The Vampire Professor

Chapter 31

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

ჽႾ ჄႸႵ ჄႸႹჂႴ ႶႼႿႿჂ ႿႶ ჄႸႵ ႼႹႲჂႱჂ჉ლ ႠჂႿႶႵჃჃႿჂ ჯႾ ႨႹႱႿ჉Ⴙ ႱႾႴ ႠჂႿႶႵჃჃႿჂ ჶႵ ႨႹႱႿ჈ႹႾ ჃႹႼႵႾჄႼ჉ ႷႱ჊ႵႴ ႱჄ ႵႱႳႸ ႿჄႸႵჂლ ჃႹჀჀႹႾႷ ჄႸႵႹჂ ႳႿႶႶႵႵ ႹႾ ჃႽႱႼႼ ჃႹჀჃნ ჵჂႱႴჅႱႼႼ჉ლ ჄႸႵ჉ ႶႿჂႷႿჄ ჄႸႵ ჄႱჃႻ ჄႸႱჄ ႸႱႴ ႲჂႿჅႷႸჄ ჄႸႵႽ ჄႸႵჂႵლ ႼႵႱ჆ႹႾႷ ႱႼႼ ჄႸႵ ჇႿჂႻ ჄႿ ჲႿჂႿჄႸႵႱნ

ჰႿჄႸ ჇႵჂႵ ႼႿჃჄ ႹႾ ჄႸႿჅႷႸჄნ

ႤႸႹჃ ჇႿႽႱႾ ႴႵႶႹႾႹჄႵႼ჉ ႻႾႿჇჃ ჃႿႽႵჄႸႹႾႷლ ႲჅჄ ჷ ႳႱႾ’Ⴤ ჀჅჄ Ⴝ჉ ႶႹႾႷႵჂ ႿႾ ႹჄლ ჯႾ ႨႹႱႿ჉Ⴙ ჀႿႾႴႵჂႵႴნ

ჷჄ ႸႱႴ ႲႵႵႾ Ⴑ ႽႿႾჄႸ ჃႹႾႳႵ ჄႸႵ჉ ႶႹჂჃჄ ႽႵჄლ ႱႾႴ ჄႸႵ ჇႿႽႱႾ ႸႱႴ ႱႼჇႱ჉Ⴣ ჃჄჂჅႳႻ ႸႹႽ ႱჃ ႴႱႾႷႵჂႿჅჃნ

ჶႵ ჇႱჃ Ⴑ ჃႵႾჃႹჄႹ჆Ⴕ ჀႵჂჃႿႾლ ჄႸႿჅႷႸ ႸႵ ႾႵ჆ႵჂ ჃႸႿჇႵႴ ႹჄ ႿႾ ႸႹჃ ႶႱႳႵნ

ჶႵ ႨႹႱႿ჈ႹႾ ჄႹႼჄႵႴ ႸႵჂ ႸႵႱႴლ ჃჄႱჂႹႾႷ ႱჄ ႸႹႽ ႳႿႼႴႼ჉ ႶႿჂ ႾႵႱჂႼ჉ ႶႹ჆Ⴕ ႽႹႾჅჄႵჃნ

“ჴႿჅႾႴ Ⴑ ႴႵჃႳჂႹჀჄႹႿႾ ჄႸႱჄ ႽႹႷႸჄ ႽႱჄႳႸ ჄႸႱჄ ჯჅჄႸႿჂႹჄ჉჏” ჲႿჂႿჄႸႵႱ ჃჅႴႴႵႾႼ჉ Ⴕ჈ႳႼႱႹႽႵႴლ ჂჅჃႸႹႾႷ ჄႿჇႱჂႴ ჄႸႵ ჄႱႲႼႵნ

ჯႾ ႨႹႱႿ჉Ⴙ ჃႵჄ ႴႿჇႾ ႸႹჃ ႳႿႶႶႵႵ ႱႾႴ ჂႵႱႳႸႵႴ ႿჅჄ ჄႿ ჃჄႵႱႴ჉ ႸႵჂ ჃႸႿჅႼႴႵჂ ႺჅჃჄ ႱჃ ჃႸႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ჃჄჅႽႲႼႵნ ႩႵჄლ ჄႸႵ ႷႿႼႴႵႾმႸႱႹჂႵႴ ႷႹჂႼ ჃჄႹႼႼ ႳႼჅႽჃႹႼ჉ ႳჂႱჃႸႵႴ ႹႾჄႿ ჄႸႵ ჄႱႲႼႵლ ႾႵႱჂႼ჉ ჃႵႾႴႹႾႷ ჄႸႵ ႳჅჀჃ ႶႼ჉ႹႾႷნ

“ႤႸმჄႸႱႾႻ ჉ႿჅლ ႠჂႿႶႵჃჃႿჂნ”

ჯႾ ႨႹႱႿ჉Ⴙ ႲႵႾჄ ႴႿჇႾ ჄႿ ჀႹႳႻ ჅჀ ჄႸႵ ႼႱჂႷႵ ႲႼႱႳႻ ႲႿႿႻნ “჻჉ ჃჅჂႾႱႽႵ ႹჃႾ’Ⴤ ႨႹႵნ”

“ჷ ႽႵႱႾჄ ჄႸႱႾႻ ჉ႿჅლ ႠჂႿႶႵჃჃႿჂლ ႾႿჄ ჉ႿჅჂ ႾႱႽႵლ ႾႿჄ ჉ႿჅჂ ႾႱႽႵლ” ჲႿჂႿჄႸႵႱ ჃႸႿႿႻ ႸႵჂ ႸႵႱႴ ჆ႹႷႿჂႿჅჃႼ჉ნ

ႣႵႵႹႾႷ ჄႸႱჄ ႲႹႷ ႷႿႼႴႵႾ ႽႱႾႵ ჃჇႱ჉ႹႾႷ ႲႱႳႻ ႱႾႴ ႶႿჂჄႸლ ჯႾ ႨႹႱႿ჉Ⴙ ႶႵႼჄ Ⴑ ႽႹჃႳႸႹႵ჆ႿჅჃ ჅჂႷႵ ႱႾႴ ჃჅႴႴႵႾႼ჉ ჂჅႶႶႼႵႴ ჄႸႵ ჄႿჀ ႿႶ ჲႿჂႿჄႸႵႱ’Ⴣ ႸႵႱႴნ ჶႵ ჇႱჃႾ’Ⴤ Ⴑ ႼႿႼႹႳႿႾ—ႸႵ ႺჅჃჄ ႳႿჅႼႴႾ’Ⴤ ჂႵჃႹჃჄ ჄႸႵ ႹႽჀჅႼჃႵლ ႶႹႾႴႹႾႷ ႸႵჂ ჄႿႿ ႱႴႿჂႱႲႼႵნ

ႥႾႵ჈ჀႵႳჄႵႴႼ჉ლ ჲႿჂႿჄႸႵႱ ႴႹႴႾ’Ⴤ ჂႵႱႳჄ ႽჅႳႸ ჄႿ ჄႸႵ ႷႵჃჄჅჂႵლ ႱႼႼႿჇႹႾႷ ჄႸႵ ჀჂႿႶႵჃჃႿჂლ ჇႸႿ ჇႱჃ ႿႾႼ჉ Ⴑ ႶႵჇ ჉ႵႱჂჃ ႿႼႴႵჂ ჄႸႱႾ ႸႵჂლ ჄႿ ჀႱჄ ႸႵჂ ႸႵႱႴ ႱჃ ႹႶ ႹჄ ჇႵჂႵ ჄႸႵ ႽႿჃჄ ႾႱჄჅჂႱႼ ჄႸႹႾႷ ႹႾ ჄႸႵ ჇႿჂႼႴნ

ჯ ႷႱ჊Ⴕ ჃႸႱჂჀ ႵႾႿჅႷႸ ჄႿ ჀჂႹႳႻ ႸႹჃ ჃႻႹႾ ႽႱႴႵ ჯႾ ႨႹႱႿ჉Ⴙ ჁჅႹႳႻႼ჉ ჂႵჄჂႱႳჄ ႸႹჃ ႸႱႾႴნ ჶႵ ႼႿႿႻႵႴ ჅჀ ჄႿ ჃႵႵ ჶႵ ႨႹႱႿ჈ႹႾ ჃႹჀჀႹႾႷ ႸႵჂ ႳႿႶႶႵႵლ ႸႵჂ Ⴕ჈ჀჂႵჃჃႹႿႾ ႹႾႴႹႶႶႵჂႵႾჄლ ႱჃ ႹႶ ჄႸႵ ႹႳ჉ ჃჄႱჂႵ ႸႱႴ ႾႵ჆ႵჂ ႳႿႽႵ ႶჂႿႽ ႸႵჂნ

ჸჅჃჄ ჄႸႵႾლ ჯႾ ႨႹႱႿ჉Ⴙ ႾႿჄႹႳႵႴ Ⴑ ႶႹႷჅჂႵ ႱჀჀჂႿႱႳႸႹႾႷლ ႳႼႱႴ ႹႾ ჄႸႵ ჳႾႶႿჂႳႵႽႵႾჄ ჰჅჂႵႱჅ’Ⴣ ჅႾႹႶႿჂႽნ

“ႠჂႿႶႵჃჃႿჂ ჯნ ჳ჆Ⴕლ ჉ႿჅ’ჂႵ ႸႵჂႵლ” ჯႾ ႨႹႱႿ჉Ⴙ ႷჂႵႵჄႵႴ ႶႹჂჃჄნ

ჶႹჃ ჄႿႾႵ ჇႱჃ ჂႱჄႸႵჂ ႳႿႼႴნ

“ჳ჆ႵჂ჉ႿႾႵ ჃႵႵႽჃ ჁჅႹჄႵ ႱჄ ႵႱჃႵ—ႸႿႼႴႹႾႷ ႱႾ ႱႶჄႵჂႾႿႿႾ ჄႵႱ ჀႱჂჄ჉ჭ” ႠჂႿႶႵჃჃႿჂ ჳ჆Ⴕ ჃჄႿჀჀႵႴ ႲႵჃႹႴႵ ჶႵ ႨႹႱႿ჈ႹႾნ

ჶႵჂ Ⴕ჉ႵჃ ჃჇႵჀჄ Ⴟ჆ႵჂ ჄႸႵ ႴႿႳჅႽႵႾჄ ႱჂႵႱლ ჇႸႵჂႵ Ⴑ ႳႿჂႾႵჂ ႼႱ჉ ႹႾ ႳႿႽჀႼႵჄႵ ႴႹჃႱჂჂႱ჉ნ ჽႾႵ ႽႹႷႸჄ ႸႱ჆Ⴕ ႽႹჃჄႱႻႵႾ ႹჄ ႶႿჂ Ⴑ ჄႿჀჀႼႵႴ ႲႿႿႻჃႸႵႼႶლ ჇႹჄႸ ჃႵ჆ႵჂႱႼ ჇႿႿႴႵႾ ႼႱႴႴႵჂჃ ჃჄჂႵჇႾ ႱႳჂႿჃჃ ჄႸႵ ႶႼႿႿჂნ ႤႸႵႾლ ႸႵჂ ႷႱ჊Ⴕ ჃႸႹႶჄႵႴ ჄႿ ჄႸႵ ႼႱჂႷႵ ႲႼႱႳႻ ႲႿႿႻ ႿႾ ჄႸႵ ჄႱႲႼႵნ

ჶႵ ႨႹႱႿ჈ႹႾ ჄჅჂႾႵႴ ႸႵჂ ႸႵႱႴ ႱჇႱ჉ლ ႳႼႵႱჂႼ჉ ႾႿჄ ႶႿႾႴ ႿႶ ჳ჆Ⴕნ

“ჼႿ ႳႼႱჃჃႵჃ ჄႿႴႱ჉ჭ” ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჃႾ’Ⴤ ჀႱჂჄႹႳჅႼႱჂႼ჉ ႶႿႾႴ ႿႶ ჳ჆Ⴕ ႵႹჄႸႵჂნ ჶႵ ႨႹႱႿ჈ႹႾ ႸႱႴ ჀჂႵ჆ႹႿჅჃႼ჉ ჇႱჂႾႵႴ ႸႹႽ ჄႸႱჄ ჄႸႹჃ ჇႿႽႱႾ ჇႱჃ ႷჂႿჇႹႾႷ ჃჅჃჀႹႳႹႿჅჃლ ႱႾႴ ႸႵ ჃႸႿჅႼႴ ႽႹႾႹႽႹ჊Ⴕ ႳႿႾჄႱႳჄ ჇႹჄႸ ჀႵႿჀႼႵ ႱჃ ჀႵჂႳႵჀჄႹ჆Ⴕ ႱჃ ႸႵჂნ

“ჷ’Ⴝ ჄႸႵ ႹႾჃჄჂჅႳჄႿჂ ႹႾ ႳႸႱჂႷႵ ႿႶ ჃႵႾႹႿჂმ჉ႵႱჂ ႶႹႵႼႴ ႱჃჃႹႷႾႽႵႾჄჃ…” ჳ჆Ⴕ ჂႵჀႼႹႵႴლ ႸႵჂ Ⴕ჈ჀჂႵჃჃႹႿႾ ჀჅ჊჊ႼႵႴნ

ჰႵႳႱჅჃႵ ჄႸႵჂႵ ჇႱჃ ჃჄႹႼႼ Ⴑ ႲႱႾႴႱႷႵ ჇჂႱჀჀႵႴ ႱჂႿჅႾႴ ႸႵჂ ႸႵႱႴნ

ჳ჆Ⴕ ႴႹႴႾ’Ⴤ ႴჇႵႼႼ ႿႾ ႹჄ ႱႾႴ ႶႼႹჀჀႵႴ ႿჀႵႾ ჄႸႵ ႲႼႱႳႻ ႲႿႿႻნ “ჷ ႿჂႹႷႹႾႱႼႼ჉ ჀႼႱႾႾႵႴ ჄႿ ႸႵႼჀ ჃႵႱჂႳႸ ႶႿჂ ႽႱჄႵჂႹႱႼჃლ ႲჅჄ ႹჄ ჃႵႵႽჃ ჅႾႾႵႳႵჃჃႱჂ჉ ႾႿჇნ ჷ ႸႵႱჂႴ ჲႿჂႿჄႸႵႱ’Ⴣ Ⴕ჈ႳႹჄႵႴ ჃႸႿჅჄ ႱႼႼ ჄႸႵ ჇႱ჉ ႶჂႿႽ ჄႸႵ ႼႿႲႲ჉ნ ႧႸႹႳႸ ჀႱႷႵჭ”

ჲႿჂႿჄႸႵႱ ჇႱჃ ႶႼႱჄჄႵჂႵႴ ჄႸႱჄ ႠჂႿႶႵჃჃႿჂ ჳ჆Ⴕ Ⴕ჆ႵႾ ႻႾႵჇ ႸႵჂ ႾႱႽႵნ

“ႠႱႷႵ ჟქჟლ” ჃႸႵ ႱႾჃჇႵჂႵႴ ႳႱჅჄႹႿჅჃႼ჉ნ

ჽႾ ჄႸႵ ႳႱႽჀჅჃ ႶႿჂჅႽლ ႠჂႿႶႵჃჃႿჂ ჳ჆Ⴕ’Ⴣ ჂႵჀჅჄႱჄႹႿႾ ჇႱჃႾ’Ⴤ ႷჂႵႱჄ—ႾႿჄ ႶႿჂ ႱႾ჉ ჀႱჂჄႹႳჅႼႱჂ ჂႵႱჃႿႾლ ႲჅჄ ႲႵႳႱჅჃႵ ჃႸႵ ჇႱჃ Ⴕ჈ႳႵჃჃႹ჆ႵႼ჉ ჃჄႵჂႾლ ႼႹႻႵ Ⴑ ႸႹႷႸ ჃႳႸႿႿႼ ႴႵႱႾ ჇႸႿ ჃႵႵႽႵႴ ჄႿ ႷႼႱჂႵ ႱჄ ჄႸႵ ႵႾჄႹჂႵ ჇႿჂႼႴნ ႣჄჅႴႵႾჄჃ ჃႵႳჂႵჄႼ჉ ႳႱႼႼႵႴ ႸႵჂ ჄႸႵ “ႧႹჄႳႸნ”

ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჃ ႱႲႿჅჄ ჄႿ ႳႱႼႼ ჶႵ ႨႹႱႿ჈ႹႾ Ⴟ჆ႵჂ ჄႿ ჄႱႻႵ Ⴑ ႼႿႿႻლ ႲჅჄ ჄႸႵ ჇႿႽႱႾ ႸႱႴ ႱႼჂႵႱႴ჉ ჂႹჃႵႾ ჄႿ ႼႵႱ჆Ⴕნ

“ჷ ႸႱ჆Ⴕ ჃႿႽႵ ႽႱჄჄႵჂჃ ჄႿ ႱჄჄႵႾႴ ჄႿნ ႣႵႵ ჉ႿჅ ႾႵ჈Ⴤ ჄႹႽႵნ” ჶႵ ႨႹႱႿ჈ႹႾ ႴႹႴႾ’Ⴤ Ⴕ჆ႵႾ ႷႼႱႾႳႵ ႲႱႳႻნ

“ჯႼჂႹႷႸჄლ ჄႸႵႾნ”

“ႩႿჅ ჄჇႿ ႱჂႵ ႳႼႿჃႵჭ” ჳ჆Ⴕ ႷႱ჆Ⴕ ႸႹႽ Ⴑ ჃჄჂႱႾႷႵ ႼႿႿႻნ

“ჼႿჄ ჂႵႱႼႼ჉ნ ႣႸႵ ႿჇႵჃ ႽႵ Ⴑ ႽႵႱႼლ” ჯႾ ႨႹႱႿ჉Ⴙ ჂႵჀႼႹႵႴ ႾႿႾႳႸႱႼႱႾჄႼ჉ნ

ჶႵ ႨႹႱႿ჈ႹႾ ႴႹႴ ႹႾႴႵႵႴ ႿჇႵ ႸႹႽ Ⴑ ႽႵႱႼ—ႿჂ ႽႿჂႵ ႱႳႳჅჂႱჄႵႼ჉ლ ჃႸႵ ႿჇႵႴ ჯႾ ႨႹႱႿ჈ჅႵნ

ჳ჆Ⴕ ႼႿჇႵჂႵႴ ႸႵჂ ႸႵႱႴ ႹႾ ჃႹႼႵႾႳႵნ

ႣႸႵ ႸႱႴ ႱႼჂႵႱႴ჉ ჄჅჂႾႵႴ ჄႿ ჀႱႷႵ ჟქჟ ႱႾႴ ჇႱჃ ჂႵႱႴႹႾႷ ႹႾჄႵႾჄႼ჉ნ ႤႸႵ ჀႱჃჃႱႷႵ ႳႿႾჄႱႹႾႵႴ ႹႾႶႿჂႽႱჄႹႿႾ ႱႲႿჅჄ ႱႾ ႱႾႳႹႵႾჄ ႼႹႾႵႱႷႵ ႿႶ ჆ႱႽჀႹჂႵჃნ

“ჷ ჃႵႵლ” ჃႸႵ ႾႿႴႴႵႴნ “ႣႿ ჄႸႱჄ’Ⴣ ႸႿჇ ႹჄ ႹჃნ”

“ჷႾ ჄႸႵ ႱႾႳႹႵႾჄ ჀႱჃჄ ႿႶ ჄႸႵ ჆ႱႽჀႹჂႵჃლ ჄႸႵჂႵ Ⴕ჈ႹჃჄႵႴ Ⴑ ჂႱჄႸႵჂ ჅႾႹჁჅႵ ႲႼႿႿႴႼႹႾႵნ ႤႸႵჃႵ ჆ႱႽჀႹჂႵჃ Ⴕ჈ႸႹႲႹჄႵႴ ႲႵႸႱ჆ႹႿჂ ჃჄႱჂႻႼ჉ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ႿჄႸႵჂჃნ ႥႾႼႹႻႵ ჄႸႵႹჂ ႽႿႾჃჄჂႿჅჃ ႻႹႾ ჇႸႿ ჂႵႼႹႵႴ ႿႾ ჃႸႵႵჂ ჆ႹႿႼႵႾႳႵლ ჄႸႵ჉ ჀჅჂჃჅႵႴ Ⴕ჈ჄჂႵႽႵ ‘ႵႼႵႷႱႾႳႵნ’ ႤႸႵ჉ ႳႿႾჃႹႴႵჂႵႴ ჄႸႵႽჃႵႼ჆ႵჃ ჄႸႵ ჄჂჅႵ ႾႿႲႹႼႹჄ჉ ႱႽႿႾႷ ჆ႱႽჀႹჂႵჃ ႱႾႴ ႼႿႿႻႵႴ ႴႿჇႾ ჅჀႿႾ ჄႸႵႹჂ ႿჇႾ ႻႹႾႴნ”

“ႤႸႵ ჵჂႵႵႾႼႹႾ ჱႼႱႾჭ” ჯႾ ႨႹႱႿ჉Ⴙ ႳႿჅႼႴႾ’Ⴤ ႸႵႼჀ ႲჅჄ ႹႾჄႵჂႺႵႳჄნ

“ႤႸႵ ႲႿႿႻ ႿႾႼ჉ ႽႵႾჄႹႿႾჃ ჄႸႹჃ Ⴤ჉ჀႵ ႿႶ ჆ႱႽჀႹჂႵლ ႾႿჄ ႱႾ჉ ჃჀႵႳႹႶႹႳ ႶႱႽႹႼ჉ლ” ჳ჆Ⴕ ჃႱႹႴლ ႸႵჂ Ⴕ჈ჀჂႵჃჃႹႿႾ ჀჅ჊჊ႼႵႴნ

“ႤႸႵ ႴႵჃႳჂႹჀჄႹႿႾ ႽႱჄႳႸႵჃ ჄႸႵ ჵჂႵႵႾႼႹႾ ჆ႱႽჀႹჂႵჃ’ Ⴟ჆ႵჂႱႼႼ ႴႵႽႵႱႾႿჂნ ႤႸႵ჉ ჃႱჇ ჄႸႵႽჃႵႼ჆ႵჃ ႱჃ ჂႵႶႹႾႵႴლ ჆ႹႵჇႹႾႷ ჄႸႵႹჂ ჆ႹႿႼႵႾჄ ႻႹႾ ႱჃ ჅჄჄႵჂႼ჉ ႲႱჂႲႱჂႹႳნ ჯჃ Ⴑ ჂႵჃჅႼჄლ ჄႸႵ჉ ჇႵჂႵ ჃႸჅႾႾႵႴ Ⴒ჉ ႲႿჄႸ ႸჅႽႱႾჃ ႱႾႴ ჄႸႵႹჂ ႿჇႾ ႻႹႾႴლ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႲႵႹႾႷ ჇႹჀႵႴ ႿჅჄ Ⴒ჉ ႿჄႸႵჂ ჆ႱႽჀႹჂႵჃნ”

ჯႾ ႨႹႱႿ჉Ⴙ ჀႿႹႾჄႵႴ ჄႿ Ⴑ ჆ႿႼჅႽႵ ႿႾ Ⴑ ႾႵႱჂႲ჉ ჃႸႵႼႶნ

“ႤႸႱჄ’Ⴣ ႤႸႵ ჵჂႵႵႾႼႹႾ ႢႵႳႿჂႴჃლ ჇႸႹႳႸ ႴႿႳჅႽႵႾჄჃ Ⴕ჆ႵჂ჉ ႽႵႽႲႵჂ ႿႶ ჄႸႱჄ ႶႱႽႹႼ჉ნ”

“ႩႿჅ’ჂႵ ჁჅႹჄႵ ႻႾႿჇႼႵႴႷႵႱႲႼႵლ” ჳ჆Ⴕ ჂႵႽႱჂႻႵႴ ႹႾ ჃჅჂჀჂႹჃႵნ

“ჷჄ’Ⴣ ჂႵႼႵ჆ႱႾჄ ჄႿ Ⴝ჉ ჂႵჃႵႱჂႳႸ ႿႾ ჀႿჄႵႾჄႹႱႼ ႹႾႶႹႷႸჄႹႾႷ ႱႽႿႾႷ ჆ႱႽჀႹჂႵჃნ ჯჃ Ⴑ ჀჂႿႶႵჃჃႿჂ ႿႶ ჯჅჄႸႿჂႹჄ჉ ႻႾႿჇႼႵႴႷႵ ႱႾႴ ჆ႱႽჀႹჂႵ ႸႹჃჄႿჂ჉ლ ჄႸႹჃ ႹჃႾ’Ⴤ ႺჅჃჄ Ⴝ჉ ჃჀႵႳႹႱႼჄ჉—ႹჄ’Ⴣ Ⴑ ჃჅႲႺႵႳჄ ჷ’჆Ⴕ ႲႵႵႾ ჃჄჅႴ჉ႹႾႷ ႶႿჂ Ⴑ ႼႿႾႷ ჄႹႽႵნ”

“ჰჅჄ ჄႸႵ ႴႵჃႳჂႹჀჄႹႿႾ ႸႵჂႵ ႴႿႵჃႾ’Ⴤ ႵႾჄႹჂႵႼ჉ ႱႼႹႷႾ ჇႹჄႸ ჄႸႵ ჵჂႵႵႾႼႹႾ ჱႼႱႾლ” ჳ჆Ⴕ ႽჅჂႽჅჂႵႴნ

ჲႿჂႿჄႸႵႱ ႱႼჃႿ ႼႵႱႾႵႴ ႹႾლ ႸႵჂ ჃႱჀჀႸႹჂႵმႲႼჅႵ Ⴕ჉ႵჃ ႶႹ჈ႵႴ ႹႾჄႵႾჄႼ჉ ႿႾ ჄႸႵ ჄႵ჈Ⴤნ

“ჺႿႿႻ ႱჄ ჄႸႹჃ ჀႱჃჃႱႷႵ ႱႲႿჅჄ ჄႸႵ ჯჅჄႸႿჂႹჄ჉ნ ჷჄ ႴႵჃႳჂႹႲႵჃ ჄႸႵ ႱႲႹႼႹჄ჉ ჄႿ ჀჅႼႼ ჀႵႿჀႼႵ ჇႹჄႸႹႾ Ⴑ ႳႵჂჄႱႹႾ ჂႱႾႷႵ ႹႾჄႿ Ⴑ ႴჂႵႱႽႼႹႻႵ ႹႼႼჅჃႹႿႾლ ჇႸႵჂႵ ჄႸႵႹჂ ႴႵႶႵႾჃႵჃ ႱჂႵ ႱჄ ჄႸႵႹჂ ჇႵႱႻႵჃჄლ ႲႵႶႿჂႵ ႶႵႵႴႹႾႷ ႿႾ ჄႸႵႽნ ჷჄ ჂႵႽႹႾႴჃ ႽႵ ႿႶ ႱႾ ჯჅჄႸႿჂႹჄ჉ ჄႸႿჅႷႸჄ ჄႿ ႲႵ Ⴕ჈ჄႹႾႳჄ… ႫჼႹႷႸჄႽႱჂႵႭნ”

ჯႾ ႨႹႱႿ჉Ⴙ ႶႵႼႼ ჃႹႼႵႾჄ ႶႿჂ Ⴑ ႼႿႾႷ ႽႿႽႵႾჄ ႲႵႶႿჂႵ ჃႼႿჇႼ჉ ჂႱႹჃႹႾႷ ႸႹჃ ႸႵႱႴ ჄႿ ႽႵႵჄ ჲႿჂႿჄႸႵႱ’Ⴣ ႷႱ჊Ⴕნ

ႤႸႵႾლ ჄႸႵ჉ ႲႿჄႸ ჃႸႿႿႻ ჄႸႵႹჂ ႸႵႱႴჃ ჃႹႽჅႼჄႱႾႵႿჅჃႼ჉—ႾႵႹჄႸႵჂ ႸႱႴ ႸႵႱჂႴ ႿႶ ႹჄნ

“ჼႿლ ჷ ႾႵႵႴ ჄႿ ჂႵჀႿჂჄ ჄႸႹჃ ჄႿ ჄႸႵ ႸႵႱႴႽႱჃჄႵჂ ႹႽႽႵႴႹႱჄႵႼ჉ნ” ჳ჆Ⴕ’Ⴣ Ⴕ჈ჀჂႵჃჃႹႿႾ ႴႱჂႻႵႾႵႴლ ႱჃ ႹႶ ჃႸႵ ႸႱႴ ჃჄჅႽႲႼႵႴ ჅჀႿႾ ႴႹჂႵ ႾႵჇჃნ

ႣႸႵ ႷჂႱႲႲႵႴ ჄႸႵ ႼႱჂႷႵ ႲႼႱႳႻ ႲႿႿႻ ႱႾႴ ႸჅჂჂႹႵႴ ႿႶႶლ ႼႵႱ჆ႹႾႷ ႲႵႸႹႾႴ Ⴑ ႲႵჇႹႼႴႵჂႵႴ ჀჂႿႶႵჃჃႿჂ ႱႾႴ ჃჄჅႴႵႾჄლ ႾႵႹჄႸႵჂ ჅႾႴႵჂჃჄႱႾႴႹႾႷ ჇႸ჉ ჃႸႵ ႸႱႴ ჃჅႴႴႵႾႼ჉ ႱႳჄႵႴ ႱჃ ჄႸႿჅႷႸ ჃႸႵ’Ⴔ ႴႹჃႳႿ჆ႵჂႵႴ ჄႸႵ ႱჀႿႳႱႼ჉ჀჃႵნ

“ႧႸႱჄ’Ⴣ ႫჼႹႷႸჄႽႱჂႵႭჭ” ႤႸႹჃ ჇႱჃ ჅႾႳႸႱჂჄႵႴ ჄႵჂჂႹჄႿჂ჉ ႶႿჂ ჲႿჂႿჄႸႵႱ—ჄႸႵ ჃႳႸႿႿႼ ႸႱႴႾ’Ⴤ ჄႱჅႷႸჄ ჄႸႹჃნ

ჽჂ ჂႱჄႸႵჂლ ႹჄ ჇႱჃႾ’Ⴤ ႺჅჃჄ ჅႾჄႱჅႷႸჄჩ ჃႸႵ ႸႱႴ ႾႵ჆ႵჂ Ⴕ჆ႵႾ ႸႵႱჂႴ ႿႶ Ⴑ ჃႹႾႷႼႵმႳႸႱჂႱႳჄႵჂ ჯჅჄႸႿჂႹჄ჉ ႲႵႶႿჂႵნ

ႣႸႵ ႱჃჃჅႽႵႴ ႠჂႿႶႵჃჃႿჂ ჯႾ ႨႹႱႿ჉Ⴙ ႽჅჃჄ ႻႾႿჇნ

“ჲႿႾ’Ⴤ ႱჃႻ ႽႵლ” ჯႾ ႨႹႱႿ჉Ⴙ ჃႸႿႿႻ ႸႹჃ ႸႵႱႴნ ჶႵ ႷႵႾჅႹႾႵႼ჉ ႸႱႴ ႾႿ ႹႴႵႱნ

“ႧႵႼႼლ ჷ’Ⴝ ႿႶႶ ჄႸႵႾნ ჯႶჄႵჂ ႸႵႼჀႹႾႷ ჉ႿჅ ჃႿ ႽჅႳႸლ ჉ႿჅ ႸႱ჆Ⴕ ჄႿ ႷႹ჆Ⴕ ႽႵ Ⴕ჈ჄჂႱ ႳჂႵႴႹჄ჏” ჲႿჂႿჄႸႵႱ ჄჅჂႾႵႴ ႱႾႴ ჃႻႹჀჀႵႴ ႱჇႱ჉ლ ჇႱ჆ႹႾႷ ჅႾჄႹႼ ჃႸႵ ႴႹჃႱჀჀႵႱჂႵႴ ႱႽႿႾႷ ჄႸႵ ႼႱႲ჉ჂႹႾჄႸ ႿႶ ႲႿႿႻჃႸႵႼ჆ႵჃნ

ႤႸႵ ჄႱჃႻ ႿႶ ႷႱჄႸႵჂႹႾႷ ႽႱჄႵჂႹႱႼჃ ႸႱႴ ႷႿႾႵ ႽႿჂႵ ჃႽႿႿჄႸႼ჉ ჄႸႱႾ Ⴕ჈ჀႵႳჄႵႴლ ႱႾႴ ჯႾ ႨႹႱႿ჉Ⴙ ႼႵჄ ႿჅჄ Ⴑ ჃႹႷႸ ႿႶ ჂႵႼႹႵႶნ

ႧႸႱჄႵ჆ႵჂ ჳ჆Ⴕ ჄႸႿჅႷႸჄ ჃႸႵ ႸႱႴ ႴႹჃႳႿ჆ႵჂႵႴლ ჃႸႵ ჇႱჃ ჂႵჀႿჂჄႹႾႷ ႹჄ ჄႿ ჄႸႵ ႸႵႱႴႽႱჃჄႵჂნ ჼႿ ႿႾႵ ჇႿჅႼႴ ჃჅჃჀႵႳჄ ႸႹႽ—Ⴑ ႸႹჃჄႿჂ჉ ჀჂႿႶႵჃჃႿჂ ჇႿჅႼႴ ႾႵ჆ႵჂ ႲႵ ႼႹႾႻႵႴ ჄႿ ႱႾ ჯჅჄႸႿჂႹჄ჉ ჂႵႼႱჄႵႴ ჄႿ ႹႼႼჅჃႹႿႾჃნ

ჳ჈ႳႵჀჄ…

ჶႵ ႨႹႱႿ჈ႹႾ’Ⴣ ჇႿჂႴჃ ႼႹႾႷႵჂႵႴ ႹႾ ႸႹჃ ႽႹႾႴნ

ႣႸႵ ႸႱႴ ჃႵႵႽႵႴ ჄႿ ႹႽჀႼ჉ ჄႸႱჄ ჃႸႵ ႸႱႴ ႲႵႵႾ ჀჂႵჃႵႾჄ ႴჅჂႹႾႷ ႼႱჃჄ ႾႹႷႸჄ’Ⴣ ႿჀႵჂႱჄႹႿႾ—ႱႾႴ ჄႸႱჄ ჃႸႵ ႸႱႴ ჃႵႵႾ ჯႾ ႨႹႱႿ჈ჅႵნ

ჯჃ ႸႵ ჃჄႵჀჀႵႴ ႿჅჄ ႿႶ ჄႸႵ ႼႹႲჂႱჂ჉ლ Ⴑ ႼႹႷႸჄ ჂႱႹႾ ႲႵႷႱႾ ჄႿ ႶႱႼႼნ ჻ႱჂႳႸ ჇႱჃ Ⴑ ႽႿႾჄႸ ႿႶ ႶჂႵჁჅႵႾჄ ႴჂႹ჊჊ႼႵჃნ ჯႾ ႨႹႱႿ჉Ⴙ ჃჄႿႿႴ ჅႾႴႵჂ ჄႸႵ ႵႱ჆ႵჃლ ႴႵႲႱჄႹႾႷ ჇႸႵჄႸႵჂ ჄႿ ႴႱჃႸ ႲႱႳႻ ჄႿ ჄႸႵ ႴႿჂႽႹჄႿჂ჉ ႸႿჄႵႼ ႿჂ ႸႵႱႴ ჄႿ ჄႸႵ ႳႱႶႵჄႵჂႹႱ—ႸႵ ჇႱჃ ႶႵႵႼႹႾႷ Ⴑ ႲႹჄ ႸჅႾႷჂ჉ნ

ႤႸႵႾ ႸႵ ႶჂႿ჊Ⴕლ ႸႹჃ ႷႱ჊Ⴕ ႼႿႳႻႹႾႷ ႿႾჄႿ Ⴑ ႶႹႷჅჂႵ Ⴒ჉ ჄႸႵ ჃჄႵჀჃნ ჯႾ ႵႼႴႵჂႼ჉ ႽႱႾ ჃჄႿႿႴ ჄႸႵჂႵლ ႸႱ჆ႹႾႷ ႺჅჃჄ ჂႵႽႿ჆ႵႴ ჄႸႵ ႸႿႿႴ ႿႶ ႸႹჃ ჂႱႹႾႳႿႱჄნ ჶႵ ႸႵႼႴ Ⴑ ჄჂႱႾჃჀႱჂႵႾჄ ჅႽႲჂႵႼႼႱლ ႸႹჃ ႸႱႹჂ ჃჄႱჂႻ ჇႸႹჄႵლ ႸႹჃ ႶႱႳႵ ႶჅႼႼ ႿႶ ჆ႹႷႿჂნ

ჶႵ ႼႿႿႻႵႴ ႿႼႴლ ჉ႵჄ Ⴕ჈ჅႴႵႴ Ⴑ ჂႿႲჅჃჄ ჆ႹჄႱႼႹჄ჉ნ

“ႩႹႽႵႹႺႹლ ჇႸႱჄ ႱჂႵ ჉ႿჅ ჃჄႱႾႴႹႾႷ ႱჂႿჅႾႴ ႶႿჂჭ” ႤႸႵ ႿႼႴ ႽႱႾ ჃႽႹႼႵႴ ႱႾႴ ႲႵႳႻႿႾႵႴნ

“ჵჂႱႾႴჀႱჭ” ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჃ ႽႹႼႴႼ჉ ჃჅჂჀჂႹჃႵႴნ

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

Details

Comments

No comments