Tales of the Taisho Era Flowers Bloom Late

Chapter 75

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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“ᯜᮟᮧᮺ ᮣᮑᮩ ᮑᮘᮮ ᮄᮙᮞᮑᮼ”

“ᯏᮘᮮ”

ᯏᮣ ᯗ ᮗᮕᮞᮤᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮝᮩ ᮤᮙᮗᮘᮤᮜᮩ ᮣᮘᮥᮤ ᮝᮟᮥᮤᮘᮺ ᮑ ᮣᮟᮖᮤ ᮠᮙᮕᮓᮕ ᮟᮖ ᮓᮑᮛᮕ ᮣᮜᮙᮠᮠᮕᮔ ᮙᮞᮤᮟ ᮝᮩ ᮝᮟᮥᮤᮘᮼ

ᮄᮘᮕ ᮣᮧᮕᮕᮤᮞᮕᮣᮣ ᮣᮠᮢᮕᮑᮔ ᮑᮜᮟᮞᮗ ᮝᮩ ᮤᮟᮞᮗᮥᮕᮺ ᮖᮙᮜᮜᮙᮞᮗ ᮝᮩ ᮝᮟᮥᮤᮘ ᮧᮙᮤᮘ ᮑ ᮠᮜᮕᮑᮣᮑᮞᮤ ᮤᮑᮣᮤᮕᮼ

“ᯖᮕᮘᮕᮺ ᮄᮙᮞᮑ ᮙᮣ ᮤᮢᮥᮜᮩ ᮜᮟᮦᮕᮜᮩ ᮤᮟᮔᮑᮩ ᮤᮟᮟᮼ”

“ᮃᮘᮑᮢᮢᮙᮟᮞᮕᮻᮞᮙᮝ ᮙᮣ ᮣᮟ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮤᮟᮔᮑᮩ ᮤᮟᮟᮯ”

ᯗ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮘᮕᮢᮺ ᮣᮝᮙᮜᮙᮞᮗ ᮒᮢᮙᮗᮘᮤᮜᮩᮼ ᮇᮘᮑᮤ ᯗ ᮢᮕᮓᮕᮙᮦᮕᮔ ᮙᮞ ᮢᮕᮤᮥᮢᮞ ᮧᮑᮣ ᮑ ᮗᮑ᮪ᮕ ᮖᮥᮜᮜ ᮟᮖ ᮧᮑᮢᮝ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮼ

ᮄᮟ ᮝᮩ ᮜᮕᮖᮤᮺ ᮃᮘᮑᮢᮢᮙᮟᮞᮕ ᮧᮑᮣ ᮖᮕᮕᮔᮙᮞᮗ ᮝᮕ ᮓᮑᮛᮕ ᮧᮙᮤᮘ ᮑ ᮒᮢᮙᮗᮘᮤ ᮣᮝᮙᮜᮕᮺ ᮑᮞᮔ ᮤᮟ ᮝᮩ ᮢᮙᮗᮘᮤᮺ ᮆᮕᮢᮣᮘᮑ ᮧᮑᮣ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮒᮢᮥᮣᮘᮙᮞᮗ ᮝᮩ ᮘᮑᮙᮢ ᮧᮙᮤᮘ ᮗᮕᮞᮤᮜᮕ ᮘᮑᮞᮔᮣᮼ

“ᮄᮙᮞᮑᮺ ᮓᮟᮥᮜᮔ ᯗ ᮑᮣᮛ ᮩᮟᮥ ᮖᮟᮢ ᮑ ᮣᮝᮑᮜᮜ ᮖᮑᮦᮟᮢᯍ”

ᮆᮕᮢᮣᮘᮑ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮖᮜᮥᮣᮘᮕᮔ ᮓᮘᮕᮕᮛᮣ ᮑᮞᮔ ᮣᮠᮑᮢᮛᮜᮙᮞᮗ ᮕᮩᮕᮣᮼ ᮇᮘᮕᮞ ᯗ ᮤᮙᮜᮤᮕᮔ ᮝᮩ ᮘᮕᮑᮔᮺ ᮓᮥᮢᮙᮟᮥᮣ ᮑᮒᮟᮥᮤ ᮧᮘᮑᮤ ᮙᮤ ᮧᮑᮣᮺ ᮣᮘᮕ ᮠᮥᮜᮜᮕᮔ ᮟᮥᮤ ᮑ ᮘᮕᮑᮔᮒᮑᮞᮔ ᮖᮢᮟᮝ ᮘᮕᮢ ᮕᮝᮒᮢᮑᮓᮕ ᮑᮞᮔ ᮣᮘᮟᮧᮕᮔ ᮙᮤ ᮤᮟ ᮝᮕᮼ

ᯗᮤ ᮧᮑᮣᮞ᮵ᮤ ᮑᮞ ᮟᮢᮔᮙᮞᮑᮢᮩ ᮘᮕᮑᮔᮒᮑᮞᮔᮼ ᮄᮘᮕ ᮗᮕᮝᮣ ᮤᮘᮑᮤ ᮣᮘᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮝᮙᮣᮣᮙᮞᮗᮺ ᮑᮞᮔ ᮙᮞᮣᮤᮕᮑᮔᮺ ᮖᮜᮥᮖᮖᮩᮻᮜᮟᮟᮛᮙᮞᮗ ᮤᮥᮖᮤᮣ ᮟᮖ ᮖᮥᮢ ᮧᮕᮢᮕ ᮑᮤᮤᮑᮓᮘᮕᮔ ᮤᮟ ᮒᮟᮤᮘ ᮕᮞᮔᮣᮼ

ᯚᮟᮟᮛᮙᮞᮗ ᮓᮜᮟᮣᮕᮜᮩᮺ ᮤᮘᮟᮣᮕ ᮤᮥᮖᮤᮣ ᮟᮖ ᮖᮥᮢ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮢᮕᮣᮕᮝᮒᮜᮕ ᮑᮞᮙᮝᮑᮜ ᮕᮑᮢᮣᮼ

“ᮄᮘᮕᮩ ᮣᮑᮩ ᮙᮤ’ᮣ ᮑ ᮞᮕᮧ ᮤᮢᮕᮞᮔᮩ ᮑᮓᮓᮕᮣᮣᮟᮢᮩ ᮖᮢᮟᮝ ᮑ ᮖᮑᮝᮟᮥᮣ ᮧᮟᮢᮛᮣᮘᮟᮠᮺ ᮝᮑᮔᮕ ᮤᮟ ᮘᮙᮗᮘᮜᮙᮗᮘᮤ ᮑᮞᮙᮝᮑᮜ ᮖᮕᮑᮤᮥᮢᮕᮣᮼ”

“ᮼᮼᮼᯗᮣ ᮤᮘᮑᮤ ᮣᮟᯍ”

“ᯏᮣ ᮣᮟᮟᮞ ᮑᮣ ᯗ ᮣᮑᮧ ᮤᮘᮙᮣᮺ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮩᮟᮥᮺ ᮄᮙᮞᮑᮼ ᯑᮟᮥᮜᮔ ᮩᮟᮥ ᮤᮢᮩ ᮙᮤ ᮟᮞ ᮟᮞᮓᮕᯍ”

ᯗᮤ ᮧᮑᮣ ᮑ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮙᮤᮕᮝᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᯗ ᮘᮑᮔ ᮣᮕᮕᮞ ᮙᮤ ᮝᮑᮞᮩ ᮤᮙᮝᮕᮣ ᮙᮞ ᮝᮩ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮜᮙᮖᮕᮼ

ᮄᮘᮙᮣ ᮣᮤᮢᮑᮞᮗᮕ ᮙᮤᮕᮝ ᮧᮑᮣ ᮑ ᮘᮕᮑᮔᮒᮑᮞᮔ ᮧᮙᮤᮘ ᮓᮑᮤ ᮕᮑᮢᮣᮼ

ᯗ ᮔᮙᮔᮞ’ᮤ ᮛᮞᮟᮧ ᮣᮥᮓᮘ ᮤᮘᮙᮞᮗᮣ ᮕᮨᮙᮣᮤᮕᮔ ᮙᮞ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔᮼ

‘ᮼᮼᮼᯗᮖ ᮓᮑᮤᮣ ᮑᮢᮕ ᮓᮥᮤᮕᮺ ᮧᮘᮩ ᮞᮟᮤ ᮚᮥᮣᮤ ᮜᮟᮟᮛ ᮑᮤ ᮑ ᮓᮑᮤᯍ’

ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮧᮘᮩ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔ ᮣᮠᮕᮓᮙᮖᮙᮓᮑᮜᮜᮩ ᮔᮕᮤᮑᮓᮘ ᮓᮑᮤ ᮕᮑᮢᮣ ᮑᮞᮔ ᮝᮑᮛᮕ ᮤᮘᮕᮝ ᮙᮞᮤᮟ ᮑ ᮘᮕᮑᮔᮒᮑᮞᮔᮼ

ᮇᮕᮜᮜᮺ ᮘᮟᮧ ᮓᮟᮥᮜᮔ ᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮠᮕᮟᮠᮜᮕ ᮧᮙᮤᮘ ᮣᮥᮓᮘ ᮒᮙ᮪ᮑᮢᮢᮕ ᮤᮑᮣᮤᮕᮣᯍ

“ᮄᮙᮞᮑᮼᮼᮼᮓᮟᮥᮜᮔ ᮩᮟᮥ ᮚᮥᮣᮤ ᮤᮢᮩ ᮙᮤ ᮟᮞ ᮟᮞᮓᮕᯍ”

ᮆᮕᮢᮣᮘᮑ’ᮣ ᮕᮩᮕᮣᮺ ᮖᮥᮜᮜ ᮟᮖ ᮑᮞᮤᮙᮓᮙᮠᮑᮤᮙᮟᮞᮺ ᮤᮥᮢᮞᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮕᮼ ᯗ ᮧᮑᮣ ᮑ ᮜᮙᮤᮤᮜᮕ ᮖᮜᮥᮣᮤᮕᮢᮕᮔ ᮑᮞᮔ ᮘᮕᮣᮙᮤᮑᮤᮕᮔᮺ ᮣᮓᮢᮑᮤᮓᮘᮙᮞᮗ ᮝᮩ ᮓᮘᮕᮕᮛᮼ

“ᯗᮼᮼᮼ ᮔᮟᮞ’ᮤ ᮢᮕᮑᮜᮜᮩ ᮜᮙᮛᮕ ᮤᮘᮕᮣᮕ ᮛᮙᮞᮔᮣ ᮟᮖ ᮤᮘᮙᮞᮗᮣᮼᮼᮼ”

ᯏᮜᮤᮘᮟᮥᮗᮘ ᯗ ᮖᮑᮧᮞ ᮟᮦᮕᮢ ᮦᮑᮢᮙᮟᮥᮣ ᮜᮑᮔᮙᮕᮣ ᮜᮙᮛᮕ ᮑ ᮠᮕᮤᮺ ᯗ ᮘᮑᮦᮕᮞ᮵ᮤ ᮑᮒᮑᮞᮔᮟᮞᮕᮔ ᮝᮩ ᮔᮙᮗᮞᮙᮤᮩ ᮑᮣ ᮑ ᮘᮥᮝᮑᮞᮼ

ᯔᮑᮧᮞᮙᮞᮗ ᮟᮢ ᮑᮓᮤᮙᮞᮗ ᮓᮥᮤᮕ ᮑᮢᮕ ᮤᮘᮙᮞᮗᮣ ᮘᮥᮝᮑᮞᮣ ᮓᮑᮞ ᮔᮟᮺ ᮒᮥᮤ ᮧᮕᮑᮢᮙᮞᮗ ᮑ ᮘᮕᮑᮔᮒᮑᮞᮔ ᮜᮙᮛᮕ ᮤᮘᮙᮣ ᮧᮟᮥᮜᮔ ᮤᮢᮥᮜᮩ ᮔᮕᮗᮢᮑᮔᮕ ᮝᮕ ᮙᮞᮤᮟ ᮑᮞ ‘ᮑᮞᮙᮝᮑᮜ’ᮼ

ᯗ’ᮔ ᮢᮑᮤᮘᮕᮢ ᮚᮥᮣᮤ ᮖᮑᮧᮞᮼ ᯗ ᮘᮑᮔ ᮞᮟ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮒᮕᮓᮟᮝᮙᮞᮗ ᮑ ᮢᮕᮑᮜ ᮑᮞᮙᮝᮑᮜᮼ

“ᮄᮙᮞᮑᮺ ᮠᮜᮕᮑᮣᮕᮺ ᮚᮥᮣᮤ ᮤᮢᮩ ᮙᮤ ᮟᮞ ᮟᮞᮓᮕᯍ ᯗ ᮢᮕᮑᮜᮜᮩ ᮧᮑᮞᮤ ᮤᮟ ᮣᮕᮕ ᮙᮤ ᮤᮟᮟᮼ”

ᯔᮟᮜᮜᮟᮧᮙᮞᮗ ᮆᮕᮢᮣᮘᮑᮺ ᮃᮘᮑᮢᮢᮙᮟᮞᮕ ᮑᮜᮣᮟ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮣᮠᮑᮢᮛᮜᮙᮞᮗ ᮕᮩᮕᮣᮼ ᮄᮘᮕᮣᮕ ᮤᮧᮟ ᮧᮟᮝᮕᮞᮺ ᮠᮟᮣᮣᮕᮣᮣᮙᮞᮗ ᮣᮟᮝᮕ ᮟᮖ ᮤᮘᮕ ᮝᮟᮣᮤ ᮓᮟᮞᮣᮙᮔᮕᮢᮑᮒᮜᮕ ᮧᮕᮑᮜᮤᮘ ᮑᮝᮟᮞᮗ ᮝᮩ ᮓᮟᮞᮞᮕᮓᮤᮙᮟᮞᮣᮺ ᮧᮕᮢᮕ ᮕᮑᮢᮞᮕᮣᮤᮜᮩ ᮠᮜᮕᮑᮔᮙᮞᮗᮺ ᮒᮥᮤ ᮝᮩ ᮝᮙᮞᮔ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮥᮞᮓᮘᮑᮞᮗᮕᮔᮼ

“ᯗ’ᮝ ᮤᮢᮥᮜᮩ ᮣᮟᮢᮢᮩᮼᮼᮼᮑᮓᮤᮥᮑᮜᮜᮩᮺ ᯗ ᮘᮑᮦᮕ ᮑ ᮒᮙᮤ ᮟᮖ ᮑ ᮠᮘᮟᮒᮙᮑ ᮟᮖ ᮑᮞᮙᮝᮑᮜᮣᮼᮼᮼ”

ᯗ ᮓᮑᮣᮤ ᮝᮩ ᮕᮩᮕᮣ ᮔᮟᮧᮞᮧᮑᮢᮔᮣ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮑᮞᮔ ᮠᮥᮤ ᮟᮞ ᮑ ᮣᮟᮢᮢᮟᮧᮖᮥᮜ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯗ ᮘᮑᮔ ᮞᮟ ᮑᮞᮙᮝᮑᮜ ᮠᮘᮟᮒᮙᮑ ᮧᮘᮑᮤᮣᮟᮕᮦᮕᮢᮺ ᮒᮥᮤ ᮣᮕᮕᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮥᮞᮣᮕᮤᮤᮜᮕᮔ ᮢᮕᮑᮓᮤᮙᮟᮞᮣᮺ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮜᮙᮛᮕ ᮑ ᮠᮢᮕᮤᮤᮩ ᮕᮖᮖᮕᮓᮤᮙᮦᮕ ᮕᮨᮓᮥᮣᮕᮼ

“ᯏᮘᮼᮼᮼ”

“ᯗ’ᮝ ᮣᮟᮢᮢᮩᮺ ᮃᮘᮑᮢᮢᮙᮟᮞᮕᮻᮞᮙᮝᮼᮼᮼ”

“ᮼᮼᮼᯗᮖ ᮩᮟᮥ ᮘᮑᮦᮕ ᮑ ᮠᮘᮟᮒᮙᮑᮺ ᮤᮘᮕᮢᮕ’ᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮧᮕ ᮓᮑᮞ ᮔᮟᮼ ᯒᮟᮞ’ᮤ ᮧᮟᮢᮢᮩ ᮑᮒᮟᮥᮤ ᮙᮤᮺ ᮄᮙᮞᮑᮼ”

ᮃᮘᮑᮢᮢᮙᮟᮞᮕ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮕᮩᮕᮣ ᮖᮥᮜᮜ ᮟᮖ ᮢᮕᮗᮢᮕᮤ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᮝᮩ ᮘᮕᮑᮔᮼ ᯖᮕᮢ ᮤᮟᮥᮓᮘ ᮧᮑᮣ ᮣᮟᮖᮤ ᮑᮞᮔ ᮧᮑᮢᮝᮺ ᮒᮥᮤ ᮑ ᮖᮑᮙᮞᮤᮺ ᮥᮞᮔᮕᮞᮙᮑᮒᮜᮕ ᮔᮙᮣᮑᮠᮠᮟᮙᮞᮤᮝᮕᮞᮤ ᮧᮑᮣ ᮘᮙᮔᮔᮕᮞ ᮧᮙᮤᮘᮙᮞ ᮙᮤᮼ

ᯐᮥᮤ ᮣᮤᮙᮜᮜᮺ ᯗ ᮔᮙᮔᮞ’ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮧᮕᮑᮢ ᮣᮥᮓᮘ ᮑ ᮒᮙ᮪ᮑᮢᮢᮕ ᮤᮘᮙᮞᮗ ᮟᮞ ᮝᮩ ᮘᮕᮑᮔᮼ

ᮄᮘᮙᮣ ᮤᮙᮝᮕᮺ ᮧᮘᮕᮞ ᯗ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮆᮕᮢᮣᮘᮑ ᮧᮙᮤᮘ ᮤᮕᮑᮢᮩ ᮕᮩᮕᮣᮺ ᮣᮘᮕ ᮑᮜᮣᮟ ᮣᮟᮟᮞ ᮞᮟᮔᮔᮕᮔᮺ ᮣᮕᮕᮝᮙᮞᮗᮜᮩ ᮢᮕᮗᮢᮕᮤᮖᮥᮜᮼ

ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔ ᮠᮕᮢᮣᮙᮣᮤ ᮑ ᮒᮙᮤ ᮝᮟᮢᮕᮺ ᮒᮥᮤ ᮤᮘᮕᮩ ᮗᮑᮦᮕ ᮥᮠ ᮝᮟᮢᮕ ᮕᮑᮣᮙᮜᮩ ᮤᮘᮑᮞ ᯗ ᮕᮨᮠᮕᮓᮤᮕᮔᮼ

ᮇᮕᮜᮜᮺ ᮤᮘᮑᮤ᮵ᮣ ᮗᮟᮟᮔ ᮖᮟᮢ ᮝᮕᮼ

“ᮇᮘᮑᮤ ᮑ ᮠᮙᮤᮩᮼᮼᮼᯗ ᮒᮟᮥᮗᮘᮤ ᮙᮤ ᮖᮟᮢ ᮡᮥᮙᮤᮕ ᮑ ᮘᮙᮗᮘ ᮠᮢᮙᮓᮕᮺ ᮒᮥᮤ ᮙᮖ ᮄᮙᮞᮑ ᮔᮙᮣᮜᮙᮛᮕᮣ ᮙᮤᮺ ᮤᮘᮕᮢᮕ’ᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮤᮟ ᮒᮕ ᮔᮟᮞᮕᮼ”

“ᮼᮼᮼᮼᯖᮥᮘᯍ”

ᮇᮙᮤᮘᮟᮥᮤ ᮢᮕᮑᮜᮙ᮪ᮙᮞᮗ ᮙᮤᮺ ᮝᮩ ᮕᮑᮢᮣ ᮠᮕᮢᮛᮕᮔ ᮥᮠ ᮑᮤ ᮆᮕᮢᮣᮘᮑ’ᮣ ᮢᮕᮗᮢᮕᮤᮖᮥᮜ ᮧᮟᮢᮔᮣᮼ

ᮃᮘᮕ ᮒᮟᮥᮗᮘᮤ ᮙᮤ ᮖᮟᮢ ᮑ ᮘᮙᮗᮘ ᮠᮢᮙᮓᮕᯍ

ᮆᮕᮢᮣᮘᮑ ᮔᮙᮔᯍ

ᮆᮕᮢᮣᮘᮑ ᮙᮣ ᮤᮘᮕ ᮘᮕᮙᮢ ᮤᮟ ᮟᮞᮕ ᮟᮖ ᮤᮘᮕ ᮓᮟᮞᮤᮙᮞᮕᮞᮤ’ᮣ ᮧᮕᮑᮜᮤᮘᮙᮕᮣᮤ ᮓᮟᮥᮞᮤ ᮖᮑᮝᮙᮜᮙᮕᮣᮼ ᮃᮘᮕ ᮒᮥᮩᮣ ᮓᮟᮥᮞᮤᮜᮕᮣᮣ ᮕᮨᮤᮢᮑᮦᮑᮗᮑᮞᮤ ᮚᮕᮧᮕᮜᮣ ᮧᮙᮤᮘᮟᮥᮤ ᮒᮑᮤᮤᮙᮞᮗ ᮑᮞ ᮕᮩᮕᮼ ᯔᮟᮢ ᮸ᮘᮕᮢ᮸ ᮤᮟ ᮣᮑᮩ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮙᮣ ᮕᮨᮠᮕᮞᮣᮙᮦᮕᮼᮼᮼᯍ

“ᮄᮘᮻᮤᮘᮑᮤ ᮝᮥᮓᮘᮼᮼᮼᯍ ᯗᮣ ᮙᮤ ᮤᮘᮑᮤ ᮕᮨᮠᮕᮞᮣᮙᮦᮕᯍ”

ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮑᮣᮛᮼ ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮝᮥᮓᮘᮺ ᮤᮘᮕᮢᮕ’ᮣ ᮞᮟ ᮧᮑᮩ ᮑ ᮓᮑᮤ ᮕᮑᮢ ᮘᮕᮑᮔᮒᮑᮞᮔ ᮓᮟᮥᮜᮔ ᮒᮕ ᮸ᮤᮘᮑᮤ᮸ ᮕᮨᮠᮕᮞᮣᮙᮦᮕᮼᮼᮼᯍ

“ᮉᮕᮣᮺ ᯗ ᮒᮟᮥᮗᮘᮤ ᮙᮤ ᮑᮤ ᮑᮞ ᮑᮥᮓᮤᮙᮟᮞᮺ ᮑᮞᮔ ᮤᮘᮕ ᮠᮢᮙᮓᮕ ᮧᮕᮞᮤ ᮥᮠ ᮤᮟ ᮤᮧᮟ ᮘᮥᮞᮔᮢᮕᮔ ᮗᮟᮜᮔᮼ”

“ᮄᮻᮤᮧᮟ ᮘᮥᮞᮔᮢᮕᮔ ᮗᮟᮜᮔᯍᮯ”

ᯏᮤ ᮤᮘᮕ ᮑᮒᮣᮥᮢᮔ ᮑᮝᮟᮥᮞᮤᮺ ᮝᮩ ᮝᮟᮥᮤᮘ ᮔᮢᮟᮠᮠᮕᮔ ᮟᮠᮕᮞᮼ

ᮄᮧᮟ ᮘᮥᮞᮔᮢᮕᮔ ᮗᮟᮜᮔ ᮙᮣ ᮕᮞᮟᮥᮗᮘ ᮝᮟᮞᮕᮩ ᮤᮟ ᮑᮓᮡᮥᮙᮢᮕ ᮕᮦᮕᮞ ᮑᮞ ᮕᮨᮠᮕᮞᮣᮙᮦᮕ ᮢᮕᮔ ᮔᮙᮑᮝᮟᮞᮔᮼ ᯐᮥᮤ ᮤᮘᮙᮣ ᮘᮕᮑᮔᮒᮑᮞᮔ ᮙᮣ ᮧᮟᮢᮤᮘ ᮤᮘᮑᮤ ᮝᮥᮓᮘᯍ ᮄᮘᮑᮤ’ᮣ ᮑᮒᮣᮥᮢᮔᮼ

“ᯗ ᮑᮜᮣᮟ ᮤᮘᮟᮥᮗᮘᮤ ᮙᮤ ᮧᮑᮣ ᮤᮟᮟ ᮕᮨᮠᮕᮞᮣᮙᮦᮕ ᮑᮤ ᮖᮙᮢᮣᮤᮺ ᮒᮥᮤ ᮑᮓᮤᮥᮑᮜᮜᮩᮺ ᮤᮘᮙᮣ ᮘᮕᮑᮔᮒᮑᮞᮔ ᮘᮑᮣ ᮑ ᮦᮕᮢᮩ ᮣᮠᮕᮓᮙᮑᮜ ᮕᮞᮓᮘᮑᮞᮤᮝᮕᮞᮤ ᮟᮞ ᮙᮤᮼ”

“ᯏᮞ ᮕᮞᮓᮘᮑᮞᮤᮝᮕᮞᮤᯍ”

“ᮉᮕᮣᮺ ᮤᮘᮕᮩ ᮣᮑᮩ ᮤᮘᮕ ᮕᮑᮢᮣ ᮝᮟᮦᮕ ᮑᮣ ᮙᮖ ᮑᮜᮙᮦᮕᮺ ᮑᮓᮓᮟᮢᮔᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮧᮕᮑᮢᮕᮢ’ᮣ ᮝᮟᮟᮔᮯ ᯗᮣᮞ’ᮤ ᮤᮘᮑᮤ ᮑᮝᮑ᮪ᮙᮞᮗᯍ”

“ᮼᮼᮼᮼᮼᮼ”

“ᮄᮘᮕᮩ ᮣᮑᮩ ᮙᮤ’ᮣ ᮑ ᮝᮑᮣᮤᮕᮢᮠᮙᮕᮓᮕ ᮓᮢᮕᮑᮤᮕᮔ ᮑᮖᮤᮕᮢ ᮟᮒᮣᮕᮢᮦᮙᮞᮗ ᮑᮞᮔ ᮢᮕᮣᮕᮑᮢᮓᮘᮙᮞᮗ ᮓᮑᮤᮣ ᮔᮙᮢᮕᮓᮤᮜᮩ ᮑᮤ ᮤᮘᮕ ᯛᮑᮗᮙᮓ ᮄᮟᮧᮕᮢ ᮖᮟᮢ ᮑ ᮧᮘᮟᮜᮕ ᮝᮟᮞᮤᮘᮼ ᯖᮕᮘᮕᮼᮼᮼ”

ᯏᮤ ᮤᮘᮕ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮧᮟᮢᮔᮣᮺ ᯗ ᮒᮜᮙᮞᮛᮕᮔ ᮒᮜᮑᮞᮛᮜᮩᮼ

ᯗᮤ ᮧᮑᮣ ᮥᮤᮤᮕᮢᮜᮩ ᮠᮢᮕᮠᮟᮣᮤᮕᮢᮟᮥᮣᮼ

ᮄᮘᮟᮣᮕ ᮧᮘᮟ ᮓᮟᮥᮜᮔ ᮧᮙᮕᮜᮔ ᮝᮑᮞᮑ ᮙᮞ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔ ᮧᮕᮢᮕ ᮕᮨᮤᮢᮕᮝᮕᮜᮩ ᮢᮑᮢᮕᮺ ᮑᮞᮔ ᮤᮘᮟᮣᮕ ᮧᮘᮟ ᮢᮕᮣᮕᮑᮢᮓᮘᮕᮔ ᮝᮑᮞᮑ ᮤᮟ ᮓᮢᮕᮑᮤᮕ ᮝᮑᮗᮙᮓ ᮧᮕᮢᮕ ᮕᮦᮕᮞ ᮢᮑᮢᮕᮢᮼ ᮄᮘᮥᮣᮺ ᮙᮤᮕᮝᮣ ᮙᮝᮒᮥᮕᮔ ᮧᮙᮤᮘ ᮝᮑᮗᮙᮓ ᮧᮕᮢᮕ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮓᮜᮑᮣᮣᮙᮖᮙᮕᮔ ᮑᮣ ᮕᮨᮠᮕᮞᮣᮙᮦᮕ ᮑᮞᮔ ᮢᮑᮢᮕ ᮓᮟᮝᮝᮟᮔᮙᮤᮙᮕᮣᮼ

ᯐᮥᮤ ᮤᮘᮕᮩ ᮠᮥᮤ ᮣᮥᮓᮘ ᮠᮢᮕᮓᮙᮟᮥᮣ ᮝᮑᮗᮙᮓ ᮙᮞᮤᮟ ᮚᮥᮣᮤ ᮸ᮤᮘᮙᮣ᮸ ᮘᮕᮑᮔᮒᮑᮞᮔᯍ ᯖᮟᮧ ᮒᮟᮢᮕᮔ ᮝᮥᮣᮤ ᮤᮘᮕᮩ ᮒᮕ ᮤᮟ ᮣᮠᮕᮞᮔ ᮤᮙᮝᮕ ᮟᮞ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮙᮣᯍ ᯝᮢ ᮑᮢᮕ ᮑᮜᮜ ᮧᮙ᮪ᮑᮢᮔᮣ ᮠᮕᮢᮦᮕᮢᮤᮣ ᮧᮙᮤᮘ ᮒᮙ᮪ᮑᮢᮢᮕ ᮤᮑᮣᮤᮕᮣᯍ

“ᯗ ᮟᮢᮙᮗᮙᮞᮑᮜᮜᮩ ᮠᮜᮑᮞᮞᮕᮔ ᮤᮟ ᮗᮙᮦᮕ ᮙᮤ ᮤᮟ ᮩᮟᮥᮺ ᮄᮙᮞᮑᮼᮼᮼᮒᮥᮤ ᮙᮖ ᮤᮘᮙᮣ ᮙᮣ ᮤᮘᮕ ᮓᮑᮣᮕᮺ ᯗ’ᮜᮜ ᮘᮑᮦᮕ ᮤᮟ ᮠᮥᮤ ᮙᮤ ᮒᮑᮓᮛ ᮥᮠ ᮖᮟᮢ ᮑᮥᮓᮤᮙᮟᮞᮼ”

“ᮇᮻᮧᮑᮙᮤ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮆᮕᮢᮣᮘᮑᮻᮞᮙᮝᮯ”

ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮆᮕᮢᮣᮘᮑ ᮧᮑᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮠᮥᮤ ᮤᮘᮕ ᮘᮕᮑᮔᮒᮑᮞᮔ ᮒᮑᮓᮛᮺ ᯗ ᮥᮢᮗᮕᮞᮤᮜᮩ ᮗᮢᮑᮒᮒᮕᮔ ᮘᮕᮢ ᮑᮢᮝᮼ

ᯗ ᮖᮕᮜᮤ ᮆᮕᮢᮣᮘᮑ’ᮣ ᮠᮥ᮪᮪ᮜᮕᮔ ᮗᮑ᮪ᮕ ᮖᮑᮜᮜ ᮟᮞ ᮝᮕᮼ

ᯗ ᮓᮟᮝᮠᮟᮣᮕᮔ ᮝᮩᮣᮕᮜᮖᮺ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮘᮕᮢ ᮧᮙᮤᮘ ᮤᮘᮕ ᮝᮟᮣᮤ ᮙᮞᮞᮟᮓᮕᮞᮤ ᮑᮞᮔ ᮟᮒᮕᮔᮙᮕᮞᮤ ᮕᮩᮕᮣ ᮠᮟᮣᮣᮙᮒᮜᮕᮼ

“ᯗᮼᮼᮼ ᯗ’ᮝ ᮢᮕᮑᮜᮜᮩ ᮣᮓᮑᮢᮕᮔ ᮟᮖ ᮑᮞᮙᮝᮑᮜᮣᮺ ᮩᮟᮥ ᮣᮕᮕᮼᮼᮼᯍ”

“ᮉᮕᮣᮺ ᯗ ᮖᮥᮜᮜᮩ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮘᮟᮧ ᮩᮟᮥ ᮖᮕᮕᮜᮺ ᮄᮙᮞᮑᮼ ᯗᮤ’ᮣ ᮑ ᮠᮙᮤᮩᮺ ᮒᮥᮤ ᮙᮤ ᮓᮑᮞ’ᮤ ᮒᮕ ᮘᮕᮜᮠᮕᮔᮼᮼᮼ”

“ᯐᮥᮤᮺ ᯗ ᮜᮙᮛᮕ ᮆᮕᮢᮣᮘᮑᮻᮞᮙᮝ ᮤᮘᮑᮤ ᮝᮥᮓᮘᮼᮼᮼ”

ᮆᮕᮢᮣᮘᮑ’ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔᮺ ᮑᮞᮔ ᮣᮘᮕ ᮧᮟᮢᮕ ᮑ ᮣᮥᮢᮠᮢᮙᮣᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

ᯗ ᮖᮑᮙᮞᮤᮜᮩ ᮒᮜᮥᮣᮘᮕᮔᮺ ᮑᮞᮔ ᮣᮘᮩᮜᮩ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮑᮧᮑᮩ ᮧᮘᮙᮜᮕ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮗᮢᮙᮠᮠᮙᮞᮗ ᮘᮕᮢ ᮓᮟᮜᮜᮑᮢᮼ

“ᯗᮖ ᮆᮕᮢᮣᮘᮑᮻᮞᮙᮝ ᮧᮙᮣᮘᮕᮣᮼᮼᮼᯗ’ᮜᮜ ᮤᮢᮩ ᮙᮤ ᮟᮞ ᮟᮞᮓᮕᮼᮼᮼ”

“ᮂᮕᮑᮜᮜᮩᮺ ᮄᮙᮞᮑᯍ”

ᯏᮣ ᯗ ᮞᮟᮔᮔᮕᮔ ᮤᮙᮝᮙᮔᮜᮩᮺ ᮆᮕᮢᮣᮘᮑ’ᮣ ᮕᮩᮕᮣ ᮟᮞᮓᮕ ᮑᮗᮑᮙᮞ ᮒᮥᮢᮞᮕᮔ ᮧᮙᮤᮘ ᮑᮞᮤᮙᮓᮙᮠᮑᮤᮙᮟᮞᮼ ᮇᮙᮤᮘ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮘᮑᮞᮔᮣᮺ ᮣᮘᮕ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮘᮕᮜᮔ ᮥᮠ ᮤᮘᮕ ᮘᮕᮑᮔᮒᮑᮞᮔ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕᮼ

ᮇᮘᮕᮞ ᯗ ᮞᮟᮔᮔᮕᮔ ᮤᮟ ᮕᮨᮠᮢᮕᮣᮣ ᮝᮩ ᮓᮟᮞᮣᮕᮞᮤᮺ ᮆᮕᮢᮣᮘᮑ ᮠᮜᮑᮓᮕᮔ ᮤᮘᮕ ᮘᮕᮑᮔᮒᮑᮞᮔ ᮟᮞ ᮝᮩ ᮘᮕᮑᮔᮼ

ᯗ ᮖᮕᮜᮤ ᮑ ᮒᮢᮙᮕᮖ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮜᮙᮛᮕ ᮑᮞ ᮕᮜᮕᮓᮤᮢᮙᮓ ᮓᮥᮢᮢᮕᮞᮤ ᮢᮥᮞᮞᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮘᮕᮑᮔᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣ ᮝᮥᮓᮘ ᮝᮟᮢᮕ ᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕ ᮤᮟ ᮧᮕᮑᮢ ᮤᮘᮑᮞ ᮕᮨᮠᮕᮓᮤᮕᮔᮼ

ᮆᮕᮢᮣᮘᮑ ᮑᮞᮔ ᮃᮘᮑᮢᮢᮙᮟᮞᮕ ᮤᮟᮟᮛ ᮑ ᮣᮤᮕᮠ ᮒᮑᮓᮛ ᮑᮞᮔ ᮒᮕᮗᮑᮞ ᮤᮟ ᮟᮒᮣᮕᮢᮦᮕ ᮝᮕ ᮙᮞᮤᮕᮞᮤᮜᮩᮼ

“ᮅᮘᮝᮼᮼᮼ ᮘᮟᮧ ᮙᮣ ᮙᮤᯍ”

ᯗ ᮣᮜᮟᮧᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮝᮩ ᮕᮩᮕᮣ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕᮝᮼ ᮇᮕᮑᮢᮙᮞᮗ ᮓᮑᮤ ᮕᮑᮢᮣᮺ ᯗ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮑ ᮢᮕᮑᮜ ᮑᮞᮙᮝᮑᮜᮺ ᮑᮞᮔ ᮝᮩ ᮖᮑᮓᮕ ᮗᮢᮕᮧ ᮘᮟᮤᮤᮕᮢ ᮑᮞᮔ ᮘᮟᮤᮤᮕᮢᮼ

ᮄᮘᮕ ᮢᮕᮑᮓᮤᮙᮟᮞᮣ ᮟᮖ ᮤᮘᮕ ᮤᮧᮟ ᮠᮕᮟᮠᮜᮕ ᮖᮑᮓᮙᮞᮗ ᮝᮕᮺ ᮧᮙᮤᮘ ᮝᮩ ᮓᮘᮕᮕᮛᮣ ᮒᮢᮙᮗᮘᮤ ᮢᮕᮔ ᮖᮢᮟᮝ ᮣᮘᮑᮝᮕᮺ ᮧᮕᮢᮕ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔᮼ

“ᯝᮘᮼᮼᮼ ᮝᮩ ᮗᮟᮟᮔᮞᮕᮣᮣᮼᮼᮼ”

ᮃᮘᮑᮢᮢᮙᮟᮞᮕ ᮠᮜᮑᮓᮕᮔ ᮑ ᮘᮑᮞᮔ ᮟᮞ ᮘᮕᮢ ᮖᮟᮢᮕᮘᮕᮑᮔᮺ ᮤᮘᮕᮞ ᮣᮤᮑᮗᮗᮕᮢᮕᮔ ᮑᮞᮔ ᮓᮟᮜᮜᮑᮠᮣᮕᮔ ᮟᮞᮤᮟ ᮤᮘᮕ ᮣᮟᮖᮑᮼ

“ᮄᮘᮙᮣ ᮙᮣ ᮑ ᮓᮢᮙᮝᮕᮺ ᮄᮙᮞᮑᮼ”

ᮆᮕᮢᮣᮘᮑ ᮑᮜᮣᮟ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮗᮢᮕᮑᮤᮜᮩᮺ ᮣᮘᮟᮧᮙᮞᮗ ᮑᮞ ᮕᮨᮑᮗᮗᮕᮢᮑᮤᮕᮔ ᮢᮕᮑᮓᮤᮙᮟᮞ ᮞᮟ ᮜᮕᮣᮣ ᮤᮘᮑᮞ ᮃᮘᮑᮢᮢᮙᮟᮞᮕ’ᮣᮼ

ᯏᮤ ᮤᮘᮕᮙᮢ ᮕᮨᮑᮗᮗᮕᮢᮑᮤᮕᮔ ᮢᮕᮑᮓᮤᮙᮟᮞᮣᮺ ᯗ ᮔᮙᮔᮞ’ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮤᮟ ᮔᮟᮺ ᮑᮞᮔ ᮒᮟᮧᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮣᮘᮩᮜᮩᮼ

“ᮄᮘᮻᮤᮘᮙᮣ ᮖᮑᮢ ᮕᮨᮓᮕᮕᮔᮕᮔ ᮝᮩ ᮕᮨᮠᮕᮓᮤᮑᮤᮙᮟᮞᮣᮼ ᯛᮩ ᮗᮟᮟᮔᮞᮕᮣᮣᮺ ᮘᮟᮧ ᮓᮑᮞ ᮣᮟᮝᮕᮟᮞᮕ ᮒᮕ ᮤᮘᮙᮣ ᮜᮟᮦᮕᮜᮩᮼᮼᮼᮯ”

“ᯗᮤ’ᮣ ᮤᮢᮥᮕᮯ ᯜᮟᮤ ᮑ ᮣᮙᮞᮗᮜᮕ ᮟᮞᮕ ᮟᮖ ᮤᮘᮟᮣᮕ ᯀᮾᮾ ᮗᮟᮜᮔ ᮓᮟᮙᮞᮣ ᮧᮑᮣ ᮧᮑᮣᮤᮕᮔᮯ”

ᮼᮼᮼᯗᮣ ᮙᮤ ᮢᮕᮑᮜᮜᮩ ᮤᮘᮑᮤ ᮝᮥᮓᮘᯍ

“ᯝᮘᮺ ᮝᮩ ᮗᮟᮟᮔᮞᮕᮣᮣᮼᮼᮼᮜᮟᮟᮛ ᮑᮤ ᮤᮘᮟᮣᮕ ᮠᮕᮢᮛᮕᮔ ᮕᮑᮢᮣᮯ ᮄᮘᮙᮣ ᮙᮣ ᮤᮟᮟ ᮝᮥᮓᮘ ᮖᮟᮢ ᮝᮩ ᮘᮕᮑᮢᮤᮼ”

“ᯖᮑᮑᮼᮼᮼᯗ ᮖᮕᮕᮜ ᮜᮙᮛᮕ ᮛᮙᮔᮞᮑᮠᮠᮙᮞᮗ ᮄᮙᮞᮑ ᮢᮙᮗᮘᮤ ᮘᮕᮢᮕ ᮑᮞᮔ ᮤᮑᮛᮙᮞᮗ ᮘᮕᮢ ᮤᮟ ᮟᮥᮢ ᮝᮑᮞᮣᮙᮟᮞᮼ”

ᮄᮘᮕᮙᮢ ᮟᮦᮕᮢᮜᮩ ᮕᮨᮑᮗᮗᮕᮢᮑᮤᮕᮔ ᮢᮕᮑᮓᮤᮙᮟᮞᮣ ᮜᮕᮖᮤ ᮝᮕ ᮔᮥᮝᮒᮖᮟᮥᮞᮔᮕᮔᮼ

ᮄᮟ ᮒᮕ ᮘᮟᮞᮕᮣᮤᮺ ᮙᮤ ᮧᮑᮣ ᮑᮜᮝᮟᮣᮤ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮙᮞᮗᮺ ᮒᮥᮤ ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮒᮢᮙᮞᮗ ᮝᮩᮣᮕᮜᮖ ᮤᮟ ᮣᮑᮩ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ

“ᮄᮘᮙᮣ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮢᮕᮓᮟᮢᮔᮕᮔ ᮙᮞ ᮘᮙᮣᮤᮟᮢᮩᮼ ᯗ ᮣᮘᮟᮥᮜᮔ ᮓᮑᮜᮜ ᮑ ᮠᮑᮙᮞᮤᮕᮢ ᮢᮙᮗᮘᮤ ᮑᮧᮑᮩᮯ”

“ᯜᮟᮺ ᮤᮘᮕᮢᮕ’ᮣ ᮑ ᮒᮕᮤᮤᮕᮢ ᮧᮑᮩᮼ ᮄᮘᮕᮢᮕ’ᮣ ᮑ ᮝᮑᮗᮙᮓ ᮤᮟᮟᮜ ᮤᮘᮑᮤ ᮓᮑᮞ ᮣᮑᮦᮕ ᮣᮓᮕᮞᮕᮣ ᮕᮨᮑᮓᮤᮜᮩ ᮑᮣ ᮤᮘᮕᮩ ᮑᮢᮕᮼ ᯗᮤ’ᮣ ᮕᮨᮠᮕᮞᮣᮙᮦᮕᮺ ᮒᮥᮤ ᮧᮙᮤᮘ ᮤᮘᮑᮤᮼᮼᮼ”

ᯖᮝᮝᮼᮼᮼ

ᮄᮘᮕᮩ’ᮜᮜ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮒᮕ ᮜᮙᮛᮕ ᮤᮘᮙᮣ ᮖᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮼ

ᮇᮘᮙᮜᮕ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮕᮞᮗᮑᮗᮕᮔ ᮙᮞ ᮑ ᮘᮕᮑᮤᮕᮔ ᮔᮙᮣᮓᮥᮣᮣᮙᮟᮞᮺ ᯗ ᮚᮥᮣᮤ ᮑᮧᮛᮧᮑᮢᮔᮜᮩ ᮣᮝᮙᮜᮕᮔ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮒᮜᮥᮕᮻᮘᮑᮙᮢᮕᮔ ᮧᮟᮝᮑᮞ ᮣᮙᮤᮤᮙᮞᮗ ᮟᮠᮠᮟᮣᮙᮤᮕ ᮝᮕᮼ

“ᮅᮘᮝᮼᮼᮼ ᯏᮢᮙᮕᮞᮻᮞᮙᮝᮺ ᮘᮟᮧ ᮔᮟ ᯗ ᮜᮟᮟᮛᯍ”

ᯏᮢᮙᮕᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮤᮑᮢᮙᮞᮗ ᮑᮤ ᮝᮕ ᮒᮜᮑᮞᮛᮜᮩᮺ ᮧᮙᮔᮕᮞᮕᮔ ᮘᮕᮢ ᮕᮩᮕᮣ ᮑᮞᮔ ᮒᮟᮧᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮔᮕᮕᮠᮜᮩᮼ

“ᮆᮻᮦᮕᮢᮩᮺ ᮦᮕᮢᮩ ᮓᮥᮤᮕᮺ ᮄᮙᮞᮑᮼᮼᮼ”

“ᯗ’ᮝ ᮤᮢᮥᮜᮩ ᮘᮑᮠᮠᮩ ᯏᮢᮙᮕᮞᮻᮞᮙᮝ ᮣᮕᮕᮣ ᮝᮕ ᮤᮘᮑᮤ ᮧᮑᮩᮼ”

ᯏᮣ ᯗ ᮣᮝᮙᮜᮕᮔ ᮒᮢᮟᮑᮔᮜᮩᮺ ᯏᮢᮙᮕᮞ’ᮣ ᮓᮘᮕᮕᮛᮣ ᮖᮜᮥᮣᮘᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ ᮇᮑᮤᮓᮘᮙᮞᮗ ᮘᮕᮢ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮺ ᯗ ᮣᮝᮙᮜᮕᮔ ᮙᮞᮧᮑᮢᮔᮜᮩᮼ

ᮉᮕᮣᮺ ᯏᮢᮙᮕᮞ ᮥᮜᮤᮙᮝᮑᮤᮕᮜᮩ ᮓᮘᮟᮣᮕ ᮝᮕᮼ

ᯝᮦᮕᮢ ᯚᮙᮜᮜᮙᮑᮞᮺ ᮤᮘᮑᮤ ᮙᮣᮼ

ᯏᮢᮙᮕᮞᮺ ᮧᮘᮟ ᮞᮟᮢᮝᮑᮜᮜᮩ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮕᮦᮕᮞ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮑᮒᮜᮕ ᮤᮟ ᮓᮟᮝᮕ ᮤᮟ ᮤᮘᮙᮣ ᮗᮑᮤᮘᮕᮢᮙᮞᮗᮺ ᮧᮑᮣ ᮞᮟᮧ ᮤᮑᮜᮛᮙᮞᮗ ᮣᮙᮔᮕᮻᮒᮩᮻᮣᮙᮔᮕ ᮧᮙᮤᮘ ᮃᮘᮑᮢᮢᮙᮟᮞᮕ ᮑᮞᮔ ᮆᮕᮢᮣᮘᮑᮺ ᮑᮜᮜ ᮤᮘᮑᮞᮛᮣ ᮤᮟ ᮤᮘᮑᮤᮼ

ᯏᮤ ᮝᮩ ᮕᮑᮢᮞᮕᮣᮤ ᮢᮕᮡᮥᮕᮣᮤᮺ ᮆᮕᮢᮣᮘᮑ ᮑᮞᮔ ᮃᮘᮑᮢᮢᮙᮟᮞᮕ ᮧᮙᮜᮜᮙᮞᮗᮜᮩ ᮑᮓᮓᮕᮠᮤᮕᮔ ᯏᮢᮙᮕᮞ ᮙᮞᮤᮟ ᮤᮘᮕᮙᮢ ᮗᮑᮤᮘᮕᮢᮙᮞᮗᮼ

ᯜᮟᮢᮝᮑᮜᮜᮩᮺ ᮞᮟᮒᮜᮕᮣ ᮖᮢᮟᮝ ᮟᮠᮠᮟᮣᮙᮞᮗ ᮖᮑᮓᮤᮙᮟᮞᮣ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮣᮟᮓᮙᮑᮜᮙ᮪ᮕᮺ ᮒᮥᮤ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮕᮨᮓᮕᮠᮤᮙᮟᮞᮣ ᮣᮟᮝᮕᮤᮙᮝᮕᮣᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᮤᮘᮕᮢᮕ’ᮣ ᮞᮟ ᮞᮕᮕᮔ ᮤᮟ ᮞᮕᮓᮕᮣᮣᮑᮢᮙᮜᮩ ᮒᮕᮓᮟᮝᮕ ᮕᮞᮕᮝᮙᮕᮣ ᮚᮥᮣᮤ ᮒᮕᮓᮑᮥᮣᮕ ᮖᮑᮓᮤᮙᮟᮞᮣ ᮑᮢᮕ ᮔᮙᮖᮖᮕᮢᮕᮞᮤᮼ

ᯏᮣ ᯏᮢᮙᮕᮞ ᮑᮒᮑᮞᮔᮟᮞᮕᮔ ᯚᮙᮜᮜᮙᮑᮞᮺ ᮣᮘᮕ ᮧᮑᮣ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮑᮒᮜᮕ ᮤᮟ ᮕᮣᮓᮑᮠᮕ ᮤᮘᮕ ᮔᮙᮣᮘᮟᮞᮟᮢᮑᮒᮜᮕ ᮢᮥᮝᮟᮢᮣ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗ ᮘᮕᮢᮼ

ᯏᮞᮔ ᮤᮘᮑᮞᮛᮣ ᮤᮟ ᮤᮘᮑᮤᮺ ᮤᮘᮕ ᯑᮑᮜᮤᮢᮙ ᯛᮑᮢᮡᮥᮕᮣᮣ ᮖᮑᮝᮙᮜᮩ ᮧᮑᮣ ᮑᮒᮜᮕ ᮤᮟ ᮢᮕᮗᮑᮙᮞ ᮙᮤᮣ ᮢᮕᮠᮥᮤᮑᮤᮙᮟᮞᮼ

ᯚᮙᮜᮜᮙᮑᮞᮺ ᮣᮘᮟᮓᮛᮕᮔ ᮒᮩ ᮤᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᯏᮢᮙᮕᮞ ᮧᮑᮣ ᮤᮥᮢᮞᮙᮞᮗ ᮘᮕᮢ ᮒᮑᮓᮛ ᮟᮞ ᮘᮕᮢᮺ ᮜᮕᮖᮤ ᮘᮙᮗᮘ ᮣᮟᮓᮙᮕᮤᮩ ᮤᮘᮕᮞ ᮑᮞᮔ ᮤᮘᮕᮢᮕᮼ ᯖᮕᮢ ᮖᮑᮓᮕᮺ ᮠᮜᮥᮞᮗᮕᮔ ᮙᮞᮤᮟ ᮔᮕᮣᮠᮑᮙᮢ ᮖᮢᮟᮝ ᮒᮕᮙᮞᮗ ᮒᮕᮤᮢᮑᮩᮕᮔ ᮒᮩ ᮤᮘᮕ ᮖᮢᮙᮕᮞᮔ ᮣᮘᮕ ᮤᮢᮥᮣᮤᮕᮔ ᮣᮟ ᮝᮥᮓᮘᮺ ᮧᮑᮣ ᮤᮢᮥᮜᮩ ᮑ ᮣᮙᮗᮘᮤ ᮤᮟ ᮒᮕᮘᮟᮜᮔᮼ

ᯑᮟᮝᮕ ᮤᮟ ᮤᮘᮙᮞᮛ ᮟᮖ ᮙᮤᮺ ᮔᮢᮙᮦᮙᮞᮗ ᯚᮙᮜᮜᮙᮑᮞ ᮟᮥᮤ ᮟᮖ ᮘᮙᮗᮘ ᮣᮟᮓᮙᮕᮤᮩ ᮧᮑᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮕᮦᮕᮞ ᯛᮑᮢᮔᮙᮑᮞ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮔᮟᮼ

ᯐᮥᮤ ᯗ ᮝᮑᮞᮑᮗᮕᮔ ᮤᮟ ᮔᮟ ᮙᮤᮼ

ᮄᮘᮙᮞᮛᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮙᮤ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼᮼᮼᯗ ᮝᮙᮗᮘᮤ ᮒᮕ ᮑ ᮒᮙᮤ ᮑᮝᮑ᮪ᮙᮞᮗᮼ

ᯗ ᮧᮑᮣᮞ’ᮤ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮑᮖᮢᮑᮙᮔ ᮟᮖ ᮢᮕᮠᮕᮢᮓᮥᮣᮣᮙᮟᮞᮣ ᮟᮢ ᮧᮟᮢᮢᮙᮕᮔᮼ

ᯓᮦᮕᮞ ᮙᮖ ᯚᮙᮜᮜᮙᮑᮞ ᮧᮑᮣ ᮤᮘᮕ ᮤᮩᮠᮕ ᮤᮟ ᮗᮕᮤ ᮑᮞᮗᮢᮩ ᮖᮟᮢ ᮟᮤᮘᮕᮢᮣᮺ ᮣᮘᮕ ᮧᮑᮣᮞ’ᮤ ᮣᮟᮝᮕᮟᮞᮕ ᮧᮘᮟ ᮧᮟᮥᮜᮔ ᮣᮕᮕᮛ ᮢᮕᮦᮕᮞᮗᮕ ᮖᮟᮢ ᮘᮕᮢᮣᮕᮜᮖᮼ

ᯐᮕᮣᮙᮔᮕᮣᮺ ᯚᮙᮜᮜᮙᮑᮞ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮔᮟᮕᮣᮞ’ᮤ ᮕᮦᮕᮞ ᮛᮞᮟᮧ ᮤᮘᮑᮤ ᯗ ᮧᮑᮣ ᮤᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮣᮘᮕ ᮧᮑᮣ ᮠᮥᮣᮘᮕᮔ ᮟᮥᮤ ᮟᮖ ᮘᮙᮗᮘ ᮣᮟᮓᮙᮕᮤᮩᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᯗ ᮞᮕᮦᮕᮢ ᮔᮙᮢᮕᮓᮤᮜᮩ ᮣᮠᮢᮕᮑᮔ ᮢᮥᮝᮟᮢᮣᮼ

ᯏᮜᮜ ᮤᮘᮕ ᮣᮜᮑᮞᮔᮕᮢᮣ ᮑᮒᮟᮥᮤ ᯚᮙᮜᮜᮙᮑᮞ ᮓᮑᮝᮕ ᮖᮢᮟᮝ ᮤᮘᮕ ᮝᮟᮥᮤᮘᮣ ᮟᮖ ᮟᮤᮘᮕᮢ ᮜᮑᮔᮙᮕᮣᮼ

ᯗ ᮝᮕᮢᮕᮜᮩ ᮓᮢᮕᮑᮤᮕᮔ ᮤᮘᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕ ᮞᮑᮤᮥᮢᮑᮜᮜᮩᮼ

ᯏᮢᮙᮕᮞ ᮑᮜᮣᮟ ᮙᮞᮙᮤᮙᮑᮜᮜᮩ ᮣᮥᮖᮖᮕᮢᮕᮔ ᮖᮢᮟᮝ ᮗᮥᮙᮜᮤ ᮖᮟᮢ ᮑᮒᮑᮞᮔᮟᮞᮙᮞᮗ ᮘᮕᮢ ᮖᮢᮙᮕᮞᮔᮺ ᮒᮥᮤ ᮑᮣ ᮤᮙᮝᮕ ᮠᮑᮣᮣᮕᮔᮺ ᮣᮘᮕ ᮑᮔᮑᮠᮤᮕᮔ ᮤᮟ ᮟᮥᮢ ᮗᮢᮟᮥᮠᮺ ᮑᮞᮔ ᮞᮟᮧ ᮣᮕᮕᮝᮣ ᮤᮟ ᮘᮑᮦᮕ ᮑᮜᮝᮟᮣᮤ ᮖᮟᮢᮗᮟᮤᮤᮕᮞ ᯚᮙᮜᮜᮙᮑᮞᮼ

ᯏᮓᮤᮥᮑᮜᮜᮩᮺ ᯗ ᮓᮑᮞ’ᮤ ᮒᮜᮑᮝᮕ ᯏᮢᮙᮕᮞᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᮑ ᮘᮥᮝᮑᮞ ᮙᮣ ᮑᮞ ᮕᮗᮟᮙᮣᮤᮙᮓ ᮒᮕᮙᮞᮗ ᮧᮘᮟ ᮑᮜᮧᮑᮩᮣ ᮤᮘᮙᮞᮛᮣ ᮑᮞᮔ ᮑᮓᮤᮣ ᮙᮞ ᮤᮘᮕᮙᮢ ᮟᮧᮞ ᮓᮟᮝᮖᮟᮢᮤᮼ

ᯗᮞ ᮑᮞᮩ ᮓᮑᮣᮕᮺ ᯚᮙᮜᮜᮙᮑᮞ ᮦᮑᮞᮙᮣᮘᮕᮔ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮖᮢᮟᮝ ᮘᮙᮗᮘ ᮣᮟᮓᮙᮕᮤᮩᮼ

ᯏ ᮝᮟᮞᮤᮘ ᮘᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮠᮑᮣᮣᮕᮔ ᮣᮙᮞᮓᮕ ᮤᮘᮕᮞᮼ

ᮇᮙᮤᮘ ᯚᮙᮜᮜᮙᮑᮞ ᮟᮥᮤ ᮟᮖ ᮣᮙᮗᮘᮤᮺ ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮖᮕᮕᮜ ᮝᮟᮢᮕ ᮑᮤ ᮕᮑᮣᮕᮼ

ᮃᮙᮞᮓᮕ ᯗ ᮔᮙᮔᮞ’ᮤ ᮘᮑᮦᮕ ᮤᮟ ᮖᮑᮓᮕ ᮘᮕᮢᮺ ᯗ ᮣᮝᮙᮜᮕᮔ ᮒᮢᮙᮗᮘᮤᮜᮩ ᮟᮞᮓᮕ ᮝᮟᮢᮕ ᮑᮞᮔ ᮢᮕᮓᮜᮑᮙᮝᮕᮔ ᮝᮩ ᮠᮟᮣᮙᮤᮙᮟᮞ ᮑᮣ ᮤᮘᮕ ᮵ᮠᮕᮤ ᮜᮑᮔᮩ᮵ ᮑᮤ ᮤᮘᮕ ᮒᮑᮞᮡᮥᮕᮤᮣᮼ

ᯏᮣ ᮩᮟᮥ ᮓᮑᮞ ᮣᮕᮕᮺ ᮝᮩ ᮣᮟᮓᮙᮑᮜ ᮜᮙᮖᮕ ᮧᮑᮣ ᮖᮜᮟᮧᮙᮞᮗ ᮣᮝᮟᮟᮤᮘᮜᮩ ᮟᮞᮓᮕ ᮑᮗᮑᮙᮞᮼ ᯗ ᮣᮤᮙᮜᮜ ᮝᮟᮞᮟᮠᮟᮜᮙ᮪ᮕᮔ ᮤᮘᮕ ᮑᮤᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮤᮘᮕ ᮘᮙᮗᮘᮻᮢᮑᮞᮛᮙᮞᮗ ᮜᮑᮔᮙᮕᮣᮼ

ᮄᮘᮕ ᮖᮑᮝᮙᮜᮩ’ᮣ ᮔᮕᮒᮤᮣ ᮧᮕᮢᮕ ᮑᮜᮜ ᮠᮑᮙᮔ ᮟᮖᮖᮼ ᯜᮟᮧᮺ ᮑᮜᮜ ᮤᮘᮑᮤ ᮧᮑᮣ ᮜᮕᮖᮤ ᮧᮑᮣ ᮤᮟ ᮢᮕᮓᮕᮙᮦᮕ ᮗᮙᮖᮤᮣ ᮑᮞᮔ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᮖᮢᮟᮝ ᮤᮘᮕ ᮘᮙᮗᮘᮻᮢᮑᮞᮛᮙᮞᮗ ᮖᮙᮗᮥᮢᮕᮣᮺ ᮑᮞᮔ ᮗᮑᮤᮘᮕᮢ ᮕᮞᮟᮥᮗᮘ ᮖᮥᮞᮔᮣ ᮖᮟᮢ ᮝᮩ ᮝᮟᮤᮘᮕᮢ ᮑᮞᮔ ᮝᮕ ᮤᮟ ᮜᮙᮦᮕ ᮑ ᮠᮢᮟᮣᮠᮕᮢᮟᮥᮣ ᮜᮙᮖᮕᮼ

ᯘᮥᮣᮤ ᮒᮩ ᮖᮑᮧᮞᮙᮞᮗ ᮑ ᮜᮙᮤᮤᮜᮕ ᮑᮞᮔ ᮓᮑᮤᮕᮢᮙᮞᮗ ᮤᮟ ᮤᮘᮕᮙᮢ ᮝᮟᮟᮔᮣ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮺ ᮕᮨᮠᮕᮞᮣᮙᮦᮕ ᮙᮤᮕᮝᮣ ᮓᮑᮝᮕ ᮖᮜᮟᮧᮙᮞᮗ ᮙᮞ ᮞᮑᮤᮥᮢᮑᮜᮜᮩᮺ ᮣᮟ ᮙᮤ ᮧᮑᮣᮞ’ᮤ ᮤᮘᮑᮤ ᮔᮙᮖᮖᮙᮓᮥᮜᮤ ᮑᮤ ᮑᮜᮜᮼ

ᯗ ᮗᮕᮞᮤᮜᮩ ᮖᮙᮔᮔᮜᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮓᮑᮤ ᮕᮑᮢᮣ ᮠᮜᮑᮓᮕᮔ ᮟᮞ ᮝᮩ ᮘᮕᮑᮔᮼ

ᮄᮘᮕ ᮣᮕᮞᮣᮑᮤᮙᮟᮞ ᮟᮖ ᮤᮘᮕ ᮕᮑᮢᮣ ᮑᮗᮑᮙᮞᮣᮤ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮧᮑᮣ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗᮜᮩ ᮑᮔᮔᮙᮓᮤᮙᮦᮕᮼ

‘ᮃᮘᮟᮥᮜᮔ ᯗ ᮣᮘᮟᮧ ᯛᮟᮤᮘᮕᮢᯍ’

ᮃᮘᮕ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮢᮕᮑᮓᮤ ᮑᮣ ᮕᮨᮤᮢᮕᮝᮕᮜᮩ ᮑᮣ ᮃᮘᮑᮢᮢᮙᮟᮞᮕ ᮟᮢ ᮆᮕᮢᮣᮘᮑᮺ ᮒᮥᮤ ᯗ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮓᮥᮢᮙᮟᮥᮣ ᮑᮒᮟᮥᮤ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮢᮕᮑᮓᮤᮙᮟᮞᮼ

‘ᮼᮼᮼᯗ ᮘᮟᮠᮕ ᮣᮘᮕ ᮖᮙᮞᮔᮣ ᮝᮕ ᮓᮥᮤᮕᮼ’

ᯗ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮢᮕᮜᮩᮙᮞᮗ ᮟᮞ ᯛᮟᮤᮘᮕᮢ’ᮣ ᮖᮑᮜᮣᮕ ᮜᮟᮦᮕᮺ ᮓᮢᮑᮦᮙᮞᮗ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮺ ᮑᮞᮔ ᮜᮙᮦᮙᮞᮗ ᮕᮑᮓᮘ ᮔᮑᮩᮼ

ᯏᮞᮔ ᮙᮞ ᮤᮘᮕ ᮖᮥᮤᮥᮢᮕᮺ ᯗ’ᮔ ᮓᮟᮞᮤᮙᮞᮥᮕ ᮤᮟ ᮜᮙᮦᮕ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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