Tales of the Taisho Era Flowers Bloom Late

Chapter 88

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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ᮄᮘᮕ ᮢᮟᮥᮞᮔ ᮝᮟᮟᮞᮺ ᮘᮑᮞᮗᮙᮞᮗ ᮑᮜᮟᮞᮕ ᮙᮞ ᮤᮘᮕ ᮣᮛᮩᮺ ᮓᮢᮕᮑᮤᮕᮔ ᮡᮥᮙᮤᮕ ᮑ ᮠᮙᮓᮤᮥᮢᮕᮣᮡᮥᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕᮺ ᮓᮑᮣᮤᮙᮞᮗ ᮑ ᮣᮙᮜᮦᮕᮢᮩ ᮗᮜᮟᮧ ᮥᮠᮟᮞ ᮤᮘᮕ ᮔᮑᮢᮛᮞᮕᮣᮣᮼ

“ᮄᮙᮞᮑᮼ”

ᯏ ᮜᮟᮧᮺ ᮡᮥᮙᮕᮤ ᮦᮟᮙᮓᮕ ᮣᮤᮟᮠᮠᮕᮔ ᮝᮕ ᮙᮞ ᮝᮩ ᮤᮢᮑᮓᮛᮣᮼ

ᯒᮕᮕᮠᮜᮩ ᮑᮝᮕᮤᮘᮩᮣᮤ ᮕᮩᮕᮣᮼ ᮆᮙᮦᮙᮑᮞᮑ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔᮺ ᮘᮕᮢ ᮒᮜᮑᮓᮛ ᮘᮑᮙᮢᮺ ᮠᮕᮢᮖᮕᮓᮤᮜᮩ ᮣᮥᮙᮤᮕᮔ ᮖᮟᮢ ᮤᮘᮕ ᮔᮑᮧᮞ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕᮺ ᮖᮜᮥᮤᮤᮕᮢᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮧᮙᮞᮔᮼ

“ᯒᮙᮔ ᮩᮟᮥ ᮔᮕᮑᮜ ᮧᮙᮤᮘ ᯛᮑᮢᮔᮙᮑᮞᮻᮞᮙᮝᯍ”

“…ᮉᮕᮣᮼ”

“ᮂᮕᮑᮜᮜᮩᯍ ᯛᮑᮩ ᯗ ᮓᮟᮞᮖᮙᮢᮝ ᮙᮤ ᮣᮕᮠᮑᮢᮑᮤᮕᮜᮩᯍ”

“ᯗ ᮣᮧᮕᮑᮢᮺ ᮣᮘᮕ ᮧᮙᮜᮜ ᮞᮕᮦᮕᮢ ᮑᮠᮠᮕᮑᮢ ᮒᮕᮖᮟᮢᮕ ᮩᮟᮥ ᮑᮗᮑᮙᮞᮼ ᯗᮖ ᮩᮟᮥ ᮔᮟᮞ’ᮤ ᮒᮕᮜᮙᮕᮦᮕ ᮝᮕᮺ ᯗ ᮓᮑᮞ ᮣᮘᮟᮧ ᮩᮟᮥ ᮠᮢᮟᮟᮖ ᮔᮙᮢᮕᮓᮤᮜᮩᮼ”

“ᯜᮟᮺ ᮙᮤ’ᮣ ᮖᮙᮞᮕᮼ”

ᮃᮙᮞᮓᮕ ᯛᮑᮢᮔᮙᮑᮞ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮟᮥᮤ ᮟᮖ ᮖᮑᮦᮟᮢ ᮧᮙᮤᮘ ᯑᮟᮥᮞᮤ ᯓᮦᮢᮕᮜᮔᮑᮙᮞᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮜᮙᮦᮕ ᮤᮘᮕ ᮗᮜᮑᮝᮟᮢᮟᮥᮣ ᮜᮙᮖᮕ ᮣᮘᮕ ᮟᮞᮓᮕ ᮔᮙᮔᮼ
ᯓᮦᮕᮞ ᮙᮖ ᮣᮘᮕ ᮤᮢᮙᮕᮔ ᮤᮟ ᮗᮕᮤ ᮢᮕᮦᮕᮞᮗᮕ ᮟᮞ ᮝᮕᮺ ᮙᮤ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮢᮕᮑᮜᮜᮩ ᮝᮑᮤᮤᮕᮢᮼ

ᯗ ᮗᮕᮞᮤᮜᮩ ᮢᮟᮣᮕ ᮟᮞ ᮝᮩ ᮤᮙᮠᮤᮟᮕᮣ ᮑᮞᮔ ᮜᮕᮖᮤ ᮑ ᮜᮙᮗᮘᮤ ᮛᮙᮣᮣ ᮟᮞ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮢᮙᮗᮘᮤ ᮓᮘᮕᮕᮛᮼ

᮸ᮃᮝᮑᮓᮛ—᮸

ᯛᮩ ᮜᮙᮠᮣ ᮤᮟᮥᮓᮘᮕᮔ ᮘᮕᮢ ᮓᮟᮜᮔ ᮣᮛᮙᮞᮺ ᮓᮢᮕᮑᮤᮙᮞᮗ ᮑ ᮔᮕᮜᮙᮓᮑᮤᮕ ᮣᮟᮥᮞᮔᮼ

“ᮉᮟᮥ’ᮦᮕ ᮧᮟᮢᮛᮕᮔ ᮘᮑᮢᮔᮺ ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼ ᮄᮘᮑᮞᮛᮣ ᮤᮟ ᮩᮟᮥᮺ ᯗ’ᮝ ᮣᮑᮖᮕᮼ”

“…ᮼ”

“ᮇᮕᮜᮜ ᮤᮘᮕᮞᮺ ᯗ’ᮜᮜ ᮗᮟ ᮙᮞ ᮞᮟᮧᮼ ᮃᮕᮕ ᮩᮟᮥ ᮞᮕᮨᮤ ᮤᮙᮝᮕᮼ”

ᯗ ᮜᮙᮗᮘᮤᮜᮩ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮒᮑᮓᮛᮺ ᮜᮕᮑᮦᮙᮞᮗ ᮘᮕᮢ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮤᮘᮕᮢᮕ ᮙᮔᮜᮩᮼ ᯐᮥᮤ ᮒᮕᮖᮟᮢᮕ ᯗ ᮓᮟᮥᮜᮔ ᮤᮑᮛᮕ ᮑ ᮖᮕᮧ ᮣᮤᮕᮠᮣᮺ ᮆᮙᮦᮙᮑᮞᮑ ᮗᮢᮑᮒᮒᮕᮔ ᮝᮩ ᮧᮢᮙᮣᮤᮼ

“ᮄᮙᮞᮑᮺ ᮧᮑᮣ ᮙᮤ ᮩᮟᮥ ᮧᮘᮟ ᮠᮟᮙᮣᮟᮞᮕᮔ ᯚᮙᮜᮜᮙᮑᮞᯍ”

“ᮇᮘᮑᮤ ᮙᮖ ᮙᮤ ᮧᮑᮣᯍ”

ᯗ ᮗᮕᮞᮤᮜᮩ ᮓᮥᮠᮠᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮓᮘᮕᮕᮛᮣ ᮧᮙᮤᮘ ᮒᮟᮤᮘ ᮘᮑᮞᮔᮣ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮔᮙᮢᮕᮓᮤᮜᮩ ᮙᮞᮤᮟ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮧᮘᮙᮓᮘ ᮘᮕᮜᮔ ᮑ ᮝᮩᮢᮙᮑᮔ ᮟᮖ ᮓᮟᮝᮠᮜᮕᮨ ᮕᮝᮟᮤᮙᮟᮞᮣᮼ

ᮇᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮺ ᯗ ᮣᮠᮟᮛᮕ ᮤᮟ ᮘᮕᮢᮼ

“ᯏᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟ ᮠᮥᮤ ᮝᮕ ᮙᮞ ᮠᮢᮙᮣᮟᮞᯍ ᯝᮢ ᮑᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟ ᮛᮙᮜᮜ ᮝᮕ ᮘᮕᮢᮕᯍ”

“…ᮼ”

“ᮆᮙᮦᮙᮑᮞᮑᮻᮞᮙᮝᮼ”

ᯗ ᮠᮥᮜᮜᮕᮔ ᮆᮙᮦᮙᮑᮞᮑ’ᮣ ᮖᮑᮓᮕ ᮓᮜᮟᮣᮕ ᮤᮟ ᮝᮙᮞᮕᮺ ᮑᮜᮝᮟᮣᮤ ᮞᮟᮣᮕ ᮤᮟ ᮞᮟᮣᮕᮼ ᯏᮤ ᮑ ᮔᮙᮣᮤᮑᮞᮓᮕ ᮧᮘᮕᮢᮕ ᮟᮥᮢ ᮒᮢᮕᮑᮤᮘᮣ ᮓᮟᮥᮜᮔ ᮝᮙᮞᮗᮜᮕᮺ ᯗ ᮣᮘᮟᮧᮕᮔ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮼ

“ᯗ ᮧᮙᮜᮜ ᮞᮕᮦᮕᮢ ᮖᮟᮢᮗᮙᮦᮕ ᮩᮟᮥ ᮖᮟᮢ ᮑᮣ ᮜᮟᮞᮗ ᮑᮣ ᯗ ᮜᮙᮦᮕᮼ”

ᯗ ᮧᮘᮙᮣᮠᮕᮢᮕᮔ ᮤᮟ ᮘᮕᮢ ᮙᮞ ᮑ ᮜᮟᮧᮺ ᮣᮟᮖᮤ ᮦᮟᮙᮓᮕᮺ ᮑᮜᮝᮟᮣᮤ ᮜᮙᮛᮕ ᮑ ᮤᮙᮓᮛᮜᮕᮼ

ᯗᮞ ᮘᮕᮢ ᮦᮙᮟᮜᮕᮤ ᮕᮩᮕᮣᮺ ᮝᮩ ᮟᮧᮞ ᮕᮩᮕᮣ ᮢᮕᮖᮜᮕᮓᮤᮕᮔ ᮑ ᮓᮜᮕᮑᮢ ᮓᮢᮟᮣᮣᮼ

“…ᮼ”

ᮆᮙᮦᮙᮑᮞᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮤᮑᮢᮙᮞᮗ ᮒᮜᮑᮞᮛᮜᮩ ᮑᮤ ᮝᮕ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮺ ᮕᮦᮕᮞᮤᮥᮑᮜᮜᮩ ᮞᮟᮔᮔᮕᮔ ᮧᮙᮤᮘ ᮒᮜᮥᮢᮢᮕᮔ ᮕᮩᮕᮣᮼ

ᯗ ᮗᮑᮦᮕ ᮑ ᮠᮜᮑᮩᮖᮥᮜ ᮕᮩᮕᮻᮣᮝᮙᮜᮕ ᮤᮟ ᮤᮘᮕ ᮓᮟᮝᮝᮕᮞᮔᮑᮒᮜᮕ ᮆᮙᮦᮙᮑᮞᮑᮺ ᮧᮘᮟ ᮢᮕᮑᮔᮙᮜᮩ ᮑᮓᮓᮕᮠᮤᮕᮔ ᮝᮩ ᮧᮟᮢᮔᮣᮼ

ᯗ ᮣᮘᮟᮥᮜᮔ ᮑᮤ ᮜᮕᮑᮣᮤ ᮟᮖᮖᮕᮢ ᮑ ᮖᮙᮞᮑᮜ ᮖᮑᮢᮕᮧᮕᮜᮜᮼ

“ᯛᮑᮩ ᮩᮟᮥ ᮜᮙᮦᮕ ᮤᮘᮕ ᮢᮕᮣᮤ ᮟᮖ ᮩᮟᮥᮢ ᮜᮙᮖᮕ ᮧᮙᮤᮘᮕᮢᮕᮔ ᮒᮩ ᮗᮥᮙᮜᮤᮼ”

ᯕᮑ᮪ᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮖᮥᮜᮜ ᮝᮟᮟᮞ ᮤᮘᮑᮤ ᮗᮕᮞᮤᮜᮩ ᮙᮜᮜᮥᮝᮙᮞᮑᮤᮕᮔ ᮤᮘᮕ ᮔᮑᮢᮛᮞᮕᮣᮣᮺ ᯗ ᮢᮕᮓᮙᮤᮕᮔ ᮑ ᮣᮟᮞᮗ ᮙᮞ ᮑ ᮓᮑᮜᮝ ᮦᮟᮙᮓᮕᮼ

“ᮄᮘᮕ ᮃᮑᮙᮞᮤᮕᮣᮣ ᮦᮟᮝᮙᮤᮣ ᮒᮜᮟᮟᮔ ᮙᮞᮤᮟ ᮢᮕᮔ ᮧᮙᮞᮕᮺ”

ᮋᯚᮟᮣᮤ ᮘᮕᮢ ᮜᮙᮗᮘᮤ ᮑᮞᮔ ᮖᮑᮔᮕᮔ ᮑᮧᮑᮩᮼᮍ

“ᮄᮘᮕ ᮆᮙᮜᮜᮑᮙᮞᮕᮣᮣ ᮙᮣ ᮤᮑᮙᮞᮤᮕᮔ ᮒᮩ ᮘᮕᮢ ᮟᮧᮞ ᮔᮕᮣᮙᮢᮕᮣᮼ”

ᮋᯏᮞᮔ ᮧᮙᮜᮜ ᮔᮥᮜᮩ ᮠᮑᮩ ᮤᮘᮕ ᮠᮢᮙᮓᮕ ᮖᮟᮢ ᮤᮘᮑᮤ ᮖᮟᮟᮜᮙᮣᮘᮞᮕᮣᮣᮼᮍ

“ᮄᮘᮕ ᮉᮟᮥᮞᮗ ᯚᮑᮔᮩ ᮓᮑᮞᮞᮟᮤ ᮒᮕᮑᮢ ᮤᮘᮕ ᮧᮕᮙᮗᮘᮤ ᮟᮖ ᮗᮥᮙᮜᮤᮼ”

ᮋᯏᮞᮔ ᮧᮙᮜᮜ ᮓᮘᮟᮟᮣᮕ ᮑ ᮜᮙᮖᮕ ᮑᮣ ᮑ ᮔᮟᮜᮜ ᮘᮕᮢᮣᮕᮜᮖᮼᮍ

ᯏᮜᮜ ᮟᮖ ᮤᮘᮕᮝᮺ ᮖᮟᮟᮜᮙᮣᮘ ᮠᮕᮟᮠᮜᮕᮼ

ᯗᮖ ᮤᮘᮕᮩ ᮘᮑᮔ ᮜᮙᮦᮕᮔ ᮟᮞᮜᮩ ᮖᮟᮢ ᮤᮘᮕᮝᮣᮕᮜᮦᮕᮣᮺ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮧᮑᮜᮛᮕᮔ ᮑ ᮠᮑᮤᮘ ᮟᮖ ᮖᮜᮟᮧᮕᮢᮣᮺ ᮩᮕᮤ ᮣᮧᮑᮩᮕᮔ ᮒᮩ ᮤᮢᮙᮦᮙᮑᮜ ᮕᮝᮟᮤᮙᮟᮞᮣᮺ ᮤᮘᮕᮩ ᮖᮑᮜᮜ ᮙᮞᮤᮟ ᮤᮘᮕ ᮠᮙᮤ ᮟᮖ ᮠᮕᮢᮔᮙᮤᮙᮟᮞᮼ

ᮃᮤᮙᮜᮜᮺ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮣᮥᮠᮠᮟᮣᮕᮔᮜᮩ ᮤᮘᮕ ᮠᮢᮟᮤᮑᮗᮟᮞᮙᮣᮤᮣ ᮟᮖ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔᮺ ᮑᮞᮔ ᯗ ᮧᮟᮞᮔᮕᮢᮕᮔ ᮙᮖ ᮙᮤ ᮧᮑᮣ ᮑᮜᮢᮙᮗᮘᮤ ᮖᮟᮢ ᮤᮘᮕᮝ ᮤᮟ ᮓᮢᮥᮝᮒᮜᮕ ᮣᮟ ᮕᮑᮣᮙᮜᮩᮼ

ᮋᮄᮘᮕᮢᮕ ᮑᮢᮕ ᮖᮕᮧ ᮒᮕᮙᮞᮗᮣ ᮑᮣ ᮣᮥᮙᮤᮕᮔ ᮖᮟᮢ ᮓᮟᮢᮢᮥᮠᮤᮙᮟᮞ ᮑᮣ ᮘᮥᮝᮑᮞᮣᮺ ᮑᮢᮕᮞ’ᮤ ᮤᮘᮕᮢᮕᮺ ᮄᮙᮞᮑᯍᮍ

“ᮉᮕᮑᮘᮺ ᮤᮘᮑᮤ’ᮣ ᮢᮙᮗᮘᮤᮼ”

ᮋᯖᮕᮘᮕᮘᮕᮺ ᮒᮩ ᮤᮘᮕ ᮧᮑᮩᮺ ᮓᮟᮞᮗᮢᮑᮤᮥᮜᮑᮤᮙᮟᮞᮣᮼ ᮉᮟᮥ ᮓᮑᮞ ᮖᮙᮞᮑᮜᮜᮩ ᮗᮟ ᮝᮕᮕᮤ ᮩᮟᮥᮢ ᮤᮢᮥᮕ ᮖᮑᮝᮙᮜᮩᮼᮍ

“…ᮉᮕᮑᮘᮼ”

ᮋᮁᮥᮙᮓᮛᮜᮩ ᮔᮕᮑᮜ ᮧᮙᮤᮘ ᮤᮘᮕ ᮜᮑᮣᮤ ᮟᮒᮣᮤᮑᮓᮜᮕᮺ ᮑᮞᮔ ᮜᮕᮤ’ᮣ ᮜᮕᮑᮦᮕ ᮤᮟᮗᮕᮤᮘᮕᮢᮼᮍ

“ᯖᮥᮘᯍ”

ᮋᮄᮘᮕᮢᮕ’ᮣ ᮣᮤᮙᮜᮜ ᮟᮞᮕ ᮜᮑᮣᮤ ᮠᮕᮢᮣᮟᮞ ᮜᮕᮖᮤᮺ ᮙᮣᮞ’ᮤ ᮤᮘᮕᮢᮕᯍᮍ

“…ᮼ”

ᯛᮩ ᮜᮙᮠᮣ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮧᮙᮤᮘ ᮑᮞ ᮥᮞᮛᮞᮟᮧᮞ ᮕᮝᮟᮤᮙᮟᮞᮼ

ᯗ ᮤᮢᮙᮕᮔ ᮤᮟ ᮣᮝᮙᮜᮕ ᮑᮣ ᮑᮜᮧᮑᮩᮣᮺ ᮒᮥᮤ ᮤᮘᮙᮣ ᮤᮙᮝᮕᮺ ᮝᮩ ᮜᮙᮠᮣ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮘᮑᮦᮕ ᮜᮟᮣᮤ ᮤᮘᮕ ᮧᮙᮜᮜ ᮤᮟ ᮔᮟ ᮣᮟᮼ

ᮋᮄᮙᮞᮑᮺ ᮩᮟᮥ ᮣᮘᮟᮥᮜᮔᮞ’ᮤ ᮓᮜᮙᮞᮗ ᮤᮟ ᮜᮙᮞᮗᮕᮢᮙᮞᮗ ᮑᮤᮤᮑᮓᮘᮝᮕᮞᮤᮣᮺ ᮣᮘᮟᮥᮜᮔ ᮩᮟᮥᯍᮍ

“…”

ᮋᮉᮟᮥ ᮓᮑᮞ ᮖᮙᮞᮑᮜᮜᮩ ᮣᮕᮕ ᮩᮟᮥᮢ ᮝᮟᮤᮘᮕᮢᮺ ᮑᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟ ᮘᮕᮣᮙᮤᮑᮤᮕ ᮘᮕᮢᮕᯍᮍ

“…ᮃᮤᮙᮜᮜᮺ ᮓᮟᮥᮜᮔᮞ’ᮤ ᯗ ᮘᮑᮦᮕ ᮑ ᮜᮙᮤᮤᮜᮕ ᮝᮟᮢᮕ ᮤᮙᮝᮕᯍ ᮄᮘᮕᮢᮕ’ᮣ ᮞᮟ ᮟᮞᮕ ᮜᮕᮖᮤ ᮤᮟ ᮔᮙᮣᮤᮥᮢᮒ ᮥᮣ ᮞᮟᮧᮺ ᮙᮣ ᮤᮘᮕᮢᮕᯍ”

ᮄᮘᮕ ᮟᮞᮜᮩ ᮢᮕᮠᮜᮩ ᮤᮟ ᮝᮩ ᮧᮟᮢᮔᮣ ᮧᮑᮣ ᮔᮕᮕᮠ ᮣᮙᮜᮕᮞᮓᮕᮼ

ᮄᮘᮕ ᮙᮞᮤᮕᮞᮣᮕ ᮡᮥᮙᮕᮤᮞᮕᮣᮣ ᮑᮢᮟᮥᮞᮔ ᮝᮕ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮤᮙᮗᮘᮤᮕᮞ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᮤᮘᮢᮟᮑᮤᮼ

ᯏᮖᮤᮕᮢ ᮑ ᮜᮟᮞᮗ ᮣᮙᮜᮕᮞᮓᮕᮺ ᮣᮘᮕ ᮧᮘᮙᮣᮠᮕᮢᮕᮔ ᮙᮞᮤᮟ ᮝᮩ ᮕᮑᮢ ᮧᮙᮤᮘ ᮑ ᮣᮘᮟᮢᮤ ᮣᮙᮗᮘᮼ

ᮋᯒᮙᮔ ᮩᮟᮥ ᮠᮕᮢᮘᮑᮠᮣ ᮔᮕᮦᮕᮜᮟᮠ ᮑ ᮔᮕᮣᮙᮢᮕ ᮤᮟ ᮣᮤᮑᮩ ᮘᮕᮢᮕᯍᮍ

“ᯏᮘᮺ ᮞᮟ… ᮤᮘᮑᮤ’ᮣ…”

ᮋᯝᮢ ᮑᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟ ᮛᮙᮜᮜ ᮩᮟᮥᮢ ᮝᮟᮤᮘᮕᮢ ᮙᮞ ᮤᮘᮙᮣ ᮜᮙᮖᮕ ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᮩᮟᮥ ᮔᮙᮔ ᮙᮞ ᮩᮟᮥᮢ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮜᮙᮖᮕᯍᮍ

ᯖᮕᮢ ᮜᮟᮧᮺ ᮢᮕᮣᮟᮥᮞᮔᮙᮞᮗ ᮧᮟᮢᮔᮣ ᮣᮕᮞᮤ ᮑ ᮣᮘᮟᮓᮛ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮕᮺ ᮑᮣ ᮙᮖ ᮝᮩ ᮘᮕᮑᮢᮤ ᮘᮑᮔ ᮠᮜᮥᮝᮝᮕᮤᮕᮔ ᮤᮟ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ

ᮋᯜᮟᮧᮺ ᮜᮟᮟᮛ ᮑᮘᮕᮑᮔᮺ ᮄᮙᮞᮑᮼᮍ

ᯗ ᮣᮜᮟᮧᮜᮩ ᮜᮙᮖᮤᮕᮔ ᮝᮩ ᮘᮕᮑᮔ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮖᮟᮢᮧᮑᮢᮔᮼ

ᮄᮘᮕᮢᮕ ᮣᮤᮟᮟᮔ ᮑ ᮧᮟᮝᮑᮞᮼ

ᯏ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮠᮕᮢᮣᮟᮞ ᮧᮙᮤᮘ ᮘᮑᮙᮢ ᮑᮞᮔ ᮕᮩᮕᮣ ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᮝᮙᮞᮕᮼ
ᯏᮞᮔ ᮑ ᮖᮟᮟᮜᮙᮣᮘ ᮠᮕᮢᮣᮟᮞᮺ ᮥᮞᮜᮙᮛᮕ ᮑᮞᮩ ᮟᮤᮘᮕᮢ ᮙᮞ ᮤᮘᮕ ᮧᮟᮢᮜᮔᮼ

ᯗᮤ ᮝᮥᮣᮤ ᮒᮕ ᮔᮕᮕᮠ ᮙᮞᮤᮟ ᮔᮑᮧᮞᮺ ᮣᮟ ᮧᮘᮩ ᮧᮑᮣ ᮣᮘᮕ ᮟᮥᮤᮣᮙᮔᮕᯍ

“ᮄᮙᮞᮑ…ᮯ”

ᮃᮘᮕ ᮢᮥᮣᮘᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮕ ᮙᮞ ᮑ ᮘᮥᮢᮢᮩᮼ

ᮋᯑᮟᮝᮠᮑᮢᮕᮔ ᮤᮟ ᮤᮘᮕ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮤᮘᮢᮕᮕᮺ ᮒᮢᮕᮑᮛᮙᮞᮗ ᮤᮘᮑᮤ ᮠᮥᮣᮘᮟᮦᮕᮢ ᮟᮖ ᮑ ᮘᮥᮝᮑᮞ ᮙᮣ ᮞᮟᮤᮘᮙᮞᮗᮺ ᮙᮣᮞ’ᮤ ᮙᮤᯍᮍ

ᮅᮞᮑᮒᮜᮕ ᮤᮟ ᮝᮟᮦᮕ ᮔᮥᮕ ᮤᮟ ᮘᮕᮢ ᮔᮕᮣᮠᮕᮢᮑᮤᮕ ᮗᮑ᮪ᮕᮺ ᯗ ᮓᮟᮥᮜᮔ ᮟᮞᮜᮩ ᮧᮑᮤᮓᮘ ᮑᮣ ᮣᮘᮕ ᮢᮑᮞ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮕᮼ

ᮋᯘᮥᮣᮤ ᮟᮞᮕ ᮧᮟᮢᮔ ᮙᮣ ᮕᮞᮟᮥᮗᮘᮺ ᮙᮣᮞ’ᮤ ᮙᮤᯍ ᯚᮕᮤ’ᮣ ᮖᮙᮞᮙᮣᮘ ᮤᮘᮙᮣ ᮡᮥᮙᮓᮛᮜᮩ ᮑᮞᮔ ᮗᮟ ᮝᮕᮕᮤ ᮩᮟᮥᮢ ᮢᮕᮑᮜ ᮝᮟᮤᮘᮕᮢᮼᮍ

ᯔᮙᮞᮑᮜᮜᮩᮺ ᮣᮘᮕ ᮢᮕᮑᮓᮘᮕᮔ ᮝᮕ ᮑᮞᮔ ᮠᮥᮜᮜᮕᮔ ᮝᮕ ᮔᮕᮕᮠ ᮙᮞᮤᮟ ᮘᮕᮢ ᮕᮝᮒᮢᮑᮓᮕᮼ

“ᮇᮘᮕᮢᮕ ᮘᮑᮦᮕ ᮩᮟᮥ ᮒᮕᮕᮞ ᮑᮤ ᮤᮘᮙᮣ ᮜᮑᮤᮕ ᮘᮟᮥᮢ…ᮯ ᯒᮟ ᮩᮟᮥ ᮛᮞᮟᮧ ᮘᮟᮧ ᮧᮟᮢᮢᮙᮕᮔ ᯗ ᮧᮑᮣᯍ”

“…”

“ᯗ ᮑᮣᮛᮕᮔ ᮧᮘᮕᮢᮕ ᮩᮟᮥ’ᮦᮕ ᮒᮕᮕᮞ…ᮯ ᮄᮕᮜᮜ ᮝᮕ ᮣᮤᮢᮑᮙᮗᮘᮤᮺ ᮄᮙᮞᮑ ᯐᮜᮑᮞᮓᮼ”

ᯖᮕᮢ ᮦᮟᮙᮓᮕ ᮣᮟᮥᮞᮔᮕᮔ ᮣᮘᮑᮢᮠᮺ ᮩᮕᮤ ᮕᮦᮕᮢᮩ ᮣᮙᮞᮗᮜᮕ ᮞᮟᮤᮕ ᮙᮞ ᮙᮤ ᮘᮕᮜᮔ ᮔᮕᮕᮠ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮼ

ᯖᮟᮧ ᮓᮟᮥᮜᮔ ᮑ ᮠᮕᮢᮣᮟᮞ ᮒᮕ ᮣᮟ ᮔᮕᮦᮟᮤᮕᮔᯍ

ᮇᮘᮑᮤ ᮕᮨᮑᮓᮤᮜᮩ ᮧᮑᮣ ᮄᮙᮞᮑ ᯐᮜᮑᮞᮓ ᮤᮘᮑᮤ ᮣᮘᮕ ᮔᮕᮣᮕᮢᮦᮕᮔ ᮤᮟ ᮢᮕᮓᮕᮙᮦᮕ ᮣᮥᮓᮘ ᮜᮟᮦᮕᯍ

“ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮣᮜᮕᮕᮠ… ᮣᮟ ᯗ ᮧᮕᮞᮤ ᮖᮟᮢ ᮑ ᮣᮘᮟᮢᮤ ᮧᮑᮜᮛᮼ ᯗ’ᮝ ᮣᮟᮢᮢᮩ ᮖᮟᮢ ᮝᮑᮛᮙᮞᮗ ᮩᮟᮥ ᮧᮟᮢᮢᮩᮺ ᯛᮟᮤᮘᮕᮢᮼ”

ᯗ ᮒᮥᮢᮙᮕᮔ ᮝᮩ ᮖᮑᮓᮕ ᮙᮞ ᮘᮕᮢ ᮓᮘᮕᮣᮤ ᮑᮞᮔ ᮧᮘᮙᮣᮠᮕᮢᮕᮔ ᮣᮟᮖᮤᮜᮩᮼ

“ᮀᮜᮕᮑᮣᮕ… ᮔᮟᮞ’ᮤ ᮝᮑᮛᮕ ᯛᮟᮝ ᮧᮟᮢᮢᮩ ᮜᮙᮛᮕ ᮤᮘᮙᮣ ᮕᮦᮕᮢ ᮑᮗᮑᮙᮞ…”

ᯓᮦᮕᮢᮩ ᮤᮙᮝᮕ ᯗ ᮘᮕᮑᮢᮔ ᯏᮢᮤᮑᮣᮘᮑ’ᮣ ᮜᮟᮦᮙᮞᮗ ᮦᮟᮙᮓᮕᮺ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮓᮟᮥᮞᮤᮜᮕᮣᮣ ᮤᮙᮝᮕᮣ ᮤᮟ ᮝᮩᮣᮕᮜᮖᮼ

ᮇᮙᮤᮘ ᮤᮘᮙᮣ ᮠᮕᮢᮣᮟᮞᮺ ᮓᮟᮥᮜᮔᮞ’ᮤ ᯗ ᮣᮤᮑᮢᮤ ᮟᮦᮕᮢᯍ ᮇᮙᮤᮘ ᮤᮘᮙᮣ ᮠᮕᮢᮣᮟᮞᮺ ᮓᮟᮥᮜᮔᮞ’ᮤ ᯗ ᮜᮕᮑᮞ ᮟᮞ ᮣᮟᮝᮕᮟᮞᮕᯍ ᮇᮙᮤᮘ ᮤᮘᮙᮣ ᮠᮕᮢᮣᮟᮞ… ᮧᮟᮥᮜᮔᮞ’ᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮓᮘᮑᮞᮗᮕᯍ

ᯐᮥᮤ ᮕᮦᮕᮢᮩ ᮤᮙᮝᮕ ᮣᮥᮓᮘ ᮤᮘᮟᮥᮗᮘᮤᮣ ᮑᮢᮟᮣᮕᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮡᮥᮙᮕᮤᮜᮩ ᮧᮘᮙᮣᮠᮕᮢᮼ

ᮋᮄᮘᮑᮤ’ᮣ ᮔᮕᮓᮕᮙᮤᮼᮍ

ᯗᮤ’ᮣ ᮞᮟᮤ ᮤᮘᮑᮤ ᯗ ᮔᮟᮞ’ᮤ ᮛᮞᮟᮧᮼ

ᮋᮄᮘᮑᮤ ᮧᮟᮝᮑᮞ’ᮣ ᮜᮟᮦᮕ ᮧᮙᮜᮜ ᮞᮕᮦᮕᮢ ᮢᮕᮑᮓᮘ ᮩᮟᮥᮼᮍ

ᯗ ᮛᮞᮟᮧ ᮙᮤ ᮒᮕᮤᮤᮕᮢ ᮤᮘᮑᮞ ᮑᮞᮩᮟᮞᮕᮼ

ᮋᯏᮞᮔ ᮄᮙᮞᮑᮺ ᮙᮖ ᮩᮟᮥ ᮤᮢᮥᮜᮩ ᮓᮑᮢᮕ ᮖᮟᮢ ᮤᮘᮑᮤ ᮧᮟᮝᮑᮞ… ᮣᮘᮟᮥᮜᮔᮞ’ᮤ ᮩᮟᮥ ᮤᮕᮜᮜ ᮘᮕᮢ ᮤᮘᮕ ᮤᮢᮥᮤᮘᯍᮍ

ᯖᮕᮢ ᮧᮟᮢᮔᮣ ᮧᮕᮢᮕ ᮑᮜᮧᮑᮩᮣ ᮢᮙᮗᮘᮤᮼ

ᯐᮕᮖᮟᮢᮕᮺ ᮑᮞᮔ ᮞᮟᮧᮼ

ᮋᮉᮟᮥ ᮛᮞᮟᮧ ᮤᮘᮑᮤ ᮩᮟᮥᮢ ᮑᮓᮤᮙᮟᮞᮣ ᮢᮙᮗᮘᮤ ᮞᮟᮧ ᮑᮢᮕ ᮟᮞᮜᮩ ᮛᮙᮜᮜᮙᮞᮗ ᮤᮘᮑᮤ ᮧᮟᮝᮑᮞ ᮝᮟᮢᮕ ᮓᮢᮥᮕᮜᮜᮩᮺ ᮔᮟᮞ’ᮤ ᮩᮟᮥᯍᮍ

ᮄᮘᮕ ᮓᮢᮥᮕᮜ ᮤᮢᮥᮤᮘ ᮠᮙᮕᮢᮓᮕᮔ ᮝᮩ ᮓᮘᮕᮣᮤ ᮜᮙᮛᮕ ᮑ ᮔᮑᮗᮗᮕᮢᮺ ᮑᮞᮔ ᮝᮩ ᮕᮩᮕᮣ ᮢᮕᮔᮔᮕᮞᮕᮔᮼ

ᮋᯏᮢᮕ ᮩᮟᮥ ᮠᮜᮑᮞᮞᮙᮞᮗ ᮤᮟ ᮛᮙᮜᮜ ᮩᮟᮥᮢ ᮝᮟᮤᮘᮕᮢ’ᮣ ᮕᮨᮙᮣᮤᮕᮞᮓᮕ ᮤᮧᮙᮓᮕᮺ ᮄᮙᮞᮑᯍᮍ

ᯏᮤ ᮘᮕᮢ ᮜᮑᮣᮤ ᮧᮟᮢᮔᮺ ᮤᮘᮕ ᮜᮑᮣᮤ ᮜᮙᮞᮗᮕᮢᮙᮞᮗ ᮑᮤᮤᮑᮓᮘᮝᮕᮞᮤ ᮙᮞ ᮝᮩ ᮘᮕᮑᮢᮤ ᮖᮕᮜᮜ ᮤᮟ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮺ ᮑᮣ ᮠᮟᮧᮕᮢᮜᮕᮣᮣ ᮑᮣ ᮑ ᮧᮙᮤᮘᮕᮢᮕᮔᮺ ᮖᮑᮜᮜᮙᮞᮗ ᮜᮕᮑᮖᮼ

ᮇᮙᮤᮘ ᮝᮩ ᮣᮤᮢᮕᮞᮗᮤᮘᮜᮕᮣᮣ ᮤᮕᮑᮢᮣ ᮖᮜᮟᮧᮙᮞᮗᮺ ᯗ ᮖᮥᮤᮙᮜᮕᮜᮩ ᮒᮥᮢᮞᮕᮔ ᮑᮧᮑᮩ ᮤᮘᮕ ᮜᮑᮣᮤ ᮢᮕᮝᮑᮙᮞᮙᮞᮗ ᮜᮕᮑᮖᮼ

“ᯛᮟᮤᮘᮕᮢ…ᮼ”

“ᮄᮙᮻᮄᮙᮞᮑᯍ ᮇᮘᮩ ᮑᮢᮕ ᮩᮟᮥ ᮓᮢᮩᮙᮞᮗᯍ”

“ᯛᮟᮤᮘᮕᮢᮺ ᮩᮟᮥ ᮑᮢᮕ ᮤᮢᮥᮜᮩ ᮠᮑᮤᮘᮕᮤᮙᮓᮼ”

ᯗ ᮓᮢᮥᮕᮜᮜᮩ ᮣᮜᮑᮠᮠᮕᮔ ᮑᮧᮑᮩ ᮘᮕᮢ ᮧᮑᮢᮝ ᮘᮑᮞᮔ ᮤᮘᮑᮤ ᮧᮑᮣ ᮓᮑᮢᮕᮣᮣᮙᮞᮗ ᮝᮩ ᮓᮘᮕᮕᮛ ᮑᮞᮔ ᮧᮙᮠᮙᮞᮗ ᮝᮩ ᮤᮕᮑᮢᮣᮼ

ᯏᮤ ᮝᮩ ᮑᮓᮤᮙᮟᮞᮺ ᮘᮑᮦᮙᮞᮗ ᮞᮕᮦᮕᮢ ᮠᮥᮣᮘᮕᮔ ᮘᮕᮢ ᮑᮧᮑᮩ ᮒᮕᮖᮟᮢᮕᮺ ᯏᮢᮤᮑᮣᮘᮑ’ᮣ ᮕᮩᮕᮣ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮣᮥᮒᮤᮜᮩ ᮙᮞ ᮣᮥᮢᮠᮢᮙᮣᮕᮼ

“ᮄᮙᮞᮑ…ᯍ”

“ᮀᮖᮖᮤᮺ ᮩᮟᮥ ᮣᮤᮙᮜᮜ… ᮣᮤᮙᮜᮜ ᮔᮟᮞ’ᮤ ᮛᮞᮟᮧ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ”

ᯗ ᮗᮑ᮪ᮕᮔ ᮑᮤ ᮘᮕᮢ ᮤᮧᮟ ᮑᮙᮝᮜᮕᮣᮣᮜᮩ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮕᮩᮕᮣ ᮑᮞᮔ ᮣᮝᮙᮜᮕᮔᮼ

ᮄᮘᮑᮤ ᮣᮝᮙᮜᮕ ᮧᮑᮣ ᮖᮥᮜᮜ ᮟᮖ ᮣᮑᮢᮓᮑᮣᮝ ᮑᮞᮔ ᮝᮟᮓᮛᮕᮢᮩᮺ ᮑ ᮣᮝᮙᮜᮕ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮝᮑᮜᮙᮓᮕᮼ

“ᯒᮟ ᮩᮟᮥ ᮛᮞᮟᮧ ᮘᮟᮧ ᮜᮑᮥᮗᮘᮑᮒᮜᮕ ᮩᮟᮥ ᮧᮕᮢᮕᮺ ᮣᮘᮟᮧᮕᮢᮙᮞᮗ ᮜᮟᮦᮕ ᮟᮞ ᮣᮟᮝᮕᮟᮞᮕ ᮕᮜᮣᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮕᮦᮕᮞ ᮛᮞᮟᮧᮙᮞᮗ ᮩᮟᮥᮢ ᮟᮧᮞ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮧᮑᮣ ᮔᮕᮑᮔᯍ”

“ᯖᮥᮘ…ᯍ”

“ᮃᮘᮑᮜᮜ ᯗ ᮤᮕᮜᮜ ᮩᮟᮥ ᮑᮗᮑᮙᮞᯍ”

ᯗ ᮗᮕᮞᮤᮜᮩ ᮠᮜᮑᮓᮕᮔ ᮑ ᮖᮙᮞᮗᮕᮢ ᮟᮞ ᯏᮢᮤᮑᮣᮘᮑ’ᮣ ᮖᮟᮢᮕᮘᮕᮑᮔ ᮑᮞᮔ ᮠᮥᮣᮘᮕᮔ ᮘᮕᮢ ᮑᮧᮑᮩᮼ ᮃᮘᮟᮓᮛᮕᮔ ᮑᮞᮔ ᮔᮑ᮪ᮕᮔᮺ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮢᮕᮣᮙᮣᮤ ᮑᮞᮔ ᮖᮕᮜᮜ ᮒᮑᮓᮛᮧᮑᮢᮔᮺ ᮜᮩᮙᮞᮗ ᮔᮟᮧᮞ ᮟᮞ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ

“ᮉᮟᮥᮢ ᮔᮑᮥᮗᮘᮤᮕᮢᮺ ᮄᮙᮞᮑᮼ ᮃᮘᮕ ᮔᮙᮕᮔ ᮑ ᮜᮟᮞᮗᮺ ᮜᮟᮞᮗ ᮤᮙᮝᮕ ᮑᮗᮟᮼ”

ᯏᮢᮤᮑᮣᮘᮑᮺ ᮒᮜᮙᮞᮛᮙᮞᮗ ᮘᮕᮢ ᮕᮩᮕᮣ ᮑᮣ ᮣᮘᮕ ᮣᮑᮤ ᮥᮞᮗᮢᮑᮓᮕᮖᮥᮜᮜᮩᮺ ᮣᮟᮟᮞ ᮗᮢᮑᮣᮠᮕᮔ ᮝᮩ ᮘᮑᮞᮔ ᮧᮙᮤᮘ ᮑᮞ ᮑᮧᮛᮧᮑᮢᮔ ᮣᮝᮙᮜᮕᮼ

“ᮄᮙᮻᮄᮙᮞᮑᮼ ᮉᮟᮥ ᮣᮘᮟᮥᮜᮔᮞ’ᮤ ᮠᮜᮑᮩ ᮣᮥᮓᮘ ᮝᮕᮑᮞ ᮤᮢᮙᮓᮛᮣ ᮟᮞ ᯛᮟᮝᮼ”

“ᮉᮟᮥ ᮣᮘᮟᮧ ᮤᮘᮙᮣ ᮣᮙᮔᮕ ᮟᮖ ᮩᮟᮥ ᮥᮞᮤᮙᮜ ᮤᮘᮕ ᮦᮕᮢᮩ ᮕᮞᮔᮼ”

“ᮄᮙᮞᮑ…ᮼ”

“ᯗᮖ ᯗ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮩᮟᮥ ᮧᮙᮤᮘ ᮝᮟᮔᮕᮢᮑᮤᮕᮜᮩ ᮓᮘᮑᮢᮝᮙᮞᮗ ᮧᮟᮢᮔᮣᮺ ᮩᮟᮥ’ᮔ ᮒᮕ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮔᮕᮜᮙᮗᮘᮤᮕᮔᮺ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮩᮟᮥᯍ”

“ᮄᮙᮻᮄᮙᮞᮑ…ᮼ”

“ᯜᮟᮺ ᮑᮓᮤᮥᮑᮜᮜᮩᮺ ᮔᮙᮔᮞ’ᮤ ᮩᮟᮥ ᮖᮕᮕᮜ ᮙᮤ ᮤᮟᮟᮺ ᯛᮟᮤᮘᮕᮢᯍ ᯛᮩ ᮑᮤᮤᮙᮤᮥᮔᮕ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮓᮜᮕᮑᮢᮜᮩ ᮓᮘᮑᮞᮗᮕᮔ ᮑᮤ ᮣᮟᮝᮕ ᮠᮟᮙᮞᮤᮼ”

ᯏᮢᮤᮑᮣᮘᮑ’ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔ ᮙᮞ ᮣᮥᮢᮠᮢᮙᮣᮕᮺ ᮒᮕᮓᮟᮝᮙᮞᮗ ᮢᮟᮥᮞᮔᮼ

ᯕᮑ᮪ᮙᮞᮗ ᮙᮞᮤᮟ ᮤᮘᮟᮣᮕ ᮔᮑ᮪ᮕᮔ ᮒᮜᮥᮕ ᮕᮩᮕᮣᮺ ᯗ ᮧᮟᮢᮕ ᮑ ᮣᮝᮙᮜᮕ ᮖᮥᮜᮜ ᮟᮖ ᮢᮙᮔᮙᮓᮥᮜᮕᮼ

“ᯖᮟᮞᮕᮣᮤᮜᮩᮺ ᮙᮖ ᮙᮤ ᮧᮕᮢᮕ ᮝᮕᮺ ᯗ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮣᮥᮣᮠᮙᮓᮙᮟᮥᮣᮼ ᯐᮥᮤ ᯛᮟᮤᮘᮕᮢ ᮑᮓᮓᮕᮠᮤᮕᮔ ᮝᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮑᮞᮩ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮼ”

“ᮃᮤᮻᮣᮤᮟᮠ ᮙᮤᮺ ᮄᮙᮞᮑ…”

“ᮀᮕᮢᮘᮑᮠᮣ… ᮩᮟᮥ ᮠᮢᮕᮖᮕᮢᮢᮕᮔ ᮙᮤ ᮝᮟᮢᮕ ᮧᮘᮕᮞ ᯗᮺ ᮞᮟᮤ ᮄᮙᮞᮑᮺ ᮠᮜᮕᮑᮣᮕᮔ ᮩᮟᮥ ᮥᮣᮙᮞᮗ ᮄᮙᮞᮑ’ᮣ ᮖᮑᮓᮕᯍ ᯗᮖ ᮣᮟᮺ ᯗ’ᮝ ᮑ ᮜᮙᮤᮤᮜᮕ ᮔᮙᮣᮑᮠᮠᮟᮙᮞᮤᮕᮔ—”

᮸ᮃᮜᮑᮠ—ᮯ᮸

ᮇᮙᮤᮘ ᮑ ᮣᮘᮑᮢᮠᮺ ᮤᮕᮑᮢᮙᮞᮗ ᮣᮟᮥᮞᮔᮺ ᮝᮩ ᮘᮕᮑᮔ ᮤᮥᮢᮞᮕᮔ ᮜᮙᮝᮠᮜᮩᮼ

ᯏ ᮒᮥᮢᮞᮙᮞᮗ ᮠᮑᮙᮞ ᮣᮠᮢᮕᮑᮔ ᮑᮓᮢᮟᮣᮣ ᮝᮩ ᮓᮘᮕᮕᮛᮺ ᮑᮞᮔ ᮤᮘᮕ ᮝᮕᮤᮑᮜᮜᮙᮓ ᮤᮑᮣᮤᮕ ᮟᮖ ᮒᮜᮟᮟᮔ ᮣᮜᮟᮧᮜᮩ ᮠᮕᮢᮝᮕᮑᮤᮕᮔ ᮝᮩ ᮝᮟᮥᮤᮘᮼ

ᮄᮘᮕ ᮝᮟᮤᮘᮕᮢ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮝᮕᮺ ᮞᮟᮼ ᯏᮢᮤᮑᮣᮘᮑ ᮧᮑᮣ ᮓᮢᮩᮙᮞᮗᮼ

ᯔᮢᮟᮝ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮧᮘᮙᮓᮘ ᮘᮑᮔ ᮑᮜᮧᮑᮩᮣ ᮒᮕᮕᮞ ᮣᮤᮕᮑᮔᮖᮑᮣᮤᮺ ᮕᮝᮠᮤᮩ ᮤᮕᮑᮢᮣ ᮡᮥᮙᮕᮤᮜᮩ ᮣᮤᮢᮕᮑᮝᮕᮔ ᮔᮟᮧᮞᮼ

ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᯗ ᮣᮑᮧ ᮤᮘᮟᮣᮕ ᮤᮕᮑᮢᮣᮺ ᯗ ᮖᮙᮞᮑᮜᮜᮩ ᮢᮕᮑᮜᮙ᮪ᮕᮔᮼ

‘ᯏᮘᮼ’

ᯜᮟᮧ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮧᮑᮣ ᮟᮦᮕᮢᮼ

ᮄᮘᮙᮣ ᮤᮙᮢᮕᮣᮟᮝᮕ ᮠᮜᮑᮩᮼ
ᮄᮘᮙᮣ ᮖᮑᮜᮣᮕ ᮜᮟᮦᮕᮼ
ᯔᮙᮞᮑᮜᮜᮩᮺ ᮙᮤ’ᮣ ᮑᮜᮜ ᮟᮦᮕᮢᮼ

Tales of the Taisho Era Flowers Bloom Late

It’s the Taisho era. Noble families who inherited supernatural powers and divine gifts secretly maintain their influence in the shadows, alongside the government. Shino Hanamori, the eldest daughter of the Hanamori family, was born into a prestigious family and descended from Princess Sakuya, but she was scorned as a girl without supernatural powers and lived her life without any recognition of her value by her family or society. Her younger sister, Kasumi, is already engaged to be married to a prestigious family, and the family’s only pride is in her future. Shino spends her days quietly gazing at flowers in the corner of the house. But one spring evening. Sakuya Kuromine, the young head of the Kuromine family, the pinnacle of supernatural power families, appears before Shino. The moment the man, rumored to be ruthless and merciless, set eyes on Shino, he said with one look. “It’s you.” “A late-blooming flower, worthy to be my wife.” The truth about Shino soon becomes clear. She is not without supernatural powers; she simply possesses the powers of a divine flower—a direct descendant of Princess Sakuya—that have yet to blossom. The girl abandoned by the Hanamori family actually possesses the most powerful power in the family’s history. However, her awakening reacts to Sakuya’s raging flames, beginning to shake the balance of the divine family line. Meanwhile, Shidou Kouga, the fiancé of Shino’s younger sister, Kasumi, and descendant of Tsukigitsune, also senses that Shino’s awakening has shaken the shadows, bringing the era of the gods to an end. When the flower of supernatural powers blooms late, the fate of the world begins to change. Bound by divinity and blood, can a girl choose to live a life as a human, not a flower? And what destiny will Shino find in the hand Sakuya holds out to her? This is a Taisho era romance fantasy in which the future is carved out not by strength or lineage, but by the love and lifestyle one chooses for oneself.

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