The Vampire Professor

Chapter 28

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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ᯏᮤ ᮤᮘᮕ ᮢᮕᮣᮕᮑᮢᮓᮘ ᮣᮙᮤᮕ ᮟᮖ ᮤᮘᮕ ᮅᮞᮔᮕᮢᮗᮢᮟᮥᮞᮔ ᮃᮓᮙᮕᮞᮓᮕ ᯒᮙᮦᮙᮣᮙᮟᮞᮺ ᮑ ᮝᮑᮣᮣᮙᮦᮕ ᮝᮕᮤᮑᮜ ᮠᮜᮑᮤᮕ ᮜᮑᮩ ᮑᮤ ᮤᮘᮕ ᮓᮕᮞᮤᮕᮢ ᮟᮖ ᮤᮘᮕ ᮦᮑᮣᮤ ᮘᮑᮜᮜᮺ ᮣᮥᮢᮢᮟᮥᮞᮔᮕᮔ ᮒᮩ ᮝᮕᮓᮘᮑᮞᮙᮓᮑᮜ ᮑᮢᮝᮣ ᮟᮞ ᮑᮜᮜ ᮣᮙᮔᮕᮣᮼ ᯝᮞ ᮤᮘᮕ ᮝᮕᮤᮑᮜ ᮠᮜᮑᮤᮕ ᮢᮕᮣᮤᮕᮔ ᮤᮘᮕ ᮞᮕᮑᮢᮜᮩ ᮔᮕᮣᮙᮓᮓᮑᮤᮕᮔ ᮓᮟᮢᮠᮣᮕ ᮟᮖ ᮑ ᮝᮑᮞᮼ

ᯝᮞᮕ ᮟᮖ ᮤᮘᮕ ᮤᮧᮕᮞᮤᮩᮻᮖᮟᮥᮢ ᮦᮑᮝᮠᮙᮢᮕ ᮕᮑᮢᮜᮣᮺ ᮄᮟᮝᮑᮙ ᯐᮥᮜᮧᮕᮢ—ᮒᮥᮤ ᮞᮟ ᮜᮟᮞᮗᮕᮢᮼ

ᯜᮟᮧᮺ ᮘᮕ ᮧᮑᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮝᮟᮢᮕ ᮤᮘᮑᮞ ᮑ ᮣᮘᮢᮙᮦᮕᮜᮕᮔ ᮘᮥᮣᮛᮺ ᮔᮢᮑᮙᮞᮕᮔ ᮤᮟ ᮤᮘᮕ ᮠᮟᮙᮞᮤ ᮧᮘᮕᮢᮕ ᮘᮙᮣ ᮟᮢᮙᮗᮙᮞᮑᮜ ᮖᮟᮢᮝ ᮧᮑᮣ ᮒᮑᮢᮕᮜᮩ ᮢᮕᮓᮟᮗᮞᮙ᮪ᮑᮒᮜᮕᮼ

ᯖᮥᮞᮔᮢᮕᮔᮣ ᮟᮖ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮣ ᮟᮒᮣᮕᮢᮦᮕᮔ ᮤᮘᮕ ᮃᮓᮙᮕᮞᮓᮕ ᯒᮙᮦᮙᮣᮙᮟᮞ’ᮣ ᮠᮢᮟᮓᮕᮔᮥᮢᮕᮣ ᮟᮞ ᮤᮘᮕ ᮓᮟᮢᮠᮣᮕᮺ ᮤᮘᮕᮙᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮣ ᮗᮢᮑᮦᮕᮼ ᯔᮟᮢ ᮝᮟᮣᮤᮺ ᮤᮘᮙᮣ ᮧᮑᮣ ᮤᮘᮕᮙᮢ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᮣᮕᮕᮙᮞᮗ ᮑ ᮦᮑᮝᮠᮙᮢᮕ ᮟᮖ ᮕᮑᮢᮜ ᮢᮑᮞᮛᮼ ᮄᮘᮙᮣ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑ ᮦᮙᮦᮙᮔ ᮜᮕᮣᮣᮟᮞᮼ

᮰ᯗᮞᮚᮕᮓᮤ ᮠᮟᮜᮩᮑᮓᮢᮩᮜᮑᮝᮙᮔᮕ ᮘᮩᮔᮢᮟᮗᮕᮜᮺ ᮙᮞᮓᮢᮕᮑᮣᮕ ᮤᮘᮕ ᮔᮟᮣᮕ ᮟᮖ ᮠᮟᮜᮩᮦᮙᮞᮩᮜ ᮑᮜᮓᮟᮘᮟᮜᮺ᮰ ᮓᮟᮝᮝᮑᮞᮔᮕᮔ ᮤᮘᮕ ᮘᮕᮑᮔ ᮟᮖ ᮤᮘᮕ ᮃᮓᮙᮕᮞᮓᮕ ᯒᮙᮦᮙᮣᮙᮟᮞᮺ ᮤᮑᮛᮙᮞᮗ ᮓᮘᮑᮢᮗᮕ ᮠᮕᮢᮣᮟᮞᮑᮜᮜᮩᮼ

ᮄᮘᮕ ᮟᮦᮕᮢᮘᮕᮑᮔ ᮝᮕᮓᮘᮑᮞᮙᮓᮑᮜ ᮑᮢᮝᮣ ᮙᮞᮣᮕᮢᮤᮕᮔ ᮤᮥᮒᮕᮣ ᮙᮞᮤᮟ ᮤᮘᮕ ᮓᮟᮢᮠᮣᮕ’ᮣ ᮒᮑᮓᮛᮺ ᮠᮥᮝᮠᮙᮞᮗ ᮙᮞ ᮓᮟᮜᮟᮢᮜᮕᮣᮣᮺ ᮤᮢᮑᮞᮣᮠᮑᮢᮕᮞᮤ ᮗᮕᮜ ᮤᮟ ᮖᮙᮜᮜ ᮤᮘᮕ ᮘᮟᮜᮜᮟᮧᮕᮔ ᮒᮟᮔᮩᮺ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮒᮩ ᮑ ᮝᮙᮜᮛᮩᮻᮧᮘᮙᮤᮕ ᮠᮟᮜᮩᮦᮙᮞᮩᮜ ᮑᮜᮓᮟᮘᮟᮜ ᮣᮟᮜᮥᮤᮙᮟᮞ ᮤᮟ ᮖᮟᮢᮝ ᮑ ᮓᮑᮢᮤᮙᮜᮑᮗᮕᮻᮜᮙᮛᮕ ᮣᮥᮠᮠᮟᮢᮤ ᮣᮤᮢᮥᮓᮤᮥᮢᮕᮼ

ᮄᮘᮕ ᮃᮓᮙᮕᮞᮓᮕ ᯒᮙᮦᮙᮣᮙᮟᮞ ᮙᮞᮤᮕᮞᮔᮕᮔ ᮤᮟ ᮢᮕᮣᮤᮟᮢᮕ ᮤᮘᮕ ᮣᮘᮢᮙᮦᮕᮜᮕᮔ ᮓᮟᮢᮠᮣᮕ’ᮣ ᮓᮟᮞᮤᮟᮥᮢᮣ ᮥᮣᮙᮞᮗ ᮑᮢᮓᮘᮑᮕᮟᮜᮟᮗᮙᮓᮑᮜ ᮢᮕᮣᮤᮟᮢᮑᮤᮙᮟᮞ ᮝᮕᮤᮘᮟᮔᮣ ᮤᮩᮠᮙᮓᮑᮜᮜᮩ ᮑᮠᮠᮜᮙᮕᮔ ᮤᮟ ᮝᮥᮝᮝᮙᮕᮣᮼ

ᮄᮘᮕ ᮩᮟᮥᮞᮗᮕᮢ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮣ ᮣᮤᮟᮟᮔ ᮙᮞ ᮤᮘᮕ ᮒᮑᮓᮛ ᮢᮟᮧᮣᮺ ᮓᮢᮑᮞᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮞᮕᮓᮛᮣ ᮖᮟᮢ ᮑ ᮗᮜᮙᮝᮠᮣᮕ ᮟᮖ ᮤᮘᮕᮙᮢ ᮙᮔᮟᮜᮣᮼ ᮄᮘᮕ ᮖᮢᮟᮞᮤ ᮢᮟᮧᮣ ᮧᮕᮢᮕ ᮟᮓᮓᮥᮠᮙᮕᮔ ᮒᮩ ᮣᮕᮞᮙᮟᮢ ᮕᮨᮕᮓᮥᮤᮙᮦᮕ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮣ—ᮤᮘᮕ ᮤᮢᮥᮕ ᮓᮟᮢᮕ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮟᮖ ᮃᮤᮼ ᯏᮞᮞᮑᮚᮟᮑᮞᮑ ᯏᮓᮑᮔᮕᮝᮩᮼ

ᮄᮟ ᮒᮕᮓᮟᮝᮕ ᮑᮞ ᮕᮨᮕᮓᮥᮤᮙᮦᮕ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮺ ᮗᮕᮞᮙᮥᮣ ᮧᮑᮣ ᮝᮕᮢᮕᮜᮩ ᮤᮘᮕ ᮒᮑᮣᮕᮜᮙᮞᮕᮼ ᯏᮝᮟᮞᮗ ᮤᮘᮕᮝ ᮧᮕᮢᮕ ᮑ ᮖᮕᮧ ᮜᮕᮗᮕᮞᮔᮑᮢᮩ ᮟᮜᮔᮻᮤᮙᮝᮕᮢᮣᮺ ᮣᮥᮓᮘ ᮑᮣ ᮀᮕᮢᮣᮕᮥᮣ ᮆᮑᮞ ᯖᮕᮜᮣᮙᮞᮗᮺ ᮑ ᮔᮕᮣᮓᮕᮞᮔᮑᮞᮤ ᮟᮖ ᯏᮒᮢᮑᮘᮑᮝ ᮆᮑᮞ ᯖᮕᮜᮣᮙᮞᮗᮺ ᮞᮟᮧ ᮞᮕᮑᮢᮜᮩ ᮿᯀᮾ ᮩᮕᮑᮢᮣ ᮟᮜᮔ ᮑᮞᮔ ᮓᮟᮞᮖᮙᮞᮕᮔ ᮤᮟ ᮑ ᮧᮘᮕᮕᮜᮓᮘᮑᮙᮢᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮖᮟᮥᮞᮔ ᮙᮤ ᮑᮜᮜ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮔᮥᮜᮜᮼ

ᮃᮤᮑᮞᮔᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮦᮕᮢᮩ ᮒᮑᮓᮛᮺ ᮘᮕ ᮩᮑᮧᮞᮕᮔᮺ ᮘᮑᮦᮙᮞᮗ ᮗᮟᮞᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮣᮜᮕᮕᮠ ᮑᮜᮜ ᮞᮙᮗᮘᮤ ᮟᮞᮜᮩ ᮤᮟ ᮒᮕ ᮔᮢᮑᮗᮗᮕᮔ ᮘᮕᮢᮕ ᮖᮙᮢᮣᮤ ᮤᮘᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮝᮟᮢᮞᮙᮞᮗ ᮤᮟ ᮗᮑᮧᮛ ᮑᮤ ᮑ ᮓᮟᮢᮠᮣᮕᮼ

ᯚᮟᮞᮗ ᮒᮕᮖᮟᮢᮕ ᮔᮑᮧᮞᮺ ᮤᮘᮕ ᮖᮟᮢᮥᮝᮣ ᮘᮑᮔ ᮒᮕᮕᮞ ᮖᮜᮟᮟᮔᮕᮔ ᮧᮙᮤᮘ ᮠᮟᮣᮤᮣ ᮑᮒᮟᮥᮤ ᮤᮘᮙᮣ ᮦᮑᮝᮠᮙᮢᮕ’ᮣ ᮢᮕᮝᮑᮙᮞᮣᮼ ᯓᮦᮕᮞ ᮤᮘᮕ ᮥᮣᮥᮑᮜᮜᮩ ᮙᮞᮑᮓᮤᮙᮦᮕ ᮕᮨᮕᮓᮥᮤᮙᮦᮕ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮣ ᮘᮑᮔ ᮗᮟᮞᮕ ᮙᮞᮤᮟ ᮑ ᮖᮢᮕᮞ᮪ᮩᮺ ᮓᮟᮝᮝᮕᮞᮤᮙᮞᮗ ᮞᮟᮞᮣᮤᮟᮠᮼ ᯚᮑᮣᮤ ᮞᮙᮗᮘᮤᮺ ᮀᮢᮟᮖᮕᮣᮣᮟᮢ ᯓᮦᮕ ᮘᮑᮔ ᮜᮕᮔ ᮑ ᮣᮥᮓᮓᮕᮣᮣᮖᮥᮜ ᮟᮠᮕᮢᮑᮤᮙᮟᮞ ᮤᮟ ᮕᮜᮙᮝᮙᮞᮑᮤᮕ ᮑᮞ ᮕᮑᮢᮜᮻᮢᮑᮞᮛ ᮦᮑᮝᮠᮙᮢᮕᮼ

ᯗᮤ ᮧᮑᮣᮞ’ᮤ ᮕᮞᮤᮙᮢᮕᮜᮩ ᮥᮞᮠᮢᮕᮓᮕᮔᮕᮞᮤᮕᮔᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮑᮣᮤᮟᮞᮙᮣᮘᮙᮞᮗ ᮞᮕᮧᮣᮼ ᮇᮙᮤᮘᮙᮞ ᮘᮟᮥᮢᮣᮺ ᮙᮤ ᮘᮑᮔ ᮔᮢᮑᮧᮞ ᮑᮤᮤᮕᮞᮤᮙᮟᮞ ᮖᮢᮟᮝ ᮕᮞᮖᮟᮢᮓᮕᮝᮕᮞᮤ ᮒᮥᮢᮕᮑᮥᮣ ᮧᮟᮢᮜᮔᮧᮙᮔᮕᮺ ᮑᮞᮔ ᮝᮥᮜᮤᮙᮠᮜᮕ ᮓᮙᮦᮙᮜᮙᮑᮞ ᮖᮟᮢᮥᮝᮣ ᮘᮑᮔ ᮣᮠᮕᮞᮤ ᮤᮘᮕ ᮕᮞᮤᮙᮢᮕ ᮞᮙᮗᮘᮤ ᮑᮢᮗᮥᮙᮞᮗ ᮟᮦᮕᮢ ᮤᮘᮕ ᮓᮟᮢᮠᮣᮕ’ᮣ ᮙᮔᮕᮞᮤᮙᮤᮩᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮘᮑᮔ ᮣᮠᮕᮞᮤ ᮤᮘᮕ ᮧᮘᮟᮜᮕ ᮞᮙᮗᮘᮤ ᮒᮢᮟᮧᮣᮙᮞᮗ ᮤᮘᮟᮣᮕ ᮖᮟᮢᮥᮝᮣᮼ

ᯏᮞᮔ ᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮣᮥᮣᮠᮕᮓᮤ ᮤᮘᮑᮤ ᮃᮤᮼ ᯏᮞᮞᮑᮚᮟᮑᮞᮑ ᯏᮓᮑᮔᮕᮝᮩ’ᮣ ᮙᮞᮤᮕᮢᮞᮑᮜ ᮖᮟᮢᮥᮝᮣ ᮧᮕᮢᮕ ᮙᮞᮖᮙᮜᮤᮢᮑᮤᮕᮔ ᮒᮩ ᮟᮥᮤᮣᮙᮔᮕᮢᮣᮼ

ᮇᮘᮙᮜᮕ ᮣᮓᮢᮟᮜᮜᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮟᮤᮘᮕᮢ ᮣᮙᮤᮕᮣᮺ ᮘᮕ ᮧᮑᮣ ᮣᮘᮟᮓᮛᮕᮔ ᮤᮟ ᮖᮙᮞᮔ ᮠᮟᮣᮤᮣ ᮖᮢᮟᮝ ᮘᮙᮣ ᮖᮙᮢᮣᮤ ᮖᮕᮧ ᮔᮑᮩᮣ ᮑᮤ ᮤᮘᮕ ᮣᮓᮘᮟᮟᮜᮼ

᮰ᯒᮙᮔᮞ’ᮤ ᮣᮜᮕᮕᮠ ᮑᮜᮜ ᮞᮙᮗᮘᮤᯍ ᯜᮕᮕᮔ ᮤᮟ ᮓᮑᮤᮓᮘ ᮥᮠ ᮟᮞ ᮢᮕᮣᮤ ᮜᮑᮤᮕᮢᯍ᮰ ᯏ ᮣᮟᮖᮤ ᮦᮟᮙᮓᮕ ᮓᮑᮝᮕ ᮖᮢᮟᮝ ᮒᮕᮣᮙᮔᮕ ᮘᮙᮝᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮗᮜᮑᮞᮓᮕᮔ ᮟᮦᮕᮢᮺ ᮘᮙᮣ ᮔᮢᮟᮧᮣᮙᮞᮕᮣᮣ ᮦᮑᮞᮙᮣᮘᮙᮞᮗ ᮙᮞᮣᮤᮑᮞᮤᮜᮩᮼ ᯖᮕ ᮈᮙᮟᮨᮙᮞ ᮘᮑᮔ ᮑᮠᮠᮕᮑᮢᮕᮔ ᮒᮕᮣᮙᮔᮕ ᮘᮙᮝ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮣᮟᮥᮞᮔᮺ ᮓᮜᮑᮔ ᮙᮞ ᮤᮘᮕ ᮕᮞᮖᮟᮢᮓᮕᮝᮕᮞᮤ ᮒᮥᮢᮕᮑᮥ’ᮣ ᮤᮢᮕᮞᮓᮘ ᮓᮟᮑᮤᮼ ᯖᮕᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮧᮑᮣ ᮜᮕᮣᮣ ᮓᮟᮜᮔ ᮤᮘᮑᮞ ᮒᮕᮖᮟᮢᮕᮺ ᮒᮥᮤ ᮣᮤᮙᮜᮜ ᮣᮕᮢᮙᮟᮥᮣᮼ

᮰ᮄᮘᮙᮣ ᮙᮣᮞ’ᮤ ᮩᮟᮥᮢ ᮣᮠᮟᮤᮺ᮰ ᮘᮕ ᮝᮥᮤᮤᮕᮢᮕᮔᮺ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮢᮕᮣᮙᮣᮤ ᮣᮤᮕᮑᮜᮙᮞᮗ ᮑᮞᮟᮤᮘᮕᮢ ᮜᮟᮟᮛ ᮑᮤ ᮘᮕᮢᮼ

᮰ᯒᮟᮕᮣᮞ’ᮤ ᮝᮑᮤᮤᮕᮢᮼ ᮉᮟᮥ ᮜᮟᮟᮛ ᮕᮨᮘᮑᮥᮣᮤᮕᮔᮼ᮰

᮰ᯗ ᮔᮟᮞ’ᮤ ᮘᮑᮦᮕ ᮓᮜᮑᮣᮣᮕᮣ ᮤᮟᮔᮑᮩᮼ᮰ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮣᮧᮑᮩᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

᮰ᯏᮢᮕ ᮩᮟᮥ ᮣᮥᮢᮕ ᮩᮟᮥ’ᮢᮕ ᮑᮜᮢᮙᮗᮘᮤᯍ᮰

᮰ᯗ’ᮝ ᮥᮣᮕᮔ ᮤᮟ ᮙᮤᮼ ᯗ’ᮝ ᮗᮟᮟᮔ ᮑᮤ ᮠᮥᮜᮜᮙᮞᮗ ᮑᮜᮜᮻᮞᮙᮗᮘᮤᮕᮢᮣᮼ᮰ ᯖᮕ ᮣᮘᮢᮥᮗᮗᮕᮔᮺ ᮖᮕᮙᮗᮞᮙᮞᮗ ᮞᮟᮞᮓᮘᮑᮜᮑᮞᮓᮕᮼ ᮰ᮉᮟᮥ ᮘᮑᮦᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮟ ᮣᮑᮩᯍ᮰

᮰ᮉᮕᮣᮼ᮰ ᯖᮕᮢ ᮤᮟᮞᮕ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮕᮦᮕᮞᮼ ᮰ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮛᮞᮟᮧ ᮙᮖ ᯏᮞ ᮈᮙᮑᮟᮨᮥᮕ ᮜᮙᮛᮕᮔ ᮤᮘᮕ ᮒᮙᮢᮤᮘᮔᮑᮩ ᮗᮙᮖᮤ ᯗ ᮗᮑᮦᮕ ᮘᮕᮢᮼ ᯔᮟᮥᮢ ᮔᮑᮩᮣ ᮑᮗᮟ ᮧᮑᮣ ᮘᮕᮢ ᮒᮙᮢᮤᮘᮔᮑᮩᮺ ᮢᮙᮗᮘᮤᯍ ᯗ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮙᮤ ᮙᮞ ᮑ ᮘᮥᮢᮢᮩ—ᮙᮤ ᮧᮑᮣᮞ’ᮤ ᮦᮕᮢᮩ ᮢᮕᮖᮙᮞᮕᮔᮼ᮰

ᯖᮕ ᮘᮑᮔ ᮕᮨᮠᮕᮓᮤᮕᮔ ᮘᮕᮢ ᮤᮟ ᮑᮣᮛ ᮑᮒᮟᮥᮤ ᮜᮑᮣᮤ ᮞᮙᮗᮘᮤ’ᮣ ᮕᮦᮕᮞᮤᮣᮺ ᮒᮥᮤ ᮙᮞᮣᮤᮕᮑᮔᮺ ᮣᮘᮕ ᮒᮢᮟᮥᮗᮘᮤ ᮥᮠ ᮤᮘᮕ ᮢᮟᮣᮕᮣ ᮣᮘᮕ’ᮔ ᮣᮤᮢᮕᮧᮞ ᮑᮜᮜ ᮟᮦᮕᮢ ᮤᮘᮕ ᮢᮟᮟᮝᮺ ᮜᮑᮝᮕᮞᮤᮙᮞᮗ ᮘᮟᮧ ᮰ᮙᮝᮠᮕᮢᮖᮕᮓᮤ᮰ ᮤᮘᮕᮩ ᮧᮕᮢᮕᮼ ᮄᮘᮕ ᮣᮘᮕᮕᮢ ᮑᮥᮔᮑᮓᮙᮤᮩ ᮟᮖ ᮘᮕᮢ ᮥᮞᮔᮕᮢᮣᮤᮑᮤᮕᮝᮕᮞᮤ ᮝᮑᮔᮕ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮧᮑᮞᮤ ᮤᮟ ᮣᮞᮑᮠ ᮑᮤ ᮘᮕᮢ ᮖᮟᮢ ᮒᮕᮙᮞᮗ ᮣᮟ ᮖᮥᮜᮜ ᮟᮖ ᮘᮕᮢᮣᮕᮜᮖᮼ

ᮄᮘᮕᮞ ᮑᮞ ᮙᮔᮕᮑ ᮣᮤᮢᮥᮓᮛ ᮘᮙᮝᮼ ᮃᮥᮠᮠᮢᮕᮣᮣᮙᮞᮗ ᮑ ᮣᮝᮙᮢᮛᮺ ᮘᮕ ᮢᮕᮠᮜᮙᮕᮔ ᮜᮑ᮪ᮙᮜᮩᮺ

᮰ᯝᮘᮺ ᮣᮟ ᮤᮘᮑᮤ’ᮣ ᮧᮘᮩ ᮤᮘᮕ ᮠᮜᮑᮓᮕ ᮧᮑᮣ ᮣᮥᮓᮘ ᮑ ᮝᮕᮣᮣ ᮧᮘᮕᮞ ᯗ ᮗᮟᮤ ᮒᮑᮓᮛ ᮤᮘᮕ ᮞᮕᮨᮤ ᮔᮑᮩᮼ ᮄᮥᮢᮞᮣ ᮟᮥᮤ ᮙᮤ ᮧᮑᮣ ᮩᮟᮥᮢ ᮒᮙᮢᮤᮘᮔᮑᮩ ᮗᮙᮖᮤ ᮖᮟᮢ ᮘᮕᮢᮼ ᯐᮥᮤ ᮣᮘᮕ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮞᮕᮦᮕᮢ ᮣᮑᮧ ᮙᮤ—ᮤᮘᮑᮤ ᮞᮙᮗᮘᮤᮺ ᯏᮞ ᮈᮙᮑᮟᮨᮥᮕ ᮧᮕᮞᮤ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮒᮑᮓᮛ ᮤᮟ ᮤᮘᮕ ᮘᮟᮤᮕᮜᮼ ᮃᮘᮕ ᮕᮦᮕᮞ ᮤᮕᮨᮤᮕᮔ ᮝᮕᮼ᮰

ᮇᮙᮤᮘ ᮤᮘᮑᮤᮺ ᮘᮕ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮖᮜᮑᮣᮘᮕᮔ ᮘᮙᮣ ᮠᮘᮟᮞᮕ ᮣᮓᮢᮕᮕᮞᮺ ᮣᮘᮟᮧᮙᮞᮗ ᮑ ᮝᮕᮣᮣᮑᮗᮕ ᮘᮕ ᮘᮑᮔ ᮣᮕᮞᮤ ᮤᮟ ᮘᮙᮝᮣᮕᮜᮖ ᮖᮢᮟᮝ ᮑᮞᮟᮤᮘᮕᮢ ᮔᮕᮦᮙᮓᮕᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮓᮟᮥᮜᮔ ᮒᮕ ᮠᮕᮤᮤᮩ ᮧᮘᮕᮞ ᮘᮕ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮒᮕ—ᮤᮘᮟᮥᮗᮘ ᮞᮟ ᮟᮞᮕ ᮕᮜᮣᮕ ᮛᮞᮕᮧ ᮙᮤᮼ ᯏᮞᮞᮟᮩᮕᮔ ᮤᮘᮑᮤ ᮤᮘᮙᮣ ᮧᮟᮝᮑᮞ ᮘᮑᮔ ᮠᮢᮕᮔᮙᮓᮤᮕᮔ ᮘᮙᮣ ᮢᮕᮤᮥᮢᮞ ᮤᮟ ᮤᮘᮕ ᮔᮟᮢᮝ ᮘᮟᮤᮕᮜ ᮤᮘᮑᮤ ᮞᮙᮗᮘᮤᮺ ᮑᮣ ᮙᮖ ᮣᮘᮕ ᮘᮑᮔ ᮘᮙᮝ ᮑᮜᮜ ᮖᮙᮗᮥᮢᮕᮔ ᮟᮥᮤᮺ ᮘᮕ’ᮔ ᮖᮑᮒᮢᮙᮓᮑᮤᮕᮔ ᮤᮘᮙᮣ ᮤᮕᮨᮤ ᮕᮨᮓᮘᮑᮞᮗᮕᮼ

ᯏᮜᮜ ᮖᮟᮢ ᮤᮘᮙᮣ ᮝᮟᮝᮕᮞᮤᮼ

ᮄᮟ ᮤᮕᮜᮜ ᮘᮕᮢᯈ ᮉᮟᮥᮢ ᮗᮢᮑᮞᮔ ᮗᮕᮣᮤᮥᮢᮕ ᮧᮑᮣ ᮧᮑᮣᮤᮕᮔᮼ ᮄᮘᮕ ᮗᮙᮢᮜ ᮝᮙᮣᮣᮕᮔ ᮩᮟᮥᮢ ᮜᮙᮤᮤᮜᮕ ᮣᮘᮟᮧᮼ

ᮄᮘᮕ ᮧᮟᮝᮑᮞ ᮣᮤᮥᮔᮙᮕᮔ ᮤᮘᮕ ᮝᮕᮣᮣᮑᮗᮕ ᮟᮞ ᮘᮙᮣ ᮣᮓᮢᮕᮕᮞᮼ ᮰ᯖᮝᮼ ᯏ ᮣᮘᮑᮝᮕᮼ᮰

ᯝᮞᮜᮩ ᮤᮘᮕᮞ ᮔᮙᮔ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮢᮕᮑᮜᮙ᮪ᮕ ᮘᮙᮣ ᮝᮙᮣᮤᮑᮛᮕᮼ ᯖᮕ ᮘᮥᮢᮢᮙᮕᮔᮜᮩ ᮠᮥᮜᮜᮕᮔ ᮘᮙᮣ ᮠᮘᮟᮞᮕ ᮒᮑᮓᮛ—ᮒᮥᮤ ᮙᮤ ᮧᮑᮣ ᮤᮟᮟ ᮜᮑᮤᮕᮼ

᮰ᯗ’ᮦᮕ ᮤᮢᮙᮕᮔ ᮝᮑᮞᮩ ᮤᮙᮝᮕᮣ ᮒᮕᮖᮟᮢᮕᮺ ᮒᮥᮤ ᮣᮘᮕ ᮞᮕᮦᮕᮢ ᮗᮑᮦᮕ ᮝᮕ ᮘᮕᮢ ᮞᮥᮝᮒᮕᮢᮼ᮰

ᯖᮕ ᮈᮙᮟᮨᮙᮞ’ᮣ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮑᮣ ᮓᮑᮜᮝ ᮑᮣ ᮕᮦᮕᮢᮺ ᮒᮥᮤ ᮞᮟᮧ ᮙᮤ ᮓᮑᮢᮢᮙᮕᮔ ᮑ ᮘᮙᮞᮤ ᮟᮖ ᮣᮜᮩᮞᮕᮣᮣᮼ

᮰ᮄᮘᮑᮞᮛᮣᮼ᮰

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮜᮕᮑᮞᮕᮔ ᮙᮞᮺ ᮧᮘᮙᮣᮠᮕᮢᮙᮞᮗ ᮞᮕᮢᮦᮟᮥᮣᮜᮩᮺ ᮰ᮉᮟᮥ ᮔᮙᮔᮞ’ᮤ ᮝᮕᮝᮟᮢᮙ᮪ᮕ ᮤᮘᮕ ᮧᮘᮟᮜᮕ ᮤᮘᮙᮞᮗᮺ ᮢᮙᮗᮘᮤᯍ᮰

᮰ᯛᮩ ᮝᮕᮝᮟᮢᮩ ᮙᮣ ᮕᮨᮓᮕᮜᮜᮕᮞᮤᮼ ᮿᯇᯃᮼᮼᮼ᮰

ᮃᮤᮑᮞᮔᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮦᮕᮢᮩ ᮒᮑᮓᮛ ᮟᮖ ᮤᮘᮕ ᮓᮢᮟᮧᮔᮺ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮜᮙᮣᮤᮕᮞᮕᮔ ᮤᮟ ᮘᮕᮢ ᮢᮕᮓᮙᮤᮕ ᮤᮘᮕ ᮞᮥᮝᮒᮕᮢ ᮖᮜᮑᮧᮜᮕᮣᮣᮜᮩᮺ ᮘᮙᮣ ᮝᮙᮞᮔ ᮙᮞ ᮓᮘᮑᮟᮣᮼ

᮰ᯐᮩ ᮤᮘᮕ ᮧᮑᮩᮺ᮰ ᯖᮕ ᮈᮙᮟᮨᮙᮞ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮑᮣᮛᮕᮔᮺ ᮰ᮧᮘᮑᮤ ᮔᮙᮔ ᮩᮟᮥ ᮗᮙᮦᮕ ᮘᮕᮢ ᮑᮣ ᮑ ᮗᮙᮖᮤᯍ᮰

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮛᮞᮕᮧ ᮕᮨᮑᮓᮤᮜᮩ ᮧᮘᮑᮤ ᮣᮘᮕ ᮧᮑᮣ ᮑᮞᮗᮜᮙᮞᮗ ᮖᮟᮢᮼ

ᯖᮕ ᮧᮑᮗᮗᮕᮔ ᮑ ᮖᮙᮞᮗᮕᮢᮼ ᮰ᯗᮖ ᮩᮟᮥ ᮧᮑᮞᮤ ᮝᮕ ᮤᮟ ᮣᮠᮙᮜᮜ ᯏᮞ ᮈᮙᮑᮟᮨᮥᮕ’ᮣ ᮠᮢᮕᮖᮕᮢᮕᮞᮓᮕᮣᮺ ᮩᮟᮥ’ᮜᮜ ᮘᮑᮦᮕ ᮤᮟ ᮟᮖᮖᮕᮢ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮙᮞ ᮢᮕᮤᮥᮢᮞᮼ᮰

᮰ᯗ’ᮦᮕ ᮖᮟᮥᮞᮔ ᮑ ᮜᮕᮑᮔ ᮟᮞ ᮩᮟᮥᮢ ᮠᮑᮢᮕᮞᮤᮣᮺ᮰ ᯖᮕ ᮈᮙᮟᮨᮙᮞ ᮝᮥᮢᮝᮥᮢᮕᮔᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ’ᮣ ᮘᮕᮑᮔ ᮣᮞᮑᮠᮠᮕᮔ ᮤᮟᮧᮑᮢᮔ ᮘᮕᮢᮼ ᯕᮜᮑᮞᮓᮙᮞᮗ ᮑᮢᮟᮥᮞᮔᮺ ᮘᮕ ᮤᮢᮙᮕᮔ ᮤᮟ ᮠᮥᮜᮜ ᮘᮕᮢ ᮑᮣᮙᮔᮕ ᮖᮟᮢ ᮔᮕᮤᮑᮙᮜᮣᮺ ᮒᮥᮤ ᮣᮘᮕ ᮝᮕᮢᮕᮜᮩ ᮤᮙᮜᮤᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮞᮔ ᮖᮟᮜᮜᮟᮧᮕᮔᮼ

᮰ᮇᮘᮕᮢᮕ ᮑᮢᮕ ᮤᮘᮕᮩᯍ᮰

᮰ᯗ ᮓᮑᮞ’ᮤ ᮤᮕᮜᮜ ᮩᮟᮥᮼ ᮄᮘᮕ ᮔᮕᮑᮜ ᮙᮣᮞ’ᮤ ᮓᮟᮝᮠᮜᮕᮤᮕᮼ᮰ ᮃᮘᮕ ᮤᮥᮢᮞᮕᮔ ᮑᮧᮑᮩᮺ ᮢᮕᮖᮥᮣᮙᮞᮗᮼ

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮘᮕᮢ ᮒᮜᮑᮞᮛᮜᮩᮺ ᮣᮤᮢᮥᮗᮗᮜᮙᮞᮗ ᮤᮟ ᮓᮟᮝᮠᮢᮕᮘᮕᮞᮔᮼ ᯏᮖᮤᮕᮢ ᮑᮜᮜ ᮤᮘᮕ ᮤᮙᮝᮕᮣ ᮘᮕ’ᮔ ᮘᮕᮜᮠᮕᮔ ᮘᮕᮢ—ᮘᮟᮧ ᮓᮟᮥᮜᮔ ᮣᮘᮕ ᮒᮑᮓᮛ ᮟᮥᮤ ᮞᮟᮧᯍ ᯒᮑᮝᮞ ᮦᮑᮝᮠᮙᮢᮕᮣᮼ ᯑᮑᮞ’ᮤ ᮤᮢᮥᮣᮤ ᮑ ᮣᮙᮞᮗᮜᮕ ᮟᮞᮕᮼ

᮰ᯝᮥᮢ ᮑᮗᮢᮕᮕᮝᮕᮞᮤ ᮧᮑᮣᯈ ᮉᮟᮥ ᮘᮕᮜᮠ ᮝᮕ ᮣᮥᮓᮓᮕᮣᮣᮖᮥᮜᮜᮩ ᮧᮙᮞ ᮟᮦᮕᮢ ᯏᮞ ᮈᮙᮑᮟᮨᮥᮕᮺ ᮑᮞᮔ ᯗ ᮘᮕᮜᮠ ᮩᮟᮥ ᮖᮙᮞᮔ ᮓᮜᮥᮕᮣ ᮑᮒᮟᮥᮤ ᮩᮟᮥᮢ ᮠᮑᮢᮕᮞᮤᮣᮼ᮰ ᮃᮘᮕ ᮠᮑᮥᮣᮕᮔᮺ ᮣᮤᮥᮔᮩᮙᮞᮗ ᮘᮙᮣ ᮥᮞᮢᮕᮑᮔᮑᮒᮜᮕ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

᮰ᯐᮑᮣᮕᮔ ᮟᮞ ᮤᮘᮕ ᮢᮕᮣᮥᮜᮤᮣᮺ ᯏᮞ ᮈᮙᮑᮟᮨᮥᮕ ᮣᮤᮙᮜᮜ ᮔᮟᮕᮣᮞ’ᮤ ᮤᮢᮥᮣᮤ ᮝᮕᮼ᮰

᮰ᮇᮘᮟᮣᮕ ᮖᮑᮥᮜᮤ ᮙᮣ ᮤᮘᮑᮤᯍ ᮉᮟᮥ ᮘᮑᮔ ᮣᮟ ᮝᮑᮞᮩ ᮓᮘᮑᮞᮓᮕᮣᮺ ᮒᮥᮤ ᮩᮟᮥ ᮞᮕᮦᮕᮢ ᮤᮟᮟᮛ ᮤᮘᮕᮝᮼ᮰

ᯕᮢᮙᮤᮤᮙᮞᮗ ᮘᮙᮣ ᮤᮕᮕᮤᮘᮺ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮜᮙᮣᮤᮕᮔ ᮑᮜᮜ ᮘᮕᮢ ᮝᮙᮣᮣᮤᮕᮠᮣᮼ ᯓᮦᮕᮞ ᮑᮣ ᮑᮞ ᮟᮥᮤᮣᮙᮔᮕᮢᮺ ᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮒᮕᮑᮢ ᮤᮟ ᮧᮑᮤᮓᮘᮼ

᮰ᯔᮙᮢᮣᮤ ᮔᮑᮤᮕᮼ ᮃᮘᮕ—ᮞᮟᮺ ᯗ ᮤᮢᮙᮕᮔ ᮣᮟ ᮘᮑᮢᮔ ᮤᮟ ᮗᮢᮕᮕᮤ ᮩᮟᮥ ᮧᮑᮢᮝᮜᮩᮺ ᮑᮞᮔ ᮑᮜᮜ ᮩᮟᮥ ᮔᮙᮔ ᮧᮑᮣ ᮗᮢᮥᮞᮤ ‘ᯖᮞᮼ’ ᮄᮘᮕᮞ ᮩᮟᮥ ᮚᮥᮣᮤ ᮣᮑᮤ ᮟᮞ ᮑ ᮠᮑᮢᮛ ᮒᮕᮞᮓᮘ ᮣᮤᮑᮢᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮣᮓᮕᮞᮕᮢᮩᮼ ᮄᮘᮙᮢᮔ ᮤᮙᮝᮕᮺ ᮑᮤ ᮤᮘᮕ ᮓᮑᮖéᮺ ᮣᮘᮕ ‘ᮑᮓᮓᮙᮔᮕᮞᮤᮑᮜᮜᮩ’ ᮔᮢᮟᮠᮠᮕᮔ ᮘᮕᮢ ᮓᮟᮖᮖᮕᮕ—ᮟᮛᮑᮩᮺ ᮖᮙᮞᮕᮺ ᮣᮘᮕ ᮔᮙᮔ ᮙᮤ ᮟᮞ ᮠᮥᮢᮠᮟᮣᮕᮼ ᮇᮘᮕᮤᮘᮕᮢ ᮩᮟᮥ ᮞᮟᮤᮙᮓᮕᮔ ᮟᮢ ᮞᮟᮤᮺ ᮣᮘᮟᮥᮜᮔᮞ’ᮤ ᮩᮟᮥ ᮘᮑᮦᮕ ᮔᮟᮞᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᯍ᮰

ᯖᮕ ᮈᮙᮟᮨᮙᮞ ᮝᮕᮤ ᮘᮙᮣ ᮗᮑ᮪ᮕ ᮣᮤᮕᮑᮔᮙᮜᮩᮼ ᮰ᯚᮙᮛᮕ ᮧᮘᮑᮤᯍ᮰

᮰ᯏᮤ ᮜᮕᮑᮣᮤ—ᮑᮤ ᮜᮕᮑᮣᮤ ᮣᮘᮟᮧ ᮣᮟᮝᮕ ᮓᮟᮞᮓᮕᮢᮞᮯ ᯗᮞᮣᮤᮕᮑᮔ ᮟᮖ ᮚᮥᮣᮤ ᮣᮙᮤᮤᮙᮞᮗ ᮤᮘᮕᮢᮕ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮘᮕᮢ ᮑᮓᮤᮼ ᯗᮤ ᮧᮑᮣ ᮑᮧᮛᮧᮑᮢᮔᮼ᮰ ᯖᮕ ᮔᮙᮔᮞ’ᮤ ᮛᮞᮟᮧ ᮘᮟᮧ ᮤᮟ ᮕᮨᮠᮜᮑᮙᮞ ᮙᮤᮼ ᯗᮤ ᮧᮑᮣᮞ’ᮤ ᮜᮙᮛᮕ ᮘᮕ ᮓᮟᮥᮜᮔ ᮣᮑᮩ ᯏᮞ ᮈᮙᮑᮟᮨᮥᮕ ᮧᮑᮣ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮜᮕᮑᮦᮙᮞᮗ ᮟᮠᮕᮞᮙᮞᮗᮣ ᮖᮟᮢ ᮩᮟᮥ ᮤᮟ ᮖᮜᮙᮢᮤᮼ

᮰ᯖᮝᮼ ᯛᮑᮩᮒᮕ ᯗ’ᮝ ᮑ ᮒᮙᮤ ᮔᮕᮞᮣᮕᮺ᮰ ᯖᮕ ᮈᮙᮟᮨᮙᮞ ᮝᮥᮣᮕᮔᮼ

᮰ᯏᮞᮔ ᮤᮘᮕ ᮖᮟᮥᮢᮤᮘ ᮤᮙᮝᮕ—ᮧᮘᮕᮞ ᮣᮘᮕ ᮢᮕᮖᮥᮣᮕᮔ ᮤᮟ ᮘᮟᮜᮔ ᮩᮟᮥᮢ ᮘᮑᮞᮔᮼ᮰ ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮖᮑᮓᮕᮠᮑᮜᮝᮕᮔᮼ ᮰ᯒᮟᮞ’ᮤ ᮩᮟᮥ ᮤᮘᮙᮞᮛ ᮤᮘᮑᮤ ᮧᮑᮣ ᮣᮥᮔᮔᮕᮞᯍ ᮄᮟ ᮘᮕᮢᮺ ᮩᮟᮥ ᮧᮕᮢᮕ ᮚᮥᮣᮤ ᮑ ᮖᮢᮙᮕᮞᮔᮜᮩ ᮑᮓᮡᮥᮑᮙᮞᮤᮑᮞᮓᮕᮼ ᮉᮟᮥ ᮓᮑᮞ’ᮤ ᮕᮨᮠᮕᮓᮤ ᮤᮟ ᮗᮟ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮤᮟ ᮘᮑᮞᮔᮻᮘᮟᮜᮔᮙᮞᮗ ᮑᮖᮤᮕᮢ ᮑ ᮖᮕᮧ ᮝᮕᮕᮤᮙᮞᮗᮣᮺ ᮕᮣᮠᮕᮓᮙᮑᮜᮜᮩ ᮧᮘᮕᮞ ᮑᮜᮜ ᮩᮟᮥᮢ ᮠᮢᮕᮦᮙᮟᮥᮣ ᮙᮞᮤᮕᮢᮑᮓᮤᮙᮟᮞᮣ ᮧᮕᮢᮕ ᮣᮟ ᮓᮟᮜᮔᮼ᮰

᮰ᮃᮟᮢᮢᮩᮼ᮰ ᯖᮕᮢ ᮑᮠᮟᮜᮟᮗᮩ ᮣᮟᮥᮞᮔᮕᮔ ᮔᮙᮢᮕᮓᮤᮕᮔ ᮑᮤ ᮘᮙᮝᮼ

᮰ᯔᮙᮖᮤᮘ ᮤᮙᮝᮕᮺ ᮩᮟᮥ ᮧᮑᮤᮓᮘᮕᮔ ᮑ ᮝᮟᮦᮙᮕ ᮤᮟᮗᮕᮤᮘᮕᮢᮼ ᮃᮑᮝᮕ ᮑᮣ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮔᮑᮤᮕ—ᮒᮑᮢᮕᮜᮩ ᮑᮞᮩ ᮤᮑᮜᮛᮙᮞᮗᮼ ᮄᮘᮕᮞ ᮑᮖᮤᮕᮢᮧᮑᮢᮔᮺ ᮩᮟᮥ ᮗᮑᮦᮕ ᮘᮕᮢ ᮑ ᮒᮟᮟᮛᮜᮕᮤ ᮖᮥᮜᮜ ᮟᮖ ᮦᮑᮗᮥᮕᮺ ᮢᮟᮝᮑᮞᮤᮙᮓ ᮞᮟᮞᮣᮕᮞᮣᮕᮼ ᯚᮟᮟᮛᮺ ᯗ ᮗᮕᮤ ᮙᮤᮼ ᮆᮑᮝᮠᮙᮢᮕᮣ ᮑᮢᮕᮞ’ᮤ ᮚᮥᮣᮤ ᮣᮜᮟᮧ ᮧᮙᮤᮘ ᮕᮝᮟᮤᮙᮟᮞᮣ—ᮤᮘᮕᮩ’ᮢᮕ ᮔᮟᮧᮞᮢᮙᮗᮘᮤ ᮙᮞᮓᮟᮝᮠᮢᮕᮘᮕᮞᮣᮙᮒᮜᮕᮼ ᯐᮥᮤ ᮓᮟᮝᮕ ᮟᮞᮼ ᮉᮟᮥ ᮓᮑᮞ’ᮤ ᮚᮥᮣᮤ ᮢᮕᮜᮩ ᮟᮞ ᮑᮒᮣᮤᮢᮑᮓᮤᮺ ᮑᮢᮤᮣᮩ ᮗᮕᮣᮤᮥᮢᮕᮣ ᮤᮟ ‘ᮑᮧᮑᮛᮕᮞ ᮘᮕᮢ ᮝᮕᮝᮟᮢᮙᮕᮣᮼ’᮰

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮥᮞᮜᮟᮑᮔᮕᮔ ᮕᮦᮕᮢᮩ ᮝᮙᮣᮤᮑᮛᮕ ᮣᮘᮕ’ᮔ ᮝᮑᮔᮕ ᮙᮞ ᮟᮞᮕ ᮗᮟᮼ

ᯖᮕ ᮈᮙᮟᮨᮙᮞ ᮖᮢᮟᮧᮞᮕᮔᮼ ᮰ᯖᮟᮧ ᮔᮟ ᮩᮟᮥ ᮛᮞᮟᮧ ᮑᮜᮜ ᮤᮘᮕᮣᮕ ᮔᮕᮤᮑᮙᮜᮣᯍ᮰

ᯏᮞ ᮈᮙᮑᮟᮩᮙ ᮖᮢᮟ᮪ᮕᮼ ᮄᮥᮢᮞᮙᮞᮗ ᮑᮧᮑᮩᮺ ᮘᮕ ᮖᮙᮨᮕᮔ ᮘᮙᮣ ᮗᮑ᮪ᮕ ᮟᮞ ᮤᮘᮕ ᮠᮢᮟᮖᮕᮣᮣᮟᮢᮣ ᮑᮤ ᮤᮘᮕ ᮖᮢᮟᮞᮤᮼ

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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