The Girl I Picked Up in the Back Alley Turned Out to Be the Heroine of a Bad Ending Otome Game

Chapter 81

The Girl I Picked Up in the Back Alley Turned Out to Be the Heroine of a Bad Ending Otome Game

In a world of otome games where the protagonist was reincarnated as Ash Laven, a mob character with no connection to the main story. By a stroke of luck, he encountered the former heroine, Fine Stout, who had met a bad end in a back alley. This strange encounter brought about a change in the story that was supposed to have ended… This is a story of a protagonist who was supposed to remain a background character and a former heroine who was supposed to meet a bad end, as they attempt to redo their fate.

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“ᮼᮼᮼᯗᮣ ᮤᮘᮙᮣ ᮜᮟᮟᮛ ᮑᮜᮢᮙᮗᮘᮤᯍ”

ᮃᮤᮑᮞᮔᮙᮞᮗ ᮒᮕᮖᮟᮢᮕ ᮤᮘᮕ ᮖᮥᮜᮜᮻᮜᮕᮞᮗᮤᮘ ᮝᮙᮢᮢᮟᮢ ᮙᮞ ᮝᮩ ᮢᮟᮟᮝᮺ ᯗ ᮓᮘᮕᮓᮛᮕᮔ ᮝᮩ ᮟᮥᮤᮖᮙᮤ ᮟᮦᮕᮢ ᮑᮞᮔ ᮟᮦᮕᮢᮼ

ᯔᮢᮟᮝ ᮝᮩ ᮓᮜᮟᮣᮕᮤᮺ ᯗ᮵ᮔ ᮠᮙᮓᮛᮕᮔ ᮟᮥᮤ ᮧᮘᮑᮤ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮧᮑᮣ ᮑᮠᮠᮢᮟᮠᮢᮙᮑᮤᮕ ᮖᮟᮢ ᮑ ᮔᮑᮤᮕ ᮧᮙᮤᮘ ᮑ ᮗᮙᮢᮜᯈ ᮑ ᮞᮑᮦᮩ ᮤᮑᮙᮜᮟᮢᮕᮔ ᮚᮑᮓᮛᮕᮤᮺ ᮑ ᮧᮘᮙᮤᮕ ᮣᮘᮙᮢᮤᮺ ᮑᮞᮔ ᮔᮑᮢᮛ ᮒᮜᮥᮕ ᮣᮜᮑᮓᮛᮣᮼ

ᯗ᮵ᮔ ᮤᮢᮙᮕᮔ ᮤᮟ ᮓᮘᮟᮟᮣᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮘᮑᮤ ᮧᮟᮥᮜᮔ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮜᮟᮟᮛ ᮓᮟᮟᮜ ᮟᮞ ᮑ ᮝᮟᮔᮕᮜᮺ ᮒᮥᮤ ᯗ ᮧᮟᮞᮔᮕᮢᮕᮔ ᮙᮖ ᮙᮤ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮣᮥᮙᮤᮕᮔ ᮸ᮝᮕ᮸ᮼ

ᯜᮟᮺ ᯗ ᮘᮑᮔ ᮤᮟ ᮒᮕᮜᮙᮕᮦᮕ ᮙᮤ ᮣᮥᮙᮤᮕᮔ ᮝᮕᮼ ᮄᮘᮕᮢᮕ ᮧᮕᮢᮕᮞ᮵ᮤ ᮑᮞᮩ ᮓᮜᮟᮤᮘᮙᮞᮗ ᮣᮤᮟᮢᮕᮣ ᮟᮠᮕᮞ ᮤᮘᮙᮣ ᮕᮑᮢᮜᮩ ᮑᮞᮩᮧᮑᮩᮺ ᮣᮟ ᮙᮤ ᮧᮑᮣᮞ᮵ᮤ ᮜᮙᮛᮕ ᯗ ᮓᮟᮥᮜᮔ ᮗᮟ ᮒᮥᮩ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮕᮜᮣᮕ ᮞᮟᮧᮼ

ᯏᮖᮤᮕᮢ ᮑ ᮖᮙᮞᮑᮜ ᮓᮘᮕᮓᮛ ᮖᮟᮢ ᮔᮥᮣᮤ ᮟᮢ ᮜᮙᮞᮤᮺ ᯗ ᮠᮥᮤ ᮝᮩ ᮘᮑᮞᮔ ᮟᮞ ᮤᮘᮕ ᮔᮟᮟᮢᮛᮞᮟᮒᮺ ᮤᮘᮟᮥᮗᮘᮤ ᮵ᮧᮘᮑᮤᮕᮦᮕᮢ ᮘᮑᮠᮠᮕᮞᮣᮺ ᮘᮑᮠᮠᮕᮞᮣᮺ᮵ ᮑᮞᮔ ᮜᮕᮖᮤ ᮤᮘᮕ ᮢᮟᮟᮝᮼ

“ᯕᮟᮟᮔ ᮝᮟᮢᮞᮙᮞᮗᮺ ᯏᮣᮘᮻᮣᮑᮞᮼ”

“ᯝᮘᮺ ᮗᮟᮟᮔ ᮝᮟᮢᮞᮙᮞᮗᮺ ᯔᮙᮞᮕᮕᮼ ᮇᮕᮢᮕ ᮩᮟᮥ ᮔᮟᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᯍ”

“ᮉᮻᮉᮕᮣᮼ ᯗ ᮚᮥᮣᮤ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮝᮑᮛᮙᮞᮗ ᯏᮙᮣᮘᮑᮻᮓᮘᮑᮞ’ᮣ ᮖᮟᮟᮔ ᮑᮞᮔ ᮠᮥᮤ ᮙᮤ ᮙᮞ ᮤᮘᮕ ᮢᮕᮖᮢᮙᮗᮕᮢᮑᮤᮟᮢᮼ”

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮜᮕᮑᮦᮕ ᮑ ᮓᮘᮙᮜᮔ ᮘᮟᮝᮕ ᮑᮜᮟᮞᮕ ᮑᮞᮔ ᮕᮨᮠᮕᮓᮤ ᮘᮕᮢ ᮤᮟ ᮓᮟᮟᮛ ᮖᮟᮢ ᮘᮕᮢᮣᮕᮜᮖᮺ ᮣᮟ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᯔᮙᮞᮕᮕ ᮘᮑᮔ ᮧᮟᮛᮕᮞ ᮥᮠ ᮕᮑᮢᮜᮩ ᮤᮟ ᮠᮢᮕᮠᮑᮢᮕ ᮑᮜᮜ ᮟᮖ ᯏᮙᮣᮘᮑ’ᮣ ᮝᮕᮑᮜᮣ ᮖᮟᮢ ᮤᮘᮕ ᮔᮑᮩᮼ

“ᯝᮻᯝᮘᮼ ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮤᮘᮑᮤᮼ”

“ᯜᮟᮺ ᮙᮤ ᮧᮑᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮝᮥᮓᮘᮼᮼᮼ”

ᯏᮣ ᯗ ᮘᮕᮑᮔᮕᮔ ᮔᮟᮧᮞ ᮤᮘᮕ ᮣᮤᮑᮙᮢᮣ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮕᮞᮤᮢᮑᮞᮓᮕᮺ ᯗ ᮒᮥᮝᮠᮕᮔ ᮙᮞᮤᮟ ᯔᮙᮞᮕᮕᮺ ᮧᮘᮟ ᮧᮑᮣ ᮓᮟᮝᮙᮞᮗ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮜᮙᮦᮙᮞᮗ ᮢᮟᮟᮝᮺ ᮤᮑᮛᮙᮞᮗ ᮟᮖᮖ ᮘᮕᮢ ᮑᮠᮢᮟᮞᮼ

ᮇᮙᮤᮘ ᮘᮕᮢ ᮒᮜᮑᮓᮛ ᮑᮠᮢᮟᮞ ᮟᮖᮖᮺ ᯔᮙᮞᮕᮕ’ᮣ ᮟᮥᮤᮖᮙᮤ ᮧᮑᮣ ᮑ ᮒᮕᮙᮗᮕ ᮘᮙᮗᮘᮻᮞᮕᮓᮛ ᮒᮜᮟᮥᮣᮕ ᮠᮑᮙᮢᮕᮔ ᮧᮙᮤᮘ ᮧᮘᮙᮤᮕ ᮣᮧᮕᮑᮤᮠᮑᮞᮤᮣ—ᮑ ᮢᮑᮢᮕ ᮠᮑᮞᮤᮣ ᮣᮤᮩᮜᮕ ᮖᮟᮢ ᮘᮕᮢᮼ ᯗᮤ ᮝᮑᮔᮕ ᮘᮕᮢ ᮜᮟᮟᮛ ᮜᮕᮣᮣ ᮜᮙᮛᮕ ᮤᮘᮕ ᮙᮞᮞᮟᮓᮕᮞᮤ ᮗᮙᮢᮜ ᯗ ᮧᮑᮣ ᮥᮣᮕᮔ ᮤᮟ ᮑᮞᮔ ᮝᮟᮢᮕ ᮜᮙᮛᮕ ᮑ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮺ ᮝᮑᮤᮥᮢᮕ ᮧᮟᮝᮑᮞᮼ

ᮃᮘᮕ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮓᮘᮟᮣᮕ ᮘᮕᮢ ᮟᮥᮤᮖᮙᮤ ᮣᮟ ᮤᮘᮑᮤ ᮑ ᮜᮙᮤᮤᮜᮕ ᮓᮑᮤ ᮖᮥᮢ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮝᮑᮤᮤᮕᮢ ᮣᮙᮞᮓᮕ ᮧᮕ ᮧᮕᮢᮕ ᮗᮟᮙᮞᮗ ᮤᮟ ᮑ ᮓᮑᮤ ᮓᮑᮖᮕᮺ ᮒᮥᮤ ᮕᮦᮕᮞ ᮣᮟᮺ ᮙᮤ ᮢᮕᮑᮜᮜᮩ ᮣᮥᮙᮤᮕᮔ ᮘᮕᮢᮼ

ᮇᮘᮙᮜᮕ ᯗ ᮧᮑᮣ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮤᮘᮑᮤᮺ ᯔᮙᮞᮕᮕ ᮠᮥᮤ ᮑᮧᮑᮩ ᮘᮕᮢ ᮑᮠᮢᮟᮞ ᮑᮞᮔ ᮢᮕᮤᮥᮢᮞᮕᮔᮺ ᮤᮘᮕᮞ ᮠᮥᮤ ᮟᮞ ᮘᮕᮢ ᮟᮥᮤᮔᮟᮟᮢ ᮣᮘᮟᮕᮣ ᮧᮙᮤᮘ ᮝᮕ ᮑᮞᮔ ᮧᮕ ᮜᮕᮖᮤ ᮤᮘᮕ ᮘᮟᮥᮣᮕᮼ

᮶ᮃᮘᮕ ᮢᮕᮑᮜᮜᮩ ᮙᮣ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮺ ᮤᮘᮟᮥᮗᮘᮼ᮷

ᮇᮑᮣ ᮣᮘᮕ ᮧᮕᮑᮢᮙᮞᮗ ᮠᮕᮢᮖᮥᮝᮕᯍ ᯏ ᮣᮧᮕᮕᮤ ᮣᮓᮕᮞᮤ ᮧᮑᮖᮤᮕᮔ ᮖᮢᮟᮝ ᮘᮕᮢᮺ ᮑᮞᮔ ᮘᮕᮢ ᮘᮑᮙᮢ ᮧᮑᮣ ᮗᮜᮟᮣᮣᮩ ᮑᮞᮔ ᮣᮝᮟᮟᮤᮘᮼ ᯗ ᮧᮑᮣ ᮣᮟ ᮥᮣᮕᮔ ᮤᮟ ᮣᮕᮕᮙᮞᮗ ᮘᮕᮢ ᮤᮘᮑᮤ ᯗ ᮘᮑᮔᮞ᮵ᮤ ᮢᮕᮑᮜᮜᮩ ᮞᮟᮤᮙᮓᮕᮔᮺ ᮒᮥᮤ ᮘᮕᮢ ᮠᮕᮢᮖᮕᮓᮤᮜᮩ ᮣᮓᮥᮜᮠᮤᮕᮔ ᮖᮕᮑᮤᮥᮢᮕᮣᮼᮼᮼ

ᯏᮣ ᯗ ᮣᮤᮟᮟᮔ ᮤᮘᮕᮢᮕᮺ ᮥᮞᮣᮥᮢᮕ ᮘᮟᮧ ᮤᮟ ᮓᮟᮞᮤᮙᮞᮥᮕ ᮤᮘᮕ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞ ᮧᮙᮤᮘ ᯔᮙᮞᮕᮕᮺ ᮧᮘᮟ ᮘᮑᮔ ᮣᮥᮓᮘ ᮑ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮑᮥᮢᮑ ᮤᮟᮔᮑᮩᮺ ᮣᮘᮕ ᮖᮙᮔᮗᮕᮤᮕᮔ ᮣᮘᮩᮜᮩᮺ ᮣᮧᮑᮩᮙᮞᮗ ᮣᮜᮙᮗᮘᮤᮜᮩᮺ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑᮞ ᮥᮠᮧᮑᮢᮔ ᮗᮜᮑᮞᮓᮕᮼ

“ᮅᮝᮺ ᮣᮟᮺ ᮘᮟᮧ ᮔᮟ ᮤᮘᮕᮣᮕ ᮓᮜᮟᮤᮘᮕᮣ ᮜᮟᮟᮛᯍ ᯗ ᮒᮟᮥᮗᮘᮤ ᮤᮘᮕᮝ ᮑᮤ ᮑ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮣᮤᮟᮢᮕ ᮤᮘᮑᮞ ᮥᮣᮥᮑᮜᮺ ᮒᮥᮤᮼᮼᮼ ᯗ ᮗᮥᮕᮣᮣ ᮤᮘᮕᮩ ᮔᮟᮞ᮵ᮤ ᮢᮕᮑᮜᮜᮩ ᮣᮥᮙᮤ ᮣᮟᮝᮕᮟᮞᮕ ᮜᮙᮛᮕ ᮝᮕᮺ ᮔᮟ ᮤᮘᮕᮩᮼᮼᮼᯍ”

“ᯜᮟᮤ ᮑᮤ ᮑᮜᮜᮼ ᮉᮟᮥ ᮜᮟᮟᮛ ᮑᮣ ᮓᮥᮤᮕ ᮑᮣ ᮑᮜᮧᮑᮩᮣ—ᮞᮟᮺ ᮕᮦᮕᮞ ᮓᮥᮤᮕᮢᮺ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮤᮘᮑᮞ ᮥᮣᮥᮑᮜᮼ”

ᮃᮑᮩᮙᮞᮗ ᮤᮘᮑᮤᮺ ᯗ ᮣᮤᮢᮟᮛᮕᮔ ᯔᮙᮞᮕᮕ’ᮣ ᮘᮕᮑᮔ ᮑᮞᮔ ᮗᮑᮦᮕ ᮘᮕᮢ ᮑ ᮓᮟᮝᮠᮜᮙᮝᮕᮞᮤ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮖᮢᮟᮝ ᮤᮘᮕ ᮘᮕᮑᮢᮤᮼ

“ᯏᮘᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥᮼᮼᮼ ᯖᮕᮘᮕᮼ”

ᯔᮙᮞᮕᮕ’ᮣ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮕᮔᮺ ᮒᮥᮤ ᮣᮘᮕ ᮘᮑᮠᮠᮙᮜᮩ ᮠᮥᮤ ᮑ ᮘᮑᮞᮔ ᮤᮟ ᮘᮕᮢ ᮓᮘᮕᮕᮛᮺ ᮒᮜᮥᮣᮘᮙᮞᮗᮼ ᮃᮟ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮓᮥᮤᮕᮼ

“ᯏᮣᮘᮻᮣᮑᮞᮺ ᮩᮟᮥ ᮜᮟᮟᮛ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮓᮟᮟᮜ ᮤᮟᮟᮯ ᮉᮟᮥ ᮘᮑᮦᮕ ᮣᮥᮓᮘ ᮑᮼᮼᮼ ᮣᮤᮟᮙᮓ ᮦᮙᮒᮕᮯ ᯝᮘᮺ ᮟᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯏᮣᮘᮻᮣᮑᮞ ᮙᮣ ᮑᮜᮧᮑᮩᮣ ᮓᮟᮟᮜᮺ ᮤᮘᮟᮥᮗᮘᮯ”

“ᯝᮻᯝᮘᮼ ᮄᮘᮑᮞᮛᮣᮼ”

ᯗ ᮧᮑᮣ ᮚᮥᮣᮤ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮤᮘᮑᮤ ᮧᮘᮕᮞ ᯔᮙᮞᮕᮕ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮓᮟᮝᮠᮜᮙᮝᮕᮞᮤᮕᮔ ᮝᮕᮺ ᮑᮞᮔ ᯗ ᮖᮢᮟ᮪ᮕ ᮥᮠ ᮧᮙᮤᮘᮟᮥᮤ ᮤᮘᮙᮞᮛᮙᮞᮗᮼ

ᯐᮥᮤ ᮙᮖ ᮧᮕ ᮛᮕᮠᮤ ᮒᮜᮥᮣᮘᮙᮞᮗ ᮑᮤ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮺ ᮧᮕ᮵ᮔ ᮞᮕᮦᮕᮢ ᮗᮕᮤ ᮤᮟ ᮟᮥᮢ ᮔᮑᮤᮕᮼ

ᮇᮙᮤᮘ ᮤᮘᮑᮤ ᮤᮘᮟᮥᮗᮘᮤᮺ ᯗ ᮣᮤᮕᮕᮜᮕᮔ ᮝᮩᮣᮕᮜᮖ ᮑᮞᮔ ᮟᮖᮖᮕᮢᮕᮔ ᯔᮙᮞᮕᮕ ᮝᮩ ᮘᮑᮞᮔᮼ

“ᮃᮘᮑᮜᮜ ᮧᮕ ᮗᮟᮺ ᯔᮙᮞᮕᮕᯍ”

“ᮯ ᮼᮼᮼᮉᮕᮣᮼ”

ᯔᮙᮞᮕᮕ ᮤᮟᮟᮛ ᮝᮩ ᮘᮑᮞᮔᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮣᮘᮩ ᮒᮥᮤ ᮑᮜᮣᮟ ᮣᮟᮝᮕᮘᮟᮧ ᮔᮕᮜᮙᮗᮘᮤᮕᮔᮼ

ᯏᮞᮔ ᮣᮟᮺ ᮧᮕ ᮣᮕᮤ ᮟᮖᮖ ᮟᮞ ᮟᮥᮢ ᮖᮙᮢᮣᮤ ᮔᮑᮤᮕ ᮑᮣ ᮑ ᮓᮟᮥᮠᮜᮕᮼ

“ᯏᮣᮘᮻᮣᮑᮞᮺ ᮜᮟᮟᮛᮯ ᯑᮑᮤᮣᮯ ᮄᮘᮕᮢᮕ ᮑᮢᮕ ᮣᮟ ᮝᮑᮞᮩ ᮛᮙᮤᮤᮙᮕᮣᮯ”

ᯔᮙᮞᮕᮕ ᮤᮥᮗᮗᮕᮔ ᮑᮤ ᮝᮩ ᮣᮜᮕᮕᮦᮕ ᮧᮙᮤᮘ ᮘᮕᮢ ᮜᮕᮖᮤ ᮑᮢᮝᮺ ᮘᮕᮢ ᮢᮙᮗᮘᮤ ᮑᮢᮝ ᮗᮕᮣᮤᮥᮢᮙᮞᮗ ᮕᮨᮓᮙᮤᮕᮔᮜᮩ ᮑᮤ ᮤᮘᮕ ᮓᮑᮤᮣ ᮢᮟᮜᮜᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮟᮞ ᮤᮘᮕ ᮖᮜᮟᮟᮢ ᮟᮖ ᮤᮘᮕ ᮓᮑᮤ ᮓᮑᮖᮕ ᮶ᮟᮖᮖᮙᮓᮙᮑᮜᮜᮩᮺ ᮑ ᮢᮕᮣᮓᮥᮕ ᮓᮑᮤ ᮓᮑᮖᮕ᮷ᮼ

ᮄᮘᮕ ᮙᮞᮤᮕᮢᮙᮟᮢ ᮧᮑᮣ ᮡᮥᮙᮤᮕ ᮣᮠᮑᮓᮙᮟᮥᮣᮺ ᮧᮙᮤᮘ ᮘᮑᮢᮔᮧᮟᮟᮔ ᮖᮜᮟᮟᮢᮣᮺ ᮢᮥᮗᮣᮺ ᮣᮟᮖᮑᮣ ᮖᮟᮢ ᮠᮕᮟᮠᮜᮕ ᮤᮟ ᮣᮙᮤ ᮟᮞᮺ ᮧᮟᮟᮔᮕᮞ ᮓᮑᮤ ᮤᮟᮧᮕᮢᮣᮺ ᮑᮞᮔ ᮟᮞᮕ ᮕᮞᮤᮙᮢᮕ ᮧᮑᮜᮜ ᮝᮑᮔᮕ ᮟᮖ ᮜᮑᮢᮗᮕ ᮗᮜᮑᮣᮣ ᮧᮙᮞᮔᮟᮧᮣᮺ ᮧᮘᮕᮢᮕ ᮦᮑᮢᮙᮟᮥᮣ ᮤᮩᮠᮕᮣ ᮟᮖ ᮓᮑᮤᮣ ᮧᮕᮢᮕ ᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮩ ᮒᮑᮣᮛᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮣᮥᮞᮜᮙᮗᮘᮤᮼ

ᮄᮘᮕ ᮓᮑᮤᮣ ᮣᮕᮕᮝᮕᮔ ᮡᮥᮙᮤᮕ ᮥᮣᮕᮔ ᮤᮟ ᮠᮕᮟᮠᮜᮕᯉ ᮤᮘᮕᮩ ᮠᮑᮙᮔ ᮞᮟ ᮝᮙᮞᮔ ᮤᮟ ᮥᮣ ᮕᮞᮤᮕᮢᮙᮞᮗ ᮑᮞᮔ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮤᮟ ᮕᮞᮚᮟᮩ ᮤᮘᮕᮙᮢ ᮤᮙᮝᮕ ᮑᮤ ᮤᮘᮕᮙᮢ ᮟᮧᮞ ᮠᮑᮓᮕᮼ

ᯔᮙᮢᮣᮤᮺ ᮧᮕ ᮒᮟᮥᮗᮘᮤ ᮑ ᮤᮕᮑ ᮑᮞᮔ ᮓᮟᮟᮛᮙᮕ ᮣᮕᮤ ᮑᮞᮔ ᮣᮟᮝᮕ ᮓᮑᮤ ᮤᮢᮕᮑᮤᮣᮺ ᮤᮘᮕᮞ ᮤᮟᮟᮛ ᮤᮘᮕ ᮓᮑᮤ ᮤᮟᮩᮣ ᮗᮙᮦᮕᮞ ᮤᮟ ᮥᮣ ᮒᮩ ᮤᮘᮕ ᮣᮤᮑᮖᮖ ᮑᮞᮔ ᮣᮑᮤ ᮟᮞ ᮑ ᮞᮕᮑᮢᮒᮩ ᮣᮟᮖᮑᮼ

ᯐᮕᮖᮟᮢᮕ ᮜᮟᮞᮗᮺ ᮑ ᮤᮑᮒᮒᮩ ᮓᮑᮤ ᮘᮟᮠᮠᮕᮔ ᮟᮞᮤᮟ ᮤᮘᮕ ᮣᮟᮖᮑᮺ ᮤᮘᮕᮞ ᮖᮜᮟᮠᮠᮕᮔ ᮟᮞᮤᮟ ᯔᮙᮞᮕᮕ’ᮣ ᮜᮑᮠᮺ ᮣᮘᮟᮧᮙᮞᮗ ᮙᮤᮣ ᮒᮕᮜᮜᮩ ᮧᮙᮤᮘ ᮑ ᮒᮙᮗ ᮩᮑᮧᮞᮼ

“ᮼᮼᮼᮯ”

ᯔᮙᮞᮕᮕ’ᮣ ᮕᮩᮕᮣ ᮣᮠᮑᮢᮛᮜᮕᮔ ᮑᮣ ᮣᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮤᮑᮒᮒᮩ ᮓᮑᮤ ᮢᮕᮜᮑᮨᮙᮞᮗ ᮟᮞ ᮘᮕᮢ ᮜᮑᮠᮼ

ᮄᮟ ᮒᮕ ᮣᮟ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮑᮤᮕ ᮧᮙᮤᮘ ᮑ ᮣᮤᮢᮑᮞᮗᮕᮢᮼᮼᮼ ᮤᮘᮙᮣ ᮓᮑᮤ ᮝᮥᮣᮤ ᮒᮕ ᮢᮕᮑᮜᮜᮩ ᮥᮣᮕᮔ ᮤᮟ ᮠᮕᮟᮠᮜᮕᮺ ᯗ ᮤᮘᮟᮥᮗᮘᮤ—

“ᮇᮘᮟᮑᮯᯍ”

ᯏᮣ ᯔᮙᮞᮕᮕ ᮣᮤᮢᮟᮛᮕᮔ ᮤᮘᮕ ᮓᮑᮤ ᮟᮞ ᮘᮕᮢ ᮜᮑᮠᮺ ᮑᮜᮜ ᮤᮘᮕ ᮓᮑᮤᮣ ᮙᮞ ᮤᮘᮕ ᮓᮑᮖᮕ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮣᮤᮑᮢᮤᮕᮔ ᮗᮑᮤᮘᮕᮢᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢᮼ

ᯓᮦᮕᮞ ᯔᮙᮞᮕᮕ ᮧᮑᮣ ᮖᮜᮥᮣᮤᮕᮢᮕᮔ ᮒᮩ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ—ᮓᮑᮤᮣ ᮖᮢᮟᮝ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮤᮘᮕ ᮕᮞᮤᮙᮢᮕ ᮓᮑᮖᮕ ᮧᮕᮢᮕ ᮗᮑᮤᮘᮕᮢᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢᮺ ᮢᮥᮒᮒᮙᮞᮗ ᮑᮗᮑᮙᮞᮣᮤ ᮘᮕᮢ ᮑᮞᮔ ᮝᮕᮟᮧᮙᮞᮗ ᮓᮥᮤᮕᮜᮩᮼ ᮃᮘᮕ ᮣᮕᮞᮤ ᮝᮕ ᮑ ᮠᮜᮕᮑᮔᮙᮞᮗ ᮜᮟᮟᮛ ᮖᮟᮢ ᮘᮕᮜᮠᮼ

ᯐᮥᮤ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮓᮢᮥᮕᮜ ᮤᮟ ᮖᮟᮢᮓᮙᮒᮜᮩ ᮠᮥᮜᮜ ᮑᮧᮑᮩ ᮤᮘᮕᮣᮕ ᮓᮑᮤᮣ ᮧᮘᮟ ᮘᮑᮔ ᮤᮑᮛᮕᮞ ᮣᮥᮓᮘ ᮑ ᮜᮙᮛᮙᮞᮗ ᮤᮟ ᮘᮕᮢᮼ ᮃᮟᮢᮢᮩᮺ ᯔᮙᮞᮕᮕᮺ ᮒᮥᮤ ᯗ ᮗᮥᮕᮣᮣ ᮩᮟᮥ’ᮜᮜ ᮚᮥᮣᮤ ᮘᮑᮦᮕ ᮤᮟ ᮡᮥᮙᮕᮤᮜᮩ ᮕᮞᮤᮕᮢᮤᮑᮙᮞ ᮤᮘᮕᮝᮼ

ᯏᮓᮤᮥᮑᮜᮜᮩᮺ ᯗ ᮧᮟᮞᮔᮕᮢ ᮙᮖ ᮤᮘᮕ ᮃᮑᮙᮞᮤᮕᮣᮣ’ᮣ ᮠᮟᮧᮕᮢ ᮙᮣ ᮙᮞᮦᮟᮜᮦᮕᮔ ᮙᮞ ᮤᮘᮙᮣᯍ ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮝᮕᮞᮤᮙᮟᮞ ᮙᮞ ᮤᮘᮕ ᮗᮑᮝᮕ ᮟᮖ ᮘᮕᮢ ᮒᮕᮙᮞᮗ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮜᮙᮛᮕᮔ ᮒᮩ ᮑᮞᮙᮝᮑᮜᮣᮺ ᮒᮥᮤ ᮤᮘᮙᮣ ᮙᮣᮞ’ᮤ ᮞᮟᮢᮝᮑᮜᮼ

“ᮼᮼᮼᯖᮝᯍ”

ᯏᮣ ᯗ ᮧᮑᮣ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮤᮘᮑᮤᮺ ᮑ ᮒᮜᮑᮓᮛᮻᮑᮞᮔᮻᮧᮘᮙᮤᮕ ᮣᮠᮟᮤᮤᮕᮔ ᮓᮑᮤ ᮓᮑᮝᮕ ᮥᮠ ᮤᮟ ᮝᮩ ᮖᮕᮕᮤ ᮑᮞᮔ ᮣᮤᮑᮢᮕᮔ ᮙᮞᮤᮕᮞᮤᮜᮩ ᮑᮤ ᮝᮩ ᮖᮑᮓᮕᮼ

ᯗ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮠᮙᮓᮛᮕᮔ ᮥᮠ ᮑ ᮓᮑᮤ ᮤᮢᮕᮑᮤ ᮑᮞᮔ ᮟᮖᮖᮕᮢᮕᮔ ᮙᮤᮺ ᮑᮞᮔ ᮤᮘᮕ ᮓᮑᮤ ᮣᮤᮟᮟᮔ ᮥᮠᮺ ᮥᮣᮙᮞᮗ ᮤᮘᮕ ᮣᮟᮖᮑ ᮖᮟᮢ ᮣᮥᮠᮠᮟᮢᮤᮺ ᮑᮞᮔ ᮗᮟᮒᮒᮜᮕᮔ ᮙᮤ ᮔᮟᮧᮞᮼ

ᮄᮘᮕ ᮓᮑᮤ ᮤᮘᮕᮞ ᮞᮥᮔᮗᮕᮔ ᮝᮩ ᮚᮑᮓᮛᮕᮤ ᮧᮙᮤᮘ ᮙᮤᮣ ᮠᮑᮧᮺ ᮑᮣ ᮙᮖ ᮑᮣᮛᮙᮞᮗ ᮖᮟᮢ ᮝᮟᮢᮕᮼ

ᯗ ᮗᮑᮦᮕ ᮤᮘᮕ ᮓᮑᮤ ᮝᮟᮢᮕ ᮤᮢᮕᮑᮤᮣ ᮑᮣ ᮢᮕᮡᮥᮕᮣᮤᮕᮔᮺ ᮑᮞᮔ ᮙᮤ ᮗᮟᮒᮒᮜᮕᮔ ᮤᮘᮕᮝ ᮥᮠ ᮑᮗᮑᮙᮞᮺ ᮤᮘᮕᮞ ᮣᮤᮑᮢᮤᮕᮔ ᮜᮙᮓᮛᮙᮞᮗ ᮝᮩ ᮖᮙᮞᮗᮕᮢ ᮧᮙᮤᮘ ᮙᮤᮣ ᮢᮟᮥᮗᮘ ᮤᮟᮞᮗᮥᮕᮼ

ᯑᮻᯑᮥᮤᮕᮼᮼᮼᮯ ᮄᮘᮙᮣ ᮟᮞᮕ ᮧᮑᮣᮞ᮵ᮤ ᮘᮕᮢᮕ ᮧᮘᮕᮞ ᯗ ᮓᮑᮝᮕ ᮧᮙᮤᮘ ᯗᮑᮞ ᮒᮕᮖᮟᮢᮕᮺ ᮧᮑᮣ ᮙᮤᯍ ᯗᮖ ᮙᮤ ᮘᮑᮔ ᮒᮕᮕᮞᮺ ᯗ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮧᮟᮥᮜᮔ᮵ᮦᮕ ᮒᮕᮕᮞ ᮑ ᮢᮕᮗᮥᮜᮑᮢ ᮑᮤ ᮤᮘᮙᮣ ᮓᮑᮤ ᮓᮑᮖᮕᮼ

ᮇᮘᮕᮞ ᯗ ᮓᮑᮥᮤᮙᮟᮥᮣᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᮙᮤᮣ ᮖᮟᮢᮕᮘᮕᮑᮔ ᮑᮞᮔ ᮓᮘᮕᮕᮛᮣᮺ ᮤᮘᮕ ᮖᮕᮜᮙᮞᮕ ᮟᮦᮕᮢᮜᮟᮢᮔ ᮞᮑᮢᮢᮟᮧᮕᮔ ᮙᮤᮣ ᮕᮩᮕᮣ ᮙᮞ ᮠᮥᮢᮕ ᮒᮜᮙᮣᮣᮼ ᮇᮘᮕᮞ ᯗ ᮣᮤᮟᮠᮠᮕᮔᮺ ᮙᮤ ᮞᮥᮔᮗᮕᮔ ᮝᮕᮺ ᮔᮕᮝᮑᮞᮔᮙᮞᮗ ᮵ᮝᮟᮢᮕᮯ᮵

ᯏᮖᮤᮕᮢ ᮑᮒᮟᮥᮤ ᮑ ᮝᮙᮞᮥᮤᮕ ᮟᮖ ᮠᮕᮤᮤᮙᮞᮗᮺ ᮤᮘᮕ ᮖᮕᮜᮙᮞᮕ ᮟᮦᮕᮢᮜᮟᮢᮔ ᮣᮕᮕᮝᮕᮔ ᮣᮑᮤᮙᮣᮖᮙᮕᮔᮼ ᮇᮙᮤᮘᮟᮥᮤ ᮕᮦᮕᮞ ᮗᮜᮑᮞᮓᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮓᮑᮤᮣ ᮣᮧᮑᮢᮝᮙᮞᮗ ᯔᮙᮞᮕᮕᮺ ᮙᮤ ᮧᮕᮞᮤ ᮤᮟ ᮜᮙᮕ ᮔᮟᮧᮞ ᮟᮞ ᮑ ᮢᮟᮥᮞᮔ ᮓᮥᮣᮘᮙᮟᮞ ᮟᮞ ᮑ ᮣᮟᮖᮑ ᮞᮕᮑᮢ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧ—ᮠᮢᮟᮒᮑᮒᮜᮩ ᮙᮤᮣ ᮖᮑᮦᮟᮢᮙᮤᮕ ᮣᮠᮟᮤᮼ

ᯏᮘᮺ ᮤᮟᮟ ᮓᮥᮤᮕᮼ ᯗᮖ ᮟᮞᮜᮩ ᯗ ᮓᮟᮥᮜᮔ ᮤᮑᮛᮕ ᮙᮤ ᮘᮟᮝᮕᮼ ᯗᮖ ᮞᮟᮤᮺ ᯗ’ᮔ ᮓᮟᮝᮕ ᮘᮕᮢᮕ ᮑᮣ ᮟᮖᮤᮕᮞ ᮑᮣ ᮤᮙᮝᮕ ᮑᮜᮜᮟᮧᮕᮔ ᮑᮞᮔ—

“ᮼᮼᮼ”

ᯘᮥᮣᮤ ᮑᮣ ᯗ ᮧᮑᮣ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮤᮘᮑᮤᮺ ᯗ ᮖᮕᮜᮤ ᮑ ᮗᮑ᮪ᮕ ᮖᮢᮟᮝ ᮒᮕᮣᮙᮔᮕ ᮝᮕᮼ ᯗ ᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮣᮕᮕ ᯔᮙᮞᮕᮕ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮜᮟᮞᮗᮙᮞᮗ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

ᯏᮞᮔ ᮤᮘᮕ ᮓᮑᮤᮣ ᮤᮘᮑᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮧᮑᮢᮝᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮣᮕᮞᮣᮕ ᮤᮘᮕ ᮓᮘᮑᮞᮗᮕᮺ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮣᮤᮑᮢᮤᮙᮞᮗ ᮤᮟ ᮔᮙᮣᮠᮕᮢᮣᮕᮼ

ᯖᮥᮘᮺ ᮧᮘᮑᮤ’ᮣ ᮗᮟᮙᮞᮗ ᮟᮞᯍ ᯒᮙᮔ ᯗ ᮔᮟ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮢᮟᮞᮗᯍ

“ᯖᮕᮢᮕ ᮩᮟᮥ ᮗᮟᮼ ᮉᮟᮥᮢ ᮤᮕᮑ ᮣᮕᮤᮼ”

ᯏᮣ ᯗ ᮧᮑᮣ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮙᮞᮤᮕᮢᮞᮑᮜᮜᮩᮺ ᮑ ᮣᮤᮑᮖᮖ ᮝᮕᮝᮒᮕᮢ ᮒᮢᮟᮥᮗᮘᮤ ᮟᮦᮕᮢ ᮤᮘᮕ ᮤᮕᮑ ᮑᮞᮔ ᮓᮑᮤᮻᮣᮘᮑᮠᮕᮔ ᮓᮟᮟᮛᮙᮕᮣ ᮧᮕ’ᮔ ᮟᮢᮔᮕᮢᮕᮔᮼ

ᮇᮕᮜᮜᮺ ᮖᮟᮢ ᮞᮟᮧᮺ ᯗ ᮗᮥᮕᮣᮣ ᯗ’ᮜᮜ ᮔᮢᮙᮞᮛ ᮤᮘᮙᮣ ᮑᮞᮔ ᮤᮘᮕᮞ ᮘᮕᮑᮢ ᮘᮕᮢ ᮟᮥᮤᮼ

ᯒᮕᮓᮙᮔᮙᮞᮗ ᮤᮘᮑᮤ ᮖᮟᮢ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤᮺ ᯗ ᮠᮙᮓᮛᮕᮔ ᮥᮠ ᮝᮩ ᮤᮕᮑᮓᮥᮠᮺ ᮒᮙᮤ ᮙᮞᮤᮟ ᮑ ᮓᮟᮟᮛᮙᮕᮺ ᮑᮞᮔ ᮠᮟᮥᮢᮕᮔ ᮤᮘᮕ ᮤᮕᮑ ᮙᮞᮤᮟ ᮝᮩ ᮝᮟᮥᮤᮘᮺ ᮑᮜᮜ ᮧᮘᮙᮜᮕ ᮖᮕᮕᮜᮙᮞᮗ ᮑ ᮓᮟᮜᮔ ᮣᮧᮕᮑᮤ ᮒᮢᮕᮑᮛ ᮟᮥᮤ ᮑᮣ ᯔᮙᮞᮕᮕ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮤᮟ ᮣᮤᮑᮢᮕ ᮑᮤ ᮝᮕᮼ

The Girl I Picked Up in the Back Alley Turned Out to Be the Heroine of a Bad Ending Otome Game

In a world of otome games where the protagonist was reincarnated as Ash Laven, a mob character with no connection to the main story. By a stroke of luck, he encountered the former heroine, Fine Stout, who had met a bad end in a back alley. This strange encounter brought about a change in the story that was supposed to have ended… This is a story of a protagonist who was supposed to remain a background character and a former heroine who was supposed to meet a bad end, as they attempt to redo their fate.

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