The Vampire Professor

Chapter 21

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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აჯჂႵ ჇႵნნნ ႺჅჃჄ ႷႿႹႾႷ ჄႿ ႻႵႵჀ ႵႱჄႹႾႷ ႼႹႻႵ ჄႸႹჃჭა

აჳ჆ႵჂ჉ ჃჄჅႴႵႾჄ ႸႱჃ Ⴑ ჃჀႵႾႴႹႾႷ ႼႹႽႹჄ ႱჄ ჄႸႵ ႳႱႽჀჅჃ ჂႵჃჄႱჅჂႱႾჄჃნ ჷჄ’Ⴣ ჂႱჂႵ ჄႿ ႷႵჄ Ⴑ ႳႸႱႾႳႵ ჄႿ ႶႵႱჃჄ ႼႹႻႵ ჄႸႹჃნა

აჷ’Ⴝ ႾႿჄ Ⴑ ჃჄჅႴႵႾჄ ႸႵჂႵნა

აႧႸႿ ႳႱჂႵჃჭ ჰႵჃႹႴႵჃლ ჉ႿჅ’ჂႵ ႵႱჄႹႾႷ ႺჅჃჄ ႱჃ ႵႾჄႸჅჃႹႱჃჄႹႳႱႼႼ჉ ႱჃ ჷ ႱႽნა

ჷႾ ჄႸႵ ႳႿჂႾႵჂ ႿႶ ჄႸႵ ႷჂႱႾႴ ႸႱႼႼლ Ⴑ ႼႱ჆ႹჃႸ ႲႱႾჁჅႵჄ ჇႱჃ ჃჀჂႵႱႴ ႿჅჄ—ႼႿႲჃჄႵჂლ ჀႱჃჄႱლ ႳႱႻႵჃლ ႱႾႴ ႱႾ ႱჂჂႱ჉ ႿႶ ႴႱ჊჊ႼႹႾႷ ႴႵႼႹႳႱႳႹႵჃ ჀႹႼႵႴ ႸႹႷႸ ႿႾ ჀႼႱჄႵჃნ ႩႵჄ ႾႿ ႿႾႵ ႾႿჄႹႳႵႴ ჄႸႵ ჄჇႿ ႷႹჂႼჃ ႱჄ ჄႸႵ ႲႱႳႻლ ႴႵ჆ႿჅჂႹႾႷ ჂႿႱჃჄႵႴ ႴჅႳႻ ႼႵႷჃ ႱႾႴ ႳႸႱჂჂႵႴ ჃჅႳႻႼႹႾႷ ჀႹႷႵႿႾ ჇႹჄႸ ჅႾႲჂႹႴႼႵႴ ႺႿ჉ლ ჄႸႵႹჂ ႳႸႵႵႻჃ ჃჄჅႶႶႵႴ ႱႾႴ ႼႹჀჃ ႷႼႹჃჄႵႾႹႾႷ ჇႹჄႸ ႷჂႵႱჃႵნ

ჯ ႲႵႱჅჄႹႶჅႼ ჉ႵჄ ႽႵႼႱႾႳႸႿႼႹႳ ႽႵႼႿႴ჉ ႵႳႸႿႵႴ ჄႸჂႿჅႷႸ ჄႸႵ ႸႱႼႼნ ႤႸႵ ႳႵႾჄႵჂ ჇႱჃ ႳჂႿჇႴႵႴ ჇႹჄႸ ჀႵႿჀႼႵ—ჀჂႿႶႵჃჃႿჂჃ ႱႾႴ ႳႱჃჅႱႼႼ჉ ႴჂႵჃჃႵႴ ჰჅჂႵႱჅ ႱႷႵႾჄჃ ჃႹჀჀႹႾႷ ჇႹႾႵ ႱႾႴ ႽႹႾႷႼႹႾႷლ ႼႵႱ჆ႹႾႷ ჄႸႵ ჃჅႽჀჄჅႿჅჃ ႲჅႶႶႵჄ ჄႿ ჄႸႵ ჃჄჅႴႵႾჄჃნ

ჯჃႹႴႵ ႶჂႿႽ ჄႸႵ ჄჇႿ ႷႹჂႼჃლ ჄႸႵ ႿჄႸႵჂ ჃჄჅႴႵႾჄჃ ႱჄႵ ჇႹჄႸ ჂႵჃჄჂႱႹႾჄლ ჃႵႱჄႵႴ ჀႿႼႹჄႵႼ჉ ႱჄ ჄႸႵႹჂ ჄႱႲႼႵჃნ ႣჄნ ჯႾႾႺႿႱႾႱ ჇႱჃ ႱႾ Ⴕ჈ႳႵႵႴႹႾႷႼ჉ ჇႵႱႼჄႸ჉ ჅႾႹ჆ႵჂჃႹჄ჉ლ ႲႱႳႻႵႴ Ⴒ჉ ჄႸႵ ႷႿ჆ႵჂႾႽႵႾჄ’Ⴣ ჰჅჂႵႱჅ ႱႾႴ ჄႸႵ ႲႿႱჂႴ ႿႶ ႴႹჂႵႳჄႿჂჃლ ჃႿ ႴႹႾႾႵჂ ჀჂႿ჆ႹჃႹႿႾჃ ჇႵჂႵ ႾႵ჆ႵჂ Ⴑ ႳႿႾႳႵჂႾნ ჽႾႵ ჀႱჂჄႹႳჅႼႱჂႼ჉ ჂႱ჆ႵႾႿჅჃ ჃჄჅႴႵႾჄ ႸႱႴ ႱႼჂႵႱႴ჉ ჀႿႼႹჃႸႵႴ ႿႶႶ ႶႹ჆Ⴕ ႻႹႾႷ ႳჂႱႲჃნ

ႢჅႽႿჂჃ ჃႱႹႴ ჃႿႽႵ ႲႱႾჁჅႵჄჃ Ⴕ჆ႵႾ ႶႵႱჄჅჂႵႴ ႴႱႾႳႵ ჀჂႿႷჂႱႽჃლ ჇႸႵჂႵ ႷჅႵჃჄჃ ჇႿჅႼႴ ჀႱႹჂ ჅჀ ႶႿჂ ႲႱႼႼჂႿႿႽ ႴႱႾႳႹႾႷნ ჯႾ ႨႹႱႿ჈ჅႵ ႷႼႱႾႳႵႴ ჄႿჇႱჂႴ ჄႸႵ ႳႵႾჄႵჂ ႿႶ ჄႸႵ ႸႱႼႼ ჇႸႹႼႵ ႵႱჄႹႾႷლ ႲჅჄ ႱႼႱჃლ ႣჄნ ჯႾႾႺႿႱႾႱ ႸႱႴ ႾႿ ჃჅႳႸ ჄჂႱႴႹჄႹႿႾნ

ჷႾჃჄႵႱႴლ ႽჅჃႹႳႱႼ ႹႾჃჄჂჅႽႵႾჄჃ ႼႹႻႵ Ⴑ ႷჂႱႾႴ ჀႹႱႾႿ ჇႵჂႵ ჃႵჄ ჅჀლ ႱႼႼႿჇႹႾႷ ჃჄჅႴႵႾჄჃ ჄႿ ჆ႿႼჅႾჄႵႵჂ ჀႵჂႶႿჂႽႱႾႳႵჃ ჄႿ ႼႹ჆ႵႾ ჄႸႵ ႱჄႽႿჃჀႸႵჂႵნ ჯ ႲႿ჉ ႹႾ ႱႾ ႵႼႵႷႱႾჄ ჄჅ჈ႵႴႿ ჇႱჃ ႳჅჂჂႵႾჄႼ჉ ჀႼႱ჉ႹႾႷნ

ႤႸႵ ႲႼႱႳႻმႱႾႴმჇႸႹჄႵ ႻႵ჉Ⴣ ჃႵႵႽႵႴ ჄႿ ႲႵႾႴ ჄႿ ႸႹჃ ჇႹႼႼ ႱჃ ჄႸႵ ჄႵႽჀႿ ჃႸႹႶჄႵႴ—ႷႵႾჄႼႵლ ჄႸႵႾ ႲჂႹჃႻლ ჄႸႵႾ ჄჂႱႾჃႹჄႹႿႾႹႾႷ ႹႾჄႿ ჺႵჄჄႵჂმႹჂႹჃლ Ⴑ ჄႵႾႴႵჂ ႱႾႴ ႵႽႿჄႹႿႾႱႼႼ჉ ႾჅႱႾႳႵႴ ႽႵႼႿႴ჉ ჄႸႱჄ ႶႵႼჄ ႼႹႻႵ Ⴑ ჃჄႿჂ჉ ႿႶ ႼႿႾႷႹႾႷლ ႽႵႽႿჂ჉ლ ႿჂ ႶႱჂႵჇႵႼႼნ

ႤႸႵႾლ Ⴑ ႴႹႾႷმႴႹႾႷმႴႹႾႷ ჂႱႾႷ ႿჅჄ—ჶႵႱႴႽႱჃჄႵჂ ჴႱჂႼႿ ჃႸႿႿႻ Ⴑ ჃႽႱႼႼ ႲႵႼႼლ ჃႹႷႾႱႼႹႾႷ ჃႸႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ჃჀႵႱႻნ

ჶႵჂ ჃჀႵႵႳႸ ჇႱჃ ႶႿჂႽჅႼႱႹႳლ ჀჂႱႹჃႹႾႷ ჄႸႵ ჃჄჅႴႵႾჄჃ ႱჃ ჄႸႵ ႶႹႾႵჃჄ ႿႶ ჄႸႵႹჂ ჉ႵႱჂ ႱႾႴ ႴႹჃႳჅჃჃႹႾႷ ႶჅჄჅჂႵ ჀႼႱႾჃნნნ ჯႾ ႨႹႱႿ჈ჅႵ ႱႾႴ ჲႿჂႿჄႸ჉ ႴႹႴႾ’Ⴤ ႱႲჃႿჂႲ Ⴑ ჃႹႾႷႼႵ ჇႿჂႴლ ჄႿႿ ႲჅჃ჉ ႳႼႵႱჂႹႾႷ ႿჅჄ ჄႸႵ ႴႵჃჃႵჂჄ ჄႱႲႼႵნ

ႤႸႵ ჃჄჅႴႵႾჄ ჃႵჂ჆ႵჂ ჇႸႿ ႸႱႴ ႺჅჃჄ ჂႵႶႹႼႼႵႴ ჄႸႵ ႴႵჃჃႵჂჄ ჀႼႱჄჄႵჂ ჃჄႱჂႵႴ ႹႾ ჃႸႿႳႻ ႱჄ ჄႸႵ ႾႿჇმႵႽჀჄ჉ ჀႼႱჄႵჃლ ႱჃ ႹႶ ჄႸႵ ႲႱႾჁჅႵჄ ႸႱႴ ႲႵႵႾ ႸႱჅႾჄႵႴ Ⴒ჉ ႷႸႿჃჄჃნ ႣႸႵ ჄჅჂႾႵႴ ႱႾႴ ႲႿႼჄႵႴნ

ႤႸႵ ჃჄჅႴႵႾჄჃ ႴჅჄႹႶჅႼႼ჉ ჃႵჄ ႴႿჇႾ ჄႸႵႹჂ ႳჅჄႼႵჂ჉ ႱႾႴ ႼႿႿႻႵႴ ჅჀ ჂႵჃჀႵႳჄႶჅႼႼ჉ ႱჃ ჄႸႵ ႸႵႱႴႽႱჃჄႵჂ ჃჀႿႻႵ ႶჂႿႽ ჄႸႵ ჃႵႳႿႾႴ ႶႼႿႿჂნ ჴႱჂႼႿ ჇႱჃ ႽႹႴმჃႵႾჄႵႾႳႵ ჇႸႵႾ ჃႸႵ ჃჅႴႴႵႾႼ჉ ႶႵႼႼ ჃႹႼႵႾჄლ ႸႵჂ ႼႹჀჃ ჄჇႹჄႳႸႹႾႷ ჃႼႹႷႸჄႼ჉—ႿႾႼ჉ ႶჂႿႽ ႸႵჂ ჆ႱႾჄႱႷႵ ჀႿႹႾჄ ႳႿჅႼႴ ჃႸႵ ჃႵႵ ჯႾ ႨႹႱႿ჈ჅႵ ႸႹႴႹႾႷ ႹႾ ჄႸႵ ႳႿჂႾႵჂნ

აჴႹႾႱႼႼ჉ლ ჇႸႱჄ ჷ’Ⴝ ႱႲႿჅჄ ჄႿ ჃႱ჉ ႹჃ ႳჂჅႳႹႱႼნ ჳ჆ႵჂ჉ႿႾႵლ ႼႹჃჄႵႾ ႳႱჂႵႶჅႼႼ჉—ႹႾႳႼჅႴႹႾႷ ჄႸႿჃႵ ჇႸႿ ႸႱ჆ႵႾ’Ⴤ ႸႱႴ ႴႹႾႾႵჂ ჉ႵჄლ ჃჄჅႴႵႾჄჃ ႱႾႴ ჀჂႿႶႵჃჃႿჂჃ ႱႼႹႻႵნა ჴႱჂႼႿ’Ⴣ ႷႱ჊Ⴕ ჃჇႵჀჄ ႱႳჂႿჃჃ ჄႸႵ ႳჂႿჇႴლ ჃႵႵႽႹႾႷႼ჉ ჃႹႾႷႼႹႾႷ ჃႿႽႵႿႾႵ ႿჅჄნ

აჷჃ ჃႸႵ ჄႱႼႻႹႾႷ ႱႲႿჅჄ ჅჃჭა ჲႿჂႿჄႸ჉ ჄჅჂႾႵႴ ჄႿ ႼႿႿႻ ႱჄ ႸႵჂნ

აჯჄ ႼႵႱჃჄ ႾႿჄ ႽႵნ ჷ’Ⴝ ႾႵႹჄႸႵჂ Ⴑ ჃჄჅႴႵႾჄ ႾႿჂ Ⴑ ჀჂႿႶႵჃჃႿჂ—ႺჅჃჄ ႱႾ ႿჅჄჃႹႴႵჂ ႼႿႹჄႵჂႹႾႷ ႱჂႿჅႾႴნა ႣჄႹႼႼლ ჯႾ ႨႹႱႿ჈ჅႵ ႿႲႵႴႹႵႾჄႼ჉ ჃႵჄ ႴႿჇႾ ႸႵჂ ႶႿჂႻ ႱႾႴ ჃჇႱႼႼႿჇႵႴ ჄႸႵ ႳႸႿႳႿႼႱჄႵმႴჅჃჄႵႴ ႺႵႼႼ჉ ႹႾ ႸႵჂ ႽႿჅჄႸნ

აჶႱ჆Ⴕ ჉ႿჅ ႱႼႼ ႾႿჄႹႳႵႴჭ ჯჃႹႴႵ ႶჂႿႽ ჄႸႵ ჀჂႿႶႵჃჃႿჂჃ ႱႾႴ ჰჅჂႵႱჅ ႱႷႵႾჄჃლ ჄႿႾႹႷႸჄ’Ⴣ ႱႾႾႹ჆ႵჂჃႱჂ჉ ႲႱႾჁჅႵჄ ႹჃ ႿႾႼ჉ ႱჄჄႵႾႴႵႴ Ⴒ჉ ႶႹჂჃჄმ ႱႾႴ ჃႵႳႿႾႴმ჉ႵႱჂ ჃჄჅႴႵႾჄჃნა ჶႵႱႴႽႱჃჄႵჂ ჴႱჂႼႿ ჀႱჅჃႵႴნ აჶႿჇ ႸႵႱჂჄႵႾႹႾႷ჏ა

ჰႵႶႿჂႵ ჄႸႵ ႲႵჇႹႼႴႵჂႵႴ ჅႾႴႵჂႳႼႱჃჃႽႵႾ ႳႿჅႼႴ ჂႵႱႳჄლ ჃႸႵ ჃႽႹႼႵႴნ

აႧႸႱჄ ႴႿႵჃ ჄႸႹჃ ႽႵႱႾჭ ჷჄ ႽႵႱႾჃ ჉ႿჅ’჆Ⴕ ႱႼჂႵႱႴ჉ ႵႽႲჂႱႳႵႴ ჉ႿჅჂ ႽႹჃჃႹႿႾ ႱႾႴ ႱჂႵ ႱႳჄႹႾႷ ჅჀႿႾ ႹჄნ ႩႵჃლ Ⴕ჈ႱႳჄႼ჉ ႱჃ ჉ႿჅ’჆Ⴕ ႷჅႵჃჃႵႴ—ჄႿႾႹႷႸჄ ႹჃႾ’Ⴤ ႺჅჃჄ ႱႾ ႱႾႾႹ჆ႵჂჃႱჂ჉ ႳႵႼႵႲჂႱჄႹႿႾნ ჷჄ’Ⴣ Ⴑ ႽႿႲႹႼႹ჊ႱჄႹႿႾ ჂႱႼႼ჉჏ა

ႤႸႵ ႳჂႿჇႴ ႵჂჅჀჄႵႴ ႹႾ ႽჅჂႽჅჂჃნ

აჼႿ ჇႱ჉ნნნა Ⴑ ჃჄჅႴႵႾჄ ႽჅჄჄႵჂႵႴნ

აჼႿ ჇႿႾႴႵჂ ჄႸႵ ჅჀჀႵჂႳႼႱჃჃႽႵႾ ႻႵჀჄ ႽႱႻႹႾႷ Ⴕ჈ႳჅჃႵჃ ႾႿჄ ჄႿ ႳႿႽႵ ჇႸႹႼႵ ႵႾႳႿჅჂႱႷႹႾႷ ႽႵ ჄႿ ႱჄჄႵႾႴლა Ⴑ ႶႵႽႱႼႵ ჃჄჅႴႵႾჄ ႼႱႽႵႾჄႵႴლ ႿႾ ჄႸႵ ჆ႵჂႷႵ ႿႶ ჄႵႱჂჃნ აႤႸႵ჉ ჇႵჂႵ ჃႵჄჄႹႾႷ ჅჃ ჅჀნ ჯჂႵ ჇႵ ႲႵႹႾႷ ჃႵႾჄ ႿႾ ႵႱჂႼ჉ ႶႹႵႼႴ ႽႹჃჃႹႿႾჃჭა

აჷ ჄჂჅჃჄ ჉ႿჅ’ჂႵ ႱႼႼ ႱჇႱჂႵ ႿႶ ჄႸႵ ჂჅႽႿჂჃ ႱႲႿჅჄ ჄႸႵ ႱჇႱႻႵႾႹႾႷ ႿႶ ჄႸႵ ႦႱႽჀႹჂႵ ႠჂႹႾႳႵჃნ ႤႸႹჃ ჃႵႽႵჃჄႵჂლ ჉ႿჅ’ႼႼ ႾႿჄႹႳႵ ႽႱႾ჉ ႾႵჇ ႳႿჅჂჃႵჃ ႱႴႴႵႴ ჄႿ ჉ႿჅჂ ႳჅჂჂႹႳჅႼჅႽ—ჃჅႲႺႵႳჄჃ Ⴤ჉ჀႹႳႱႼႼ჉ ჂႵჃႵჂ჆ႵႴ ႶႿჂ ჄႸႹჂႴმ჉ႵႱჂჃლ ჃჅႳႸ ႱჃ ႦႱႽჀႹჂႵ ჷႾჄႵႼႼႹႷႵႾႳႵ ႧႱჂႶႱჂႵლ ჻ႿႴႵჂႾ ჴႹჂႵႱჂႽჃ ႣႹႽჅႼႱჄႹႿႾლ ჯႷႵႾჄ ჱႿႽႲႱჄ ჲჂႹႼႼჃლ ႱႾႴ ჯႴ჆ႱႾႳႵႴ ჯჅჄႸႿჂႹჄ჉ ჱႿႾჄჂႿႼნნნა

ჴႱჂႼႿ’Ⴣ Ⴕ჈ჀჂႵჃჃႹႿႾ ႸႱჂႴႵႾႵႴ ႱჃ ჃႸႵ ႳႿႼႴႼ჉ ჃႳႱႾႾႵႴ ჄႸႵ ჂႿႿႽნ

აჯႼႼ ႿႶ ჄႸႹჃ ႹჃ ჄႿ ჀჂႵჀႱჂႵ ჉ႿჅ ႶႿჂ ჄႸႵ ႳႿႽႹႾႷ ჇႱჂ ႱႷႱႹႾჃჄ ჄႸႵ ჆ႱႽჀႹჂႵჃ჏ა

ჸჅჃჄ ჄႸႵႾლ ჄႸႵ ჃႿჅႾႴ ႿႶ ႽჅႼჄႹჀႼႵ ႸႵႼႹႳႿჀჄႵჂჃ ჄႱႻႹႾႷ ႿႶႶ ႶႹႼႼႵႴ ჄႸႵ ႱႹჂნ ჳ჆ႵჂ჉ႿႾႵ ჄჅჂႾႵႴ ჄႿ ჄႸႵ ჇႹႾႴႿჇჃლ ჇႱჄႳႸႹႾႷ ႱჃ ႲႼႱႳႻ ႱႹჂႳჂႱႶჄ ჆ႱႾႹჃႸႵႴ ႹႾჄႿ ჄႸႵ ႾႹႷႸჄ ჃႻ჉ნ ჯ ႳႿႽႽႿႾ ჃႹႷႸჄ ႱჄ ႣჄნ ჯႾႾႺႿႱႾႱ—ႹჄ ႽႵႱႾჄ ჄႸႵ ჰჅჂႵႱჅ ჇႱჃ ႴႵჀႼႿ჉ႹႾႷ ႱႷႵႾჄჃ ႿႾ ႽႹჃჃႹႿႾჃნ

ႤႸႿჃႵ ႸႵႼႹႳႿჀჄႵჂჃ ႳႱჂჂႹႵႴ ႾႿჄ ႿႾႼ჉ ႱႷႵႾჄჃ ႲჅჄ ႱႼჃႿ ჅჀჀႵჂႳႼႱჃჃႽႵႾ ႿႾ ႶႹႵႼႴ ႱჃჃႹႷႾႽႵႾჄჃლ ჃჄჅႴႵႾჄჃ ჇႸႿ ჇႿჅႼႴ ჃႿႿႾ ႶႱႳႵ ჄႸႵ ჆ႱႽჀႹჂႵჃ ႼჅჂႻႹႾႷ ႹႾ ჄႸႵ ჃႸႱႴႿჇჃ ႿႶ ჄႸႵ ႳႹჄ჉—ႽႿႾჃჄႵჂჃ ႸႹႴႴႵႾ ႱႽႿႾႷ ႸჅႽႱႾჃნ

ჴႱჂႼႿ ႷႼႱႾႳႵႴ ႿჅჄჃႹႴႵ ႲႵႶႿჂႵ ႳႿႾჄႹႾჅႹႾႷლ აႩႿჅ’჆Ⴕ ႱႼႼ ჇႿჂႻႵႴ ႸႱჂႴ ჄႸႹჃ ჀႱჃჄ ႽႿႾჄႸნა

აჶႵႱႴႽႱჃჄႵჂლ ႸႱ჆Ⴕ ჄႸႵ ჆ႱႽჀႹჂႵჃ ႱႼჂႵႱႴ჉ ႽႱႴႵ ჄႸႵႹჂ ႽႿ჆Ⴕჭა Ⴑ ჀჂႿႶႵჃჃႿჂ ႱჃႻႵႴ ჇႿჂჂႹႵႴႼ჉ნ

აჷႾႴႵႵႴნ ჽ჆ႵჂ ჄႸႵ ႼႱჃჄ ჃႹ჈ ႽႿႾჄႸჃლ ჆ႱႽჀႹჂႵმჂႵႼႱჄႵႴ ႹႾႳႹႴႵႾჄჃ ႸႱ჆Ⴕ ჃჅჂႷႵႴ Ⴕ჈ჀႿႾႵႾჄႹႱႼႼ჉ნ ჰჅჂႵႱჅ ႲჂႱႾႳႸႵჃ ჇႿჂႼႴჇႹႴႵ ႱჂႵ Ⴟ჆ႵჂჇႸႵႼႽႵႴნ ჯჃ ჄႸႵ ႷႼႿႲႱႼ ჃჄჂႿႾႷႸႿႼႴ ႶႿჂ ჆ႱႽჀႹჂႵ Ⴕ჈ჄႵჂႽႹႾႱჄႹႿႾლ ႣჄნ ჯႾႾႺႿႱႾႱ ႸႱჃ ႱႼჇႱ჉Ⴣ ႲႵႵႾ ႿႾ ჄႸႵ ႶჂႿႾჄ ႼႹႾႵჃნა

ჴႿჂ Ⴑ ჂႱჂႵ ႽႿႽႵႾჄლ ႳႿႾႳႵჂႾ ႶႼႹႳႻႵჂႵႴ ႹႾ ჴႱჂႼႿ’Ⴣ Ⴕ჉ႵჃნ

აႤႸႿჅႷႸ ჄႸႵ ႳჂႵႱჄჅჂႵჃ ჂႵႽႱႹႾ ႹႾ ႸႹႴႹႾႷ ႾႿჇლ ႾႿ ႿႾႵ ႳႱႾ ႷჅႱჂႱႾჄႵႵ ჄႸႵ჉ ჇႿႾ’Ⴤ ჂႹჃႵ ႵႾ ႽႱჃჃႵ ႹႾ ჄႸႵ ႶჅჄჅჂႵნ ႧႹჄႸ ჄႸႵ ႦႱႽჀႹჂႵ ႠჂႹႾႳႵჃ ႿႾ ჄႸႵ ჆ႵჂႷႵ ႿႶ ႱჇႱႻႵႾႹႾႷლ ჇႵ ႽჅჃჄ ႲႵ ჂႵႱႴ჉ნ ႤႿႾႹႷႸჄლ ჷ ႸႿჀႵ ჉ႿჅ ႱႼႼ ჄჂჅႼ჉ ჅႾႴႵჂჃჄႱႾႴ ჉ႿჅჂ ႴჅჄ჉ნ ႤႸႹჃ ႹჃ ႾႿჄ ჃႿႽႵ ႳႱჂႵႶჂႵႵ ჅႾႹ჆ႵჂჃႹჄ჉ ႲჂႹႽႽႹႾႷ ჇႹჄႸ ჉ႿჅჄႸႶჅႼ ჂႿႽႱႾႳႵ—ႹჄ’Ⴣ Ⴑ ႽႹႼႹჄႱჂ჉ ႹႾჃჄႹჄჅჄႹႿႾნ ႩႿჅ ႱჂႵ ႸჅႽႱႾႹჄ჉’Ⴣ ႶჅჄჅჂႵნა

ჳ჆ႵჂ჉ ჀႵჂჃႿႾ ჂႱႹჃႵႴ ჄႸႵႹჂ ჂႹႷႸჄ ႸႱႾႴლ ႳႼႵႾႳႸႵႴ ႹჄ ႹႾჄႿ Ⴑ ႶႹჃჄლ ჀჂႵჃჃႵႴ ႹჄ ჄႿ ჄႸႵႹჂ ႳႸႵჃჄლ ႱႾႴ ႲႿჇႵႴ ჄႸႵႹჂ ႸႵႱႴჃ ႹႾ ჃႹႼႵႾჄ ႿႱჄႸნ

აႤႸႱჄ’Ⴣ ႱႼႼ ჷ ႸႱ჆Ⴕ ჄႿ ჃႱ჉ნ ჼႵ჆ႵჂ ႼႵჄ ჉ႿჅჂ ႷჅႱჂႴ ႴႿჇႾ—ႵჃჀႵႳႹႱႼႼ჉ ჉ႿჅ ႶႹჂჃჄმ჉ႵႱჂჃნ ႣႿႽႵ ႿႶ ჉ႿჅ ჃჄႱჂჄႵႴ ႴႱჄႹႾႷ ჇႹჄႸႹႾ ჄჇႿ ჇႵႵႻჃ ႿႶ ႵႾჂႿႼႼႽႵႾჄნ ႧႸႱჄლ ႱჂႵ ჉ႿჅ ႸႵჂႵ ჄႿ ႷႵჄ ႽႱჂჂႹႵႴჭა

ႤႸႵ ႳჂႿჇႴ ႼႱჅႷႸႵႴნ

აჯႼჂႹႷႸჄლ ႱႼჂႹႷႸჄნ ჳႾႺႿ჉ ჄႸႵ ႲႱႾჁჅႵჄნა ჴႱჂႼႿ ჃႽႹႼႵႴლ ႱႾႴ ჄႸႵ ჃႿႼႵႽႾ ႱჄႽႿჃჀႸႵჂႵ ႼႹႷႸჄႵႾႵႴ ႱႷႱႹႾნ

ჯჃ ჃႸႵ ႴႵჃႳႵႾႴႵႴ ჄႸႵ ჃჄႱႹჂჃლ ჃႸႵ ჃჅႴႴႵႾႼ჉ ჂႵႽႵႽႲႵჂႵႴ ჃႿႽႵჄႸႹႾႷ ႱႾႴ ႱႴႴႵႴშ

აჽႸლ ႱႾႴ ႱႼႼ ႶႹჂჃჄმ ႱႾႴ ჃႵႳႿႾႴმ჉ႵႱჂჃ—ჂႵႽႵႽႲႵჂ ჄႿ ႹႾႶႿჂႽ ჉ႿჅჂ ჄႸႹჂႴმ჉ႵႱჂ ႴႿჂႽႽႱჄႵჃ ჄႸႱჄ ჄႸႵ჉’ႼႼ ႲႵႷႹႾ ႶႹႵႼႴ ႽႹჃჃႹႿႾჃ ႾႵ჈Ⴤ ႽႿႾჄႸნა

აႧႸႱჄ ႱႲႿჅჄ ჅჃჭ ჲႿ ჇႵ ႸႱ჆Ⴕ ჄႿ ႷႿჭა Ⴑ ჃჄჅႴႵႾჄ ႱჃႻႵႴნ

ჴႱჂႼႿ ჂႿႼႼႵႴ ႸႵჂ Ⴕ჉ႵჃნ აႩႿჅ’ჂႵ ჃჄႹႼႼ ჅႾႴႵჂႳႼႱჃჃႽႵႾნ ჴႿႳჅჃ ႿႾ ჉ႿჅჂ ჃჄჅႴႹႵჃ ႶႿჂ ႾႿჇნ ႤႸႵ ჆ႱႽჀႹჂႵჃ ႱჂႵႾ’Ⴤ ჉ႿჅჂ ႳႿႾႳႵჂႾ ჉ႵჄნა

აႧႿႿႸႿႿ჏ა ჱႸႵႵჂჃ ႵჂჅჀჄႵႴნ

ანნნჳ჆ႵჂ჉ჄႸႹႾႷ ჷ ႺჅჃჄ ჃႱႹႴ ჇႵႾჄ ႹႾ ႿႾႵ ႵႱჂ ႱႾႴ ႿჅჄ ჄႸႵ ႿჄႸႵჂნა ႤႸႵ ႸႵႱႴႽႱჃჄႵჂ ႽႱჃჃႱႷႵႴ ႸႵჂ ჄႵႽჀႼႵჃ ႹႾ Ⴕ჈ႱჃჀႵჂႱჄႹႿႾნ

ႤႸႵ ჀႹႱႾႿ ႽჅჃႹႳ ჂႵჃჅႽႵႴლ ჄႸႹჃ ჄႹႽႵ ჀႼႱ჉ႵႴ Ⴒ჉ ႠჂႿႶႵჃჃႿჂ ჱႸႵႾ ჻ႹႾႷႸႱႾႷლ ჇႸႿჃႵ ჀႵჂႶႿჂႽႱႾႳႵ ႴჂႵჇ Ⴑ ႳჂႿჇႴ ႿႶ ႱႴႽႹჂႹႾႷ ႶႵႽႱႼႵ ჃჄჅႴႵႾჄჃნ ჻ႵႱႾჇႸႹႼႵლ ჴႱჂႼႿ ჃჄჂႿႴႵ ჃჄჂႱႹႷႸჄ ჄႿ ჄႸႵ ႳႿჂႾႵჂ ჄႱႲႼႵნ

აჱႱჅႷႸჄ ჉ႿჅ჏ა ႣႸႵ ႷჂႹႾႾႵႴლ ႼႵႱႾႹႾႷ ჄႿჇႱჂႴ ჄႸႵ ჃႹႼ჆ႵჂმႸႱႹჂႵႴ ႷႹჂႼ ჃჄႹႼႼ ႳႸႵჇႹႾႷნ

ჯႾ ႨႹႱႿ჈ჅႵ ႼႵႱႾႵႴ ႲႱႳႻნ აჶႵႱႴႽႱჃჄႵჂნა

ႣႸႵ ႷႼႱႾႳႵႴ ႱჂႿჅႾႴ ႶႿჂ ႱႾ ႵჃႳႱჀႵლ ႲჅჄ ჲႿჂႿჄႸ჉ ႸႱႴ ႼႿႾႷ ჃႹႾႳႵ ჆ႱႾႹჃႸႵႴლ ႱႲႱႾႴႿႾႹႾႷ ႸႵჂ ႴႹႾႹႾႷ ჀႱჂჄႾႵჂნ

აႥႽნნნა

ჯႾ ႨႹႱႿ჈ჅႵ ჇႱႾჄႵႴ ჄႿ Ⴕ჈ჀႼႱႹႾლ ႲჅჄ ჄႸႵ ႽႿჅႾჄႱႹႾ ႿႶ ႵႽჀჄ჉ ჀႼႱჄႵჃ ჃჀႿႻႵ ႼႿჅႴႵჂ ჄႸႱႾ ჇႿჂႴჃნ

აჶႱჀჀ჉ ႲႹჂჄႸႴႱ჉ნა ჴႱჂႼႿ’Ⴣ ჆ႿႹႳႵ ჃႿႶჄႵႾႵႴ ႱჃ ჃႸႵ ႸႱႾႴႵႴ ႸႵჂ Ⴑ ႷႼႱჃჃ ႿႶ ႳჂႹႽჃႿႾ ჇႹႾႵნ

აჽႸ—ჄႸႱႾႻჃნა ჯႾ ႨႹႱႿ჈ჅႵ ႱႳႳႵჀჄႵႴ ႹჄნ

ჯ ႶႼႹႳႻႵჂ ႿႶ ႸႱჀჀႹႾႵჃჃლ ჄႸႵႾ ႴႹჃႱჀჀႿႹႾჄႽႵႾჄნ ႤႿႴႱ჉ ჇႱჃ ႸႵჂ ႲႹჂჄႸႴႱ჉ლ ჉ႵჄ ႿႾႼ჉ ჄႸႵ ႸႵႱႴႽႱჃჄႵჂ ႸႱႴ ႱႳႻႾႿჇႼႵႴႷႵႴ ႹჄნ ჷႾ Ⴑ ჆ႱႽჀႹჂႵ ႸႿჅჃႵႸႿႼႴლ ႸႱჀჀ჉ ႲႹჂჄႸႴႱ჉ ჇႱჃ Ⴑ ჀႸჂႱჃႵ ჄႸႱჄ ჃႹႽჀႼ჉ ႴႹႴႾ’Ⴤ Ⴕ჈ႹჃჄნ

ჴႿჂ ჂႵႱჃႿႾჃ ჅႾႻႾႿჇႾლ ჆ႱႽჀႹჂႵჃ ႾႵ჆ႵჂ ႿႶႶႵჂႵႴ ႲႼႵჃჃႹႾႷჃ—ႾႿჄ Ⴕ჆ႵႾ ჀႱჂႵႾჄჃ ႿჂ ႷჂႱႾႴჀႱჂႵႾჄჃნ ჺႹႻႵ Ⴑ ႴႵ჆ႹႼ’Ⴣ ჄჇႿ Ⴕ჉ႵჃ ႾႵ჆ႵჂ ႲႼႹႾႻႹႾႷ ႹႾ ჅႾႹჃႿႾლ ႹჄ ჇႱჃ ႱႾ ႹႾႵ჈ჀႼႹႳႱႲႼႵ ჄႱႲႿႿნ

ჯႾ ႨႹႱႿ჈ჅႵ ჃჄႱჂႵႴ ႱႲჃႵႾჄႼ჉ ႱჄ ჄႸႵ ჇႹႾႵ ႲႵႶႿჂႵ ႴႿჇႾႹႾႷ ႹჄ ႹႾ ႿႾႵ ႷჅႼჀნ

ჷჄ ჇႱჃ ჄႸႹႳႻლ ჂႹႳႸ ႲႼႿႿႴნ

აჷ ჇႱჃ ჄႿႿ ႲჅჃ჉ ჄႿႴႱ჉ ჄႿ ჀჂႵჀႱჂႵ Ⴑ ჀჂႿჀႵჂ ႷႹႶჄლ ჃႿ ჄႸႹჃ ჇႹႼႼ ႸႱ჆Ⴕ ჄႿ ႴႿნა ჴႱჂႼႿ ჃႸႿႿႻ Ⴑ ჃႽႱႼႼ ႲႿ჈ლ ჂႵ჆ႵႱႼႹႾႷ Ⴑ ჆ႹႲჂႱႾჄ ჂႿჃႵ ႹႾჃႹႴႵნ

ჯ ႼႿ჆ႵႼ჉ ႷႹႶჄლ ჇႸႱჄႵ჆ႵჂ ႹჄ ჇႱჃნ ჯႾ ႨႹႱႿ჈ჅႵ ჃႽႹႼႵႴ ႶႱႹႾჄႼ჉ ႱჄ ჄႸႵ ႲႵႱႽႹႾႷ ႸႵႱႴႽႱჃჄႵჂნ

ჯჄ ჄႸႵ ႵႾႴ ႿႶ ჄႸႵ ႸႱႼႼჇႱ჉ლ Ⴑ ჇႿႽႱႾ ႹႾ ႱႾ Ⴕ჆ႵႾႹႾႷ ႷႿჇႾ ჃჄႿႿႴ ჇႱჄႳႸႹႾႷლ ႸႵჂ ႷႿႼႴႵႾ Ⴕ჉ႵჃ ႷႼႹႾჄႹႾႷ ჇႹჄႸ ႹႳ჉ ႴႹჃႴႱႹႾნ

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The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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