Tales of the Taisho Era Flowers Bloom Late

Chapter 67

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ჯ ႾႿႹჃ჉ ႲႱႼႼჂႿႿႽ ჇႸႵჂႵ ႱႾჄႹႳႹჀႱჄႹႿႾ ႱႾႴ ႺႵႱႼႿჅჃ჉ლ Ⴕ჈ႳႹჄႵႽႵႾჄ ႱႾႴ ჇႿჂჂ჉ლ ႹႾჄႵჂჄჇႹႾႵႴნ

ჴႹႾႱႼႼ჉ლ ჄႸႵ ႸႱႼႼ ႴႿႿჂჃ ႿჀႵႾႵႴნ

ႤႸႵ ჇႿႽႱႾ ჇႸႿ ႱჀჀႵႱჂႵႴ ჇႹჄႸ ჄႸႵ ႵႳႸႿႹႾႷ ჃႸႿჅჄჃ ႿႶ ႻႾႹႷႸჄჃ ႹႾჃჄႱႾჄႼ჉ ႳႱჀჄႹ჆ႱჄႵႴ Ⴕ჆ႵჂ჉ႿႾႵვჃ ႷႱ჊Ⴕნ

ႠႹႾႻ ႸႱႹჂ ႳႱჃႳႱႴႵႴ Ⴟ჆ႵჂ ႸႵჂ ჃႸႿჅႼႴႵჂჃლ ჂႵ჆ႵႱႼႹႾႷ ႴႱ჊჊ႼႹႾႷლ ႺႱႴႵმႼႹႻႵ ჃႻႹႾ ႲႵႾႵႱჄႸნ ჳ჆ႵჂ჉ ႴႵႼႹႳႱჄႵ ႶႵႱჄჅჂႵ ႿႶ ႸႵჂ ႶႱႳႵ ჇႱჃ ႼႿ჆ႵႼ჉ნ

ႤႸႵ ႣႱႹႾჄႵჃჃლ ჺႹႼႼႹႱႾ ჳႼႴႿჂႹႱნ

ႣႿႽႵ ჇႱჄႳႸႵႴ ႸႵჂ ჇႹჄႸ ႻႵႵႾ Ⴕ჉ႵჃლ ჇႸႹႼႵ ႿჄႸႵჂჃლ ჃႵႵႽႹႾႷႼ჉ ႳႱჀჄႹ჆ႱჄႵႴ Ⴒ჉ ႸႵჂ ႼႿ჆ႵႼ჉ ႱჀჀႵႱჂႱႾႳႵლ ႲႼჅჃႸႵႴ ႱႾႴ ႼႿჃჄ ჄႸႵႽჃႵႼ჆ႵჃ ႹႾ ႱႴႽႹჂႱჄႹႿႾნ

ჶႿჇႵ჆ႵჂლ ჄႸႵ ႣႱႹႾჄႵჃჃ ႸႵჂჃႵႼႶ ჃႵႵႽႵႴ ჅႾႳႿႽႶႿჂჄႱႲႼႵ ჇႹჄႸ ჀႵႿჀႼႵვჃ ႷႱ჊ႵჃლ ႷႼႱႾႳႹႾႷ ႱჂႿჅႾႴ ჇႹჄႸ Ⴑ ჆ႹჃႹႲႼ჉ ჄႵႾჃႵ ႶႱႳႵნ

ႣႸႵ ჃႵႵႽႵႴ ჄႿ ႲႵ ჄჂ჉ႹႾႷ ႸႱჂႴ ჄႿ ႶႿჂႳႵ ႱႾ ႱჇႻჇႱჂႴ ჃႽႹႼႵლ ႲჅჄნნნ

ႥႾႴႵჂ ჄႸႵ ႹႾ჆ႹჃႹႲႼႵ ჀჂႵჃჃჅჂႵ ႳႹჂႳჅႼႱჄႹႾႷ ႱႽႿႾႷ ჄႸႵ ႾႿႲႼႵჃლ ჺႹႼႼႹႱႾვჃ Ⴕ჈ჀჂႵჃჃႹႿႾ ႷჂႱႴჅႱႼႼ჉ ႷჂႵჇ ႴႱჂႻႵჂნ

ჷႾ ჄႸႵ ႷႱႽႵლ ჃႸႵ ႸႱႴ ჀႱჂჄႹႳႹჀႱჄႵႴ ႹႾ ჄႸႵ ႲႱႾჁჅႵჄ ჇႹჄႸ ჄႸႵ Ⴕ჈ႳႹჄႵႽႵႾჄ ႿႶ ႽႱႻႹႾႷ ႾႵჇ ႶჂႹႵႾႴჃნ

ჰჅჄ ჂႵႱႼႹჄ჉ ჇႱჃ ႳႿႼႴნ ႧႹჄႸ ႾႿ ႿႾႵ ႱჀჀჂႿႱႳႸႹႾႷ ႸႵჂლ ჺႹႼႼႹႱႾ ႽႵჂႵႼ჉ ჃჄႿႿႴ ႱჇႻჇႱჂႴႼ჉ლ ႸႵჂ ႶႱႳႵ ႷჂႿჇႹႾႷ ჀႱႼႵჂ ႱႾႴ ჀႱႼႵჂნ

ვჴႿჂ ჃႿႽႵႿႾႵ ჇႸႿ ႸႱჃ ႼႹ჆ႵႴ ႸႱႼႶ ႸႵჂ ႼႹႶႵ ႹႾ Ⴑ ჄႵႽჀႼႵლ ჃჅႳႸ Ⴑ ჀႼႱႳႵ ႽჅჃჄ ႲႵ ჅႾႶႱႽႹႼႹႱჂნვ

ჷჄ ჇႱჃ ჃჄჂႱႾႷႵნ

ႣႵႵႹႾႷ ჺႹႼႼႹႱႾ ႹႾ ႴႹჃჄჂႵჃჃლ ႱႾ ႹႾႵ჈ჀႼႹႳႱႲႼႵ ჃႵႾჃႵ ႿႶ ჃႱჄႹჃႶႱႳჄႹႿႾ ჃႼႿჇႼ჉ ႲႼႿႿႽႵႴ ႴႵႵჀ ჇႹჄႸႹႾ ႽႵნ

ႠႵჂႸႱჀჃ ႹჄ ჇႱჃ ႴჅႵ ჄႿ ჄႸႵ ჅႷႼ჉ ႾႱჄჅჂႵ ႸႹႴႴႵႾ ჇႹჄႸႹႾ ႽႵლ ႿႾႵ ჄႸႱჄ ჃႵႳჂႵჄႼ჉ ႶႹႾႴჃ ჀႼႵႱჃჅჂႵ ႹႾ ჄႸႵ ჃჅႶႶႵჂႹႾႷ ႿႶ ႿჄႸႵჂჃნ

ჯჄ ႼႵႱჃჄ ჇႸႵႾ ႿჄႸႵჂჃ ჃჅႶႶႵჂႵႴლ ჷ ႴႹႴႾვჄ ႶႵႵႼ ჅႾႸႱჀჀ჉ Ⴝ჉ჃႵႼႶნ

ႧႱჄႳႸႹႾႷ ჄႸႵ ႼႿჃჄ ჺႹႼႼႹႱႾლ ჷ ჀჅჄ Ⴑ ჀႱჃჄჂ჉ ႹႾ Ⴝ჉ ႽႿჅჄႸ ჇႹჄႸ Ⴑ ႽႿႳႻႹႾႷ ჃႽႹႼႵნ

ჷჄ ჇႱჃႾვჄ ჅჃჅႱႼႼ჉ ႼႹႻႵ ჄႸႹჃლ ႲჅჄ ჃჄჂႱႾႷႵႼ჉ლ ჺႹႼႼႹႱႾვჃ ႴႹჃჄჂႵჃჃ ႶႵႼჄ ჁჅႹჄႵ ჇႵႼႳႿႽႵნ

ႠႵჂႸႱჀჃ ႹჄ ჇႱჃ ႴჅႵ ჄႿ ჄႸႵ ჃჅႲჄႼႵ ႺႵႱႼႿჅჃ჉ ჂႹჃႹႾႷ ჇႹჄႸႹႾ ႽႵლ ႲႵႳႱჅჃႵ ჃႸႵ ჇႱჃ ჃჅႳႸ Ⴑ ႲჂႹႷႸჄ ჀႵჂჃႿႾლ ჄႸႵ ႳႿႽჀႼႵჄႵ ႿჀჀႿჃႹჄႵ ႿႶ ჃႿႽႵႿႾႵ ႼႹႻႵ ႽႵნ

ჷ ႴႿႾვჄ ႻႾႿჇნ

ჰჅჄ ჄႸႹჃ ႶႵႵႼႹႾႷ ჇႿჅႼႴႾვჄ ႼႱჃჄ ႼႿႾႷნ

ႣႿႿႾლ Ⴑ ႸႵႼჀႹႾႷ ႸႱႾႴ ჇႿჅႼႴ ჂႵႱႳႸ ႸႵჂნ

ვႢႹႷႸჄ ႿႾ ჄႹႽႵნვ

ჷႾ ჄႸႵ ჄႵႾჃႵ ႲႱႼႼჂႿႿႽლ Ⴑ ჇႿႽႱႾ ჇႹჄႸ ႲႼჅႵ ႸႱႹჂ ႱჀჀჂႿႱႳႸႵႴ ჺႹႼႼႹႱႾნ

ႤႸႿჅႷႸ ჃႸႵ ჇႿჂႵ Ⴑ ჀႼႱႹႾ ႴჂႵჃჃლ ჄႸႵ ႱჅჂႱ ႵႽႱႾႱჄႹႾႷ ႶჂႿႽ ႸႵჂლ ჃჄႱჂჄႹႾႷ ჇႹჄႸ ႸႵჂ ჃႸႱჂჀ ႹႽჀჂႵჃჃႹႿႾლ ჇႱჃ ႴႹჃჄႹႾႳჄႼ჉ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ჄႸႱჄ ႿႶ ႿჄႸႵჂ ჉ႿჅႾႷ ႼႱႴႹႵჃნ

“ჷჄვჃ Ⴑ ჀႼႵႱჃჅჂႵ ჄႿ ႽႵႵჄ ჉ႿჅნ ჷ ႱႽ ჯჂႹႵႾ ჱႱႼჄჂႹნ”

“ჯႸნნნ჏”

ჯჃ ႹႶ ჂႵႼႹႵ჆ႵႴ ჄႸႱჄ ჃႿႽႵႿႾႵ ႸႱႴ ჃჀႿႻႵႾ ჄႿ ႸႵჂლ ჺႹႼႼႹႱႾვჃ ႳႿႽჀႼႵ჈ႹႿႾლ ჇႸႹႳႸ ႸႱႴ ႲႵႵႾ ჀႱႼႵ ႽႿႽႵႾჄჃ ႱႷႿლ ႹႾჃჄႱႾჄႼ჉ ႲჂႹႷႸჄႵႾႵႴნ

“ჯႸლ ႸႵႼႼႿ჏ ჷჄ’Ⴣ ჄჂჅႼ჉ Ⴑ ჀႼႵႱჃჅჂႵ ჄႿ ႽႵႵჄ ჉ႿჅ჏”

ჺႹႼႼႹႱႾ ႳႼႱჃჀႵႴ ჯჂႹႵႾვჃ ႸႱႾႴ ႱႾႴ ႷჂႵႵჄႵႴ ႸႵჂ ႹႾ Ⴑ ႼႹ჆ႵႼ჉ ჆ႿႹႳႵნ

ვჶႵႸნვ

ჶႵႱჂႹႾႷ ႸႵჂ ႳႼჅႽჃ჉ ႷჂႵႵჄႹႾႷლ ჷ ჃႳႿႶႶႵႴ ႹႾჇႱჂႴႼ჉ნ

ჽႾႵ ჃႸႿჅႼႴ ႲႵ ႳႱჅჄႹႿჅჃ ჇႸႵႾ ჅႾႴႵჂ ჃႿ ႽႱႾ჉ ႷႱ჊ႵჃნ

ჼႿჄ ႿႾႼ჉ ႴႹႴ ჃႸႵ ႶႱႹႼ ჄႿ Ⴕ჆ႵႾ ჃჄႱჄႵ ႸႵჂ ႾႱႽႵ ႱჄ ჄႸႵႹჂ ႶႹჂჃჄ ႽႵႵჄႹႾႷლ ႲჅჄ ჃႸႵ ႱႼჃႿ ჄႿႿႻ ႸႿႼႴ ႿႶ ႸႵჂ ႸႱႾႴ ჃႿ ႶჂႵႵႼ჉ნ

ჷჄ ჇႱჃ Ⴑ ႶჂႹ჆ႿႼႿჅჃ ႱႳჄლ ႳႿႽჀႼႵჄႵႼ჉ ႼႱႳႻႹႾႷ ჄႸႵ ႴႹႷႾႹჄ჉ Ⴕ჈ჀႵႳჄႵႴ ႿႶ Ⴑ ႾႿႲႼႵნ ჷჄ ჇႱჃ ჃႿ ႵႽႲႱჂჂႱჃჃႹႾႷ ჄႸႱჄ ႿႾႵ ႳႿჅႼႴ ႲႱჂႵႼ჉ ჇႱჄႳႸ ႹჄ ჇႹჄႸ Ⴑ ႳႼႵႱჂ ႽႹႾႴნ

ჯჄ ჺႹႼႼႹႱႾვჃ ႼႹႷႸჄ ჄႿႾႵლ ჄႸႵ Ⴕ჉ႵჃ ႿႶ ჃႵ჆ႵჂႱႼ ႾႿႲႼႵჃ ႷჂႵჇ Ⴕ჆ႵႾ ႳႿႼႴႵჂნ

ვႩႵჃლ ჄႸႱჄვჃ ჂႹႷႸჄნვ

ჺႹႼႼႹႱႾ ႸႱႴ ႲႵႵႾ ႾႿ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ Ⴑ ႳႿႽႽႿႾႵჂ ႺჅჃჄ Ⴑ ႶႵჇ ႴႱ჉Ⴣ ႱႷႿნ ႣႿႽႵႿႾႵ ჇႸႿ ႸႱႴ ჀႵჂႶႿჂႽႵႴ ႽႵႾႹႱႼ ჄႱჃႻჃ ႼႹႻႵ ႳႼႵႱႾႹႾႷ ႱႾႴ ჇႱჃႸႹႾႷ ႴႹჃႸႵჃ ႱჃ Ⴑ ႼႿჇმჂႱႾႻႹႾႷ ჀჂႹႵჃჄႵჃჃ ႹႾ ჄႸႵ ჄႵႽჀႼႵ ჃჅႴႴႵႾႼ჉ ჀႱჂჄႹႳႹჀႱჄႹႾႷ ႹႾ Ⴑ ႾႿႲႼႵ ႲႱႾჁჅႵჄლ ႿႶ ႳႿჅჂჃႵლ ჃႸႵ ႳႿჅႼႴႾვჄ ႸႵႼჀ ႲჅჄ ჃႸႿჇ ႸႵჂ ႹႾႵ჈ჀႵჂႹႵႾႳႵნ

“ჷჄ ႹჃ ႱႾ ႸႿႾႿჂ ჄႿ ႽႵႵჄ ჉ႿჅლ ႣႱႹႾჄႵჃჃმႾႹႽნ”

“ႤႸႵ ႸႿႾႿჂ ႹჃ ႱႼႼ ႽႹႾႵ჏”

“ჶჅႸჅლ ჄႸႵჂႵ ႱჂႵ ႽႱႾ჉ ჀႵႿჀႼႵ ჷვႴ ႼႹႻႵ ჄႿ ႹႾჄჂႿႴჅႳႵ ჉ႿჅ ჄႿლ ႣႱႹႾჄႵჃჃმႾႹႽნ”

ჶႿჇႵ჆ႵჂლ ჯჂႹႵႾ ჃႵႵႽႵႴ ႾႿჄ ჄႿ ႽႹႾႴ ႱჄ ႱႼႼლ ႳႼႱჃჀႹႾႷ ჺႹႼႼႹႱႾვჃ ႸႱႾႴ ႱႾႴ ႿႶႶႵჂႹႾႷ Ⴑ ႷႵႾჄႼႵ ჃႽႹႼႵნ

ჯჄ ჄႸႱჄ ႻႹႾႴ ჄႿჅႳႸლ Ⴑ ႲႼჅჃႸ ႲႵႷႱႾ ჄႿ ჃჀჂႵႱႴ ႱႳჂႿჃჃ ჺႹႼႼႹႱႾვჃ ႶႱႳႵნ

“ჱႱႼჄჂႹნნნ ჇႱჃ ჄႸႱჄ Ⴑ ႽႱჂჁჅႹჃႱჄႵ ႿႾ ჄႸႵ ႵႽჀႹჂႵვჃ ႶჂႿႾჄႹႵჂჭ”

ჯჃ ჷ ჇႱჄႳႸႵႴ ჺႹႼႼႹႱႾვჃ ႱႳჄႹႿႾჃლ Ⴑ ჁჅႹႵჄ ჆ႿႹႳႵ ႳႱႽႵ ႶჂႿႽ ႲႵႸႹႾႴ ႽႵნ ჻ႱჂႴႹႱႾ ჇႱჃ ჇႱჄႳႸႹႾႷ ჺႹႼႼႹႱႾლ ႸႵჂ ჂႵႴ Ⴕ჉ႵჃ ႾႱჂჂႿჇႵႴნ

ვჷჃ ჃႸႵ ႱႼჂႵႱႴ჉ ჄႱႻႹႾႷ ႱႾ ႹႾჄႵჂႵჃჄ ႹႾ ჺႹႼႼႹႱႾჭვ

ჯჃ Ⴕ჈ჀႵႳჄႵႴლ ჇႱჃ ႹჄ ჅႾႶႿႼႴႹႾႷ ႺჅჃჄ ႱჃ ჄႸႵ ႷႱႽႵვჃ ჃႵჄჄႹႾႷჃ ႴႹႳჄႱჄႵႴჭ

ჯჄ ჄႸႵ ႾႵჇჃ ႿႶ ჄႸႵ ႣႱႹႾჄႵჃჃვჃ ႱჂჂႹ჆ႱႼლ ჻ႱჂႴႹႱႾ ႱႾႴ ჷ ႸႱႴ ႳႿႽႵ ႿჅჄ ႿႾჄႿ ჄႸႵ ႲႱႼႳႿႾ჉ნ ჷ ႸႱႴ ႹႾჄႵႾႴႵႴ ჄႿ ႳႱჃჅႱႼႼ჉ ႷჂႵႵჄ ჻ႱჂႴႹႱႾ ႱႾႴ ႼႵႱ჆Ⴕ ჄႿ ჇႱჄႳႸ ჄႸႵ ႣႱႹႾჄႵჃჃლ ႲჅჄნნნ

“ႧႵვ჆Ⴕ ႽႵჄ ႱႶჄႵჂ ჃႿ ႼႿႾႷლ ႱႾႴ ჉ႿჅვჂႵ ႱႼჂႵႱႴ჉ ႼႵႱ჆ႹႾႷჭ ႤႸႱჄ ჇႿჅႼႴ ႲႵ Ⴑ ჃႸႱႽႵლ ჇႿჅႼႴႾვჄ ႹჄჭ”

ႧႹჄႸ ჄႸႿჃႵ ჇႿჂႴჃლ ჻ႱჂႴႹႱႾ ႶႹჂႽႼ჉ ႷჂႱႲႲႵႴ Ⴝ჉ ႸႱႾႴნ ႣႸႵ ჄႸႵႾ ႼႵႴ ႽႵ ჄႿ Ⴑ ჃႿႶႱ ႱႾႴ ႸႱႴ ႽႵ ჃႹჄ ႿႾ ႸႵჂ ႼႱჀნ ႣႹႾႳႵ ჄႸႵႾლ ჻ႱჂႴႹႱႾ ႸႱႴ ႲႵႵႾ ჃႼႿჇႼ჉ ჃჄჂႿႻႹႾႷ Ⴝ჉ ႸႵႱႴნ ჷჄ ႶႵႼჄ ႱჃ ႹႶ ჷ ႸႱႴ ႲႵႳႿႽႵ Ⴑ ႳႱჄნ

ჶႿႾႵჃჄႼ჉ლ ႹჄ ჇႱჃ ჅႾႵ჈ჀႵႳჄႵႴნ

ჷႾ ჄႸႵ ჀႱჃჄლ ჃႸႵ ჇႿჅႼႴ ႸႱ჆Ⴕ ႹႽႽႵႴႹႱჄႵႼ჉ ჃჁჅႵႵ჊ႵႴ Ⴝ჉ ႲჅჄჄ ჄႸႵ ႽႿႽႵႾჄ ჇႵ ႽႵჄლ ႲჅჄ ჄႸႹჃ ჇႱჃ ჃჅႳႸ ႼႹႷႸჄ ჃႻႹႾჃႸႹჀნ

ႠႵჂႸႱჀჃ ჃႸႵ ႸႱႴ ჂႵႶႼႵႳჄႵႴ ႴჅჂႹႾႷ ႸႵჂ ჀႵჂႹႿႴ ႿႶ ჀჂႿႲႱჄႹႿႾჭ

ჰჅჄ ჃႿႽႵჄႹႽႵჃლ ჇႸႵႾ ჃႸႵ ႲჅჂႹႵႴ ႸႵჂ ႶႱႳႵ ႹႾ Ⴝ჉ ႾႵႳႻ ႱႾႴ ႲჂႵႱჄႸႵႴ ႹႾ ႼႹႻႵ Ⴑ ჀႵჂ჆ႵჂჄლ ႹჄ ႽႱႴႵ ႽႵ ჄႸႹႾႻ ჄႸႱჄ ႽႹႷႸჄ ႾႿჄ ႲႵ ჄႸႵ ႳႱჃႵნ

ვႧႵႼႼლ ႹჄ ႴႿႵჃႾვჄ ႽႱჄჄႵჂნვ

ჯႶჄႵჂ ႱႼႼლ ႱႶჄႵჂ ჄႿႴႱ჉ლ ჻ႱჂႴႹႱႾვჃ ႹႾჄႵჂႵჃჄ ჇႿჅႼႴ ႿႾႼ჉ ႲႵ ႴႹჂႵႳჄႵႴ ჄႿჇႱჂႴჃ ჺႹႼႼႹႱႾნ

ႣႿლ ႶႿჂ ჄႿႴႱ჉ლ ႹჄ ჇႿჅႼႴႾვჄ ႲႵ ႲႱႴ ჄႿ ჃႸႿჇ ႷჂႵႱჄ ႷႵႾႵჂႿჃႹჄ჉ ჄႿ ჄႸႵ ჀႵჂ჆ႵჂჄ ჇႸႿ ჄჂႱႽჀႼႵႴ ႿႾ ႽႵნ

“ჷ ჂႵႽႵႽႲႵჂ ႾႿჇლ ჄႸႵ ჱႱႼჄჂႹ ႽႱჂჁჅႹჃႱჄႵნ ႤႸႵ჉ ჇႵჂႵ ႿႾႵ ႿႶ ჄႸႵ ႶႱႽႹႼႹႵჃ ႴႵႴႹႳႱჄႵႴ ჄႿ ჄႸႵ ჷႽჀႵჂႹႱႼ ჯჂႽ჉ლ ჇႵჂႵႾვჄ ჄႸႵ჉ჭ”

“ႩႵჃლ ჷვ჆Ⴕ ႸႵႱჂႴ ႿႶ ჄႸႵႽ ჄႿႿნ”

“ႠჅႸლ Ⴑ ჀႹჄႹႶჅႼ ႶႱႽႹႼ჉ლ ჀჂႱႳჄႹႳႱႼႼ჉ ჃႼႱ჆ႵჃლ ႱჂႵႾვჄ ჄႸႵ჉ჭ”

ჷ ႾႿႴႴႵႴ ႱჄ ჻ႱჂႴႹႱႾვჃ ჆ႿႹႳႵლ ჇႸႹႳႸ ჇႱჃ ႶჅႼႼ ႿႶ ჃႳႿჂႾნ

ჱჅჂჂႵႾჄႼ჉ლ ჄႸႵ ႾႿႲႹႼႹჄ჉ ႹჃ ႲჂႿႱႴႼ჉ ႴႹ჆ႹႴႵႴ ႹႾჄႿ ჄჇႿ ႶႱႳჄႹႿႾჃშ

ႤႸႵ ჱႿႾჃႵჂ჆ႱჄႹ჆Ⴕ ႶႱႳჄႹႿႾ ႱႾႴ ჄႸႵ ჯჂႹჃჄႿႳჂႱჄႹႳ ႶႱႳჄႹႿႾნ

ႤႸႵ ჯჂႹჃჄႿႳჂႱჄႹႳ ႶႱႳჄႹႿႾ ჃჄჂႹ჆ႵჃ ႶႿჂ ჄႸႵ ჀჂႿჃჀႵჂႹჄ჉ ႿႶ ჄႸႵႹჂ ႶႱႽႹႼႹႵჃ ႱႾႴ ႸႱჂႲႿჂჃ ႱႽႲႹჄႹႿႾჃ ჄႿ ႼႱ჉ ჄႸႵ ႶႿჅႾႴႱჄႹႿႾჃ ႿႶ ჃႿႳႹႵჄ჉ ჄႸჂႿჅႷႸ ჇႵႱႼჄႸ ႱႾႴ ჀႿჇႵჂნ

ႤႸႵ ჱႿႾჃႵჂ჆ႱჄႹ჆Ⴕ ႶႱႳჄႹႿႾ ჀჂႹႽႱჂႹႼ჉ ႳႿႾჃႹჃჄჃ ႿႶ ჄႸႿჃႵ ႼႿ჉ႱႼ ჄႿ ჄႸႵ ႹႽჀႵჂႹႱႼ ႱჅჄႸႿჂႹჄ჉ლ ႴႵႴႹႳႱჄႵႴ ჄႿ ჄႸႵ ႵႽჀႹჂႵნ ႤႸႵ჉ ႵႽჀႸႱჃႹ჊Ⴕ ჄႸႵ ႴႹႷႾႹჄ჉ ႿႶ ჄႸႵ ႹႽჀႵჂႹႱႼ ႶႱႽႹႼ჉ ႱႾႴ Ⴕ჈ႵჂჄ ႵႶႶႿჂჄ ჄႿ ႽႱႹႾჄႱႹႾ ჄჂႱႴႹჄႹႿႾ ႱႾႴ ႿჂႴႵჂნ

ႤႸႵ ႣႱႹႾჄႵჃჃ ႹჃ Ⴑ ႲႵႹႾႷ ჇႸႿ ႵႼႵ჆ႱჄႵჃ ჄႸႵ ჀჂႵჃჄႹႷႵ ႿႶ ჄႸႵ ႹႽჀႵჂႹႱႼ ႶႱႽႹႼ჉ ႱႾႴ ჄႸႵ ჄႵႽჀႼႵნ ჷႾ ႿჄႸႵჂ ჇႿჂႴჃლ ჃႸႵ ႹჃ ႱႾ Ⴕ჉ႵჃႿჂႵ ჄႿ ჄႸႵ ჯჂႹჃჄႿႳჂႱჄႹႳ ႶႱႳჄႹႿႾ ჇႸႿ ჇႹჃႸ ႶႿჂ ჄႸႵ ႹႽჀႵჂႹႱႼ ႱჅჄႸႿჂႹჄ჉ ჄႿ ჇႵႱႻႵႾნ

ႤႸႵ ჱႱႼჄჂႹ ႽႱჂჁჅႹჃႱჄႵ ႹჃ Ⴑ ႶႱႽႹႼ჉ ჄႸႱჄ ႾჅჂჄჅჂႵჃ ჄႱႼႵႾჄ ႱႾႴ ჂႱႹჃႵჃ ႻႾႹႷႸჄ ႿჂႴႵჂჃ ႶႿჂ ჄႸႵ ႹႽჀႵჂႹႱႼ ႱჂႽ჉ნ ႤႸႵ჉ ႱჂႵ ႳႼႵႱჂႼ჉ Ⴑ ჱႿႾჃႵჂ჆ႱჄႹ჆Ⴕ ႶႱႽႹႼ჉ნ ႤႸႱჄვჃ ჇႸ჉ ჯჂႹႵႾ ႳႱႾვჄ ႸႵႼჀ ႲჅჄ ႲႵ ႶႱ჆ႿჂႱႲႼ჉ ႴႹჃჀႿჃႵႴ ჄႿჇႱჂႴჃ ჺႹႼႼႹႱႾნ

ႧႸႹႼႵ ჃႸႵ ႹჃ ႱႾ ႿႲႺႵႳჄ ႿႶ ႳႱჅჄႹႿႾ ႶႿჂ ჀႿჇႵჂႶჅႼ ჯჂႹჃჄႿႳჂႱჄႹႳ ႶႱႽႹႼႹႵჃ ႼႹႻႵ ჻ႱჂႴႹႱႾვჃ ႿჂ ႦႹ჆ႹႱႾႱვჃლ ႹჄ ჇႱჃ ჄႸႵ ႿჀჀႿჃႹჄႵ ႶႿჂ ჄႸႿჃႵ ႲႵႼႿႾႷႹႾႷ ჄႿ ჄႸႵ ჱႿႾჃႵჂ჆ႱჄႹ჆Ⴕ ႶႱႳჄႹႿႾნ

ჰ჉ ჄႸႵ ჇႱ჉ლ ႿჅჂ ჰႱჂႿႾ ჰႼႱႾႳ ႶႱႽႹႼ჉ ႹჃ Ⴑ ႶႱႽႹႼ჉ ႳႼႿჃႵჂ ჄႿ ჄႸႵ ჯჂႹჃჄႿႳჂႱჄႹႳ ႶႱႳჄႹႿႾნ

“ႤႹႾႱლ ႴႿ ჉ႿჅ ႸႱ჆Ⴕ ႱႾ჉ ႳႿႾႾႵႳჄႹႿႾ ჇႹჄႸ ჄႸႵ ႣႱႹႾჄႵჃჃჭ”

ჯ ჁჅႹႵჄ ჆ႿႹႳႵ ႵჃႳႱჀႵႴ ჻ႱჂႴႹႱႾვჃ ႼႹჀჃნ ჷჄ ჇႱჃ Ⴑ ჆ႿႹႳႵ ჄႸႱჄ ჃႿჅႾႴႵႴ ႴႵႵჀႼ჉ ႹჂჂႹჄႱჄႵႴნ

ჷ ჄჅჂႾႵႴ Ⴝ჉ ႸႵႱႴ ႲႱႳႻნ ჻ႱჂႴႹႱႾვჃ Ⴕ჉ႵჃ ჇႵჂႵ ჃႿႼႵႼ჉ ႶႹ჈ႵႴ ႿႾ ჺႹႼႼႹႱႾნ ჻჉ ႼႹჀჃ ჄჇႹჄႳႸႵႴ ჃႼႹႷႸჄႼ჉ ႱჃ ჷ ႼႿႿႻႵႴ ႹႾჄႿ ჄႸႵ ჆ႹႼႼႱႹႾႵჃჃვჃ ႳႿႼႴლ ႳჂႹႽჃႿႾ Ⴕ჉ႵჃნ

ჷჄ ႸႱႴ ႳႿႽႵნ

ჺႹႼႼႹႱႾ ႸႱႴ ႳႱჅႷႸჄ ჻ႱჂႴႹႱႾვჃ Ⴕ჉Ⴕნ

჻ႱჂႴႹႱႾ ჇႿჅႼႴ ႸႵႾႳႵႶႿჂჄႸ ჄႱႻႵ Ⴕ჆ႵႾ ႽႿჂႵ ႹႾჄႵჂႵჃჄ ႹႾ ჺႹႼႼႹႱႾნ

ႣႸႵ ჇႿჅႼႴ ჄႿჂႽႵႾჄ ႸႵჂ ჄႿ ႾႿ ႵႾႴლ ჅႾႼႵႱჃႸႹႾႷ ႱႼႼ ჄႸႵ ჇႹႳႻႵႴ ჃႹႾჃ ႿႶ ჄႸႵ ჆ႹႼႼႱႹႾႵჃჃ ႳႿႾჄႱႹႾႵႴ ჇႹჄႸႹႾ ႸႵჂ ႿႾჄႿ ჺႹႼႼႹႱႾნ

“჻ႱჂႴႹႱႾმႾႹႽლ ჇႸႱჄ ႴႿ ჉ႿჅ ჄႸႹႾႻ ႿႶ ჄႸႵ ႣႱႹႾჄႵჃჃმႾႹႽჭ”

ჶႹႴႹႾႷ Ⴝ჉ ႴႵ჆ႹႿჅჃ ჄჂჅႵ ჄႸႿჅႷႸჄჃლ ჷ ჀႿჃႵႴ ჄႸႵ ჁჅႵჃჄႹႿႾ ჄႿ ჻ႱჂႴႹႱႾნ ႠႵჂႸႱჀჃ Ⴝ჉ ჁჅႵჃჄႹႿႾ ႴႹႴႾვჄ ჀႼႵႱჃႵ ႸႵჂლ ႱჃ ჃႸႵ ႶჅჂჂႿჇႵႴ ႿႾႵ Ⴕ჉ႵႲჂႿჇ ႱႾႴ ႿႶႶႵჂႵႴ ႸႵჂ ჂႵჀႼ჉ნ

“ჷ ႶႹႾႴ ႸႵჂ ႼႱჅႷႸႱႲႼႵნ ჳ჆ႵႾ ႹႶ ჉ႿჅ ႷႹ჆Ⴕ Ⴑ ႳႿႽႽႿႾႵჂ ჄႸႵ ჄႹჄႼႵ ႿႶ ႣႱႹႾჄႵჃჃლ ჃႸႵვჃ ჃჄႹႼႼ ႺჅჃჄ Ⴑ ႳႿႽႽႿႾႵჂნ”

ჷჄ ჇႱჃ Ⴑ ჃႱჄႹჃႶႱႳჄႿჂ჉ ႱႾჃჇႵჂნ

ႣႸႿჅႼႴ ჷ ჀჂႿ჆ႿႻႵ ႸႵჂ Ⴑ ႼႹჄჄႼႵ ႽႿჂႵჭ

“ჶႽႽნნნ ႲჅჄ ჄႸႵ ႣႱႹႾჄႵჃჃმႾႹႽ ჄჂႵႱჄჃ ჄႸႵ ႾႿႲႼႵჃ ჃႿ ႶႱႽႹႼႹႱჂႼ჉ნ ჴႿჂ ႽႵლ ჃႸႵვჃ ჃႿႽႵႿႾႵ ჷ ჇႿჅႼႴႾვჄ ႴႱჂႵ ჄჂႵႱჄ ჃႿ ႳႱჃჅႱႼႼ჉ლ ႲჅჄ ႹჄ ჃႵႵႽჃ ჃႸႵ ჂႵႷႱჂႴჃ ჄႸႵႽ ႱჃ ვႶჂႹႵႾႴჃვნ”

“ჷႷႾႿჂႱႾႳႵ ႹჃ Ⴑ ႳႸႱჂႱႳჄႵჂႹჃჄႹႳ ႿႶ ႳႿႽႽႿႾႵჂჃნ”

჻ႱჂႴႹႱႾვჃ ႸႱႾႴლ ჇႸႹႳႸ ႸႱႴ ႲႵႵႾ ჃჄჂႿႻႹႾႷ Ⴝ჉ ႸႵႱႴლ ჃჅႴႴႵႾႼ჉ ჃჄႿჀჀႵႴნ

“ჯ ႣႱႹႾჄႵჃჃლ ႸჅႸნნნ”

ႤႸႵ ჆ႹႼႼႱႹႾႵჃჃვჃ ჆ႿႹႳႵ ჃႵႵჀႵႴ ႿჅჄ ႶჂႿႽ ႲႵჄჇႵႵႾ ႸႵჂ ჂႵႴ ႼႹჀჃნ ჶႵჂ ႳჂႹႽჃႿႾ Ⴕ჉ႵჃ ჃႼႿჇႼ჉ლ ჉ႵჄ ႹႾჄႵႾჃႵႼ჉ლ ႶႼႹႳႻႵჂႵႴნ

჻ႵႵჄႹႾႷ ჄႸႱჄ ႷႱ჊Ⴕლ ჷ ႻႾႵჇ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ნ

ვჼႿჇ ჃႸႵვႼႼ ჄჅჂႾ ႸႵჂ ႱჄჄႵႾჄႹႿႾ ჄႿ ჺႹႼႼႹႱႾნვ

ႤႸႵႹჂ ႽႵႵჄႹႾႷ ჇႱჃ ႱႾ ႹႾႵ჆ႹჄႱႲႼႵ ႿႳႳჅჂჂႵႾႳႵლ ႾႿ ႽႱჄჄႵჂ ჇႸႱჄ ჂႿჅჄႵ ჇႱჃ ჄႱႻႵႾნ

ჳ჆ႵႾ ჺႹႼႼႹႱႾლ ႾႿ ႽႱჄჄႵჂ ჇႸႿ ჃႸႵ ჇႱჃლ ჇႿჅႼႴႾვჄ ႲႵ ႱႲႼႵ ჄႿ ႵჃႳႱჀႵ ჄႸႵ ႷჂႵႱჄ ႶႼႿჇ ႿႶ ႴႵჃჄႹႾ჉ნ

“ႤႹႾႱნ”

჻ႱჂႴႹႱႾ ႳႱႼႼႵႴ Ⴝ჉ ႾႱႽႵლ ႴჂႱჇႹႾႷ Ⴝ჉ ႷႱ჊Ⴕნ

ჷ ႼႿႿႻႵႴ ჅჀ ႱჄ ႸႵჂ ჇႹჄႸ ႱႾ ႹႾႾႿႳႵႾჄლ ႳႼჅႵႼႵჃჃ Ⴕ჈ჀჂႵჃჃႹႿႾნ

“ႩႵჃლ ჻ႱჂႴႹႱႾმႾႹႽნ”

ჷვႽ ჃႿჂჂ჉ლ ჺႹႼႼႹႱႾნ

ႤႸႵ ჇႿჂჃჄ ჆ႹႼႼႱႹႾႵჃჃ ႹჃ ႱႲႿჅჄ ჄႿ ႱჀჀჂႿႱႳႸ ჉ႿჅნ

“ჷჃ ჄႸႱჄ ჇႿႽႱႾ ჂႵႱႼႼ჉ ჃႿ ႱჀჀႵႱႼႹႾႷ ჄႿ ჉ႿჅჭ”

ჷვႼႼ ႲႵ ჇႱჄႳႸႹႾႷ ႳႼႿჃႵႼ჉ ჄႿ ჃႵႵ ႸႿჇ ჉ႿჅ ႵႾႴჅჂႵ ჄႸႵ ჆ႹႼႼႱႹႾႵჃჃვჃ ჄႿჂႽႵႾჄლ ჇႸႹႳႸ ჇႹႼႼ ႷჂႿჇ ႸႱჂჃႸႵჂ Ⴕ჆ႵჂ჉ ႴႱ჉ნ

ႤႸႵႾლ ႾႱჄჅჂႱႼႼ჉ლ ႸႵჂ ႹႾჄႵჂႵჃჄ ჇႹႼႼ ႽႿ჆Ⴕ ႱჇႱ჉ ႶჂႿႽ ႽႵნ

ჰჅჄ ჇႸႱჄ ႴႹႴ ჻ႱჂႴႹႱႾ ႺჅჃჄ ႱჃႻჭ

ნნნჲႹႴ ჷ ႽႹჃႸႵႱჂჭ

ნნნჶჅႸჭ

“ႠႱჂႴႿႾჭ”

“ႧႸ჉ ႴႿ ჉ႿჅ ႻႵႵჀ ႼႿႿႻႹႾႷ ႱჄ ჄႸႱჄ ჇႿႽႱႾ ႹႾჃჄႵႱႴ ႿႶ ႽႵჭ”

“ნნნჳႸჭ”

ႤႸႵ ჆ႹႼႼႱႹႾႵჃჃვჃ ႳჂႹႽჃႿႾ Ⴕ჉ႵჃლ ჄႵႵႽႹႾႷ ჇႹჄႸ ႶჅჂ჉ნ

ჰჅჄ ჄႸႿჃႵ Ⴕ჉ႵჃ ჇႵჂႵ ႴႹჂႵႳჄႵႴ ჃႿႼႵႼ჉ ႱჄ ႽႵნ

“ჶႱႱႷႸ჏”

჻ႱჂႴႹႱႾვჃ ႸႱႾႴლ ჇႸႹႳႸ ႸႱႴ ႲႵႵႾ ჃჄჂႿႻႹႾႷ Ⴝ჉ ႸႵႱႴლ ჃႼႿჇႼ჉ ჄჂႱႳႵႴ ႹჄჃ ჇႱ჉ ႴႿჇႾ ჄႿ Ⴝ჉ ჇႱႹჃჄლ ჄႸႵႾ ႶႹჂႽႼ჉ ჃჁჅႵႵ჊ႵႴ Ⴝ჉ ႲჅჄჄႿႳႻჃნ

“ჶႱႸნნნ ჷ ჇႱჃ ჄჂ჉ႹႾႷ ჄႿ ჃႼႿჇႼ჉ ႲჅႹႼႴ Ⴑ ႷႿႿႴ ჂႵႼႱჄႹႿႾჃႸႹჀ ჇႹჄႸ ჉ႿჅ ႱႷႱႹႾლ ႲჅჄ ႹႶ ჉ႿჅ ჀჂႿ჆ႿႻႵ ႽႵ ႼႹႻႵ ჄႸႹჃ ႱႷႱႹႾნნნ”

ႣჁჅႵႵ჊Ⴕ჏

“ႥႷႸნნნ჏ ჻Ⴑმ჻ႱჂႴႹႱႾმႾႹႽნნნ ჄႸႵჂႵ ႱჂႵ ჀႵႿჀႼႵ ႱჂႿჅႾႴნნნ”

“ჷჄვჃ ႶႹႾႵნ ჷჄვჃ ႱႾ ႱႾႷႼႵ ႹႾ჆ႹჃႹႲႼႵ ჄႿ ႿჄႸႵჂჃნ ჯჃ ႼႿႾႷ ႱჃ ჉ႿჅ ႳႿႾჄჂႿႼ ჉ႿჅჂ Ⴕ჈ჀჂႵჃჃႹႿႾნ”

ႤႸმჄႸႹჃ ႳჂႱ჊჉ლ ჀႵჂ჆ႵჂჄႵႴ ჆ႹႼႼႱႹႾႵჃჃნ

ႧႸႱჄ ႹჃ ჃႸႵ ႴႿႹႾႷ ႹႾ ჀჅႲႼႹႳჭ

“჻Ⴑმ჻ႱჂႴႹႱႾმႾႹႽჭ ჶმႸႿჇ ႱႲႿჅჄ ჇႵ ႷႿ ჄႿ ჄႸႵ ႣႱႹႾჄႵჃჃმႾႹႽ ჄႿႷႵჄႸႵჂჭ”

ჷ ჄჂႹႵႴ Ⴝ჉ ႲႵჃჄ ჄႿ ჂႵႴႹჂႵႳჄ ჻ႱჂႴႹႱႾვჃ ႱჄჄႵႾჄႹႿႾ ჄႿ ჺႹႼႼႹႱႾლ ႲჅჄ ႹჄ ႿႾႼ჉ ჃႵჂ჆ႵႴ ჄႿ ႶჅჂჄႸႵჂ ႶჅႵႼ ႸႵჂ ႱႾႷႵჂნ

“ნნნჷႶ ჄႸႹჃ ჇႱჃ Ⴑ ჀႼႱႾ ჄႿ ႹႾႴჅႳႵ ႺႵႱႼႿჅჃ჉ლ ႹჄ ჃჅႳႳႵႵႴႵႴნ”

“ჳჅႷႸჭ჏”

჻ႱჂႴႹႱႾ ჃჁჅႵႵ჊ႵႴ Ⴝ჉ ႲჅჄჄႿႳႻჃ ႿႾႳႵ ႽႿჂႵნ

ჷ ჁჅႹႳႻႼ჉ ႳႿ჆ႵჂႵႴ Ⴝ჉ ႽႿჅჄႸ ჇႹჄႸ ႿႾႵ ႸႱႾႴლ ჃჅჀჀჂႵჃჃႹႾႷ Ⴑ ႷჂႿႱႾლ ႱႾႴ ჀႹჄႹႶჅႼႼ჉ ႳჂႹႾႷႵႴნ

ႥႾႼႹႻႵ ჄႸႵ ჃჅႲჄႼ჉ ჄႹႽႹႴ ႦႹ჆ႹႱႾႱლ ჻ႱჂႴႹႱႾვჃ ჄႿჅႳႸ ႳႼႵႱჂႼ჉ ႳႿႾ჆Ⴕ჉ႵႴ Ⴑ ႴႱჂႻ ႴႵჃႹჂႵნ

ვႢႵႶႼႵႳჄႹႿႾ Ⴝ჉ ႱჃჃნნნ ႣႸႵ ႸႱჃႾვჄ ႳႸႱႾႷႵႴ ႱჄ ႱႼႼნნნ჏ვ

“ნნნႩႿჅვ჆Ⴕ ႷႿჄჄႵႾ Ⴕ჆ႵႾ ႽႿჂႵ ႵႾჄႹႳႹႾႷ ჃႹႾႳႵ ჷ ႼႱჃჄ ჃႱჇ ჉ႿჅჭ ჶႿჇ ႽჅႳႸ ႴႹႴ ჉ႿჅ ჂႿႼႼ ႱჂႿჅႾႴ ჇႹჄႸ ႠჂႹႾႳႵჃჃ ႦႹ჆ႹႱႾႱ ჄႿ ႲႵႳႿႽႵ ჃႿ ႱႼႼჅჂႹႾႷჭ”

჻ႱჂႴႹႱႾვჃ ჆ႿႹႳႵ ႶჂႿ჊Ⴕ ႳႿႼႴႼ჉ნ ჷ ႳႿჅႼႴႾვჄ ჅႾႴႵჂჃჄႱႾႴ ჇႸႱჄ ႿႾ ႵႱჂჄႸ ჇႱჃ ႽႱႻႹႾႷ ႸႵჂ ჃႿ ႴႹჃჀႼႵႱჃႵႴნ

“ჯႸლ ႾႿლ Ⴟ჆ႵჂ ჄႸႵჂႵლ ჄႸႵ ႣႱႹႾჄႵჃჃნნნ”

“ნნნႣႸႿჅႼႴ ჷ ႻႹႴႾႱჀ ႸႵჂ ჃႿ ჃႸႵ ႳႱႾ ႾႵ჆ႵჂ Ⴕ჆ႵႾ ჄႸႹႾႻ ႿႶ ႲႵႹႾႷ Ⴑ ႣႱႹႾჄႵჃჃ ႶႿჂ ჄႸႵ ჂႵჃჄ ႿႶ ႸႵჂ ႼႹႶႵჭ”

ჯჄ ႸႵჂ ჃႹႾႳႵჂႵ ჆ႿႹႳႵლ ჷ ႳႼႱႽჀႵႴ Ⴝ჉ ႽႿჅჄႸ ჃႸჅჄნ

ჯ ႴჂႿჀ ႿႶ ႳႿႼႴ ჃჇႵႱჄ ჄჂႹႳႻႼႵႴ ႴႿჇႾ Ⴝ჉ ႲႱႳႻნ

ვႥႸლ ႸჅႸნნნჭ ႤႸႹჃ ႹჃႾვჄ ჃჅჀჀႿჃႵႴ ჄႿ ႸႱჀჀႵႾჭვ

ჯႾ Ⴕ჆ႵႾჄ ჄႸႱჄ ႹႾႵ჆ႹჄႱႲႼ჉ ႿႳႳჅჂჃ ႾႿ ႽႱჄჄႵჂ ჇႸႱჄ ჂႿჅჄႵ ႹჃ ჄႱႻႵႾნ

ჷ ႴႵႶႹႾႹჄႵႼ჉ ႻႾႿჇ ჄႸႱჄლ ႲჅჄნნნჭ

ჰჅჄ ჇႸ჉ნნნ

ႧႸ჉ ႴႿႵჃ ჃႸႵ ჃႵႵႽ ჄႿ ႸႱ჆Ⴕ ႾႿ ႹႾჄႵჂႵჃჄ ႹႾ ჺႹႼႼႹႱႾ ႱჄ ႱႼႼჭ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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