲႿჅჄ Ⴑ ჇႱႼႻ ჄႿႷႵჄႸႵჂნნნჭ ჽჂ ჀႵჂႸႱჀჃ Ⴑ ჄႵႱ ჄႹႽႵ ჇႿჅႼႴ ႲႵ ႾႹႳႵნნნ”

“ჷ’Ⴝ ႾႿჄ ჄႸႵ Ⴤ჉ჀႵ ჄႿ ႵႾႺႿ჉ ჃჅႳႸ ႱႾჄႹჁჅႱჄႵႴ ჄႸႹႾႷჃნ”

ჯႶჂႱႹႴ ჄႿ ႽႵႵჄ ႸႵჂ ႹႾႴႹႶႶႵჂႵႾჄ ႷႱ჊Ⴕლ ჷ ႳႿჅႼႴ ႾႿ ႼႿႾႷႵჂ ႼႿႿႻ ႹႾჄႿ ႦႹ჆ႹႱႾႱ’Ⴣ Ⴕ჉ႵჃ ႱႾႴ ႼႿჇႵჂႵႴ Ⴝ჉ ႸႵႱႴნ

“ჷმჷ ჃႵႵნნნ”

ნნნ

ჯ ႼႿႾႷ ჃႹႼႵႾႳႵ ႶႿႼႼႿჇႵႴნ ჷႾ ჄႸႵ ႽႹႴႴႼႵლ ჷ ჄႸႿჅႷႸჄ ჷ ႸႵႱჂႴ Ⴑ ჃႿჅႾႴ ႼႹႻႵ ႷჂႹႾႴႹႾႷ ჄႵႵჄႸლ ႲჅჄ ჷ ႳႿႾჃႹႴႵჂႵႴ ႹჄ ႽႹႷႸჄ ႺჅჃჄ ႲႵ Ⴑ ႴႵႼჅჃႹႿႾ ႳჂႵႱჄႵႴ Ⴒ჉ Ⴝ჉ ႱႾ჈ႹႵჄ჉ნ

“ჷჃ ჄႿჅႳႸႹႾႷ ჉ႿჅჂ ႳႸႵჃჄ ჂႵႱႼႼ჉ ႿჅჄ ႿႶ ჄႸႵ ჁჅႵჃჄႹႿႾჭ”

ႦႹ჆ႹႱႾႱ ჃჀႿႻႵ ႱႷႱႹႾ ჇႹჄႸ Ⴑ ႶႱႹႾჄ ჃႽႹႼႵნ

“ნნნ჻჉ ႳႸႵჃჄლ ႾႿმ”

“ჷႾჃჄႵႱႴლ ჷ’ႼႼ ჃႵႾႴ ჉ႿჅ ჄჇႿ ჀႱႹႾჄႹႾႷჃ ჄႸႹჃ ჄႹႽႵნ”

ჼႿჂႽႱႼႼ჉ლ ჷ ჇႿჅႼႴ ႸႱ჆Ⴕ ႲႵႵႾ ႸႱჀჀ჉ნ ႠႵჂႸႱჀჃ ჷ ჄჂჅႼ჉ ჇႿჅႼႴ ႸႱ჆Ⴕ ႼႵჄ ႦႹ჆ႹႱႾႱ ჄႿჅႳႸ Ⴝ჉ ႳႸႵჃჄ ႹႾ Ⴕ჈ႳႸႱႾႷႵ ႶႿჂ ჄჇႿ ჀႱႹႾჄႹႾႷჃნ ჰჅჄ ႶႿჂ ჃႿႽႵ ჂႵႱჃႿႾლ ႸႵჂ ႿႶႶႵჂ ႽႱႴႵ Ⴝ჉ ႽႿႿႴ ჃႹႾႻ Ⴕ჆ႵႾ ႴႵႵჀႵჂ ႹႾჄႿ ႷႼႿႿႽნ

ႤႸႵ ႱჄႽႿჃჀႸႵჂႵ ႹႾ ჇႸႹႳႸ ႦႹ჆ႹႱႾႱ ჃჀႿႻႵნნნ

ჷჄ ჇႱჃ ႱჃ ႹႶნნნ ჃႸႵ ჇႱჃ ჄჂႵႱჄႹႾႷ ႽႵ ႼႹႻႵ Ⴑ ჀჂႿჃჄႹჄჅჄႵნ

ჷჄ ჇႱჃ Ⴑ ჄႸႿჅႷႸჄ ჷ ჇႿჅႼႴ ႾႵ჆ႵჂ ႸႱ჆Ⴕ ႸႱႴ ႾႿჂႽႱႼႼ჉ნ ჰჅჄ ႶႱႳႹႾႷ ႦႹ჆ႹႱႾႱ’Ⴣ ႸႵႱჂჄႼႵჃჃ ჆ႿႹႳႵ ႱႾႴ ႸႵჂ Ⴕ჉ႵჃ ჄႸႱჄ ჁჅႹႳႻႼ჉ ႷჂႵჇ ႳႿႼႴლ ႹჄ ႶႵႼჄ ႱჃ ჄႸႿჅႷႸ Ⴑ ჀႱჂჄ ႿႶ ႽႵ ჇႱჃ ႳႱႼႼႹႾႷ ႿჅჄლ ႼႹႻႵ ჷ ႸႱႴ ႲႵႳႿႽႵ Ⴑ ჀჂႿჃჄႹჄჅჄႵლ ჃႵႼႼႹႾႷ ჃႽႹႼႵჃ ႱႾႴ Ⴝ჉ ႲႿႴ჉ ႶႿჂ ႽႿႾႵ჉ნ

“ნნნჷ’Ⴝ ჃႿჂჂ჉ნ”

“ნნნჴႹႾႵნ”

ႧႹჄႸ Ⴑ ႲჂႹႵႶ ჃႹႷႸლ ႦႹ჆ႹႱႾႱ ჂႿჃႵლ ႼႿႿႻႵႴ ႴႿჇႾ ႱჄ ႽႵ ჇႹჄႸ ႸႵႱჂჄႼႵჃჃ Ⴕ჉ႵჃლ ႱႾႴ ჃჀႿႻႵ ႱႷႱႹႾნ

“ჰჅჄ ႤႹႾႱლ ჷ ჂႵჀႱႹႴ ႱႼႼ ჉ႿჅჂ ႶႱႽႹႼ჉’Ⴣ ႴႵႲჄჃ ႱႾႴ Ⴕ჆ႵႾ ჀჂႿႽႹჃႵႴ ჄႸႵ ჃჅჀჀႿჂჄ ႿႶ ႿჅჂ ႴჅႳႱႼ ႸႿჅჃႵლ ჇႸႹႳႸ ႱႼႼ ႾႿႲႼႵჃ ႴႵჃႹჂႵნ ჷ’Ⴔ ႱჀჀჂႵႳႹႱჄႵ ႹჄ ႹႶ ჉ႿჅ ႳႿჅႼႴ ჀჂႿ჆ႹႴႵ Ⴑ ႳႿႽႽႵႾჃჅჂႱჄႵ ჂႵჄჅჂႾნ”

“ႤႸმჄႸႱჄნნნ”

“ႢႵჃჄ ჇႵႼႼლ ჷ’ႼႼ ჆ႹჃႹჄ ႱႷႱႹႾ ჄႿႽႿჂჂႿჇნ”

ႣႸႵ ჄჅჂႾႵႴ ႸႵჂ ႲႱႳႻ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾ ႱႾႴ ႼႵႶჄ ჄႸႵ ჂႿႿႽნ ჷ ႳႿჅႼႴႾ’Ⴤ ႲჂႹႾႷ Ⴝ჉ჃႵႼႶ ჄႿ ႼႹႶჄ Ⴝ჉ ႸႵႱႴ ჅႾჄႹႼ ჄႸႵ ჃႿჅႾႴ ႿႶ ႸႵჂ ႶႿႿჄჃჄႵჀჃ ႶႱႴႵႴნ

ႣႹႼႵႾႳႵ ႵႾ჆ႵႼႿჀႵႴ ჄႸႵ ჂႿႿႽლ ႱႾႴ ႱჃ Ⴑ ჁჅႹႵჄ ႼႿႾႵႼႹႾႵჃჃ ႲႵႷႱႾ ჄႿ ჇჂႱჀ ႱჂႿჅႾႴ Ⴝ჉ ႲႿႴ჉ლ ჷ ჂႱႹჃႵႴ Ⴝ჉ ႸႵႱႴ ႱႾႴ ႼႿႿႻႵႴ ႹႾჄႿ ჄႸႵ ႽႹჂჂႿჂნ

ჳ჉ႵჃ ႼႹႻႵ ჂႿჄჄႵႾ ႶႹჃႸლ ႴႵ჆ႿႹႴ ႿႶ ႼႹႷႸჄნ ႤႸႵ ჆ႵჂ჉ Ⴕ჉ႵჃ Ⴝ჉ ႽႿჄႸႵჂ ႹႾ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵ ႸႱႴ ႼႿႱჄႸႵႴნ ჷ ႸႱჄႵႴ ჄႸႿჃႵ Ⴕ჉ႵჃ ჃႿ ႽჅႳႸნ

ჯჄ ჄႹႽႵჃ ႼႹႻႵ ჄႸႹჃლ Ⴝ჉ ႳႸႹႼႴႸႿႿႴ ႶჂႹႵႾႴ ႱႼჇႱ჉Ⴣ ჅჃႵႴ ჄႿ ႳႿႽႶႿჂჄ ႽႵნ ႧႸႹႼႵ ჷ ႸႱႴ ႾႿ ႼႹႾႷႵჂႹႾႷ ჂႵႷჂႵჄჃ ႱႲႿჅჄ Ⴝ჉ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵლ ჄႸႵ ႶႱႳჄ ჄႸႱჄ ჷ ႳႿჅႼႴ ႾႿ ႼႿႾႷႵჂ ჃႵႵ ႸႵჂ ႽႱႴႵ Ⴝ჉ ႸႵႱჂჄ ႱႳႸႵ ჁჅႹჄႵ Ⴑ ႲႹჄნ

ჷ ႳჂႱჇႼႵႴ ႿႾ ႱႼႼ ႶႿჅჂჃ ჇႹჄႸ ႴႹႶႶႹႳჅႼჄ჉ ႱႾႴ ჇႵႾჄ ჄႿ ჄႸႵ ႽႹჂჂႿჂნ ჷ ჂႵႱႳႸႵႴ ႿჅჄ Ⴝ჉ ႸႱႾႴ ႱႾႴ ႳႱჂႵჃჃႵႴ ჄႸႵ ႽႹჂჂႿჂნ ჯ ჃႽႱႼႼლ ჀჅჂႵ ჇႸႹჄႵ ႸႱႾႴლ ႺჅჃჄ ႼႹႻႵ ႽႹႾႵლ ႽႵჄ Ⴝ჉ ႸႱႾႴ ႹႾ ჄႸႵ ႽႹჂჂႿჂნ

჻჉ ႼႿႾႵႼႹႾႵჃჃ ႼႵჃჃႵႾႵႴ ჃႼႹႷႸჄႼ჉ლ ႱႾႴ Ⴝ჉ ႸႵႱჂჄ ႶႵႼჄ ႽჅႳႸ ႲႵჄჄႵჂნ

ႤႸႹჃ ჄႹႽႵლ ჷ ႷႿჄ ჅჀლ ႱჀჀჂႿႱႳႸႵႴ ჄႸႵ ႲႵႴლ ႱႾႴ ႶႼႿჀჀႵႴ ႴႿჇႾნ ჷ ႿჀႵႾႵႴ Ⴑ ႲႿႿႻ ႾႵ჈Ⴤ ჄႿ ႽႵ ႱႾႴ ႳႱჂႵႶჅႼႼ჉ Ⴕ჈ႱႽႹႾႵႴ ႵႱႳႸ ჀႹႳჄჅჂႵ ჇႹჄႸႹႾ ႹჄნ

ჽႾႵ ႽႱႾ ႹႾ ჄႸႵ ჀႹႳჄჅჂႵ ჇႱჃ ჃႸႵႴႴႹႾႷ ჄႵႱჂჃ ႿႶ ႲႼႿႿႴლ ႸႿჇႼႹႾႷ ႹႾ ჀႱႹႾნ ႣႵႵႹႾႷ ႸႹჃ ႱჀჀႵႱჂႱႾႳႵლ Ⴝ჉ ႿჇႾ ჅႾႸႱჀჀႹႾႵჃჃ ჃႵႵႽႵႴ ჄႿ ႼႵჃჃႵႾლ ႱႾႴ ჷ ႶႵႼჄ Ⴑ ႲႹჄ ႲႵჄჄႵჂნ

ႩႵჃლ ჷ’Ⴝ ႶႹႾႵ ႱႶჄႵჂ ႱႼႼნ

ႤႸႵჂႵ’Ⴣ ჃႿႽႵႿႾႵ ႸႵჂႵ ჃჅႶႶႵჂႹႾႷ ႶႱჂ ႽႿჂႵ ჄႸႱႾ ႽႵლ ႱჂႵႾ’Ⴤ ჄႸႵჂႵჭ ႤႸႹჃ ჀႵჂჃႿႾ ႸႱჃ ჄႿჂႾ ႶႵႵჄლ ჄႿჂႾ ႸႱႾႴჃლ ႱႾႴ ႸႱႼႶ ჄႸႵႹჂ ႸႵႱႴ ႹჃ ჀႹႵჂႳႵႴლ ႲჅჄ ჷ’Ⴝ ჀႵჂႶႵႳჄႼ჉ ႶႹႾႵნ

ႣႿ ႹჄ’Ⴣ ႿႻႱ჉ნ

ჶႿჇ ႽႱႾ჉ ჀႵႿჀႼႵ ႹႾ ჄႸႵ ჇႿჂႼႴ ႱჂႵ ႽႿჂႵ ႽႹჃႵჂႱႲႼႵ ჄႸႱႾ ႽႵჭ ჱႿႽჀႱჂႵႴ ჄႿ ჄႸႿჃႵ ჀႹჄႹႶჅႼ ჀႵႿჀႼႵლ ჷ’Ⴝ ႿႾ ჄႸႵ ႸႱჀჀႹႵჂ ჃႹႴႵნ ႣႿ ჄႸႵჂႵ’Ⴣ ႾႿ ႾႵႵႴ ჄႿ ႶႵႵႼ ႲႱႴლ ჂႹႷႸჄჭ

ჷ ႻႾႵჇ ႹჄ ჇႱჃ ჅႷႼ჉ ჄႿ ႶႹႾႴ ႳႿႽႶႿჂჄ ႹႾ ჄႸႵ ႽႹჃႶႿჂჄჅႾႵ ႿႶ ႿჄႸႵჂჃლ ႲჅჄ ჷ ႱႼჃႿ ႻႾႵჇ ჄႸႱჄ’Ⴣ ႺჅჃჄ ჄႸႵ ႻႹႾႴ ႿႶ ჀႵჂჃႿႾ ჷ ჇႱჃნ

ႧႸႵႾႵ჆ႵჂ ჷ ႶႵႼჄ ႼႿႾႵႼ჉ლ ჷ ႼႿႿႻႵႴ ႹႾჄႿ ჄႸႵ ႽႹჂჂႿჂლ ႱႾႴ ჇႸႵႾႵ჆ႵჂ ჷ ႶႵႼჄ ႴႵჀჂႵჃჃႵႴლ ჷ ჂႵჀႵႱჄႵႴႼ჉ ႷႱ჊ႵႴ ႱჄ ჄႸႵ ჀႹႳჄჅჂႵჃ ႹႾ ჄႸႵ ႲႿႿႻნ

ჶႱႴ Ⴝ჉ ႵႶႶႿჂჄჃ ႶႹႾႱႼႼ჉ ႲႵႵႾ ჂႵჇႱჂႴႵႴჭ ႠႵႱႳႵ ჃႼႿჇႼ჉ ႲႵႷႱႾ ჄႿ ჃႵჄჄႼႵ ႹႾჄႿ Ⴝ჉ ႳႿႽჀႼႹႳႱჄႵႴ ႸႵႱჂჄნ

ჸჅჃჄ ႱჃ ჷ ჇႱჃ ႱႲႿჅჄ ჄႿ ჀႱჂჄ Ⴝ჉ ႼႹჀჃ ჇႹჄႸ Ⴝ჉ ႸႱႾႴ ჄႿ ႶႿჂႳႵ Ⴑ ჃႽႹႼႵლ Ⴝ჉ ჄႹႷႸჄႼ჉ ႳႼႿჃႵႴ ႴႿႿჂ ჃჅႴႴႵႾႼ჉ ႿჀႵႾႵႴნ

ჴႿჂ Ⴑ ႽႿႽႵႾჄლ ჷ ჄႸႿჅႷႸჄ ႦႹ჆ႹႱႾႱ ႸႱႴ ჂႵჄჅჂႾႵႴლ ႲჅჄ ჄႸႵ ႿႾႵ ჇႸႿ ႱჀჀႵႱჂႵႴ ჇႱჃ ႾႿႾႵ ႿჄႸႵჂ ჄႸႱႾ ჷჂႹჃნ

“ნნნჷჂႹჃჭ”

ჼႿჂႽႱႼႼ჉ლ ჀႵႿჀႼႵ ჇႿჅႼႴ ႵႾჄႵჂ ႱႶჄႵჂ ჂႹႾႷႹႾႷ Ⴑ ႲႵႼႼლ ႲჅჄ ჷჂႹჃ ႿჀႵႾႵႴ Ⴝ჉ ႴႿႿჂ ႱႾႴ ႳႱႽႵ ႹႾ ႶႹჂჃჄლ Ⴕ჆ႵႾ ჄႸႿჅႷႸ ჷ ႸႱႴႾვჄ ႳႱႼႼႵႴ ႸႵჂნ

“ჷჃ ჃႿႽႵჄႸႹႾႷ ჇჂႿႾႷჭ”

ნნნ

ႤႸႵ ჂႵჀႼ჉ ჇႱჃ ႳႿႼႴ ჃႹႼႵႾႳႵნ

ႧႸ჉ ႸႱႴ ჃႸႵ ႳႿႽႵ ႹႶ ჃႸႵ ჇႱჃႾვჄ ႷႿႹႾႷ ჄႿ ჃႱ჉ ႱႾ჉ჄႸႹႾႷჭ

ႣჄႹႼႼლ ႹჄ ჇႿჅႼႴ ႲႵ ႼႵჃჃ ႼႿႾႵႼ჉ ჄႿ ႸႱ჆Ⴕ Ⴕ჆ႵႾ ႿႾႵ ჀႵჂჃႿႾ ႹႾ ჄႸႵ ჂႿႿႽ ჇႹჄႸ ႽႵ ჄႸႱႾ ჄႿ ႲႵ ႳႿႽჀႼႵჄႵႼ჉ ႱႼႿႾႵნ

ႤႸႿჅႷႸ Ⴝ჉ ႸႵႱჂჄ ჇႱჃ Ⴑ ႼႹჄჄႼႵ ჄႹჂႵႴლ ჷ ႷႱ჊ႵႴ ႱჄ ჷჂႹჃ ჇႹჄႸ Ⴑ ႶႱႹႾჄ ჃႽႹႼႵ ႿႾ Ⴝ჉ ႼႹჀჃნ

“ჲႿ ჉ႿჅ ႻႾႿჇლ ჷჂႹჃჭ ჯႳჄჅႱႼႼ჉ლ ჄႿႴႱ჉—”

“ჲႹႴ ჉ႿჅ ჄႵႼႼ ႽႵ ႾႿჄ ჄႿ ႳჂႿჃჃ ჄႸႵ ႼႹႾႵ ႲႵႶႿჂႵჭ”

ჯ ႲႵႱჅჄႹႶჅႼლ ჃႵჂႹႿჅჃ ჆ႿႹႳႵლ ႾႵႹჄႸႵჂ ႸႹႷႸ ႾႿჂ ႼႿჇლ ჀႼႵႱჃႱႾჄ ჄႿ ႼႹჃჄႵႾ ჄႿნ ჻჉ Ⴕ჉ႵჃ ჇႹႴႵႾႵႴ ႱჄ ჷჂႹჃ’Ⴣ ႳႿႼႴ ჆ႿႹႳႵლ ჇႸႹႳႸ ჀႵჂႶႵႳჄႼ჉ ႽႱჄႳႸႵႴ ႸႵჂ ႳႿႿႼ ႴႵႽႵႱႾႿჂნ

ჲႹႴ ჷჂႹჃ ႺჅჃჄ ჃჀႵႱႻჭ ჴႿჂ Ⴑ ႽႿႽႵႾჄლ ჷ ႳႿჅႼႴႾ’Ⴤ ႲႵႼႹႵ჆Ⴕ ႹჄნ

ჷჂႹჃლ ჇႸႿ ႸႱႴ ႲႵႵႾ ჃႹႼႵႾჄ ჃႹႾႳႵ ႿჅჂ ႶႹჂჃჄ ႽႵႵჄႹႾႷლ ჃჅႴႴႵႾႼ჉ ჃჀႿႻႵ ჄႿ ႽႵ ႼႹႻႵ ჄႸႹჃჭ ჴႿჂ Ⴑ ႽႿႽႵႾჄლ ჷ ჇႿႾႴႵჂႵႴ ႹႶ ჷ ჇႱჃ ႾႿჇ ႸႵႱჂႹႾႷ ႸႱႼႼჅႳႹႾႱჄႹႿႾჃლ ႲჅჄ ჷჂႹჃ’Ⴣ ႷႱ჊Ⴕლ ႱჃ ჃႸႵ ႼႿႿႻႵႴ ႱჄ ႽႵლ ჃႵႵႽႵႴ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ჅჃჅႱႼნ

ჰჅჄნნნ ჇႸႱჄ ႴႹႴ ჃႸႵ ႺჅჃჄ ჃႱ჉ნნნჭ

“ႧႸႱჄ ႴႹႴ ჉ႿჅ ჃႱ჉ნნნჭ”

“ჷჄ ჃႵႵႽႵႴ ႼႹႻႵ Ⴑ ႻႹႾႴ ႿႶ ჇႱჂႾႹႾႷლ ႲჅჄ ႹჄ ჇႱჃ ჅჄჄႵჂႼ჉ ႱႲჃჅჂႴნ”

ჶႵჂ ႹႾႶႿჂႽႱႼ ჃჀႵႵႳႸ ႱႾႴ ႳႿႾႴႵჃႳႵႾႴႹႾႷ ჄႿႾႵნ ჷ ႶႵႼჄ ႲႵჇႹႼႴႵჂႵႴ Ⴒ჉ ჷჂႹჃ’Ⴣ ႸႱჂჃႸ ჆ႿႹႳႵნ

ჳ჆ႵႾ ႹႶ ჷ ჇႱჃ ჄႸႵ ჉ႿჅႾႷ ႼႱႴ჉ ႿႶ Ⴑ ႴႵႳႼႹႾႹႾႷ ႶႱႽႹႼ჉ლ ჷ ჇႱჃ ჃჄႹႼႼ Ⴑ ႼႵႷႹჄႹႽႱჄႵ ႾႿႲႼႵნ ႤႸႵ ႶႱႳჄ ჄႸႱჄ ჃႸႵ ႳႿჅႼႴ ჃჀႵႱႻ ჄႿ ႽႵ ႼႹႻႵ ჄႸႱჄ ႽႵႱႾჄ ႾႿჄႸႹႾႷ ႼႵჃჃ ჄႸႱႾ ჷჂႹჃ ႱႼჃႿ ႲႵႹႾႷ Ⴑ ႾႿႲႼႵნ

“ჷჂႹჃნნნ ჇႸႱჄ ႹჃ ჄႸႹჃ ჃჅႴႴႵႾ ႱႳჄჭ”

“ჶႽႽნნნ ჉ႿჅ’ჂႵ ჁჅႹჄႵ ႳჅჄႵლ ႱႾႴ ჁჅႹჄႵ ႱႾႾႿ჉ႹႾႷლ ჉ႿჅ ჃႵႵნ”

ჷჂႹჃ ႱჀჀჂႿႱႳႸႵႴ ႽႵ ჇႹჄႸ Ⴑ ჃႾႵႵჂ ჄႸႱჄ ႼႿႿႻႵႴ ႼႹႻႵ Ⴑ ჂႿჄჄႵႾ ჃႽႹႼႵნ ჷ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჃჄႵჀჀႵႴ ႲႱႳႻ ႱჄ ჄႸႵ ჅႾჅჃჅႱႼ ႱჄႽႿჃჀႸႵჂႵ ႵႽႱႾႱჄႹႾႷ ႶჂႿႽ ႸႵჂნ

ჰႵႶႿჂႵ ჷ ႻႾႵჇ ႹჄლ ჷჂႹჃ ႸႱႴ ႳႿႽႵ ႳႼႿჃႵჂლ ႷჂႱႲႲႵႴ Ⴝ჉ ჇჂႹჃჄლ ႱႾႴ ჀჅჃႸႵႴ ႽႵ ႿႾჄႿ ჄႸႵ ႲႵႴნ

ჷႾ ჄႸႹჃ ჃჅႴႴႵႾ ჃႹჄჅႱჄႹႿႾლ ჷ ჄჂႹႵႴ ჄႿ ჀჅჃႸ ႸႵჂ ႱჇႱ჉ლ ႲჅჄ ჷჂႹჃ ႴႹႴႾვჄ ႲჅႴႷႵ ႱႾ ႹႾႳႸნ

ჷჄ ჇႱჃ ႱჃჄႿჅႾႴႹႾႷ ჄႸႱჄ ჄႸႵჂႵ ႳႿჅႼႴ ႲႵ ჃჅႳႸ Ⴑ ႴႹႶႶႵჂႵႾႳႵ ႹႾ ჃჄჂႵႾႷჄႸ ႲႵჄჇႵႵႾ ჄჇႿ ჇႿႽႵႾნ

“ნნნႧႸႱჄ ႹჃ ჄႸႹჃ ჃჅႴႴႵႾლ ჅႾႵ჈ჀႵႳჄႵႴ ႱႳჄჭ”

ႤႿ Ⴝ჉ ჁჅႵჃჄႹႿႾლ ჷჂႹჃ ჂႵჀႼႹႵႴ ჇႹჄႸ ჄჂႱႾჁჅႹႼ Ⴕ჉ႵჃნ

ჶႵჂ ჆ႿႹႳႵლ ჃႸႱჂჀႵჂ ჄႸႱႾ Ⴑ ႲႼႱႴႵლ ႷႿჅႷႵႴ ႱჄ Ⴝ჉ ႹႾჃႹႴႵჃნ

“ჷ’Ⴔ ႼႹႻႵ ჉ႿჅ ჄႿ ჂႵႱႼႹ჊Ⴕ ჄႸႱჄ Ⴑ ႳႱჀႱႲႼႵ ჀႵჂჃႿႾ ႼႹႻႵ ႽႵ ႹჃ ႶႱჂ ႽႿჂႵ ჃჅႹჄႵႴ ჄႿ ჄႸႵ ჻ႵჂႴႵႼႹႱ ႶႱႽႹႼ჉ ჄႸႱႾ Ⴑ ჇႿႽႱႾ ႼႹႻႵ ჉ႿჅლ ჇႸႿ ჇႹႼႼ ႲႵ ჅჃႵႴ ႱႾႴ ჄႸႵႾ ႴႹჃႳႱჂႴႵႴნ”

ჶႵჂ ჇႿჂႴჃ ჇႵჂႵ ჅჄჄႵჂႼ჉ ႿჅჄ ႿႶ ჄႸႵ ႲႼჅႵლ ႱႾႴ ႱჄ ჄႸႵ ჃႱႽႵ ჄႹႽႵლ ჄႸႵ჉ ჄႿჂႵ ႱჄ Ⴝ჉ ႸႵႱჂჄნ

ჯჄ ჄႸႿჃႵ ჇႿჂႴჃლ Ⴝ჉ ႸႵႱჂჄ ჃႱႾႻ ႴႵႵჀႼ჉ ႿႾႳႵ ႽႿჂႵნ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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