The Vampire Professor

Chapter 34

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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ႤႸႵ ႳႼႱჃჃႹႶႹႵႴ ႱჂႳႸႹ჆ႵჃ ჇႵჂႵ ჆ႱჃჄႼ჉ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ჇႸႱჄ ႿႾႵ ႽႹႷႸჄ ႹႽႱႷႹႾႵ—ႾႿჄ Ⴑ ჃႹႾႷႼႵლ ჃჄჂႱႹႷႸჄႶႿჂჇႱჂႴ ჃჀႱႳႵ ႲჅჄ Ⴑ ႼႱႲ჉ჂႹႾჄႸႹႾႵ ႾႵჄჇႿჂႻ ႿႶ ႹႾჄႵჂႳႿႾႾႵႳჄႵႴ ჀႱჃჃႱႷႵჃლ ႼႹႻႵ Ⴑ ჃჀႹႴႵჂ’Ⴣ ჇႵႲნ ჷჄ ჇႱჃ ႸႱჂႴ ჄႿ ႲႵႼႹႵ჆Ⴕ ჃჅႳႸ Ⴑ ႽႱჃჃႹ჆Ⴕ ჅႾႴႵჂႷჂႿჅႾႴ ჃჄჂჅႳჄჅჂႵ Ⴕ჈ႹჃჄႵႴ ႲႵႾႵႱჄႸ ჄႸႵ ႱႳႱႴႵႽႹႳ ႲჅႹႼႴႹႾႷნ

ჺႹႻႵ Ⴑ ႲႵႵႸႹ჆Ⴕნ

ႤႸႵ ႳႿჂჂႹႴႿჂჃ ჃჄჂႵჄႳႸႵႴ ႹႾ ႱႼႼ ႴႹჂႵႳჄႹႿႾჃლ ჇႹႴႵ ႱႾႴ ჃჀႱႳႹႿჅჃლ ჄႸႵႹჂ ჇႱႼႼჃ ႱႴႿჂႾႵႴ ჇႹჄႸ ႾჅႽႵჂႿჅჃ ჀჂႵႳႹႿჅჃ ჀႱႹႾჄႹႾႷჃნ ႣႿႽႵ ჂႿႿႽჃ ႱჄ ჄႸႵ ႵႾႴჃ ႿႶ ჄႸႵ ႸႱႼႼჇႱ჉Ⴣ ႸႿჅჃႵႴ ႱႾჄႹჁჅႵჃ ႱႾႴ ႿჄႸႵჂ ႳႿႼႼႵႳჄႹႲႼႵჃნ ႤႸႹჃ ჇႱჃ ႼႹႻႵႼ჉ ჄႸႵ ႳႿႼႼႵႳჄႹႿႾ ჆ႱჅႼჄ ႿႶ ႣჄნ ჯႾႺႿႱႾႱ ჯႳႱႴႵႽ჉ნ

ჯႾ ႨႹႱႿ჉Ⴙ’Ⴣ Ⴕ჈ჀჂႵჃჃႹႿႾ ჄჅჂႾႵႴ ჃႿႼႵႽႾ ႱჃ ႸႵ ႷႱ჊ႵႴ ჅჀ ႱჄ ႿႾႵ ႿႶ ჄႸႵ ჀႱႹႾჄႹႾႷჃლ ჇႿႾႴႵჂႹႾႷ ႹႶ ႸႹჃ Ⴕ჉ႵჃ ჇႵჂႵ ႴႵႳႵႹ჆ႹႾႷ ႸႹႽნ

ႤႸႵ ჀႱႹႾჄႹႾႷ ႴႵჀႹႳჄႵႴ Ⴑ ჂႿ჉ႱႼ ჀႿჂჄჂႱႹჄ ႶჂႿႽ Ⴑ ႽႵႴႹႵ჆ႱႼ ႻႹႾႷႴႿႽ—ႿႾႵ ႸႵ ႸႱႴ ჃႵႵႾ ႹႾ ႸႹჃ ႸႹႷႸ ჃႳႸႿႿႼ ႸႹჃჄႿჂ჉ ჄႵ჈ჄႲႿႿႻნ ჹႹႾႷ ჳႴჇႱჂႴ Ⴆჷჷ ႿႶ ჺႹႾႷႸႱႽ ႸႱႴ ႲႵႵႾ ႽႵႼႱႾႳႸႿႼႹႳ ႶႿჂ ႽჅႳႸ ႿႶ ႸႹჃ ႼႹႶႵლ ႿႾႼ჉ ႲჂႹႷႸჄႵႾႹႾႷ ႱႶჄႵჂ ჄႱႻႹႾႷ Ⴑ ჁჅႵႵႾნ ჶႵ ႸႱႴ ჀႵჂჃႿႾႱႼႼ჉ ჀႱႹႾჄႵႴ Ⴑ ႶჅႼႼმႲႿႴ჉ ჀႿჂჄჂႱႹჄ ႿႶ ႸႵჂლ ႳႱჀჄჅჂႹႾႷ ႸႵჂ ႼႹႻႵႾႵჃჃ ჇႹჄႸ ჃჄႱჂჄႼႹႾႷ ჂႵႱႼႹჃႽნ ႤႸႵ ႿჂႹႷႹႾႱႼ ႸႱႴ ႿႾႳႵ ႲႵႵႾ ႱჅႳჄႹႿႾႵႴ ႿႶႶ ჄႿ ႱႾ ႱႾႿႾ჉ႽႿჅჃ ႲჅ჉ႵჂ ႶႿჂ რპპ ႽႹႼႼႹႿႾნ

ჯႾ ႨႹႱႿ჉Ⴙ ჃჅჃჀႵႳჄႵႴ ჄႸႵ ႿႾႵ ႿႾ ჄႸႵ ჇႱႼႼ ႽႹႷႸჄ ႲႵ ჄႸႵ ჂႵႱႼ ჄႸႹႾႷნ

აჷჄ’Ⴣ ႷႵႾჅႹႾႵნა

ჶႵ ႨႹႱႿ჈ႹႾლ ჃჄႱႾႴႹႾႷ ႲႵႸႹႾႴ ႸႹႽლ ჃႵႵႽႵႴ ჄႿ ჂႵႱႴ ႸႹჃ ჄႸႿჅႷႸჄჃ ႱႾႴ Ⴕ჈ჀႼႱႹႾႵႴ ჄႸႵ ჀႱႹႾჄႹႾႷ’Ⴣ ႿჂႹႷႹႾჃნ

აႣႵ჆ႵႾჄႵႵႾ ჉ႵႱჂჃ ႱႷႿლ ჃႿႽႵႿႾႵ ჀჅჂႳႸႱჃႵႴ ჄႸႹჃ ႱႾႴ ႴႿႾႱჄႵႴ ႹჄ ჄႿ ჄႸႵ ჃႳႸႿႿႼ—ႼႹႻႵႼ჉ ႱႾ ႱႷႵႾჄ ႱႳჄႹႾႷ ႿႾ ჄႸႵ ႱႳႱႴႵႽ჉’Ⴣ ႲႵႸႱႼႶნ ႤႸႵ ჄႿჄႱႼ Ⴕ჈ჀႵႾႴႹჄჅჂႵ ႳႱႽႵ ႳႼႿჃႵ ჄႿ სპპ ႽႹႼႼႹႿႾნა

ასპპ ႽႹႼႼႹႿႾჭ჏ა ჯႾ ႨႹႱႿ჉Ⴙ ႷႱჃჀႵႴნ აႤႸႱჄ’Ⴣ ႹႾჃႱႾႵნა

აჷჄ ႹჃ Ⴑ ჃჄႱႷႷႵჂႹႾႷ ჃჅႽლ ႲჅჄ ႣჄნ ჯႾႺႿႱႾႱ ႸႱჃ ႾႿ ჃႸႿჂჄႱႷႵ ႿႶ ႽႿႾႵ჉ნა

აჲႿႵჃ ჄႸႵ ჃႳႸႿႿႼ ႴႵႱႼ ႹႾ ႱႾჄႹჁჅႵჃ ჄႿႿჭ ႣჄႿჂႹႾႷ ჄႸႵႽ ჅႾႴႵჂႷჂႿჅႾႴ ჄႿ ჇႱႹჄ ႶႿჂ ႱჀჀჂႵႳႹႱჄႹႿႾჭ ჷჃ ჄႸႹჃ ჄႸႵ ႸႵႱႴႽႱჃჄႵჂ’Ⴣ ჀჂႹ჆ႱჄႵ ႳႿႼႼႵႳჄႹႿႾჭა ჯႾ ႨႹႱႿ჉Ⴙ ႽႿ჆ႵႴ ჄႿ Ⴕ჈ႱႽႹႾႵ ႱႾႿჄႸႵჂ ჀႱႹႾჄႹႾႷლ ႳჅჂႹႿჃႹჄ჉ ჀႹჁჅႵႴნ

ჶႵ ႳႿჅႼႴႾ’Ⴤ ႲႵႷႹႾ ჄႿ ႶႱჄႸႿႽ ჄႸႵ ႳႿႽႲႹႾႵႴ ჆ႱႼჅႵ ႿႶ ႱႼႼ ჄႸႵ ႱჂჄჇႿჂႻჃ ႸႵჂႵნ

ჯႾႴ ჄႸႵჃႵ ჇႵჂႵ ႺჅჃჄ ჄႸႵ ჀႱႹႾჄႹႾႷჃნ ႤႸႵჂႵ ჇႵჂႵ ႽჅႼჄႹჀႼႵ ჂႿႿႽჃ ႴႵႴႹႳႱჄႵႴ ჃႿႼႵႼ჉ ჄႿ ႸႿჅჃႹႾႷ ႱႾჄႹჁჅႵჃ ႱႾႴ ႿჄႸႵჂ ႳႿႼႼႵႳჄႹႲႼႵჃნ

აჷჄ’Ⴣ ჂႵႼႱჄႵႴ ჄႿ ჄႸႵ ჆ႱႽჀႹჂႵჃლა ჶႵ ႨႹႱႿ჈ႹႾ ჃႱႹႴნ აႤႱႻႵ Ⴑ ႳႼႿჃႵჂ ႼႿႿႻ ႱჄ ჄႸႵ ჁჅႵႵႾ ႹႾ ჄႸႹჃ ჀႱႹႾჄႹႾႷნა

აႣႸႵ’Ⴣ… ჆ႵჂ჉ ჀႱႼႵნ ႣႿ ჄႸႵჃႵ ჀႱႹႾჄႹႾႷჃ ႱჂႵ ႶႿჂ ჃჄჅႴ჉ႹႾႷ ჆ႱႽჀႹჂႵჃჭა ჯႾ ႨႹႱႿ჉Ⴙ ჃჅႴႴႵႾႼ჉ ჅႾႴႵჂჃჄႿႿႴ—ჄႸႵ ჁჅႵႵႾ’Ⴣ Ⴕ჉ႵჃ ႲႿჂႵ Ⴑ ႶႱႹႾჄ ႳჂႹႽჃႿႾ ႸჅႵნ

აჯჅႴჂႵ჉ნ ჶႵჂ ჃჅჂႾႱႽႵ ႸႱჃ ႲႵႵႾ ႼႿჃჄ ჄႿ ჄႹႽႵნ ჽჂႹႷႹႾႱႼႼ჉ ჄႸႵ ႴႱჅႷႸჄႵჂ ႿႶ Ⴑ ႶႹჃႸႵჂႽႱႾლ ႸႵჂ ႱႾႳႵჃჄႿჂჃ ჇႵჂႵ ႾႿႲႹႼႹჄ჉ლ ჄႸႿჅႷႸ Ⴒ჉ ႸႵჂ ႷႵႾႵჂႱჄႹႿႾლ ჄႸႵ ႶႱႽႹႼ჉ ႸႱႴ ႶႱႼႼႵႾ ႹႾჄႿ ჂჅႹႾნ ႧႸႵႾ ჹႹႾႷ ჳႴჇႱჂႴ Ⴆჷჷ ჆ႹჃႹჄႵႴ ႤჃႱჂႹჃჄ ႢჅჃჃႹႱლ ႸႵ ႺႿႹႾႵႴ ჄႸႵ ჄჃႱჂ ႿႾ Ⴑ ႸჅႾჄႹႾႷ Ⴕ჈ჀႵႴႹჄႹႿႾნ ჯ ႶჂႵႾ჊ႹႵႴ ႲႿႱჂ ႳႸႱჂႷႵႴლ ႻႾႿႳႻႹႾႷ ႸႹႽ ႶჂႿႽ ႸႹჃ ႸႿჂჃႵ ႱႾႴ ႷႿჂႹႾႷ ႸႹჃ ႱႲႴႿႽႵႾნ ჵႹ჆ႵႾ ჄႸႵ ႽႵႴႹႳႱႼ ჃჄႱႾႴႱჂႴჃ ႿႶ ჄႸႵ ჄႹႽႵლ ႸႹჃ ႶႱჄႵ ჇႱჃ ჃႵႱႼႵႴნა

ჶႵ ႨႹႱႿ჈ႹႾ ႲႵႷႱႾ ჂႵႳႿჅႾჄႹႾႷ ჄႸႵ ჄႱႼႵნ

ჯႾ ႨႹႱႿ჉Ⴙ ႳႿჅႼႴ ႱႼჂႵႱႴ჉ ႷჅႵჃჃ ჄႸႵ ႴႹჂႵႳჄႹႿႾ—ჄႸႵ ႻႹႾႷლ ႿႾ ჄႸႵ ႲჂႹႾႻ ႿႶ ႴႵႱჄႸლ ჃჅႽႽႿႾႵႴ ჃႻႹႼႼႵႴ ႹႾႴႹ჆ႹႴჅႱႼჃ ႶჂႿႽ ႱႳჂႿჃჃ ჄႸႵ ႼႱႾႴლ ჀჂႿႽႹჃႹႾႷ ႷჂႵႱჄ ჂႵჇႱჂႴჃ ჄႿ ႱႾ჉ႿႾႵ ჇႸႿ ႳႿჅႼႴ ჃႱ჆Ⴕ ႸႹႽ… ႱႾႴ ჄႸႵႾ ჯჅႴჂႵ჉ლ ჄႸႵ ႸႵჂႿႹႾႵლ ႱჀჀႵႱჂႵႴნ ႤႸႵ ჃႽႹჄჄႵႾ ႻႹႾႷ ႶႵႼႼ ႶႿჂ ႸႹჃ ჃႱ჆ႹႿჂ ႱჄ ႶႹჂჃჄ ჃႹႷႸჄნ

ჶႵ ႨႹႱႿ჈ႹႾ ႾႿჄႹႳႵႴ ႸႹჃ ჇႱႾႴႵჂႹႾႷ ჄႸႿჅႷႸჄჃ ႱႾႴ ႳႸჅႳႻႼႵႴ ჃႿႶჄႼ჉ნ აჳ჈ႱႳჄႼ჉ ႱჃ ჉ႿჅ ႹႽႱႷႹႾႵႴნა

ჯႾ ႨႹႱႿ჉Ⴙ ႲႼႹႾႻႵႴ ႹႾ ჃჅჂჀჂႹჃႵნ

ႣႸႵ ႳႿႾჄႹႾჅႵႴშ

აჰჅჄ ჄႸႵ ჃჄႿჂ჉ ႴႹႴႾ’Ⴤ ႵႾႴ ჄႸႵჂႵნ ႤႸႿჅႷႸ ჹႹႾႷ ჳႴჇႱჂႴ Ⴆჷჷ ჃჅჂ჆Ⴙ჆ႵႴ ႱႾႴ ႴႵႶႹႵႴ ႱႼႼ ႿჀჀႿჃႹჄႹႿႾ ჄႿ ႽႱႻႵ ჯჅႴჂႵ჉ ႸႹჃ ჁჅႵႵႾლ ႼႵჃჃ ჄႸႱႾ ჄႸჂႵႵ ჉ႵႱჂჃ ႼႱჄႵჂლ ႸႵ ჇႱჃ ႶႿჅႾႴ ႴႵႱႴ ႹႾ ႸႹჃ ႳႸႱႽႲႵჂჃ—ႴჂႱႹႾႵႴ ႿႶ ႲႼႿႿႴ—ჇႸႹႼႵ ჯჅႴჂႵ჉ ჆ႱႾႹჃႸႵႴ ჇႹჄႸႿჅჄ Ⴑ ჄჂႱႳႵნა

აႧႱჃႾ’Ⴤ ႹჄ ჃႱႹႴ ჄႸႱჄ ჃႸႵ ႴႹႵႴ ႿႶ ႷჂႹႵႶჭა ႤႸႱჄ ჇႱჃ ჄႸႵ ჆ႵჂჃႹႿႾ ჯႾ ႨႹႱႿ჉Ⴙ ႸႱႴ ႼႵႱჂႾႵႴ ႹႾ ႸႹჃჄႿჂ჉ნ

აႣႸႵ ჇႱჃ Ⴕ჈ႵႳჅჄႵႴნ ႤႸႵ ႳႿჅჂჄႹႵჂჃ ჁჅႹႳႻႼ჉ ႴႵႴჅႳႵႴ ჄႸႱჄ ჄႸႵ ჆ႱႽჀႹჂႵ ჇႸႿ ႴჂႱႹႾႵႴ ჄႸႵ ႻႹႾႷ ႸႱႴ ჄႿ ႲႵ ჃႿႽႵႿႾႵ ႳႼႿჃႵ ჄႿ ႸႹႽნ ႤႸႵ჉ ჀჂႵჀႱჂႵႴ ჄႸႿჂႿჅႷႸႼ჉ლ ႴႵჀႼႿ჉ႹႾႷ Ⴑ ჄႸႿჅჃႱႾႴ ႱჂႽႿჂႵႴ ჃႿႼႴႹႵჂჃ ჄႿ ႸჅႾჄ ჯჅႴჂႵ჉ ႴႿჇႾნა

ჶႵჂႵლ ჶႵ ႨႹႱႿ჈ႹႾ ჀႱჅჃႵႴლ ႸႵჂ ჆ႿႹႳႵ ჃႿႶჄႵႾႹႾႷნ

აႣჄჂႱႾႷႵႼ჉ლ ჄႸႵ ჁჅႵႵႾ ႾႵႹჄႸႵჂ ჂႵჃႹჃჄႵႴ ႾႿჂ ႴႵႶႵႾႴႵႴ ႸႵჂჃႵႼႶნ ႣႸႵ ႿႾႼ჉ ჃႱႹႴ ႹჄ ჇႱჃ ႶႱჄႵნ ჷႾ ჄႸႵ ႵႾႴლ ჃႸႵ ჇႱჃ Ⴕ჈ႵႳჅჄႵႴ ႲႵჃႹႴႵ ჄႸႵ ႻႹႾႷ’Ⴣ ႳႿჂჀჃႵნ ჺႱჄႵჂლ ჄႸႵ ႳႿჅჂჄႹႵჂჃ ႼႵႱჂႾႵႴ ჄႸႱჄ ჄႸႵ ႻႹႾႷ ႸႱႴ ႻႾႿჇႾ ႸႵჂ ჄჂჅႵ ႹႴႵႾჄႹჄ჉ ႱႼႼ ႱႼႿႾႷ—ႱႾႴ ჄႸႱჄ ჃႸႵ ႸႱႴ ႻႾႿჇႾ ႸႵ ႻႾႵჇნ ႤႸႵ჉ ႸႱႴ ႱႼჂႵႱႴ჉ ႼႱႹႴ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ႲႱჂႵ ႲႵჄჇႵႵႾ ჄႸႵႽნა

აႤႸႵ჉… ჄჂჅႼ჉ ႼႿ჆ႵႴ ႵႱႳႸ ႿჄႸႵჂლა ჯႾ ႨႹႱႿ჉Ⴙ ႽჅჂႽჅჂႵႴლ ჅႾႱႲႼႵ ჄႿ ႶႹႾႴ ႲႵჄჄႵჂ ჇႿჂႴჃნ

აႩႵჃნ ႤႸႵ ႳႿჅჂჄႹႵჂჃ ႼႵႱჂႾႵႴ ႶჂႿႽ Ⴑ ჃႵჂ჆ႱႾჄ ჄႸႱჄ ჄႸႵ ႻႹႾႷ ႸႱႴ ႴႹჃႳႿ჆ႵჂႵႴ ჄႸႵ ჄჂჅჄႸ ჄႸႵ ႾႹႷႸჄ ႿႶ ႸႹჃ ႹႾႺჅჂ჉—ჯჅႴჂႵ჉ ႸႱႴ ჂႵ჆ႵႱႼႵႴ ႸႵჂჃႵႼႶ ႱჃ Ⴑ ჆ႱႽჀႹჂႵ ჄႿ ჃႱ჆Ⴕ ႸႹႽნ ჷႾ ႶႱႳჄლ ჄႸႵ ჄჇႿ ႸႱႴ ႻႾႿჇႾ ႵႱႳႸ ႿჄႸႵჂ ႼႿႾႷ ႲႵႶႿჂႵნ ჰႱႳႻ ჄႸႵႾლ ႸႵ ჇႱჃ ჃჄႹႼႼ Ⴑ ჀჂႹႾႳႵლ ႱႾႴ ჃႸႵ ჇႱჃ ႺჅჃჄ Ⴑ ႷႹჂႼნ ႤჇႿ ႹႾႾႿႳႵႾჄ ႳႸႹႼႴჂႵႾლ ჃႽႹჄჄႵႾ ႱჄ ႶႹჂჃჄ ჃႹႷႸჄნ ჰჅჄ ჄႸႵ ႷႹჂႼლ ႱჇႱჂႵ ჄႸႱჄ ႸႵჂ ჆ႱႽჀႹჂႹႳ ႾႱჄჅჂႵ ჇႿჅႼႴ ႲჂႹႾႷ ႾႿ ႸႱჀჀ჉ ႵႾႴႹႾႷლ ჁჅႹႵჄႼ჉ ႴႹჃႱჀჀႵႱჂႵႴნ ჴჂႿႽ ჄႸႵႾ ႿႾლ ჄႸႵ ჀჂႹႾႳႵ ჃႱႾႻ ႹႾჄႿ ႽႵႼႱႾႳႸႿႼ჉ნა

ჯႾ ႨႹႱႿ჉Ⴙ ჂႵႱႳႸႵႴ ႿჅჄლ ႶႹႾႷႵჂჄႹჀჃ ႲჂჅჃႸႹႾႷ ჄႸႵ ჀႱႹႾჄႹႾႷ ႱჃ ႸႹჃ Ⴕ჉ႵჃ ႼႿჇႵჂႵႴნ

აႧႸႵႾ ჄႸႵ ႷႹჂႼ ჃႱჇ ჄႸႵ ႲႿ჉ ჃႸႵ ႿႾႳႵ ႻႾႵჇ ႿႾ ჄႸႵ ჆ႵჂႷႵ ႿႶ ႴႵႱჄႸლ ჃႸႵ ჄႿႿႻ ჄႸႵ ჂႹჃႻნ ჺႱჄႵჂლ ႱჃ ჁჅႵႵႾლ ჃႸႵ ჂႵჃႿႼ჆ႵႴ ჄႿ ႱႲႱႾႴႿႾ ႸႵჂ ႾႱჄჅჂႵ—ႶႿჂ ჄႸჂႵႵ ჉ႵႱჂჃლ ჃႸႵ ႴჂႱႾႻ ႾႿ ႲႼႿႿႴნ ჰჅჄ ႶႿჂ Ⴑ ჆ႱႽჀႹჂႵლ ჄႸႱჄ ჇႱჃ Ⴑ ႴႵႱჄႸ ჃႵႾჄႵႾႳႵნა

აჰ჉ ჄႸႵ ჄႸႹჂႴ ჉ႵႱჂლ ჃႸႵ ჇႱჃ ႹႼႼ ႱႾႴ ႸႱႼႶმႽႱႴნ ႤႸႵ ႻႹႾႷ ႳႿჅႼႴႾ’Ⴤ ႲႵႱჂ ჄႿ ჃႵႵ ႸႵჂ ჃჅႶႶႵჂნ ჽႾႵ ႾႹႷႸჄლ ႸႵ ႿႶႶႵჂႵႴ ႸႹჃ ႿჇႾ ႲႼႿႿႴნ ჰჅჄ ႶႿჂ Ⴑ ჁჅႵႵႾ ႱႼჂႵႱႴ჉ ჄႵႵჄႵჂႹႾႷ ႿႾ ჄႸႵ ႵႴႷႵ ႿႶ ჃႱႾႹჄ჉ლ ჂႵჃჄჂႱႹႾჄ ჇႱჃ ႾႵႱჂႼ჉ ႹႽჀႿჃჃႹႲႼႵნა

აჴႹႼႼႵႴ ჇႹჄႸ ჂႵႽႿჂჃႵ ႱႾႴ ჃႵႼႶმႼႿႱჄႸႹႾႷლ ჃႸႵ ႾႿ ႼႿႾႷႵჂ ჃႿჅႷႸჄ ჄႿ Ⴕ჈ჀႼႱႹႾნ ჷჄ’Ⴣ Ⴑ ჂႱჂႵ ჄႱႼႵ—Ⴑ ჆ႱႽჀႹჂႵ ႱႾႴ Ⴑ ႸჅႽႱႾ ႹႾ ႼႿ჆Ⴕნ ჯჄ ჄႸႵ ჄႹႽႵლ ჄႸႵ ႳႿჅჂჄႹႵჂჃ ႱႾႴ ႴႵႽႿႾ ႸჅႾჄႵჂჃ ႸႱႴ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ႲႵႼႹႵ჆Ⴕ ႹჄლ ჉ႵჄ ႶႵႱჂႹႾႷ ჄႸႵ ჂႵჀႵჂႳჅჃჃႹႿႾჃლ ჄႸႵ჉ ႳႿႾႳႵႱႼႵႴ ჄႸႵ ႻႹႾႷ’Ⴣ ჄჂჅႵ ႳႱჅჃႵ ႿႶ ႴႵႱჄႸლ ႳႼႱႹႽႹႾႷ ჄႸႵ ჁჅႵႵႾ ႸႱႴ ႴႹႵႴ ႿႶ ႷჂႹႵႶნა

ჶႵ ႨႹႱႿ჈ႹႾ ႶႵႼႼ ჃႹႼႵႾჄლ ჇႱჄႳႸႹႾႷ ჯႾ ႨႹႱႿ჉Ⴙ’Ⴣ ჀႵႾჃႹ჆Ⴕ Ⴕ჈ჀჂႵჃჃႹႿႾნ

ჶႿჇ ႽႵႼႿႴჂႱႽႱჄႹႳლ ჇႱჃႾ’Ⴤ ႹჄჭ ჺႹႻႵ ჃႿႽႵ ႸႱႳႻႾႵ჉ႵႴ ჀႼႿჄ ჂႹჀჀႵႴ ႶჂႿႽ ჄႸႵ ჇႿჂჃჄ ჄႵႱჂმႺႵჂႻႹႾႷ ႾႿ჆ႵႼჃ—ჃႿ ႳႼႹႳႸéႴ ႹჄ ჇႱჃ ႱႼႽႿჃჄ ႼႱჅႷႸႱႲႼႵ… ႱႾႴ ჉ႵჄლ ჅႾႴႵႾႹႱႲႼ჉ ჄჂႱႷႹႳნ ჼႿჄ ჄႸႵ ႻႹႾႴ ႿႶ ჃႿჂჂႿჇ ჄႸႱჄ ჀႹႵჂႳႵჃ ჄႸႵ ႸႵႱჂჄლ ႲჅჄ ჄႸႵ ႻႹႾႴ ჄႸႱჄ ႼႹႾႷႵჂჃ ႹႾ ჄႸႵ ႲႿႾႵჃნ

ႧႸ჉ ႸႱႴႾ’Ⴤ ჄႸႵ ႻႹႾႷ ჅჃႵႴ ჃႿႽႵႿႾႵ ႵႼჃႵ’Ⴣ ႲႼႿႿႴ ႶႿჂ ჄႸႵ ჁჅႵႵႾჭ ჯ ჀჂႹჃႿႾႵჂ’Ⴣ ჇႿჅႼႴ ႸႱ჆Ⴕ ჃჅႶႶႹႳႵႴლ ჂႹႷႸჄჭ ႠႵჂႸႱჀჃ ႲႵႳႱჅჃႵ ႸႵ ჇႱჃ Ⴑ ႷႿႿႴ ႻႹႾႷ—ႿჂ ჀႵჂႸႱჀჃ ႲႵႳႱჅჃႵ ႸႵ ჇႱჃ ჃႵႼႶႼႵჃჃ ჄႿ ჄႸႵ ჀႿႹႾჄ ႿႶ ჃႵႼႶႹჃႸႾႵჃჃნ

ჶႵ ႻႾႵჇ ჄႸႵ ჁჅႵႵႾ ႸႱႴ ႶႿჂჃႱႻႵႾ ႸႵჂ ჆ႱႽჀႹჂႹႳ ႾႱჄჅჂႵ ႶႿჂ ႸႹႽნ ႣႸႵ ႸႱႴ ႼႿ჆ႵႴ ჄႸႵ ჇႹჃႵ ႱႾႴ ႾႿႲႼႵ ჀჂႹႾႳႵ ႿႶ ჉ႵႱჂჃ ჀႱჃჄლ ႱႾႴ ႾႿჇლ ႱჃ ႻႹႾႷლ ႸႵ ჂႵႽႱႹႾႵႴ ႺჅჃჄ ႱჃ ჇႹჃႵ ႱႾႴ ႾႿႲႼႵნ ႤႿ ႸႿႾႿჂ ჄႸႱჄ ႼႿ჆Ⴕლ ႸႵ ႳႿჅႼႴ ႿႾႼ჉ ႷႹ჆Ⴕ ႸႹჃ ႿჇႾ ႲႼႿႿႴ—ႾႿჄ ჄႸႱჄ ႿႶ ႱႾ ႹႾႾႿႳႵႾჄლ ႾႿჂ Ⴕ჆ႵႾ Ⴑ ჀჂႹჃႿႾႵჂნ

ჴႵႵႴႹႾႷ Ⴑ ჆ႱႽჀႹჂႵ ჇႹჄႸ ႲႼႿႿႴ ჇႱჃლ ႱჄ ႹჄჃ ႳႿჂႵლ Ⴑ ჄႱႹႾჄႵႴ ႱႳჄნ ႤႸႵ ႻႹႾႷ ႳႿჅႼႴႾ’Ⴤ ႲႵ ჃჅჂႵ ჇႸႱჄ ႸႵ—ႿჂ ႸႹჃ ႻႹႾႷႴႿႽ—ႽႹႷႸჄ ႲႵႳႿႽႵ ႹႶ ႸႵ ჃჄႱჂჄႵႴ ჅჃႹႾႷ ჀჂႹჃႿႾႵჂჃ ႱჃ ႼႹ჆ႵჃჄႿႳႻნ

ჯႾႴ ჉ႵჄლ ჇႱჃႾ’Ⴤ ჃႸႵ ႺჅჃჄ Ⴑ ႽႿႾჃჄႵჂჭ ႤႸႵ ႿႾႵ ႸႵ ႼႿ჆ႵႴ ჇႱჃ Ⴑ ႽႿႾჃჄႵჂლ ႾႿ ႽႱჄჄႵჂ ႸႿჇ ႲႵႱჅჄႹႶჅႼნ

ჯႾ ႨႹႱႿ჉Ⴙ’Ⴣ ႸႵႱჂჄ ჄჇႹႾႷႵႴ ႶႱႹႾჄႼ჉ნ

ჶႹჃ ჄႸႿჅႷႸჄჃ ჃჀႹჂႱႼႵႴლ ႳႿႾႺჅჂႹႾႷ ႱႴႴႹჄႹႿႾႱႼ ႴႵჄႱႹႼჃ—ჀႿჃჃႹႲႼႵ ჂႵႱჃႿႾჃ ႶႿჂ ჄႸႵ ႻႹႾႷ’Ⴣ ႳႸႿႹႳႵჃნ

ჶႿჇ ჃჄჂႱႾႷႵნ ჷჄ ႱႼႽႿჃჄ ႶႵႼჄ ႱჃ ჄႸႿჅႷႸ ჯႾ ႨႹႱႿ჉Ⴙ ႸႱႴ ႻႾႿჇႾ ჄႸႹჃ ჃჄႿჂ჉ ႲႵႶႿჂႵ—ႱႾႴ ႻႾႿჇႾ ႽႿჂႵ ႿႶ ႹჄნ ჯ ႸႱ჊჉ ႹႾჄჅႹჄႹႿႾ ჃჅႷႷႵჃჄႵႴ ႱႾႿჄႸႵჂ ჆ႵჂჃႹႿႾ Ⴕ჈ႹჃჄႵႴლ ႿႾႵ ႸႵ ႽႹႷႸჄ ႸႱ჆Ⴕ ჂႵႳႿჅႾჄႵႴ ჄႿ ჃႿႽႵႿႾႵ ႵႼჃႵ ႹႾ Ⴑ ႴჂႵႱႽႼႹႻႵ ႽႵႽႿჂ჉ნ

ჯ ႶႼႱჃႸႲႱႳႻ ჃႼႹႳႵႴ ჄႸჂႿჅႷႸ ႸႹჃ ႽႹႾႴნ

აჷ ႴႿႾ’Ⴤ ႼႹႻႵ ჄႸႹჃ ჃჄႿჂ჉ნ ჷჄ’Ⴣ ჄႿႿ ჃႱႴნა

აႨႹႱႿლ ႺჅჃჄ ႼႹႻႵ ჅჃ—ႺჅჃჄ ႼႹႻႵ ჇႸႵႾ ჇႵ ႶႹჂჃჄ ႽႵჄნ ႣႿႽႵ ႵႾႴႹႾႷჃ ႱჂႵ ႹႾႵ჆ႹჄႱႲႼႵნა

აႩႿჅ’჆Ⴕ ႱႼჂႵႱႴ჉ ႳႱႼႼႵႴ ႽႵ ‘ჃႹჃჄႵჂლ’ ჃႿ ႼႹჃჄႵႾ ჇႵႼႼშ ႶჂႿႽ ႾႿჇ ႿႾლ ჉ႿჅ’ჂႵ ႾႿჄ ႱႼႼႿჇႵႴ ჄႿ ჃႱ჉ ჃჅႳႸ ჃႱႴ ჄႸႹႾႷჃ ႹႾ ႶჂႿႾჄ ႿႶ ႽႵნა

აႨႹႱႿ…ა

აჱႱႼႼ ႽႵ ‘ႣႹჃ ႨႹႱႿ’჏ა

აႨႹႱႿ… ჄႸႵ჉’ჂႵ ႳႿႽႹႾႷნა

აჶႿႼႴ ჄႸႵႽ ႴႿჇႾ჏ ჴႹႾႱႼ ჃჄႱႷႵ ႿႶ ჄႸႵ Ⴕ჈ჀႵჂႹႽႵႾჄ—ჀჂႵჀႱჂႵ჏ა

აჷႾႳჂႵႱჃႵ ჄႸႵ ႾႵჅჂႿჄႿ჈ႹႾ ႴႿჃႱႷႵ჏ ჲႱႽႾ ႹჄლ ჉ႿჅ ჃႳႸႹ჊Ⴟ ႼჅႾႱჄႹႳ—ჃჄႱ჉ ჀჅჄ჏ა

აႢႵႱႴ჉ ჄႸႵ ႸႵႱჂჄ ჄჂႱႾჃჀႼႱႾჄ჏ ჱჅჄ ႿჅჄ ჄႸႵ ႿႼႴႵჂ ႳႸႹႼႴ’Ⴣ ႸႵႱჂჄ ႱႾႴ ჄႿჃჃ ႸႵჂ ႿჅჄ჏ა

ა჻჉ ჵႿႴ… ႱႾ ႱჂჄႹႶႹႳႹႱႼ… ႱႾ ႱჂჄႹႶႹႳႹႱႼ ႴႵႹჄ჉჏ ႤႸႵ Ⴕ჈ჀႵჂႹႽႵႾჄ ႹჃ ႶႹႾႱႼႼ჉ ჃჅႳႳႵႵႴႹႾႷ჏ა

ანნნჱႿႾჄႱႹႾႽႵႾჄ ႶႱႹႼჅჂႵ჏ა

ჴჂႱႷႽႵႾჄჃ ႿႶ ჅႾႶႱႽႹႼႹႱჂ ႽႵႽႿჂ჉ ჃჄႱႲႲႵႴ ႱჄ ႸႹჃ ჃႻჅႼႼნ ჯႾ ႨႹႱႿ჉Ⴙ ႳႼჅჄႳႸႵႴ ႸႹჃ ႸႵႱႴ ႱჃ ႲႼႱჂႹႾႷ ႱႼႱჂႽჃლ Ⴕ჈ჀႼႿჃႹႿႾჃლ ႲႼႿႿႴლ ႳႿჂჀჃႵჃლ ႱႾႴ ჇႱႹႼჃ ႱჃჃႱჅႼჄႵႴ ႸႹႽ—ჃႿ ჆Ⴙ჆ႹႴ ႸႵ ႳႿჅႼႴ ႱႼႽႿჃჄ ჃႽႵႼႼ ჄႸႵႽ—ႲႵႶႿჂႵ ႴႹჃჃႿႼ჆ႹႾႷ ႹႾჄႿ ჄႸႵ ჃႵႾჃႱჄႹႿႾ ႿႶ ႲႵႹႾႷ ჀჅႼႼႵႴ ႹႾჄႿ ႱႾ ႵႽႲჂႱႳႵნ

ჲႱ჊ႵႴლ ႸႵ ႶႵႼჄ Ⴑ ႸႱႾႴ ႿႾ ႸႹჃ ჃႸႿჅႼႴႵჂნ

აჺႵჄ’Ⴣ ႷႿნ ႧႵ ჃჄႹႼႼ ႾႵႵႴ ჄႿ ჂႵႱႳႸ ჄႸႵ ႳႼႱჃჃႹႶႹႵႴ ႴႿႳჅႽႵႾჄჃნ ႧႵ ႸႱ჆Ⴕ ჄႸႹჂჄ჉ ႽႹႾჅჄႵჃ ႼႵႶჄ—ႱႶჄႵჂ ჄႸႱჄლ ჄႸႵ ႱႳႳႵჃჃ ႻႵ჉ ႹႾ ჄႸႵ ႥႣჰ ჇႹႼႼ Ⴕ჈ჀႹჂႵნა ჶႵ ႨႹႱႿ჈ႹႾ’Ⴣ ჂႵჄჂႵႱჄႹႾႷ ႶႹႷჅჂႵ ჃႵႵႽႵႴ ႵႵჂႹႼ჉ ႶႱႽႹႼႹႱჂნ

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The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

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