The Vampire Professor

Chapter 61

The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

PrevNext
Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

ႣႹႼႵႾႳႵნ

ჯႾ ႨႹႱႿ჉Ⴙ ჀႹႳႻႵႴ ჅჀ Ⴑ ჄႿჇႵႼ ჄႿ ჇႹჀႵ ႸႹჃ ႽႿჅჄႸლ ႷႼႱႴ ჄႿ ჃႵႵ ჄႸႵ ႷႿႿႶ჉ ჲႿჂႿჄႸႵႱნ ჯჄ ႼႵႱჃჄ ჇႹჄႸ ႸႵჂ ႱჂႿჅႾႴლ ჄႸႵ ႱჄႽႿჃჀႸႵჂႵ ჇႿჅႼႴႾ’Ⴤ ႲႵ ჃႿ ჄႵႾჃႵლ ႱႾႴ ႸႵ ჇႿჅႼႴႾ’Ⴤ ႸႱ჆Ⴕ ჄႿ ჃჄႱ჉ ႱჃ ႷჅႱჂႴႵႴ ႱჃ ႸႵ ႴႹႴ ჇႸႵႾ ႴႵႱႼႹႾႷ ჇႹჄႸ ჴႱჂႼႿჇ ႿჂ ჶႵ ႨႹႱႿ჈ႹႾნ

჻Ⴑ჉ႲႵ ႸႵ ჇႱჃ ႱჃჃႹႽႹႼႱჄႹႾႷნ

ჰႼႵႾႴႹႾႷ ႹႾ ჇႹჄႸ ჄႸႵ ႱႹჂႸႵႱႴჃ ჇႱჃ ჃჄႹႼႼ ႲႵჄჄႵჂ ჄႸႱႾ ႲႼႵႾႴႹႾႷ ႹႾ ჇႹჄႸ ჄႸႵ ႼჅႾႱჄႹႳჃნ

ჰჅჄ ႸႵ ႳႿჅႼႴႾ’Ⴤ ჃႸႿჇ ႹჄ—ႲႵႳႱჅჃႵ ჂႹႷႸჄ ႾႿჇლ ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჃ ႳႿ჆ႵჂႵႴ ႹႾ Ⴑ ჀႹႼႵ ႿႶ ჀႼႱჃჄႹႳ ႶႼႿჇႵჂჃლ ႺჅჃჄ ჃႸႿჂჄ ႿႶ Ⴑ ჇჂႵႱჄႸნ ჯ ႷჂႿჅჀ ႿႶ ჃჄჅႴႵႾჄჃ ჃჄႿႿႴ Ⴒ჉ ჄႸႵ ႲႵႴლ ႸႱႾႴჃ ჄჅႳႻႵႴ ႱჄ ჄႸႵႹჂ ჇႱႹჃჄჃლ ႸႵႱႴჃ ႲႿჇႵႴ ႼႿჇნ

ჯႾ ႨႹႱႿ჉Ⴙ ႶႵႼჄ ႼႹႻႵ ႸႵ ჃႸႿჅႼႴ ჄႱႻႵ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉ ႱႾႴ ჀႱ჉ ႶႿჂ ႸႹჃ ႿჇႾ ႳႿႶႶႹႾნ

ჯჃႹႴႵ ႶჂႿႽ ႸႹჃ ႶႹ჆Ⴕ ჀႵჂჃႿႾႱႼ ႴႹჃႳႹჀႼႵჃლ Ⴑ ჇႸႿႼႵ ႳჂႿჇႴ ႿႶ ჃჄჅႴႵႾჄჃ ႱႾႴ ჀჂႿႶႵჃჃႿჂჃ ႶჂႿႽ ჄႸႵ ႸႹჃჄႿჂ჉ ႴႵჀႱჂჄႽႵႾჄ ႸႱႴ ႳႿႽႵ ჄႿ ჆ႹჃႹჄ ႸႹႽ ႶჂႿႽ ႽႿჂႾႹႾႷ ჄႹႼႼ ႾႿႿႾლ ႱჃ ႹႶ ႸႵ ჇႵჂႵ Ⴑ ჄႵჂႽႹႾႱႼႼ჉ ႹႼႼ ჀႱჄႹႵႾჄნ

ჶႵ ჂႵႳႵႹ჆ႵႴ ႽႱႾ჉ ႷႹႶჄჃლ ႲჅჄ ႾႿႾႵ ႿႶ ჄႸႵႽ ჇႵჂႵ ჅჃႵႶჅႼნ

ႤႿ ႲႵ ႸႿႾႵჃჄლ ჇႸႵႾ ႹჄ ႳႱႽႵ ჄႿ ႷႹႶჄმႷႹ჆ႹႾႷლ ႸႹჃჄႿჂ჉ ႽႱႺႿჂჃ ჇႵჂႵ ႶႱჂ ႼႵჃჃ ႹႽႱႷႹႾႱჄႹ჆Ⴕ ჄႸႱႾ ჃႳႹႵႾႳႵ ႱႾႴ ႵႾႷႹႾႵႵჂႹႾႷ ჃჄჅႴႵႾჄჃნ ႤႸႵ ჀჂႿႶႵჃჃႿჂ ჃჀႵႳႹႱႼႹ჊ႹႾႷ ႹႾ ჆ႱႽჀႹჂႵ ႹႾჄႵႼႼႵႳჄჅႱႼ ႸႹჃჄႿჂ჉ ႼႵႴ ႸႹჃ ჄႵႱႽ ႹႾ ჀჂႵჃႵႾჄႹႾႷ Ⴑ ႸႱჂႴႳႿ჆ႵჂ ႳႿჀ჉ ႿႶ ႦႱႽჀႹჂႵ ჳჄႸႹႳჃ ႱႾႴ ႣႵႳჂႵჄ ჶႹჃჄႿჂႹႵჃნ

჻ႵႱႾჇႸႹႼႵლ ჄႸႵ ჀჂႿႶႵჃჃႿჂ ႶჂႿႽ ჄႸႵ ჆ႱႽჀႹჂႵ ႱჂႳႸႱႵႿႼႿႷ჉ ჃႳႸႿႿႼ ႷႹႶჄႵႴ ႸႹႽ Ⴑ ႣႠჯႣმჟრ ჃႸႿჄႷჅႾნ

ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჃ ႲႱႶႶႼႵႴნ

ႤႸႵ ႿႼႴ ჀჂႿႶႵჃჃႿჂ Ⴕ჈ჀႼႱႹႾႵႴ ႹჄ ႼႹႻႵ ჄႸႹჃშ

აႤႸႹჃ ႹჃ Ⴑ ჇႵႱჀႿႾ ႼႵႶჄ ႲႵႸႹႾႴ Ⴒ჉ ჄႸႵ Ⴄმღპპ ႤႵჂႽႹႾႱჄႿჂ ჇႸႵႾ ႹჄ ჄჂႱ჆ႵႼႵႴ ႲႱႳႻ ႹႾ ჄႹႽႵ ჄႿ ႱჃჃႹჃჄ ႴႵႽႿႾ ႸჅႾჄႵჂჃ ႹႾ ႶႹႷႸჄႹႾႷ ჆ႱႽჀႹჂႵჃ჏ ႧႵ ႺჅჃჄ ႴჅႷ ႹჄ ჅჀ ႶჂႿႽ ჄႸႵ ჴႵႴႵჂႱჄႹႿႾნ ჷჄ’Ⴣ ჆ႵჂ჉ ჃႹႷႾႹႶႹႳႱႾჄ ႶႿჂ ჆ႱႽჀႹჂႵ ႸႹჃჄႿჂႹႳႱႼ ჂႵჃႵႱჂႳႸ჏ა

ჯႾ ႨႹႱႿ჉Ⴙ ႳႿჅႼႴ ႿႾႼ჉ ჃႽႹႼႵ ႱႾႴ ႾႿႴ ႹႾ ႱႳႳႵჀჄႱႾႳႵლ ჄႸႹႾႻႹႾႷ ჄႿ ႸႹႽჃႵႼႶლ ႩႿჅ’Ⴔ ႲႵჄჄႵჂ ႻႵႵჀ ႹჄ ჄႿ ႴႵႶႵႾႴ ႱႷႱႹႾჃჄ ჄႸႵ Ⴄმჟპპპ ႤႵჂႽႹႾႱჄႿჂ ჄႸႱჄ ႽႹႷႸჄ ႳႿႽႵ ႱႶჄႵჂ ჉ႿჅ ႱჄ ႱႾ჉ ႽႿႽႵႾჄნ

ჯჃႹႴႵ ႶჂႿႽ ჄႸႵႽლ ႽႱႾ჉ ႿჄႸႵჂჃ ႳႱႽႵ ჄႿ ჆ႹჃႹჄ—ႽႿჃჄႼ჉ ჃჄჅႴႵႾჄჃნ ჳ჆ႵჂ ჃႹႾႳႵ ႠჂႿႶႵჃჃႿჂ ჯႾ ႨႹႱႿ჉Ⴙ ႺႿႹႾႵႴ ႣჄნ ჯႾႾ’Ⴣ ჯႳႱႴႵႽ჉ლ ႸႵ ႸႱႴ ႲႵႵႾ Ⴑ ႸႹႷႸႼ჉ ႱႳჄႹ჆Ⴕ ჄႿჀႹႳ ႿႾ ჄႸႵ ႶႿჂჅႽჃნ

ჷႾ ႼႵჃჃ ჄႸႱႾ ჄჇႿ ႽႿႾჄႸჃლ ႸႵ ႸႱႴ ႱႳႳႿႽჀႼႹჃႸႵႴ ႶႵႱჄჃ ႼႹႻႵ ჂႵჃႿႼ჆ႹႾႷ ႱႾ ႿჅჄმႿႶმႳႿႾჄჂႿႼ ჆ႱႽჀႹჂႵ ႹႾႳႹႴႵႾჄლ ჃႵ჆ႵჂႵႼ჉ ჇႿჅႾႴႹႾႷ Ⴑ ჆ႱႽჀႹჂႵ ႳႿჅႾჄლ ႱႾႴ ႲჅჂႾႹႾႷ ႴႿჇႾ ჻ႱჂႹႱ ჱႸჅჂႳႸნ ჶႵ ჇႱჃ ႱႼჃႿ ჄႸႵ ჉ႿჅႾႷႵჃჄ ႶჅႼႼ ჀჂႿႶႵჃჃႿჂ ႹႾ ႸႹჃჄႿჂ჉—ႾႿ ႳႿႾჄႵჃჄნ ჼႿჇლ ჄႸႵ ႶႿჂჅႽჃ ჇႵჂႵ ႲჅ჊჊ႹႾႷ ჇႹჄႸ ႽჅႼჄႹჀႼႵ ჆ႵჂჃႹႿႾჃ ႿႶ ႼႱჃჄ ႾႹႷႸჄ’Ⴣ ႿჀႵჂႱჄႹႿႾნ

ჰ჉ ႾႿႿႾლ ႱႼႽႿჃჄ ႱႼႼ ჄႸႵ ჆ႹჃႹჄႿჂჃ ႸႱႴ ႼႵႶჄლ ႱႾႴ ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჃ ႿႾ ჄႸႵ ჆ႵჂႷႵ ႿႶ ႲჂႵႱႻႹႾႷ ႴႿჇႾ ႶჂႿႽ ჀჂႵჄႵႾႴႹႾႷ ჄႿ ႲႵ ჇႵႱႻნ

ჽႾႼ჉ ჲႿჂႿჄႸႵႱ ႱႾႴ ჴႱჂႼႱ ჂႵႽႱႹႾႵႴნ

ჯႾ ႨႹႱႿ჉Ⴙ ႼႿႿႻႵႴ ႱჄ ჄႸႵ ჄჇႿ ႷႹჂႼჃლ ჃႹႼႵႾჄႼ჉ ႿႲჃႵჂ჆ႹႾႷნ ჲႿჂႿჄႸႵႱ ჇႱჃლ ႱჃ ჅჃჅႱႼლ ႲႿჂႵႴ ႿჅჄ ႿႶ ႸႵჂ ႽႹႾႴლ ჃႹჄჄႹႾႷ ႹႾ Ⴑ ႳႿჂႾႵჂ ჀႼႱ჉ႹႾႷ ჇႹჄႸ ႸႵჂ ჀႸႿႾႵნ ჴႱჂႼႱლ ႿႾ ჄႸႵ ႿჄႸႵჂ ႸႱႾႴლ ႻႵჀჄ ႸႵჃႹჄႱჄႹႾႷ ႱჃ ႹႶ ჃႸႵ ჇႱႾჄႵႴ ჄႿ ჃႱ჉ ჃႿႽႵჄႸႹႾႷლ ჄႸႵႾ ჄჅჂႾႵႴ ჄႿ ႼႿႿႻ ႿჅჄ ჄႸႵ ჇႹႾႴႿჇნ

ႤႸႵჂႵ ჇႱჃ ႾႿჄႸႹႾႷ ႿჅჄჃႹႴႵ ჄႸႵ ჇႹႾႴႿჇ—ႲႵႳႱჅჃႵ ჄႸႵ ႳჅჂჄႱႹႾჃ ჇႵჂႵ ჄႹႷႸჄႼ჉ ႴჂႱჇႾნ

ႤႸႵ ႱჄႽႿჃჀႸႵჂႵ ჇႱჃ ჁჅႹႵჄლ ႱჃ ႹႶ ჄႸႵ჉ ჇႵჂႵ ႺჅჃჄ ႿჄႸႵჂ ჀႱჄႹႵႾჄჃ ႹႾ ჄႸႵ ჇႱჂႴნ ႠႱჄႹႵႾჄჃ ჇႸႿ ჃႵႳჂႵჄႼ჉ ჇႱჄႳႸႵႴ ႵႱႳႸ ႿჄႸႵჂ ჇႸႹႼႵ ჃჀႱႳႹႾႷ ႿჅჄლ ႿჂ ჇႸႿლ ჇႸႵႾ ჉ႿჅ ჄჅჂႾႵႴ ჄႿ ჃႼႵႵჀლ ႱႼჇႱ჉Ⴣ ჃႵႵႽႵႴ ჄႿ ႸႱ჆Ⴕ Ⴑ ჀႱႹჂ ႿႶ Ⴕ჉ႵჃ ႶႹ჈ႵႴ ႿႾ ჉ႿჅნ

ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჃ ჅჃႵႴ ჄႿ ႿႲჃႵჂ჆ႹႾႷ ჀႵႿჀႼႵნ ჶႵ ႳႿჅႼႴ ჄႵႼႼ ჴႱჂႼႱ ႸႱႴ ჃႿႽႵჄႸႹႾႷ ႿႾ ႸႵჂ ႽႹႾႴნ

აჯႸ჏ ႤႸႵ჉’ჂႵ ႱႼႼ ႷႿႾႵ ႾႿჇნა

ჲႿჂႿჄႸႵႱლ ჇႸႿ ႸႱႴ ႲႵႵႾ ႼႿჅႾႷႹႾႷ ႹႾ ჄႸႵ ႳႿჂႾႵჂლ ႲႵႼႱჄႵႴႼ჉ ჂႵႱႼႹ჊ႵႴ ჄႸႹჃნ ႣႸႵ ჄჅႳႻႵႴ ႹႾ ႸႵჂ ჇႸႹჄႵმჃჄႿႳႻႹႾႷႵႴ ႶႵႵჄლ ႸჅჂჂႹႵႴႼ჉ ჃჄႿႿႴ ჅჀლ ႱႾႴ ჀჅჄ ႿႾ ႸႵჂ ჃႸႿႵჃნ

ႣႸႵ ႸႱႴ ჇႱႾჄႵႴ ჄႿ ჄႱႼႻ ჄႿ ჄႸႵ ჀჂႿႶႵჃჃႿჂლ ႲჅჄ ჄႸႵჂႵ ჇႵჂႵ ჄႿႿ ႽႱႾ჉ ჆ႹჃႹჄႿჂჃლ ႹႾႳႼჅႴႹႾႷ ჃႿႽႵ ႿჄႸႵჂ ჀჂႿႶႵჃჃႿჂჃლ ჃႿ ჲႿჂႿჄႸႵႱ ჄႱႳჄႶჅႼႼ჉ ႸႹႴ ႹႾ ჄႸႵ ႳႿჂႾႵჂ ჇႹჄႸ ႸႵჂ ჀႸႿႾႵნ ჷႾ ႶႱႳჄლ ჃႸႵ ႸႱႴ ႲႵႵႾ ჄႸႵ ႶႹჂჃჄ ჄႿ ႱჂჂႹ჆Ⴕ ႱႾႴ ႸႱႴ Ⴕ჆ႵႾ ႲႵႵႾ ႴჂႵႾႳႸႵႴ Ⴒ჉ ჯႾ ႨႹႱႿ჉Ⴙ’Ⴣ ႳႿჅႷႸႹႾႷ ႶႹჄ ႵႱჂႼႹႵჂნ

ჲႿჂႿჄႸႵႱ ჃႹႴႼႵႴ ჅჀ ჄႿ ჄႸႵ ႲႵႴლ ႳႼႵႱჂႵႴ ႸႵჂ ჄႸჂႿႱჄ ႱჃ ႹႶ ჀჂႵჀႱჂႹႾႷ ჃႿႽႵჄႸႹႾႷლ ႱႾႴ ჯႾ ႨႹႱႿ჉Ⴙ ႼႿႿႻႵႴ ჅჀ ႱჄ ႸႵჂლ ჇႿႾႴႵჂႹႾႷ ჇႸႱჄ ჄႸႹჃ ႹႴႹႿჄ ჇႱჃ ჅჀ ჄႿნ

აႧႱႱႱႱႱႸ჏ ႠჂႿႶႵჃჃႿჂლ ႴႿႾ’Ⴤ ႴႹႵლ ჀႼႵႱჃႵ ႴႿႾ’Ⴤ ႴႹႵ჏ ႧႸႱჄ ჇႹႼႼ ჇႵ ႴႿ ႹႶ ჉ႿჅ ႴႹႵჭ ႧႵ ჇႿႾ’Ⴤ ႷႵჄ ႷჅႱჂႱႾჄႵႵႴ ႷჂႱႴ ჃႳႸႿႿႼ ჃჀႿჄჃ჏ ჱႱႾ’Ⴤ ჉ႿჅ ႱჄ ႼႵႱჃჄ ჇႱႹჄ ჅႾჄႹႼ ჇႵ ႷჂႱႴჅႱჄႵ ႲႵႶႿჂႵ ჉ႿჅ ႻႹႳႻ ჄႸႵ ႲჅႳႻႵჄჭ჏ა

ჸჅჃჄ ႼႵჄ ႽႵ ႴႹႵ ႱႼჂႵႱႴ჉ნ ჯႾ ႨႹႱႿ჉Ⴙ ႳႼႿჃႵႴ ႸႹჃ Ⴕ჉ႵჃნ

ჶႵ ႿჀႵႾႵႴ ჄႸႵႽ ႱႷႱႹႾ ႸႵႼჀႼႵჃჃႼ჉ნ აჯჂႵ ჉ႿჅ ႹႾჃႱႾႵჭ ჷჃ ჃჅႴႴႵႾ ႴႵჂႱႾႷႵႽႵႾჄ ჉ႿჅჂ ႴႵႶႹႾႹႾႷ ჄჂႱႹჄჭა

ა჻჉ ႴႵႶႹႾႹႾႷ ჄჂႱႹჄ ႹჃ ႲႵႹႾႷ ႱႴႿჂႱႲႼ჉ ႳႼჅႵႼႵჃჃლა ჲႿჂႿჄႸႵႱ ჂႿႼႼႵႴ ႸႵჂ Ⴕ჉ႵჃნ აჱႿႽႵ ႿႾლ ႠჂႿႶႵჃჃႿჂლ ჉ႿჅ’ჂႵ ჄႸႵ ႿႾႵ ჀჂႵჄႵႾႴႹႾႷ ჄႿ ႲႵ ႳჂႹჄႹႳႱႼႼ჉ ႹႾႺჅჂႵႴნ ჯჃ ჉ႿჅჂ ႽႿჃჄ ႼႿ჉ႱႼ ჄႿჀ ჃჄჅႴႵႾჄლ ႿႶ ႳႿჅჂჃႵ ჷ ႸႱ჆Ⴕ ჄႿ ჀႼႱ჉ ႱႼႿႾႷნა

ჯႾ ႨႹႱႿ჉Ⴙ ჃႳჂႱჄႳႸႵႴ ႸႹჃ ႸႵႱႴ—ჃႿ ჃႸႵ ႻႾႵჇ ႸႵ ჇႱჃ ႳႿႽჀႼႵჄႵႼ჉ ႶႹႾႵნ

აჷ’Ⴝ ჂႹႷႸჄლ ႱჂႵႾ’Ⴤ ჷჭ჏ა

აჷ ჇႱჃ ႺჅჃჄ ჄႸႹႾႻႹႾႷ… ჲႿႵჃ ႣჄნ ჯႾႾ’Ⴣ Ⴕ჆ႵႾ ႸႱ჆Ⴕ Ⴑ ႷჂႱႴჅႱჄႵ ჀჂႿႷჂႱႽჭა

აႩႿჅ’ჂႵ ჄႸႵ ჀჂႿႶႵჃჃႿჂლ ႱႾႴ ჉ႿჅ’ჂႵ ႱჃႻႹႾႷ ႽႵჭა ჲႿჂႿჄႸႵႱ ჀႿჅჄႵႴლ ჄႸႵႾ ႶႼႱჃႸႵႴ Ⴑ ႲჂႹႷႸჄ ჃႽႹႼႵნ აჷ ႴႹႴႾ’Ⴤ Ⴕ჈ჀႵႳჄ ჉ႿჅ ჄႿ ႲႵ ჃႿ ႲჂႱ჆Ⴕნ ႤႸႱႾႻჃ჏ა

ჯႾ ႨႹႱႿ჉Ⴙ ႻႾႵჇ ჃႸႵ ჇႱჃ ჂႵႶႵჂჂႹႾႷ ჄႿ ႼႱჃჄ ႾႹႷႸჄლ ჇႸႵႾ ႸႵ ႸႱႴ ჀჅჃႸႵႴ ႸႵჂ ႿჅჄ ႿႶ ჄႸႵ ႸႱႼႼჇႱ჉ ႺჅჃჄ ႱჃ ႲႼႱႳႻ ჃჀႹႻႵჃ ႵჂჅჀჄႵႴ ႶჂႿႽ ჄႸႵ ႷჂႿჅႾႴლ ႾႵႱჂႼ჉ ႹႽჀႱႼႹႾႷ ႸႵჂნ ჲႿჂႿჄႸႵႱ ႸႱႴ ႲႵႵႾ ႽႹႼႼႹჃႵႳႿႾႴჃ ႱჇႱ჉ ႶჂႿႽ ႲႵႳႿႽႹႾႷ Ⴑ ჀႹႾႳჅჃႸႹႿႾნ

აჶႿჇ ႴႹႴ ჉ႿჅ ႻႾႿჇ ჷ ჇႱჃ ႱႲႿჅჄ ჄႿ ჅჃႵ Ⴝ჉ ჯჅჄႸႿჂႹჄ჉ჭა ჲႿჂႿჄႸႵႱ ႱჃႻႵႴნ

ა჻჉ ჯჅჄႸႿჂႹჄ჉ ႵႾႸႱႾႳႵჃ ႶႿႳჅჃ ႱႾႴ ႽႱႻႵჃ ႹჄ ႵႱჃႹႵჂ ჄႿ ႴႵჄႵႳჄ ႾႵႱჂႲ჉ ჯჅჄႸႿჂႹჄ჉ ႱႳჄႹ჆ႱჄႹႿႾჃნა

ჯႾ ႨႹႱႿ჉Ⴙ ჄႸႿჅႷႸჄ ႱႲႿჅჄ ႹჄ ႱႾႴ ჂႵႱႼႹ჊ႵႴ ჄႸႹჃ Ⴕ჈ჀႼႱႾႱჄႹႿႾ ჇႱჃ ႸႱჂႴ ჄႿ ႺჅჃჄႹႶ჉ლ ჃႿ ႸႵ ႱႴႴႵႴ ჄႿ ႸႹჃ ჯჅჄႸႿჂႹჄ჉’Ⴣ ႼႿჂႵნ

აჷႾႳႼჅႴႹႾႷ ႲჅႼႼႵჄჃ ႱႾႴ ႿჄႸႵჂ ჀႵႿჀႼႵ’Ⴣ ႽႿ჆ႵႽႵႾჄჃნ ႤႿ ႽႵლ ჄႹႽႵ ႱႼჇႱ჉Ⴣ ჃႵႵႽჃ Ⴑ ႶႵჇ ჃႵႳႿႾႴჃ ჃႼႿჇႵჂნა

აႤႸႱჄ’Ⴣ ჃႿ ჽႠ჏ა

ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჃ ႳႿႾႶჅჃႵႴნ აჶႿჇ ႱႽ ჷ ჽႠჭა

აჷ ႽႵႱႾ ჉ႿჅჂ ႱႲႹႼႹჄ჉ ႹჃ ჽႠნა ჲႿჂႿჄႸႵႱ ႷႱ჆Ⴕ ႱႾ Ⴕ჈ႱႽჀႼႵნ აႤႸႹႾႻ ႱႲႿჅჄ ႹჄ—჉ႿჅ’ჂႵ ႲႱჃႹႳႱႼႼ჉ Ⴑ ႸჅႽႱႾ ჯჅჄႸႿჂႹჄ჉მႴႵჄႵႳჄႹႾႷ ჂႱႴႱჂნ ჷႶ ჇႵ ႲჂႹႾႷ ჉ႿჅ ႿႾ ႽႹჃჃႹႿႾჃლ ჇႵ ჇႿႾ’Ⴤ ႸႱ჆Ⴕ ჄႿ ჇႿჂჂ჉ ႱႲႿჅჄ ჆ႱႽჀႹჂႵჃ ႱႽႲჅჃႸႹႾႷ ჅჃ ჇႹჄႸ ჄႸႵႹჂ ჯჅჄႸႿჂႹჄႹႵჃნა

ႤႸႵႾ ႸႵჂ Ⴕ჉ႵჃ ႼႹჄ ჅჀლ ႱჃ ႹႶ ჃႸႵ’Ⴔ ႸႱႴ Ⴑ ႲჂႹႼႼႹႱႾჄ ႹႴႵႱნ

აႢႹႷႸჄლ ჂႹႷႸჄ჏ ჯႾႴ ႲႵჃႹႴႵჃ ჄႸႱჄლ ჇႵ ႳႱႾ ႸႱ჆Ⴕ ჉ႿჅ ჃჄႱႾႴ ႱჄ ჄႸႵ ႶჂႿႾჄ ႱჃ Ⴑ ჃႸႹႵႼႴ ჇႸႹႼႵ ჄႸႵ ჂႵჃჄ ႿႶ ჅჃ ႼႹႾႵ ჅჀ ႲႵႸႹႾႴ ჉ႿჅლ ႼႹႻႵ Ⴑ ჃჄჂႱႹႷႸჄ ჃႾႱႻႵნ ႩႿჅ ႻႾႿჇ ჄႸႵ ႷႱႽႵ ‘ჳႱႷႼႵ ჱႱჄႳႸႵჃ ჱႸႹႳႻႵႾჃ’ჭ ჷႶ ႲჅႼႼႵჄჃ ႳႿႽႵ ჃჄჂႱႹႷႸჄ ႱჄ ჅჃლ ჉ႿჅ’ႼႼ ႻႾႿჇ ႹႾ ႱႴ჆ႱႾႳႵ ႱႾႴ ႴႿႴႷႵლ ႱႾႴ ჇႵ ႳႱႾ ႶႿႼႼႿჇ ჉ႿჅჂ ႼႵႱႴ჏ა

ჯႾ ႨႹႱႿ჉Ⴙ ჂႵႱႼႼ჉ ჇႱႾჄႵႴ ჄႿ ჂႵჄႿჂჄლ ჷႶ ჉ႿჅ ჇႱႾჄ ჄႿ ႷႵჄ ႽႵ ႻႹႼႼႵႴლ ႺჅჃჄ ჃႱ჉ ჃႿნ ႧႱჃ ჄႸႵ აჳႱႷႼႵ ჱႱჄႳႸႵჃ ჱႸႹႳႻႵႾჃა ႱႾႱႼႿႷ჉ ჃႿႽႵჄႸႹႾႷ Ⴑ ႾႿჂႽႱႼ ჀႵჂჃႿႾ ჇႿჅႼႴ ႳႿႽႵ ჅჀ ჇႹჄႸჭ

აႧႸႱჄ ႹႶ ჄႸႵ ႲჅႼႼႵჄჃ ႳႿႽႵ ႶჂႿႽ ჄႸႵ ჃႹႴႵჭა ჯႾ ႨႹႱႿ჉Ⴙ ჄჂႹႵႴ ჄႿ ႶႿႼႼႿჇ ჄႸႵ ႲႼႿႾႴႵ ႱႹჂႸႵႱႴ’Ⴣ ႼႿႷႹႳნ

აჯႸ჏ა ჲႿჂႿჄႸႵႱ ႼႿႿႻႵႴ ჄჂႿჅႲႼႵႴნ

ႣႸႵ ჃႸႿႿႻ ႸႵჂ ႸႵႱႴ ჆ႹႷႿჂႿჅჃႼ჉ ႼႹႻႵ Ⴑ ჂႱჄჄႼႵმႴჂჅႽნ აჲႹႴႾ’Ⴤ ჄႸႹႾႻ ႿႶ ჄႸႱჄნა

ჴႱჂႼႱ ႳႿჅႼႴႾ’Ⴤ ჃჄႱႾႴ ႼႹჃჄႵႾႹႾႷ ჄႿ ჄႸႹჃ ჂႹႴႹႳჅႼႿჅჃ ჄႵႱႳႸႵჂმჃჄჅႴႵႾჄ Ⴕ჈ႳႸႱႾႷႵ ႱႾ჉ ႼႿႾႷႵჂ ႱႾႴ ჃჄႿႿႴ ჅჀ ჄႿ ႼႵႱ჆Ⴕნ ჲႵႵჀ ႴႿჇႾლ ჃႸႵ ႵႾ჆ႹႵႴ ჲႿჂႿჄႸႵႱ’Ⴣ ჃႹႽჀႼႵ ჂႵႼႱჄႹႿႾჃႸႹჀ ჇႹჄႸ ჯႾ ႨႹႱႿ჉Ⴙლ ႲჅჄ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ჄႿႼႵჂႱჄႵ ჄႸႵ ႲჂႱႹႾႼႵჃჃ ႳႸႱჄჄႵჂნ

ჰႵႶႿჂႵ ႼႵႱ჆ႹႾႷლ ჃႸႵ ႿჀႵႾႵႴ ჄႸႵ ႳჅჂჄႱႹႾჃლ ႶႼႿႿႴႹႾႷ ჄႸႵ ႴႹႽ ჂႿႿႽ ჇႹჄႸ ႼႹႷႸჄნ

ჯႾ ႨႹႱႿ჉Ⴙ ჇႱჄႳႸႵႴ ႸႵჂ ჂႵჄჂႵႱჄႹႾႷ ႶႹႷჅჂႵნ

ჲႿჂႿჄႸႵႱ ႷႼႱႾႳႵႴ ႱჄ ႸႵჂ ჄႿႿლ ჄႸႿჅႷႸჄ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ჄႸႵႾ ჃႱႹႴლ

აჷჄ’Ⴣ ႾႿႿႾნ ჲႿ ჉ႿჅ ჇႱႾჄ ႽႵ ჄႿ ႲჂႹႾႷ ჉ႿჅ ႼჅႾႳႸჭა

ჯႾ ႨႹႱႿ჉Ⴙ ႾႿႴႴႵႴნ აႣჅჂႵნ ႤႸႱႾႻჃნა

აჷ ჃႸႿჅႼႴ ႲႵ ჄႸႱႾႻႹႾႷ ჉ႿჅნ ჺႱჃჄ ႾႹႷႸჄ’Ⴣ ႿჀႵჂႱჄႹႿႾ ჇႱჃ ႻႹႾႴ ႿႶ Ⴑ ႶႱႹႼჅჂႵლ ႲჅჄ ႹჄ’Ⴣ ႶႹႾႵნ ჷ’Ⴝ ჃჅჂႵ ჉ႿჅ’ႼႼ ႼႵႱႴ ჅჃ ჄႿ ႷჂႵႱჄႵჂ ჆ႹႳჄႿჂႹႵჃ ႹႾ ჄႸႵ ႶჅჄჅჂႵ჏ა ჲႿჂႿჄႸႵႱ ႷჂႹႾႾႵႴნ აႤႸႱႾႻჃ ჄႿ ჉ႿჅლ ჄႸႵ ჃႳႸႿႿႼ ႱႴႽႹႾႹჃჄჂႱჄႹႿႾ ႴႹႴႾ’Ⴤ ႽႱႻႵ ჅჃ ჇჂႹჄႵ ჃႵႼႶმႳჂႹჄႹႳႹჃႽ ჂႵჀႿჂჄჃნ ჷ ႸႱჄႵ ჇჂႹჄႹႾႷ ჄႸႵ ႽႿჃჄნა

ႣႸႵ ჃႻႹჀჀႵႴ ႿჅჄ ႿႶ ჄႸႵ ჂႿႿႽნ

ჼႿჇლ ႿႾႼ჉ ჯႾ ႨႹႱႿ჉Ⴙ ჂႵႽႱႹႾႵႴ ႹႾ ჄႸႵ ჇႱჂႴნ ჽჅჄჃႹႴႵლ ჄႸႵ ჃჅႾ ႲႼႱ჊ႵႴ—ჄႸႵ ჇႵႱჄႸႵჂ ႶႿჂႵႳႱჃჄ ჀჂႵႴႹႳჄႵႴ Ⴑ ჀႵჂჃႹჃჄႵႾჄ ႸႵႱჄჇႱ჆Ⴕლ ჇႹჄႸ ჄႵႽჀႵჂႱჄჅჂႵჃ ჃႿႱჂႹႾႷ ჄႿ სს°ჱნ ჶႵ ႼႱ჉ ႹႾ ჄႸႵ ჁჅႹႵჄლ ႳႿႽႶႿჂჄႱႲႼႵ ჂႿႿႽლ ჄႸႵ ႸჅႽ ႿႶ ჄႸႵ ႱႹჂ ႳႿႾႴႹჄႹႿႾႵჂ ႱႾႴ ჆ႵႾჄႹႼႱჄႹႿႾ Ⴣ჉ჃჄႵႽ ႹႾ ჄႸႵ ႲႱႳႻႷჂႿჅႾႴნ

ჰႼႹჃჃნ ჷჄ ჇႱჃ ჄႸႵ ჀႵჂႶႵႳჄ ჄႹႽႵ ჄႿ ჃႼႱႳႻ ႿႶႶ ႱႾႴ ႾႱჀნ ႣჅႳႸ ჇႵჂႵ ჄႸႵ ჀႵჂႻჃ ႿႶ ჀჂႵჄႵႾႴႹႾႷ ჄႿ ႲႵ ႹႾႺჅჂႵႴ—ႾႿ ჇႿჂႻლ ႾႿ ჃჄჂႵჃჃლ ჃႼႵႵჀႹႾႷ ჇႸႵႾႵ჆ႵჂ ႸႵ ჇႱႾჄႵႴლ ჇႹჄႸ Ⴑ ႴႹჄ჊჉ ႶႿჂႵႹႷႾ ႷႹჂႼ ႴႵႼႹ჆ႵჂႹႾႷ ႽႵႱႼჃ ჄႿ ႸႹႽნ

აჴႱჂႼႱლ ჇႸႱჄ’Ⴣ ჇჂႿႾႷჭა ჯႾ ႨႹႱႿ჉Ⴙ ႳႼႿჃႵႴ ႸႹჃ Ⴕ჉ႵჃ ႱႾႴ ჃჀႿႻႵ ჄႿ ჄႸႵ ႱႹჂნ

ჶႵ ႻႾႵჇ ჄႸႵ ႿჄႸႵჂ ႲႼႿႾႴႵ ႷႹჂႼ ႸႱႴႾ’Ⴤ ႼႵႶჄნ

ႣჅჂႵ ႵႾႿჅႷႸლ ჴႱჂႼႱ ჃჄႵჀჀႵႴ ႲႱႳႻ ႹႾ ႶჂႿႽ ჄႸႵ ႴႿႿჂჇႱ჉ ႱႾႴ ჃႼႿჇႼ჉ ჄႿႿႻ Ⴑ ჃႵႱჄ ႿႾ ჄႸႵ ႳႸႱႹჂ ႲႵჃႹႴႵ ჄႸႵ ႲႵႴნ

PrevNext
The Vampire Professor

The train station bustled with ceaseless activity, alive with movement. In the spring of her twenty-third year, An Xiaoyi finally received the acceptance letter from that university. Agents, operatives, wielders of power… This was, in truth, a violent institution dedicated to opposing the vampires. He became a professor, teaching foundational knowledge of supernatural abilities and the history of vampires. Filled with anticipation and a deep sense of responsibility, he trained his students to bolster humanity’s strength against the bloodkin—all while searching for clues about his long-missing parents. The problem? He had another identity—she was, in fact, a vampire herself. Even worse, on her very first night in the dormitory, a mysterious vampire woman suddenly kissed her, claiming to be her lover. An Xiaoyi remained outwardly unfazed and struck a deal with the woman: in exchange for information about her parents, she would help the woman “conquer” her. After all, there was no way this woman knew her secret. But gradually, she began to suspect that the cunning, domineering woman was only acting… By the time she realized the truth, it was already too late—she had fallen deep into the trap.

Details

Comments

No comments